May 27, 1950
Television
Star Spangled Review
NBC
9:00 - 10:30 p.m.
Saturday Evening
Host: Bob Hope
Guests: Frank Sinatra, Peggy Lee, Beatrice Lillie.Arnold Stang, Sugar Chile Robinson and others
F.S. sang Come Rain Or Come Shine & did comedy skits.
NOTE: Ed O'Brien points out that this was Sinatra's first TV appearance ever.
The Arlen-Mercer tune receives a great performance by a singer definitely looking to prove something. And he did!
Not only was this Sinatra's first TV appearance, it was also his first attempt to sing in public
after his throat hemorrhaged at the Copacobana on May 2, 1950. He sang the hell out of the Mercer/Arlen classic.
note: When Frank appeared on Person To Person( 9-14-56), he told Edward R. Murrow how grateful
he was to Bob Hope for this guest shot. According to Frank, it was a very dark period in his life and
no one in the business wanted to touch him. Hope set Frank up with the best jokes and saw to it
that his talent was shown throughout the show. Frank called it a wonderful experience and one he
would never forget.
--Ed
Star Spangled Review
NBC
9:00 - 10:30 p.m.
Saturday Evening
Host: Bob Hope
Guests: Frank Sinatra, Peggy Lee, Beatrice Lillie.Arnold Stang, Sugar Chile Robinson and others
Another review sent along by Ed O'Brien:
Hailed as an all-star wonder show, Bob Hope's second TV venture never fully realized its big-time talent potential.
However, the hour -and-a-half airer was certainly superior to most video revues and some of Hope's material was
top quality; e.g. "Arthur Godfrey, the man who makes everybody else in radio sound like a spot announcement."
Teeing off with the longest credit list since Ben Hur, the show utilized the old "back stage" gimmick as an opener,
with shirt-sleeved stagehands running around setting up props. The comedian entered on the cue line, "we're ready,
Mr. Hope," and in spite of some sock monolog material, still showed a "walking on eggs" approach to TV in the initial
close-ups. His new modesty tack is appealing, but it's not Hope and it's debatable if this personality switch will please
fans who liked him glib and brassy. He was at his best in the skits, which he played with his old brisk assurance and deft
vaude timing. The latter was particularly evident In an automat scene with Arnold Stang and Dave Burns; a local yokel bit,
with canary Peggy Lee, and a stunt with Frank Sinatra lampooning TV-carrera conscious baseball players. Quality-wise,
Beatrice Lillie was the brightest spot on the show. Her flamboyant take-off on a female society fem who fancies herself an
amateur Duse and did rope tricks with a yard 'of pearls was priceless. The comedienne also scored with a slyiy satirical
impression of a punch-drunk bop singer, her old "whythrn" number, and gave Hope and Sinatra a big assist on a zany South
Sea finale, a broad take-off on the Hope-Crosby "road" flickers. Making his TV debut, Frank Sinatra projected a great deal of
warmth and boyish sincerity, indicating his video future should be a bright one. He was a trifle tense in his banter bouts with Hope,
but compensated with a nicely restrained rendition of Come Rain, Come Shine. His likable manner and poise were particularly
admirable in view of the highly audible swoongoons in the audience, who wheezed noisily every time he opened his mouth. The
beauteous Peggy Lee was hampered by bad make-up, but her natural good looks were still discernible and she chalked up a high
rating musically with a lyrical vocal on - Bewitched, Bothered and Bewildered. Dance-wise. the production was limited to two spots,
Suzette, a ballet about a fem grape presser, who danced when she should have been stompin' in the vintage, and, for contrast, a slick
hoofing turn by Condos and Brandow. The former was deftly performed by Janet Reed and Michael Kidd and the latter pulled extra laughs
when Hope crashed the act, a la Berle. Incidentally, Berle himself also crashed the show in pperson, getting into the finale unannounced.
Finis skit was a honey. The show lost its sense of humor, tho, when it came to the commercials. In spite of the practiced wiles of Dennis James
and Wendell Niles, two of video's best salesmen, the Frigidaire plugs were dead serious and cold as the brand name. This was mainly due to the
stiff sales manual type copy approach. If they'd spot Bea Lillie baking a cake or Hope hatching a plot to catch the light man in the Frigidaire, tele
viewers would be more likely to tune the pitch in at full volume. As for the production work, suffice to say that the musical backing, camera and
well-oiled staging mechanisms were agreeably unobtrusive thruout which means near-perfectIon behind the scenes.
June Bundy
Billboard
6-10-50
May 29, 1950
Radio
Light Up Time
Sponsor: Lucky Strike Cigarettes
Network: NBC
Show #191
Broadcast: 4:00-4:15 PM PST (Repeat: 7:00-7:15 PM EST)
Starring: Frank Sinatra & Dorothy Kirsten
Skitch Henderson And The Orchestra
1. opening
2. When You're Smiling - Frank Sinatra
3. commercial
4. Come Rain, Come Shine - Dorothy Kirsten
5. My Romance - Frank Sinatra & Dorothy Kirsten
6. commercial
7. My Foolish Heart - Frank Sinatra
8. closing
Note: This was Sinatra's first appearance on Light Up Time since May 1, 1950. He had suffered a vocal hemorrhage and missed all shows from May 2 to May 28th.
May 30, 1950
Radio
Light Up Time
Sponsor: Lucky Strike Cigarettes
Network: NBC
Show #192
Broadcast: 4:00-4:15 PM PST (Repeat: 8:00-8:15 PM PST)
Starring: Frank Sinatra & Dorothy Kirsten
Skitch Henderson And The Orchestra
1. opening
2. An American Beauty Rose - Frank Sinatra
3. commercial
4. "unknown" - Dorothy Kirsten
5. A Fine Romance - Frank Sinatra & Dorothy Kirsten
6. commercial
7. My Buddy - Frank Sinatra
8. closing
Notes: "If You Are But A Dream" was changed to "My Buddy."
May 31, 1950
Radio
Light Up Time
Sponsor: Lucky Strike Cigarettes
Network: NBC
Show #193
Broadcast: 4:00-4:15 PM PST (Repeat: 8:00-8:15 PM PST)
Starring: Frank Sinatra & Dorothy Kirsten
Skitch Henderson And The Orchestra
1. opening
2. Should I - Frank Sinatra
3. commercial
4. I Hadn't Anyone Till You - Dorothy Kirsten
5. Try A Little Tenderness - Frank Sinatra
6.. Soon - Dorothy Kirsten
7. commercial
8. I Concentrate On You - Frank Sinatra
9. closing
Ed O'Brien:
I checked the New York papers to see if the show was
repeated. There was only the 7:00 p.m. airing. NYT
listing omitted Light Up Time title. Strictly a Frank
Sinatra - Dorothy Kirsten show. Did find at 7:45 p.m.,
a 15 minute "Songs By Sinatra," on WINS. Show
was pre-recorded.
Television
none
June 1, 1950
Radio
Light Up Time
Taped: May 31, 1950
Sponsor: Lucky Strike Cigarettes
Network: NBC
Show #194
Broadcast: 4:00-4:15 PM PST (Repeat: 8:00-8:15 PM PST)
Starring: Frank Sinatra & Dorothy Kirsten
Skitch Henderson And The Orchestra
1. opening
2. All Of Me - Frank Sinatra
3. commercial
4. Did I Remember - Dorothy Kirsten
5. It Isn't Fair - Frank Sinatra
6. commercial
7. Sunshine Cake - Frank Sinatra & Dorothy Kirsten
8. closing
June 2, 1950
Radio
Light Up Time
Taped: May 31, 1950
Sponsor: Lucky Strike Cigarettes
Network: NBC
Show #195
Broadcast: 4:00-4:15 PM PST (Repeat: 8:00-8:15 PM PST)
Starring: Frank Sinatra & Dorothy Kirsten
Skitch Henderson And The Orchestra
1. opening
2. An American Beauty Rose - Frank Sinatra
3. commercial
4. You're My Thrill - Dorothy Kirsten
5. Let's Fall In Love - Frank Sinatra & Dorothy Kirsten
6. commercial
7. Ol' Man River - Frank Sinatra
8. closing
June 4, 1950
Concerts
Carnegie Hall, New York City, NY
Jack Benny Benefit Performance for the Damon Runyon Memorial Fund For Cancer Research
Guest Performers: Frank Sinatra, Fred Allen, Milton Berle, Danny Kaye, Rise Stevens
Jack Benny Benefit Performance
for the Damon Runyon Memorial
Fund For Cancer Research
Carnegie Hall, New York City
June 4, 1950
Sunday evening
Guest Performers
Frank Sinatra, Fred Allen, Milton Berle, Danny Kaye, Rise Stevens
note: Benefit was SRO and raised $11,500
Variety
June 7, 1950
New York Times, June 5, 1950
June 26, 1950
Radio
American Federation of Radio Artists Frolics
Frank Sinatra and Red Skelton and Pat O'Brien and others
11:30 PM
Television
None
Concerts
Los Angeles Breakfast Club, Los Angeles, CA
2nd Annual American Federation of Radio Artists Frolics
Frank Sinatra and Red Skelton and Pat O'Brien
American Federation of Radio Artists Frolics
Frank Sinatra and Red Skelton and Pat O'Brien
June 28, 1950
Studio
New York City
CO44015 Goodnight Irene
w/The Mitch Miller Singers
(H. Ledbetter/J. Lomax)
Spencer Music Corp. (BMI) 1950
Arranged & Conducted by Mitch Miller
-1 (2:49) CD: Columbia Years 43-52 Vol. 13
LP: CL-1448 Reflections
78: 38892
Lou White, organ, Mundell Lowe, guitar, Frank Carroll, bass
Mitch Miller Singers
NOTE: Sinatra Scholar Ed O'Brien reports that Sinatra was interviewed by Ben Heller on WMID radio backstage at The Steel Pier in Atlantic City , New Jersey , in September 1950:
Sinatra: We've got a new one how that is moving pretty good called, if you'll excuse the expression, "Goodnight Irene."
Ben: Hey, that's a nice tune.
Sinatra: You wanna bet? No, it's pretty good.
Ben: You should sing a lot of songs. I like that.
Sinatra: Don't hold your breath. But "Goodnight Irene" seems to be a big success along with the other labels that have recorded it. Also, coming up. coming out, I should say, from a new Crosby picture called "Life Is So Peculiar." It's a rhythm tune. It's a cute little novelty song. I think you will enjoy hearing it. I hope, anyway.
Sinatra, in the interview, went on to plug his new 10-inch LP "Sing and Dance With Frank Sinatra."
CO44016 Dear Little Boy Of Mine
w/The Mitch Miller Singers
(J.K. Brennan/E.R. Ball)
M. Witmark & Sons (ASCAP) 1918
Arranged & Conducted by Mitch Miller
-1 (2:07) CD: Columbia Years 43-52 Vol. 13
LP: CL-1448 Reflections
78: 38960
Organ: Lou White; Bass: Frank Carroll; Guitar: Mundell Lowe
New York City
CO44015 Goodnight Irene
Birth of A Song Hit
SEPTEMBER 15 1950 JAMES DUGAN
A LEADING song hit this fall is a slow haunting folk tune in moderate
waltz time called "Goodnight, Irene", published by the Cromwell
Music Corp. of New York. The song and its 32-year-old publisher, Howard
Richmond, violate all the rules of the commercial music business.
Cromwell Music is one year old and has published four phenomenal hit
tunes. "Goodnight, Irene" is at least 50 years old and may have
actually originated a century ago.
Tin Pan Alley says everything is wrong with the song. It starts off with
the refrain, "Irene, Goodnight, Irene, Goodnight; Goodnight, Irene,
Goodnight, Irene. I'll see you in my dreams." Tin Pan Alley says,
"All them Irenes! Waddaya tryin' to sell me?" The tune has five
verses, completely unrelated to the refrain, out of character, and they
do not mention "Irene." They tell a tough tale of marital
strife. Two verses offend the radio censors by mentioning suicide and
drug addiction.
Richmond galvanized into action under the slogan, Sinatra must sing
"Irene." At that moment Sinatra was getting into a
stratocruiser in Los Angeles, eastbound for Europe. Richmond
air-expressed professional sheets of "Irene" in time to meet
the onrushing crooner in Chicago. Sinatra studied the song during the
flight to New York.
Mitch Miller, recording chief of Columbia records, was waiting at the N.
Y. Airport. He rushed Sinatra to a studio where Miller's own orchestra
was rehearsing a Sinatra setting for "Irene." The singer cut
one record and did not have time to hear it back before he roared off for
London.
Richmond drove to Bridgeport, Conn., where the Columbia record-pressing
plant in three hours made 300 advance records for the disk jockeys.
Richmond air-expressed them that night. The next day jockeys from
Vancouver to Atlanta were spinning Frank Sinatra's new smash hit to the
millions, while Sinatra was buying Ava Gardner a nosegay of violets in
Piccadilly Circus.
Frank Sinatra landing in New York after a plane flight, and greeted by
Mitch Miller, the Columbia Record recording chief.
(Actually this photo is from 1952, but it tells the story)
note: Frank's version of this song sold 30,000 copies. The Weavers had
their recording
out a month ahead of Frank's effort. Their record was #1 for 13
consecutive weeks, charted for
25 and sold more than two million copies. Norman Leyden did the chart for
Frank. I can think of only a
few Columbia recordings that had such a spare orchestral backing:
Lou White(organ), Mundell Lowe
(guitar), Frank Carroll(bass). Interesting trio. The Mitch Miller Singers
provided choral backing.
When Frank played the Steel Pier on Labor Day weekend that year, the
Atlantic City crowds demanded
he sing "Irene." I honestly don't understand why Frank disliked
the tune. It is a fine American folk song.
And he is in great voice throughout.
Ed
note: I have seen in the trades the claim that Frank's version of the
song sold
30,000 copies. Never made any sense
to me. "Goodnight Irene" peaked
at # 5 on the Billboard Top Hits and
charted for 12 wks. This new inform-
ation would indicate final sales
around a quarter of a million. -ED
June 30, 1950
Concerts
On board an American Overseas Airlines Boeing 377 Stratocruiser during a flight from New York to London
Sinatra gave a live, in-flight performance in the aircraft's 'Sky lounge'
On board an American Overseas Airlines Boeing 377 Stratocruiser during a flight from New York to London
Sinatra gave a live, in-flight performance in the aircraft's 'Sky lounge'
Frank leaving New York by American Overseas Stratocruiser:
Sinatra On Stratocruiser
American actor and singer Frank Sinatra (1915 - 1998, right) with scriptwriter Paul Dudley (1912 - 1959) on board an American Overseas Airlines Boeing 377 Stratocruiser during a flight from New York to London, 1950. Sinatra has just given a live, in-flight performance in the aircraft's 'Sky lounge'. (Photo by Pictorial Parade/Archive Photos/Getty Images)
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July 6, 1950
England
Legendary American actor and singer Frank Sinatra (centre) is pictured
with British journalist Hannen Swaffer (left) and variety impresario Val
Parnell at a press reception
Frank Sinatra And Carol Lynn At Prince Of Wales Theatre In London on
July 6th 1950 UNITED KINGDOM
July 10, 1950
Concerts
Palladium, London (July 10 - 23)
Palladium, London (July 10 - 23)
NOTE: Ed O'Brien sends a story from VARIETY of July 5, 1950 headlined SINATRA SONGFEST ON EUROPE HOP MAY CUE STRATOCRUISER 88ING:
American Airlines is awaiting reports on the feasibility of installing pianos in its overseas Stratocruisers, following an experimental songfest led by Frank Sinatra last week aboard the London-bound Continental Mercury. Sinatra, who is scheduled to appear at the Palladium in London July 10 sang to and with passengers, with Ken Lane, his accompanist, playing piano. Music was piped from the lower to the upper deck. Songs were also broadcast from the plane to the crew of the U. S. Coast Guard floating weather station Charlie, stationed about 900 miles from Newfoundland. Air officials said the concert was held to determine passenger reaction and acoustical facilities. Early reports indicated passengers like the idea, but no decision on installation of pianos will be made until complete reports are in.
REVIEW:LONDON PALLADIUM- July 15, 1950
THE PHENOMENON IN MIDNIGHT BLUE
Sinatra walked on to a bare stage almost before the
Palladium curtains had parted, gave a slight diffident bow
to the gallery roar that had greeted Woolf Phillips announcement,
and straightway swung into "When You're Smilin' "
It was the start of a fifty minute, almost non-stop song session,
that left the world's highest paid vocalist limper than the second-house
crowds who were jamming Arglye Street long before the curtain fell.
ANXIOUS MOMENT
He sang fourteen songs. Previously he had taken the Skyrockets
band call, personally supervising each section in its interpretation of
the Sy Oliver, Axel Stordahl and George Siravo arrangements.
One wondered how he would fare in the second house. His throat
seemed to be feeling the strain after Ol' Man River," but he went on
fortified by a cup of tea to sing six more songs, until the effort of inter-
preting "Soliloquy" saw him looking haggard and rather gray.
For a minute or two he left the stage [and Woolfie looking anxiously
into the wings], but returned, rejuvenated from some secret source, to
render two more numbers before making his exit., as undramatically
as he had entered upon his first British stage appearance.
Meanwhile, what had he shown us-this " very scared young Italian
lad" as he described himself in one of his unassuming asides? What has
he got [beyond a million pound contract in his pocket] that other crooners
haven't got? And is it hard to get?
Let's look at him as he stands at the mike in a midnight blue dinner
jacket and outsize bow tie.
He rarely moves his feet. In slow numbers,[of which there were far too
many], his arms are outward at an angle slightly lower than Jolson's,
or grasped around the microphone stand as if in supplication. In fast
numbers, they are slightly bent; the right hand clicking the tempo; a
pulsing of the left foot slightly rocking his broad shoulders.
In both; he sings from the hips, body leaning backwards and swaying
like an early-movie vamp.
Sinatra does not milk the audience: at least not so you would notice it.
But the vamping is there all the same: in the body movement the clinch
of the fist, the narrowing of the eyes.
And when it all becomes too much for the fans to stand, and they
start to go over the edge, he gently pushes them back to momentary
sanity with an admonishing "Steady, now."
WHO CAN COMPETE ?
He has vocal tricks, of course. The note held on from one phrase to
another; the occasional portamentos that imitators seize upon. But
not so many tricks as one would expect. Above all, he sings [in a
voice somewhat deeper than his records have led us to expect] in a
manner that makes you believe every word of the lyric.
Can any of our own singers compete for his crown? I wouldn't like
to say... I am inclined to think that here is a unique personality, a
phenomenon; but someone who is also very human.
And fourteen songs in a row are more than human flesh and blood
[if such can be applied to Sinatra] should be expected to stand.
LEGISLATED FOR
For the record here is his first house programme: "When You're
Smiling," "Bewitched, Bothered and Bewildered," "April In Paris,"
"Ol' Man River"[and a parody of Ol' Man Crosby"!], "Embraceable
You," "Don't Cry Joe," "I Fall In Love Too Easily," "Foggy Day In London,"
"Foolish Heart"[requested by the gallery and played to the solo piano
accompaniment of Sinatra's own pianist, Ken Lane, who took over
Pat Dodd's chair for the act], "Come Rain Or Come Shine," "Soliloquy,"
from Carousel[We had to get a special piece of legislation passed to
allow me to sing this], 'Nancy With The Laughing Face" and "Bye, Bye
Baby."
Of the Skyrockets' accompaniment, what need be said? It was as usual,
perfect.
Pat Brand
London Times
July 15, 1950
Thanks to Carl for above photo
----
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
Oregon Daily Journal
July 11, 1950
Concerts
Palladium, London (July 10 - 23)
Palladium, London (July 10 - 23)
NOTE: Sinatra Scholar Ed O'Brien sends a review of the London Palladium appearance, dated July 15, 1950, written by Pat Brand of the LONDON TIMES, and headlined THE PHENOMENON IN MIDNIGHT BLUE:
Sinatra walked on to a bare stage before the Palladium curtains had parted, gave a slightly diffident bow to the gallery roar that had greeted Woolf Phillips announcement, and straight away swung into "When You're Smilin."
It was the start of a fifty minute, almost non-stop song session that left the world's highest paid vocalist limper than the second-house crowds who were jamming Argyle Street long before the curtain fell.
He sang fourteen songs. Previously he had taken the Skyrockets band call, personally supervising each section in its interpretation of the Sy Oliver, Alex Stordahl, and George Siravo arrangements. One wondered how he would fare in the second house. His throat seemed to be feeling the strain after "Ol' Man River." But he went on fortified by a cup of tea to sing six more songs, until the interpreting of 'Soliloquy' saw him looking haggard and rather grey.
For a minute or two, he left the stage [and Woofie looking anxiously into the wings], but returned rejuvenated from some secret source, to render two more numbers before making his exit, as undramatically as he had entered upon his first British stage appearance.
Meanwhile, what had he shown us, this very scared young Italian lad, as he described himself in one of his unassuming asides. What has he got [beyond a million pound contract in his pocket] that other crooners haven't got? And is it hard to get?
Let's look at him as he stands at the mike in a midnight blue dinner jacket and outsized bow tie.
He rarely moves his feet. In slow numbers [of which there were far too many], his arms are outward at an angle slightly lower than Jolson's or wrapped around the microphone stand as if in supplication. In fast numbers, they are slightly bent; the right hand clicking the tempo; a pulsing of the left foot slightly rocking his broad shoulders. In both, he sings from the hips, body leaning backwards and swaying like an early movie vamp.
Sinatra does not milk the audience, at least no so you would notice it. But the vamping is there all the same: in the body movement, the clinch of the fist, the narrowing of the eyes.
And when it becomes too much for the fans to stand, and they start to go over the edge, he gently pushes them back to momentary sanity with an admonishing "Steady, now."
He has vocal tricks, of course. The note held on from one phrase to another; the occasional portamentoes that imitators seize upon. But not so many tricks as one would expect. Above all, he sings [in a voice somewhat deeper than his records have led us to expect] in a manner that makes you believe every word of the lyric.
Can any of our own singers compete for this crown? I wouldn't like to say . . . I am inclined to think that here is a unique personality, a phenomenon; but also someone who is very human.
And fourteen songs in a row are more than human flesh and blood [if such can be applied to Sinatra] should be expected to stand.
For the record, here if the first house programme: "When You're Smilin", "Bewitched, Bothered, and Bewildered," "April in Paris," "Ol' Man River," [and a parody, Ol' Man Crosby", "Embraceable You," "Don't Cry Joe," "I Fall in Love too Easily," "A Foggy Day," "My Foolish Heart," [requested by the gallery and played to solo piano accompaniment by Sinatra's own pianist, Ken Lane, who took over Pat Dodd's chair for the act], "Come Rain or Come Shine," "Soliloquy," [We had to get a special piece of legislation passed to allow me to sing this, he said. "Nancy" and "Bye, Bye, Birdie." Of the Skyrockets accompaniment, what need be said? It was, as usual, perfect.
Frank Sinatra drinks a cup of tea during his performance at the London Palladium in 1950.
Singer Frank Sinatra Picture With Johnny Dankworth Now Sir John Dankworth In 1950.
11. jul. 1950
July 12, 1950
Concerts
Palladium, London (July 10 - 23)
July 13, 1950
Concerts
Palladium, London (July 10 - 23)
July 14, 1950
Concerts
Private Party at the Home of Lady Olive Baillie, London, England
Princess Margaret was in attendance
Sinatra performed a dozen songs, including:
-If I Loved You
-My Foolish Heart
Palladium, London (July 10 - 23)
Sample Set List from July 14.
1. When You're Smiling,
2. Bewitched
3. April In Paris
4.. Ol' Man River
5. Ol' Man Crosby (Parody)
6. Embraceable You
7. Don't Cry Joe
8. I Fall In Love Too Easily
9. A Foggy Day
10. My Foolish Heart w/Ken Lane (piano)
11. Come Rain Or Come Shine
12. Soliloquy
13. Nancy
14. Bye, Bye Baby
TT: 50mins.
Private Party at the Home of Lady Olive Baillie, London, England
Princess Margaret was in attendance
Sinatra performed a dozen songs
July 15, 1950
Concerts
Palladium, London (July 10 - 23)
Palladium, London (July 10 - 23)
July 16, 1950
Concerts
New Opera House, Blackpool, England
Sunday
two shows
6.20 & 8.15 pm.
Woolf Philllips & The Palladium Skyrockets Orchestra
Ken Lane at the Piano.
New Opera House, Blackpool, England
Frank Sinatra, pictured with his arm raised in the middle of the
shot outside the Clifton Hotel, Blackpool in the 1950s - by which time
its population had grown to 147,000
“You know I could be mayor of this town!” said Ol’ Blue Eyes, when he
made his first appearance in the resort back on 16th July, 1950. And such
was the charisma of Frank Sinatra, he was probably right, judging by the
welcome he received.
The Blackpool Gazette scored a fantastic scoop by capturing the
moment the world-famous singer left the Clifton Hotel in a
chauffeur-driven Buick for the Opera House, mobbed by ecstatic
fans.
An interview with the driver, Frank Lucas, reported him as saying:
““Frank Sinatra was a big hit in Blackpool. When he came here in 1950 his
career was on a bit of a wane in the States. But when he got to
Blackpool, and saw the crowds cheering, clapping, jumping up and down and
banging on the windows he said ‘they love me this town don’t they?’ ‘Yes
they do, sir,’ I said “‘I could become mayor,’ he said and I replied ‘yes
you could!’”
No wonder he received a £2,000 pay cheque for his 1950 show, with Ken
Lane on piano, making him Blackpool’s highest paid performer at the time.
Frank Sinatra made a big impression on the UK in 1950, also appearing at
the London Palladium the same July, in a variety bill that included
comedian Max Wall.
--Thanks to Carl R for above photo and information
July 17, 1950
Concerts
Palladium, London (July 10 - 23)
July 18, 1950
Concerts
Palladium, London (July 10 - 23)
July 19, 1950
Concerts
Palladium, London (July 10 - 23)
Palladium, London (July 10 - 23)
Frank Sinatra at the London Palladium, 1950.
Frank Sinatra in a picture taken 1950 in London performs on stage at
Palladium Theater. AFP/AFP/Getty Images)
Frank Sinatra in London, July 1950.
High kicks & trysts with Ol' Blue Eyes: The revelations of a
Tiller GirlBy
IRENE HOLLAND
As a dancer with the world-famous Tiller Girls, Irene Holland
performed with a host of Hollywood heart-throbs during the 1940s and 50s.
But, as she reveals here, it wasnt all smiles and sequins
The Tillers had up to four costume changes for every performance -
here they are dressed as ponies
As the Palladium Tiller Girls we would open the show, close the first
half, open the second half and close it at the end with a Hollywood star.
There would be a costume change for each dance, two shows a night every
day except Sunday and then every two weeks we would have to learn a new
show for the next American star. There was no doubt about it, it was damn
hard work.
We opened with Danny Kaye in 1948. He looked like an ordinary bloke to
me, but it was very exciting to think I was inches away from a Hollywood
star as we queued for tea and coffee in the green room after our last
rehearsal. I was busy staring at him and he obviously hadnt seen me
standing behind him. When he turned around he bumped into me and spilt
hot coffee down the front of my brand new, hugely expensive silk dress. I
yelped in pain but he didnt say a word and just wandered off.
A lot of people thought we were silly just because we were dancers. They
were surprised when you had an opinion on things. One of the girls,
Betty, was from Yorkshire and she was very left-wing like me. Her full
name was Betty Boothroyd and years later she became the first woman
speaker of the House of Commons. Proof indeed that you could be a Tiller
Girl and have brains!
The day Frank Sinatra joined us for a two-week run I arrived at the
theatre for rehearsals and there was already a huge crowd outside the
stage door hoping to get a glimpse of him. There was no such thing as
bodyguards or security staff in those days and most stars just travelled
with their partner and sometimes their manager. Wed never seen anything
like this before.
The whole cast and crew were buzzing about the arrival of Ol Blue Eyes.
We were in the midst of rehearsals that afternoon when we saw him
standing in the wings being introduced to the backstage staff. He was in
his 30s, an older man compared to us girls. He had a bit of a reputation
for being a womaniser and I could see why. He is much more handsome in
real life, I whispered to Peggy.
Jack the stage manager brought him over to where we were standing. We
were completely star-struck and just stood there like lemons with big
grins on our faces. Hello, ladies, he said. I am looking forward to
seeing you in action.
Hello Mr. Sinatra, we chorused.
Isnt he small? whispered Peggy as he wandered off stage. Not much
bigger than me, I replied.
The excitement was building for his first night and the atmosphere in the
theatre was electric. It was standing room only in the stalls and the
minute the curtain went back to reveal Sinatra reclining on a velvet
chaise longue, the audience erupted with whoops, cheers and
whistles.
We all had autograph books but nobody dared take them to the dressing
room to get Sinatra to sign them except Jean and me. Before that time I
had never been in awe of any of the stars. We just treated them as part
of the show and got on with it. But I felt a little nervous as I headed
to his dressing room and my hands were shaking as I knocked on the
door.
Come in, girls, he said, smiling when he saw us standing
there.
We wondered if youd be so kind as to sign our autograph books, Mr.
Sinatra, I asked. Of course, Id be delighted.
We were both in awe, getting so close to someone who was considered such
a big star and so friendly. As we came out we passed a woman walking down
the corridor. She was a tiny little thing but absolutely stunning and
very glamorous with her green eyes, dark curly hair and luscious red
lips.
Its Ava Gardner, whispered Jean.
She was going out with Sinatra at the time and was obviously on her way
to see him.
11th July 1950: Crowds waiting outside the Palladium, London,
hoping to catch a glimpse of Frank Sinatra who is performing there.
(Photo by Stroud/Express/Getty Images)
-----------------------------------------
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
July 20, 1950
Concerts
Palladium, London (July 10 - 23)
July 21, 1950
Concerts
Palladium, London (July 10 - 23)
July 22, 1950
Concerts
Palladium, London (July 10 - 23)
Palladium, London (July 10 - 23)
Shirley May France, who as a young woman tried to swim the English Channel, dies at 79
By Emily Langer
March 22, 2012
With the words “Black Magic” emblazoned across the bosom of her swimsuit, Shirley May France captivated two continents with her attempt to swim the English Channel in 1949.
Then a 17-year-old Massachusetts schoolgirl, she would have been the youngest person in history to conquer the 21 miles of frigid double tides and currents between Cap Gris Nez in France and England’s white cliffs of Dover.
Her derring-do evoked the exuberance of the 1920s, when the American swimmer Gertrude Ederle became the first woman to cross the channel and aviator Charles Lindbergh made the first non-stop solo flight across the Atlantic. Dozens of other swimmers were lured by the channel in the intervening years, but Miss France became the most vigorously ballyhooed.
The fact that Miss France never made it to the white cliffs mattered little to the legions of fans who followed her in breathless news reports. Her valiant effort, her blue eyes and wickedly cute dimpled smile were enough.
Miss France died March 18 a hospital near Somerset, Mass., where she was known by her married name of Shirley May Setters. She was 79 and had cancer, her son Donald P. Setters Jr. said.
Shirley May France, a teenage American swimmer who became an international sensation when she tried unsuccessfully to swim the English Channel in 1949 and 1950, died March 18 at a hospital in Fall River, Mass. She was 79. (MARK KAUFFMAN/LIFE)
Miss France never set out to be a hometown heroine but embraced the role once it was thrust upon her by a combination of her father’s ambition, the wily promotion of a press agent, newspapers’ thirst for human interest stories and the American appetite for adventurers.
Her dad, a former amateur swimming champion who made a living fixing oil burners, knew his daughter was a good swimmer and engaged her in a series of aquatic conquests. In 1948, as the only woman among 100 contestants, she finished 10th in a race across New York’s Lake George.
Ted Worner, a rollicking press agent who had known Ederle, told the New Yorker magazine that he “had a hunch the public might be ready for another one of those things.” He began stoking Miss France’s ambition to swim the channel — and ginned up a stunt that made her a press darling.
On July 10, 1949, with plenty of reporters in tow, Miss France swam 14 miles from Lower Manhattan to Coney Island in southern Brooklyn. It took her five hours and 40 minutes. (The trip was made slightly longer by a detour to avoid some dirty sewer water.)
Days later, Miss France was off to Europe with a small entourage. Awaiting them there was a slew of reporters poised to deliver stroke-by-stroke accounts of her swim. Fueling the frenzy was a report — untrue — that Miss France would swim in the nude. On the contrary, she left the English besotted by her wholesomeness. “Pleased ta meetcha,” she greeted onlookers.
With bad weather and other delays, the appointed date of Miss France’s swim came and went, and came and went. Meanwhile two Egyptians, a Frenchman and a Dutch housewife tried to swim the channel and succumbed to exhaustion.
On Aug. 24, 1949, Philip Mickman, a Yorkshire boy, became the youngest person at the time to swim the channel. He was 18. Miss France — then 17 — still had a chance to claim the distinction. (She wore a suit bearing the words “Black Magic” at the behest of Warner, to promote a film by the same name.)
She started from Cap Gris Nez on Sept. 6, 1949, at 5:26 a.m. Six miles from Dover, and fading from exhaustion after 10 1 / 2 hours of swimming, she was dragged out of the water by the minders following her in a boat.
“Please — please — leave me in,” she begged her coach. “Look how near it is,” she cried, looking to the shore.
A year later, Miss France sailed back to England for another much-hyped attempt. Five miles from Dover, she was again pulled from the water because of fatigue. Another American swimmer, 31-year-old Florence Chadwick, broke Ederle’s record that same day. Miss France was hysterical.
Shirley May France was born Aug. 11, 1932, in Fall River, Mass., not far from Somerset, where she spent nearly all her life.
Even in defeat, she was inundated with fan mail. Dozens of marriage proposals arrived by post. She met and was serenaded by Frank Sinatra and was said to have socialized with Jackie Robinson, Clark Gable and Johnny Weissmuller — an Olympic swimmer before he played Tarzan in the movies.
There was talk of movie roles for Miss France, but they never materialized. She was a hat model in New York City and a disc jockey in Massachusetts, and she taught swimming in Fall River. In her later years, she worked at her family’s pork pie restaurant in Somerset.
Her first husband, Marine Capt. Douglas Smith, died in a plane crash in 1959 after five years of marriage. Her second husband, Donald P. Setters Sr., died in 2009 after 48 years of marriage.
Survivors include three children from her first marriage, Scott Smith of Somerset, Daryl Smith of Lyons, France, and Shelby Smith of Fall River; two children from her second marriage, Donald P. Setters Jr. and Daniel Setters, both of Somerset; a brother; a sister; 12 grandchildren; and three great-grandchildren.
Between her two publicized attempts to swim the channel, Miss France made another try. She got close but was disqualified on a technicality involving her father’s failure to sign sponsor release forms, her son Donald said. Miss France and her father became estranged over the incident and never reconciled.
Incomplete as they were, Miss France’s channel swims amounted to more than a media hullabaloo. During one of the weather delays, she gave swimming lessons to a young girl who later managed to save herself in a shipwreck. Around the same time, a sailor fell off the deck of his carrier flight deck and kept himself afloat in the Mediterranean for 12 hours, he said — by thinking of Shirley May.
July 23, 1950
Concerts
Palladium, London (July 10 - 23)
July 30, 1950
Radio
Walter Winchell Show
Sinatra subs for Walter Winchell
Walter Winchell Show
Sinatra subs for Walter Winchell
August 2, 1950
Studio
Kansas City Star
August 20, 1950
Radio
The Miracle Of America
Location: Hollywood
Network: CBS
Host: Robert Young
Performers: Jack Benny, Mary Livingstone, Frank Sinatra, Charles Laughton,
Bing & Gary Crosby, Dick Haymes, Bob Crosby, Jo Stafford, The Modernaires,
Jerry Gray and His Orchestra, Ronald Colman, Benita Hume, Maurice J. Tobin
(Secretary Of Labor, speaking from Washington, D. C.), Axel Stordahl and His
Orchestra, Jack Smith, Dinah Shore, Frank De Vol and His Orchestra, Charles
Sawyers (Secretary Of Commerce), Lucille Norman, Lud Gluskin and His
Orchestra, Earl Warren (Governor of California),
Produced & Directed By: Sterling Tracy
Composer: Leith Stevens
1. The House I Live In
Notes: A program produced in co-operation with The Advertising Council,
urging listeners to send for the booklet of the same name. TT 60mins.
Condition: Excellent. Complete.
Ed O'Brien: show was not broadcast on the east coast. Arrangement on "House
I Live In" is still a Stordahl chart, but not the well known mid-1940s
effort.
The Miracle Of America
Location: Hollywood
Network: CBS
Host: Robert Young
Performers: Jack Benny, Mary Livingstone, Frank Sinatra, Charles Laughton, Bing & Gary Crosby, Dick Haymes, Bob Crosby, Jo Stafford, The Modernaires, Jerry Gray and His Orchestra, Ronald Colman, Benita Hume, Maurice J. Tobin (Secretary Of Labor, speaking from Washington, D. C.), Axel Stordahl and His Orchestra, Jack Smith, Dinah Shore, Frank De Vol and His Orchestra, Charles Sawyers (Secretary Of Commerce), Lucille Norman, Lud Gluskin and His Orchestra, Earl Warren (Governor of California),
Produced & Directed By: Sterling Tracy
Composer: Leith Stevens
1. The House I Live In
Variety
8-30-50
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
September 1, 1950
Concerts
Steel Pier, Atlantic City, NJ (1-4)
NOTE: Sinatra Scholar Ed O'Brien reports that
Sinatra was interviewed by Ben Heller on WMID
radio backstage at The Steel Pier in Atlantic
City , New Jersey , in September 1950:
Sinatra: We've got a new one now that is moving
pretty good called, if you'll excuse the expression, "Goodnight Irene."
Ben: Hey, that's a nice tune.
Sinatra: You wanna bet? No, it's pretty good.
Ben: You should sing a lot of songs. I like that.
Sinatra: Don't hold your breath. But "Goodnight
Irene" seems to be a big success along with the
other labels that have recorded it. Also, coming
up. coming out, I should say, from a new Crosby
picture called "Life Is So Peculiar." It's a
rhythm tune. It's a cute little novelty song. I
think you will enjoy hearing it. I hope, anyway.
Sinatra, in the interview, went on to plug his
new 10-inch LP "Sing and Dance With Frank Sinatra."
Steel Pier, Atlantic City, NJ (1-4)
September 2, 1950
Concerts
Steel Pier, Atlantic City, NJ (1-4)
September 4, 1950
Concerts
Steel Pier, Atlantic City, NJ (1-4)
September 5, 1950
The National Fashion Show, Minneapolis Auditorium, Minneapolis, Minnesota (September 5-7)
Sinatra was a no-show due to laryngitis
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
September 10, 1950
Concerts
Reading Fair, Reading, PA (September 10-11)
Reading Fair, Reading, PA (September 10-11)
Billboard
9-30-50
September 11, 1950
Concerts
Reading Fair, Reading, PA (September 10-11)
September 13, 1950
Radio
WCLO-WCLO-FM, Janesville, Wisconsin
note: This gig followed Frank's appearance at the Reading Fair. I find
it interesting that
his friend and announcer, Marvin Miller, joined him for the second half
of the show.
-- Ed
Television
NONE
Janesville Daily Gazette
note: This gig followed Frank's appearance at the Reading Fair. I find it interesting that
his friend and announcer, Marvin Miller, joined him for the second half of the show.
Ed
September 17, 1950
Concerts
Night of Stars Benefit for North Shore
Hospital, Roosevelt Raceway, Westbury, NY
Entertainers included, Frank Sinatra, Perry Como,
Gloria Swanson, Ginger Rogers, Jackie Robinson,
Ethel Water, Guy Lombardo and others
Night of Stars Benefit for North Shore
Hospital, Roosevelt Raceway, Westbury, NY
Entertainers included, Frank Sinatra, Perry Como,
Gloria Swanson, Ginger Rogers, Jackie Robinson,
Ethel Water, Guy Lombardo and others
September 18, 1950
Studio
New York City
CO44366 Accidents Will Happen
(J. Burke/J. Van Heusen)
(from Mr. Music)
Burke-Van Heusen, Inc. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:58) CD: Columbia Years 43-52 Vol. 13
CD: 44236 Sinatra Rarities
78: 39014
CO44367 One Finger Melody
w/The Whippoorwills
(K. Goell/F. Spielman/A. Hoffman)
Barton Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:39) CD: Columbia Years 43-52 Vol. 13
78: 39014
The Wippoorwills: John Ackerman, Frank Howren, David O'Hearn, Marilyn
Sullivan, Gordon Thorin
Violins: J. Brand, M. Hershaft, R. Lynch, R. Polikian, Z. Smirnoff, B.
Taylor; Violas: S. Deutsch, I. Zirr; Cello: G. Ricci; Harp: E. Vito;
Saxes: A.Drelinger, J. Lytell, P. Ricci, J. Small; Oboe: I. Horowitz;
Trumpets: T. Faso, D. McMickle, J. Owens; Trombones: G. Arus, W. Heins,
W. Rausch; French Horn: A. D'Erosa; Piano: G. Forbes; Guitar: M. Golizio;
Bass: F. Carroll; Drums: J. Blowers
New York City
CO44366 Accidents Will Happen
(J. Burke/J. Van Heusen)
(from Mr. Music)
Burke-Van Heusen, Inc. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:58) CD: Columbia Years 43-52 Vol. 13
CD: 44236 Sinatra Rarities
78: 39014
CO44367 One Finger Melody
w/The Whippoorwills
(K. Goell/F. Spielman/A. Hoffman)
Barton Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:39) CD: Columbia Years 43-52 Vol. 13
78: 39014
The Morning Union
Press Telegram
The News and Observer
Pasadena Star News
The Wippoorwills: John Ackerman, Frank Howren, David O'Hearn, Marilyn Sullivan, Gordon Thorin
Violins: J. Brand, M. Hershaft, R. Lynch, R. Polikian, Z. Smirnoff, B. Taylor; Violas: S. Deutsch, I. Zirr; Cello: G. Ricci; Harp: E. Vito; Saxes: A.Drelinger, J. Lytell, P. Ricci, J. Small; Oboe: I. Horowitz; Trumpets: T. Faso, D. McMickle, J. Owens; Trombones: G. Arus, W. Heins, W. Rausch; French Horn: A. D'Erosa; Piano: G. Forbes; Guitar: M. Golizio; Bass: F. Carroll; Drums: J. Blowers
September 21, 1950
Studio
New York City
CO44376 Remember Me In Your Dreams
w/The Whippoorwills
(M. Nevins/H. David)
Valando Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:30) CD: Columbia Years 43-52 Vol. 13
78: 39069
note: Hal David wrote the lyrics. He would go on to collaborate with
Burt Bacharach.
They collaborated on almost 150 songs, 39 of which were huge hits. David
wrote the
lyrics for the Sinatra recording "To Love A Child."
Ed
CO44377 If Only She'd Look My Way
(I. Novello/A. Melville)
Chappell & Co., Inc. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:47) CD: Columbia Years 43-52 Vol. 13
LP: CL-953 Adventures Of The Heart
78 RPM special version released in England Columbia L.B. 104 with
introduction by H.R.H. The Duke of Edinburgh (fund raiser for
National
Playing Fields Association)
CO44378 London By Night
(C. Coates)
Barton Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (3:08) CD: Columbia Years 43-52 Vol. 13
CD: 44236 Sinatra Rarities
78: 39592
CO44379 Meet Me At The Copa
w/The Whippoorwills
(A. Stordahl/S. Cahn)
Barton Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (3:10) CD: Columbia Years 43-52 Vol. 13
CO44376 & 44379 The Wippoorwills: John Ackerman, Frank Howren, David
O'Hearn, Marilyn Sullivan, Gordon Thorin
Violins: J. Brand, M. Hershaft, M. Lomask, R. Polikian, Z. Smirnoff, H.
Urbont; Violas: H. Colletta, S. Deutsch; Cello: F. Miller; Saxes: J.
Greenberg, B. Kaufman, J. Lytell, H. Shertzer, W. Taninbaum; Trumpets: T.
Faso, C. Griffin, J. Owens; Trombones: G. Arus, B. Morrow, W. Rausch;
French Horn: J. Barrows; Harp: E. Vito; Piano: G. Forbes; Guitar: M.
Golizio; Bass: F. Carroll; Drums: J. Blowers
New York City
CO44376 Remember Me In Your Dreams
w/The Whippoorwills
(M. Nevins/H. David)
Valando Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:30) CD: Columbia Years 43-52 Vol. 13
78: 39069
Frank, Axel Stordahl, and vocal group The Whippoorwills recording
Remember Me in Your Dreams on September 21, 1950.
Thanks to Carl for the above photo.
CO44377 If Only She'd Look My Way
(I. Novello/A. Melville)
Chappell & Co., Inc. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:47) CD: Columbia Years 43-52 Vol. 13
LP: CL-953 Adventures Of The Heart
78 RPM special version released in England Columbia L.B. 104
with
introduction by H.R.H. The Duke of Edinburgh (fundraiser for
National
Playing Fields Association)
Fields in Trust, Prince Philips first national charity commitment,
deeply saddened
Fields in Trust, an independent charity which protects green spaces,
said it was deeply saddened following the news of Prince Philips
passing today.
Buckingham Palace confirmed that the Duke of Edinburgh died peacefully
this morning, aged 99.
In a statement made this afternoon Fields in Trust praised the duke for
his support over the years and highlighted many of his fundraising
achievements.
The charity, which was previously called the National Playing Fields
Association (NPFA), was the dukes first national charity commitment and
he served as its president for 64 years.
Fields in Trust chief executive Helen Griffiths commented: We are
enormously indebted to him for his support.
His tireless efforts live on through many protected parks and green
spaces and Fields in Trusts continuing work.
He became president of Fields in Trust in October 1948, before stepping
down in 2013 to be replaced by his grandson The Duke of Cambridge who
remains president today.
FUNDRAISING FILM: The duke starred in a short film featuring Bob Hope
which reportedly raised £84,000 for the Silver Jubilee Fund
During his 64-year tenure, Prince Philip was heavily involved in the
organisation particularly in its fundraising activities.
In 1948 he launched a fundraising campaign called the Silver Jubilee Fund
which by 1952 had raised £500,000 for the charity.
He also delivered a spoken introduction to a recording of Frank Sinatras
If Only Shed Looked My Way, widely accepted as the first charity
record.
ROYAL WORDS: The duke connected with Frank Sinatra to make the first
charity record
As a keen cricketer the duke played in multiple matches for the
charity and in 1949 led a team of celebrities against the England test
team in Bournemouth.
Over his 64-year tenure as president, the number of green spaces
protected with Fields in Trust grew from 430 to 2,000, spanning an area
of nearly 12,000 hectares.
September 27, 1950
Radio
Mary Margaret McBride Show
Abraham & Straus Store
Brooklyn, N.Y.
12: 45 PM to 1:45 P.M.
Special Guest: Frank Sinatra
Concerts
Abraham & Straus Department Store, New York, NY
3:30PM
Sinatra appeared in person to promote his new recordings of “Dear Little Boy of Mine” & “Life Is So Peculiar”
Billed as a special performance with limited seating
Abraham & Straus Department Store, New York, NY
Sinatra appeared in person to promote his new recordings of “Dear Little Boy of Mine” & “Life Is So Peculiar”
October 3, 1950
Concerts
The Paramount, New York, NY
Sister Kenny Benefit
Frank Sinatra, Sid Caesar, Eddie Cantor, Imogene Coca, William Holden, Bert Parks, Jack Carter and others
The Paramount, New York, NY
Sister Kenny Benefit
Frank Sinatra, Sid Caesar, Eddie Cantor, Imogene Coca, William Holden, Bert Parks, Jack Carter and others
October 7, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: October 7, 1950
Show: #1 (PREMIER)
Sponsor: sustaining
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Paul Dudley
Director: Hal Gerson
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: J. Carrol Naish, Ben Blue, Mary Mayo, Harrison and Kaye (tap dancers), The Moon Mists
1. When You're Smiling - Frank Sinatra
2. I Concentrate On You - Frank Sinatra
3. sketch: "Chaplin" Frank Sinatra as "The Kid" & Ben Blue as "Charlie Chaplin"
4. sketch: "Life With Luigi" - Frank Sinatra & J. Carrol Naish
5. Ol' Man River - Frank Sinatra
Ed O'Brien:
Frank's first TV series got off to a rough start.
There were changes made almost immediately and
a certain amount of panic set in. William Paley personally
oversaw the revamping of the show and Sinatra let CBS
and his agent know just how unhappy he was. Here
is an article from the 11-4-50 issue of Billboard
SINATRA PUTS MCA ON NOTICE
NEW YORK. Oct 28 -- As a result of the difficulties
he has been having with his CBS-TV show, Frank
Sinatra this week gave MCA its dismissal as his
agent. The singer feels he has not gotten adequate
video representation from the firm, the result of which
was that his first program was very badly received.
Some of Sinatra's advisers, however, are trying
to straighten out the situation harmoniously and
bring the vocalist back into the MCA stable. Sinatra,
also, is not too happy at the treatment accorded him
by CBS-TV, which has assigned one of its better, b
ut more overworked producers -- Irving Mans-
field -- to his show, after Paul Dudley, the initial
producer, was moved off the program. The Sinatra
contract with MCA has two more years to go.
Actually the ratings were not all that bad.
Avg. audience for the month of Oct 1950
1. Your Show of Shows NBC 30.6
2. Frank Sinatra Show CBS 19.5
3. Madison Square Garden Rodeo DuMont 10.9
4. NFL Pro Football ABC 8.6
(pro football was no big deal back then)
Ed O'Brien:
The highlights of this first show were the songs. Frank opened with "When You're
Smiling" using the Siravo arrangement. Sounds very much like the Blackpool version
in 1953. After the song, he thanked the audience for coming to his "opening night.'
Porter's classic "I Concentrate On You" featured a Stordahl chart, heavy on strings.
Frank closed out the song with a gorgeous falsetto note on "you." Before "Ol' Man
River," the perils of live TV had Frank yelling for the mike." His powerful rendition
revealed there was no foundation to the claims that his voice was shot in the early
'50s. Overall show was a mixed bag, but Sinatra's singing was superb.
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: October 7, 1950
Show: #1 (PREMIER)
Sponsor: sustaining
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Paul Dudley
Director: Hal Gerson
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: J. Carrol Naish, Ben Blue, Mary Mayo, Harrison and Kaye (tap dancers), The Moon Mists
Variety
10-11-50
October 9, 1950
Studio
New York City
CO44427 Come Back To Sorrento (Torna a Surriento)
(C. Aveling/E. DeCurtis)
(from Paramount On Parade)
Arranged & Conducted by Axel Stordahl
-1 (2:14) CD: Columbia Years 43-52 Vol. 13
LP: CL-1359 Come back To Sorrento
78: 39118
CO44428 April In Paris
(V. Duke/E.Y. Harburg)
(from Walk A Little Faster)
T.B. Harms, Inc. (ASCAP) 1932
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 13
LP: C6X-40343 The Voice-The Columbia years, 43-52
LP: C2L-6 Frank Sinatra Story In Music
78: 39592
CO44429 I Guess I'll Have To Dream The Rest
w/The Wippoorwills
(M. Stoner/M. Block/H. Green)
Martin Block Pub. (ASCAP) 1941
Arranged & Conducted by Axel Stordahl
-1 (2:41) CD: Columbia Years 43-52 Vol. 13
LP: C6X-40343 The Voice-The Columbia years, 43-52
LP: CL-953 Adventures Of The Heart
78: 39044
CO44429 The Wippoorwills: John Ackerman, Frank Howren, David O'Hearn, Marilyn Sullivan, Gordon Thorin.
CO44430 Nevertheless (I'm In Love With You)
w/Trumpet solo by Billy Butterfield
(H. Ruby/B. Kalmar)
Crawford Music Corp. (ASCAP) 1931
Arranged by George Siravo
Conducted by Axel Stordahl
-1 (3:08) CD: Columbia Years 43-52 Vol. 13
LP: C6X-40343 The Voice-The Columbia years, 43-52
LP: CL-2741 The Essential Frank Sinatra, Vol. 3
LP: CL-953 Adventures Of The Heart
78: 39044
Violins: J. Brand, F. Buldrini, J. Held, M. Hershaft, R. Lynch, R. Polikian; Violas: S. Deutsch, L Druzinsky; Cello: G. Ricci; Harp: E. Vito; Trumpets: B. Butterfield, C. Griffin, J. Owens; Trombones: L. Alpeter, G. Arus, W. Rausch; Saxes: A. Drelinger, H. Feldman, E. Gershman, H. Shertzer, W. Versaci; Piano: G. Forbes; Guitar: M. Golizio; Bass: H. Alpert; Drums: J. Blowers; French Horn: G. Schuller
NOTE: Sinatra Scholar Ed O'Brien says that Sinatra would sing "Come Back to Sorrento ," "April in Paris ," and "Nevertheless" on his November 18, 1950 TV show.
He would also sing "Nevertheless" on Berle's TV show on Tuesday, November 28, 1950. His vocals were superb.
October 10, 1950
Radio
Life With Luigi
Location: New York City
Network: CBS
Sponsor: Wrigley's Spearmint Chewing Gum
Writers: Mac Benoff, Lou Derman
Performers: J. Carrol Naish, Alan Reed, Frank Sinatra, Mary Shipp, Hans Conried, Jody Gilbert.
Note: The show appears on the officially released CD set: 60 Greaest Old Time Radio Show "Frank Sinatra & Friends"
Ed O'Brien notes:
J. Carroll Naish was Luigi. He had worked with Frank at MGM (Kissing
Bandit). The half-hour show was broadcast Tuesday nights on CBS.
Wrigley Gum was the sponsor and Lyn Murray & Orch. provided
the music. Frank sang a lovely version of "Oh Marie" in Italian.
Television
NONE
Life With Luigi
Location: New York City
Network: CBS
Sponsor: Wrigley's Spearmint Chewing Gum
Writers: Mac Benoff, Lou Derman
Performers: J. Carrol Naish, Alan Reed, Frank Sinatra, Mary Shipp, Hans Conried, Jody Gilbert.
Note: The show appears on the officially released CD set: 60 Greaest Old Time Radio Show "Frank Sinatra & Friends"
note: Been searching for songs Frank wrote that were never published. Quite by accident
I stumbled upon this article from 9-17-48. Naish, who was Irish, wrote a story about a tinker - a
wandering handyman. Frank was interested in playing the lead. Title of the film was "The Tinker
Of Ballycullen." Film would have shown the charm and atmosphere of Ireland as it was 70 years ago.
Another of so many unrealized Sinatra film projects.
Ed
October 14, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: October 14, 1950
Show: #2
Sponsor: sustaining
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Irving Mansfield
Director: John Peyser
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Brian Aherne, Ben Blue, Mary Mayo, Sid Fields, Condosa & Brandon (dancers), The Whipoorwills
(see articles below)
The Frank Sinatra Show
Ed O'Brien:
After the opening week disaster, Paul Dudley
was replaced as producer. The new producer, Irving
Mansfield, was a former press agent. John Peiser
replaced Hal Green in the director's chair. Dudley
remained with the show as a writer. CBS was paying
him $1,200 a week. He would produced Sinatra's new
radio show "Meet Frank Sinatra." The radio show had
been postponed twice due to the tremendous difficulties
with the TV production. Show was set for a 10/22 debut,
but, at the last moment, it was shelved for a third time,
finally making it on the air,10/ 29.
The writing staff of Hugh Whitlock Jr, Howard Snyder,
Harry Crane and Dudley pulled out all the stops in the
week preceding the second show of the series. Set
designer Nelson Baume was asked to create more
original sets and The Ben Blue Family, comprised
of Sid Fields, Roberta Lee, Joey Walsh, Pat Gaye
and Blue, did intense rehearsals leading up to the
Saturday broadcast.
Frank Sinatra was much more relaxed the second
week and in fine vocal form. He opened the show
with two tunes arranged by George Siravo: "My
Blue Heaven" and "Nevertheless. The skits with
Blue and guest Brian Aherne received a great
deal of applause and laughter from the audience
Frank, Ben and Brian sang "Me And My Shadow."
Siravo was again the arranger for Frank's excellent
rendition of "A Foggy Day," followed immediately
by a scathing parody of "The Cry Of The Wild Goose."
There were vocals by Mary Mayo and The Whipoorwils.
Mayo was so impressive the previous week, CBS immediately
signed her for an unspecified number of appearances on
the Sinatra show. Frank closed out the proceedings with the
Arlen-Mercer classic "Come Rain Or Come Shine."
Variety
10-18-50
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
October 17, 1950
Concerts
Cotton Bowl, State Fair, Dallas Texas (One Night Only)
with Orchestra conducted by Axel Stordahl
1. When You're Smiling
2. Bewitched
3. It All Depends On You
4. Goodnight, Irene
5. Embraceable You
6. Ol Man Crosby (parodoy of Ol' Man River)
Cotton Bowl, State Fair, Dallas Texas (One Night Only)
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
October 21, 1950
Television
The Frank Sinatra Show (CBS)
9:00-10:00 PM
Sustaining
Ben Blue & Family (Sid Fields, Pat Gaye, Roberta Lee, Joey Walsh)
Mary McCarty, Mary Mayo, Lou Wills Jr., Dorothy Dayton, The Whipoorwills
Music: Axel Stordahl
Written by Hugh Wedlock Jr. & Howard Snyder
with/ Paul Dudley, Harry Crane
Settings: Nelson Baume
Producer: Irving Mansfield
Director: John Peyser
Sinatra Songs
1. It All Depends On You arg George Siravo
2. Bewitched arg. A. Stordahl
3. Penthouse Serenade w/ M. McCarty arg. A. Stordahl
4. One Finger Melody w/ The Whipooorwills arg. A Stordahl
5. Soliloquy arg. A. Stordahl
NOTE: Ed O'Brien says that the highlight of this
evening was Sinatra's showstopping rendition of
"Soliloquy." Sinatraphile Ed Spiegel said
Sinatra singing "Soliloquy" in 1950 must have
been really something to see and hear. O'Brien
replied that it was a staple of Sinatra's
nightclub and concert appearances back then.
Spiegel wishes DVDs of thse CBS TV shows would
become available on the commercial market. There
are certain to be many great segments.
O'Brien, in his response to Spiegel, says there
are many myths about Sinatra. The one that may be
the most egregious is the ridiculous he lost his
voice in the early 1950's. His singing on both
the CBS-TV broadcasts and his radio shows for the
same network belie such nonsense. The guy was
sensational. The TV shows were all broadcast live.
When Spiegel says he'd like to know about this
"lost voice" claim, O'Brien says that it started
on May 2, 1950 and ended on May 27, 1950.
Skitch Henderson told O'Brien that Sinatra was
doing a late show a the Copacabana in New York
when his vocal chords hemorrhaged. He saw a
specialist the next day and was told not to speak
for two weeks. Sinatra then flew to Florida and
stayed quiet for 10 days. On the 27th of May, he
made his television debut on Bob Hope's
Star-spangled Review. He did skits with Hope and
sang "Come Rain or Come Shine," a truly sensational vocal.
Through the year, a number of people associated
with Sinatra have told O'Brien how he lost his
voice in the early 50s and then made a miraculous
comeback when Capitol hired him. If you listen to
Sinatra from "50 through 52, O''Brien
emphasiizes, it is painfully apparent that the
one ingredient lacking for a climb back to the top was Nelson Riddle.
The singer was marvelous and he sang a lot of
great songs. The truth is he had a bad month in
the spring of 1950. That's all. Unfortunately,
myths have a way of becoming fact when repeated
often enough, O'Brien emphasized.
The Frank Sinatra Show (CBS)
9:00-10:00 PM
NOTE: Ed O'Brien says that the highlight of this evening was Sinatra's showstopping rendition of "Soliloquy." Sinatraphile Ed Spiegel said Sinatra singing "Soliloquy" in 1950 must have been really something to see and hear. O'Brien replied that it was a staple of Sinatra's nightclub and concert appearances back then. Spiegel wishes DVDs of thse CBS TV shows would become available on the commercial market. There are certain to be many great segments.
October 28, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: October 28, 1950, October 28, 1950 (first draft), October 28, 1950 (Hot Closet Sketch)
Show: #4
Sponsor: sustaining
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Irving Mansfield
Director: John Peyser
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Kay Thompson, Buster Shaver, Ben Blue and Family, The Moon Mists, Mary Mayo
Notes: Frank and Kay Thompson doing a skit on the 10-28-50 show.
note: Kay Thompson was a multi-talented
lady. She is not remembered today in connection
with Sinatra, but they were close friends for decades.
She served as a creative consultant on his radio, TV,
nightclub and film work. She was invaluable to him
for years. Kay oversaw much of the planning for
the JFK Inaugural Gala including getting rabid Nixon
supporter, Ethel Merman, to sing "Everything's
Coming Up Roses" to the president-elect.
Frank was in tough shape when Kay appeared on
his 10-28-50 show. She sang "That Old Feeling"
and then did a duet with Frank on "(The Birds Are
Talkin') 'Bout You'n' Me," backed by The Whippoorwills..
Frank and Kay also did a comedy sketch with Ben Blue,
titled "Hot Closet. " She stayed on as creative consultant
for four weeks. But when the producer, Irving Mansfield,
threw in the towel, Kay followed him out the door.
Ed
P.S. The early shows of the series, before Bulova agreed
to sponsor the first half-hour, had a wild opening. The
camera was set up in the audience and came down toward
the orchestra pit, in front of the stage, and zeroed in on Axel
Stordahl's bald head. Early television was memorable in many
strange and unusual ways.
--ED
October 29, 1950
Radio
Meet Frank Sinatra
Show #1 (Premiere)
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Mimi Benzell
Notes: Confirmed listed as "Premiere" aired on WCBS
Meet Frank Sinatra
Show #1 (Premiere)
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Mimi Benzell
Notes: Confirmed listed as "Premiere" aired on WCBS
November 3, 1950
Friars Tribute to Joe E. Lewis, Waldorf Astoria, New York
Variety November 8, 1950
Billboard November 11, 1950 (problem with image is at the source)
Guys and Dolls, (US Film Release: November 3, 1955)
Starring: Marlon Brando, Frank Sinatra, Jean Simmons, Vivian Blaine
Directed by Joseph L. Mankiewicz. Produced by Samuel Goldwyn.
Sinatra plays Nathan Detroit who runs a permanent floating crap game in New York.
(1st DVD Release date: 2000-04-18 - BluRay Release date: 2012-11-06)
Three new songs, written by Frank Loesser, were added to the film: "Pet Me Poppa"; "A Woman in Love"; and "Adelaide", which was written specifically for Sinatra.
November 4, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: November 4, 1950
Show: #5
Sponsor: sustaining
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Irving Mansfield
Director: John Peyser
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Nancy Walker, Teddy Hale, Ben Blue, The Club Savannah Revue, The Whipoorwills
1. Come Up To My Place - Frank Sinatra & Nancy Walker
2. comedic sketch: "Private Radio Detective" - Sinatra & Ben Blue
NOTE: Sinatra Scholar Ed O'Brien says the highlight of the evening was a duet of "Come Up to My Place" from Sinatra and Nancy Walker.
She starred in the original 1944 Broadway production of "On the Town." In the film, Sinatra and Betty Garrett did the number.
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: November 4, 1950
Show: #5
Sponsor: sustaining
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Irving Mansfield
Director: John Peyser
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Nancy Walker, Teddy Hale, Ben Blue, The Club Savannah Revue, The Whipoorwills
1. Come Up To My Place - Frank Sinatra & Nancy Walker
2. comedic sketch: "Private Radio Detective" - Sinatra & Ben Blue
Variety
The Tender Trap, (US Film Release: November 4, 1955)
Starring: Frank Sinatra,Debbie Reynolds, David Wayne, Celeste Holm
Directed by Charles Walters.
Sinatra plays Charlie Reader, a 35-year-old theatrical agent in New York City, living a seemingly idyllic life as a bachelor with numerous women who come and go, cleaning and cooking for him until one day Charlie meets singer-actress Julie Gillis (Debbie
Reynolds) and his bachelor life is put to the test.
(1st DVD Release date: 2008-05-13)
The film opens with an extreme long shot of Frank Sinatra singing the title song. He then walks toward the camera, and when his image comes into medium-shot range, the camera begins to track with him. As he sings the words "tender trap," the film's title appears
on the screen. The film ends in a similiar fashion, as its four stars sing the title song. Although a Jan 1955 HR news item notes that Robert Paul Smith, the co-author of the play, was hired to write the film's screenplay, the extent of Smith's contribution
to the final screenplay has not been determined. A Jun 1955 HR news item lists Casey Adams in the cast, but his appearance in the released film has not been confirmed. May 1955 HR news items state that Mitzi Gaynor and Barbara Darrow were considered for roles
in the film. The title song " (Love Is) The Tender Trap" was nominated for an Academy Award for Best Song, and became a hit record for Sinatra.
AFI
November 5, 1950
Studio
New York City
CO44615 Let It Snow, Let It Snow, Let It Snow
w/The B. Swanson Quartet
(J. Styne/S. Cahn)
Cahn Music Co. (ASCAP) 1945
Arranged & Conducted by Axel Stordahl
-1 (2:35) CD: Columbia Years 43-52 Vol. 11
CD: 40707 Christmas Dreaming
LP: CL-1032 Christmas Dreaming
78: 39069
Violins: J. Brand, A. Eidus, J. Held, M. Hershaft, H. Hoffman, Z.
Smirnoff; Violas: S. Deutsch, H, Furmansky; Cello: G. Polikian; Saxes: H.
Feldman, M. Gershman, B. Kaufman, A. Richman, H. Shertzer; Horns: J.
Barrows; Trumpets: T. Lawson, D. McMickle, J. Owens; Trombones: G. Arus,
R. Dupont, B. Rank; Piano: G. Forbes; Guitar: M. Golizio; Bass: F.
Carroll; Drums: J. Blowers; Harp: E. Vito
NOTE: Sinatra Scholar Ed O'Brien says he likes this recording, but the
best Sinatra on this gem was done on his Old Gold show of December 25,
1946. He sang a very slow ballad version that is exquisite..
Radio
Meet Frank Sinatra
Show #2
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS
November 11, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: November 11, 1950
Show: #6
Sponsor:
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Marlo Lewis
Director: John Wray
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Roberta Lee, Bob Sweeney, Hal March, The Asia Boys (acrobats), Ben Blue and family, The Whipoorwills
1. Everything Happens To Me (parody) - Frank Sinatra
2. sketch: "The House I Live In" - Frank Sinatra
NOTE: Ed O'Brien says that Sinatra recreated "The House I Live In" short including the song and does a parody version of "Everything Happens to Me."
The Frank Sinatra Show
Variety
The Frank Sinatra Show
Variety
11-15-50
Ed O'Brien:
note: and director was unprecedented in the
early years of live TV shows.
Bulova was set to sponsor the first 30
minutes of the show, beginning with the
11/25 broadcast. Guest that evening
was Sarah Vaughan. Late in the month,
The Whipoorwills became The Moonmists.
November 12, 1950
Radio
Meet Frank Sinatra
Show #3
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Jan Murray
Taping Session for Show, November 3, 1950 70mins.
1. Can't We Talk It Over?
2. London By Night (Columbia recording)
3. Mam'selle (Columbia recording)
4. I'll Always Love You
5. One Finger Melody
6. From This Day Forward (Columbia recording)
7. There's No Business Like Show Business
8. Put Your Dreams Away
Complete Radio Show
1. Can't We Talk It Over
2. London By Night (Columbia recording)
3. One Hundred Years From Today
4. Mam'selle (Columbia recording)
5. I'll Always Love You
6. One Finger Melody
7. From This Day Forward (Columbia recording)
8. There's No Business Like Show Business
9. Put Your Dreams Away
Notes: Confirmed aired on WCBS.
Meet Frank Sinatra
Show #3
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Jan Murray
The above photo also appeared on the cover of “The View” magazine from January 2021 featuring an interview with Jack “Jackie” Scholle:
A: Jack, are there other highlights
you’d like to share with us?
J: Do you have a few more hours
to chat? But seriously, as a kid you
really aren’t able to appreciate the
very special nature of the events.
Here are a few that I do recall:
Frank Sinatra interviewed me on
his show, and he presented me
with a very nice watch as a
memento. I then gave it to my
Dad, who was very proud of it and
wore it for many years.
November 16, 1950
Studio
New York City
CO44634 Take My Love
(J. Wolf/J. Herron/F. Sinatra)
Barton Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (3:16) CD: Columbia Years 43-52 Vol. 13
LP: CL-953 Adventures Of The Heart
78: 39118
CO44635 I Am Loved
(C. Porter)
(from Out Of This World)
Buxton Hill Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:24) CD: Columbia Years 43-52 Vol. 13
LP: C2X-40897 Hello Young Lovers
LP: CL-953 Adventures Of The Heart
78: 39079
CO44636 You Don't Remind Me
(C. Porter)
(from Out Of This World)
Buxton Hill Music Corp> (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:48) CD: Columbia Years 43-52 Vol. 13
78: 39079
CO44637 You're The One
-1 N/R
Violins: J. Brand, J. Held, M. Hershaft, H. Katzman, M. Lomask, R.
Polikian; Violas: S. Deutsch, I. Zirr; Cello: G. Polikian; Saxes: A.
Drelinger, H. Feldman, E. Gershman, B.Kaufman, H. Shertzer; Horn: J.
Barrows; Trumpets: L. Castle, D. McMickle, J. Owens; Trombones: G. Arus,
B, Rank, W. Rausch; Guitar: M. Golizio; Bass: F. Carroll; Drums: J.
Blowers; Harp: E. Vito
Ed O'Brien:
Sinatra's recordings were becoming minor autobiographical moments.
At the 10-9-50 session he recorded "Nevertheless" and it was a
personal
statement to Ava. The 11-16 was more of the same. He would continue
using his recordings as personal confessions and private laments
through
both the Capitol and Reprise years. The only other singer who would
do
this as effectively as Sinatra was Billie Holiday.
November 17, 1950
Radio
SONGS FOR SALE
CBS
FRIDAY
8:00 -9:00 P.M.
Host: Jan Murray
Panelists: Irving Caesar, Mitchell Miller,
Singers: Rosemary Clooney, Richard Hayes
Guest: Frank Sinatra
SONGS FOR SALE
CBS
FRIDAY
8:00 -9:00 P.M.
Host: Jan Murray
Panelists: Irving Caesar, Mitchell Miller,
Singers: Rosemary Clooney, Richard Hayes
Guest: Frank Sinatra
----------------------------------------
November 17, 1973 TV Guide Cover:
November 17, 1973 TV Digest from St. Louis Globe-Democrat:
November 17, 1973 Cash Box:
November 18, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #7
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Patricia Morison, Jan Murray, Stump & Stumpy, Ben Blue and family, The Whipoorwills
1. Torna A Surriento - Frank Sinatra sung in italian
2. April In Paris - Frank Sinatra
3. medley (incl.): Rose Of Washingtong Square / Ballin' The Jack - The Whipoorwills
4. The Lady Is A Tramp - Roberta Lee
5. Nevertheless - Frank Sinatra
Notes: Bulova begins sponsorship of half the show for five weeks.
Ed O'Brien:
Frank sang "April In Paris," "Come Back To Sorrento"(in Italian - terrific vocal) and "Nevertheless."
The latter was a request from a member of the audience when it was discovered show had run under and had four minutes to kill. Frank had recorded the three songs at Columbia, 10-9-50.
November 19, 1950
Radio
Meet Frank Sinatra
Show #4
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Rosemary Clooney
1. Nevertheless
Notes: Confirmed aired on WCBS
November 21, 1950
Concerts
The Click, Philadelphia, PA (one night only)
The Click, Philadelphia, PA (one night only)
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
November 25, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: November 25, 1950
Show: #8
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Sarah Vaughan, Johnny Coy, Ben Blue and Family, The Whipoorwills
November 26, 1950
Radio
Meet Frank Sinatra
Show #5
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Jimmy Van Heusen, Roberta Lee
1. Would I Love You
Notes: Confirmed aried on WCBS
November 28, 1950
Television
Milton Berle - Texaco Star Theatre
Season: 3, Episode: 105
Guest: Frank Sinatra, Georgia Gibbs, Lon Chaney, Jr.
Host: Milton Berle (host),
Conductor: Alan Roth
Milton Berle arrives driving a stagecoach and welcomes Frank Sinatra. Berle and Sinatra perform in a mad-scientist skit with Lon Chaney.
Ed O'Brien notes:
Frank sang a very memorable "Nevertheless" on Miltie's show
He also did a parody with him and some skits.
note: After singing "Nevertheless," Frank did a wild sketch with Miltie and Lon Chaney.
Georgia Gibbs followed with "There'll Be Some Changes Made" and then Frank and Berle
did a song and dance routine with her. They sang "When Francis Dances With Me" and Frank
was the only competent dancer of the three. The final segment of the show was a take off of
Verdi's "Rigoletto." Frank did do bit of singing.
Ed
Milton Berle - Texaco Star Theatre
Season: 3, Episode: 105
Guest: Frank Sinatra, Georgia Gibbs, Lon Chaney, Jr.
---------------------------------------
November 28, 1957 Sinatra on cover of Down Beat
--------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
December 2, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: December 2, 1950
Show: #9
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Milton Berle, Toni Arden, Ben Blue and Family, The Whipoorwills
December 3, 1950
Meet Frank Sinatra
Show #6
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Guest: Georgia Gibbs, Nancy Reed
Notes: Confirmed aired on WCBS
December 9, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: December 9, 1950
Show: #10
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Hugh Wedlock Jr., Harry Crane, Paul Dudley, Howard Snyder
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl( musical director)
Guests: Perry Como, Dolly Sinatra, Jackie Gleason, June Hutton,
Joe Bushkin and his trio, Ben Blue, Sid Fields, Leslie Lyons, Roberta Lee,
Pat Gaye, Joey Walsh, The Whipoorwills
Songs:
1. Wrap Your Troubles In Dreams - Frank Sinatra
2. White Christmas Frank Sinatra
3. Nevertheless - Frank Sinatra & Jackie Gleason ( silly skit not a serious duet)
4. When Frances Dances With Me June Hutton
5. Oh! Look At Me Now Frank Sinatra and Joe Bushkin
6. P.S. I Love You Frank Sinatra
7. My Romance Frank Sinatra and June Hutton
8. Strange Music
note: After the final song, Gleason tells Frank that there is a guy with a telegram for
him. The guy comes out with his hat covering most of his face. Perry Como is the
messenger and Jackie, Perry and the audience sing "Happy Birthday" to Frank.
Bulova presents him with a deluxe time piece and then Dolly Sinatra wheels out a
big birthday cake. "Happy Birthday" is sung again as the credits roll.
Ed
December 10, 1950
Radio
Meet Frank Sinatra
Show #7
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Guest: Joey Adams, Robert Watts
Notes: Confirmed aired on WCBS
December 11, 1950
Studio
New York City
CO44714 Love Means Love
w/Rosemary Clooney
(B. Lake/C. Sigman)
ABC Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (3:02) CD: Columbia Years 43-52 Vol. 13
78: 39141
CO44715 Cherry Pies Ought To Be You
w/Rosemary Clooney
(C. Porter)
(from Out Of This World)
Buxton Hill Music Corp. (ASCAP) 1950
Arranged & Conducted by Axel Stordahl
-1 (2:20) CD: Columbia Years 43-52 Vol. 13
78: 39141
Saxes: A. Drelinger, H. Feldman, E. Gershman, N. Mondello, H. Shertzer; Trumpet: C. Griffin; Piano: G. Forbes; Guitar: M. Golizio; Bass: F. Carroll; Drums: J. Blowers
Ed O'Brien reminds us: Frank and June Hutton did a terrific duet of "Cherry Pies Ought To Be You" on the CBS-TV broadcast of 1-20-51.
December 16, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: December 16, 1950
Show: #11
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane, Hugh Wedlock Jr, Howard Snyder, Paul Dudley
Producer: Jack Donahue
Director: John Peyser
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Phil Silvers, Ben Blue, Sid Fields, Roberta Lee, Leslie Lyons, Pat Gaye
Joey Walsh, The Whipoorwills
1. I Can't Believe You're In Love With Me
2. Sassy Songs w/Style: Bill Bailey Won't You Please Come Home Roberta Lee
3. Skit w/ Phil Silvers -- Songs: Hello Everybody, Hello/ I'm A Goin' Home/ That Old Gang Of Mine/Auld Lang Syne
4. All Of Me
5. Body And Soul simply stunning
6. I've Got My Love To Keep Me Warm
7. There's A Little Male Tail The Whipoorwills
8. I Only Have Eyes For You
The Jack Carter Show
Network: NBC
Time: 8:00 - 9:00 pm.
Guest: Rise Stevens, Connie Sawyer
The Ken Murray Show
Saturday Evening
CBS
8:00 pm - 9:00 pm
Season 2, Episode #30
Host: Ken Murray
Performers: Betty Lou Walters, Darla Hood, Art Lund, Jack Mulhall, Joe Besser, Joe Wong, Laurie Anders, The Enchanters, Tony Labriola
Guests: Penny Singleton, Lawrence Tibbett, Frank Sinatra
Sinatra was a guest on Ken Murray's show which preceded Frank's 9:pm show on CBS.
Jack Carter's NBC show had Rise Stevens and Connie Sawyer as guests.
--Ed
The Frank Sinatra Show
Variety
12-20-50
--------------------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
December 17, 1950
Radio
Meet Frank Sinatra
Show #8
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Guest: Nat King Cole Trio, Bill Farrell
Notes: Confirmed aired on WCBS
Kenny Lucas:
WOW... the Nat King Cole trio appeared on the MFS series I would just love to have this show ....What a great and underrated series that was. Mel Torme,Billy Eckstine,Sarah Vaughan also were guests. The shows were all pre-recorded and not many have turned up. To all members anyone who has copies I am very interested
Ed O'Brien:
Did Frank sing with Mildred Bailey? Ella? Como? Did Errol Garner and/or Jimmy Van Van Heusen back
him on piano? We would love to know. Sarah Vaughan was not a guest. She did appear on his CBS-TV show. He did not sing with Torme or Eckstine. Graham Forbes backed Frank on a number of tunes including "The Music Stopped," "I Couldn't Sleep A Wink Last Night," "You'll Never Walk Alone" and "One For My Baby." Forbes' Quartet backed him on some great swing numbers. A friend of mine knew Forbes. A very nice guy who wanted to establish himself in New York and also had a pregnant wife. Frank needed him on the west coast and Forbes decided to stay in New York. Ken Lane replaced him and then Bill Miller replaced Lane.
December 23, 1950
Television
Frank Sinatra Show
Netowrk: CBS
Location: New York City
Script Dated: December 23, 1950
Show: #12
Sponsor: Bulova Watch Company (30mins),
Susquehanna Waist Company (15mins, this episode only)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Walter Slezak, Ben Blue, Toni Harper,
Roberta Lee, Sid Fields, Leslie Lyons, Pat Gale, Joey Walsh, The Whipoorwills
1. Jingle Bells - Frank Sinatra
2. Try A Little Tenderness - Frank Sinatra
3. O Come All Ye Faithful - Frank Sinatra
4. Button And Bows - Frank Sinatra & Toni Harper
5. Silent Night - Frank Sinatra
6. I've Got My Love To Keep Me Warm - Frank Sinatra
7. Winter Wonderland - Frank Sinatra
8. Have Yourself A Merry Little Christmas - Frank Sinatra
Notes: Show in circulation. Bulova extends
sponsorship of half the show for rest of the season.
Ed O'Brien notes:
Frank sang "Silent Night" with a choral backing.
He also did a wonderful "O' Come All Ye Faithful." The
highlight of the show was the closing number
"Have Yourself A Merry Little Christmas." Frank sang it to 13
year old Toni Harper. I would rank this as one of
his absolute best Christmas shows. Right up there with
the Crosby from 12-20-57.
Frank Sinatra Show
Netowrk: CBS
Location: New York City
Script Dated: December 23, 1950
Show: #12
Sponsor: Bulova Watch Company (30mins),
Susquehanna Waist Company (15mins, this episode only)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Walter Slezak, Ben Blue, Toni Harper,
Roberta Lee, Sid Fields, Leslie Lyons, Pat Gale, Joey Walsh, The Whipoorwills
December 24, 1950
Radio
Meet Frank Sinatra
Show #9
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Lisa Kirk, Russ Emery
Notes: Confirmed aired on WCBS
December 27, 1950
Concerts
Bethesda Naval Hospital, Bethesda, Maryland
Frank Sinatra, Burl Ives, Louis Jordan and others
Bethesda Naval Hospital, Bethesda, Maryland
Frank Sinatra, Burl Ives, Louis Jordan and others
December 30, 1950
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: December 30, 1950
Show: #13
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Gary Moore, Georgia Gibbs, Ben Blue and Family, The Whippoorwills
1.. Almost Like Being In Love - Frank Sinatra
2. One Finger Melody - Frank Sinatra w/chorus
3. It's A Lovely Day Tomorrow - Frank Sinatra & Gary Moore
Notes: First half survives on kiniscope. 30 mins.
December 31, 1950
Radio
Meet Frank Sinatra
Show #10
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Guest: Monica Lewis, Cece Blake
Taping Session - December 20, 1950 70mins..
1. It's A Lovely Day Tomorrow
2. A Great Day
3. Love Means Love
4. Begin The Beguine
5. You'll Never Walk Alone
6. Ciribiribin
7. One Finger Melody
8. Nevertheless
9. Put Your Dreams Away
Notes: Confirmed aired on WCBS
January 6, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: January 6, 1950 (indicates Jackie Gleason)
Show: #14
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: June Hutton, Buster West, Ben Blue and Family, The Heathertones, The Whipoorwills
January 13, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated: January 13, 1951 (indictates Jackie Gleason)
Show: #15
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers: Harry Crane
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Jackie Gleason, June Hutton, Buster West, Tato & Julia (dancers), The Heathertones
Note: Ben Blue decided to leave Sinatra's show and Frank asked William Paley to get Jackie
out of his contract with DuMont. Frank and Jackie had become close friends and The
Great One was such a plus to Frank's show. Eventually, Gleason would jump to CBS
(1952). By then Frankie's show was history.
--Ed
The Frank Sinatra Show
Variety
January 14, 1951
Radio
Meet Frank Sinatra
Show #12
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Percy Faith, Pat Terry
1. A Marshmallow World
Notes: Confirmed aired on WCBS, Song title not confirmed for this date.
January 16, 1951
Studio
New York City
CO45111 Faithful
w/The Skylarks
(J. Kennedy/A. Stone)
ABC Music Corp. (ASCAP) 1951
Arranged by George Siravo
Conducted by Axel Stordahl
-1 (3:13) CD: Columbia Years 43-52 Vol. 12
78: 39213
CO45112 You're The One
w/The Skylarks & piano solo by Stan Freeman
(V. Young/N. Washington)
Barton Music Corp. (ASCAP) 1951
Arranged & Conducted by Axel Stordahl
-1 (3:02) CD: Columbia Years 43-52 Vol. 12
LP: CL-2741 The Essential Frank Sinatra, Vol. 3
78: 39213
CO45113 There's Something Missing
w/The Skylarks
(J. Rule/R. O'Brien/B. Benjamin/G. Weiss/M. Downe))
Barton Music Corp. (ASCAP) 1950
Arranged by George Siravo
Conducted by Axel Stordahl
-1 (3:18) CD: Columbia Years 43-52 Vol.. 12
Violins: J. Brand, H. Katzman, M. Lomask, R. Lynch, G. Ockner; Harp: E.
Vito; French Horn: D. Rattner; Saxes: E. Brown, A. Drelinger, M. Gershman,
B. Kaufman, H. Shertzer; Trumpets: T. Faso, D. McMickle, J. Owens;
Trombones: G. Arus, L. McGarity, W. Rausch; Piano: S. Freeman; Guitar: M.
Golizio; Bass: F. Carroll; Drums: J. Blowers
Texaco Star Theatre
Milton Berle, Martha Raye, Perry Como
A boxed marked "The Thing" is opened and Frank Sinatra steps out
January 20, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #16
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Laraine Day, Leo Durocher, Phil Foster, June Hutton, Buster West, Heathertones
1. Cherry Pies Ought To Be You - Frank Sinatra & June Hutton
2. Ol' Man Crosby (parody) - Frank Sinatra
January 21, 1951
Radio
Meet Frank Sinatra
Show #13
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Kay Armen, Ralph Young
Notes: Confirmed aired on WCBS
note: The producer of this series was Gordon Auchincloss. One writer
was Paul Dudley. Auchincloss would go on to produce and direct Perfectly Frank
and Bob Smith, of Howdy Doody fame, would be the writer.
I got this from Old Time Radio Research.
--Ed
note: Show was taped on 1-3-51 in N.Y.C.
There was roughly a two and a half week
time difference between the Wednesday
taping and the Sunday broadcast. On some
of them another day of taping was required
on Thursday.
Ed
January 22, 1951
Television
Perry Como Show
Network: CBS
Sponsor: Chesterfield
Time:
1. opening
2. Blue Skies - Frank Sinatra
3. commercial
4. Tennessee Waltz - Fontane Sisters
5. Sweet Potato Polka - Patato Bugs & Galina Talva
6. commercial
7. I Am Loved - Frank Sinatra
8. closing
Note: Sinatra filled in for Perry Como. TT: 15mins.
Perry Como Show
Network: CBS
Sponsor: Chesterfield
Time:
1. opening
2. Blue Skies - Frank Sinatra
3. commercial
4. Tennessee Waltz - Fontane Sisters
5. Sweet Potato Polka - Patato Bugs & Galina Talva
6. commercial
7. I Am Loved - Frank Sinatra
8. closing
Note: Sinatra filled in for Perry Como. TT: 15mins.
[image referenced in source but could not be recovered]
January 24, 1951
Radio
Meet Frank Sinatra
Announcer: Hal Sims
Producers: Mark Goodson, Bill Todman
Performers: Frank Sinatra
1. I Don't Want To Walk Without You Baby
2. If
3. It's Been A Long Long Time
4. The Moon Was Yellow
5. One For My Baby
6. Papa Won't You Dance With Me
7. Put Your Dreams Away
8. S' Wonderful
9.. There's Something Missing
10..Time After Time
Ed noted:
This is the show with Jule Styne.
Frank sang a medley of Jule's songs and
Jule backed him on the piano. I mentioned
this to Jonathan Schwartz some time ago
and we discussed what a wonderful concept
it would have been if he had done more
with the great lyricists and composers.
He did hook up with Irving Berlin, Johnny
Mercer, Harold Arlen and Styne but what a memorable
series he could have done with Cole Porter,
Cahn & Van Heusen, Yip Harburg, Ira Gershwin,
Burton Lane,Richard Rodgers,Schwartz & Dietz
and many more
Show was taped on 1-24 and aired on 2-11-51
Meet Frank Sinatra
Announcer: Hal Sims
Producers: Mark Goodson, Bill Todman
Performers: Frank Sinatra
1. I Don't Want To Walk Without You Baby
2. If
3. It's Been A Long Long Time
4. The Moon Was Yellow
5. One For My Baby
6. Papa Won't You Dance With Me
7. Put Your Dreams Away
8. S' Wonderful
9.. There's Something Missing
10..Time After Time
February 11, 1951
Network: CBS
Script: January 24, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Jules Styne, Lynn Burton
1.. 'S Wonderful - w/Graham Forbes and His Quartet
2. chat/intro/talk w/Jule Styne
3. medley w/ Jule Styne (piano): It's Been A Long,
Long Time / I Don't Want To Walk Without
You / Papa, Won't You Dance With Me
4. Time After Time - w/Jule Styne (piano)
5. comedy/patter with audience]
6. If - w/Graham Forbes (piano)
7. into/talk w/ Lynn Burton
8. Bye Bye Baby - Lynn Burton
9. One For My Baby - w/Graham Forbes (piano)
10. The Moon Was Yellow
11. There;s Something Missing (Columbia Recording)
12. Put Your Dreams Away
January 25, 1951
Concerts
The Click Club, Philadelphia, PA (One Nighter)
The Click Club, Philadelphia, PA (One Nighter)
---------------------------------------
DOWNBEAT
JANUARY 25, 1955
note: A film that never happened. Interesting to
read. Armstrong entry on the page is a little late
in the game. Doris Day was planning big things
way back in 55.
Ed
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
January 26, 1951
Concerts
South Side High School, Rockville Centre, New York
Benefit for Mercy Hospital
South Side High School, Rockville Centre, New York
Benefit for Mercy Hospital
When Ol' Blue Eyes came to RVC
Long Island Herald
Posted January 20, 2016
Early in his career, Frank Sinatra performed a concert in Rockville Centre
as part of a benefit for Mercy Hospital. Not many people remember the show,
though.
By Rebecca Melnitsky
Last month would have been Frank Sinatra's 100th birthday. This Tuesday is
the 65th anniversary of the time Ol' Blue Eyes sang in Rockville Centre.
On Jan. 26, 1951, Sinatra sang at South Side High School - which is now
South Side Middle School - at a benefit for Mercy Hospital - which is now
Mercy Medical Center.
According to a preview story in the Rockville Centre News & Owl, the benefit
was to raise funds for a $5,000 pharmacy at the hospital. "[Mercy Hospital]
has announced that the much needed pharmacy room will be dedicated as a
memorial to the Long Island Rail Road disaster victims," said the story in
the Jan. 19, 1951 issue. "Frank Sinatra and other stars from his hit TV show
will appear in person at the benefit..."
The "Long Island Rail Road disaster" refers to 11 months earlier when two
trains collided head-on on the Rockville Centre tracks, killing 29 people
and injuring 115. The "hit TV show" was the "The Frank Sinatra Show" on CBS,
a musical-variety series that lasted two seasons. It was not really a hit,
as it lasted two seasons and Sinatra's career was still in the transitional
period from a teen idol to Rat Pack star. He was also in the middle of a
divorce from his first wife, Nancy Barbato, after he cheated on her with Ava
Gardner - a major scandal at the time.
Joseph Papalia, 79, a lifelong Rockville Centre resident, remembers the
concert. He and a few friends went to South Side High School to hear Sinatra
perform that evening. Papalia, who was 15 at the time, did not go see the
concert in person, although he could hear the music from outside.
After the concert, Papalia saw Sinatra pushing a tray in the school's
kitchen and to get something to eat. As Sinatra walked back to his
limousine, he spoke to Papalia and asked how to get to the Southern State
Parkway.
"I gave him such screwed up directions," said Papalia. "If he had followed
them he would have ended up in Montauk." Nevertheless, Sinatra was,
according to Papalia, well dressed, very nice and very gracious.
The Herald reached out to senior citizens, Mercy Medical Center, the
Rockville Centre Library and the Rockville Centre School District, but no
one else could recall the concert, and no other records were found.
There are very few records of it - only two mentions in the News & Owl and
one in the Brooklyn Daily Eagle. Frank Sinatra was mentioned in the headline
of one of these articles, and the only photograph that ran with any of them
was a picture of singer and actress Kay Armen, who also performed at the
benefit.
Papalia and his group also saw her as she left South Side High School. "Kay
Armen smiled at us," he said. "You're just a little kid. If a big pretty
woman gives you a big smile you remember that."
----------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
January 27, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #17
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Marlo Lewis
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Phil Silvers, June Hutton, Jack Goode, Ollie Frank, Harold Stone, Muriel Landers
1. There'll Be Some Changes Made - Frank Sinatra
2. Let's Take An Old Fashioned Walk - Frank Sinatra & June Hutton
3. Mary's It's A Grand Old Name - Frank Sinatra
4. There's No Business Like Show Business - Frank Sinatra
5. I'm Always Chasing Rainbows - Frank Sinatra
6. They Didn't Believe Me - Frank Sinatra
Notes: Show in circulation
NOTE: Sinatra Scholar Ed O'Brien observes that it has been conventional wisdom for lo these many years that Sinatra lost his voice in the early Fifties. This show is a prime example of how a misconception can become the accepted truth if repeated often enough. Sinatra is in marvelous voice throughout the hour long show. The singing on the three songs above (none of them ever recorded by Sinatra) is simply splendid. He portrays a bartender closing up shop as he sings a very sad rendition of "I'm Always Chasing Rainbows." If you have ever heard his wonderful reading of the Kern-Reynolds classic "They Didn't Believe Me," it leaves one wondering why there was never a recording attempted.
Here us a brief history if this wonderful gem:
When Julia Danderson and Donald Brian introduced Kern's "They Didn't Believe Me" in the Broadway show "The Girl from Utah ," they became one of the most popular stage duos of their time. Kern and Reynolds had added uncredited songs to previous imports. This time they demanded and got full program credit. Their delightful "They Didn't Believe Me" marked a turning point in the development of popular music. The melody defies time. Forthright sentiment meets refined romance, and the resulting sound pointed to the Broadway musical's future. Rejecting the flowery poetry found in most period love songs, the lyric captured the easy cadence of everyday conversation.
When I told them
How beautiful you are
They didn't believe me,
They didn't believe me.
Your lips, your eyes, your curly hair
Are in a class beyond compare
You're the loveliest girl
That one could see.
And when I tell them,
(And I certainly am going to tell them)
That I'm the man
Whose wifeibe day you'll be,
They'll never believe me,
They'll never believe me,
That from this great big world
You've chosen me.
What wonderful sentiment, O'Brien insists. And Frank makes "There'll Be Some Changes Made" his own with the reading from the January 27, 1951 show. His very close friend Phil Silvers was a guest, as he was on many of the CBS shows from 50-52. The show was broadcast live so there were no redos on any of the tunes. Frank got it right the first time week after week!
Scott Henderson:
I watched his 1951 show yesterday. The audience sure cheered when he went
to sing "They Didn't Believe Me" on his TV Show. Must have been a really
popular tune. I got a kick out of June Hutton flaunting that she had
married Axel Stordahl over the weekend. Seemed like an unlikely
pairing. Didn't June Hutton die, like in her 50s?
Ed O'Brien:
Hutton died in 1973. She was 52.
Frank had her on his radio and TV shows, plus she
played theatre engagements with him and was on
a number of recording sessions. Stordahl died in 1963,
so June outlived him by a decade.
January 28, 1951
Radio
Meet Frank Sinatra
Show #14
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Kay Starr, The Skylarks
Notes: Confirmed aired on WCBS
Television
The Jack Benny Program
Network: CBS
Time: 7:30 P.M.
Season 1, Episode #2
Title: "Faye Emerson and Frank Sinatra Show"
Guests: Frank Sinatra, Frank Fontaine (John L.T. Savonie), Faye Emerson
Regular Guests: Eddie "Rochester" Anderson, Bill Days, Jay Moffett, Gurney Bell, Martin Sperzel, Frank Brandon Nelson, Jay Meyer, Dale White, Dennis Day, Mary Livingstone, Bob Stevens, Mel Blanc
1. Benny and Sinatra skit "New York City"
2. Sinatra: Take My Love
3. Benny and Rochester: skit
4. Benny and Faye Emerson: skit
Note: Show filmed January 20, 1951. SA is currently searching for this program.
JACK BENNY
CBS-TV, SUNDAY (28)
The second video stint by Jack Benny
showed that the comic has great TV potentials.
This also was amply demonstrated in his initial
outing. However, the realization of his talent in
tele remains dependent upon putting some
muscles into his material. The first half of
his show limped along and only the final
portion, embodying a skit with Frank Sinatra
and Faye Emerson, made for any real merriment.
Basic problem is that Benny's scripters are
grinding out material of radio genre and not stuff
that has any major degree of visual appeal. The
show's opening, in which Jack did a stand-up
monolog in front of the curtains, contained all
the usual stock references to himself and his cast,
with special stress to his age and miserliness. True,
it was in character, but it would appear that all the
possible gags in this foundation have long since
been milked. At any rate,despite Benny's master-
ful delivery and timing, nothing happened.
An interchange of quips between Benny and
Sinatra added little, the pay-off being another gag
on the comic's tightwad proclivities. A Sinatra rendition
of "Take My Love" charged up Frankie's fans.
Rochester Last
Rochester ( Eddie Anderson) had precious little to
do, but squeezed the most out of his lines. Frank
Fontaine, playing the dull-witted John L.C. Silvoney,
was a good foil for Benny, but his characterization
could hardly be epitomized as tasteful humor.
The Benny- Emerson - Sinatra sketch, itself a
twist on an oldie, stood up well mainly because,
at last, the material was visual. It embodied one
of the longest clinches in TV annals between Faye
and Frank, while Benny made like a pendulum with
Faye's limp arm before getting out his magnifier to
inspect the quality of her jewelry.
Considering the budget on this show and the
lengthy intervals between the star's TV appearances,
it would seem possible for some lively,fresh material
to await his tele shots. He deserves it, as he proves
when the stuff is there for him to deliver.
Sam Chase
Billboard
February 10, 1951
note: My favorite radio program was the Jack Benny Show.
The characters lit my imagination every week, especially
Mel Blanc with his wonderful sound effects. When I first
caught Benny's TV show, it was a major disappointment.
The Billboard reviewer was spot on with Benny's visual
problems. He eventually made a successful transition
to TV but not overnight the way Hope did.
The Jack Benny Program
Network: CBS
Time: 7:30 P.M.
Season 1, Episode #2
Title: "Faye Emerson and Frank Sinatra Show"
Guests: Frank Sinatra, Frank Fontaine (John L.T. Savonie), Faye Emerson
February 1, 1951
Concerts
The Click Club, Philadelphia, PA (One Nighter)
The Click Club, Philadelphia, PA (One Nighter)
February 3, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #18
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Jackie Gleason, June Hutton, The Heathertones
1. It Had To You - Frank Sinatra
2. Take My Love - Frank Sinatra
3. Everything Happens To Me - Frank Sinatra
4. You'd Be So Nice To Come Home To - Frank Sinatra & June Hutton
5. Let It Snow, Let It Snow, Let It Snow - Frank Sinatra
6. My Heart Stood Still - Frank Sinatra
7. I Am Loved - Frank Sinatra
Notes: Show in circulation.
Ed notes: If all of Frank's 50-52 shows had been
as good as this one, he never would have had
a ratings problem. The skits were often
deadly but the singing was grand. The 2-3-51
broadcast offered seven songs by Sinatra, plus
two from June Hutton and two from The Heathertones.
There was also a vocal by an uncredited female singer.
A thoroughly enjoyable hour.
Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #18
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Jackie Gleason, June Hutton, The Heathertones
Skit from show
February 4, 1951
Radio
Meet Frank Sinatra
Show #15
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Milton Berle, June Hutton
Notes: Confirmed aired on WCBS
February 10, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #19
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Barbara Britton, June Hutton, Jack Goode, Ollie Frank, The Heathertones
1. I Love You - Frank Sinatra
2. They Say It's Wonderful - Frank Sinatra & June Hutton
3. I've Got A Crush On You - Frank Sinatra
4. Zing Went The Strings Of My Heart - Frank Sinatra
5. The Night Is Young And You're So Beautiful - Sinatra, June Hutton & The Heathertones
6. The Anniversary Song - Frank Sinatra & Barbara Britton
February 11, 1951
Radio
Meet Frank Sinatra
Show #16
Network: CBS
Script: January 24, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Jules Styne, Lynn Burton
1. ' S Wonderful - w/Graham Forbes and His Quartet
2. chat/intro/talk w/Jule Styne
3. medley w/ Jule Styne (piano): It's Been A Long,
Long Time / I Don't Want To Walk Without
You / Papa, Won't You Dance With Me
4. Time After Time - w/Jule Styne (piano)
5. comedy/patter with audience
6. If - w/Graham Forbes (piano)
7. into/talk w/ Lynn Burton
8. Bye Bye Baby - Lynn Burton
9. One For My Baby - w/Graham Forbes (piano)
10. The Moon Was Yellow
11. There;s Something Missing (Columbia Recording)
12. Put Your Dreams Away
Notes: Listed as being rehearsed/taped on January 3, 1951. Date is incorrect. Script for show wasn't even written till January 24th. Confirmed aired on WCBS
Ed O'Brien notes:
Easily the best of the shows that are in circulation from this series. We get to hear Frank sing the marvelous
Gershwin tune "S''Wonderful, ' with a quintet, and a song he literally redefined "One For My Baby," with just Mr Forbes
backing him. This version gives the listener a peek into the maturation process that Sinatra was going through
in the early fifties. What would become one of his great signature songs, started here. "The Moon Was Yellow" was
a Sinatra favorite. He would record it on three major labels and perform it often in concert. "Perry Como's huge hit "If"
receives a spectacular vocal effort from Mr Sinatra. His singing here certainly exposes the crazy idea that he was
at a low point vocally in the early fifties. And, of course, we also have the pleasure of hearing Sinatra sing a wonderful
group of songs with Jule Styne accompanying him on piano. Styne wrote many of Frank's hits in the forties and would
continue to be a major contributor into the 1980s. The singing on "Time After Time" is simply exquisite.
Scott: Sinatra singing "If". It doesn't get much better. I wish he had recorded it.
Concerts
State Theater, Hartford, Connecticut (One Day Only)
State Theater, Hartford, Connecticut (One Day Only)
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
Meet Frank Sinatra
Show #16
Network: CBS
Script: January 24, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Jules Styne, Lynn Burton
February 13, 1951
Television
Cavalcade of Bands
Season: 2 Episode: 56
Network: Dumont
Host: Buddy Rogers
Guest Star: Jackie Gleason, Frank Sinatra, Gene Krupa
Krupa Songs:
1. Opening Theme
2. Lover
3. Sabre Dance
4. There's A Great Day Comin'
5. Twelfth Street Rag
6. Drum Boogie
Cavalcade of Bands
Season: 2 Episode: 56
Network: Dumont
Host: Buddy Rogers
Guest Star: Jackie Gleason, Frank Sinatra, Gene Krupa
February 17, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #20
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Faye Emerson, Skitch Henderson, Arthur Blake, Irving Kupcinet, June Hutton
1. Get Happy - Frank Sinatra
2. These Foolish Things - Frank Sinatra & Skitch Henderson
3. Them There Eyes - Frank Sinatra
4. Without A Song - Frank Sinatra
5. Why Shouldn't I? - Frank Sinatra
6. Bess, Oh Where's My Bess? - Frank Sinatra
February 18, 1951
Radio
Meet Frank Sinatra
Show #17
Network: CBS
Script: January 31, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Perry Como
Notes: Confirmed aired on WCBS
Meet Frank Sinatra
Show #17
Network: CBS
Script: January 31, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Perry Como
Notes: Confirmed aired on WCBS
February 24, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #21
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Douglas Fairbanks Jr., Jean Carroll, Teddy Hale, June Hutton, The Heathertones
[image referenced in source but could not be recovered]
February 25, 1951
Radio
Meet Frank Sinatra
Show #18
Network: CBS
Script: February 7, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: , Don Cherry, Winona Dawson
Concerts
Club Morocco, Miami, FL (February 25-March 1)
2 Shows Nightly 9:30 & 11:30
Sacasa and his Orchestra
Marty Grossman and his Band
Also: Ted & Phyllis Rodriguez - Dance Team
Songs performed during this engagement:
Sweet Lorraine
Body and Soul
I Hear Music
April In Paris
Stella By Starlight
Nevertheless
All The Things You Are
Paper Moon
If
The September Song
You're The One
I've Got A Crush On You
Club Morocco, Miami, FL (February 26-March 1)
Here's a review from The Miami Herald, during the run of the
engagement. Anyone who says that he had lost
his voice by 1951 obviously wasn't attending some of these stellar
performances:
The Miami Herald, Miami, Florida, Feb 28, 1951
Meet Frank Sinatra
Show #18
Network: CBS
Script: February 7, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: , Don Cherry, Winona Dawson
note: Frank opened at the Casablanca on 2-25 for a four day run.
First show opening night, he did 23 songs. Second show was
interrupted by antiquated law.
Joe E Lewis opened on 3/1. I wondered if Frank sang "As Time Goes
By."
Ed
February 26, 1951
Concerts
Club Morocco, Miami, FL (February 25-February 28)
2 Shows Nightly 9:30 & 11:30
Sacasa and his Orchestra
Marty Grossman and his Band
Also: Ted & Phyllis Rodriguez - Dance Team
Songs performed during this engagement:
Sweet Lorraine
Body and Soul
I Hear Music
April In Paris
Stella By Starlight
Nevertheless
All The Things You Are
Paper Moon
If
The September Song
You're The One
I've Got A Crush On You
Club Morocco, Miami, FL (February 25-February 28)
review of frank in Miami 2-26-51 -- ED
[image referenced in source but could not be recovered]
February 27, 1951
Concerts
Club Morocco, Miami, FL (February 25-February 28)
Marty Grossman and his Band
Also: Ted & Phyllis Rodriguez - Dance Team
Songs performed during this engagement:
Sweet Lorraine
Body and Soul
I Hear Music
April In Paris
Stella By Starlight
Nevertheless
All The Things You Are
Paper Moon
If
The September Song
You're The One
I've Got A Crush On You
February 28, 1951
Concerts
Club Morocco, Miami, FL (February 25-February 28)
Marty Grossman and his Band
Also: Ted & Phyllis Rodriguez - Dance Team
Songs performed during this engagement:
Sweet Lorraine
Body and Soul
I Hear Music
April In Paris
Stella By Starlight
Nevertheless
All The Things You Are
Paper Moon
If
The September Song
You're The One
I've Got A Crush On You
March 2, 1951
Studio
New York City
CO45156 Hello Young Lovers
(R. Rodgers/O. Hammerstein II)
(from The king And I)
Williamson Music, Inc. (ASCAP) 1951
Arranged & Counducted by Axel Stordahl
-1 (3:32) CD: Columbia Years 43-52 Vol. 12
LP: C2X-40897 Hello Young Lovers
LP: CL-606 Frankie
78: 39294
CO45157 We Kiss In A Shadow
(R. Rodgers/O. Hammerstein II)
(from The King And I)
Williamson Music, Inc. (ASCAP) 1951
Arranged & Counducted by Axel Stordahl
-1 (3:35) CD: Columbia Years 43-52 Vol. 12
LP: C2X-40897 Hello Young Lovers
LP: CL-953 Adventures Of The Heart
78: 39294
Violins: A. Eidus, M. Hershaft, H. Katzman, M. Lomask, R. Lynch, M. Meinikoff, F. Orlewitz, R. Polikian, Z. Smirnoff; Violas: S. Deutsch, I. Zirr; Cellos: A. Borodkin, G. Polikian; Harp: E.. Vito; French Horn: J. Barrows; Trombones: G. Arus, J. Satterfield; Woodwinds: A. Drelinger, H. Feldman, E. Gershman, B. Kaufman, W. Stegmeyer; Piano: G. Forbes; Guitar: M. Golizio; Bass: F. Carroll; Drums: J. Blowers
note: Frank was a tired and worried man on the evening of March 2nd. He had personal problems and he
wasn't selling very many records. As the session got underway, Frank realized his voice wasn't right. He
asked for some hot tea and tried to relax. The prospect of recording two brand new Rodgers and Hammer-
stein songs, quality material with Axel's great arrangements, was the best of everything, if he could just get
his voice to work. "Hello Young Lovers" was a real struggle. What should have been three or four takes
became 22 before they had a decent recording. "We Kiss In A Shadow" came easier because his voice
had opened up. But it was not an easy session for a man who used to find it so easy to record.
"Hello Young Lovers" has an alternate take which is available on "Frankie" LP ( Col-606 ).
Frank would sing this great ballad on his 5-5-51 CBS-TV show and "We Kiss In A Shadow" would be done
as a duet with June Hutton on the 4-7-51 and the 5-12-51 shows.
Ed
New York City
CO45156 Hello Young Lovers
(R. Rodgers/O. Hammerstein II)
(from The king And I)
CO45157 We Kiss In A Shadow
(R. Rodgers/O. Hammerstein II)
(from The King And I)
This article appeared on March 2nd, 1951 in the Miami
News:
Its odd that the last paragraph mentions that Sinatra was going
to record some of the songs from the The King And I the same night as
these young ladies met him in his hotel room in Miami. The
interview and photo were obviously done when Sinatra was AT THE Club
Morocco, Miami, FL (February 25-February 28, 1951).
Sinatra, of course, recorded the above two songs on March 2, 1951 in New
York.
Heres another photo of Frank relaxing in Miami:
March 3, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #22
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Perry Como, Frankie Laine, Andrews Sisters (surprise cameo), Betty and Jane Kean, June Hutton, The Digatanos (ballroom dancers), The Heathertones
1. Como, Sinatra & Laine (parody) - Sinatra, Como & Laine
2. I Get A Kick Out Of You - Frank Sinatra
3. Commercial
4. Barber skit - Frank Sinatra & Perry Como
5. If - Perry Como
6. Copa skit - Sinatra, Como & Laine
7. That Luck Old Sun - Frankie Laine
8. Sinatra, Como & Laine (in drag): Andrews Sisters pantimine
9. Surprise walk-on - Andrews Sisters
10. Commercial
11. Station id
Notes: Show in circulation. Incomplete 30mins. Confirmed date by Variety article.
CBS SOCKS SINATRA ACROSS,
BUT COMO, LAINE HELP A LOT
If Frank Sinatra can keep coming up with shows like this, the National
Broadcasting Company "Show of Shows" will have a real tussle on its hands Some-
body shows signs of something approximating booking genius in lining up Perry
Como and Frankie Laine to work the show with Sinatra. And followed thru with fine
light special material for Como, Sinatra and Laine, plus other bits to create a
stanza that was relaxed, happy and wham all the way. In addition to choice
clowning by the three baritones, each delivered sock solo performances, Como
with "If," Laine with a tune of his own, "We'll Be Together Again," and Sinatra with "I Get
A Kick Out of You."
Betty and Jane Kean also contributed excellent comedy bits, and June Hutton abetted
by the Heathertones delivered a good "It's A Good Day." Marlo Lewis seems to be taking
hold nicely as producer. Axel Stordahl lays in solid musical support. Bulova's "The watch
the stars wear" plugs have strong appeal.
The big question that arises is how do you follow a show like this. If Sinatra and his aids can
figure it out and deliver three or four in a row, they'll be headed for the top of the rating heap.
Joe Csida
Billboard
March 17, 1951
Ed O'Brien: The correct date for this show is definitely 3-3-51. A number of Sinatra lists have it as 3-10-51.
Laine, at least in the first half of the show, sang "That Lucky Old Sun," not "We'll Be Together Again..' The
three baritones opened the show with "We're Como,Sinatra and Laine." Bulova's watches started at the
"low' price of $49.95. They offered a self-winding one at that price. The Andrew Sisters were surprise
guests. Frank's opening show for the second season, 10-9-51, also had Como, Laine and The Andrew Sisters.
I prefer the March 51 show.
Frank Sinatra Show
Variety
[image referenced in source but could not be recovered]
March 4, 1951
Radio
Meet Frank Sinatra
Show #19
Network: CBS
Script: February 15, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Ella Fitzgerald, Johnny Parker, Jean Sablon
Notes: Confirmed aired on WCBS
Meet Frank Sinatra
Show #19
Network: CBS
Script: February 15, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Ella Fitzgerald, Johnny Parker, Jean Sablon
Notes: Confirmed aired on WCBS
Variety
3-7-51
THE TIMES
3-4-51
note: I have the transcript of this show but I never read the segment on the guide dog. Nice gesture by Sinatra.
Interesting the Sablon is not mentioned.
Ed
------------------------------------------------
March 4, 1962 Bob Hope is presented with the Milestone Award at Screen Producers Guild annual dinner.
Frank Sinatra was Master of Ceremonies
Bob Hope is kissed by his wife, Dolores, when presented with the Milestone Award at Screen Producers Guild annual dinner. Frank Sinatra, on the right, looks on. March 4, 1962
THE TIMES
note: I have the transcript of this show but I never read the segment on the guide dog. Nice gesture by Sinatra.
Interesting the Sablon is not mentioned.
Ed
March 4, 1962 Bob Hope is presented with the Milestone Award at Screen Producers Guild annual dinner.
Frank Sinatra was Master of Ceremonies
Bob Hope is kissed by his wife, Dolores, when presented with the Milestone Award at Screen Producers Guild annual dinner. Frank Sinatra, on the right, looks on. March 4, 1962
March 9, 1951
Television
The Faye Emerson Show
Guest: Frank Sinatra
15 minutes
The show opens with Frank Sinatra reading a letter from a viewer. He then reads a "letter" from Faye asking for advice on how to succeed in television. She sits next to him and tells him the only thing she can do is talk and he offers to help her learn how to sing. He then sings "I've Got a Crush on You". They get up and go to the bar to have a Pepsi. Frank next gives Faye a dance lesson after claiming to have taught Gene Kelly how to dance. Afterwards, the two talk about Frank's television show, the connection fans have with TV stars and TV critics.
The Faye Emerson Show
Guest: Frank Sinatra
15 minutes
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
March 10, 1951
Television
Frank Sinatra Show
Netowrk: CBS
Location: New York City
Script Dated:
Show: #23
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Don Ameche, Joan Blondell, June Hutton, The Heathertones
1. Love Is Just Around The Corner - Frank Sinatra
2. The Way You Look Tonight - Frank Sinatra & June Hutton
3. There's A Flaw In My Flue - Frank Sinatra
4. This Can't Be Love - Frank Sinatra
Notes: 30mins circulates.
Frank Sinatra Show
Netowrk: CBS
Location: New York City
Script Dated:
Show: #23
Sponsor: Bulova Watch Company (30mins)
March 11, 1951
Radio
Meet Frank Sinatra
Show #20
Network: CBS
Script: February 22, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Peggy Lee, Eddie Fisher
Notes: Confirmed aired on WCBS
Concerts
War Memorial, Trenton, New Jersey
Sunday evening
Buddy Williams & His Golden Echo Orchestra
M.C. Benny Rubin
Comedian: Sid Rice
Accordonist: Johnny Felice
Dance Team: Mickie & Gracie Carol
Impressionist: Dick Stanley
Feature Act: Frank Sinatra
note: This was Sinatra's third concert appearance in Trenton.
He played the Trenton Arena and Trenton Armory during
the Dorsey years. Frank drew less than half-a-house
at the War Memorial fifty-nine years ago this evening.
Ava Gardner sat in the second row. Frank would never
play Trenton again.
1960 Fountainebleau Hotel, Miami Beach, Florida (9-30?)
26 piece orchestra conducted by: Morty Stevens
Bill Miller (piano)
among the songs:
I Love Paris
I Thought About You
I've Got A Crush On You
Road To Mandalay
River Stay Away From My Door
All The Way
High Hopes
medley: A Foggy Day, I've Got You Under My Skin, Angel Eyes
Come Fly With Me.
Meet Frank Sinatra
Show #20
Network: CBS
Script: February 22, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Peggy Lee, Eddie Fisher
Notes: Confirmed aired on WCBS
War Memorial, Trenton, New Jersey
Frank Sinatra in The Burg and Trenton Area
Times, The (Trenton, NJ) - Saturday, May 16, 1998
Author: RANDY ALEXANDER, Staff Writer
City provided food, friends
TRENTON _ Frank Sinatra sat down to eat in Trenton more
times than he sang here.And more than a decade after his final
Trenton performance in 1951 at the War Memorial, Ol' Blue Eyes
was still making special trips to his home state capital to
sample Italian cuisine with friends. Sinatra's Trenton friends
included Lou Crecco , owner of Crecco 's Cafe in Chambersburg;
and Ernie Kovacs, Trenton's beloved TV pioneer.
Sinatra began visiting Trenton as a big band singer with the
Tommy Dorsey Orchestra. He played the Trenton area twice with
Dorsey from 1940 to 1942 _ once at the Trenton Arena on
Stockton Street, long since leveled by fire; and once at
the Trenton Armory on Eggerts Crossing Road.
Frank Iero, drummer for the Jerry Rice Band, still likes to tell
the story about almost hitting Sinatra and other Dorsey band
members with his car one Sunday afternoon. ''We were on our way
home from his show,'' Iero recalled, ''and who's running across
Montgomery Street but Sinatra and a couple of other guys.
I had to stop my car before I hit them. It was close. My wife,
who was my girlfriend at the time, says to me, 'Oh my God,
you almost hit Frank Sinatra!' ''
When Sinatra played the Armory with the Dorsey band, he got a
home-cooked dinner at the Brunswick Avenue house where Sam and
Josephine Plumeri lived with Sam's parents.
Sam's cousin, Don Lodice, played sax with Dorsey at the time
and became godfather to Sinatra's daughter Nancy.
''My brother brought him to my house to have a spaghetti dinner
that my mother provided,'' Sam Plumeri remembered. ''He came
with the band.''
''He was skinny then,'' added Josephine Plumeri. ''Word got
around that Tommy Dorsey and Sinatra were around the
neighborhood and people went crazy.''
It was also during World War II that Ann Hoffman Hunt _ widow
of Trenton resident Robert Hunt of Bellevue Avenue _ flew to
California with her infant cradled in her arms. The baby started
crying while the plane was taking off, and only got louder as
the flight continued. When a pacifier didn't work, a man across
the aisle offered to help her. Within a few minutes, the baby
was in his arms and didn't cry the rest of the way to
the West Coast. THE MAN WAS Frank Sinatra.
After the war ended, Sinatra was back in Trenton, eating at
Trionfetti's Restaurant _ a newspaper story about the visit
hung on the wall at Trionfetti's in Chambersburg.
Also at the table that night was boxing great Rocky Graziano
and actress Rose Marie, wife for many years of the Bobby Guy,
the celebrated late Trenton trumpet player.
''Sonny T'' Trionfetti, who hung out at his uncle's restaurant,
says it was not uncommon for stars to come to Trionfetti's in
those days.
''It was a speakeasy,'' he explained. ''It was like the Cotton
Club in New York. They had bands every night on the weekends.''
But Sinatra's most famous public appearance in Trenton was
March 11, 1951. He headlined the War Memorial in the only solo
concert performance he ever gave here. At the War Memorial
''The Frank Sinatra Show'' with Buddy Williams and his Golden
Echo Orchestra came to the War Memorial as Sinatra's life
and career were fast falling apart. He had just been granted
a legal separation from wife, Nancy, and his scandalous affair
with Ava Gardner had become tumultuous.
Sinatra's half-hour CBS variety program, ''The Frank Sinatra
Show'' was struggling for ratings. His record sales had
plummeted. The previous year, he had been released from
his MGM film contract and dropped by his agent.
Ten days before he came to the War Memorial, Sinatra would
be secretly interrogated in New York about his alleged Mafia
connections by the Senate Special Committee to Investigate
Crime in Interstate Commerce.
At the end of the month, the singer would give what's
considered one of his most emotional studio performances _
on March 27, aching with anguish over his relationship with
Gardner, he recorded ''I'm a Fool to Want You.''
Sinatra arrived at the War Memorial on a Sunday evening. He
had been brought to town by three Trenton residents who were
trying to launch a concert promotion company: 21-year-old booking
agent Tony Angeli Jr. spearheaded the effort, backed by Golden
Gloves champion boxer Jimmy ''The Trenton Buzz Saw'' Corti
and building contractor Peter Chiaradia.
THEY DIDN'T CARE that Sinatra's career was bottoming out
at the time. ''Jim liked him so much, they wanted him here
anyway,'' explained Corti's wife, Millie. ''They were trying to
start a business and have entertainers come to Trenton.''
They brought in Domenic Castaldo, a former Chambersburg iron
worker and the owner of Lola's Pizzeria, to bodyguard Sinatra
that night. Pete Rossi, a longtime Trenton political figure who
was backstage that night, remembers Sinatra asking Castaldo to
bring him some pizza and tea before the performance. Castaldo
dashed off to the 'Burg to fill the order.
''The Frank Sinatra Show'' at the War Memorial had six acts on
the bill: master of ceremonies Benny Rubin, comedian Sid Rice,
accordionist Johnny Felice, the dance team of Mick and Gracie
Carol, impressionist Dick ''Tiny Stanley,'' and finally,
Sinatra himself. It was a big night for Trenton.
''Everybody was buzzing,'' recalled Millie Corti. ''I was all
dolled up. Everybody was all dressed up.''
Though her husband watched the show from the wings, Millie was
not allowed backstage. So she sat in the third row _ right
behind Ava Gardner.
A photo of Sinatra singing on the War Memorial stage still hangs
in Diamond's Restaurant in Chambersburg _ the restaurant is owned
by Corti's daughter, Philomena Zucchetti.
''I took care of him,'' said Jimmy Corti. ''Everything he wanted,
I took care of. He was behind me because I fought. He wanted to
talk about the fights I was in, and I wanted to talk about movies
and show business. He was polite, too. Frank Sinatra treated me
like I was his buddy.
''I didn't let too many people go near Frank Sinatra because I
knew he wanted to be himself. I made him feel at home.''
Rossi, a friend of the three promoters, remembers seeing
Sinatra backstage in his shorts. ''And he was as skinny as can
be,'' said Rossi. Corti, then 26, had hoped the War Memorial
show would launch a successful promotion venture that would
allow him to quit boxing. ''It was a big, big, big deal,''
he said. ''Everything felt good to me.''
But the concert, he said, did not come close to selling out
the 2,000-seat hall. The three men would never book another show
and Corti didn't hang up his boxing gloves for another six years.
The story around Chambersburg, says Sonny T., is that Sinatra
was so upset with the War Memorial turnout that he vowed
never to play Trenton again.He never did.
A Trenton friendship
But Sinatra kept up his connections to the capital city.
He befriended Trenton's greatest show-biz export, TV comic
Ernie Kovacs, as soon as Kovacs moved with his wife, Edie Adams,
from New York to Hollywood in 1957.
The bond was so tight that the Kovacs settled in Hollywood on
Bowmont Drive because Sinatra lived up the road.
''Ernie and Frank were a set,'' Adams recounted. ''They adored
each other. With Ernie's Hungarian family stuff and Frank's
Italian family stuff, they covered everything.''
As neighbors, the Kovacs were often part of the all-night card
games at Sinatra's house. Regulars included Dean Martin, Aaron
Spelling and Carolyn Jones. ''Frank would like us to stay there
all night long,'' said Adams. ''He would pull the curtains to be
sure we didn't know it was dawn. He didn't want anybody to
leave until early morning.'' A running practical joke between
Sinatra and Kovacs involved the continued placement of green
portable toilets and large wooden cigar store Indians in front
of each other's house. Sinatra adored Kovacs so much that he
occasionally appeared in a monkey suit on Kovacs' innovative TV
show to be part of the famed Nairobi Trio.
And Sinatra was the first to call Adams after Kovacs was killed
in a 1962 automobile accident. More than simply console the
grieving widow, Sinatra immediately offered to pay off the huge
debts Kovacs had left.''I'll never forget that,'' said Adams.
''He was like nobody I ever knew. He was always a big source
of strength for me. He's always been like a big brother. The man
was just absolutely unbelievable.''
Back for dinner
But if Sinatra never sang again in Trenton, he continued to
visit _ and eat. In the early '60s, his limo pulled up to Cedar
Gardens in Hamilton on its way from New York to a gig in
Philadelphia. Back then, Cedar Gardens was owned by Ray Agabiti
a friend of Trenton's Carl ''Pappy'' Ippolito, who knew Jilly
Rizzo, one of Sinatra's closest friends. Oldies disc jockey
Jerry Blavat was along for the ride. ''Pappy invited Jilly and
myself and Sinatra to have dinner,'' Blavat remembered.
''Sinatra's favorite dish was clams and spaghetti, and for him
they cooked it special.'' By the mid-1960s, Sinatra started
showing up at Crecco 's, for 40 years one of the 'Burg's famed
celebrity hangouts. Sinatra ate at Crecco 's because of Pat Henry,
the comedian who was his warm-up act at the time. Henry was a
dear friend of owner Lou Crecco , who eventually befriended
Sinatra too _ the three men dined together at Rizzo's New York
restaurant. ''Frank was a tough guy,'' said Crecco . ''He was a
nice guy with a heart of gold, but when he got into that vodka on
the rocks, he got mean. One night at Jilly's, I had to break up
him and Pat Henry from a fight. Otherwise, he was a great guy.''
Both of Sinatra's visits to Crecco 's were very late at night.
Crecco would get an advance call from Henry, and Sinatra would
be set up at the only round table in the bar area.
''That was the 'in' place,'' said Crecco . ''If you sat in the
bar, you were a big person. He ate at the No. 1 table.''
Sinatra was a great pasta man, but he wouldn't allow any
autographs while he ate. He did, however, welcome a wave of jokes
at the dinner table. ''It was all jokes,'' said Crecco .
''He told 'em. That whole gang did. Sammy Davis, Joey Bishop,
Dean Martin, all through dinner. That's all they did was
tell jokes.''
When playwright William Mastrosimone witnessed Sinatra leaving
his limo to walk into Crecco 's one night in the early '70s,
''it changed my life for a couple of years.'' A quarter-century
later, Mastrosimone would be hired by Sinatra's daughter Tina to
script ''Sinatra,'' the five-hour CBS miniseries which aired
in 1992.
Mastrosimone was living in the 'Burg, struggling as a writer and
making pizzas at a bar near Crecco 's the night the long, black
limo pulled up after midnight. He had been a fan of Sinatra's since
age 12, shunning rock 'n' roll for the music and sound of the
Voice from Hoboken.
Mastrosimone remembers he was walking home from work, flour caked
on his jeans, carrying an old Army knapsack filled with his
writings. ''There were a bunch of people there,'' said
Mastrosimone. ''And someone stopped and said, 'Frank Sinatra's in
that car.' I didn't believe it and I just stood there. He got out
of the car, looked over toward me, just nodded and walked in.
If someone had tapped him on the shoulder and said, 'See that
guy over there? He's going to write your biography one day,'
he wouldn't have believed it.''Years later, when he was called
to write the screenplay for ''Sinatra,'' he said, 'It gave me
kind of a shiver, almost like it was meant to be.''
Swansong
Sinatra was a terribly reluctant visitor to Trenton on Feb.
17, 1970. The N.J. State Commission on Investigation had
subpoenaed him to testify about his underworld connections.
He had sued to dismiss the subpoena, appealing all the way
to the U.S. Supreme Court. He lost. Still, he refused to to
appear until the commission threatened to throw him behind
bars for contempt. Finally, Sinatra submitted to questioning
in a secret midnight session orchestrated to avoid reporters.
For 75 minutes, he denied association with any organized
crime figures. ''For many years, every time some Italian
names are involved in any inquiry, I get a subpoena,'' Sinatra
said later. ''I appear. I am asked questions about scores
of persons unknown to me, based on rumors and events which have
never happened. Then I am subjected to the type of publicity
I do not desire and do not seek.''
The Trenton Armory shut its doors long ago. The Trenton Arena
burned down in 1975. Trionfetti's and Crecco 's are out of
business. Cedar Gardens is under new management.
Don Lodice, Tony Angeli, Dominic Castaldo, Ernie Kovacs,
Ray Agabiti, ''Pappy'' Ippolito are all gone. So are Tommy
Dorsey, Rocky Graziano, Ava Gardner, Pat Henry, Jilly Rizzo,
Sammy Davis and Dean Martin.
Frank Sinatra has joined them now, forever, but his passing
cannot erase the Trenton memories.
March 17, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #24
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Jackie Gleason, Mary McCarthy, June Hutton, The Heathertones
1. It's The Same Old Shillelagh - Frank Sinatra
2. A Little But Of Heaven - Frank Sinatra & June Hutton
3. That Old Black Magic - Frank Sinatra
4. Walkin' My Baby Back Home - Frank Sinatra
5. Faithful - Frank Sinatra & The Heathertones
6. Get Happy - Frank Sinatra
The Frank Sinatra Show
Frank and Jackie
March 18, 1951
Radio
Meet Frank Sinatra
Show #21
Network: CBS
Script: March 8, 1951
Sponsor:
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Nellie Lutcher, Bert Taylor
Notes: Confirmed aired on WCBS
Ed O'Brien:
ByMart was the only sponsor Frank had for "Meet Frank Sinatra.."
They only paid for the first 15 minutes of the show. After the March
4th show, they dropped him. His Sunday afternoon ratings were dismal.
He may have had other sponsors back in the fall of 1950, but they didn't
hang around for that many shows.
Meet Frank Sinatra
Show #21
Network: CBS
Script: March 8, 1951
Sponsor:
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Nellie Lutcher, Bert Taylor
Notes: Confirmed aired on WCBS
---------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
March 24, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #25
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Basil Rathbone, Denise Darcel, The Heathertones
1. Singin' In The Rain - Frank Sinatra & The Heathertones
2. Basin Street Blues - Frank Sinatra
3. Home On The Range - Frank Sinatra & Denise Darcel
4. Where Or When - Frank Sinatra
5. All Of Me - Frank Sinatra
6. Polka Dots And Moonbeams - Frank Sinatra
Notes: Show in circulation.
March 25, 1951
Radio
Meet Frank Sinatra
Show #22
Network: CBS
Script: March 21, 1951 (Mel Torme), March 14, 1951 (Bob Haymes)
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Bob Haymes
Meet Frank Sinatra
Show #22
Network: CBS
Script: March 21, 1951 (Mel Torme), March 14, 1951 (Bob Haymes)
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Bob Haymes
note: the 3-25-51 broadcast was taped on 3-14-51. CBS taped the show with Mel Torme and
Hot Lips Page on 3-21-51. They had scheduled it for an immediate broadcast but decided
at the last minute to air the 3/14 taping. There is a complete transcript of the show from
3/21 and it shows the actual airdate to be 4-1-51.
Ed
------------------------------------------
Ed O'Brien:
On the evening of March 25, 1954, Frank Sinatra
won the Academy Award for best supporting actor. His
performance as "Maggio" in "From Here To Eternity,"
coupled with his fabulous recordings with Nelson Riddle
at Capitol was called by Variety "the greatest comeback
in show business history." But on that evening at the RKO
Pantages Theatre, after the ceremonies were concluded,
Frank eschewed the gala parties and chose instead to walk
the streets of Beverly Hills - alone - for hours.
March 27, 1951
Studio
7-1-51
CO45186 Love Me
(V. Young/N. Washington)
Words & Music, Inc. (ASCAP) 1934
Arranged & Counducted by Axel Stordahl
-1 (3:08) CD: Columbia Years 43-52 Vol. 12
LP: C6X-40343 The Voice
March 31, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #26
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Peggy Lee, Conrad Nagel, Jack Gilford, Mary Raye and Naldi (dancers)
1. Manana - Peggy Lee
2. The House I Live In - Frank Sinatra
April 1, 1951
Radio
Meet Frank Sinatra
Show #23
Network: CBS
Script: March 15, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Billy Eckstine, Trudy Richards, Benny Heller
1. Exactly Like You w/Graham Forbes
Notes: Confirmed Guests: Billy Eckstine, Trudy Richards and aired on WCBS. Cannot confirm Guest: Henny Heller.
note: Show was taped on 3-14-15-51. Benny Heller-great jazz guitarist -
was one of the guests, not Henny. The numbers signify the script
pages.
Ed
Kenny Lucas:
Regarding this show I once gave a cassette copy of this show to Billy Eckstine himself. He had completely forgotten this appearance and remembered it as a TV show. He told me he and FS were great friends and that FS gave him tips on singing such as breath control,long notes, technical things regarding breath control. He also said that they hung out at The Birdland nightclub often in the company of Ella,Sarah Vaughan and Billie Holiday. I also got the impression that he was somewhat jealous of Sinatra and thought that he was the better singer and that racism kept him from going further. I asked him what about Sammy Davis Jr ? and I can't repeat the reply except to say it was totally negative. I thought he was very bitter at the way his career ended.
Ed O'Brien:
Eckstine subbed for Frank at the Copa in May of 1950 and in Chicago's Chez Paree in 1952.He talked about the latter on the Tonight show. Frank called and asked if he would step in because of a serious throat problem. After about a week, Mr B. went over to Frank's hotel and discovered that the throat problem was actually a very lovely young lady. Carson fell down laughing while the story was being told. Frank sang "I Apologize" on the 4-8-51 "Meet Frank Sinatra." His approach was quite different from Eckstine's great recording, but marvelous in its own right. "How Sweet You Are" was written by Frank Loesser and Arthur Schwartz. The feud between Granz and Sinatra cost us the Frank-Ella album in 1967. A friend was at a rehearsal for the September 75 Uris engagement. Frank spotted Granz in the theatre, stopped singing and demanded Norman be removed. I have an interview Sinatra did with W.B. Williams. He asks Frank about the often planned recordings with Ella. Frank put the blame squarely on N.G.'s shoulders. All this started over a misunderstanding in 1960 when Sinatra approached Granz about forming a record company.
Meet Frank Sinatra
Show #23
Network: CBS
Script: March 15, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Billy Eckstine, Trudy Richards, Henny Heller
1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
April 7, 1951
Television
The Frank Sinatra Bulova Show
Network: CBS
Location: New York City
Script Dated:
Show: #27
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Dagmar, Frank Fontaine, Lionel Hampton, Henry Slate, June Hutton, The Heathertones
1. Blue Skies - Frank Sinatra
2. Love Me - Frank Sinatra
3. I Whistle A Happy Tune - Frank Sinatra
4. This Can't Be Love - Frank Sinatra
5. We Kiss In A Shadow - Frank Sinatra & June Hutton
The Frank Sinatra Bulova Show
Guests: Dagmar, Frank Fontaine, Lionel Hampton, Henry Slate, June Hutton, The Heathertones
Dagmar Frankie
Sinatra promoting the forthcoming Paramount engagement,
probably from The Frank Sinatra (CBS TV) Show of April 7, 1951.
April 8, 1951
Radio
Meet Frank Sinatra
Show #24
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Hot Lips Page
1. Exactly Like You
2. I Apologize
3. The Music Stopped
4. Put Your Dreams Away
Notes: 5:30-5:45PM "Your Son and Universal Military Training - Dr. James B. Conat. Pres.. Harvard University: Edward R. Murrow. Commentator." Confirmed aired on WCBS.
Also confirmed Meet Frank Sinatra aired in Los Angeles 2:00 - 2:30PST and in Chicago 4:00PM - 4:30PM CNT.
Ed O'Brien:
A terrific show. Hot Lips Page was a real hepkat. Frank has a great chat with
him. "Exactly Like You" was never recorded by Sinatra. He does a nice swing
treatment here with Forbes and the Quartet. Billy Eckstine had the hit of "I
Apologize,"but Frank's slow ballad treatment, with just Forbes on piano, is a
real gem. He makes it a Sinatra song. "The Music Stopped" is also
done with just piano. The interpretation is quite different from the bobbysox
era Frankie swoon sound. And "Put Your Dreams Away" is the closer. He
always did a sensitive treatment of his theme song.
note: Show was taped on 4-5 and aired on 4-8.
Exactly Like You was performed on the 4-1 show
It was taped on 3-28
.
Meet Frank Sinatra was an hour show from 10-29-50
thru 12-31-50. It became a 45 minute broadcast with
the 1-7-51 and remained that way until the 4-8-51,
which was only a half-hour. CBS ran the following
broadcast from 5:30 to 5:45 p.m. that evening:
5:30-5:45PM "Your Son and Universal Military
Training - Dr. James B. Conat. Pres.. Harvard University: '
Edward R. Murrow. Commentator."
Meet F.S. returned to a 45 minute presentation on 4-15
and stayed that way for the rest of the Meet F.S. airings.
Last show was on 5-27-51.
The first Here's Frank Sinatra, 6-3-51, only ran for 25
minutes. The rest of that series was one hour and had
its final broadcast on 7-22-51.
Hot Lips Page was a guest on the 3-25-51 show, taped on
3-21. The complete script from that broadcast is available.
Ed
Television
Colgate Comedy Hour
Network: NBC
Season: 1 Episode: 31
Host: Bob Hope
Guests: Frank Sinatra (Cameo), Rex Harrison (Guest), Arthur Treacher (Guest), Lilli Palmer (Guest), Janis Paige (Guest), Frank Robinson (Guest), Jimmy Durante (Cameo), Jinx McCrary (Cameo), Ken Murray (Cameo), Bernard "Toots" Shor (Cameo), Faye Emerson (Cameo), Sid Caesar (Cameo), Ed Wynn (Cameo), Imogene Coca (Cameo), Eddie Cantor (Cameo), Tex McCrary (Cameo)
Note: Sinatra appears at the end to wish Hope well on his London engagement.
Note: Did some more research on this show. A number of performers, including Frank, sang a bon voyage number to Bob.
Hope was leaving for Europe and each performer, according to Variety, did a few minutes serenading Mr. Hope. Show
cost $100,000. There was criticism leveled at Colgate and Hope for such an expensive production. But this was the
final show of Hope's first TV season and his ratings were excellent.
Meanwhile NBC was in very serious negotiations with Mr. Sinatra. CBS showed no indication of renewing his TV
show for the 1951-52 season. NBC was offering him a hefty salary to take over the Colgate Comedy Hour at 8 o'clock
on Sunday evenings. CBS quickly stepped in and renewed Frank for another year. The singer announced that he wanted
to travel around the country and bring his show live from major American cities each week. CBS was not interested in such
an expensive weekly production.
--Ed
Concerts
"Bob Hope Night On Broadway,” Paramount Theatre, New York
Benefit for the Damon Runyon Cancer Fund
Hosted by Bob Hope
Other performers included: Frank Sinatra, Tallulah Bankhead,
Jose Ferrer, Judy Holiday, Rex Harrison, Lilli Palmer, Ethel Merman,
Ed Wynn, Sid Caesar, Imogene Coca among others
"Bob Hope Night On Broadway", Paramount Theatre, New York
Benefit for the Damon Runyon Cancer Fund
Hosted by Bob Hope
Meet Frank Sinatra
Show #24
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: Hot Lips Page
1. Exactly Like You
2. I Apologize
3. The Music Stopped
4. Put Your Dreams Away
note: Show was taped on 4-5 and aired on 4-8.
Exactly Like You was performed on the 4-1 show
It was taped on 3-28
Here are some excerpts from the transcript of
the April 8, 51 Meet Frank Sinatra broadcast.
It shows the date that the taping took place.
There are also excerpts of the Torme and
Hot Lips Page segments.
April 9, 1951
Concerts
Kleinhans Music Hall, Buffalo, New York
Benefit for the annual college scholarship fund of the Romulus Club.
Songs included:
--When You're Smiling
--If
--April In Paris
--That Old Black Magic
--Whippoorwill
--My Blue Heaven
--Night and Day
--Ol' Man River
--Soliloquy
Kleinhans Music Hall, Buffalo, New York
Benefit for the annual college scholarship fund of the Romulus
Club.
Rehearsal
Performance
Others locals who have been touched by the Sinatra legend include
Eleanor Kopiasz, a South Buffalo woman whom the singer has showered with
gifts since the mid-1970s, and former state Sen. Joseph A. Tauriello, who
was once a crooner in his own right.
Sinatra happened to read about Ms. Kopiasz while performing in Niagara
Falls and was impressed by the spunk of a woman who suffered a heart
attack and stroke that had left her paralyzed at age 44, in
1968.
Over the years, Sinatra has sent Mrs. Kopiasz, who is now 74 and a
great-grandmother, everything from a special mattress and television sets
to candy and flowers to brighten the South Park Avenue apartment she
shares with her husband, Eugene.
The Tauriello connection dates to 1941, when Benjamin Madonia Sr.
introduced Sinatra to the former legislator's mother, Margaret, now 96,
over dinner.
"As he was leaving, he leaned over, kissed her, told her she was
beautiful and gave her tickets for the whole family to the next night's
show," Tauriello said.
In 1951, Tauriello stood star-struck in the wings at Kleinhans Music Hall
as Sinatra gave a benefit concert for the Romulus Club, an
Italian-American social group.
"I spent three hours backstage with him. As an aspiring singer, it
was the biggest thrill of my life," Tauriello said. "He was
warm, cordial, encouraging."
Sinatra hurried away after the concert, leaving some club members miffed.
But no slight was intended, Tauriello said.
"He was seeing Ava Gardner and had to catch a plane to meet
her," he recalled.
Tauriello, who sang his way through high school on local radio, went on
to perform with Glenn Miller and Tex Beneke while in the Army and with
Les Brown at Crystal Beach, before answering the siren call of
politics.
April 14, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #28
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Rudy Vallee, The Pied Pipers
1. The Best Things In Life Are Free - Frank Sinatra
2. The One I Love - Frank Sinatra & Pied Pipers
3. If There Is Someone Lovelier Than You - Frank Sinatra
Note: Ed O'Brien points out that Frank never recorded the Schwartz/Dietz song but sang it a number of times.
April 15, 1951
Radio
Meet Frank Sinatra
Show #25
Network: CBS
Script: March 28, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Errol Garner, Leo Fuld
Notes: Confirmed aired on WCBS. NYT announced Sinatra was going to abandon the interview portion of the show in May.
Meet Frank Sinatra
Show #25
Network: CBS
Script: March 28, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Errol Garner, Leo Fuld
Notes: Confirmed aired on WCBS. NYT announced Sinatra was going to abandon the interview portion of the show in May.
Show was taped on 3-28/29-51
------------------------------------------
April 15, 1955
Capitol released "In The Wee Small Hours" on this date in 1955. There are many people
who consider it to be the finest ballad album ever.
--Ed
On this date in 1955, Capitol Records released "In The Wee Small Hours,"
widely considered to be the first concept album. George Jacobs told me that in
private Frank referred to it as the "Ava album." At the end of the last century,
numerous magazines and newspapers conducted polls for the finest albums
in the history of pop music. "Wee Small . . ." made every list. The Wall Street
Journal called it "Sinatra's finest album." New York Times agreed and also
dubbed Frank "The father of the concept album." I always asked musicians,
who worked with Frank, to name his best album. "Wee Small Hours" was
the overwhelming choice.
The initial release was on two 10 inch records.
Billboard
5-14-55
Rare Cover:
April 21, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #29
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Smith and Dale, Al Bernie
1. Would I Love You? - Frank Sinatra
2. You Are Love - Frank Sinatra
3. Wrap Your Troubles In Dreams - Frank Sinatra
April 22, 1951
Radio
Meet Frank Sinatra
Show #26
Network: CBS
Script: March 29, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Les Paul & Mary Ford, Richard Hayes
1. Should I?
2. You'll Never Walk Alone
Ed O'Brien notes:
Frank sang "Should I" with the quartet and "You'll Never Walk Alone"
with just Graham Forbes backing him on piano. He played his Columbia
recording of "You're The One." Frank played Perry Como's big hit of "If"
and during his intro he told the audience it would have to be played with
a green needle because he was so envious. Les Paul and Mary Ford
appeared for an interview and Frank played their big hit "How High The
Moon." His next guest was Richard Hayes. Frank gave him a great
introduction and they chatted for a few minutes. Hayes sang Nat Cole's
smash hit "Too Young" with Forbes lending his support on the piano.
Frank interviewed a few people in the audience and presented them
with savings bonds and Bulova gold watches. He then played a recording
by Tino Rossi that was requested by an audience member. The Columbia
recording of "Faithful" was played. Hal Sims encourages people to
send in postcards with songs they would pick to be played. Show
has a rather quick ending.
Meet Frank Sinatra
Show #26
Network: CBS
Script: March 29, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Les Paul & Mary Ford, Richard Hayes
April 25, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum
& Ava Gardner
Interesting ad with Ava on the left and Sinatra on the right.
VAUDEVILLE Dagmar's Chest Gives Big Lift To Sinatra's Return to
Para
Paramount, New York (Wednesday, April 25) Capacity, 3,654. Price
range 5$ cents-$1.50. Four shows daily; five, Saturday.. Chain booker,
Harry Levine. Show played by Joe Bushkin's ork.
The big draw on the bill is Frank Sinatra. tho Sinatra didn't walk away
with the show. All the acts did big jobs, tho the nod went to Dagmar's
chestly strutting and verbal handling of the girl-chases-boy bits. As a
matter of fact, Sinatra could have been better if he let the blonde do
more. Sinatra is too good a showman not to see this for himself. For
example when Sinatra started his last number. right after Dagmar walked
off, the audience began moving out, Had the gal stayed on for the
pit descent. it is quite likely the audience , would have stayed put.
The show started with Eileen Barton belting out "Baby Me,"
followed by a comedy number "I Met Him At One O'Clock then into
"I Want To Hang My Hat on a Tree That Grows In Brooklyn, in
//snakier and wound up with her famed "Baked a Cake." The
voice was better than ever But her poise and ease showed the most
improvement. The audience loved her.
Tim Herbert and Don Saxon who just closed across the street at the
Palace, were better here than ever Their new bits showed to better
advantage, and the lads worked with a zest and freedom that won them big
yocks and solid hands all the way.
Frank Sinatra is still the golden boy to judge from some of the audience
response. The old time hysteria and caterwauling is no longer there,
after all Sinatra's been around for some time And also his voice, marred
be a cold, isn't what it used to be. But over the years. he's picked up
stage savvy that makes him a genuine personality with a lot of knowhow,
one who works beautifully before a jammed house
Backed by Bushkin's band plus five strings. Sinatra gave out with
standards. pops and requests Some of them may have been milked, but they
were handled so skillfully. they were a revelation In hie act with
Dagmar, Sinatra poked fun at his reputed puniness to the gleeful
response of the kids up front.
Joey Bushkin's band (20) didn't have much to do in its own spot. The
fronter, however, showed a nice personality, a quickness and an ability
that should aid him in becoming a stage attraction. Bushkin's biggest
number was an Irving Berlin oldie, "I Love a Piano," where he
was able to demonstrate his fine keyboard technique. Pic, "My
Forbidden Past."
Billboard
May 5, 1951
The Galt Herald
April 27, 1951
note: Interesting piece on Frank's
frenetic ways back then.
But the writer never mentions the Paramount engage-
ment.
Ed
April 26, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
Ed O'Brien:
I asked Mitch Miller about Frank's infamous
recording of "Mama Will Bark" with Dagmar. Mitch
told me it was Frank's idea to make a record with
her. He told me they were appearing together at
the Paramount in April/May of 51. According to
Mitch, they sang a duet that went over big with
the audience every show. Frank called Mitch
and requested a song he could sing with Dagmar.
I tried to get additional information but there was
precious little to prove what Mitch claimed. That is
until recently. About four or five months ago, a tape
of a show from that engagement, suddenly emerged.
And lo and behold, there they were singing a duet.
Mr. Miller gave me the straight dope 20 years ago.
Two days after the show closed at the theatre(5/8),
Frank and Dagmar recorded "Mama Will Bark."
I should add that Miller was very open and candid
about his relationship with Frank during our con-
versations. I cannot find one false note in the fas-
cinating story he told me.
April 27, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
April 28, 1951
Television
The Ken Murray Show
Saturday Evening
Cerebral Palsy Campaign Launch
Network: CBS
Time: 8:00 - 9:00 P.M.
Guest: Don Ameche, Frank Sinatra, Abe Burrows, Robert Q. Lewis, Gypsy Rose Lee, Constance Moor, Phil Silvers
note: Murray's show was Frank's lead-in on Saturday. The CP kick-off was part of Murray's regular hour show.
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #30
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Dagmar, Frank Fontaine, Henry Slate
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
The Ken Murray Show
Saturday Evening
Cerebral Palsy Campaign Launch
Network: CBS
Time: 8:00 - 9:00 P.M.
Guest: Don Ameche, Frank Sinatra, Abe Burrows, Robert Q. Lewis, Gypsy Rose Lee, Constance Moor, Phil Silvers
note: Murray's show was Frank's lead-in on Saturday. The CP kick-off was part of Murray's regular hour show.
Variety 5-2-51
April 29, 1951
Radio
Meet Frank Sinatra
Show #27
Network: CBS
Script: April 5, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sundays
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Mildred Bailey, Vinni De Campo
Notes: Confirmed aired on WCBS
Ed O'Brien:
The great Mildred Bailey was a guest on
"Meet Frank Sinatra." Did they do a duet?
Did Mildred remember seeing Frank
at the Rustic Cabin? Red Norvo told
me Frank loved Mildred's singing.
He also remembered Mildred's reaction
the first time she heard Frank sing. She
told Red to hire him immediately. He asked
why and Mildred informed Red that the
singing waiter was going to be a great singer.
Would love to hear this show.
Richard Claar:
I'd love to hear it, too. I'm a huge fan of Mildred's, possess just about every record she ever made. There are a number of broadcasts featuring Mildred floating around out there, including all (or most) of a superb, jazz oriented series she hosted in '44 and, I think, '45 as well. There have been some CDs, but it's tough to track the material down. I seem to have a vague memory of FAS guest starring on this show, but it could be erroneous.
Frank and Mildred Bailey; what a fascinating combo. She passed away only about six months after the '51' broadcast. Legend and lore has it that both Bing and Frank admired and enjoyed her work so much that they helped her out financially during her final, difficult years.
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
DAGMAR'S CHEST GIVES BIG LIFT
TO SINATRA'S RETURN TO PARA
The big draw on the bill is Frank Sinatra,
tho Sinatra didn't walk away with the show.
All the acts did big jobs, tho the nod went
to Dagmar's chesty strutting and verbal
handling of the girl -chases - boy bits.
As a matter of fact, Sinatra could have
been better if he had let the blonde do
more. Sinatra is too good a showman
not to see this for himself. For example
when Sinatra started his last number,
right after Dagmar walked off, the
audience began moving out. Had the gal
stayed on for the pit descent, it is quite
likely the audience would have stayed
put.
Frank Sinatra is still the golden boy
to judge from some of the audience
response. The old time caterwauling
is no longer there: after all Sinatra's
been around for some time. And also
his voice, marred by a cold, isn't what
it use to be. But over the years, he's
picked up stage savvy that makes him
a genuine personality with a lot of
know - how, one who works beautifully
before a jammed house. Backed by
Joe Bushkin's band plus five strings,
Sinatra gave out standards,pops and
requests. Some of them may have been
milked, but they were handled so skill-
fully, they were a revelation. In his act
with Dagmar, Sinatra poked fun at his
reputed puniness to the gleeful response
of the kids up front.
Joey Bushkin's band (20) didn't have
much to do in its own spot. Bushkin's
biggest number was an Irving Berlin oldie,
"I Love A Piano," where he was able to
demonstrate his fine keyboard technique.
Pic, "My Forbidden Past."
Bill Smith
Billboard
May 5, 1951
Note: This Paramount engagement ran
from 4-25 thru 5-8-51. Mitch Miller told
me it was during this stint that Sinatra
got the idea of doing a novelty record
with Dagmar. He asked Mitch to find
them a song. Miller told me Frank was
struggling vocally at the time. According
to Mitch, Frank was devoting an inordinate
amount of time and energy in his pursuit of
Ava. Mitch told me Frank had the most
beautiful musical instrument he had ever heard.
But it was very fragile. He compared it to Frankie
Laine's voice. The latter was like iron and could
sustain much abuse and not be diminished. Frank's,
on the hand, was very fragile and needed lots
of care. Miller lamented how little Frank tended
to his voice during this time in his career.
"My Forbidden Past" starred Robert Mitchum and Ava
Gardner.
Meet Frank Sinatra
Show #27
Network: CBS
Script: April 5, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sundays
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Mildred Bailey, Vinni De Campo
Notes: Confirmed aired on WCBS
April 30, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 1, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 2, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 3, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 4, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 5, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #31
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Dagmar, Tim Herbert, Don Saxon, Eileen Barton, Joe Bushkin, June Hutton
1. When You're Smiling - Frank Sinatra
2. My Romance - Frank Sinatra & June Hutton
3. Hello Young Lovers - Frank Sinatra
4. Oh! Look At Me Now - Frank Sinatra & June Hutton
5. If - Frank Sinatra
Notes: Show in circulation. 60 mins. Ed O'Brien calls this a marvellous reading of "Hello, Young Lovers"
with a back-to-the- Paramount theme. Sinatra tells the audience that "If" is no great shakes and then sings the hell out of it.
[image referenced in source but could not be recovered]
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 6, 1951
Radio
Meet Frank Sinatra
Show #28
Network: CBS
Script: April 11, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sundays
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Art Tatum, Dick Brown, Leo Field
Notes: Confirmed aired on WCBS
Billboard reported in early September of 1950
that CBS was set to sign Frank Sinatra for a
radio/TV deal. The figure reported was $301,000
per season for three years. Variety and other show
biz publications reported $250,000 over the same
span of time.
Bymart(Tintair ) agreed to sponsor the first 15 minutes
of "Meet Frank Sinatra." The Sunday afternoon 45 minute
radio show was picked up for an additional quarter-hour by
Luden's Cough Drops. But that was it. By late January of
1951, Luden's dropped their 15 minutes and on 3-3-51,
Tintair opted out. The show would be self-sustaining for
the duration of its run.
The TV show had Bulova Watches financing the first half-
hour for the first season -- 1950-51. Bulova decided
not to pick up the option to renew for another season.
Ecko Hardware agreed to sponsor the first half-hour
of season number two. They would drop back to 15 minutes
right after the new year. By February they abandoned the show
and it would be self-sustaining through its final episode in April
of 1952. Another problem was the reluctance of the CBS affiliates
to carry the show. By March of 1952 only 28 CBS stations broadcast
the show. There was at the time 58 local stations aligned with CBS.
Ratings have always been the raison d'etre in both radio and television.
Sinatra's shows did very poorly in the early '50s. The inability to improve
rating performance scared away potential sponsors including Standard
Oil, Alcoa and Coke, and the few who took a chance became discouraged
and cut their losses.
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
Meet Frank Sinatra
Show #28
Network: CBS
Script: April 11, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sundays
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Art Tatum, Dick Brown, Leo Field
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
May 7, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
May 8, 1951
Concerts
Paramount Theater, New York City (April 25 - May 8)
w/Joe Buskin Orchestra
Also: Eileen Barton, Dagmar, Tim Herbert & Don Saxon
On screen: "My Forbidden Past" with Robert Mitchum & Ava Gardner
SONGS:
1. When You're Smiling
2. Would I Love You ?
3. Hello Young Lovers
4. That Old Black Magic
5. April In Paris
6. The Spelling Song duet with Dagmar
7. My Blue Heaven
8. Closing remarks by Joe Bushkin
May 10, 1951
Studio
in
?
New York City
CO45819 Mama Will Bark
w/Dagmar, Imitations by Donald Baine
(D. Manning)
Odette Music Corp. (ASCAP) 1951
Arranged & Conducted by Axel Stordahl
-1 (2:55) CD: Columbia Years 43-52 Vol. 12
78: 39425
Ed O'Brien:
Sinatra did an extensive private interview in 1958.
Asked what he thought of the infamous "Mama Will
Bark," Frank expresses relief that the song failed to
catch on.
As bad as it was, he could not imagine being
saddled with it as a "Sinatra hit."
"The only good business it did was with dogs"
Frank Sinatra referring to Donald Bain's dog imitations on the
recording
session photo
promo for radio
stations
May 12, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #32
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Jackie Gleason, June Hutton
1. I Whistle A Happy Tune - Frank Sinatra
2. We Kiss In A Shadow - Frank Sinatra
3. She's Funny That Way - Frank Sinatra
4. Girl Next Door - Frank Sinatra & June Hutton
May 13, 1951
Radio
5-13-51
Meet Frank Sinatra
Show #29
Network: CBS
Script: April 12, 1951
Sponsor: Tintair, Ludens
Time: 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicans: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers: Harry Crane
Guest: Ray Anthony, Art Morton, Delores Hawkins
Notes: Confirmed aired on WCBS
May 17, 1951
Concerts
Convention Hall, Camden, NJ
Benefit for the M. Gooder Memorial Park and Recreation Center
May 19, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #33
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Phil Silvers,
May 20, 1951
Radio
Meet Frank Sinatra
Show #30
Network: CBS
Sponsor:
Time 5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed as still 45 minute format,
listed as "Meet Frank Sinatra" and aired on WCBS
5:00PM - 5:45PM (EST), WBBM 4:00PM - 4:45PM (CNT) , KNX 2:00PM -2:45PM (PST)
May 26, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #34
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: J. Carrol Naish, Phil Foster
May 27, 1951
Radio
Meet Frank Sinatra
Show #31
Network: CBS
Sponsor:
5:00PM - 5:45PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed as still 45 minute format, listed as "Meet Frank Sinatra" and aired on WCBS 5:00PM - 5:45PM (EST), WBBM 4:00PM - 4:45PM (CNT) , KNX 2:00PM -2:45PM (PST)
May 29, 1951
Television
The Red Cross Pint Parade
Broadcast from the Center Theater, New York, NY
Frank Sinatra, Eddie Canotr, Steve allen, Tony Martin, Milton Berle, Gloria Swanson, Victor Borge, Dagmar, Frankie Laine, Perry Como and others
The Red Cross Pint Parade
Broadcast from the Center Theater, New York, NY
Frank Sinatra, Eddie Canotr, Steve allen, Tony Martin, Milton Berle, Gloria Swanson, Victor Borge
---------------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
May 30, 1951
Radio
Red Cross Pint Parade
12am 1:30am
Red Cross Pint Parade
12am 1:30am
June 2, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #35
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Phil Silvers, June Hutton
Songs:
"The Coffee Song"
"Just One Of Those Things"
Sinatra/Hutton Medley: "Soon" (FS) Easy To Remember (JH)
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #35
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: Phil Silvers, June Hutton
Page from Script
----------------------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
[image referenced in source but could not be recovered]
June 3, 1951
Radio
Here's Frank Sinatra
Show #32
Network: CBS
Sponsor:
4:30PM - 4:55PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: First time any log confirms name changing to "Here's Frank Sinatra."
Show was only 25 minutes the first week. Confirmed as Airing on WCBS 4:30 - 4:55 (EST), WBBM 4:00PM - 4:30PM (CNT) , KNX1:30PM-2:00PM (PST)
NYT radio schedule for 6-3-51.
Frank's show ran from 4:30 to 5:30 P.M. The
lead in at 4 was "Rate Your Mate" with Joey
Adams.
Ed
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and Graham Forbes on piano
Ed O'Brien:
Graham Forbes was Frank's piano player for two years. He did nightclubs, concerts,
recording sessions, TV and radio work. When Sinatra opened at the Latin Quarter
he brought along his rhythm section of that period: Johnny Blowers(drums),
Matty Golizio(guitar), Frank Carroll(bass) and Forbes on piano.
Frank was set to begin filming "Meet Danny Wilson" in Hollywood and he was firming
up some nightclub work for later in the year. He asked Forbes to come with him. Although
they were good friends Forbes liked working in New York and he had just learned that
his wife was pregnant. Forbes declined the offer. Frank would pair up with Ken Lane
for the film and they would go into the Desert Inn, in Vegas, that September. But Lane was
having serious problems with his girlfriend and often left Sinatra in the lurch. During the
engagement Jimmy Van Heusen discovered a piano player working the D.I. lounge. Frank
loved what he heard and Bill Miller took the job. He would have that position for 35 years.
Here's Frank Sinatra
Show #32
Network: CBS
Sponsor:
4:30PM - 4:55PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
HERE'S FRANK SINATRA
Producer-Director- Writer: Gordon Auchinloss
CBS Radio
Sunday
4:30 p.m - 5:30 p.m.
New York City
Sustaining
CBS entry into the disk jock sweepstakes with
Frank Sinatra as its platter spinner shapes up
as a pleasant series for Sunday afternoon listen-
ing. Program is a 15-minute expansion of the
web's former Sunday afternooner "Meet Frank
Sinatra," with a new format consisting of Sinatra's
casual comment interspersed with the playing of
top etchings. Session moved along at an easy
clip and was as refreshing as an iced drink.
Sinatra's informality projects that his deejay assign-
ment and his comments were sparked with intelli-
gence and humor. The records were selected with
care and covered field from pop vocals to classical
instrumentals. Sinatra spun a few of his own discs
but he kept them at a minimum giving more consider-
ation to opposition crooners.
Preem stanza (3) was hypoed by smooth scripting
and well paced direction.
Variety
June 6, 1951
note: Wow! This review certainly reveals a lot of
previously unknown information regarding the
mysterious and short-lived "Here's Frank Sinatra."
Gone from "Meet Frank Sinatra" were the Graham
Forbes Combo, Mark Goodson, Bill Todman( pro-
ducers) and Paul Dudley( writer). Gordon Auchinloss
had remained as director but also taken on the onerous
tasks of producing and writing a one-hour radio show.
CBS was operating this non-sponsored hour as a shoe-
string production. Frank was no longer singing, there were
no guest, and he had become a glorified $3 million dollar
jock( Mr. Paley signed Frank to a TV/radio contract, for
that amount, less than a year earlier). Fortunately the
show would only run for eight weeks.The final broadcast
would take place on the 22nd of July.
I have reviews of both "Meet Frank Sinatra" and the first
CBS-TV show, 10-7-50. I am reluctant to post because
both got really panned.
Ed
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and Graham Forbes on piano
Latin Quarter, N. Y. (Tuesday, June 5) Capacity, 625. Price policy, $4- $5 minimum.
Shows at 8:30 and 12:30. Operator, Lou Walters. Booking, non -exclusive.
Publicity. Bayne- Zuss)nan, Estimated budget this show, $20,000.
The ropes were up and there were standees galore for this midnight show- business has
been that way at the Lou Walters spot for some time, even tho most nitery guys are wailing
the blues - and with Frank Sinatra headlining for a one -night stand, there was even more
business than usual. It's a box office show, in Walters' tradition, big and brassy, well- stacked
dames and some flashy supporting talent.. Sinatra was a smash. His warbling on his Saturday
night video show this season has been spotty, but for his near 45- minute performance he
didn't flat once. He does a superbly chosen mixture ,of new tunes and oldies, topping the roster
with the lengthy Soliloquy from Carousel. Between his singing, his chatty introductions and his
ease of manner, he pelted off to a really click score.
Chase Skilled
Only other name on the bill is Chaz Chase, and it's still foolproof. Here, too, is a thoroly skilled per-
former, whether in his eating routine or the deftly pantomimed takeoff on a burly stripper. Sold well.
Walters has two strong dance novelties. Les Pabios, a man and woman, have an off -beat routine
in which the boy does an automaton thruout, finishing off with some rapid fire spins. It's a good vaude
or nitery act. The same goes for the Mazzone-Abbott quintet of dancers, who do a French apache num-
ber to end 'em all. They dress the stage with a small set and by the time the act is over, barrels have been
busted over the backs of some of the dancers, others have slid "to their death" down a stairwell and the
customers wowed. Gail Bennett contributes a brief novelty, garbed as half-man, half-gal, and finishes up
making love to herself in a non- Freudian manner, to be sure. Did fairly well. The Szonys, billed, were on
vacation this week. Babe Parade The parade of babes is In the usual Walters tradition, best of the production
numbers being the one in which the line, dressed relatively simple in black negligees, terp to Gloria Leroy's
vocalizing of History Is Made at Night. Alex D'Arcy is similarly okay on his vocal assignment, and Art Waner
does a first -rate job both in playing the show and for hoofing. All told, it's plenty of entertainment for the price.
Jerry Franken.
Billboard
6-16-51
note: Reviewer is in error regarding Frank's stay at the club. He was in for a seven day run.
Ed
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
June 4, 1951
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and Graham Forbes on piano
June 5, 1951
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio (guitar), Frank Carroll(bass) and Graham Forbes on piano
Ed O'Brien sent in this review:
LATIN QUARTER, NEW YORK
(Tuesday, June 5)
Capacity, 625. Price policy $4 - $5
minimum. Shows at 8:30 and 12:30
Operator, Lou Waters. Booking non-
exclusive. Publicity, Bayne - Zussman.
Estimated budget this show, $20,000.
The ropes were up and there were
standees galore for this midnight show
-- business has been that way at the Lou
Waters spot for some time, even tho most
nitery guys are wailing the blues -- and with
Frank Sinatra headlining for a one night stand,
there was even more business than usual.
It's a box office show, in Walter's tradition,
big and brassy, well-stacked dames and
some flashy supporting talent.
Sinatra was a smash. His warbling on
his Saturday night video show this season
has been spotty, but for his near 45 minute
performance he didn't flat once. He does
a superbly chosen mixture of new tunes
and oldies, topping the roster with the
lengthy "Soliloquy" from "Carousel."
Between his singing, his chatty intro-
ductions and ease of manner, he
pelted off to a really click score.
Jerry Franken
Billboard
June 16, 1951
Note: Reports have always indicated that
Sinatra appeared at the Latin Quarter from
6-3 thru 6-8-1951. Review states it was
strictly a one-nighter.
June 6, 1951
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and Graham Forbes on piano
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and
Graham Forbes on piano
Variety
note: Sorry the quality isn't better. But we now
know Frank sang "Nat Cole's big hit "Too Young"
in concert. Nice review.
June 7, 1951
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio guitar), Frank Carroll(bass) and Graham Forbes on piano
June 8, 1951
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and Graham Forbes on piano
June 9, 1951
Television
The Frank Sinatra Show
Network: CBS
Location: New York City
Script Dated:
Show: #36 (Final Show Of Season)
Sponsor: Bulova Watch Company (30mins)
Time: 9:00 P.M.-10:00 P.M.
Writers:
Producer: Jack Donahue
Director: Jack Donahue
Announcer: Ken Roberts
Orchestra Conducted By: Axel Stordahl
Guests: June Hutton, The Heathertones
Note: Frank did a Durante for his final show of
the first season. Walking off into the darkness
as the credits rolled.
--Ed
NOTE: Sinatra's TV variety show ended its first season with little fanfare, Ed O'Brien reports. The show debuted on October 7, 1950 and, right from the start, it experienced serious difficulties.
Sinatra was placed opposite the NBC hit “Your Show of Shows” on Saturday nights. This Sid Caesar and Imogene Coca show was one of the funniest shows on early TV and easily out-rated its CBS competition.
Sinatra would see many changes in direction during the first season as the show struggled to find itself a sizable audience. Producers, directors, cast members would be hired and fired but the audience that the sponsors demanded was never there.
Looking back at a show like it almost 60 years old, it is rather easy to explain why the show failed: Sinatra only sang 4 or 5 songs during the 60 minute telecast. In their desperation to compete, the powers-that-be had Sinatra as a jack of all trades. He did lame, poorly written comedy skits, unfunny monologues, and suffered through some less than A-1 billings for the show.
When Sinatra had Peggy Lee, Sarah Vaughn, Perry Como, or Frankie Laine, they would often do silly routines instead of creating memorable duets with Sinatra. Faye Emerson's "Wonderful Town" would be the summer replacement series.
The second season for the show aired on Tuesday night opposite Milton Berle, who was certainly "Mr.Television" at that time. There are a few shows where Sinatra got to be Sinatra and they are gems, but the overall concept was a disaster.
Concerts
Latin Quarter, New York City (3-9)
Frank Sinatra
Johnny Blowers(drums), Matty Golizio(guitar), Frank Carroll(bass) and Graham Forbes on piano
June 10, 1951
Radio
Here's Frank Sinatra
Show #33
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS.
June 13, 1951
Studio
Universal Studios, Hollywood California
Stage 10
Songs for the Universal film "Meet Danny Wilson"
Morning Session 9:30 a.m.- 12:30 p.m.
Joseph Gershenson conducting a 28-piece orchestra
Arrangements by George Siravo
1. All of Me
2. When You're Smiling
3. You're a Sweetheart
4. That Old Black Magic (arranged by Neal Hefti)
A second session was held: 2:00 p.m. - 3:50 p.m.
Joseph Gershenson conducting a 35-piece orchestra
Arrangements by Axel Stordahl and possibly Paul Weston, at the session representing Columbia Records.
1. How Deep is the Ocean
2. She's Funny That Way (film version is edited)
NOTE: According to Sinatra Scholar Ed O'Brien, who supplied the information on the Universal Studio recording sessions, on June 14th,
the following memo was circulated at the studio and read at a committee meeting by Mr. Weiner: "This is the finest recording session in my experience.
I have never had better cooperation anywhere." These were Sinatra's comments after recording six numbers for "Meet Danny Wilson" at Universal on June 13, 1951.
June 17, 1951
Radio
Here's Frank Sinatra
Show #34
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS
June 21, 1951
Studio
Hollywood
Universal Studios, Studio 10
"Meet Danny Wilson" soundtrack recordings
NOTE: Sinatra Scholar Ed O'Brien reports that on June 20, 1951 Sinatra and Shelly Winters did a music rehearsal for "A Good Man Is Hard to Find" in Studio 10 at Universal for "Meet Danny Wilson." Ken Lane was the only accompaniment on piano.
On the following morning, June 21, 1951, Shelly Winters recorded "I'll Remember April" from 9:30 a.m. until approximately 11:00 a.m. Beginning at 1:00 p.m., Sinatra recorded "Lonesome Man Blues" with George Fields playing harmonica and Allan Ruess on guitar. O'Brien notes that there is a terrific duet with Louis Armstrong on Sinatra's CBS-TV show of January 1, 1952.
Sinatra then recorded "I've Got a Crush on You" with Ken Lane on piano, the vocal group, the Ebonaires, and seven additional musicians. Arrangements were done by Axel Stordahl. The vocal was rejected and Sinatra re-did it on July 11, 1951. The last song of the day was a duet of "A Good Man is Hard to Find" with a Sy Oliver chart. Sinatra and Winters spent over an hour getting it down. There were eight musicians including Lane on piano. Joseph Gershenson conducted that Thursday afternoon.
note: Shelly Winters recording of "I'll Remember April" was not used in the film.
Ed
June 24, 1951
Radio
Here's Frank Sinatra
Show #35
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS
July 1, 1951
Radio
Here's Frank Sinatra
Show #36
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS
Television
NONE
Here's Frank Sinatra
Show #36
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS
Daily News
note: AP ran an article, on 7/1, announcing that CBS and Sinatra
were about
to part
company. According to the article, Sinatra was talking with NBC
radio.
Pottsville News
note: After
his final show, 7/22, Frank told people he was glad to be off the
radio. It would give him more time with Ava out in Hollywood.
Show was also called "Frank Sinatra Hour" by July of 51. Frank
was
strictly a disc jockey for the hour broadcast. No live performances
or
orchestra.
July 8, 1951
Radio
Here's Frank Sinatra
Show #37
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS
July 11, 1951
Studio
Universal-International - Universal City, California
Wednesday
MEET DANNY WILSON
2:30 - 3:25 PM
Ken Lane on piano
I've Got A Crush On You
Sinatra did a vocal with just Lane on piano.
The recording done on 6-21-51 was rejected
and this vocal replaced it. The Ebonaires
(Quartet) was preserved from that date along
with the arrangement by Joseph Gershenson.
Here are the nuts and bolts of that day's shoot:
Lane was paid $39.90 for his efforts.
There was a delay in the morning shoot
due to heavy rain.
Shelley Winters was an hour late
that morning.
Tommy Farrell, who played Tommy Wells, was
examined by the studio insurance doctor. A-ok.
The phantom stage for Madison Square Garden scene
was shot from 1:30 to 1:42 PM and then New York
street scene was filmed from 5:15 to 5:54 PM.
Lunch 1:42 to 2:12 PM
Thanks to Ed O'Brien for supplying the above session info.
July 15, 1951
Radio
Here's Frank Sinatra
Show #38
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Confirmed aired on WCBS.
July 19, 1951
Studio
Hollywood
RHCO4561 Castle Rock
w/The Harry James Orchestra
(E. Drake/J. Shirl/A. Sears)
Wemar Music Corp. (BMI) 1951
Arranged by Ray Conniff
-1 (2:33) CD: Columbia Years 43-52 Vol. 12
LP: C6X-40343 The Voice-The Columbia years, 43-52
LP: C2l-6 Frank Sinatra Story In Music
78: 39527
NOTE: Sinatra Scholar Ed O'Brien points out that during a concert at
Caesars in November of 1968, a guy yelled out from the audience and
requested this song.
Sinatra laughed and told the requester that he was older than the two of
them put together.
RHCO4562 Farewell, Farewell To Love
w/The Harry James Orchestra
(J. Wolf/G. Siravo)
Barton Music Corp. (ASCAP) 1951
Arranged by Ray Conniff
-1 (2:54) CD: Columbia Years 43-52 Vol. 12
LP: C2X-40897 Hello Young Lovers
LP: CL-1241 Love Is A Kick
EP: B2542
RHCO4563 Deep Night
w/The Harry James Orchestra
(R. Vallee/C. Henderson)
Advanced Music Corp. (ASCAP) 1929
Arranged by Ray Conniff
-1 (3:16) CD: Columbia Years 43-52 Vol. 12
LP: C6X-40343 The Voice-The Columbia years, 43-52
LP: CL-1241 Love Is A Kick
78: 39527
Trumpets: Dominick Buono, Phil Cook, Harry James, Everett McDonald, Ralph
Osborn; Trombones: Ray Conniff, Lewis McCreary, Jim Piddy; Brass
Trombone: Hal Smith; Tenor Saxes: Rene Bloch, Francis Polifroni, Herbert
Stewart; Baritone Sax: Robert Poland; Piano: Bruce McDonald; Guitar: All
Reuss; Bass: Ed Mihelich; Drums: Jackie Mills
note: George Siravo wrote the arrangement for "Farewell, Farewell To Love."
I know because I asked him about it. George thought it was a very
good session. There were many who did not.
Ed
Hollywood
RHCO4561 Castle Rock
w/The Harry James Orchestra
RHCO4562 Farewell, Farewell To Love
July 22, 1951
Radio
Here's Frank Sinatra
Show #39
Network: CBS
Sponsor:
4:30PM - 5:30PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Writers:
Guest: no guests listed
Notes: Final Show. Confirmed last airing on major CBS Stations: WCBS, WBBM, KNX, WTOP
Television
NONE
July 27, 1951
Studio
UNIVERSAL-INTERNATIONAL, Universal City, California
MEET DANNY WILSON
Friday afternoon
Orchestra conducted by Milton Rosen
w/ Ken Lane on piano
Sinatra did vocal pickups for recording done in June of 51.
August 9, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
NOTE: Author Richard Havers points out that, on
August 9, 1951, Sinatra flew from Hollywood to
Reno where he announced that he would file for
divorce from Nancy Sinatra. When questioned as to
whether he would marry Ava Gardner, Sinatra
replied, "I presume I will." Two days later, he
opened at the Riverside Inn and Casino, his first ever booking at a casino!
Note: I was able to access the Reno paper of
8-9-51. As you can see, Frank opened that night.
The two week run ended on 8/22.
He was scheduled to open at the Steel Pier, in
Atlantic City, 9/1, but decided to cancel and
take a chance playing at the Desert
Inn in Las Vegas. A very good career move. Ava
flew into Reno, 8-18, and they went to dinner the next night. I've enclosed a
very nice photo. I must say the mustache didn't
really fit Frank at all. And I have sent along
Variety's review of Frank's first
engagement in a casino.
--Ed
Riverside Inn & Casino, Reno, Nevada (11 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
Reno Gazette
Variety
Reno August 9, 1951
Sinatra told reporters and photographers of his plans to divorce his wife
Nancy so that he could marry movie star Ava Gardner. That meant six weeks
residency in Nevada and he’d be “cured” of the bonds of matrimony.
It was a big month and a big year for Reno divorce. Not only was Sinatra
“singing for his supper,” at the Riverside Hotel as he established
residency, actress Rita Hayworth came to town to divorce Prince Aly Khan;
and leading man Clark Gable, stopped in town as well, taking in one of
Sinatra’s shows. Gable told reporters he wasn’t in town to file for
divorce from Lady Sylvia Ashley, but “I might see you again in a few
weeks.
PHOTOS AUGUST 19, 1951 RIVERSIDE INN
Sinatra’s Reno Residency
By Ann Johnston, Brigham Young University
Sinatra established residency at the Riverside Hotel where he sang as he
filed for divorce from his first wife.
The Riverside Hotel became a temporary home to many as the divorce colony
blossomed. Its walls evolved and expanded over the 20th century. In 1951,
Frank Sinatra came to establish a Nevadan residence to divorce his first
wife and sang at the Riverside Hotel during his stay.
Years before his 1951 divorcee debut in Reno, a twenty four year-old
Frank and nineteen year-old Nancy were wed thousands of miles away from
the Riverside Hotel. Young Frank and Nancy Sinatra were married in 1939
just as Frank was beginning to sing in a successful band.
The two were married for eleven years and had three children. Eventually
Frank’s fame grew and rumors of infidelity spread. Over time, one
extramarital relationship took on greater importance in Sinatra’s life
than all the others. Sinatra sought a divorce from Nancy in 1950 per his
lover Ava Gardner’s request. On February 14, 1950, Nancy and Frank
announced their intent to divorce. His journey towards Reno
began.
The once humble and now legendary Frank Sinatra arrived in Nevada on
August 9, 1951. Newspapers across the country and around the world bore
his name that day, announcing his movement towards divorce. While he
established residency, his voice filled the Riverside Hotel for six weeks
as he performed for visitors and residents. Frank did not come alone,
however. On August 18th, a familiar brunette arrived at Lake Tahoe to
stay with friends. From that day, Sinatra was accompanied by his new love
interest and intended wife, Ava Gardner.
Complexity filled Sinatra’s time at the Riverside Hotel. His ties to the
mob intensified as Lucky Luciano, a known mob member, visited Sinatra in
the gambling town. Evidently, Sinatra mingled with the famous and the
infamous while seeking the usual Reno cure. Clark Gable also visited
Sinatra in August. This visit to the divorce haven spurred questions of
Gable’s own intent to divorce.
Newspapers across the country noted Sinatra’s schedule while residing in
the divorce capital. The Des Moines Tribune noted on August 24, that Ava
Gardner, Clark Gable, and Frank Sinatra had plans to go on a fishing trip
together.
Gable and Sinatra also spent time at the Riverside Casino. Their time was
documented by newspapers that mentioned Gable’s presence and Sinatra’s
lack of finances. At the time, Sinatra’s fame had been dwindling and
rumors of Sinatra’s troubled financial situation mounted.
In an article documenting Gable’s presence, the Gazette also notes,
“Sinatra is crooning for his supper at the Riverside.” Sinatra performed
in Reno’s Riverside until August 22. Gardner and Sinatra relocated to Las
Vegas for another singing engagement before he completed his six week
residency at the end of September. He ultimately received his divorce in
Las Vegas.
The day after Sinatra’s divorce, the duo applied for a marriage license.
Some newspapers note that twenty-four hours had not passed from the time
Sinatra was divorced from Nancy before applying for the marriage license
with Gardner. Frank Sinatra and Ava Gardner left the Nevadan communities
they’d called home to marry at Isaac Levy’s home in Pennsylvania on
November 7, 1951.
Excerpt from The Genesis Of Reno by Jack Harpster
KNEW 910AM IN OAKLAND
91 HOUR TRIBUTE TO FRANK SINATRA
AUGUST 6 THRU 9, 1970
Ed O'Brien:
KNEW's tribute included rare concert, radio and
TV material plus interviews with many of the people
who had been associated with Sinatra through the
years.
Sinatra called in during the 91 hour marathon
and the station ran the conversation just before
the conclusion of the tribute on Sunday, August
9th.
Here are a few highlights from that discussion:
Frank was still recovering from the surgery done
on his right hand. He had an appointment in a few
days with his doctor. Told the DJ he would be glad
when it was over. Then Sinatra discussed his plans
to film "Callahan" in San Francisco. Originally the
film was set to be shot in N.Y.C. but Frank wanted
to show off the beauty of the city by the bay. He would
play detective sergeant Harry Callahan with John
Frankheimer directing. Shooting schedule called
for eight weeks on location, starting the first week
in October. His hand did not respond as expected
and Clint Eastwood replaced Frank. Title was
changed to "Dirty Harry" and the film was a modest
success(kidding!). Don Siegel directed.
Frank was asked to name his favorite film roles.
He picked Maggio, Frankie Machine and Charlie
Y. Reader( Tender Trap).
When asked about the music scene in 1970, Sinatra
offered a very optimistic view. He recognized there had
been a revolution in popular music and predicted that
young writers might even eclipse people like :Rodgers
& Hart. He praised Jimmy Webb.
Frank was a guest on Dinah(Shore), 9-7-70. They discussed
the KNEW tribute. Dinah kept saying 91 minutes. Frank corrected
her, but she could not fathom how any singer could be lauded
for 91 hours.
August 10, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 11, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 22)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
Riverside Inn & Casino, Reno, Nevada (9 - 22)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
note: I was able to access the Reno paper of 8-9-51. As you can see,
Frank opened that night. The two week run ended on 8/22.
He was scheduled to open at the Steel Pier, in Atlantic City, 9/1, but
decided to cancel and take a chance playing at the Desert
Inn in Las Vegas. A very good career move. Ava flew into Reno, 8-18, and
they went to dinner the next night. I've enclosed a
very nice photo. I must say the mustache didn't really fit Frank at
all. And I have sent along Variety's review of Frank's first
engagement in a casino.
--Ed
Reno Gazette
Variety
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
August 12, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 13, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 14, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 15, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 16, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 17, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 18, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 19, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 20, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 21, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 22, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 23, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
August 24, 1951
Concerts
Riverside Inn & Casino, Reno, Nevada (9 - 24)
Frank Sinatra, McCarthy & Dale, Artini & Consuelo
Riverside Starlets (12)
Al Donahue & Orchestra (10)
no cover, no minimum
September 4, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
NOTE: Ed O'Brien points out that this was Sinatra's debut in Las Vegas . He
went into the engagement with Ken Lane as his piano player and come out with
Bill Miller. There is a tape of Sinatra telling how it happened. Lane was
having problems with his girlfriend and left Sinatra high and dry to chase
her back to L.A. Sinatra needed a more dependable pianist and found Miller
playing a lounge engagement.
The Desert Inn was really nothing more than a glorified motel. This 1951
appearance was in Wlbur Clark's (Desert Inn owner) Crystal Room . Sinatra
did two shows a night, at 8:30 and 11:30 p.m. The bill consisted of Jay
Marshall "Funny Bunny Man" Comedian Magician Ruby Ring, Dancer
Extra-Ordinary, the Arden-Fletcher Dancers with Gene Griffin - Singing M.C.,
and the Carlton Hayes Orchestra.
O'Brien says he has the September 13, 1951 program signed by Bill Miller.
Sinatra would make numerous appearances at the D. I. in the early 50s before
jumping to the Sands on October 7, 1953.
In response to an inquiry, O'Brien determined that the room in which Sinatra
performed in 1951 was not the same room he performed in during the 1990s. He
further observed that Bill Miller wasn't a man who was able to articulate
effectively the highlights of that incredible time and the years he spent
with Sinatra. If Miller had had that ability, the results would have been
definitive.
In response to a further inquiry by Sinatraphile Barton Palm, O'Brien says
he is not sure of the program that Sinatra followed, but he feels that it
was not much different from the London shows a few months earlier. There was
no cover to see the shows. You could see Sinatra and the other acts plus two
meals and leave a tip of around $15. Vegas was in its infancy as a hot spot
in 51'. By 53', it was a booming strip with a lot of action.
Sinatraphile Vance Adair agrees that Bill Miller was a fine player. He had a
very sympathetic style insofar as Sinatra's blue mood went. At the risk,
though, of inviting ignominy on my head, I would have to say that there are
some tunes where it is apparent that Sinatra would have benefited from a
different player.
Have a listen, for example, to Sinatra's run through of "Lush Life." Here
was a partnership that was far short of invincible. The Miller accompaniment
is woefully misjudged and one can only wonder at what might have happened
had Sinatra collaborated with a player who possessed a more assured grasp of
the tune.
Of course, Adair continues, there are many classic recordings where both had
an intuitive kind of syngery, but there are many more songs where (in my
judgement) Sinatra would have benfitted from a more straight ahead jazz
player.
Miller worked many marvels on the keyboard, Adair observes. Rarely, however,
did he ever convincingly replicate a jazz sound that positively yearned for
Sinatra's vocals throughout the 60s and beyond.
note: In my many interviews with musicians who worked on sessions and
concerts with Sinatra, they have expressed their views of Bill Miller.
Many felt Frank would have been served better by a jazzier piano player. I
spoke with four of the men who worked the November 57
Capitol session with Jimmy Rowles on piano. They cited the results as proof
that Frank should have worked more with Rowles, Lou
Levy, Paul Smith and others. None were dismissive of Bill. They just felt he
was limited in certain areas. But other musicians told me
that Miller was a treasure. The piano you hear on the "Wee Small Hours"
songs, "Close To You," "Only The Lonely" is as good as
any vocalist could ever ask for. In the recently released 60th Anniversary
"Nice 'N' Easy," you can hear Sinatra express some frustration
toward Bill's playing during the "Crush On You" session. He did that on
other sessions through the years. And yet, when Frank decided
he wanted the creme de la creme of Hollywood jazzmen for "Swingin' Brass, "
he stayed with Bill throughout. And there are some real
heavyweights on that project.
Ed
Desert Inn, Las Vegas , Nevada
SINATRA'S FIRST ENGAGEMENT IN LAS VEGAS
September 5, 1951
Concerts
Desert Inn, Las Vegas, Nevada (September 4-19)
Desert Inn, Las Vegas, Nevada (September 4-19)
From his first appearance in 1951, Sinatra remembered, "Wilbur Clark gave
me my first job in Las Vegas. That was 1951. For six bucks, you got a filet mignon
dinner and me."
--ED
September 6, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
Desert Inn, Las Vegas , Nevada
DESERT INN, LAS VEGAS
Painted Desert Room )
Las Vegas, Sept. 6
Frank Sinatra, Jay Marshall, Ruby Ring, Gene Griffin, Arden-Fletcher Dancers,(8)
Graham Forbes, Carlton Hayes Orch. (11); no cover, no minimum
Plenty of controversy is flipping back and forth about the Sinatra stand at the
Desert Inn, with customer opinion divided. Maitre d' will cry for mercy during this
fortnight, because tables are at a premium.
Controversy edges around those who scoff as Sinatra's voice goes off form a
bit, and those who put him forward as being one of the greatest showmen seen
in these parts. After waves of attendant publicity, and some not too flattering, a
tendency has become to scalp "The Voice" before it has a chance to be really
heard.
Sinatra displays marvelous ease while setting forth in some clever patter
preceding his tunes.Works through a succession of standards and a pop or
two, until he boffs with a ditty he had a hand in cleffing: "I'm A Fool To Want
You." Sunday punch is "Soliloquy," a seven-minute song dissertation that KO's
the whole room, but good. Repertoire also includes "When You're Smiling,"
"Hello Young Lovers," "Black Magic," "Crush On You," "All Of Me," "I
Concentrate On You," "My Blue Heaven," "I'll Never Smile Again" and "Come
Rain Or Come Shine."
Emcee Gene Griffin tosses in spark with some intro gabs plus enlivening
production romps with neat warbling. Sinatra himself pays high trib to back-
stopping Carlton Hayes and Windjammers who sound better than good. Graham
Forbes slides in during his stint for all keyboard accomps.
Walt
Variety
9-12-51
note:The Las Vegas Morning Sun's publisher, Hank Greenspan, wrote a guest
column in the paper on 9-9-51. He had attended a show at the Desert Inn, leaving
him with a $33.00 tab that was not worth the entertainment Sinatra was offering.
Variety columnist, Bill Willard, immediately responded with a vigorous defense
of the singing he had heard at the inn.. Greenspan thought Frank was a shell of
the great teen idol of the mid-1940s. Willard argued that the voice had changed,
but was still marvelous. A number of other papers joined the debate. Frank, who
was at the D.I. for two weeks, at $15,000 per week, added to the controversy by
aiming some rather nasty barbs at Rosie Clooney and a few other performers.
This was done on stage and just added fuel to the fire. Despite this nastiness,
Frank had found a place in the sun. Vegas and The Voice would carry on a
love affair that lasted more than 40 years.
During a concert in the late 1970s, Frank told of his travails with his piano player,
Ken Lane, during the summer of 1951. Frank remembered Lane running out on
him during the Desert Inn engagement. Frank's memory failed him on this one.
Lane must have played the Riverside Restaurant & Hotel, in Reno, prior to the
Vegas setting. Graham Forbes was Frank's pianist at the Desert Inn. Forbes
had told Frank he wanted his base to be New York City, so the Vegas gig was
his swan song. Jimmy Van Heusen went looking for a piano player and found
Bill Miller working on the Vegas strip... Bill backed Frank when the second season
of the CBS-TV series got underway on 10-9-51.
Sinatra was paid $10,000 a week for the Reno two-weeker and $15,000 at
the Desert Inn, per week. That $50,000 was a lot of money in 1951 and Frank
needed every penny he could earn at that time.
Desert Inn gig ran from 9/4 thru 9/17. Ella Logan opened on the 18th.
Ed
September 6, 1955 & September 6, 1965
Two Magazine Covers 10 Years apart:
Look Magazine September 6, 1955:
Newsweek September 6, 1965:
note: Newsweek photographer encountered a problem with photos he took for this cover article. Yul Brynner saved
the day by offering magazine some recent shots he had done at Frank's Palm Springs home.
Ed
note:The Las Vegas Morning Sun's publisher, Hank Greenspan, wrote a guest
column in the paper on 9-9-51. He had attended a show at the Desert Inn,
leaving
him with a $33.00 tab that was not worth the entertainment Sinatra was
offering.
Variety columnist, Bill Willard, immediately responded with a vigorous
defense
of the singing he had heard at the inn.. Greenspan thought Frank was a
shell of
the great teen idol of the mid-1940s. Willard argued that the voice had
changed,
but was still marvelous. A number of other papers joined the debate.
Frank, who
was at the D.I. for two weeks, at $15,000 per week, added to the
controversy by
aiming some rather nasty barbs at Rosie Clooney and a few other
performers.
This was done on stage and just added fuel to the fire. Despite this
nastiness,
Frank had found a place in the sun. Vegas and The Voice would carry on a
love affair that lasted more than 40 years.
During a concert in the late 1970s, Frank told of his travails with his
piano player,
Ken Lane, during the summer of 1951. Frank remembered Lane running out on
him during the Desert Inn engagement. Frank's memory failed him on this
one.
Lane must have played the Riverside Restaurant & Hotel, in Reno,
prior to the
Vegas setting. Graham Forbes was Frank's pianist at the Desert Inn.
Forbes
had told Frank he wanted his base to be New York City, so the Vegas gig
was
his swan song. Jimmy Van Heusen went looking for a piano player and found
Bill Miller working on the Vegas strip... Bill backed Frank when the
second season
of the CBS-TV series got underway on 10-9-51.
Sinatra was paid $10,000 a week for the Reno two-weeker and $15,000 at
the Desert Inn, per week. That $50,000 was a lot of money in 1951 and
Frank
needed every penny he could earn at that time.
Desert Inn gig ran from 9/4 thru 9/17. Ella Logan opened on the 18th.
Ed
September 6, 1955 & September 6, 1965
Two Magazine Covers 10 Years apart:
Look Magazine September 6, 1955:
Newsweek September 6, 1965:
note: Newsweek photographer encountered a problem with photos he took
for this cover article. Yul Brynner saved
the day by offering magazine some recent shots he had done at Frank's
Palm Springs home.
Ed
September 7, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
September 8, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
September 9, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
September 10, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
September 11, 1951
Concerts
Desert Inn, Las Vegas , Nevada (September 4-19)
September 13, 1951
Concerts
Desert Inn, Las Vegas, Nevada (4 - 18)
Ed O'Brien:
On September 4, 1951 ,
The Desert Inn was really nothing more than a
glorified motel. Wilbur Clark was the owner. Frank
did two shows a night at 8:30 and 11:30 PM. The
bill consisted of Jay Marshall "The Funny
Bunny Man," Comedian Magician, Ruby Ring, "Dancer
Extra-Ordinary," The Arden-Fletcher
Dancers with Gene Griffin -- Singing M.C. and Carlton Hayes Orchestra.
Frank's engagement was a sell-out. He opened with
"When You're Smiling," "All of Me," "Come
Rain Or Come Shine," "How Deep Is the Ocean," "My
Blue Heaven," "She's Funny That Way," "That
Old Black Magic" and wowed the audience. Years
later he would remember a young writer from a San
Francisco paper. Seems the guy was assigned not
only to do a story but to pick a fight with Sinatra. The writer
had fought as an amateur and simply couldn't
justify starting a fight with the singer. Instead he told Sinatra
about it and they hit it off immediately. Frank
gave him a great interview as a way of thanking him.
I have the 9-13-51 program signed by Bill Miller.
October 9, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Show: 37(in series), 2-01(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Producer: Max Gordon
Executive Producer: Marlo Lewis
Guests: Perry Como, Frankie Laine, The Andrew Sisters, Broderick Crawford
1. I Get A Kick Out Of You - Frank Sinatra
2. When Your Smiling - Frank Sinatra
Notes: First 30mins. survives on kiniscope.
Ed O'Brien notes that Broderick Crawford was also a guest. Earlier that year he won an Oscar for Best Male Performance in "All the King's Men."
Frank Sinatra Show
Guests: Perry Como, Frankie Laine, The Andrew Sisters, Broderick Crawford
Frank Sinatra at rehearsal for the FRANK SINATRA SHOW. Image dated October 9, 1951
Perry Como and Frank Sinatra backstage at the FRANK SINATRA SHOW. Image dated October 9, 1951.
---------------------------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
October 12, 1951
Television
Cavalcade of Stars
Jackie Gleason, Pert Kelton, Art Carney
Guests: Mel Tormé, Lois Hunt (Opera Vocalist), Maria Neglia (Violinist)
Gleason concludes the program with a sketch about silent movies called "A Day at Coney Island," featuring surprise guest Frank Sinatra.
October 16, 1951
Television
Frank Sinatra Show
Network: CBS
Script: Dated October 16, 1951
Location: New York City
Show: 38(in series), 2-02(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Producer: Max Gordon
Executive Producer: Marlo Lewis
Writers: Harry Crane
Guests: Jackie Gleason, Anne Jeffreys, Stanton and Luster (dancers)
1. All Of Me - Frank Sinatra
2. I Can't Believe That You're In Love With Me - Frank Sinatra
3. Body And Soul - Frank Sinatra
Note: Sinatra had a cameo four days earlier on Gleason's October 12, 1951 episode of Cavalcade of Stars
Review:
Program: Frank Sinatra Show,
CBS -TV, Tuesday, 8 -9 p.m.
Approx. cost: $41,500.
"Sponsor: Ekco Products Corp.
(first 15 minutes).
Agency: Earle Ludgin & Co.,
Chicago.
Cast: Frank Sinatra, Jackie Gleason,
Anne Jeffreys, Jack Stanton
and Betty Luster.
Producer: Max Gordon.
Director: Jack Donohue.
Musical director: Axel Stordahl,
Writers: Al Schwartz, Howard
Snyder, Hugh Wedlock and
Arnold Auerbach.
TO JUDGE by his Oct. 16 CBS
Television performance, Frank Sinatra has decided the best way
to compete with Milton Berle, who is opposite him on NBC -TV, is to
fight fire with fire.
This decision might have been wise were it not for the handicap
that Mr. Sinatra himself is no more than a wisp of smoke and
the comedian he imported to assist him, Jackie Gleason, would
find it hard to touch off a spark with a dynamite cap and a sledge
hammer.
Mr. Sinatra's second round against Mr. Berle de-emphasized
his singing and featured him and Mr. Gleason as comics in a series
of bits not unlike the sort of thing that has been happening every
Tuesday evening over on NBCTV for years.
One scene aboard a Pullman car had Messrs. Sinatra and Gleason
dressed in night caps and pajamas. Sample gag:
Mr. Gleason: How do you like
my sleeping bag? I bought it at
Brooks Brothers.
Mr.Sinatra: It looks like the
brothers were still in it.
This type of joke is endemic to The Berle show. It should not be
borrowed by Mr. Sinatra unless he wishes to become a pallid version
of his competition.
Possibly half the gags delivered by Mr. Gleason on the show dealt
with Mr . Sinatra's physical condition which is, to be optimistic,
alarming. It is plain that he has been strained by his recent life
off -screen.
It seemed to this reviewer that Mr. Sinatra is thinner than he
used to be, a condition that should be of interest to the American
Medical Assn. He is also more listless, which is to say he is approaching
an almost inanimate state. His voice, which was never a robust
instrument, has suffered.
The therapy this reviewer advocates for Mr. Sinatra -if he
hopes to last out the season and establish his show -is a steak, a
night's sleep and a production that does not try to overcome the opposition
by imitation.
Broadcast Magazine
October 22, 1951
Frank Sinatra Show
Network: CBS
Script: Dated October 16, 1951
Location: New York City
Show: 38(in series), 2-02(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Producer: Max Gordon
Executive Producer: Marlo Lewis
Writers: Harry Crane
Guests: Jackie Gleason, Anne Jeffreys, Stanton and Luster (dancers)
Frank Sinatra & Jackie Gleason in rehearsal for The Frank Sinatra Show, 1951
Not sure if this photo is from the rehearsal for the program but it's a great shot of Sinatra and Gleason
October 23, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Show: 39(in series), 2-03(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Producer: Max Gordon
Executive Producer: Marlo Lewis
Guests: Dagmar, Mary McCarty, Jack E. Leonard
note: Frank's TV show was struggling to acquire
more sponsors and more CBS affiliates. It was
announced on this day that the show had picked
up two more stations, effective 12/18. That would
give the show 22 affiliates -some live broadcasts
and others aired on kinescope. But with the good
news, came the ratings later in the week, the evening
of 10/23 showed Milton Berle pulling in a 41.6 to Frank's
16.3. CBS was shelling out $41,500 per episode and
they wanted bigger ratings. Alas, it was not to be. By
January of 1952, Ekco dropped its 15 minute segment.
and the show's rating did not tempt any potential sponsors.
CBS did grant Frank's request to move the production out
to Hollywood. The 11-20-51 was the first to be broadcast
from the west coast.
Ed
October 30, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Show: 40(in series), 2-04(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Producer: Max Gordon
Executive Producer: Marlo Lewis
Guests: Jules Munshin, Georgia Gibbs, Gary Moore, Eddie Mayoof
November 6, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Show: 41(in series), 2-05(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Producer: Max Gordon
Executive Producer: Marlo Lewis
Guests: Jackie Gleason, June Hutton, Grady Sutton, Pert Kelton, Roberta Lee, Stanton and Luster (dancers)
Ed O'Brien points out that Gleason made seven appearance over the two year run of the show.
He was on five shows the first season. Sinatra and he worked well together.
They did a Paramount gig with Dagmar in 1951.
Note: On October 3, 1951, Gleason and Pert Kelton introduced the first "Honeymooners" sketch as Ralph and Alice Kramden on "Cavalcade of Stars."
November 13, 1951
Television
Frank Sinatra Show
Network: CBS
Location: New York City
Show: 42(in series), 2-06(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Director: Jack Donohue
Producer: Max Gordon
Executive Producer: Marlo Lewis
Set/Art Department: William Cecil
Writers: Arnold M Auerbach, Al Schwartz, Howard Snyder, HUgh Wedlock Jr.
Guests: Jack Benny, June Hutton, Charles Castleman (10-year-old violinist), Larry Griswold
1. I've Got My Love To Keep Me Warm - Frank Sinatra
2. My Concerto - Frank Sinatra
3. For You - Frank Sinatra
4. The House i Live In - Frank Sinatra
Notes: Show in circulation. Ed O'Brien "One of the better shows from Frank's second season on CBS"
Frank Sinatra Show
Network: CBS
Location: New York City
Show: 42(in series), 2-06(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Director: Jack Donohue
Producer: Max Gordon
Executive Producer: Marlo Lewis
Set/Art Department: William Cecil
Writers: Arnold M Auerbach, Al Schwartz, Howard Snyder, HUgh Wedlock Jr.
Guests: Jack Benny, June Hutton, Charles Castleman (10-year-old violinist), Larry Griswold
Thanks to Michel Macaire for above photo
Frank Sinatra at rehearsal for the FRANK SINATRA SHOW. November 13, 1951.
Frank Sinatra and Jack Benny at rehearsal for the FRANK SINATRA SHOW. November 13, 1951.
November 20, 1951
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Script: Dated November 20, 1951
Show: 43(in series), 2-07(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Writers: Harry Crane
Guests: Laraine Day, Leo Durocher, June Hutton, Jimmy Boyd
1. To Prove That I'm In Love With You - Frank Sinatra & June Hutton
2. Put Your Dreams Away - Frank Sinatra
3. Undecided - Frank Sinatra & Heathertones
Notes: First show of series from Hollywood.
Ed O'Brien:
Frank does a very good reading of "Undecided."
FILM
Lady In Cement, (US Film Release: November 20, 1968)
Starring: Frank Sinatra, Raquel Welch, Richard Conte
(Directed by Gordon Douglas. Produced by Aaron Rosenberg)
Sinatra is back as Miami gumshoe Tony Rome who finds a woman's body with her feet encased in a concrete block and sets-out to solve the murder case.
(1st DVD Release date: 2005-05-24)
(Blu-Ray Released on August 16, 2016 by Twilight Time with "Tony Rome", limited to 3,000)
Lady in Cement was the sequel to Tony Rome (1967, see entry); both films were based on Marvin H. Albert's private detective novels written under the pen name "Anthony Rome." In between the two Miami, FL-based "Tony Rome" movies, the same production teamTwentieth Century-Fox, producer Aaron Rosenberg, director Gordon Douglas, and actor Frank Sinatra”made another film, this one based in New York City, called The Detective (1968, see entry). A third Tony Rome film, based on another AnthoRelease Date: The 2 Jun 1967 DV announced that Albert would write the screenplay for his own novel, The Lady in Cement. Richard Breen, who scripted the earlier Tony Rome from Albert's novel, had died in Feb 1967 before it went into production.
As he did while filming Tony Rome in early 1967, Frank Sinatra performed nightly at the Fontainebleau Hotel's La Ronde Room in Miami Beach, FL, while shooting Lady in Concrete during the day, the 18 Dec 1967 DV reported. He opened 7 Feb 1968 for "the longest nitery engagement of his careersix weeeks," with "two performances nightly, six days a week." All filming would take place nearby in Miami and Miami Beach, FL, beginning 19 Feb 1968, according to the 17 Jan 1968 Var. To facilitate easy travel between Sinatra's two jobs, the movie production converted the basement of the Fontainebleu into a film studio, where at least four sets were built, Aaron Rosenberg told the 21 Feb 1968 DV.
Sammy Davis, Jr., who had co-starred with Sinatra in Gordon Douglas's Robin and the 7 Hoods (1964), was originally picked for the role of Tony Rome's close friend and former partner, but bowed out due to other commitments, according to the 5 Feb 1968 DV. Sinatra gave the role to comedian Pat Henry, his opening act at the Fontainebleu. Los Angeles Rams football star Merlin Olsen also auditioned for a role, the 24 Jan 1968 Var noted, but was apparently not involved in the film.
The 28 Feb 1968 Var mentioned that filming had begun two days earlier, after a delay caused by Sinatra's bout with the flu, but according to a list of studio schedules in the 8 Mar 1968 DV, principal photography for Lady in Cement actually began on 4 Mar 1968.
Articles in the 4 Mar 1968 DV and 6 Mar 1968 Var described a squabble between Twentieth Century-Fox and the Hialeah Park Race Track in Hialeah, FL. When Hialeah president Eugene Mori refused to allow Lady in Cement to be filmed there, the production moved to Gulfstream Park at Hallandale Beach, FL. Mori publicly criticized Gulfstream for hosting the film, saying: "We read the script of the movie, and it is a picture which portrays violence and underworld activity. We don't feel the best image of racing would be served by having Hialeah, or any track, involved in such a movie." The Gulfstream location scene was shot on 5 Mar 1968. A week earlier, the 29 Feb 1968 DV reported that 250 Florida schoolteachers, who were in the middle of a strike, were hired as extras to sit in Gulfstream's stands behind Sinatra and actress Raquel Welch.
Filming ended 5 Apr 1968, the 10 Apr 1968 Var reported.
Comedian Joe E. Lewis was hired for a small part. Frank Sinatra had portrayed Lewis in the 1957 film biography The Joker Is Wild (see entry).
In one scene, actor Dan Blocker's character sat in a motel room watching the television show Bonanza, whose theme played on the soundtrack. Blocker, who portrayed "Hoss Cartright" on the popular program, was on hiatus during the Lady in Cement production. When Twentieth Century-Fox ran a full-page advertisement in the 6 Nov 1968 DV and other trade papers publicizing the film's premiere that night at Hollywood, CA's Grauman's Chinese Theatre, it printed a photograph of Blocker manhandling Sinatra, with the words: "Hoss plays the heavy!"
Critical reception was tepid. The 8 Nov 1968 LAT announced that the plot of Lady in Cement was "cumbersome without being rewardingly intricate," and as with most sequels, "the law of diminishing returns is still in force." The 21 Nov 1968 NYT called it such "a perfect blending of material with milieu that the movie's extraordinary vulgarity and sloppiness can almost be cherished for themselves, like widescreen graffiti.AFI Catalog
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
November 25, 1951
Radio
George Fisher Show
Guest: Frank Sinatra
KNX 10:15 PM
November 27, 1951
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 44(in series), 2-08(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Arlene Dahl, George Tobias, Mike Mazurki, Jimmy Boyd, Mari Blanchard, Lenny Kent
1.. Hello Young Lovers - Frank Sinatra
December 4, 1951
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 45(in series), 2-09(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Marie Wilson, Mary Hatcher, Lew Parker, June Hutton
1. Somebody Loves Me - Frank Sinatra
2. Get Happy - Frank Sinatra ( excellent example of the pre-Riddle sound that
failed to compliment the vocal)
3. Button Up Your Overcoat Frank Sinatra & Mary Hatcher
4. How Deep Is The Ocean- Frank Sinatra ( terrific vocal)
5. Day In, Day Out - Frank Sinatra (ballad chart by Stordahl quite similar to the 53 Cap. recording)
Frank Sinatra Show
Network: CBS
Guests: Marie Wilson, Mary Hatcher, Lew Parker, June Hutton
December 10, 1951
Concerts
Coliseum Theatre, London, England
Midnight
Sunday morning
Command Performance
Note: Originally posted as December 9, 1951 but the show was midnight on the 10th making it really the 11th.
Ed O'Brien:
Sinatra flew to London from Los Angeles on
12-8-51. The songwriter Jimmy McHugh
produced the midnight extravaganza with
Orson Welles, Tony Curtis, Janet Leigh, Rhonda
Fleming, Ava Gardner and many other stars.
Sinatra rehearsed with the 50-man orchestra
on the morning of the ninth. The band was
sadly inadequate. Sinatra asked them what they
playing They answered, "Your music." Frank
told them to go home. He then asked his great
friend Jimmy Van Heusen to be his sole accom-
panist on piano. According to McHugh both
men gave magnificent performances. At the
conclusion of Frank's segment of the show,
Ava joined him on stage and the crowd roared
their approval. Frank flew back to the states
on Monday morning and rehearsed for his
Tuesday evening CBS-TV show.
Note: Jimmy Van Heusen was a guest on "Meet
Frank Sinatra," 11-26-50. Content of show is not
known ,but I'll bet he backed Frank on a medley
of songs written by him through the years.
Brian Chearno added:
I haven't found what song(s) Sinatra sang for this benefit, but Sinatra and Dorothy Kirsten closed the
show with "The Star Spengled Banner" then the cast and audience joined them in "God Save The King"
Ed Added:
What a wonderful show it must have been. Van Heusen
was quite an accomplished pianist and Frank certainly had great
confidence in him. Been thinking about other piano only
performances.
Skitch Henderson, in my interviews with him, remembered backing
Frank at the Waldorf and Copa in the wee hours for a very
select crowd. Skitch never saw them because they sat in the dark
incognito.
Coliseum Theatre, London, England
Midnight
Sunday morning
Command Performance
I found the following memorabilia from the show. It’s an autographed flyer and ticket stub. Note that the ticket stub says Monday December 10th with doors opening at 11:30.
If the show was midnight then maybe it should be listed as December 11th. I think because the ticket stub says December 10th I’ll move the listing to the 10th.
This is from the Sunday Pictorial, London, England, Dec 9, 1951. It also confirms that the Midnight Show was the next day December 10th.
Here’s a review. We now know that Sinatra sang “Soliloquy” at this performance.
Another nice picture of Sinatra meeting Princess Elizabeth who would go on to be Queen.
There’s also a nice clip on Youtube of the Duke and Princess arriving at the event:
https://www.youtube.com/watch?time_continue=9&v=w76TdSO9M3M&feature=emb_logo
Post concert dinner following midnight show 12-9-51 Frank, Ava, Mrs C.J. Latta. Duke of Edinburgh enjoys
a laugh with Dorothy Kirsten.
Original caption: Frank Sinatra takes wife Ava Gardner’s coat after arriving for rehearsals for the Gala Midnight Matinee in aid of the National Playing Fields Association, Dec. 9, 1951.
December 1951: American singer and actor Frank Sinatra signs autographs for chefs at a charity function at the Empress Club, London, organised by the Variety Club of Great Britain in aid of the National Playing Fields Association. Original Publication: Picture Post - 5637 - Host To The Stars - pub. 1951 (Photo by Bert Hardy/Picture Post/Hulton Archive/Getty Images)
Prince Philip, The Duke Of Edinburgh, Is Chatting With The Us-American Singer Frank Sinatra And His Wife The Actress Ava Gardner At London's Empress Club. London. 9th December 1951. Photograph.
American singer and film star Frank Sinatra sitting on stage during rehearsals at the Coliseum Midnight Matinee, London, 9th December 1951 (Photo by Daily Herald/Mirrorpix/Mirrorpix via Getty Images)
December 11, 1951
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 46(in series), 2-10(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: The Andrews Sisters, Roger Price, Joan Holloway, Henry Slate
1. I'm Gonna Live Till I Die
2. P.S. I Love You
3. I Ran All The Way Home
4. Sorry
5. I Could Write A Book w/ The Whipoorwills
6. Tea For Two w/ Patti Andrews
7. Jingle Bells w/ The Andrew Sisters (a swinging arrangement probably Siravo or Oliver)
December 12, 1951
FROM THE STARS AND STRIPES ARCHIVES
Hollywood 'surprise package' show starts tour of EC bases
Newlyweds Frank Sinatra and Ava Gardner sample Sinatra's 34th birthday cake backstage at Wiesbaden.
By DICK GITLIN | STARS AND STRIPES Published: December 14, 1951
WIESBADEN, Dec. 13 Hollywood's "Surprise Package" of glamor girls, comedy and song made its EC debut last night before a crowd of 3,900 at the Camp Lindsey gymnasium.
The troupe, starring Rhonda Fleming, Janet Leigh, Ava Gardner, Frank Sinatra and Tony Curtis, gave the large audience an early Christmas treat with the two-hour show. Supporting these headliners were song writers Jimmy McHugh and Jimmy Van Heusen, jazz singer Viola Jefferson and a pair of young Broadway dancers, Anita Ellis and Vance Henry. John Haskell acted as master of ceremonies.
Frank Sinatra and Ava Gardner sing ''Bewitched, Bothered and Bewildered'' during the show at Wiesbaden.
JOHN RUSS/STARS AND STRIPES
Music was supplied by the 686th AF Band, of Camp Lindsey, under the direction of WOJG Franklin J. Lockwood. Sharman Douglas, daughter of former U.S. Ambassador to Britain Lewis W. Douglas, also accompanied the troupe from England, where it had held its rehearsals.
Sinatra provided 30 minutes of songs, including a comical arrangement of "Old Man Crosby."
"The Voice" brought his bride, Ava Gardner, to the mike and together sang "Bewitched, Bothered and Bewildered," with supplementary lyrics portraying their recent courtship.
The show, minus Frankie and Ava, will put on three more performances in the Zone in addition to tonight's show at Furstenfeldbruck Air Base. Tomorrow afternoon. it will entertain Erding Air Depot personnel. It moves on to Neubiberg Air Base tomorrow night and then closes out at Rhine-Main Saturday evening.
Hollywood Stars American actress and singer Ava Gardner (1922 - 1990), American actor Tony Curtis (1925 - 2010), American actor, producer, and singer Frank Sinatra (1915 - 1998), American actress, singer, dancer, and author Janet Leigh (1927 - 2004) , US, circa 1950. (Photo by Graphic House/Getty Images)
------------------------------------------
December 12, 1957 Villa Capri, California
42nd Birthday Party
Note: Ed O'Brien points out that Sinatra worked quite a few birthdays through the years. The Fame and Fortune radio show, on his 25th birthday, has no mention of it being a special day. Old Gold show from 1945 does mention it but gives no indication of his age. The Villa Capri party of this entry in 1957 for his 42nd birthday is quite memorable and the 50th party in 1965 was quite a tribute. In later years, the audience would sing "Happy Birthday" to him and on a few occasions, he joined them with "Happy Birthday to Me." Maybe the most of all for collectors and fans was the 52nd birthday recording with the Ellington band. George Jacobs told O'Brien there was a cake wheeled out during the session with a portable bar. Everyone celebrated. There are some great photographs listening to the final playback of "Indian Summer," Riddle's favorite Sinatra recording. Those photos reveal the intensity of the artist judging his own work.
Frank and Dean at Villa Capri 12-12-57
--------------------------------------------
DECEMBER 12, 1965
CRYSTAL BALLROOM
BEVERLY WILTSHIRE HOTEL
BEVERLY HILLS, CALIFORNIA
FRANK SINATRA'S 50TH BIRTHDAY
NANCY SINATRA SR.. ORGANIZED THE PARTY
Host: Milton Berle
Performers:
Nancy & Tina Sinatra
Jack Benny
George Burns
Tony Bennett "Old Devil Moon" and "Who Can I Turn To"( uptempo)
Sammy Cahn
Nelson Riddle
Sammy Davis Jr " My Kind Of Guy, Sinatra Is" ( Sammy Cahn lyrics)
Frank Sinatra speech sang separate "Happy Birthday" salutes to Sammy Davis Sr.
and Edward G. Robinson
December 17, 1951
Concerts
Veterans Administration Hospital, Long Beach, CA
Bob Hope, Bing Crosby, Frank Sinatra, Constance Moore, Les Brown and his Orchestra
Veterans Administration Hospital, Long Beach, CA
Bob Hope, Bing Crosby, Frank Sinatra, Constance Moore, Les Brown and his Orchestra
December 17, 1951 Monday.
Bing Crosby takes part with Bob Hope and Frank Sinatra in the Long Beach Press-Telegram's annual Christmas show for patients at the Veterans Administration Hospital.
Part of the proceedings is taped and broadcast on December 25 as the Bob Hope Show.
There was a great show in town last night. Its headliners were Hope, Crosby and Sinatra, and it would have taken an adding machine to keep count of the gags. Les Brown was there with his orchestra, and a parade of shapely Hollywood beauties wore out the
whistles of the males in the audience.
All of that a million dollars of talent and it didn’t cost the spectators a copper.
For it was the Press-Telegram’s Christmas show for patients at the Long Beach Veterans Administration Hospital, the second annual affair of the kind since the VA Hospital moved down here from Birmingham.
It was a huge success, and we at the P-T are mighty pleased.
An hour of the uproarious doings was taped and you can hear it on KFI on Christmas night – Tuesday – starting at 9 o’clock, as the Bob Hope Show. But it went on for two or three hours beyond that to give the men and women of the hospital a terrific evening,
topped off with refreshments of ice cream, cookies and coffee before they returned to the wards of the big institution at Seventh and BellFlower.
The radio show was, of course, from script, but the rest of it was ad libbed and highly informal, and the stars were at their best then. The gang got a real bang out of Crosby getting help from the audience on his lyrics, Hope knocking over a Christmas tree
and Sinatra asking Brown to change the pitch.
That made a party of it.
…Before the show, Hope, Crosby and Sinatra, as well as the girls from the Paramount “golden circle” toured the hospital wards and visited with the patients.
(Malcolm Epley, Long Beach Press-Telegram, December 18, 1951)
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
December 18, 1951
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 47(in series), 2-11(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Eddie Anderson, Eric Blore, Alan Mowbray, June Hutton, Lenny Kent
1. My Blue Heaven
2. Santa Claus Is Coming To Town - Frank Sinatra
3. Take Me Back To Manhattan - Frank Sinatra
Ed O'Brien noted:
The latter was written by Cole Porter for the 1930
Broadway musical "The New Yorkers." Anytime Frank sang
Porter certainly merits the attention of people who love
the classic American song book. When it is a song he never
recorded, the interest becomes even greater. When the lyrics
he sang on 12-18-51 are completely different from Porter's
original effort, it becomes both fascinating and mysterious.
I don't believe Cole Porter would have allowed another song-
writer to pen new lyrics for Frank in 1951. It is probably
a good bet that Sinatra requested the rewrite and Porter
obliged.
Here are the original lyrics from 1930 and the new lyrics
from 1951
THE NEW YORKERS
words and music
Cole Porter
Take Me Back To Manhattan
1930 lyrics:
verse:
The more I travel across the gravel,
The more I sail the sea,
The more I feel
convinced of the fact
New York's the town for me.
Its crazy skyline is right in my line
And when I'm far away
I'm able to bear it for several hours,
And then break down and say:
refrain
Take me back to Manhattan,
Take Me Back to New York,
I'm just longing to see once more
My little home on the hundredth floor.
Can you wonder I'm gloomy ?
Can you smile when I frown ?
I miss the East Side, the West Side,
The North Side and the South Side,
So take me back to Manhattan,
That dear old dirty town.
Sinatra's version on 12-18-51
verse
New York, New York,
I've been to Paris and tasted its thrills,
But I wasn't amused there.
I've done the nightclubs of Beverly Hills,
But I was so utterly confused there,
I found no joy in Illinois, in Mexico, or Rome.
And now it is time for your wandering boy,
To start in heading home, so.....
Refrain
Take me back to Manhattan,
Take me back to New York,
I just want to go to that door,
And say hello to my boy Toots Shor.
When I'm out of the country,
I just mope and I frown,
Although Great Britain is terrific,
They've got South Pacific,
So take me back to Manhattan,
That one and only town
Take me back to the Battery,
Take me up to the Bronx,
I love each cop, every shiny badge,
The bleachers cling to the name DiMag.
When you mention the Copa,
I just grin like a clown.
I love the music by the Cubans,
The Lindy's and Reubens.
So take me back to Manhattan,
My very favorite town.
Take me down to the subway,
And the buses and els,
I love the models along fifth ave,
I love to swing to the things that they have,
I adore Earl Wilson or whoever is around,
I love each ferry in the harbor,
I just adore Impellitteri,
So take me back to Manhattan,
That stupendous, tremendous,
That glorious, uproarious,
That peaceful, sinful, lovely, sinful town
Ed O'Brien answered:
Porter wrote "Farewell Amanda" for the Tracy-Hepburn
MGM film "Adam's Rib," in 1949. David Wayne also
sang the tune in the film but Frank made a special recording
of the song for the film. Did he write expressly for Sinatra ?
I don't know. Maybe, maybe not.
I'm glad you found "Take Me Back To Manhattan" interesting.
I doubt very much that Cahn rewrote the lyrics, esp. in 1951.
I've tried to trace the history of the tune and if there is anything
in the Porter collection at Yale. I haven't had any luck . Perhaps
there is a mention at the end of the FS show on 12-18-51.
December 20, 1951
Television
Alan Young Show
Network: CBS
Thursday Evening
Time: 9:00 - 9:30 PM (EST)
Sponsor: ESSO
Producer: Ralph Levy
Director: Alan Dinehart
Guest: Frank Sinatra
Alan Young Show
Network: CBS
Thursday Evening
Time: 9:00 - 9:30 PM (EST)
Sponsor: ESSO
Producer: Ralph Levy
Director: Alan Dinehart
Guest: Frank Sinatra
December 25, 1951
Radio
The Bob Hope Show
Network: NBC & AFRS rebroadcast
Location: Long Beach Veterans Hospital.
Guests: Frank Sinatra, Bing Crosby, Jack Kirkwood, Jane Morgan
Orchestra Conducted By: Les Brown
Announcer: Hy Averback.
Note: Sinatra is unbilled guest. Partial Recording TT 23 mins. Sound
Very Good.
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 48(in series), 2-12(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Ekco Housewares (first 15mins), sustaining (final 45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Edmund Gwenn, Marilyn Maxwell, Jimmy Boyd, The Dunhills (dancers)
1. You'd be So Nice To Come Home To - Frank Sinatra
2. Have Yourself A Merry Little Christmas - Frank Sinatra
3. All The Things You Are - Frank Sinatra
4. Over The Rainbow - Frank Sinatra & Jimmy Boyd
Film
"Double Dynamite" (US Film
Release: December 25, 1951)
Starring: Frank Sinatra, Jane Russell, Groucho Marx
Produced and Directed by Irving Cummings
Sinatra plays Johnny Dalton an innocent bank teller, suspected of
embezzlement, who is aided by an eccentric,
wisecracking waiter played by Groucho Marx. Jane Russell plays
Johnny's girlfriend, Mildred 'Mibs' Goodhue.
(DVD Release date: 2008-05-13)
Note: Filming started November 22, 1948 at RKO under the title
"It's Only Money."
Filming finished December 22 by which stage it was the last film being
shot on the RKO lot.
RKO then shut down the entire studio as it re-adjusted following Howard
Hughes' purchase of the company.
The film would not be released until three years later.
When Frank Sinatra signed with RKO, in 1943, it
was for a four picture deal.
In the fall of 1948, he still owed them one picture. "It's Only
Money" looked
pretty good to him at the time( original title was "The Pasadena
Story")..
His co-stars would be the very sexy Jane Russell and the legendary
Groucho Marx.
Filmed entirely on the backlots at RKO, the filmed was
completed, or so
they thought, in 22 days. Frank sang duets with both of his co-stars and
then they all joined together for a closing rendition of the title tune.
RKO
ran a preview at some theaters, in California, in late December.
Something
wasn't quite right and a few additional scenes were shot in January of
49.
After that shoot, RKO shutdown and waited to see what would happen under
the new owner Howard Hughes. It would also be the director's, Irving
Cummings,
last film.
Howard Hughes hated Frank Sinatra. And with good reason.
Hughes
was madly in love with Ava Gardner. He could not accept that such a
goddess would choose Frankie over him. So the film languished in
Howard's vault through all of 1949 and 1950. In February of 1950,
Frank and Jane Russell would record the song "Kisses and
Tears,"
from the film( Frank's third recording of the song) at Columbia
Records
with The Modernaires. Frank would sing the song on his Light Up
Time show in April 1950 with an aside to Howard regarding a release
for the film. Hughes did not budge. By then he had come to dislike
the
the film intensely. Groucho wrote a letter to Howard on 1-23-51
asking
for a release before he shuffled off his mortal coil. Nothing
happened.
What happened on 11-7-51 convinced Hughes to release the
film pronto.
Frank and Ava had married on that November day and a spiteful Mr.
Hughes
was determined to exact some revenge. The title was changed to
"Double
Dynamite" -- a reference to Miss Russell well known endowments - and
the billing was changed. Frank went from top billing to third and was
forbidden
to promote the film in any manner whatsoever. Hell hath no fury like a
billionaire
scorned.
The movie opened at the Paramount Theaters in New York and
Boston on Christmas
Day. The reviews were not good and the box office take was a disaster.
The film failed
to make the Variety Top Grossing 120 films for 1952. Meaning it took in
considerably
less than than a million dollars.
Ed
The working title of this film was It's Only Money. It was made in late
1948, shortly after Howard Hughes took over as head of RKO. According to
modern sources, Hughes was displeased with the picture and shelved it
until late 1951, when he came up with an advertising campaign that
emphasized the participation of his proetge, Jane Russell. Modern sources
also note that Frank Sinatra originally was to receive top billing in the
onscreen credits, but because Hughes did not like Sinatra, whose career
was in a down-turn at the time, his billing was bumped to third place. In
the film, Sinatra sings duets with both Marx and Russell. Mannie Manheim,
who is credited with creating the character on which the picture's story
was based, was one of Marx's gag writers. Although an Aug 1946 HR news
item reported that Twentieth Century-Fox had purchased a story by Quentin
Reynolds entitled "It's Only Money," that story bears no
relation to this film. Modern sources credit Stanley Donen as
choreographer.
AFI Catalog
note: Film premiered at the Paramount Theatre in N.Y.C. The stage show
was headed by Tony Bennett, The 5 Demarco Sisters
and the Art Mooney Band. Joey Adams was the comic.
Ed
January 1, 1952
Television
show and the complete 50-52 CBS series.
January 7, 1952
Studio
New York City
RHCO10081 I Could Write A Book
w/The Jeff Alexander Choir
(R. Rodgers/L. Hart)
(from Pal Joey)
Chappell & Co., Inc. (ASCAP) 1940
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 12
LP: C6X-40343 The Voice-The Columbia Years, 43-52
LP: CL-953 Adventures Of The Heart
78: 39652
RHCO10082 I Hear A Rhapsody
w/The Jeff Alexander Choir
(G. Fragos/J. Baker/D. Gasparre)
Broadcast Music, Inc. (BMI) 1940
Arranged & Conducted by Axel Stordahl
-1 (3:04) CD: Columbia Years 43-52 Vol. 12
LP: CL-1359 Come Back To Sorrento
78: 39652
RHCO10083 Walking In The Sunshine
(B. Merrill)
Oxford Music Corp. (ASCAP) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:41) CD: Columbia Years 43-52 Vol. 12
LP: C2X-40897 Hello Young Lovers
LP: CL-2741 The Essential Frank Sinatra, Vol. 3
78: 39726
Violins: J. Augustine, H. Bluestone, D. Frisina, M. Kellner, I. Prager, M.
Russell; Violas: M. Perlmutter, D. Sterkin; Cello: C. Bernard; Harp: A.
Stockton; Saxes: M. Bercov, J. Dumont, E. Gershman, L. Hartman, B. Russin;
Trumpet: R. Zarchy; Trombones: G. Arus, J. Piddy; Piano: W. Miller; Guitar: A.
Reuss; Bass: J. Ryan; Drums: N. Fatool
January 8, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 50(in series), 2-14(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Tennessee Ernie Ford, Jimmy Boyd, Alan Young, June Hutton
1. Lover - Frank Sinatra
2. Penthouse Serenade - Frank Sinatra & June Hutton
3. Alabama Jubilee -- Tennessee Ernie Ford
4. I'm Just A Country Boy Jimmy Boyd
3. Hey, Good Lookin' - Sinatra, Tennessee Ernie Ford & Jimmy Boyd ( Frank singing a Hank Williams song
He does some guitar playing and then is joined by the others. Just as they are finishing the song, CBS cuts
away for the half-hour local station break.
4. That Old Black Magic - Frank Sinatra sung as a ballad. Very nice
5. Nevertheless - Frank Sinatra There are only a few words sung and in a very silly way
6. I'm Gonna Live Till I Die - Frank Sinatra Heard from a radio. Runs about 10 seconds
7. Please Don't Talk About Me When I'm Gone - Frank Sinatra Done with an Italian accent while he is
preparing a pizza pie. Not the complete song or a serious attempt to sing it.
Scott Henderson:
I enjoy "Penthouse Serenade" from this show. I only have audio of 3
songs from this show. It seems like only a handful of the 1950-1952
TV shows are in circulation. I think I have around 10. Does anyone
know how many are actually in circulation and which ones? I'd love
to see a box set of all of these released. They must be in the
Sinatra vaults. Even the early Honeymooners sat languishing in a
vault for years before Gleason allowed them out.
Hi Scott,
I explain above why you only have three songs from the show. Frank tells the audience
that a sneak preview of "Meet Danny Wilson" is being shown in L.A. that evening.
Ed
John Brown:
I would have loved to hear a 1957 Sinatra sing
"Penthouse Serenade" with a Riddle arrangement.
Ed O'Brien:
A video of this show is in circulation. Has been for many years.
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 50(in series), 2-14(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Frank Sinatra and June Hutton sing "Penthouse Serenade"
January 12, 1952
Television
Saints and Sinners "All-Star Marathon"
Benefit for the Milk Fund
12 hours from 11pm January 12th to 11pm January 13
KTTV, Los Angeles
Frank Sinatra, Donald O’Connor, Margaret Whiting, June Hutton, Spike Jones, Liberace and others
Saints and Sinners "All-Star Marathon"
Benefit for the Milk Fund
12 hours from 11pm January 12th to 11pm January 13
KTTV, Los Angeles
January 15, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 51(in series), 2-15(in season)
Tuesday 8:00 P.M.-9:00 P..M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Denise Darcel, Frank Fontaine, Bob Hope, Raymond Burr, Will Mastin Trio w/Sammy Davis Jr.
1. My Blue Heaven - Frank Sinatra
2. I Could Write A Book - Frank Sinatra
3. P.S. I Love You - Frank Sinatra
Note: Ed O'Brien "Frank's guests were Bob Hope, Will Mastin Trio,
Denise Darcel, Raymond Burr plus regulars June Hutton and Mr Stordahl.
Frank sang "My Blue Heaven," I Could Write A Book" and "P.S. I Love You."
January 18, 1952
Radio
The Martin and Lewis show (NBC)
Time: 8:30 p..m.-9:00 p.m.
Guests: Frank Sinatra; Jimmy Wallington;
Orchestra Conducted By: Dick Stabile
Notes: The show appears on the officially released CD set: 60 Greatest Old Time Radio Show "Frank Sinatra & Friends.." TT:45mins. Complete.
Ed notes: Martin & Lewis was the hottest act in show business when Frank
made this guest appearance. His new film "Meet Danny Wilson" was
set to open in a few weeks and maximum exposure was the idea..
He sang "I've Got A Crush On You" from the film.. The threesome
did some comedy skits and sang parodies of "School Days" and
"Row, Row, Row Your Boat." Dean sang "Bella Bimba" and the
Johnnie Ray hit "The Little White Cloud That Cried." Show ran
45 minutes
The Martin and Lewis show (NBC)
Time: 8:30 p..m.-9:00 p.m.
Guests: Frank Sinatra; Jimmy Wallington;
Orchestra Conducted By: Dick Stabile
January 22, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 52(in series), 2-16(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: George McManus, Beatrice Kay, Buster Keaton, Joe Laurie Jr., The Bell Sisters, The Heathertones
1. Never Before - Frank Sinatra
2. When You Were Sweet Sixteen - Frank Sinatra & The Heathertones
3. Bewitched - Frank Sinatra
4. Singin' In The Rain - Frank Sinatra
5. There's no Business Like Show Business - Sinatra & J. Laurie Jr.
Ed Notes: The Bell Sisters, Cynthia, 16, and
Kay, 11, were making their TV debut. They
had a Top 10 with "Bermuda" and performed it on the show.
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 52(in series), 2-16(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: George McManus, Beatrice Kay, Buster Keaton, Joe Laurie Jr., The Bell Sisters, The Heathertones
Frank Sinatra & The Bell Sisters
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
January 29, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 53(in series), 2-17(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Dick Haymes, Tom D'Andrea, Larry Blake, Patti Moore, Ben Lessy
1. I'm Gonna Live Till I Die - Frank Sinatra
February 3, 1952
Colgate Comedy Hour (Cancelled appearance)
Host: Donald O'Connor
Guests: Frank Sinatra, Corrine Calvet, Ben Blue
-----------------------------------------
February 3, 1953 Texaco's Star Theater
----------------------------------------------------------------
February 3, 1960 Sands Casino, Las Vegas, Nevada
9:30am - 6:30 pm
Frank filmed inside and outside the Sands for Oceans 11
--contributed by: Fred Wadsworth
February 4, 1952
Television
Ralph Edwards Show
KNBH 12:30PM
Guest: Frank Sinatra
February 5, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 54(in series), 2-18(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Diana Lynn, Frank Fontaine, Ann Triole
[image referenced in source but could not be recovered]
February 6, 1952
Studio
Hollywood
RHCO10110 My Girl
(C. Freed)
Ludlow Music, Inc. (BMI) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:24) CD: Columbia Years 43-52 Vol. 12
78: 39726
RHCO10114 Feet Of Clay
(J. Whitney/A. Kramer/H. Zaret)
Bourne, Inc. (ASCAP) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:56) CD: Columbia Years 43-52 Vol. 12
78: 39687
NOTE: Sinatra Scholar Ed O'Brien remarks that he'd take "Mama Will Bark" anytime over this "little beauty."
RHCO10115 Don't Ever Be Afraid To Go Home
(B. Hillard/C. Sigman)
Remick Music Corp. (ASCAP) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:28) CD: Columbia Years 43-52 Vol. 12
78: 39687
Violins: J. Augustine, D. Lube, N. Pisani, I. Prager, M. Russell, M. Sosson; Violas: S. Harris, D. Sterkin; Cello: E. Slatkin; Harp: A. Stockton; Saxes: E. Callen, E. Gershman, L. Hartman, B. Russin, F. Stulce; Trumpet: R. Zarchy; Trombones: G. Arus, J. Piddy; Piano: W. Miller; Guitar: A. Reuss; Bass: J. Ryan; Drums: R. Hagan
Film
"Meet Danny Wilson" Portland Oregan Premiere February 6, 1952) (Regular release: April 1st, 1952)
Starring: Frank Sinatra, Shelley Winters, Alex Nicol, Raymond Burr
Produced by: Leonard Goldstein
Directed by: Joseph Pevney
Danny Wilson (Sinatra) and partner Mike (Nicol) make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll (Winters),
who gets them a job at racketeer Nick Driscoll's (Burr) posh nightclub. But Nick wants a high price: half of Danny's future income. Danny's career skyrockets, but his
position at the top of the heap, and his one-sided romance with Joy, prove extremely unstable.
note: I sat this aside last week to show how little confidence Universal had
in Frank's film. But then I realized the film opened in Portland on 2/6.
This ad ran in the Portland Press Herald, 2/5, a Tuesday.
Second film has Walter Brennan in very small type. The man won three
Oscars.
Ed
[image referenced in source but could not be recovered]
Hollywood
RHCO10110 My Girl
RHCO10114 Feet Of Clay
RHCO10115 Don't Ever Be Afraid To Go Home
(B. Hillard/C. Sigman)
Violins: J. Augustine, D. Lube, N. Pisani, I. Prager, M. Russell, M. Sosson; Violas: S. Harris, D. Sterkin; Cello: E. Slatkin; Harp: A. Stockton; Saxes: E. Callen, E. Gershman, L. Hartman, B. Russin, F. Stulce; Trumpet: R. Zarchy; Trombones: G. Arus, J. Piddy; Piano: W. Miller; Guitar: A. Reuss; Bass: J. Ryan; Drums: R. Hagan
Frank Sinatra at a Columbia Records recording session Feb. 6, 1952
Frank Sinatra with First violinist Mischa Russell February 6, 1952
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
"Meet Danny Wilson" (Los Angeles Premiere February 7, 1952) (Regular release: April 1st, 1952)
Starring: Frank Sinatra, Shelley Winters, Alex Nicol, Raymond Burr
Produced by: Leonard Goldstein
Directed by: Joseph Pevney
February 7, 1952
Film
"Meet Danny Wilson" (Los Angeles Premiere
February 7, 1952) (Regular release: April 1st, 1952)
Starring: Frank Sinatra, Shelley Winters, Alex Nicol, Raymond
Burr
Produced by: Leonard Goldstein
Directed by: Joseph Pevney
Danny Wilson (Sinatra) and partner Mike (Nicol) make a meager living
singing in dives and hustling pool. One night they meet entertainer Joy
Carroll (Winters),
who gets them a job at racketeer Nick Driscoll's (Burr) posh nightclub.
But Nick wants a high price: half of Danny's future income. Danny's
career skyrockets, but his
position at the top of the heap, and his one-sided romance with Joy,
prove extremely unstable.
(DVD Release date: 2009-05-25 U.K. Only)
Note: The film opened on 2-7 in L.A.at three theatres plus
another in Hollywood.
The San Francisco opening was the following day. Frank sang on stage with
the Ray Hacket
Orch. in Frisco. Variety shows a disappointing b.o. in L.A. S.F. did much
better at $14,000 thanks
to Frank's personal appearance on opening day.
--Ed
Concerts
French Room of the Ambassador Hotel, Los Angeles, California
Sinatra performed at an after-party for the Los Angeles premier of “Meet Danny Wilson”
"Meet Danny Wilson" (Los Angeles Premiere
February 7, 1952) (Regular release: April 1st, 1952)
Release Date: February
1952
Premiere Information: Los Angeles opening: 7 Feb 1952; San Francisco
opening: 8 Feb 1952
Production Date: late Jun--31 Jul 1951
According to HR, Universal sponsored a national contest to have the
public choose their ten favorite Frank Sinatra songs for inclusion in the
film. Other HR news items add Johnny Daheim, Joe Gray, Charles Parker and
Leo Garber to the cast, but their appearance in the final film has not
been confirmed. A 16 May 1951 HR news item reports that Shelley Winters
was briefly suspended by the studio for refusing to fly immediately from
New York to Los Angeles for her costume fittings and screen tests.
Unbilled Universal contract players Tony Curtis and Jeff Chandler appear
in a brief cameo during a scene in which "Danny" performs
drunkenly at a nightclub. The film's final scene was shot on location at
Wrigley Field in Los Angeles.
Reviewers noted the distracting parallels
between "Danny's" rise to fame and Sinatra's own. When the film
opened in San Francisco, Sinatra gave a one-day only live performance at
the Orpheum theater prior to the start of the picture. Modern sources
state that Sinatra fought with Shelley Winters throughout the filming of
the picture. Although Meet Danny Wilson was not a box-office success, it
gained popularity during a 1954 re-release after Sinatra won a Best
Supporting Actor Academy Award for his performance in From Here to
Eternity (see entry).
Note: Unbilled Universal contract players Tony Curtis and Jeff
Chandler appear in a brief cameo during a scene in which
"Danny"
performs drunkenly at a nightclub. The film's final scene was shot on
location at Wrigley Field in Los Angeles.
American singer and actor Frank Sinatra (1915-1998) sings for
unspecified guests attending the after party
which the Los Angeles premiere of 'Meet Danny Wilson,' held in the French
Room of the Ambassador Hotel in Los Angeles, California, 7th February
1952.
American actor and screenwriter Don McGuire (1919-1999) is introduced
by American singer and actor Frank Sinatra (1915-1998) to the guests
attending the after party which followed the Los Angeles premiere of
'Meet Danny Wilson,' held in the French Room of the Ambassador Hotel in
Los Angeles, California, 7th February 1952. McGuire wrote the screenplay
for the film, starring Sinatra.
American beauty queen Jeanne Biegger (1927-2016) and her husband,
American actor, singer and comedian Dean Martin (1917-1995) with American
singer and actor Frank Sinatra (1915-1998) and his wife, American actress
Ava Gardner (1922-1990) attend the after party which followed the Los
Angeles premiere of 'Meet Danny Wilson,' held in the French Room of the
Ambassador Hotel in Los Angeles, California, 7th February 1952
San Francisco Examiner
note: Interview with Dwight Newton took place on 2-7-52.
According to the Examiner, Sinatra did four shows
at the Orpheum on 2/8 with the Ray Hackett Orchestra..
Alex Nicol and the young Universal starlet Joyce Holden
also made appearances.
Ed
February 8, 1952
Television
Opening of new KPIX/KSFO building
An hour-long celebration revue starring Del Courtney and his Orchestra, Peggy Mann, Lee Giroux, Frank Sinatra and others
Film
"Meet Danny Wilson" (San Francisco Premiere February 8, 1952) (Regular release: April 1st, 1952)
Starring: Frank Sinatra, Shelley Winters, Alex Nicol, Raymond Burr
Produced by: Leonard Goldstein
Directed by: Joseph Pevney
Danny Wilson (Sinatra) and partner Mike (Nicol) make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll (Winters),
who gets them a job at racketeer Nick Driscoll's (Burr) posh nightclub. But Nick wants a high price: half of Danny's future income. Danny's career skyrockets, but his
position at the top of the heap, and his one-sided romance with Joy, prove extremely unstable.
(DVD Release date: 2009-05-25 U.K. Only)
Concerts
Orpheum, San Francisco, CA
Sinatra appeared along with Alex Nicol, Joyce Holden, and Ray Hackett and his Orchestra
4 stage shows at 1:00, 4:50, 7:25, and 10pm to promote "Meet Danny Wilson"
"Meet Danny Wilson" (San Francisco Premiere February 8, 1952) (Regular release: April 1st, 1952)
A February 8, 1952 photo from the Jack Tillmany collection. He comments: "Frank Sinatra makes a personal appearance at the Orpheum to promote the opening of his new film 'Meet Danny Wilson.' Price of admission was less than a dollar in those days! Shelley Winters was Sinatra's co-star but did not appear with him at the Orpheum premiere. Ava Gardner, his new wife, was scheduled but had to cancel because of other commitments. Universal contract players Alex Nicol and Joyce Holden did appear, however, along with Ray Hackett and his Orchestra." The February 8, 1952 Chronicle covered the event in their page 11 article "A Chat With Sinatra..."
Opening of new KPIX/KSFO building
An hour-long celebration revue starring Del Courtney and his Orchestra, Peggy Mann, Lee Giroux, Frank Sinatra and others
February 10, 1952
Radio
Walter Winchell Show
ABC-Radio
Sunday Evening
9:00 to 9:15 P.M.
Subbing for Winchell:
Jo Stafford, Frank Sinatra, Axel Stordahl & His Orchestra
Songs:
--The Best Things In Life Are Free Jo
--I'm Gonna Live Till I Die Frank
--Come Rain Or Come Shine Frank
Note: Winchell was suffering from nervous exhaustion.
He was ordered by his doctor to take a break from the
show. Someone came up with the idea of replacing him
with popular guest star vocalists of the day. The Variety
of 2-13-52 thought it was a terrible idea.
--Ed
Walter Winchell Show
ABC-Radio
Sunday Evening
9:00 to 9:15 P.M.
Subbing for Winchell:
Jo Stafford, Frank Sinatra, Axel Stordahl & His Orchestra
Songs:
--The Best Things In Life Are Free Jo
--I'm Gonna Live Till I Die Frank
--Come Rain Or Come Shine Frank
February 12, 1952
Radio
Stars For Defence
Hollywood
15 minutes
PSA Office of Price Stabilization
Frank Sinatra
Axel Stordahl and Orch.
Announcer Hy Averback
Walking in the Sunshine 1-7-52 Columbia
My Girl 2-6-52 Columbia
I Can't Give You Anything But Love orchestral
I Hear A Rhapsody 1-7-52 Columbia
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 55(in series), 2-19(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Elgin-American (15mins), sustaining (45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Buster Keaton, Zsa Zsa Gabor, The Delta Rhythm Boys, June Hutton
Scott: I'm also a huge Buster Keaton fan and I'd love to see this show but I don't believe it's in circulation.
Stars For Defense
Hollywood
15 minutes
PSA Office of Price Stabilization
Frank Sinatra
Axel Stordahl and Orch.
Announcer Hy Averback
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 55(in series), 2-19(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: Elgin-American (15mins), sustaining (45mins)
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Buster Keaton, Zsa Zsa Gabor, The Delta Rhythm Boys, June Hutton
February 16, 1952
Concerts
Shrine Auditorium, Los Angeles
Italian Relief Fund
Frank Sinatra, Danny Thomas, Jimmy Durante, Eddie Cantor, George Jessel, Abbott & Costello, Liberace, Jerry Colonna, Debbie Reynolds and others
Shrine Auditorium, Los Angeles
Italian Relief Fund
Frank Sinatra, Danny Thomas, Jimmy Durante, Eddie Cantor, George Jessel, Abbott & Costello, Liberace, Jerry Colonna, Debbie Reynolds and others
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
February 19, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 56(in series), 2-20(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: James Mason, Pamela Kellino, Jackie Coogan, Jimmy Boyd
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Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 56(in series), 2-20(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: James Mason, Pamela Kellino, Jackie Coogan, Jimmy Boyd
---------------------------------------------
February 19, 1953, London, England
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February 21, 1952
Television
Star Of The Family
Peter Lind Hayes & Mary Healy
CBS
Thursday Evening
8:00 p.m.- 8:30 p.m.
Carl Hoff & His Orchestra
Sponsor: Ronson - World's Greatest Lighter
Guests: Frank Sinatra, Connie Haines, Hal Peary
note: Frank appears in a nightclub scene. Sings "Night And Day" and "Blue Skies."
Peter and Mary were not afraid to give artists who were on their way down a shot at reviving their careers through guest appearances on their show. Such was the case with Frank Sinatra.
"Sinatra's career was in a major slump -- some people thought he was washed up," said Seagrave, a SUN feature writer in the 1970s who then wrote under the name Jan Plowman.
"Peter put Frank on the show. Frank was so grateful and never forgot Peter for that. He flew Peter and Mary to Palm Springs for his wedding to (his fourth and current wife) Barbara Marx."
When Seagrave visited Hayes and Healy a month ago, she found Peter weeping as he listened to Sinatra records.
"Peter was crying because Frank was so ill," Seagrave said. "He was so worried about him."
Las Vegas Sun
April 22, 1998
Star Of The Family
Peter Lind Hayes & Mary Healy
CBS
Thursday Evening
8:00 p.m.- 8:30 p.m.
Carl Hoff & His Orchestra
Sponsor: Ronson - World's Greatest Lighter
Guests: Frank Sinatra, Connie Haines, Hal Peary (The Great Gildersleeve)
February 26, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 57(in series), 2-21(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Zsa Zsa Gabor, Yma Sumac, Frank Fontaine, Leon Belasco, The Mandarines
March 2, 1952
Radio
The Jack Benny Program
Network: CBS
Sponsor: Lucky Strike
Show: #25 of the 1951-52 series
Time: 7:00 - 7:30 PM EST
Host: Jack Benny
Guests: Danny Kaye, Frank Sinatra, George Burns, Groucho Marx,
Cast: Don Wilson, Mary Livingstone, Phil Harris, Dennis Day, Artie Auerbach, Rochester, Benny Rubin, Mel Blanc, Rochester, Dennis Day
Writer: Sam Perrin, George Balzer, John Tackaberry, Milt Josefsberg
Producer By: Hilliard Marks
Music Director: Mahlon Merrick
1. opening commercial
2. first routine - Don Wilson, Jack Benny, Phil Harris, Dennis Day
3. Mistakes - Dennis Day
4. second routine - Jack Benny, Phil Silvers, Artie Auerbach, Don Wilson, Benny Rubin, Dennis Day, Rodchester, Danny Kaye, Frank Sinatra, George Burns, Groucho Marx
5. When I Say I Beg Your Pardon, Then I'll Come Back To You - Danny Kaye, Frank Sinatra, George Burns, Groucho Marx
6. commercial
7. closing - Jack Benny, Mel Blanc
Note: Both versions available for above. AFRS is in better sound then the network version. AFRS version has an extra Phil Harris song and has large portions of the broadcast missing. The program originates from Palm Springs, California. A famous quartet of guests sing Jack's song, "When You Say I Beg Your Pardon, Then I'll Come Back To You."
Sound Excellent (AFRS) & VG (CBS). TT: 26mins. Also listed as 5-5-52.
The show appears on the officially released CD set: 60 Greatest Old Time Radio Shows "Frank Sinatra & Friends
The Jack Benny Program
March 4, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 58(in series), 2-22(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Cass Daley, Liberace
March 6, 1952
Television
The Dinah Shore Show (NBC)
Thursday
7 to 7:15 pm EST
Guest: Frank Sinatra
Frank & Dinah Reminisce About Days In Radio
1. I Could Write A Book F.S.
2. Why Do I Love You ? F.S. D.S.Â
3. Blue Room F.S. D.S.
4. See The U.S.A. In Your Chevrolet F.S. D.S.
Notes: Show in circulation. Frank & Dinah Reminisce About Days In Radio.
Ed O'Brien:
Dinah was a loyal friend to Frank. He was struggling to find his footing in the
late winter of 1952. She put him in the best light throughout her show that night.
March 11, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 59(in series), 2-23(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: The Andrews Sisters, Toni Arden, Jimmy Boyd, Larry Griswold
1. The Song is You - Frank Sinatra & Toni Arden
2. This Can't Be Love - Frank Sinatra
Ed O'Brien:
Frank and The Andrew Sisters opened this show singing Cole Porter's
"Be A Clown."
March 15, 1952
Television
WNBT New York,
Muscular Dystrophy Association Telethon
Hosts: Jerry Lewis & Dean Martin
Guests included:
Jackie Gleason, Frances Langford, Ezio Pinza, Jerry Lester, Victoria Borge, Faye Emerson, Skitch Henderson,
Dagmar, Gene Krupa, Nat King Cole, Sid Caesar, Milton Berle, Frank Sinatra, Martha Wright, Eddie Fisher,
Yul Brynner, Helen O'Connell, Sid Gould, The Demarco Sisters, The Mayor Brothers, and Connie Boswell
WNBT New York,
Muscular Dystrophy Association Telethon
Hosts: Jerry Lewis & Dean Martin
Guests included:
Jackie Gleason, Frances Langford, Ezio Pinza, Jerry Lester, Victoria Borge, Faye Emerson, Skitch Henderson,
Dagmar, Gene Krupa, Nat King Cole, Sid Caesar, Milton Berle, Frank Sinatra, Martha Wright, Eddie Fisher,
Yul Brynner, Helen O'Connell, Sid Gould, The Demarco Sisters, The Mayor Brothers, and Connie Boswell
NBC Trade News March 1952
March 16, 1952
Radio
The Big Show
Network: NBC
Sponsor: various sponsors
Show: #52
Time: 6:30 PM - 8:00 PM EST
Sunday Evening
Host: Tallulah Bankhead
Guests: , Helen O'Connell, Fred Allen, Frank Sinatra, Peter Donald, William Gargan
Orchestra Conducted By: Merideth Wilson
Writers: Goodman Ace, Frank Wilson
Announcers: Ed Herlihy, Jimmy Wallington
Produced & Director By: Dee Englebach
Sinatra Performance Information:
1. I Hear a Rhapsody - Frank Sinatra & Meredith Wilson Choral Group (Axel Stordahl arr..)
2. Pretty Baby - Frank SInatra & Tallulah Bankhead (comic duet)
3. I Will Take You Home Again, Kathleen - Frank Sinatra (during St. Patrick's Day skit)
note: Frank also sang a segment of "May The Good Lord Bless And Keep You" at the
closing of the show.
March 18, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 60(in series), 2-24(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Victor Borge, The Nicholas Brothers, Borah Minevitch's Rascals, June Hutton
Frank Sinatra Show
Guests: Victor Borge, The Nicholas Brothers, Borah Minevitch's Rascals, June Hutton
March 21, 1952
Radio
Robert Q. Lewis Waxworks
CBS
Guest: Frank Sinatra
March 22, 1952
Television
Nick Kenny Show
NBC
Saturday
15 minutes
Regulars: Irene Walsh & Don Tippen
Guest: Frank Sinatra
Ed O'Brien notes:
Kenny was a popular poet. He dabbled in radio
and then had a 15 minute music/talk show on NBC
during the 1951-52 season.
Concerts
State Theater, Hartford, Connecticut (March 22 & 23)
4 Shows per day
Also appearing:
June Hutton,
Frank Fontaine (comic)
Buddy Rich and his Band
State Theater, Hartford, Connecticut (March 22 & 23)
4 Shows per day
Also appearing:
June Hutton,
Frank Fontaine (comic)
Buddy Rich and his Band
Hartford Courant, Hartford, Connecticut, March 22, 1952
Here's a review:
Hartford Courant, Hartford, Connecticut, March 23, 1952
Nick Kenny Show
NBC
Saturday
15 minutes
Regulars: Irene Walsh & Don Tippen
Guest: Frank Sinatra
I've been wondering about this entry. I can't find any information and all the newspaper listings don't mention Sinatra as a guest.
I found this notice from an NBC Trade News from March 13, 1952:
Note: No mention of Sinatra for the March 22nd show unless he was a last minute addition.
March 23, 1952
Concerts
State Theater, Hartford, Connecticut (March 22 & 23)
4 Shows per day
Also appearing:
June Hutton,
Frank Fontaine (comic)
Buddy Rich and his Band
March 25, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 61(in series), 2-25(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Nancy Walker, Frank Fontaine, June Hutton
March 26, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
Ad for Paramount that ran in New York papers, 3-26-52
Note: Film had its premiere the week of February 3rd in Philly, L.A., St Louis, Buffalo and at at the Orpheum Theatre, San Francisco, 2-8-52. Frank and Ava appeared on stage backed by the Ray Hacket Orch. Film took in $14,500 over the first weekend. The other cities saw a very quiet b.o. San Francisco was a big disappointment. When it opened in Oakland, "Meet Danny Wilson" played the bottom of the bill.
Ed
Ed O'Brien contributed the following two articles on the engagement:
PARAMOUNT THEATRE, NEW YORK CITY
MARCH 26, 1952
Wednesday evening
Film premiere in New York: "Meet Danny Wilson"
starring Frank Sinatra, Alex Nicol, Shelley Winters,
Raymond Burr
running time 88 mins.
"Title role is tailor-made for Sinatra and he plays it
to the hilt with an off-hand charm that displays the
various facets of his personality . . . . Nine tunes are
in the score for Sinatra to work over and several draw
reprises. Songs are all standards that Sinatra has
sold well in the past and they listen well."
Variety
Stage Show
3-26 TO 4-8-52
Frank Sinatra, Jackie Gleason, Dagmar, Jack E. Leonard,
Frank Fontaine, June Hutton, Buddy Rich & Orchestra,
Axel Stordahl
EAGER, FRIENDLY FRANKIE GETS SMASH RECEPTION
HEADING CLICK PARA BILL
A mellow and friendly Frank Sinatra is a smash hit here with
the singer featured both on the stage and in the flick. Perhaps
he is not The Voice any longer,as time has diminished the
hypnotic effect of the Sinatra vocals, but this is more than offset
by his personality, poise and selling ability, plus his genuine
desire to give out with the songs. There were not many teen-
agers in the crowded house of the show caught, nor any squeals
as in the old days, but the enthusiastic audience, including show-
biz names, gave the singer a tremendous hand.
From his opener to the closing "When You're Smiling," Sinatra
clicked all the way. He sang, kidded and chatted, just as on his
TV show, and he let the
crowd have almost as many songs as it
desired. His best were "That Old Black Magic"and "I Hear A
Rhapsody," his latest record click. He also did a cute parody
in Johnny Ray which ended with the line"When I think of
Ava then I no longer cry" At the end of his act Sinatra called
up Jackie Gleason and Jack E. Leonard. All three proceeded
to fracture the crowd with their antics. Dagmar also came up
and smothered the singer with kisses but Sinatra emerged
smiling. The audience got more than its money's worth. It is
a show for Sinatra fans for between the stage show and the
movie there are over 15 Sinatra vocals. If the singer continues
to act as warm as he does on this bill he could soon win back
his once great following.
Billboard
Bob Rolontz
Review of opening night
March 27, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
March 28, 1952
Television
Perry Como Show
Network: CBS
Sponsor: Chesterfield
1. opening
2. When You're Smiling - Perry Como & Fontane Sisters
3. commercial
4. Anytime - Fontane Sisters
5. Nobody - Frank Sinatra & Perry Como
6. closing
Note: Sinatra appeared to plug "Meet Danny Wilson" TT: 15mins.
Ed O'Brien:
Hi Brian,
Wow! Great find. Would love to see this one. In a
private interview from 1959, Frank raved about Perry. He admired
his great ability to project a very relaxed persona every week on TV
and lauded Perry's wonderful singing. Called him the most consistent
singer in the business. He also mentioned how much he admired the
man.
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
Perry Como Show
Network: CBS
Sponsor: Chesterfield
Note: Sinatra appeared to plug "Meet Danny Wilson" TT:
15mins.
March 29, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
March 30, 1952
Concerts
Paramount Theater, New York (March 26 - April 9)
w/Buddy Rich, Frank Fontaine, June Hutton
March 31, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 1, 1952
Television
Frank Sinatra Show
Network: CBS
Location: Studio A, Columbia Square Facility, Hollywood, California
Show: 62(in series), 2-26(in season)
Tuesday 8:00 P.M.-9:00 P.M.
Sponsor: sustaining
Orchestra Conducted By: Axel Stordahl
Announcer: Bob Lemond
Producer: David Dare
Executive Producer: Marlo Lewis
Guests: Frank Fontaine, Bill Bailey, June Hutton, The Diagoras
Notes: Series replaced by The Sam Levenson Show and Draw to Win.
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 2, 1952
Concerts
Paramount Theater, New York (March 26 - April 9)
w/Buddy Rich, Frank Fontaine, June Hutton
April 3, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 4, 1952
Television
Perry Como Show
Guest: Frank Sinatra
Celebrity Time
Host: Conrad Nagel
Guests: Frank Sinatra, Victor Borge, Steve Allen, Ken Murray, Fred Waring
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 5, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 6, 1952
Television
B.F. Goodrich Celebrity Time
Big Anniversary Show
10:00 PM
Guests: Frank Sinatra, Steve Allen, Victor Borge, Faye Emerson, Fred Waring, Ralph Bellamy, Jackie Gleason, Mel Torme, Sammy Kaye and others
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
B.F. Goodrich Celebrity Time
Big Anniversary Show
KNXT 10:00 PM
Guests: Frank Sinatra, Steve Allen, Victor Borge, Faye Emerson, Fred Waring, Ralph Bellamy, Jackie Gleason, Mel Torme, Sammy Kaye and others
Taping of April 21, 1977 Frank Sinatra & Friends (ABC) Special
Sears sponsored the show. They put out
a poster with Frank's guest list. Unfortunately,
they had Gene Kelly on the show. He dropped
out a few days before the taping. The poster
probably caused some confusion but it also became
a collector's item.
--Ed
April 7, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 8, 1952
Concerts
Paramount, New York City (March 26 - April 8)
w/Buddy Rich, Frank Fontaine, June Hutton
April 24, 1952
Concerts
McKinnley High School, Honolulu, Hawaii (April 24-27)
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
Note: Sinatra's first appearance in Hawaii
McKinnley High School, Honolulu, Hawaii (April 24-27)
Sinatra being interviewed for the school paper at McKinnley High when he was there in 1952:
Program:
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April 25, 1952
Concerts
McKinnley High School, Honolulu, Hawaii (April 24-27)
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
McKinnley High School, Honolulu, Hawaii (April 24-27)
Also appearing: Dick Buckley (comedian), The Four Jokers
(quartet), and Virginia Lee (dancer)
April 26, 1952
Concerts
McKinnley High School, Honolulu, Hawaii (April 24-27)
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
April 27, 1952
Concerts
McKinnley High School, Honolulu, Hawaii (April 24-27)
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
April 28, 1952
Concerts
Barbers Point Naval Air Station, Honolulu, Hawaii
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
April 29, 1952
Concerts
Schofield Barracks, Honolulu, Hawaii
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
Schofield Barracks, Honolulu, Hawaii
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
Review of show at McKinley auditorium on April 25th, second night. Last paragraph states the show would be at Barber's Point (April 28, Schofield (April 29), and Pearl Harbor (April 30)
April 30, 1952
Concerts
Naval Station Pearl Harbor, Oahu, Hawaii
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
May 2, 1952
Concerts
Kauai County Fair, Lihue, Hawaii
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
Kauai County Fair, Lihue, Hawaii
Frank played the fair from 5-2 thru 5-4. He was shocked at the conditions that confronted him.
The leaky tent, no orchestra, just a piano. Bill Miller was in the tent with him. Frank looked at Bill with
a quizzical should we? Bill nodded yes. Out they went. Frank sat down on the edge of the stage and
asked the people what they wanted to hear. The little girl with the leis moved him to tears with the
wet kisses on his cheeks. Ava was with him for the two weeks in Hawaii. She was supposed to start
a film in Mexico, but skipped out on MGM. They fired her. She laughed and proclaimed they would
come crawling back in a few weeks. She was right. Frank read a novel on the plane back and forth
from the island. There was a character in the novel he knew better than he knew himself. If they
ever made a movie of the book, he wanted to play Maggio. A tumultuous time in the life of Mr.
Sinatra.
--Ed
TGIFriday Magazine, August 23, 2013
Hawaii still remembered Sinatra's performance at the Kauai County Fair:
Hollywood on Kauai Frank Sinatra Inspired By Kauai People at County Fair
by Braddah Kimo
Heart-Touching Performance Filled with Aloha Spirit. In the early 1950’s Frank Sinatra made his first visit to the island of Kauai to perform at the Kauai County Fair. A little known story tells of how the visit was inspirational not only for the audience but for “Old Blue Eyes” himself.
At the time, the young star was going through some career difficulties, and apparently he was so inspired by the Kauai people that he felt energized and reinvigorated in his career. This began the star’s comeback to become one of the most famous and loved entertainers ever.
It was April of 1952 when Sinatra was making a few appearances in Honolulu and agreed to help a struggling promoter on Kauai by singing at the Kauai County Fair. The weather was rainy, and the performance tent was old, leaking onto Sinatra’s tux as he walked out to perform.
As recalled by Sinatra’s friend, Honolulu newspaperman Buck Buchwach, Frank said to him, “For just one second, considering the whole situation, I wondered if the show really did have to go on?” That is when Frank took a look out at his Kauai audience of less than 300 people.
“They were not wearing fancy clothes or expensive jewelry,” Frank later said. “They wore color-splattered aloha shirts, jeans, mumus, and such. Homey. And their warmth and friendliness circulated throughout that tent; it smacked me in the face.”
It seemed Old Blue Eyes was so touched by the audience he had gotten all chicken skin! He was moved by the strong Aloha Spirit of the Kauai people!
“When two little brown-skinned girls gave me a couple of hand-made leis and little kisses I almost broke down,” continued Frank.
Just before the final Kauai County Fair show Buchwach had another conversation with Frank Sinatra inside of a vehicle parked outside the show tent.
Buchwach recalled that, “Frank took out a cigarette, and quietly puffed spirals of smoke. Though outside it was still raining, he had changed at his nearby hotel into his finest dress tuxedo, a magnificent shirt, his patent leather shoes, and his favorite ring.”
Buchwach recalled that Frank then went onstage and sang “song after song, hit after hit, maybe twenty. I was stunned. It was, merely, fantastic; it was one thousand percent for several hundred small-town ticket holders with big hearts and hands that grew red from clapping.”
Buchwald said that Frank had tears in his eyes when he said to him, “Buck, I sang the best I know how. Those people deserved it. It’s a night I’ll never forget.”
“Tonight,” Frank continued, “marks the first night on the way back. I can feel it in every bone.”
Frank Sinatra returned to Kauai in April of 1964 to film None But the Brave about U.S. Marines who crash landed on a Japanese-controlled Pacific island during World War II. Frank stayed at the Coco Palms and filming took place at Pila’a Beach.
One day on Kauai Frank was visiting Wailua Beach across from the Coco Palms and he noticed the producer’s wife in trouble in the ocean where the currents had carried her out. He quickly swam to assist her and was pulled out to sea himself while she somehow got to shore.
Some twenty minutes later help arrived and pulled Sinatra from the water as he was turning blue and an ambulance arrived. Sinatra missed the next day of filming the movie but he was okay after quite a scare.
May 3, 1952
Concerts
Kauai County Fair, Lihue, Hawaii (May 2-4)
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
May 4, 1952
Concerts
Kauai County Fair, Lihue, Hawaii (May 2-4)
Also appearing: Dick Buckley (comedian), The Four Jokers (quartet), and Virginia Lee (dancer)
May 9, 1952
Television
Al Jarvis Show, Los Angeles, CA
Guest: Frank Sinatra
May 12, 1952
Television
Peter Potter Show
KNXT Los Angeles, California
Guest: Frank Sinatra
[image referenced in source but could not be recovered]
Peter Potter Show
KNXT Los Angeles, California
Guest: Frank Sinatra
[image referenced in source but could not be recovered]
May 15, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, CA (May 15-June 4)
with the Eddie Bergman Band
Coconut Grove, Ambassador Hotel, Los Angeles, CA (May 15-June 4)
with the Eddie Bergman Band
Billboard Review:
Billboard May 31, 1952
Opening night:
-------------------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
May 16, 1952
Television
Bob McLaughlin Show
KLAC Los, Angeles, CA
Guest: Frank Sinatra
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, CA (May 15-June 4)
with the Eddie Bergman Band
Bob McLaughlin Show
KLAC Los, Angeles, CA
Guest: Frank Sinatra
Some early photos of Sinatra and Bob McLaughlin:
Coconut Grove, Ambassador Hotel, Los Angeles, CA (May 15-June 4)
with the Eddie Bergman Band
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
May 17, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, CA (May 15-June 4)
with the Eddie Bergman Band
May 18, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, CA (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 19, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (15-27)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 20, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (15-27)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 21, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (15-27)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
note: Frank also sang the following
songs:
I'll Walk Alone
When You're Smiling ( Siravo chart )
Someone To Watch Over Me
I've Got A Crush On You
I'll Never Smile Again
You Made Me Love You ( parody tribute to Judy Garland )
Come Rain Or Come Shine
September Song
May 22, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 23, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 24, 1952
Television
Celebrity Parade for Cerebral Palsy (May 24-25), Los Angeles
Bob Hope, Frank Sinatra, Eddie Cantor, the Bell Sisers, Gene Autry, Rudy Vallee, Rosemary Clooney, Zsa Zsa Gabor and others
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Celebrity Parade for Cerebral Palsy (May 24-25), Los Angeles
Bob Hope, Frank Siantra, Eddie Cantor, the Bell Sisers, Gene Autry, Rudy Vallee, Rosemary Clooney, Zsa Zsa Gabor and others
The following image references being from “Frank Sinatra, band appearing on the Walt Disney Radio Cerebral Palsy Telethon.”
Apparently it’s from May of 1952. I assume it’s the same event. I have found another image of Jack Benny from the same event (see below)
May 25, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California
(15-27)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 26, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California
(15-27)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 27, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (15-27)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
I've Got The World On A String (arr. George Siravo)
I'll Walk Alone
Lover
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody trib to Frankie Laine
I'll Never Smile Again
I've Got A Crush On You
Someone To Watch Over Me
You Made Me Love You ( parody tribute to Judy Garland
September Song
Come Rain Or Come Shine
May 28, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 29, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 30, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
May 31, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
June 2, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
June 3, 1952
Studio
Hollywood
RHCO10178 Luna Rossa (Blushing Moon)
w/The Norman Luboff Choir
(K. Goell/V. De Crescenzo/A. Vian)
Bergman, Vocco & Conn (ASCAP) 1951
Arranged & Conducted by Axel Stordahl
-1 (2:40) CD: Columbia Years 43-52 Vol. 12
LP: CL-1359 Come Back To Sorrento
78: 39787
RHCO10179 The Birth Of The Blues
(B. DeSylva/L. Brown/R. Henderson)
(from George White's Scandals)
T. B. Harms, Inc. (ASCAP) 1926
Arranged by Heinie Beau
Conducted by Axel Stordahl
-1 (3:27) CD: Columbia Years 43-52 Vol. 12
LP: C6X-40343 The Voice-The Columbia Years, 43-52
LP: C2L-6 Frank Sinatra Story In Music
LP: CL-2741 The Essential Frank Sinatra, Vol.. 3
78: 50028
78: 39882
Dick Bellach (2014):
By the way, there is a fine alternate take available of "Birth of the Blues" in the Radio Spirits Frank Sinatra box (Disc 14). Same big band arrangement but clearly a different vocal well worth hearing.
I just replayed this for the first time in a very long while and amen the above comment. Marvellous vocal.
(past years comp.)
NOTE: Sinatra Scholar Ed O'Brien points out that one could make a convincing argument that "Birth of the Blues" was the recording that started the Sinatra train rolling. It is simply sensational. Heine Beau's chart offers terrific support and Sinatra showed the world how great a swing singer he had become. He sang the song in concert, on radio, and TV. Always a highlight of any Sinatra performance in the 1950's.
VANCE ADAIR add:
There is something decidedly different that is detectable in the voice of Birth of the Blues. Indeed a harbinger of the extraordinary things that were to come....
Ed Spiegel shared his story:
Sinatra's "Birth of the Blues" (June 3, 1952), is an underappreciated milestone in his career. Like no other recording, it signaled the change from innocent boy crooner and teen idol of "Anchors Away" and "It Happened in Brooklyn" and his hundreds of mostly superb recordings from 1939 the early '50's. His career was in the doldrums, the details of which have been covered in hundreds of sources Then came the dynamic Sinatra with hormones with Frank singing this bluesy number in great voice with a brassy arrangement by Heinie Beau (credited at the time to Axel Stordahl). A killer record and it sold pretty well. But the wise executives at Columbia had already decided that Frank Sinatra was through and he only sang on one more session at Columbia 3 months later.
My own experience of this recording: I was a kid watching the Jimmy Durante TV show on a Saturday night. We didn't have a TV set, I was in front of an appliance store window where the show was playing. I loved Durante and he introduced this fellow, Sinatra. If my memory is accurate, they cut to the back of a man's head, he quickly turned, it was Sinatra, the arrangement we all know now was playing and he opened in our face with the song's verse. At the time I had no interest in music, had never bought a record. In those less commercial days, no stores were open on Sunday, so on Monday, I went downtown, bought the 45 RPM record and played it over and over till my mother threatened to break it. Been a fan ever since.
Ten months later, Sinatra and Riddle would refine that approach beginning with their first recordings, "I've Got the World on a String" and "Don't Worry About Me." I know of quite a few people who were first turned on to Sinatra's singing by that record. Robin Douglas-Home says so in the first page of his excellent book, "Sinatra." Jonathan Schwartz has also mentioned his similar experience of the recording. I sure would like a DVD of the kinescope to that Durante TV show.
Mary Jane Smetanka added:
I agree that it's an amazing recording, a bridge between the beautiful voice of the 1940s and the tougher, more assertive Sinatra of the 1950s.
I love the drawn-out "Ohhhhh" at the beginning where his vibrato quickens but the voice pulls back and softens and without taking a breath he moves into "They say some people long ago" It's remarkable story telling through music, with the voice reinforcing the meaning behind the words.
RHCO10180 Azure-Te ( Paris Blues)
(D. Wolf/B. Davis )
Gale & Gayles, Inc. (BMI) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:33) CD: Columbia Years 43-52 Vol. 12
LP: C2X-40897 Hello Young Lovers
LP: CL-2741 The Essential Frank Sinatra, Vol. 3
78: 39819
RHCO10181 Tennessee Newsboy (The Newsboy Blues)
(D. Manning/P. Faith)
Leo Talent, Inc. (ASCAP) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:34) CD: Columbia Years 43-52 Vol. 12
78: 39787
RHCO10190 Bim Bam Baby
(S. Mysels)
George Paxton, Inc. (ASCAP) 1952
Arranged & Conducted by Axel Stordahl
-1 (2:20) CD: Columbia Years 43-52 Vol. 12
CD: 044236 Sinatra Rarities
LP: CL-1241 Love Is A Kick
78: 39819
RHCO10178 & 10179 Trumpets: J. Best, C. Gozzo, R. Zarchy; Trombones: G. Arus, R. Noel, J. Priddy; Saxes: T. Nash, L. Robinson, B. Russin, F. Stulce; Piano: W. Miller; Guitar: A. Reuss; Bass: J. Ryan; Drums: J. Siracusa
RHCO10180, 10181 & 10190 Trumpets: J. Best, C. Gozzo, R. Zarchy; Trombones: G. Arus, R. Noel, J. Priddy; Saxes: C. Gentry, T. Nash, L. Robinson, B. Russin, F. Stulce; Piano: B. Miller; Guitar: A. Reuss; Bass: J. Ryan; Steel Guitar: W. West; Drums: J. Siracusa, A. Stoller
Mitch Miller flew out to Hollywood for this session. He wasn't really interested in Frank doing "Birth Of Blues."
Mitch was sold on a little ditty titled "Tennessee Newsboy." Mitch had put together an 11 piece orchestra
for the last three songs of the session. The centerpiece was steel guitarist Wesley "Speedy" West, who was
famous for making his guitar sound like a chicken. Frank, who had the right to turn down any tune, was on
board for this attempt at a hit record. He owed Columbia a lot of money and desperately needed a big seller.
This was Alvin Stoller's first session with Sinatra. A fabulous drummer, Stoller remembered "Birth Of The Blues,"
but did not recall, during our conversation, Mitch's choices for Frank. He did remember the tension in the room
between the two men. Alvin would later back Frank on some great recordings. After the final take on "Tennessee
Newsboy," Miller rushed past Sinatra and embraced Speedy for creating such a great chicken sound. One can
only imagine what Frank was thinking at that moment.
"Newsboy" was the A side of a 78 and 45 release from Columbia. "Luna Rossa" was the flip side. Neither song
charted. "Bim Bam Baby" and "Azure-Te came out on another single. The former reached #20 and the latter
charted for one week at #30. Frank would feature "Bim Bam" on his 11-6-53 Perfectly Frank radio show.
"Birth Of The Blues" reached #19 as a single and was on the charts for five weeks.
You will notice on both records that Columbia does not credit Heinie Beau for his marvelous arrangement.
promo:
78 release:
--Ed
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
June 4, 1952
Concerts
Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
Among the songs:
I've Got The World On A String (arr. George Siravo)
Lover Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
June 5, 1952
Concerts
The story on Frank was bleak in June of 1952. He
had lost his record contract, both his TV and radio
shows were kaput and he couldn't draw flies as a
nightclub performer. Found a number of articles
that supported the latter claim. His crowds on the
weekend were respectable at the Chez Paree but
during the week the 1,200 capacity room averaged
around 150 patrons.
The above ad ran in Variety on 6-18-52.
Dave Halper was one of the four men who owned
the Chez Paree. They paid Sinatra a higher salary
than Martin & Lewis. Dean and Jerry were the hottest
act in show biz that summer. Frank certainly had had
better years, but setting a new attendance record at
a major club in Chicago, being amply rewarded and
receiving a warm thank you in Variety wasn't too shabby.
Ed
Chez Paree, Chicago, Illinois (5-14)
Chicago Tribune
June 9, 1952
note: Sinatra, the "strangely dated" performer, was definitely having a tough time in the late spring of 1952. Some nights he was singing to 100 to 150 people at the Chez Paree. But this career obit was a tad premature.
Ed
June 6, 1952
Concerts
Chez Paree, Chicago, Illinois (5-14)
June 7, 1952
Concerts
Chez Paree, Chicago, Illinois (5-14)
June 8, 1952
Concerts
Chez Paree, Chicago, Illinois (5-14)
June 9, 1952
Concerts
Chez Paree, Chicago, Illinois (5-14)
Chez Paree, Chicago, Illinois (5-14)
June 9, 1952: "Time has marched
on"
By the summer of 1952, when Sinatra came back to Chicago for a week at
the Chez Paree, the mayhem has subsided. Except for two brief Knights of
Columbus events in 1946 and '47 and a benefit at the Opera House in 1950,
it was his first major Chicago appearance in six years. The Chez Paree
had the kind of old-fashioned, velvety swank you see only in 1940s movies
now. The adult nightclub setting accommodated around 900 and offered
dinner, dancing, and floor shows featuring the biggest stars in show
business. It was Sinatra's natural habitat a smallish saloon where the
intimaacy of the performance correlated to the space it occupiedbut he
waas in a slump. Columbia Records and MCA had dropped him that summer,
and the crowds weren't coming.
Chicago columnists covered his Chez Paree stand as if he were a nostalgia
act. "It's difficult to realize it was nine years ago that Frank
Sinatra swept across the American scene," wrote Will Leonard in the
Tower Ticker. "Time has marched on, and Sinatra looks strangely
dated. Ask a youngster of 16 today what she thinks of Sinatra and she'll
look at you as if you were dredging up something from the horse-and-buggy
age. Outside [the Chez] on opening night there was no trace of a juvenile
toting an autograph book. Times have changed." It would be another
10 years before Chicago would see Sinatra again, but when it did, he
would be the coolest man in the world.
note: Frank did all right during the weekend but only average 150 patrons
during the week.
a room that accommodated 1200
June 9, 1953 - London, England
Singer and actor FRANK SINATRA and wife AVA GARDNER watch a boxing match
between R. Turpin and C. Humez at White City
Stadium
June 10, 1952
Concerts
Chez Paree, Chicago, Illinois (5-14)
June 11, 1952
Concerts
Chez Paree, Chicago, Illinois (June 5-14)
June 12, 1952
Concerts
Chez Paree, Chicago, Illinois (June 5-14)
June 13, 1952
Concerts
Chez Paree, Chicago, Illinois (June 5-14)
June 14, 1952
Concerts
Chez Paree, Chicago, Illinois (June 5-14)
Chicago Stadium, Chicago
Night of Stars Benefit to aid Italian Welfare Council
Frank Sinatra, Jimmy Durante, Tony Bennett, Johny Desmond
Chicago Stadium, Chicago
Night of Stars Benefit to aid Italian Welfare Council
Frank Sinatra, Jimmy Durante, Tony Bennett, Johny Desmond
June 21, 1952
Radio
"Let's Finish The Job"
KLAC Remote
Shrine Auditorium, Los Angeles
Olympic Team Fundraiser
Frank Sinatra, Dean Martin, Jerry Lewis, Jane Russell, Kay Star, Liberace, June Christie and others
Hosted by Big Five Disc Jockeys of KLAC
Television
June 21-22, 1952
Bing Crosby-Bob Hope Telethon For 1952 Olympic Team
Saturday - Sunday
8:00 p.m. - 10-30 a.m. PDT
NBC & CBS Dual Broadcast
El Captain Theater
Hollywood
Guests:
Bud Abbott and Lou Costello. Spike Jones and his orchestra. Humphrey Bogart. Marilyn Monroe. George Burns and Gracie Allen. June Allyson. Eddie "Rochester" Anderson. Rosemary Clooney. Joan Crawford. Tony Curtis. Janet Leigh. Zsa Zsa Gabor. Dean Martin and Jerry Lewis. Margaret O'Brien. Edgar Bergen. Tex Ritter. Edward G. Robinson. Frank Sinatra. Ed Sullivan. Johnny Weismuller, Johnny Grant, Dorothy Lamour, Sonny Tufts, Fred MacMurray, The Three Stooges, California Governor, Earl Warren and many more
Ed O'Brien:
The Crosby-Hope 14 and 1/2 hour telethon was viewed by an estimated audience of 50
million. A whopping million plus dollars was pledged but only $353,000 was actually collected.
New York Times review praised Bing and Bob but faulted the pacing of the show. There is a 13
minute video excerpt of Martin & Lewis available on YouTube. I've been told the entire show
survived and is hidden away somewhere.
Concerts
Shrine Auditorium, Los Angeles
Olympic Team Fundraiser
Frank Sinatra, Dean Martin, Jerry Lewis, Jane Russell, Kay Star, Liberace, June Christie and others
Hosted by Big Five Disc Jockeys of KLAC Radio
Shrine Auditorium, Los Angeles
Olympic Team Fundraiser
Frank Sinatra, Dean Martin, Jerry Lewis, Jane Russell, Kay Star, Liberace, June Christie and others
Hosted by Big Five Disc Jockeys of KLAC
June 29, 1952
Concerts
Biltmore Hotel, Los Angeles, CA
Friars Club honors Judy Garland
Sinatra sang a parody of “You Made Me Love You”
Biltmore Hotel, Los Angeles, CA
Friars Club honors Judy Garland
Sinatra sang a parody of “You Made Me Love You”
Variety
7-2-52
June 29, 1952:
Judy was honored by The Friars Club
at the Biltmore Hotel in Los Angeles. She was only the
second woman in the Friar's fifty-year history to be honored
with a testimonial evening, Sophie Tucker was the first.
Judy sang the "Judy At The Palace" medley and
"Over The Rainbow" to end the festivities.
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
July 8, 1952
Concerts
Desert Inn, Las Vegas (July 8 - July 27)
Note;: Las Vegas was beginning to explode with
incredible potential as a mecca for gambling and
first class entertainment. Frank had played at
the D.I.- for the first time - in the late summer of
1951. The two-week engagement had been very
successful. He was back this time for a three-week
stint (7/8 to 7/27). Frank loved the excitement that
made the town run 24/7, and the hot weather was
something that energized him. He was a big draw
because it was very much his kind of crowd.People
who were looking for some action. The 11 piece Carlton
Hayes orchestra was also very much to his liking.
The following October he would jump over to the
Sands Hotel. Over the next 14 years, Vegas and
Sinatra would reach heights that were unimaginable
on a hot day in the summer of 1952.
Ed
July 9, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 10, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 11, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 12, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 13, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 14, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 15, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 17, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 18, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 19, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 20, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 21, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 22, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 23, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
July 24, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 25, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
with Bill Miller
Carlton Hayes Orchestra
July 26, 1952
Concerts
Desert Inn, Las Vegas (July 8-27)
July 27, 1952
Concerts
Desert Inn, Las Vegas (July 8 - 27)
August 17, 1952
Concerts
Casino de Paris, Lake Tahoe, Nevada (17-23)
Frank Sinatra plus a glamorous Parisian floor show
Casino de Paris, Lake Tahoe, Nevada (17-23)
August 18, 1952
Concerts
Casino de Paris, Lake Tahoe Nevada (17-23)
Frank Sinatra plus a glamorous Parisian floor show
August 19, 1952
Concerts
Casino de Paris, Lake Tahoe Nevada (17 – 23)
Frank Sinatra plus a glamorous Parisian floor show
August 20, 1952
Concerts
Casino de Paris, Lake Tahoe Nevada (17 23)
Frank Sinatra plus a glamorous Parisian floor show
August 21, 1952
Concerts
Casino de Paris, Lake Tahoe Nevada (17 23)
Frank Sinatra plus a glamorous Parisian floor show
August 22, 1952
Concerts
Casino de Paris, Lake Tahoe Nevada (17-23)
Frank Sinatra plus a glamorous Parisian floor show
August 23, 1952
Concerts
Casino de Paris, Lake Tahoe Nevada (17-23)
Frank Sinatra plus a glamorous Parisian floor show
September 5, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-18)
Sinatra opened at the Riviera Club on September 8 and did two weeks.
O'Brien sent along a review of the Reviera Club (located at Fort Lee , New Jersey ) engagement taken from the September 15, 1953 issue of VARIETY. There was a $5 minimum.
"If carry a torch, as most first-nighters suspected, is the key to the resounding click, such as Frank Sinatra achieved on his opening last Tuesday (September 8) night at Bill Miller's Riviera then every chirper, either sex, should see a man about a Diogenes. Sinatra culled the pashiest set of ballads out of Cole Porter, Rodgers & Hart, and the ASCAP catalogue and hit the jackpot with a personal whammo such as few straight singers achieve.
"The toucheroo, of course, stems from the published reports about a lovers sport between Mr. and Mrs. Sinatra, keyed to the just-returned-from-Europe news "shots" of the "beautiful bride," Ava Gardner. Whether or not a staged romantic setting, as was the late George Evans' nifty builderupper for Frankie-boy as the swoonerate kid in the 1940s: It certainly registered with the Riviera rounders, who are more Seratan than bobby sox in the acturalial batting average.
"By actual county, the swooner crooned 20 ballads and each pyramided to a boffola. In every respect, Sinatra was great, making a great comeback. He proved (1) that he had long since proved himself not a flash in the box office; (2) achieved a sonalog stature in repose, poise, and personal performance that comes to few singers; (3) reincarnated the straight romantic singing style which, somehow, has left us the just crooned at â em; no gags or ad-libs; ; and (4) gave new magic to the Hollywood hypo. As in the celluloid days, a picture can do the trick. "From Here to Eternity" is the answer. And it may even prove the bellwether for Sinatra's diskery comeback for the long absent from the jocks and jukes league.
"With the same authoritative nonchalance which has distinguished Sinatra over the years, this time he comes out backed by a hand-picked special accompanying group of eight including a femme violinist with Bill Miller (no relation to the Riviera 's Boniface) at the ivories, and thrushes a cavalcade of past and present familiars. He has them against the damasks in no time. In the barnlike reaches of this Cliffside roadhouse, you could hear an orchestration drop. He sang with ease and charm, never reaching, only punctuating his stuff with musical cues to his special ibackstoppers, and only once utilizing a prop cup and saucer for "Coffee in Brazil ."
"He was tour-de-force to delight the Brill Building and the Lindy Hop set: his style of lyrical interpretation gave new values to the wordsmiths. Show Biz observers can't help but be impressed that Gilbert & Sullivan have beaucoup Yank counterparts in effective wordings. Sinatra gave librettos values to the pops: the obvious absolute salute to a virtuoso of song.
"Casual reprise of some of the titles reads like a Fire Dept. road company of every torch and romantic ballad in the book, and Sinatra gave them new meanings as he uncorked (them) . . .
"It was a tour-de-force of unparalleled degree. He held the floor a solid 60 minutes and while he might and should cut 10 minutes, there was no gainsaying the consistency of his socko. He's in for $10,000 a week for two weeks, and both he and Bill Miller owe a lot to Harry Cohn for that the Columbia picture did for all concerned. Oh, yes, he also sang "From Here to Eternity" and wisely sh-sh'd some exuberant bobbysoxers who squealed an occasional, "Oh, Frankie."
Riviera Club, Fort Lee, New Jersey (September 5-18)
September 6, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-18)
September 7, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-18)
September 8, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
Riviera Club, Fort Lee, New Jersey (September 5-21)
Frank and Rocky Vitetta - house barber at the Riviera
That night when Frank Sinatra's biggest comeback came to Fort Lee
John C. Ensslin NorthJersey
If I could go back in time for just one night, it would be Sept. 15, 1953, just about a month before I was born.
The place would be Bill Miller's Riviera nightclub, perched atop the Palisades in Fort Lee with the twinkling lights of New York City visible through the nightclub's panoramic windows.
Frank Sinatra is on the stage, performing to a celebrity-studded crowd of about 1,000 people. The 38-year-old Hoboken singer is working with new material that many in the crowd are hearing Sinatra sing for the first time, songs like "My Funny Valentine", "Foggy Day" and Cole Porter's "I Get a Kick Out of You."
At some point in the evening, Sinatra gives a shout-out to his new musical arranger, the 32-year-old Oradell-born Nelson Riddle Jr. The two men were just a few months into a musical collaboration that would bring them both to new heights in their music careers.
Sinatra was at a turning point in his career, which had been pretty much in tatters by the previous year. The public had soured on the singer after he ran off with actress Ava Gardner and divorced his first wife, leaving her with his three children.
His record sales had plummeted. His movies were duds. He lost his contracts with Columbia and MGM. And, then, he famously lost his voice. And his marriage with Gardner was on the rocks.
And during a 1952 appearance at The Riviera, the room was less than half full, says Fort Lee historian Tom Meyers. "He went up to Bill Miller and said you can cut my two weeks. This is not working out," Meyers recalls. "And he [Miller] said, 'No, you've been very good with me over the years. I'm sticking with you.'"
Sinatra returned to the Riviera for a two-week stand in September, 1953. This time, things were different.
From violin to cello
Riddle and Sinatra had already worked together by then. In April and May of 1953, they worked on several songs at Capitol Records, where Sinatra had landed a new recording contract.
Riddle also had a contract with Capitol where he arranged several albums by Nat King Cole.
"He [Riddle] transformed Sinatra from a violin to a cello," the late Peter Levinson told The Record's Jim Beckerman in 2002. At the time, Levinson had just published a Riddle biography called September in the Rain.
Richard Muti, a Sparta lawyer who wrote a 2015 Sinatra biography called Cent'Anni: The Sinatra Legend at 100, noted that the timing was perfect for both men. "You know how things come together and all of a sudden it's a perfect match?" he wrote. "They just came at the right time when Sinatra's comeback was just beginning."
September 9, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 10, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-18)
September 11, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-18)
September 12, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 13, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 14, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 15, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 16, 1952
Concerts
BILL MILLER'S RIVIERA,FORT LEE, N.J. (5-21)
Frank Sinatra, Joey Bishop,
Szonys(2) Donn Arden Line, (9)
Art Johnson, Walter Nye's Orch,
Pupi Campo's Rhumba Band
$3.50 - $5.00 minimum
Song List:
When You're Smiling
You Belong To Me
So In Love
Musical Letter To Judy Garland
I'll Never Smile Again
I Got A Crush On You
That Old Black Magic
Don't Cry Joe
Bim Bam Baby
Birth Of The Blues
Again
Soliloquy
September 17, 1952
Studio
New York City
CO48181 Why Try To Change Me Now?
(C. Coleman/J. McCarthy)
J.J. Robbins & Sons (ASCAP) 1952
Arranged & Conducted by Percy Faith
-1 (2:49) CD: Columbia Years 43-52 Vol. 12
LP: C6X-40343 The Voice-The Columbia Years, 43-52
LP: CL-2741 The Essential Frank Sinatra, Vol. 3
78: 39882
Violins: S. Carmell, B. Erie, M. Green, H.
Hoffman, H. Katzman, M. Lomask, G. Ockner, A.
Ores, G. Orloff; Violas: S. Brecher, R. Dickler;
Cello: B. Greenhouse; Harp: E. Druzinski; Saxes:
V. Abato, R. Banzer, H. Feldman, A. Freistadt, J.
Fulton; Trombones: C. Butterfield, P. Giardino,
J. Satterfeild; Piano: S. Freeman; Guitar: A..
Ryerson; Bass: F. Carroll; Drums: P. Krauss
Sinatra changed the opening slightly from what Cy Coleman
had originally written.
Here is Coleman's commentary after listening to the recording:
"I listened to the record and it sounded so natural, the way that
Frank did it, that I thought to myself, 'He's right.' So I left it that
way. So I changed the music! That's the first and only time I've
ever done that."
--Ed
NOTE: Ed O'Brien calls this the perfect song to
end the Columbia years. Sinatra, the romantic
troubadour singing a wonderfully romantic song
with strong autobiographical associations throughout!
In May of 1953, Sinatra would appear on a
Guest Star program and sing what are arguably
the two best recordings from the last few years
at Columbia , "Birth of the Blues" and "Why Try to Change Me Now."
Sinatra, in 1959, would record the song again,
according to Sinatraphile Jim White, for the "No
One Cares" album for Capitol using a Gordon Jenkins arrangement.
Concerts
BILL MILLER'S RIVIERA,FORT LEE, N.J. (5-21)
Frank Sinatra, Joey Bishop,
Szonys(2) Donn Arden Line, (9)
Art Johnson, Walter Nye's Orch,
Pupi Campo's Rhumba Band
$3.50 - $5.00 minimum
September 18, 1952
Concerts
BILL MILLER'S RIVIERA,FORT LEE, N.J. (5-21)
Frank Sinatra, Joey Bishop,
Szonys(2) Donn Arden Line, (9)
Art Johnson, Walter Nye's Orch,
Pupi Campo's Rhumba Band
$3.50 - $5.00 minimum
September 19, 1952
Concerts
BILL MILLER'S RIVIERA,FORT LEE, N.J. (5-21)
Frank Sinatra, Joey Bishop,
Szonys(2) Donn Arden Line, (9)
Art Johnson, Walter Nye's Orch,
Pupi Campo's Rhumba Band
$3.50 - $5.00 minimum
September 20, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 21, 1952
Concerts
Riviera Club, Fort Lee, New Jersey (September 5-21)
September 22, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
------------------------------------------------
Perfectly Frank
Audition tape
9-22-53 #1
Tuesday
w/ The Sinatra Symphonette & Strings
1. I've Got The World On A String
2. Choo-Choo Train - Dinah Shore
3. There's A Flaw In My Flue w/Bill Miller on piano**
4. Lean Baby
*only Perfectly Frank to employ strings
note: The number after "String" was "Choo-Choo Train,"'
sung by Dinah Shore. Frank then recited the poem "By The Time" with a
snare drum backing him.
--ED
** Here are Frank's comments before " A Flaw In My Flue"
and after singing it
"Johnny Burke and Jimmy Van Heusen have written
a list of hits as long as your arm and mine together, but
what tunes do you think Jimmy bends your ear about?
A little list he calls his flop parade. He not only bent my
ear the last time, he twisted my arm, too, so I'm booked
to lead off your Flop Parade with a little pudding that mixes
up like this."
"The ushers will now pass among you with beakers of
air-wick and restorative elixirs."
Perfectly Frank
Audition tape #2
9-22-53
Tuesday
w/ The Sinatra Symphonette & String Quartet
9:48
1. Bim Bam Baby Columbia Recording
2. Autumn In New York* w/strings
3. How Much Is That Doggie In The Window?** Patti Page
4. Birth Of The Blues Columbia Recording
*The only Perfectly Franks to employ strings
On the second audition tape, Frank credits Vladmir Dukelsky as the writer
of "Autumn In New York." That was Verdon Duke's original name.
Strings were used on both shows.
--Ed
** There is only a segment of Page's huge hit played, followed by
scathing commentary from Mr. Sinatra
note: These two shows -- somewhat modified -- would be broadcast
over NBC on November 3 and 6, 1953.
Ed
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Daily News
9-23-52
September 23, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 23 - October 1)
note: Frank opened on 9/22 and closed on 10/1.
Philadelphia Inquirer for both entries.
Latin Casino, Philadelphia, Pa (September 23 - October 1, 1952)
September 24, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 23 - October 1, 1952)
note: Frank played eight days over a nine day period. He was dark on
Monday. He was set to open at the Chase Club, in St. Louis, on 10/3,
but some personal problems delayed that gig until Saturday the fourth.
His two week run would net him $10,000 a week. Frank was fighting an
uphill battle to get the role of Maggio in "Eternity," his last session
at Columbia was on 9-17, TV and radio were not interested. This was
the absolute nadir of his 60 year career.
Ed
Latin Casino, Philadelphia, Pa (September 23 - October 1, 1952)
September 25, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 23 - October 1, 1952)
September 26, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
September 27, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
September 28, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
September 29, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
September 30, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
October 1, 1952
Concerts
Latin Casino, Philadelphia, Pa (September 22 - October 1, 1952)
October 4, 1952
Concerts
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Note: Frank played the Chase Club from 10/4 thru
10/10. His agent Abe Lastfogel, of William Morris,
got him a two week run at the Bill Miller's Riviera,
beginning 9/5 and then eight days at the Latin Casino,
in Philly before the St. Louis gig. Frank was paid $10,000
per week for four weeks of work. That was damn good
money in the fall of 1952.
Ed
p.s. I decided to look up the value of $10,000 in 1952
currency vis-a-vis today.
$10,000 in 1952 is equivalent in purchasing power
to about $98,082.26 in 2020, a difference of $88,082.26
over 68 years. The 1952 inflation rate was 1.92%. -ED
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
October 5, 1952
Concerts
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
October 6, 1952
Concerts
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
October 7, 1952
Concerts
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
October 8, 1952
Concerts
note: Frank closed on the 9th, not the 10th.
October 9, 1952
Concerts
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
October 10, 1952
Concerts
Chase Park Plaza Hotel, St Louis, Missouri (4-10)
October 18, 1952
Television
Jimmy Durante's All Star Revue
October 18, 1952
NBC-TV
8:00 P.M. -- 9:00 P.M EST
Sponsors: Kellogg's, Pet Milk & Del Monte Foods
Guest: Frank Sinatra, Fifi D'Orsay
Frank sings "Birth Of The Blues."
Does a skit with Durante, playing a younger version of him.
Sing a la Durante "Who Will Be With You When I'm Far Away."
Asked by Jimmy who he wants to marry, Frank shows him a
framed photo of Ava.
Second skit: Duet with Durante "Sing Soft, Sweet and Gentle"
and then "Birth Of The Blues" parody.
Jimmy Durante's All Star Revue
October 27, 1952
Concerts
Palladium, Hollywood, California
1. The House I Live In
2. The Birth Of The Blues
3. When You're Smiling
Ed O'Brien:
This was a rally for Adlai Stevenson.
There was a crowd of 4,000 and Ava was there.
She introduced her husband and he thrilled the
audience with his numbers.
Palladium, Hollywood, California
Frank and Ava at Rally, 10-27-52
According to articles I researched, Sinatra sang "When You're Smiling" and "The Birth of the Blues". There's no mention of "The House I Live In"
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
November 25, 1952
Television
Texaco Star Theater
Milton Berle
NBC-TV
Tuesday Evening
8:00 P.M. TO 9:00 PM.
Greg Garrison … Director
Goodman Ace … Writer
Aaron Ruben … Writer
Arnold Auerbach Writer
Selma Diamond … Writer
Jerry Seelen … Writer
Jay Burton … Writer
Milton Berle … Host, Cast
Frank Sinatra … Guest, Singer
Eva Gabor … Guest
Jack Carter … Guest
Jimmy Nelson …&nbbsp;Performer
Bobby Sherwood … Cast, Instrumentalist, Trumpeter
Ruth Gilbert … Cast, "Max" (Maxine)
Betty Norman … Cast
One in this series of comedy/variety programs hosted by Milton Berle. Berle's guests on this program are Frank Sinatra, Eva Gabor, and comedian Jack
Carter. At the program's start Berle is abducted by gangsters, and Carter must open the show in his absence. Finally, the gangsters realize their mistake (they
were supposed to kidnap Carter instead) and make the switch so that Berle is able to complete the show. He, Sinatra, and Gabor discuss ideas for upcoming
television projects and come up with a few seemingly good ideas. While they are getting ready to try out these plans, Sinatra sings "Birth of the Blues" to Bobby
Sherwood's trumpet accompaniment. The trio's first sketch for a possible television show is "I Hate Miltie," a parody of "I Love Lucy" in which Berle and Gabor
play a wacky couple and Sinatra and Ruth Gilbert are their lovable neighbors.
Chaos ensues as they prepare a gigantic turkey for Thanksgiving and everyone Berle comes across invites himself over for the holiday. Next, ventriloquist Jimmy
Nelson performs with his puppets Humphrey Higsbee and Danny O'Day, who are joined by Betty Norman in making plans for a big dance that evening. Continuing
the puppet theme, Sinatra, Berle and Gabor portray a version of the popular television show "Kukla, Friend, and Ollie." Finally, the cast investigates doing the quiz
show "What's My Racket," in which panelists Sherwood, Sinatra, Gilbert, and Berle have trouble guessing the very obvious professions of the show's guests.
Texaco Star Theater
Milton Berle
NBC-TV
Tuesday Evening
8:00 P.M. TO 9:00 PM.
November 26, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
Dominique, Ginette
Wander, Jane Laste, Laura
Tunisi,
Vincent Travers Orchestra
$5 minimum
NIGHTCLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New Personality
Frank Sinatra's preem at New York's French Casino brought out what was possibly
the biggest showbiz mob seen in a local cafe opening in a long time. The ringside
looked like a "Who's Who' of showbiz names plus the usual Broadway mob. Sinatra's
personal troubles didn't dampen the wild -eyed enthusiasm of the back -of -the -room
customers. The squeals, shrieks and yells made it sound like a Sinatra opening at the
Paramount when he was on top. Girls were huddled around the stage and one girl
managed to get on and plant a kiss on his neck -and it wasn't a plant either. As a
singer and a performer Sinatra seldom did a better job. Coming out in a ribbon tie,
he started it off with timely chatter about his hassle with customs of Africa and similar
topical subjects, handling them with ease and a keen sense of comedy timing for a maximum
of friendly laughs. But if he did a fine talking job, it was his singing that really rocked them.
Using a well- balanced series of items, veering from pops to pro- ductions like the "Soliloquy"
with a couple of novelties thrown in for extra bounce, Sinatra sang his heart out. His voice was
superb as he sold the opener, "When You're Smiling" and then into "You Belong to Me." After
those two he had them eating out of his hand. When he followed with his latest Columbia recording,
"Birth of the Blues" and the flip, "Why Try to Change Me ?" even those customers who sat on their
hands, gave up and applauded like crazy. Sinatra was on for more than 40 minutes singing with
heart and pace. When he finished he was the old master again. If the crowd had its way he could
have stayed on another hour and not worn out his welcome. The fact that he gave an impression
of boyish humbleness, instead of his former irritating aggressiveness, also helped out. Bill Miller,
Sinatra's accompanist, did a fine backing job. Vincent Travers, house leader, gave the Sinatra
arrangements a superb interpretation. Incidentally there were no strings, outside of bass, in the
Travers band. It was all brass. Incidentally Sinatra's lighting was handled by Monte Proser. It put
the singer in the best possible colors. The rest of the show has been reviewed previously. It's still
the same long, dull production piled on production that started off when the room opened last July.
Bill Smith
Billboard
12-6-52
note: Frank was being paid $10,000 a week for his two week stint at the club.
French Casino, New York City (11-26 TO 12-8 1952)
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
November 27, 1952
Concerts
French Casino, New York City (11-26 TO 12-9 1952)
Frank Sinatra with Bill Miller
note: Frank closed on Tuesday, 12/9.
He was asked to do a third week but
had promised to join Ava in Africa
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
Hedda Hopper
note: Other columnist indicated Frank had the role if he didn't ask for too much
money. Louella Parsons reported that Columbia was set to do a rewrite
for Aldo Ray, if they couldn't sign Frank. Much different story than what
has become legend through the years.
Earl Wilson 12-10-52
note: Wilson's column of 11-21 states that Frank might play the French Latin in December. Obviously, Lastfogel got him an earlier date.
note: Frank followed Sugar Ray Robinson at the French Casino. Sugar Ray
had retired from the boxing ring after a heartbreaking lost to Joey Maxim.
The fight took place on 6-25-52 in Yankee Stadium. Robinson was the
challenger that night, fighting for Maxim's light heavyweight crown. At
the end of the 12th round, The New York Times had Robinson winning
every round. A blistering night of temps, above 100F, had taken a heavy
toll on the ref, Rudy Goldstein. He collapsed in the 10th round. Robinson
had set a pace that was more blistering than the 110 degree heat in the
ring. In the 13th round, Robinson suddenly fell down. He was saved by
the bell, but could not continue. He had dehydrated and was in danger
of succumbing from the damage done to his body. Sugar Ray quit the
sport and became a song and dance man. His first major New York
engagement was a 14 day run at the French Casino, at $15,000 a week.
The New York papers immediately jumped on the paltry $10,000 Mr.
Sinatra was being paid. Casino had more faith in a neophyte former
pugilist than the bobby-sox idol. Sinatra's people quickly dampened
the bloodletting by explaining that their man was also getting a per-
centage of the nightly take. Frank would easily break the all-time
two-week gross at the casino.
Frank and Sugar Ray on the set of "The Detective," 10/67
November 28, 1952
Concerts
French Casino, New York City (11-26 TO 12-9 1952)
Frank Sinatra with Bill Miller
November 29, 1952
Concerts
French Casino, New York City (11-26 TO 12-9 1952)
Frank Sinatra with Bill Miller
November 30, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 1, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 2, 1952
Concerts
French Casino, New York City (11-26 TO 12-9 1952)
Frank Sinatra with Bill Miller
December 4, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 5, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 6, 1952
Television
Celebrity Parade For Cerebral Palsy
WJZ 8:00 P.M. December 6th to 2 P.M. December 7th
President-Elect Eisenhower. Frank Sinatra, Jackie Gleason, Faye Enerson, Robert Merrill, Tony Bennett and others
Concerts
French Casino, New York City (November 26 - December 8)
Frank Sinatra with Bill Miller
Celebrity Parade For Cerebral Palsy
WJZ 8:00 P.M. December 6th to 2 P.M. December 7th
President-Elect Eisenhower. Frank Sinatra, Jackie Gleason, Faye Enerson, Robert Merrill, Tony Bennett and others
Variety
December 7, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 8, 1952
Concerts
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
note: Frank closed on Tuesday, 12/9. I found a number of articles
confirming that date. Have enclosed two of them.
Ed
December 9, 1952
Concerts
French Casino, New York City (11-26 TO 12-9 1952)
Frank Sinatra with Bill Miller
January 20, 1953
Concerts
Latin Quarter, Boston, Massachusetts (January 20 - February
2)
Frank Sinatra opens for 10 days at the Latin Quarter;
it was his only Boston nightclub engagement as a single.
The Latin Quarter, on Winchester Street, was the top night spot in town,
and just the place for Sinatra on his comeback trail.
Backed by Larry Green's band, Sinatra sang his current hit, "Birth
of the Blues," and songs from Porgy and Bess.
Sinatra enjoyed his time in Boston, hanging around Storyville, where the
Ellington Orchestra was playing, and filling a shift on WORL-AM radio,
reading commercials and spinning records. It was during this engagement
that Sinatra learned he'd play Maggio in the film From Here to Eternity;
he won the acadamy award for best supporting actor for it.
Those ten days in January 1953 marked the start of a
highwater period in Boston nightlife. Sinatra was at the Latin Quarter,
the Ellington Orchestra was at Storyville,
and Frankie Laine was at Blinstrub'sand all three broke their club's box
office record. If the lines were too long at those clubs,
you could catch Coleman Hawkins and Roy Eldridge at the Hi-Hat, Vic
Dickenson and Doc Cheatham at Mahogany Hall, Red Allen at the Savoy,
the Soft Winds at the Darbury Room, Sabby Lewis at Sugar Hill, Bunny
Campbell at Wally's Paradise
note: A night out on the town, with a date, to see Sinatra, would
have set you back
about $10.00, figuring in drinks and transportation. And that included
dinner. Wow!
Ed
Latin Quarter, Boston, Massachusetts (January 20 to February 2)
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Latin Quarter, Boston, Massachusetts (20-31)
January 21, 1953
Concerts
Latin Quarter, Boston, Massachusetts (20-31)
January 22, 1953
Concerts
Latin Quarter, Boston, Massachusetts (20-31)
January 23, 1953
Concerts
Latin Quarter, Boston, Massachusetts (20-31)
January 24, 1953
Concerts
Latin Quarter, Boston , Massachusetts (20-31)
January 25, 1953
Concerts
Latin Quarter, Boston , Massachusetts (January 20-January 31)
January 26, 1953
Radio
WORL, Boston
Sinatra was a guest disc jockey on WORL in Boston,
January 26-27, 1953(Monday and Tuesday). He subbed
for Norm Prescott. There are some interesting photos
from this temp job.
Ed O'Brien:
Sinatra recorded seven songs in late 52 with Siravo charts.
He played them on WORL during his stint as a D.J. You
can hear on the Blackpool concert the chart Siravo did for
"I've Got The World On A String."
Concerts
Latin Quarter, Boston , Massachusetts (January 20-January 31)
Ed O'Brien:
Years later Bill Miller remembered the club dates in late 52 and
early 53.
Frank was playing to half a house on most nights and mid-week there was
often just a few tables occupied. In early March of 53, Frank began
filming "Eternity" and by the fall of that year there would be SRO performances.
The Capitol recordings with Riddle were also a big help.
Latin Quarter, Boston , Massachusetts (January 20-February 2?)
WORL, Boston
Sinatra was a guest disc jockey on WORL in Boston,
January 27, 1953
Concerts
Latin Quarter, Boston, Massachusetts (January 20-January 31)
January 28, 1953
Concerts
Latin Quarter, Boston, Massachusetts (January 20-January 31)
January 29, 1953
Concerts
Latin Quarter, Boston, Massachusetts (January 20-January 31)
Sheraton Plaza, Boston, Mass
14th Annual Baseball Writers Banquet
Sinatra performed at the banquet
January 30, 1953
Concerts
Latin Quarter, Boston, Massachusetts (January 20 - January 31)
January 31, 1953
Concerts
Latin Quarter, Boston, Massachusetts (January 20 January 31)
February 3, 1953
Television
Texaco Star Theater
Tuesday Evening
Season 5, Episode #192 Season Episode: #22
Network: NBC
Time: 8:00 - 9:00 P.M.
Sponsor: Texaco
Host: Milton Berle
Orchestra Conducted By: Alan Roth
Commercials: Jimmy Nelson
Guests: Frank Sinatra, Joan Blondell, Bobby Sherwood
Directed By: Greg Garrison
Written By: Goodman Ace, Aaron Ruben, Arnold Audersach, Selma Diamond, Jerry Seelen, Jay Burton, Phil Charing
1. titles / opening
2. skit: "Van Pell & Arcleef Fine Jewelry" - Milton Berle, Joan Blondell
3. skit: "Sinatra's Boat Arrives" - "Waiting For Franking" Song & Dance Number (Chorus)
4. skit cont'd: "Sinatra's Boat Arrives" - Frank Sinatra, Milton Berle, Joan Blondell
5. song: "You're Are So Nice To Come Home To" (parody of: "You'd Be So Nice To Come Home To") - Frank Sinatra 1:12
6. skit cont'd: "Sinatra's Boat Arrives" - Frank Sinatra, Milton Berle, Joan Blondell, Bobby Sherwood
7. skit cont'd: "State Room / Gifts from Africa" - Frank Sinatra, Milton Berle
8. skit cont'd: "U.S. Customs" - Joan Blondell, Frank Sinatra, Milton Berle
9. skit cont'd: "Ellis Island" - Milton Berle, Joan Blondell, Booby Sherwood
10. skit cont'd: "Ellis Island" - Milton Sinatra, Frank Sinatra
11. song: "September Song" - Frank Sinatra 1:51
12. skit cont'd: "Ellis Island" - Milton Sinatra, Frank Sinatra, Joan Blondell
13. commercial "Texaco" & comedy spot - Danny O'Day & Jimmy Nelson, Milton Berle, Joan Blondell
14. skit cont'd: "Ellis Island" - Milton Berle, Frank Sinatra, Joan Blondell
15. skit cont'd: Sinatra fills in for Milton - Frank Sinatra, Melton Berle, Joan Blondell
16. song: "She's Funny That Way" (seg..) - Frank Sinatra :14
17. skit cont'd: Sinatra fills in for Milton - Frank Sinatra, Melton Berle, Joan Blondell
18. song: "Say Uncle, Uncle Frankie" - Frank Sinatra, Joan Blodell, Milton Berle :48
19. skit cont'd "looking for the sales slip / to be continued"
20. closing & credits
Notes: TT 59:37mins.
Ed O'Brien notes:
Jimmy Nelson and Bobby Sherwood were also guests on Milton's show. Frank
did comedies skits and sang parodies with Berle and Blondell. He also sang "September
Song" with an Italian accent. It was easily the show's finest moment.
Finally tracked down the February 3, 1953 Texaco Star Theater show.
Nothing in the comedy department really to write home about nor was Blondell used to any great extent.
The highlights were any references to Ava and Gable and of course "September Song" sung by Sinatra with the Italian accent.
Ah, the heyday of early television. –Scott
February 6, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
NOTE: Ed O'Brien reports that Harry Ship, nightclub owner and booking agent,
offered Frank Sinatra a $15,000 advance if he would play the Chez Paree for a week.
Frank opened on a Friday and did shows at 8:30, 11:30, and 1:30. He did the same on Saturday evening
and repeated that schedule the following weekend. Sunday thru Thusday
the shows were at 9 and 1. The cover charge Monday through Friday was $1.50 and a whopping $2.00
on Saturday and Sunday. Ava Gardner attended and Frank did a decent business for pre-"Eternity"
and pre-Capitol. There was a nice ad in the Montreal Gazette on opening night.
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
The Gazette (Montreal, Quebec), February 11, 1953
Note: This is the best review of Sinatra’s performance at the Chez Paree that I could find. The rest would focus on his behavior on stage and off while in Montreal. –Scott
Samedi-Dimanche, Montreal, Quebec), February 21, 1953, pg. 27
Translation:
A young woman exclaims:
"Sinatra? A Poor Husband
For AVA Gardner!"
Sinatra, the crooner who had long been pampering women, now seems to lose much of his prestige and popularity. In Montreal, at least.
His repeated anger ended up falling on the nerves of the Montrealers who no longer look at him with this admiring eye, who no longer listen to him with these sighs to the bobby-soxer.
Because Sinatra wanted it!
One night, he stopped singing during his number and vociferated against members of Chez Paree's Bob Harrington orchestra. The musicians will never forgive this affront. Another night, he called for the help of the police to get out of his box to contain the "crowds" that crowded outside. Only five people were waiting for him.
A lunch that he had at the hotel Windsor, the waiter served him a filet mignon that the husband of Ava Gardener did not judge right. He got up and went to the kitchen to tell the chef what he thought.
Another day, while the other members of the Chez Paree show were doing their number he declared that these artists did not give a show worthy of "a Sinatra evening" and menaced not to sing.
He made his little American Charles Trenet, what! But a Charles Trenet is a lot less good. A Charles Trenet without genius, no wonder.
This is Sinatra's long-standing commitment to Montreal, and it will be a long time before a cabaret re-engages it. At the end of Chez Paree, a girl exclaimed:
"Sinatra, Pooh ... it's a very poor husband for a woman, and I understand Ava Gardner to want to give him up!"
We know that the American crooner married the beautiful actress about a year ago, and that the household quarrels kept them separate for several months. Miss Gardner, because she likes to be called "Miss Gardner", is currently filming "Vaquero".
The following, posted online at an auction site, was the original contract for Sinatra’s appearance at the Chez Paree, dated December 11th, 1952:
The details of on the contract stated:
The Operator hereby engages the Artist, and the Artist hereby accepts said engagement to present his act as a PRINCIPAL, consisting of ONE persons at the CHEZ PAREE in the City of MONTREAL, CANADA for a period of TEN consecutive days, SEVEN days weekly. TWO shows daily commencing on February 6th, 1953, for which the Operator agrees to pay the Artists, and the Artist agrees to accept, as full payment, the sum of SEVEN THOUSAND TWO HUNDRED FIFTY - Dollars ($7,250.00 weekly payable immediately preceding the first performance on the concluding night of each week's engagement hereunder.
Here is a close-up picture of Sinatra’s signature at the bottom of the contract:
There was also a further memo to Sinatra from the Chez Paree agreeing to additional $2500 plus living expenses in the amount of $1,078.
Dear Mr. Sinatra,
Reference is hereby made to the contract between us dated December 11, 1951 for your engagement at the CHEZ PAREE, MONTREAL CANADA for a period of ten (10) days commencing February 6, 1953.
In addition to the compensation set forth in the above-mentioned contract, we hereby agree to pay you the additional sum of TWO THOUSAND FIVE HUNDRED DOLLARS ($2500.) per week plus ONE THOUSAND SEVENTY-EIGHT DOLLARS ($1078.) for the three (3) days representing the living and miscellaneous expenses incurred by you during your said engagement at the CHEZ PAREE, MONTREAL.
Very truly yours,
CHEZ PAREE, MONTREAL
There was an additional memo sent to the William Morris Agency regarding the executed copy of the contract and agreement and further stating that Sinatra would need the contract to cross the border into Canada.
FRANK SINATRA WAS SAD THE DAY I MET HIM AT METROPOLITAN NEWS
The Chez Paree was on Stanley Street, just south of St. Catherine. It was a centre of Montreal night life when I was a young girl working at Metropolitan News a block away at 1248 Peel Street. My friend, Wally Aspell, opened for Frank Sinatra during his gig there.
One afternoon, my Pop or my Uncle Harry gave me a copy of Variety to bring over to the Chez Paree so I might have a chance to meet the great Sinatra. They both knew how I loved to meet the movie stars. I was sent out under the pretext that Sinatra had asked for the show business paper.
I came into the darkened Chez Paree nervously hoping to see the great star, but he wasn't there. Wally was there on the stage in the dusty darkness. But Sinatra came into Metro News the next day.
I learned that, late the night before, Sinatra had phoned home to California and found that his wife, Ava Gardner, was not at home.
Sinatra was not in a good mood the day I met him. I can't remember him saying a word as his companion, perhaps body guard, requested a copy of Variety or Billboard.
What I remember most - apart from Sinatra's mood - is the terrible scar along the side of his neck.
Charlie Parker Story
February 5th marks the 50th anniversary of 'Bird's' TV live appearance on the CBC's "Jazz Workshop"
show and the 7th , his afternoon appearance at the Chez Paree [Frank Sinatra hit the same stage that night].
The audio portion of both events can be found on "Charlie Parker, 1953, Montreal" on the Uptown label and you
can read about the events surrounding both the Montreal and Toronto appearances in "Cool Blues: Charlie Parker
in Canada 1953" by Mark Miller.
Interview with Denise Leslie
JBN: – Let's take a trip with a time machine, so where and why would you really wanna go?
DL: – Where and why would I want to go in a time machine? Why? I'd head straight to Montreal,
Quebec at the Chez Paree Night Club the night of Feb 6th, 1953 to see Frank Sinatra.
He was just at the beginning of his comeback. My father was at the show and spoke of it often. He
and the entire crowd were on their feet screaming for him to sing World on a String, to which he laughingly
replied "for Christ's sake I've already sung it three times!" He sang it again and broke down in tears thanking
the Montreal fans for always sticking with him. I would have killed to be there.
The Gazette, Montreal Ad ran in the Gazette on 2/7 and 2/9
--------------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
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February 7, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 8, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 9, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 10, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 11, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 12, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 13, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 14, 1953
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
February 15, 1953
Radio
Lyn Murray Show
Frank Sinatra was guest
Concerts
Chez Peree, Montreal, Quebec (6-15)
w/Bob Harrington Orchestra
March 21, 1953
Television
Spade Cooley Show
KTLA, Los Angeles California
8-9PM
Spade Cooley Show
KTLA, Los Angeles California
8-9PM
March 31, 1953
Radio
Conquest for Cancer
Broadcast on a 20 Iowa station network
June Valli, Frank Sinatra, Harry Belafonte, Connie Boswell, Eddie Fisher and
more
April 2, 1953
Studio
KHJ Studios, Hollywood
11394 Lean Baby
(Billy May/R. Alfred)
Morley Music Co. (ASCAP)
Arranged by Heinie Beau
Conducted by Axel Stordahl
-4 (2:33) CD: CDP 7-48334-2 The Point of No Return
CD: C2-94777 The Capitol Years (3 CD Set)
CD: C2 724383808922 The Complete Capitol Singles
LP: DT 1429 Swing Easy!
45: 2450
11395 I'm Walking Behind You
(Billy Reid)
Arranged & Conducted by Axel Stordahl
-5 (2:57) CD: CDP 7-48334-2 The Point of No Return
CD: C2 724383808922 The Complete Capitol Singles
45: 2450
11396 Day In, Day Out
(Rube Bloom - Johnny Mercer)
(3:20)
CD: CDP 7-48334-2 The Point of No Return
CD: 7243469698529 The Rare Sinatra (UK Release)
LP: E ST 24311 The Rare Sinatra (UK Release)
11397 Don't Make A Beggar Of Me
(Al Sherman)
Arranged & Conducted by Axel Stordahl.
CD: CDP 7-48334-2 The Point of No Return
CD: 7243469698529 The Rare Sinatra (UK Release)
LP: E ST 24311 The Rare Sinatra (UK Release)
LP Capitol T/DT-2602 Forever Frank
Zeke Zarchy (trumpet), Vince DeRosa (French horn), Heinie Beau, Skeets Herfurt, Ted Nash, Leonard Hartman (saxophone/woodwinds),Mischa Russell, Harry Blackstone, Alex Murray, Paul Nero, Irving Prager, Murray
Kellner (violins),David Sterkin, Paul Robyn (viola), Cy Bernard (violoncello), Ann Mason Stockton (harp), Bill Miller (piano),George Van Eps (guitar), Phil Stephens (bass), Ray Hagan (drums)
Note: Thanks to Ed O'Brien and Fred Wadsworth for corrections to this session.
Ed O'Brien:
The Rube Bloom-Johnny Mercer "Day In, Day Out" was done with a
Stordahl backing at this session. Sinatra would perform the song on radio
and in concert for the next year. At the 3-1-54 session at Capitol, Frank
would re-record the tune with a Riddle ballad chart. The 53 effort was not
discovered until the early 90s, and the 54 was issued on an EP and for-
gotten about until an album release in 1973. Two remarkable efforts
that were certainly not appreciated or promoted in their time. The
1958 swing version with Billy May thrilled Mr. Mercer. I am also
partial to the swing version with Mr. Riddle that opens "A Man
& His Music + Ella+ Jobim in 1967.
Sinatra's first Capitol single was comprised
of the initial two recordings done for the label.
The A side was "I'm Walking Behind You." Eddie
Fisher's record of the same song came out a
few days before Capitol released Frank's effort.
Fisher's recording first charted on the Billboard
Top 100, 5-9-53. It was # 1 for seven consecutive
weeks and was on the charts for 25. It sold over
a million copies.
Sinatra's effort hit the charts on 5-16-53,
attaining a peak position of #7, hung around for
10 weeks, and sold 150,000 copies. Biggest hit for him
since "Mamselle" in 1947.
Frank appeared on the BBC Showband Show, 6-11-53,
and sang "I'm Walking Behind You" plus "Birth Of The Blues"
and "Ol' Man River."
"Lean Baby" also hit the charts on 5-16-53. The song reached
#25 and stayed around for just three weeks. Through the years,
whenever a member of the audience yelled for that ditty, Frank
would sing the first few lines. And he always did it with great
humor.
April 30, 1953
Studio
KHJ Studios. Hollywood
11504 I've Got The World On A String
(Harold Arlen & Ted Koehler)
MCA Music Publishing, a division of MCA Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-10 (2:10) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra
45: 2505
11511 Don't Worry 'Bout Me
(R. Bloom/T. Koehler)
Arranged & Conducted by Nelson Riddle
-14 CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-91209-2 Where Are You?
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra
45: 2787
NOTE: Sinatra Scholar Ed O'Brien writes: "It is mind boggling to realize 56 years have passed since that fateful Thursday night at the KHJ Studios. I suppose you would need to be at least 66 to have any real memory of the original releases of these two great Sinatra recordings. The lingering question from this session: Did Frank record the verse of "Don't Worry 'bout Me" Always an economical performer, it doesn't make sense that he would be doing it in concerts and nightclubs without a recorded version."
11512 I Love You
(H. Thompson/H. Archer)
SBK Feist Catalog Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-7 (2:27) CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-94520-2 Come Swing With Me
CD: C2-94777 The Capitol Years
LP: W1429 Swingin' Easy
45: 2638
11513 South Of The Border
w/Band Chorus
(J. Kennedy/M. Carr)
Shapiro, Bernstein & Co. Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-9 (2:49) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra
45: 2638
Musicians - Reeds: Jack Dumont, Authur "Skeets" Herfurt, Joseph Koch, Ted Nash, Ernest Mangano, Rubin "Zeke" Zarchy; Trombones: Milton Bernhart, Frances Howard, James Priddy, Simon Zentner; Piano: Bill Miller;
Bass: Phil Stephens; Guitar: Alton Hendrickson; Drums: Alvin Stoller
Session Producer: Voyle Gilmore
NOTE: Arranger/conductor Neal Hefti told Ed O'Brien that the Sinatra rebirth as a major vocalist came about because of the Holy Trinity of Capitol Records, the long-playing 33 1/3 record, and Nelson Riddle. Hefti gives the lion's share of the credit to Riddle. The Riddle Era began on the evening of April 30, 1953. Billy May was scheduled to do the session but had a previous engagement. May asked Riddle to conduct the two songs for the session a la Billy May "I Love You" and "South of the Border"). Riddle added "String" and "Don't Worry." Sinatra started the session with 10 takes on the Arlen/Koehler tune and then 14 on the Bloom/Koehler song. Frank realized immediately that Riddle was fantastic. Between takes, he was walking around the studio, slapping the musicians on the back, and telling them he was "back." He certainly was, O'Brien emphasizes.
Ed O'Brien (2013):
Sixty years ago tonight Frank Sinatra and Nelson Riddle did their first session together. They would create a body of work
at Capitol that is timeless. Arguably the greatest collaboration of a singer and arranger in the history of popular music.
note: (2020) Sixty-seven years ago tonight.. Alan Livingston told me that the Riddle-Sinatra inaugural session got off to a shaky start.
Frank was expecting Billy May to be the arranger/conductor that evening. When he saw Riddle running down a chart
with the musicians, Frank turned to Livingston and said, "Who's that?" He was reassured that Riddle was more than
able to do the job. And then Frank was introduced to the "String" chart. . . . . .
--Ed
May 2, 1953
Studio
KHJ Studios. Hollywood
11524 Anytime, Anywhere
(I. Carpenter/L. Adelson)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 2560
11525 My One And Only Love
(G. Wood/R. Mellin)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-96827-2 Nice 'n' Easy
LP: T768 This Is Sinatra
45: 2505
NOTE: Sinatra Scholar Ed O'Brien considers this performance to be one of the great, great Sinatra vocals.
An astonishing tour de force. Sinatra displays incredible vocal prowess throughout with unbelievable phrasing,
breath control, and intonation. Stunning and non pareil!
11526 From Here To Eternity
(Karger/Wells/ Jones)
Barton Music Corp. (ASCAP)
Arranged & Conducted by Nelson Riddle
-9 (2:59) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra
45: 2560
11527 I Can Read Between The Lines
Arranged & Conducted by Nelson Riddle
CD: CDP 7-91209-2 Where Are You?
LP: W1432 Songs For Young Lovers
Musicians - Reeds: Arthur "Skeets" Herfurt, Ted nash, James Williamson; Trumpet: Clyde Hurley, Emanuel Klein; Trombones: Milton Bernhart, James Priddy; French Horn: John Cace, Vincent De Rosa; Violins: Victor Bay, Walter Edelstien, Henry Hill, Alex Murray, Mischa Russell, Gerald Vinci; Violas: Alfred Barr, Paul Robyn; Cello: Eleanor Slatkin; Piano: Bill Miller; Bass: Phil Stephens; Guitar: Alton Hendrickson; Drums: Alvin Stoller; Harp: Kathryn Julve
Session Producer: Voyle Gilmore
May 3, 1953
Radio
Treasury Department Guest Star
Treasury Department syndication
Program #319
Guest: Frank Sinatra
Announcer: John Conte
Harry Sosnik and His Orchestra
1. Why Try To Change Me Now
2. Birth Of The Blues
Note: TT: 15 mins. Sound Very good
May 9, 1953
Concerts
Cinema Teatro Reposi, Turin, Italy (May 9-10)
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Also: Taps Miller & Della Grayson (Dance Couple)
May 10, 1953
Concerts
Cinema Teatro Reposi, Turin, Italy (May 9-10)
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on
Sax,
Kansas Field, Drums, Red Richards on Piano)
Also: Taps Miller & Della Grayson (Dance Couple)
May 12, 1953
Concerts
Teatro Medica Palace, Bologna, Italy
Two Shows
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Also: Taps Miller & Della Grayson (Dance Couple)
May 13, 1953
Concerts
Teatro Verdi, Florence, Italy (May 13-14)
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour
Also: Taps Miller & Della Grayson (Dance Couple)
Note: SRO shows
May 14, 1953
Concerts
Teatro Verdi, Florence, Italy (May 13-14)
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
Note: SRO shows
May 15, 1953
Concerts
Mediterraneo Theater, Naples, Italy
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
Mediterraneo Theater, Naples, Italy
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
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May 16, 1953
Concerts
Augustus Theater, Genoa, Italy (May 16-17)
Matinee and evening performances
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
May 17, 1953
Concerts
Augustus Theater, Genoa, Italy (May 16-17)
Matinee and evening performances
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
May 18, 1953
Concerts
Teatro Adriano, Rome, Italy
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
May 19, 1953
Concerts
Adriano Theater, Rome (19-20)
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on
Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
Ed O'Brien:
Movie palace converted into a theater for Sinatra, two shows in the evening
both nights SRO
Adriano Theater, Rome (19-20)
(Buck Clayton and Big Chief Russel Moore on the Trombones, Eugene Sedwick on
Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
Emacs!
May 20, 1953
Radio
Radio Club
Network: RAI 2 (Secondo)
Location: Hall A, via Asiago 10, Rome
Time: 8:00 PM (21:00 Italian)
Host: Guido Notari
1. Laura
2. September Song
3. Night And Day
Ed O'Brien:
In the afternoon, Frank made an appearance on
Radio Club -RAI in Studio A with Domenico Modugno & Armando Trovajoli.
The interview was conducted in Italian for the
most part. Frank gave it his best shot. He then
sang three songs with Bill Miller accompanying him on piano.
Brian adds: Recorded in the afternoon but aired on RAI 2 at 21:00.
Concerts
Adriano Theater, Rome
Wednesday
(Buck Clayton and Big Chief Russel Moore on the
Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
Ed O'Brien: two shows in the evening both
nights SRO, movie palace converted into a theater for Sinatra
Radio Club
Network: RAI 2 (Secondo)
Location: Hall A, via Asiago 10, Rome
Time: 8:00 PM (21:00 Italian)
Host: Guido Notari
Performance was issued on CD by Twilight Music as "The
Voice In Via Asiago"
Note: An excellent 2 minute video exists of Sinatra at the
studio, as "Sinatra Canta Per Voi" which includes a 30 second
clip of him singing "September Song" and a 30 second clip of
him singing "Night And Day" It appears to be an Italian
newsreel. The above image is a screen grab from the video.
There is also an 8.5 minutes video of more of Sinatra in the studio
as "Frank Sinatra alla RAI"
with other performers, a baseball team, and in which Sinatra
appears to sing complete songs but unfortunately there is no audio.
--Scott
May 21, 1953
Concerts
Manzoni Theater, Milan
Thursday
with Milt Mezzrow's Orchestra
(Buck Clayton and Big Chief Russel Moore on the
Trombones, Eugene Sedwick on Sax,
Kansas Field, Drums, Red Richards on Piano)
Bill Miller backed Frank throughout the tour.
Also: Taps Miller & Della Grayson (Dance Couple)
Ed O'Brien: two sold out shows
May 23, 1953
Concerts
Casino, Knokke, Belgium, (May 23-25)
Songs included:
I've Got The World On A String
I'll Never Smile Again
That Old Black Magic
Casino, Knokke, Belgium, (May 23-25)
Songs included:
I've Got The World On A String
I'll Never Smile Again
That Old Black Magic
Photos thanks to Carl R:
From Carl R:
After his 2-week long tour of Italy and before his tour of Scandinavia, Frank (and Ava) spent the Pentecost week-end in Belgium. Maurice Nellens, the founder of Casino de Knokke le Zoute, thought this would be a good idea, since many Belgians would spend
that week-end at the coast. Frank did three concerts at the Casino, and he was accompanied by the
André Koek orchestra. Frank was paid $10,000. Unfortunately, the song list is incomplete, but it included "I've got the World on a String", "I'll Never Smile Again" , "The Old Black Magic" and "September Song".
Here are two photos from the casino:
Frank and Ava stayed in a suite at La Réserve with a view of the lake.
Here are three photos from the terrace:
Maurice Nellen's son, Jacques Nellens, tells how the Nellens family and Frank and Ava cruised down the Avenue du Littoral in his Mercury cabriolet without any problems.
Some people asked for autographs of course, but there was no chaos as you would see it today.
After the week-end at Knokke, Ava flew to London and Frank flew to Copenhagen, where he started his tour of Scandinavia with two concerts on May 27th.
May 24, 1953
Concerts
Casino, Knokke, Belgium, (May 23-25)
Songs included:
I've Got The World On A String
I'll Never Smile Again
That Old Black Magic
May 25, 1953
Concerts
Casino, Knokke, Belgium, (May 23-25)
Songs included:
I've Got The World On A String
I'll Never Smile Again
That Old Black Magic
May 27, 1953
Concerts
K.B Hall, Copenhagen, Denmark
Two Shows
Thanks to Carl R for the above listing.
K.B Hall, Copenhagen, Denmark
Two Shows
From Carl R: Five photos from the concert in Copenhagen:
Before entering the stage at K.B. Hallen.
On the stage at K.B. Hallen
In 2013 the ballet "Come Fly With Me" was opening in Denmark and the following article was published reflecting on Sinatra's 1953 appearance (note: this is a Google translation of the original article):
When Frank Sinatra was in Copenhagen
Legend Live. Frank Sinatra, now in ballet form occupying the Danish national scene, never even became a frequent guest on the Copenhagen scene. It just turned into a single night in 1953.
Then it is tomorrow that Frank Sinatra will eventually make his way past Copenhagen and occupy the National Stage, ie the Old Theater of the Royal Theater. It happens with the ballet show "Come Fly Away" and clearly not with the man himself, as it is now 15 years ago, the American singer and actor finally closed his "Ol 'Blue Eyes".
Frank Sinatra never became a frequent guest in Copenhagen either. In fact, he - along with Sammy Davis Jr. and Liza Minnelli - should have appeared in the KB Hall on April 16, 1989, but with ticket prices up to DKK 5,000, only 500 of the 3,200 tickets were sold and the organizer chose to cancel.
No, we really have to fly 60 years back in time to experience Frank Sinatra on a Danish scene. Specifically, KB Hallen, Wednesday 27 May 1953. And there are two performances - at. 19 and 21.30 - with ticket prices from 3.90 to 9.90 DKK. It is the diligent concert organizer Ingvar Blicher-Hansen, who "captured" 37-year-old Frank Sinatra on an ongoing European tour, and who together with the daily BT has arranged the concerts, which have the festive title 'Mood Parades'.
The American singer is thus not a soloist, but a main name, and as a "warm-up" one can experience many of the popular artists of the time, including singer Raquel Rastenni, revisionist Carl Fischer and just seven-year-old xylophone virtuoso Gitte Pyskow as well - as it is called in the pre-speech - "The brilliant American Negro singer Inez Cavanaugh". It is Aage Juhl Thomsen's Orchestra that accompanies the performers, ie Frank Sinatra, who, however, brings his own pianist and conductor.
But before Frank Sinatra goes on stage, it is just in his place to ascertain where Frank Sinatra stands in 1953. And it can be said quite clearly: He does not stand well. In fact, over the past few years - over a broad front - he has been on a disaster course.
Ten years earlier, the charming singer from Hoboken, New Jersey, has put the United States on its feet, and the mass hysteria of screaming teenage girls, the so-called "Bobby soxers," exceeds anything the show biz scene has ever experienced. It also turns into a number of popular movies and many fine recordings for Columbia Records. But by the beginning of the new decade, the girl war is stagnating, and in Hollywood Frank Sinatra is considered a wreck. His radio, TV and record contracts are being canceled, and he has to find himself in more and more humble places.
In addition, privacy crashes. Far along the way Frank Sinatra and his press have managed to draw a picture of the singer as a caring husband and family father, but when he meets actress Ava Gardner, he not only falls in love, he becomes obsessed, and he leaves his wife Nancy and their three children. On his arrival in Copenhagen, he has been married to Ava Gardner for a year and a half, and it is actually her money that he lives on.
The European tour has not been without problems either, but despite a half-filled hall in Copenhagen, Frank Sinatra makes a good figure and creates enthusiasm. The program includes "Night and Day", "When You're Smiling", "Ol 'Man River", "September Song", "Tenderly", "Sweet Lorraine" and "Nancy".
According to Berlingske Tidendes' reviewer, Bent Henius, the audience contact in the first numbers loses. Sinatra seems nervous, and the small hints indicate that he is both unhappy with the orchestra and the microphone, but gradually the cooperation on stage becomes better. And Bent Henius continues: "Frank Sinatra's voice is not what it was ten years ago. The sound is sometimes a bit murky, and in the high tones it can seem squeezed and strained. In the middle position, the voice is soft and round, and the vibrato is comfortable and discreet. In contrast, the style is well-stocked with effects such as rubato and glassando. The technique is perfectly fine, but you can miss a little feeling and warmth in the expression. It is understandable, when you think about the tension, it must be day in and day out to sing the same tunes for several years. But so relentless is the audience that you want to hear the songs you know. "
“One thing there is special reason to emphasize. And that's Frank Sinatra's breakdown of the characters and his breathing. Both are excellent, not least when you consider that he has never learned to sing. He prefers not to breathe in the breaks that the structure of the melody warrants, but in the places where the lyrics make it natural, "Bent Henius points out, concluding:
"The success was saved, Frank Sinatra must share the honor with his excellent pianist Bill Miller and conductor Harold Collins, who made a huge (and visible) effort to get the Danish musicians to attend the not easy events, brought from the United States. «
The same Danish musicians have been hired to play for Frank Sinatra on the subsequent Scandinavian tour, which is no unconditional benefit.
The following evening there will be a concert in both Malmö and Helsingborg, and the Danish musicians evidently enjoy the sailing and catering across the Sound to such an extent that it can be seen and heard, yes, the daily newspaper Ekspressen states that »at the concert in Hälsingborg was a couple musicians in such a condition that they do not show off on a stage. "
However, this is far from the only reason why Frank Sinatra's appearance in Sweden is described as a scandal. The singer has been cold and no one has told him to perform outdoors, which he has never done before, and he chooses to shorten his program at both concerts.
Furthermore, the Swedish press has been looking forward to experiencing the reunification of Frank Sinatra and Ava Gardner when the lady comes to Stockholm from London. But Frank Sinatra meets her at Kastrup Airport, where the Danish press watches for a 24-second welcome kiss in the flashlights.
And while Frank Sinatra is clearly tired of the problems in Sweden, Ava Gardner is kindly answering questions, at least as long as it concerns her film work. As a BT journalist (under the Buch brand) asks for a dementia of what the American filmmakers have been dealing with most over the past year, namely that Ava Gardner's and Frank Sinatra's marriage is Hollywood's most unhappy, the lady says:
"Then we have nothing more to speak of, my lord." The couple then leaves - according to the report - to be alone with two glasses of beer and four pieces of shrimp.
A few days later, Frank Sinatra cancels the rest of his Scandinavian tour, and a few months later Ava Gardner files his divorce petition.
In short - everything looks black to Frank Sinatra. And yet - just before he came to Europe, a few crucial things happened. He has completed the role in the movie "From Here to Eternity" which brings him an Oscar the following year, and he has signed a contract with the record company Capitol, which for the rest of the decade just releases one amazing Frank Sinatra album after another. Against all odds, Frank Sinatra in 1953 is heading for the ultimate comeback.
Carl: Here is a photo of Frank arriving from Belgium and pretending to thumb it from Kastrup Airport (Copenhagen) to Hotel d’Angleterre before his two concerts at KB Hallen on May 27th 1953
Carl: Here is a review of Sinatra’s concert in Copenhagen on May 27th 1953.
Review in Berlingske Tidende May 1953
Written by Bent Henius
Success for Sinatra
Great enthusiasm in half-filled house (KB-Hallen) for the
American singer Frank Sinatra
Time passes. There is hardly any doubt that 10 years ago Frank Sinatra would have brought down the house (KB-Hallen). Last night he pulled through a success in a half-filled house at the first concert, but great efforts were required. Ten numbers were set aside at this “Humørets Parade” (“High Spirits Show#”) to warm up the youthful audience. The greatest applause went to Raquel Rastenni (popular Danish singer) with her version of “Doggie in the Window”, about which song Sinatra had said that it was an awful melody. Fine cabaret performance and jazz from Inez Cavannaugh and the pianist Aaron Bridges respectively.
Then, after an hour’s entertainment, Frank Sinatra jumped onto the stage easily and agilely, dressed in brown summer clothes. He received thunderous applause, while the orchestra played his signature tune “Night and Day”. The rapport with the audience failed in the first few numbers. Sinatra seemed nervous. His little hand gestures indicated dissatisfaction with both the orchestra and the microphone, but little by little the co-operation on the stage improved.
Frank Sinatra’s voice is no longer what it was 10 years go. The sound of his voice is sometimes slightly muddy/cloudy, and in the high register his voice can seem pressed and strained. In the middle-register his voice is soft and mellow. His vibrato is pleasant and discreet, and in his style there is extensive use of rubato and glissando. His technique is perfectly fine, but a little warmth and feeling in the expression is missing. This is quite understandable, when you consider how much strain it must be to sing the same songs day in and day out over the years. However, that is how ruthless the audience are, because they want to hear the songs they already know.
There is one thing in particular worth emphasizing and that is Frank Sinatra’s phrasing and breath control. Both things are eminent, not least when you consider the fact that he has never been taught how to sing.
He does not breathe in the pauses that the melody provides, he breathes when it is natural in the lyrics.
At first, the atmosphere in the house was slightly gloomy, but after the first few numbers, it became unrestrained. There was great applause for “September Song”, and after that followed the well-known songs. He sang “Ol’ Man River” excellently, with the famous seamless passage without breathing to the last part of the song. The song “Nancy” was greeted with thunderous enthusiasm. A parody of Bing Crosby did not find the right appreciation, but a very fine interpretation of “Tenderly” raised the roof.
The concert was a success, but Frank Sinatra has to share the credit for his success with his excellent pianist Bill Miller and the conductor Harold Collins, who made a huge (and visible) effort to make the Danish musicians follow the not-quite-easy arrangements brought along from the USA.
May 28, 1953
Concerts
Folkets Park, Malmö, Sweden (19:45)
Folkparken, Helsingborg, Sweden (22:30) (Postponed from 22:00)
Notes: Thanks to Carl Rasmussen for the above two listings.
Folkets Park, Malmö, Sweden (19:45)
Carl R: Here are some photos from Malmö, as well as some info on what actually happened on this particular date.
Orchestra directed by the British band leader Harold Collins.
Harald Lindvall, local politician and member of the board of directors of Folkets Park, hands over flowers to Frank Sinatra after the concert..
Frank Sinatra escapes the rain in Folkets Park.
This is an open-air concert, the temperature is 50F, and it is rainy and very windy. Therefore, Frank needs a cup of hot tea.
Info:
There were many reasons for the so-called fiasco in Scandinavia:
Outdoor concerts in cold and windy weather, down to 50F late in the evening. So windy that the musicians and also Bill Miller had to pick up the sheet music among the spectators. Many of the musicians in Malmö and Helsingborg were so drunk that they fell down from their chairs. Musically they were not qualified, even when they were sober, to accompany Sinatra. The organizers of the concert at Helsingborg postponed the concert for half an hour, without notification, which meant that Frank could not catch the ferry back to Denmark. They said that he could catch a freight ferry, which did not take passengers, but an exception would be made. Frank did not accept this and that was the reason he shortened this concert. According to his contract he was to sing for 50 minutes, but in order to catch the ordinary ferry he only sang for 38 minutes, and then off to catch the ferry. The Swedish newspapers were very negative indeed. They wrote very critical articles about the fact that Frank stayed at Hotel d’Angleterre in Copenhagen also for these 2 first concerts in Sweden.
--Carl R
-------------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
May 29, 1953
Sweden
Carl: After his concerts in Malmö and Helsingborg, Sinatra went back by ferry and taxi to his hotel in Copenhagen. The next day, May 29th 1953, there were no concerts and Ava arrived from London at Kastrup Airport, Copenhagen.
The Swedish press had been looking forward to Ava Gardner coming from London to Stockholm, but Sinatra met her at Kastrup Airport, Copenhagen, instead. Sinatra was obviously tired of his problems in Sweden, but Ava Gardner kindly answered questions about her
film work. However, when a Danish journalist asked about their marriage, she answered, “Gentlemen, we have nothing more to talk about”. They were left alone to share 2 glasses of beer and 4 open sandwiches with shrimps (see next 3 photos).
Together they flew to Stockholm. Four photos from Bromma Airport, Stockholm.
Above photos supplied by: Carl Rasmussen
May 30, 1953
Concerts
Folkets Park, Finspång, Sweden
Time: 20:00
Folkets Park, Norrköping, Sweden
Time: 22:00
Folkets Park, Finspång, Sweden
Time: 20:00
Frank reading the Film Journal before the concert
Curiosity: A length of the stage floor plank that broke when Frank
performed at Finspång:
Thanks to Carl R for the above photos.
Carl:
After the concert in Helsingborg, the Danish orchestra got fired, and
Eddie McAndrew’s orchestra was hired. Frank and Ava went by taxi from
their hotel in Stockholm to Finspång for the concert at Folkets Park at
20:00. It was attended by 537 people. Then by taxi to Folkets Park,
Norrköping, and this concert was attended by 3,733 people.
This is a link to a Swedish documentary “Sinatra in Finspång 1953”.
Unfortunately, no subtitles, but it is worth watching anyway.
https://www.youtube.com/watch?v=UDWXD5E5hAs
The photos below are from Finspång:
The lady was 10 years old when Frank sang in Finspång. After the concert,
he received a bouquet of red carnations. He threw a carnation to the
audience, and the 10- year-old girl caught the flower, pressed it
immediately, and kept it as a fond memory.
Frank Sinatra and Finspång People's Park
From 1912 to the early 1970s, Finspångs Folkets Park was a
popular place for the residents of Finspång. The most famous artist
during the park's 60-year history was probably Frank Sinatra, who
performed on a Saturday evening in May 1953.
Frank Sinatra on stage in Finspång's Folkets Park. From the magazine Se,
June 1953.
"Sinatra never forgot Finspång"Perhaps
Finspång's Folkets Park is best known for American artist Frank Sinatra's
notable performance on May 30, 1953.
Frank Sinatra in the magazine Se, June 1953, shortly after his
performance in Finspång's Folkets Park.
Only 537 paying visitors showed up on the rainy early summer evening. The
ticket price was 4 SEK and Sinatra was paid 6,000 SEK for his
performance. The evening ended with a loss of around 1,620 SEK (around
28,000 SEK in today's money). In Folkets Park's cash book you can read
that they gave the artist only two out of five possible points and the
newspaper Se wrote about "The Fiasco Frankie". There were many
stories about Sinatra's tour of Sweden and especially the performance in
Finspång. 50 years later SVT made a documentary film with the title
"Frank Sinatra never forgot Finspång".
People's Park's cash book from May 1953.
“A carnation for a little girl with a delicate
face”Ingrid Larsson was only ten years old when Frank Sinatra
came to Finspång. Despite the expensive entrance fee of four kronor and
an additional two kronor if you wanted a seat, she was allowed to go with
her uncle Roland “Rolle” Carlsson, who was a trumpeter in the Casalomas
orchestra, and his wife. Ingrid was very interested in jazz and, wearing
a coat and hat, she sat in the second row of benches.
-It was a fantastic concert, says Ingrid.
Frank Sintra on stage and Ingrid Larsson is sitting in the audience, at
the bottom right.
When the concert was over, Sinatra was given a bouquet of red carnations.
From it he took a flower and “with an elegant gesture” threw it directly
to Ingrid. This particular event was highlighted in a report in the
magazine Filmjournalen where she was shown her carnation. The flower was
dried and is still kept at home in Ingrid’s photo album.
60 years of performing and entertainmentFinspångs Folkets
Park began construction in 1912 and the following year the theatre was
built. It eventually accommodated an audience of 700 seated and 1,000
standing. Many are the artists who performed in the park until the early
1970s. Sigge Fürst, Snoddas, Povel Ramel, Sickan Carlsson, and of course
Frank Sinatra, to name a few.
The old entrance to People's Park.
May 31, 1953
Concerts
China Theater, Stockholm, Sweden
Time: 19:00 & 21:15
Notes: Two Shows. Thanks to Carl Rasmussen for this entry as well as all the work on the 1953 tour research.
China Theater, Stockholm, Sweden
Time: 19:00 & 21:15
Thanks to Carl R for the photos and information below:
Ava and Frank arriving in Stockholm from Copenhagen:
Frank Sinatra, China Theater, Stockholm, 1953.
(Frank Sinatra and Bill Miller at the theatre ”China” in Stockholm, May 31st 1953.
Fotograf: Hans Malmberg. Mikrofonen en SELA PT6.
Sinatra: ”I discovered very early that my instrument wasn't my voice,
It was the microphone. . . . You have to learn to play it like it was a saxophone
June 1, 1953
Concerts
Skansen, Stockholm, Sweden
Monday evening
Time: 20:30
Bill Miller conducting
Ed O'Brien:
This was part of an extensive tour of Europe that began in early May and went right into
early August. Sinatra would do over 70 shows throughout the mainland plus the Scandinavian
countries and the U.K. Quite a few of the performances were seen by less than half-a'-house
and there were some cancellations due to lack of interest. Two friends of mine, who did catch
him during his shows in London, corroborate the small audiences. One friend caught an
afternoon show for the American equivalent of 35 cents. There were many empty rows
in the theatre. We have the marvelous Blackpool performance(7-26) and his singing was extraordinary.
Vance Adair:
My uncle saw him at Green's Playhouse in my home town of Ayr in the West of Scotland.
Some of the audience from the circle were invited by Frank to come down to the stalls
after he had sung two songs. Extraordinary indeed.
His singing on the night, of course, was magnificent.
Ed adds:
"Eternity" was released a few weeks after the
tour was concluded( 8-17). When Frank went into Bill
Miller's Riviera, in September, he was a hot property
again. He played to packed houses every night under
the stars. In a private interview, a few years down the
road, he stated that that engagement was more important
than the film or his new association with Mr. Riddle and
Capitol.
Skansen, Stockholm, Sweden
Monday evening
Time: 20:30
Bill Miller conducting
Frank Sinatra surrounded by fans at Skansen 1953
Billboard
6-13-53
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
June 11, 1953
Radio
BBC SHOW BAND SHOW
London, England
Thursday Evening
9:00-10:00 PM
Cyril Stapleton Orchestra
Host: Rikki Fulton
Vocal Goup: Stargazers]
Writer: Jimmy Grafton
Producer: Johnnie Stewart
1. Birth Of The Blues
2. I'm Walking Behind You
3. Ol' Man River
Ed O'Brien:
This show has been erroneously dated 7-11-53 for many years.
Recently I came across a file with information on the Showband broadcasts.
After seeing the 6-11-53 date, I did some more checking. The hour broadcast
each week was on Thursday nights. Checking my 100 year calendar, I
immediately eliminated the 7-11, which fell on a Saturday evening. I did some
more digging and found three sources that corroborated the June date. But
Mr. Sinatra locked it up for me with an article published in the New Music Express,
8-14-53.
Here is an excerpt from that article:
"I was most impressed by the general standard of musicianship in Britain, and your
Cyril Stapelton and his BBC Show Band are a really wonderful crew. After that first
broadcast I made as a guest on their Thursday night 'Show Band Show," I was so
enthusiastic that I immediately asked for another airing in July. I was very glad to get
it and very glad to do both dates.
Believe me, those guys -- Bill McGuffie, Tommy Whittle, Tommy McQuater, Harry Roche
and his trombone sidekicks, Messrs. Chisholm and Armstrong, Louis Stevens and his
fiddlemen -- in fact the lot -- can have anything put down in front of them, and they read it
on sight-- perfectly. That's what I call musicianship.
In the Show Band, Cyril has a crew whom he directs so admirably, that it can hold its head
high with any group -- anywhere. It was a pleasure working with him -- it's always a pleasure
working with people who know what's happening-- and here's another encore I'm yelling for."
BBC SHOW BAND SHOW
London, England
Thursday Evening
9:00-10:00 PM
Cyril Stapleton Orchestra
Host: Rikki Fulton
Vocal Goup: Stargazers]
Writer: Jimmy Grafton
Producer: Johnnie Stewart
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
June 14, 1953
Concerts
Granada Tooting, South London, England
(2 shows)
Note: thanks to Fred Wadsworth for the listing.
Granada Tooting, South London, England
(2 shows)
Note: thanks to Fred Wadsworth for the listing.
Thanks to Carl R for passing along information about the following
playbill:
June 15, 1953
Television
The American Road
8 PM Two Hours
The Ford 50th Anniversary Show
Frank Sinatra, Bing Crosby, Ethel Merman, Wally Cox, Amos ‘n Andy, Marian
Anderson, Mary Martin, Eddie Fisher, Rudy Vallee, Teddy Wilson
Sinatra is seen on film singing a portion of “You Go To My Head” &
“Black Magic”
Concerts
The Hippodrome, Bristol, England. (15-20)
The American Road
8 PM Two Hours
The Ford 50th Anniversary Show’
Frank Sinatra, Bing Crosby, Ethel Merman, Wally Cox, Amos ‘n Andy, Marian
Anderson, Mary Martin, Eddie Fisher, Rudy Vallee, Teddy Wilson
Sinatra is seen on film singing a portion of “You Go To My Head” &
“Black Magic”
June 16, 1953
Concerts
The Hippodrome, Bristol, England. (15-20)
June 17, 1953
Concerts
The Hippodrome, Bristol, England. (15-20)
June 18, 1953
Concerts
The Hippodrome, Bristol, England. (15-20)
June 19, 1953
Concerts
The Hippodrome, Bristol, England. (15-20)
June 20, 1953
Concerts
The Hippodrome, Bristol, England. (15-20)
June 21, 1953
Concerts
Gaumont State Cinema, Kilburn, England
Gaumont State Cinema, Kilburn, England
June 25, 1953
Television
Joan Gilbert Interviews Frank Sinatra
BBC Television
Joan Gilbert Interviews Frank Sinatra
BBC Television
----------------------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
June 29, 1953
Concerts
Moss' Hippodrome, Birmingham, England
Frank Sinatra with Bill Miller at the Piano accompanied by Billy Ternent and his Orchestra
Moss' Hippodrome, Birmingham, England
Frank Sinatra with Bill Miller at the Piano accompanied by Billy Ternent and his Orchestra
Thanks to Carl R for sending along above image.
-----------------------------------------
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
June 30, 1953
Concerts
Moss' Hippodrome, Birmingham, England (June 29 - July 4)
Show Time: 6:15 & 8:30
Billy Ternent and his Broadcasting Orchestra
Key Musicians: Bill Miller (piano) Ternent Members: Eva Beyon, Johnny Webb, Ternenteers
Bill Performers: Dancing Duvals, Bobbie Kimber & Augustus Peabody, Jackie Ross, Three Rethlems
Notes: Thanks to Carl Rasmussen for date and details.
July 1, 1953
Concerts
The Hippodrome, Birmingham, England (June 29 - July 4)
Show Time: 6:15 & 8:30
Billy Ternent and his Broadcasting Orchestra
Key Musicians: Bill Miller (piano) Ternent Members: Eva Beyon, Johnny Webb, Ternenteers
Bill Performers: Dancing Duvals, Bobbie Kimber & Augustus Peabody, Jackie Ross, Three Rethlems
The Hippodrome, Birmingham, England (June 29 - July 4)
Show Time: 6:15 & 8:30
Billy Ternent and his Broadcasting Orchestra
Key Musicians: Bill Miller (piano) Ternent Members: Eva Beyon, Johnny
Webb, Ternenteers
Bill Performers: Dancing Duvals, Bobbie Kimber & Augustus Peabody,
Jackie Ross, Three Rethlems
Cal-Neva Lodge-Lake Tahoe June 29-July 5, 1962
Ed: Frank was thrilled to be opening at
the newly remodeled Cal-Neva.
The cost to renovate and enlarge the main room was estimated to be
around
$3 million dollars. The showroom had a capacity of 500 for the
dinner show
and 700 for the late show. Frank was half owner of the resort. He
loved Lake
Tahoe. He opened on 6-29-62 and played a week's engagement. Variety
called
it a "boffo" event. "Frank Sinatra's first business
venture in northern Nevada is
off to a swinging start.. The opening attracted more than capacity
crowd in -
cluding many top business and film names from Hollywood."
Frank was intro-
ducing the songs from his forthcoming Reprise album, titled "Sinatra
& Swingin'
Brass."
There would be more dates throughout the summer. Dean Martin
opened
on 7/27. Frank joined him on stage for the second show that
evening.
July 2, 1953
Concerts
The Hippodrome, Birmingham, England (June 29 - July 4)
Show Time: 6:15 & 8:30
Billy Ternent and his Broadcasting Orchestra
Key Musicians: Bill Miller (piano) Ternent Members: Eva Beyon, Johnny Webb, Ternenteers
Bill Performers: Dancing Duvals, Bobbie Kimber & Augustus Peabody, Jackie Ross, Three Rethlems
Notes: Thanks to Carl Rasmussen for date and details.
July 3, 1953
Concerts
The Hippodrome, Birmingham, England (June 29 - July 4)
Show Time: 6:15 & 8:30
Billy Ternent and his Broadcasting Orchestra
Key Musicians: Bill Miller (piano) Ternent Members: Eva Beyon, Johnny Webb, Ternenteers
Bill Performers: Dancing Duvals, Bobbie Kimber & Augustus Peabody, Jackie Ross, Three Rethlems
Notes: Thanks to Carl Rasmussen for date and details.
July 4, 1953
Concerts
The Hippodrome, Birmingham, England (June 29 - July 4)
Show Time: 6:15 & 8:30
Billy Ternent and his Broadcasting Orchestra
Key Musicians: Bill Miller (piano) Ternent Members: Eva Beyon, Johnny Webb, Ternenteers
Bill Performers: Dancing Duvals, Bobbie Kimber & Augustus Peabody, Jackie Ross, Three Rethlems
Notes: Thanks to Carl Rasmussen for date and details.
July 5, 1953
Concerts
Trocadero, Elephant & Castle, London, England
Two Shows: 6:00 PM & 8:30 PM
Promoter: Ed W. Jones
Billy Ternent & His Orchestra
Key Musicians: Bill Miller (piano)
Trocadero, Elephant & Castle, London, England
Two Shows: 6:00 PM & 8:30 PM
Promoter: Ed W. Jones
Billy Ternent & His Orchestra
Key Musicians: Bill Miller (piano)
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
__._,_.___
July 6, 1953
Concerts
The Empire Theatre, Glasgow, Scotland (6-11)
Note: Thanks to Carl Rasmussen for this and other 1953 tour dates.
The Empire Theatre, Glasgow, Scotland (6-11)
Note: Thanks to Carl Rasmussen for this and other 1953 tour
dates.
When Scotland got Sinatra under its
skin
When Scotland got Sinatra under its skin
He came, he crooned, he conquered.
Not once, but twice. Frank Sinatra, whose centenary is being celebrated
this year, didn't just come to Scotland for that iconic Ibrox Stadium
concert in 1990; he had already visited the country almost 40 years
earlier - when he performed in Glasgow, Ayr and Dundee.
Whereas it was a living legend who held the Ibrox audience in his sway
during the 1990 concert, the Sinatra who took to several Scottish stages
in 1953 was at something of a low ebb in his career. The terrific
popularity he had enjoyed during the 1940s when he was the gangly pin-up
of the "bobby-soxers" had waned and his record sales had fallen
off; his movie career was no longer anything to write home about and his
scandalous affair with Ava Gardner, whom he divorced the mother of his
children to marry, had dented his image and alienated many fans.
When Sinatra arrived in Scotland in July 1953, nobody could have
anticipated that he was on the brink of the chapter during which his
legend would be written. Indeed, 1953 would prove - ultimately - to be a
very good year, career-wise, for the future Ol' Blue Eyes. He arrived
here having just joined Capitol Records, where he would go on to record
the albums and hits which guaranteed him eternal mega-stardom, and having
just filmed From Here to Eternity, the movie which would resurrect his
film career, establish his serious acting abilities and earn him an
Oscar.
Instead of being greeted by the thousands who had turned out to welcome
such previous Empire Theatre headliners as Laurel & Hardy, Danny Kaye
and Dorothy Lamour, Sinatra ran the gauntlet of just a small crowd of
fans upon his arrival in Glasgow's city centre just after noon on Monday
July 6 1953. Who knows how different it might have been had he arrived by
train into Central Station on the Sunday - as was the custom of most
stars beginning a two-shows-a-night run at the Empire Theatre on the
Monday? Certainly the absence of the scenes of near hysteria which had
greeted previous visiting stars added to the impression that Sinatra was
a has-been.
The truth is: Sinatra had been unable get to Glasgow sooner as he had
been performing at the London Palladium the night before - so he flew up
on the day of his first show, leaving Mrs Sinatra filming the MGM costume
drama The Knights of the Round Table in the capital. By this point, two
years into their ill-fated marriage, the cracks were already beginning to
show - and, just three months later they announced their
separation.
The subject of Ava Gardner doesn't appear to have been up for discussion
during a relaxed press reception in the lobby of the Central Hotel almost
immediately upon Sinatra's checking-in. Coming over as extremely affable
and unaffected, the 39-year-old, who was referred to as "The
Voice" and "Swoonatra" in the papers, lit his pipe and
discussed his love of golf (his handicap was 24) and his plan to support
Ben Hogan at the Open Golf Championship which was underway at Carnoustie.
(He watched the fourth morning's play later that week before returning to
Glasgow for his early evening performance.)
He raved about some of the BBC television drama he had watched during his
British visit thus far - and revealed that he was keen to produce or
direct TV shows and movies. And in what now, with the benefit of the
hindsight that this was the singer later regarded as the greatest of the
20th Century, sounds like a bombshell, Sinatra told the Evening Times
that the "future of Frank", as he saw it at that point, meant
less and less singing and more and more light comedy.
Indeed, that night, in front of a packed first house at the Empire, the
star - whose looks were described as "lean and hungry" -
revealed his comedy skills. He wisecracked about everyone from Ben Hogan
to - intriguingly - Willie Waddell, the Rangers and Scotland footballer,
whose inclusion in the act was probably a first-night exercise in Sinatra
testing the waters about which subjects went down well in
Glasgow..
The crowd howled with laughter in response to his "Old Man [Bing]
Crosby" parody of Old Man River and his ad-libbing skills. Having
sung the All of Me line "Take my arms", he paused, and asked
increduously: "Arms?"
Of course it was his singing which drew squeals, yelps, whistles and
roars from the full house. He brought gasps from the women in the
audience with his prolonged notes, and the last few bars of every number
were drowned in applause. And it wasn't only the women who were dazzled
by "The Voice". Hugh Napier of Helensburgh recalls "the
magic" of Sinatra at the Empire. He says: "We knew we were
experiencing greatness. It was wonderful. His phrasing was immaculate and
the way he put over the number in sympathy with the words was
spell-binding."
Concentrating on songs from earlier in his career ("There have been
no songs written in the past six months which are conducive to me,"
he explained), Sinatra sang for an hour, accompanied onstage by his
pianist Bill Miller, and with Billy Ternent's Orchestra in the pit. Among
the numbers were a show-stopping version of Old Man River, September
Song, Nancy With the Laughing Face, Birth of the Blues and Embraceable
You.
And, taking a page out of Danny Kaye's book, he endeared himself to the
crowd by taking a tea-break, just behind the footlights. "It gives
me a rest," the down-to-earth crooner explained.
Indeed, being down-to-earth was one of the most striking characteristics
of the Frank Sinatra who came to Glasgow that summer. So unaffected was
he that he didn't wear any stage make-up and strolled onstage wearing the
suit he had left his hotel room in.
Writing in 1990 about his 1953 encounters with Sinatra, the Glasgow
Herald's entertainments editor Andy Young said: "He never used his
dressing room at all at the Empire. The same towel hung unused all week.
A limo would drop him at the theatre a few minutes before each show. He
would walk straight in off the street onto the stage, without a sign of
the screaming, hysterical, fainting bobby-soxers who had mobbed him
everywhere he went" just a few years before.
The 1953 Sinatra was also extremely approachable; he even did the
approaching in one notable instance cited by Andy Young. "One night
I was standing at the Empire stage door when a woman, unused to the
theatre, was trying to buy tickets there. Suddenly, this quiet, friendly
American voice came from over her shoulder. 'I'll show where to get them,
ma'm.' Yes, it was Sinatra and he took her out onto the pavement in West
Nile Street and directed her round the corner to Sauchiehall Street,
where the box-office was located."
--Thanks to Carl R for the above article.
Just to tell that the photo of FS with coat and hat fis not in Scotland
but at the Paris Orly Airport. On the larger photo you can see the
letters of the Air France company. That photo has been edited as a
postcard around 40 years ago. Best Michel
----
The Sunday Herald wrote:
When Sinatra arrived in Scotland in July 1953, nobody could have
anticipated that he was on the brink of the chapter during which his
legend would be written. Indeed, 1953 would prove - ultimately - to be a
very good year, career-wise, for the future Ol' Blue Eyes. He arrived
here having just joined Capitol Records, where he would go on to record
the albums and hits which guaranteed him eternal mega-stardom, and having
just filmed From Here to Eternity, the movie which would resurrect his
film career, establish his serious acting abilities and earn him an
Oscar.
Instead of being greeted by the thousands who had turned out to welcome
such previous Empire Theatre headliners as Laurel & Hardy, Danny Kaye
and Dorothy Lamour, Sinatra ran the gauntlet of just a small crowd of
fans upon his arrival in Glasgow's city centre just after noon on Monday
July 6 1953. Who knows how different it might have been had he arrived by
train into Central Station on the Sunday - as was the custom of most
stars beginning a two-shows-a-night run at the Empire Theatre on the
Monday? Certainly the absence of the scenes of near hysteria which had
greeted previous visiting stars added to the impression that Sinatra was
a has-been.
The subject of Ava Gardner doesn't appear to have been up for discussion
during a relaxed press reception in the lobby of the Central Hotel almost
immediately upon Sinatra's checking-in. Coming over as extremely affable
and unaffected, the 39-year-old, who was referred to as "The
Voice" and "Swoonatra" in the papers, lit his pipe and
discussed his love of golf (his handicap was 24) and his plan to support
Ben Hogan at the Open Golf Championship which was underway at Carnoustie.
(He watched the fourth morning's play later that week before returning to
Glasgow for his early evening performance.)
He raved about some of the BBC television drama he had watched during his
British visit thus far - and revealed that he was keen to produce or
direct TV shows and movies. And in what now, with the benefit of the
hindsight that this was the singer later regarded as the greatest of the
20th Century, sounds like a bombshell, Sinatra told the Evening Times
that the "future of Frank", as he saw it at that point, meant
less and less singing and more and more light comedy.
Indeed, that night, in front of a packed first house at the Empire, the
star - whose looks were described as "lean and hungry" -
revealed his comedy skills. He wisecracked about everyone from Ben Hogan
to - intriguingly - Willie Waddell, the Rangers and Scotland footballer,
whose inclusion in the act was probably a first-night exercise in Sinatra
testing the waters about which subjects went down well in
Glasgow.
The crowd howled with laughter in response to his "Old Man [Bing]
Crosby" parody of Old Man River and his ad-libbing skills. Having
sung the All of Me line "Take my arms", he paused, and asked
increduously: "Arms?"
Of course it was his singing which drew squeals, yelps, whistles and
roars from the full house. He brought gasps from the women in the
audience with his prolonged notes, and the last few bars of every number
were drowned in applause. And it wasn't only the women who were dazzled
by "The Voice". Hugh Napier of Helensburgh recalls "the
magic" of Sinatra at the Empire. He says: "We knew we were
experiencing greatness. It was wonderful. His phrasing was immaculate and
the way he put over the number in sympathy with the words was
spell-binding."
Concentrating on songs from earlier in his career ("There have been
no songs written in the past six months which are conducive to me,"
he explained), Sinatra sang for an hour, accompanied onstage by his
pianist Bill Miller, and with Billy Ternent's Orchestra in the pit. Among
the numbers were a show-stopping version of Old Man River, September
Song, Nancy With the Laughing Face, Birth of the Blues and Embraceable
You.
And, taking a page out of Danny Kaye's book, he endeared himself to the
crowd by taking a tea-break, just behind the footlights. "It gives
me a rest," the down-to-earth crooner explained.
Indeed, being down-to-earth was one of the most striking characteristics
of the Frank Sinatra who came to Glasgow that summer. So unaffected was
he that he didn't wear any stage make-up and strolled onstage wearing the
suit he had left his hotel room in.
Writing in 1990 about his 1953 encounters with Sinatra, the Glasgow
Herald's entertainments editor Andy Young said: "He never used his
dressing room at all at the Empire. The same towel hung unused all week.
A limo would drop him at the theatre a few minutes before each show. He
would walk straight in off the street onto the stage, without a sign of
the screaming, hysterical, fainting bobby-soxers who had mobbed him
everywhere he went" just a few years before.
The 1953 Sinatra was also extremely approachable; he even did the
approaching in one notable instance cited by Andy Young. "One night
I was standing at the Empire stage door when a woman, unused to the
theatre, was trying to buy tickets there. Suddenly, this quiet, friendly
American voice came from over her shoulder. 'I'll show where to get them,
ma'm.' Yes, it was Sinatra and he took her out onto the pavement in West
Nile Street and directed her round the corner to Sauchiehall Street,
where the box-office was located."
--Carl
---
Songs, stories and swoons: Frank Sinatra in Glasgow, 1953
LEGENDARY crooner Frank Sinatra’s Ibrox stadium concert in 1990 was
not the first time he had visited Glasgow.
On Monday, July 6, 1953, he performed at the Empire, part of a
mini-Scottish tour which included Ayr and Dundee.
It was a strange time in life – his record sales had dropped, his movie
career had stalled and his affair with Ava Gardner had seriously dented
his image for many fans.
He was not Ol’ Blue Eyes at this point – the newspaper headlines called
him The Voice, and Swoonatra - but as he held an informal press
conference in the lobby of the Central Hotel (now the Grand Central)
no-one could have guessed what lay on the horizon.
Recently signed to Capitol Records, 1953 would be the year to re-launch
his career in style, with huge albums and mega-hits, and an Oscar-winning
role in From Here to Eternity.
American singer, actor and producer Sinatra, who was born in 1915 and
died in 1998, was one of the most popular and influential musical artists
of the 20th century. He is one of the best-selling music artists of all
time, having sold more than 150 million records worldwide.
The Evening Times reported his arrival in Glasgow back in 1953 with the
headline: “The Voice Makes An Easy Entry Into Glasgow”, revealing that
the singer ‘ran a small gauntlet of fans’ on his arrival at the
hotel.
“Then, pipe in hand and going nicely with the help of a borrowed match,
he talked easily with a reception committee of pressmen.”
He talked about golf, admitting that he played erratically, and planned
to pop up to Carnoustie to catch some of his compatriots at the Open if
he had time; and refused to be drawn into the big debate of the day
surrounding advertising on television.
He told the Evening Times that he was a big admirer of BBC drama, and
thought it “could lick anything” he had seen in the States.
The report continued: “He talked, only a little and under prompting,
about Frank Sinatra. The future of Frank, as he sees it, seems to mean
less and less singing and more and more comedy…The pipe in hand Frank is
a remarkably changed character from the chip on the shoulder Frank we
have read about. Glasgow should like him more than somewhat.”
At the Empire that night, Sinatra wisecracked and sang his way through
his set, dazzling his audience with accompaniment from pianist Bill
Miller and the Billy Ternent Orchestra. Among the numbers were classic
songs like Old Man River, September Song, Nancy With the Laughing Face,
Birth of the Blues and Embraceable You.
The supporting set, reported the Evening Times the next day, included
“funster George Martin,” jugglers The Three Lederers, roller skaters
Williams and Sand and Jackie Ross.
The reviewer said: “Mr Sinatra can croon - no doubt about that - but
there is also a rich personality in that slender-built frame which can
keep up a heavy barrage of cool, casual repartee for an hour or more.. He
even has a chat with us over a nice cup of tea while taking a breather -
“it helps the chords” he says.
“But it’s when he drools over Mr Mike, with refrains like Embrace Me and
Nancy, that the voice really scores and oh! Frankie, how the audience
loved it!”
July 7, 1953
Concerts
The Empire Theatre, Glasgow, Scotland (July 6-11)
July 8, 1953
Concerts
The Empire Theatre, Glasgow, Scotland (6-11)
July 9, 1953
Concerts
The Empire Theatre, Glasgow, Scotland (6-11)
July 10, 1953
Concerts
The Empire Theatre, Glasgow, Scotland (6-11)
July 11, 1953
Radio
BBC Showband Show
Cyril Stapleton and Orch.
Saturday
Location: Paris Cinema,Lower Regent Street,London
1. Birth of the Blues
2. I'm Walking Behind You
3. Ol' Man River
Ed O'Brien notes: I have an interview Stapleton did in Australia in 1971. He has some very interesting comments regarding Frank's two appearances on his show in July of 1953.
Thanks to Fredrick J Wadsworth for location and this addition: Frank was paid Ł45.
Television
NONE
Concerts
The Empire Theatre, Glasgow, Scotland (6-11)
BBC Showband Show
Cyril Stapleton and Orch.
Saturday
Location: Paris Cinema,Lower Regent Street,London
1. Birth of the Blues
2. I'm Walking Behind You
3. Ol' Man River
July 12, 1953
Concerts
Green's Playhouse, Ayr, Scotland,
2 performances.
At Green's Playhouse in Ayr on Sunday 12, the 3pm show only attracted 500 audience members, but the 3000-seater hall looked to be well-filled in the evening.
Green's Playhouse, Ayr, Scotland,
2 performances
1953: Green's Playhouse, Ayr, Scotland,
2 performances.
Thanks to Carl R for the above images and information.
The more research I do on the extensive tour, in 1953, the more amazed I am. Frank sold out a number of venues throughout his three month plus appearances
in Europe, and he also played to less than a few hundred people in some theatres. It really was feast or famine for him. His determination to persevere despite meager
crowds seems to have endeared him with the locals in many of the cities along his route. At the end of August, he would play to SRO crowds at the 500 Club in Atlantic
City and that success would carry over at Bill Miller's Riviera Club in September. There would still be a few ups and downs over the next six months. He failed to attract
sizable crowds in Miami the following winter. But overall his career was on a positive trajectory that would become the norm for the next 40 years.
--Ed
Ol' Blue Eyes in Scotland
by Paul F. Cockburn on 17 November, 2015 in Arts & Culture
On the centenary of Frank Sinatra's birth, Paul F Cockburn looks back to his two trips to Scotland.
"The lean and hungry look came to the Glasgow Empire last night. But there was nothing lean or hungry about the audience or about the performance by Frank Sinatra," according to the Daily Record on 7 July 1953. Under the title "Swoonatra' can still knock 'em cold," the review went on: "The bobbysoxers may have shifted their allegiance in recent years, but I prefer Sinatra. And an audience of all ages last night obviously agreed with me."
Yet Francis Albert Sinatra's brief tour of Scotland that month a Monday-to-Friday run at the Glasgow Empire (6-11 July), followed by two shows at Green's Playhouse in Ayr (on Saturday 12 July), and a further two that Sunday (13 July) in Dundee's cavernous Caird Hall have since been overshadowed by tales of poor ticket sales and Sinatra's apparent petulance about his then-"stalling" career, given that Rock 'n' Roll and Elvis Presley were just around the corner.
Indeed, when the agent who booked those Ayr and Dundee gigs, Peter deRance, died nearly 60 years later, most media attention focused on how this otherwise highly successful agent the man who'd brought the likes of Ken Dodd and Bob Monkhouse to Scotland had somehow managed to lose money on "Ol' Blue Eyes".
Newspaper coverage from the time, however, gives no suggestion that things were not going well for Sinatra; there's not even any mention of apparent coin-throwing by those traditionally "difficult" Glaswegian audiences. As for further north: "What a wonderfully enthusiastic crowd they were," he said of his final Dundee audience, to a reporter from the Courier and Advertiser (now Dundee Courier).
Publicly, Sinatra expressed no disappointment over the fact that his early evening audience had consisted of around 500 people, sat in the cheaper seats towards the back of the hall. Famously, he'd invited them down to largely empty 15/- seats at the front, where he could see them: "Hey, you guys back there in Perth, move down to the front." And they did!
Sinatra insisted that the shows weren't simply about numbers, even when the main evening show barely filled more than half of the Caird Hall's 2,000 seats. "That happens in other cities," he said. "What really matters is their response, and it was wonderful. I have a very high opinion of Scottish audiences."
Yet it would be almost 38 years before Sinatra returned, for a one-off concert at Ibrox stadium as part of Glasgow's Year of Culture celebrations in 1990. Understandably, this long gap has fueled speculation that, following his experiences in 1953, "the Chairman of the Board" had been in no hurry to come back to Scotland; that, in fact, his only fond memories of the entire trip had been seeing legendary American golfer Ben Hogan complete golf's Triple Crown by winning the 1953 British Open at Carnoustie.
And, for a time, history looked as if it was going to repeat itself in 1990, when lower-than-expected ticket sales forced a scaling back of the venue's capacity from 33,000 to 11,000 seats. Yet Sinatra who immediately won over the crowd by introducing himself as "the American Andy Stewart" later described Ibrox as one of the highlights of his career.
Not only did he leave the stage to stroll up and down the running track around the pitch, to be closer to the audience, "Ol' Blue Eyes" even gave an encore something he never usually did!
"He walked onstage, did the show, then left," Barry Wright of Edinburgh-based Regular Music later said. "But it was obvious he was enjoying himself."
As indeed, was his audience!
First published in Scottish Memories, December 2015.
--Carl
---------------------------------------
JULY 13, 1988
In this July 12, 1988, file photo, Frank Sinatra and his wife, Barbara, appear at Milton Berle’s 80th birthday party in Los Angeles.
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
July 13, 1953
Concerts
Caird Hall, Dundee, Scotland,
2 performances.
July 16, 1953
Radio
BBC Show Band Show
1. Day In Day Out
2. I've Got The World On A String
Note: "Day In, Day Out" & "I've Got The World On A
String" appear on the CD: From The Vaults Two & More
AA202.
NOTE: Ed 'Brien points out that this was Sinatra's second appearance on
Show Band. He appeared on June 11, 1953 and sang "Birth of the
Blues," "Ol' Man River," and "I'm Walking Behind
You." On this July 16th show, he opened with "I've Got
the World on a String" (Riddle chart). He did the inferior Siravo at
Blackpool on July 26. "Day in, Day Out" (Stordahl chart),
and "London By Night" (Stordahl). Announcer says before the
last number, "You're not finished yet." Sinatra came back
with "You're darn right and I'll fight the first guy who says I
am."
Fredrick j Wadsworth:
Frank's second show,he was paid £60.
Sinatra was a guest on David Jacobs' half-hour Saturday show on
Radio Luxembourg from London
Title of Jacobs' show in 1953 was "Portrait of a Star."
Frank was an hour and 40 minutes.
late for the taping. He did not apologize Frank merely said that he
had been playing golf,
doing so well he went around again. Told Jacobs he didn't mind what
questions were asked,
but if he mentioned Ava, Frank would push the microphone down his
throat. Jacobs did
not mention the woman's name.
Ruby Murray had been the guest the previous week. When Jacobs told Frank,
he
said, "That's the girl who has made a fortune out of
laryngitis." Frank brought along his new
Capitol single "I've Got The World On A String/"My One And Only
Love."
Jacobs mentions that the show was done around the same time as the
Showband"
appearance. Frank was in England when the 7-16 show was aired. Jacobs 30
minute show
was on every Saturday. I would think the Sinatra appearance probably took
place on either
7/11 or 7/18.
--Ed
BBC Show Band Show
1. Day In Day Out
2. I've Got The World On A String
Note: "Day In, Day Out" & "I've Got The World On A
String" appear on the CD: From The Vaults Two & More
AA202.
Here are some photos from the BBC shows, both June 11th and July
16th 1953.
Carl
June 1953 - Sinatra and BBC Show Band
Frank photographed with Rikki Fulton on the BBC band show,
1953.
Frank Sinatra at BBC Radio with Rikki Fulton (L) and Johnnie Stewart (R)
(producer), 1953:
July 19, 1953
Concerts
De Monfort Hall, Leicester, England
Sunday evening
Shows at 3: 00 and 6:30 Pm
Billy Trenent and His Orchestra
Bill Miller on piano
.
De Monfort Hall, Leicester, England
Sunday evening
Shows at 3: 00 and 6:30 Pm
Billy Trenent and His Orchestra
Bill Miller on piano
SINATRA, FRANK - Leaf torn from a souvenir programme
Leaf torn from a souvenir programme, signed and inscribed by Frank
Sinatra "All the best son. Hope it is over before you get there.
Frank Sinatra", one page, some folding with splitting, age toning
and light foxing, 19 July 1953. Provenance: the vendor is the son of the
former Entertainment Manager of the De Montfort Hall in Leicester. A
concert of Frank Sinatra was scheduled for the night of July 19th, 1953.
The vendor's father went to Sinatra's dressing room and asked him to sign
the programme for his son, who was then in the Army and about to leave
for Korea. The Korean War actually finished just as the vendor arrived
there.
My aunties and Frank Sinatra outside De Montfort Hall, Leicester,
1953.
Thanks to Carl R. for photo and information above.
July 20, 1953
Concerts
Palace Theatre, Manchester England
One Week Commencing July 20
2 shows a night(6:15 and 8:30) with Billy Ternent Orchestra
Bill Miller,piano
.Manchester Evening News 7-13-53
Manchester Evening News 7-21-53
The Guardian July 21, 1953
Palace Theatre Manchester England
One Week Commencing July 20
2 shows a night(6:15 and 8:30)with Billy Ternent Orchestra
Bill Miller,piano
July 20-21-1964
Las Vegas, Nevada
Warner Brothers/Reprise Sales Convention
Frank Sinatra, Dean Martin, Trini Lopez, Lou Monte
July 21, 1953
Concerts
Palace Theatre Manchester England
One Week Commencing July 20
2 shows a night(6:15 and 8:30)with Billy Ternent Orchestra
Bill Miller,piano
July 22, 1953
Concerts
Palace Theatre, Oxford Street, Manchester, England
Week commencing Monday July 20 -25
Shows 6:15 and 8:30
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone), Brian Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff (trumpet), Eric Todd (trumpet), Stan Howard (trumpet), Jack Davies (trombone), Hughie Akehurst (trombone), Reg Guest (piano), Tommy Callaghan (drums), Les Pearce (bass), Terry Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
July 23, 1953
Concerts
Palace Theatre, Oxford Street, Manchester, England
Week commencing Monday July 20 -25
Shows 6:15 and 8:30
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra:
Bill Miller (piano), Dennis Walton (alto sax),
Ivan Dawson (alto sax), Bill Humphrey (baritone),
Brian Wicks (tenor sax), Bob Humphries (tenor
sax), Harold Luff (trumpet), Eric Todd (trumpet),
Stan Howard (trumpet), Jack Davies (trombone),
Hughie Akehurst (trombone), Reg Guest (piano),
Tommy Callaghan (drums), Les Pearce (bass), Terry
Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
July 24, 1953
Concerts
Palace Theatre, Oxford Street, Manchester, England
Week commencing Monday July 20 -25
Shows 6:15 and 8:30
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone), Brian Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff (trumpet), Eric Todd (trumpet), Stan Howard (trumpet), Jack Davies (trombone), Hughie Akehurst (trombone), Reg Guest (piano), Tommy Callaghan (drums), Les Pearce (bass), Terry Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
Palace Theatre, Oxford Street, Manchester, England
week commencing Monday July 20 -25
Night Sinatra slept on the sofa
FRANK Sinatra slept on the sofa at a Manchester policeman's home after a late-night drinking session. Ol' Blue Eyes went on a boozing session with the beat bobby after they met at the Palace theatre.
By John Scheerhout 20:22, 17 APR 2010 UPDATED10:08, 13 JAN 2013
STAR MEMORY: Former policeman Dennis Wood
FRANK Sinatra slept on the sofa at a Manchester policeman's home after a late-night drinking session.
Ol' Blue Eyes went on a boozing session with the beat bobby after they met at the Palace theatre.
Sinatra, who had yet to hit the big time, was at a low ebb, having performed in front of a half-empty theatre during a tour of Britain in 1952.
He spotted the officer having his regular pint at the stage door and asked if he could join.
A member of staff got the policeman a second pint and provided one for Sinatra.
The bobby briefly returned to Bootle Street police station to clock off, then came back and the drinking continued in the theatre bar until 2am.
Sinatra, by now sozzled, couldn't remember where he was staying, so the officer took pity on him and invited him to his home on Scotland Hall Road, Newton Heath, where the singer crashed out on the sofa.
Staggered
The officer staggered into bed, accidentally woke his wife and told her who was downstairs. She thought it was a bad joke and went back to sleep.
The bobby woke early the next morning for his shift and roused a snoring Sinatra. The pair then headed into Manchester in a taxi, where Frank found his hotel keys, said thanks and disappeared.
Sinatra's career took a dramatic turn for the better and the story became an anecdote that the officer - who has since died and whose name has never been revealed - regularly told disbelieving colleagues.
Now one of them, Dennis Wood, has made the story public for the first time in a book, A Few Coppers More - True Tales of Policing In Manchester.
Dennis, 79, a retired sergeant from New Moston, said: "Frank was a non-entity then, playing to sparse crowds. In those days, it was common for bobbies to have a drink. The Palace Theatre was on this bobby's beat and he would call at the stage door for a pint.
"Frank saw him and says `I sure could do with one of those' and there's a drinking session. It gets to about 2am and Frank is legless and can't remember where his hotel is and the officer puts him up.
"When the officer tells his wife who is on the sofa she thinks it's one of his drinking pals.
"Of course, she didn't see him the next day and didn't believe the story, but it was true.
"As far as I'm aware, she is still alive. Maybe she will read this and change her mind
Hi Ed,
No wonder the policeman's wife didn't believe her husband.
Here is the front of the programme from Manchester.
Carl
July 25, 1953
Concerts
Palace Theatre, Oxford Street, Manchester, England
Week commencing Monday July 20 -25
Shows 6:15 and 8:30
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis
Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone), Brian
Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff (trumpet), Eric
Todd (trumpet), Stan Howard (trumpet), Jack Davies (trombone), Hughie
Akehurst (trombone), Reg Guest (piano), Tommy Callaghan (drums), Les Pearce
(bass), Terry Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
July 26, 1953
Concerts
Opera House, Blackpool, England
1. When You're Smiling -- does a little scatting Siravo chart
2. That Old Black Magic Hefti arg. from "Meet Danny Wilson."
3. You Go To My Head Stordahl chart lovely reading
4. Ol' Man River Stordahl
5. Ol' Man Crosby ( parody )
6. Sweet Lorraine Sy Oliver arg from 12-15-46 session with Jazz All-Stars
6. Birth Of The Blues Heinie Beau chart
7. Embraceable You changes the lyrics a bit
8. One For My Baby Bill Miller backs him on piano
9. Don't Worry 'Bout Me sings the verse Riddle arg.
10. I've Got The World On A String for some inexplicable reason, he used the
Siravo chart
11. It Never Entered My Mind one of the finest reading you will ever hear
12. All Of Me Gershenson's backing from "Meet Danny Wilson."
13. Night And Day Stordahl's famous arrangement
14. closing remarks. Does a bad imitation of Churchill
note: This is the first show line-up. Frank added "Nancy" for the evening
show which was SRO.
Ed O'Brien:
Sixty-seven years ago tonight Frank Sinatra performed at
the Opera House in Blackpool, England. He did two
shows on that Sunday evening with Billy Ternent and
His Orchestra. Bill Miller accompanied Frank on piano.
The theatre seated almost 3,000 people. Frank played
to less than a 1,000.
We have a recording from that evening. A doctor from Leeds,
England recorded the show with a reel-to-reel tape machine.
The audio was transmitted to another theatre owned by the
same company. The doctor set his machine up directly in
front of the speaker. We owe him a great debt of thanks.
He captured Frank at the beginning of his greatest period
as both a recording artist and in-person performer. What
we hear from that night is a very uncertain performer. At
times his patter has an almost desperate quality to it. He
is even confused as to the name of the theatre, calling it
the Odeon and a "joint." But none of this matters in the
least, because the singing is glorious.
Opera House, Blackpool, England
CORGI BLACKPOOL BALLOON TRAM FRANK SINATRA CODE3
What an interesting display. And what an interesting time
for Sinatra. "Eternity" would open in August and then he would
knock
the crowds dead at the 500 Club and Bill Miller's Riviera. But the
European tour was up and down all through the spring and summer.
I came across an article ranking the performances in
"Eternity." Frank's
portrayal of Maggio was the overwhelming winner. Last week, I
listened
to the two Crosby shows from 3-21 and 28-54. At the end of the first
show, Bing invites Frank back the next week after he wins his Oscar.
Frank wants to know what if he doesn't win. Bing tells him to come
anyway.
Ed
Ed O'Brien:
On this day in 1959, Sinatra received an award
from Bill Rodstein at the Sinatrama Club in Philly.
Frank gave a short speech. The ceremony was made available on a 45
record
issued by the club.
Johnny1i asked:
What was the sinatrama club? I'm from philly originally, and isn’t the
club the one who released on album the 5am 500 club concert with frank,
dean and sammy?
Ed responded:
Bill Rodstein's Sinatrama was in South Philly.
The Latimer Room had 685 Sinatra songs on the juke boxes.
The 4:AM 500 Club, 8-25-62, was given out at the club
and a 45 of the July 59 presentation was also made available.
Rodstein's was very popular and Sinatra did stop in a few times.
There's 800 records in the
bistro's five juke boxes, and Sinatra is the only artist they play.
SINATRA SHRINE IN PHILADELPHIA By MAURIE ORODENKER
THE SQUEALING, the shrieking and the screaming of any given horde of
Beatles fans can never equal the devotion and dedication Frank Sinatra
derives from one particular fan. For no greater love hath any man for
"the" man" than William K. Rodstein. No brash teenager is
Big Bill, having earned his sobriquet because of six-foot-plus size. But
as big as he is, that's how moonstruck is he in his fanaticism for
Sinatra. And so, adding to the many historical and cultural shrines that
dot the Philadelphia scene is a shrine, as New York columnist Earl Wilson
once described it, "a shrine dedicated to the life and works of
Frank Sinatra." Despite the prior claims of Hoboken, N. J., on the
"man," it is in a modest building in center city on 17th Street
near Locust that houses the world's largest collection of phonograph
records, paintings, photographs, posters, newspaper clippings, books and
magazines, and other memorabilia of Big Bill's ideal. There's even a
picture-life size, naturally-messed up with lipstick from customers'
kisses. The shrine is in Big Bill's Latimer Club. And it's called the
Sinatrama, which gets top billing over the after dark spot itself. And
it's here one finds everything exclusively Sinatra- everything from a
bare back blow -up of the idol taken at the tender age of three months to
his very latest record release. In July 1958, Rodstein first began to
line the walls of the small back room of his nitery with pictures of
Sinatra. From that small back room, the collection has grown like a
fungus until now, Sinatra covers every inch of wall space, the stairways,
the windows and the doors. You can even see Frank peering down at you
from the ceiling. Young Sinatra in his confirmation suit, right the way
through to stills, of the mature Sinatra from his "Manchurian
Candidate" film. The only place a person can go in the Latimer where
there is no picture of Sinatra is into the men's room. But for the
ladies, gallant Big Bill affords them an added thrill with a life -sized
photo of Frankie Sinatra grinning at them from the walls of their own
little powder room. It was no snap judgment on the part of Big Bill in
stringing his long and successful career as nightclub boniface to
Sinatra's tails. Way back in the '30's, when Big Bill was pioneering in
the juke box field, he was smitten by the Sinatra tonsil. "I never
met him, i didn't even know who he was," reminisces Big Bill.
"But i knew that I liked his singing better than any other singer. I
loaded all my music machines with records that featured Sinatra's vocals
with the big bands. And my confidence paid off because the Sinatra
singing paid off in the play at all of my juke box locations."
Naturally, the room's juke box is all- Sinatra, too. The only choice you
have is between new Sinatra disks and old ones. And if nobody is putting
money in the coin slots, another juke box comes on automatically and
plays Sinatra LP's for free. To house The Sinatra Report in what is
unquestionably an unrivaled collection of Sinatraphile on wax, tape and
acetate, there are actually no less than five standard juke boxes at the
Sinatrama. Big Bill estimates there are more than 800 Sinatra records in
his collection -at all speeds. Three of the juke boxes contain 45's and
33's. One juke box is exclusively for LP's. The fifth machine of earlier
vintage, is for the 78's. Titles are kept on a master roll -an index file
and a grouping of music machine wall boxes requires merely a flick of Big
Bill's finger to put the needle on any selected groove. Says Big Bill
proudly: "if I don't have the Sinatra record you ask for, I'll mow
your lawn, shovel your driveway, walk your dog or wash your car!" He
has still to do any of these chores. With such a wide choice of singles,
extended players and albums, the top favorites of all the sides over the
years are "The Lady Is a Tramp" and "Come Fly With
Me." However, for those who don't want to hear Sinatra sing, you can
hear Sinatra talk. There are a variety of off -the -air tapes. The prize
tape, and which is given the biggest play by the Sinatrama bossman, is
the cartridge that unwinds an interview that Big Bill himself had with
Sinatra while attending a Sports Writers Association dinner in Los
Angeles. It was then that Big Bill discussed his plans for the Sinatrama
and the permission granted with the promise that he would personally
visit the "shrine" when he visits Philadelphia. But it was only
a promise. The closest Sinatra ever came to the Sinatrama was in 1960
when he came to the Sons of Italy Hall -less than a mile away -to receive
an award from the Custodes Pacis Lodge of that order. However, Sinatra's
mother and father were among the many celebrities coming to Sinatrama
-paying their respects the night they came to town to attend the
ceremonies at the Sons of Italy when the order for the first time named a
lodge after a living man. (The Frank Sinatra Lodge, naturally.) So you
don't want to hear Sinatra singing? You don't want to hear Sinatra
singing? Undismayed, this dedicated Sinatraphile will turn to a movie
projector and unreel the film of Frankie's world charity tour a few years
ago. It is only natural that the nation's first shrine to Frank Sinatra
should be in Philadelphia. It was here that Frankie's very first fan
club-Sinatra Crusaders -was formed. The young girls who started it
recognized Sinatra's talents when he was still a vocalist for Harry
James, before he went with Tommy Dorsey. A favorite watering place for
the show business celebrities and particularly for the sporting world
personalities, Big Bill has kept no statistics on the number of people
who visit his Sinatrama. What's important to Big Bill is the fact that
there is no diminution in the drawing power of his fantastic collection
of Frankieana. There's nothing like it anywhere else in the world, and
it's far too late for it to be started somewhere else even if anyone had
the energy and time that Big Bill has given to it.
Billboard
July 27, 1953
Concerts
Moss' Empire, Liverpool, England (July 27 - August 1)
Two Show nightly
Time: 6:20 & 8:35
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis
Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone),
Brian Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff
(trumpet), Eric Todd (trumpet), Stan Howard (trumpet), Jack Davies
(trombone), Hughie Akehurst (trombone), Reg Guest (piano), Tommy
Callaghan (drums), Les Pearce (bass), Terry Walsh (guitar), Eva Beynon
(vocalist), Johnny Webb (vocalist)
Liverpool Daily Post
July 28, 1953
Moss' Empire, Liverpool, England (July 27 - August 1)
The framed bill in Ma Egerton's for Frank Sinatra's shows at the
Liverpool Empire
Ol Blue Eyes is back and drinking Guinness at the bar of Ma Egertons
behind Liverpools Empire Theatre.
Well, hes not but author Spencer Leigh is recreating the scenes when
legendary singer Frank Sinatra popped into the pub during his one and
only visit to Liverpool.
Spencers new book, Frank Sinatra: An Extraordinary Life tells
readers how Franks visits are today used to promote Ma Egertons pizzas
(the Frank Sinatra pizza includes Parma Ham and Parmesan
cheese).
Sinatra appeared at the Empire for a week of shows beginning on Monday
July 27, 1953 with full supporting variety company and Bill Miller at
the piano.
He was 37 at the time of his visit, and booked into the Prince of Wales
Hotel in Southport but he ended up leaving because the receptionist
didn't recognise him! Eventually, he lay his hat and ego in the
Birkdale Palace Hotel.
Poor Frankie! His career was, relatively, at a low ebb in the early 1950s
although it was to get a major boost soon after his trip to Liverpool,
when the film From Here To Eternity was released, which won him an Oscar
for Best Supporting Actor.
The Liverpool Empire bill for Frank Sinatra's shows in 1953
At the Empire he performed at 6.20pm and 8.35pm, and Spencer says:
He was still getting good houses they were about half full, which is
still pretty good at the Empire. But yes, his ego was always enormous
that was part of the fun of writing about him.
When he was in a room he was the centre of attention he knew he was a
number one artist who had a wonderful voice. He was always Frank Sinatra
the star never just an ordinary man. He would have liked to have been
seen in Ma Egertons and it would have been the easiest place for him
to go.
The ECHO has previously reported how a regular told pub owner Iain
Hoskins that Sinatra had been seen drinking a half of Guinness at the bar
(surely it must have been a pint!) and said it was the best he had ever
tasted.
Other accounts about his fondness for Ma Es have suggested he was keen
to experience a traditional English pub and, also, that he had to be
fetched back to the Empire from the boozer moments before the curtain was
due to go up.
Spencer, meanwhile, also explains how the late Ginger McCain, the
future trainer of Red Rum, was the singers driver for the week, and
Ginger is quoted from his autobiography, saying: He was a little rabbit
of a man. I wouldnt give you tuppence for him. He was supposed to be a
big star but Red Rum knocked him into a cocked hat.
But there was a missed opportunity here to discuss a shared interest,
as Spencer explains: Frank liked gambling, so they could have talked
about horses!
Liverpool Echo - Tuesday July 28, 1953
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive
Louella Parsons
7-27-53
July 28, 1953
Concerts
Moss' Empire, Liverpool, England (July 27 - August 1)
Two Show nightly
Time: 6:20 & 8:35
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra:
Bill Miller (piano), Dennis Walton (alto sax),
Ivan Dawson (alto sax), Bill Humphrey (baritone),
Brian Wicks (tenor sax), Bob Humphries (tenor
sax), Harold Luff (trumpet), Eric Todd (trumpet),
Stan Howard (trumpet), Jack Davies (trombone),
Hughie Akehurst (trombone), Reg Guest (piano),
Tommy Callaghan (drums), Les Pearce (bass), Terry
Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
July 29, 1953
Concerts
Moss' Empire, Liverpool, England (July 27 - August 1)
Two Show nightly
Time: 6:20 & 8:35
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis
Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone), Brian
Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff (trumpet), Eric
Todd (trumpet), Stan Howard (trumpet), Jack Davies (trombone), Hughie
Akehurst (trombone), Reg Guest (piano), Tommy Callaghan (drums), Les Pearce
(bass), Terry Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
July 30, 1953
Concerts
Moss' Empire, Liverpool, England (July 27 - August 1)
Two Show nightly
Time: 6:20 & 8:35
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis
Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone), Brian
Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff (trumpet), Eric
Todd (trumpet), Stan Howard (trumpet), Jack Davies (trombone), Hughie
Akehurst (trombone), Reg Guest (piano), Tommy Callaghan (drums), Les Pearce
(bass), Terry Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
July 31, 1953
Concerts
Moss' Empire, Liverpool, England (July 27 - August 1)
Two Show nightly
Time: 6:20 & 8:35
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra: Bill Miller (piano), Dennis
Walton (alto sax), Ivan Dawson (alto sax), Bill Humphrey (baritone), Brian
Wicks (tenor sax), Bob Humphries (tenor sax), Harold Luff (trumpet), Eric
Todd (trumpet), Stan Howard (trumpet), Jack Davies (trombone), Hughie
Akehurst (trombone), Reg Guest (piano), Tommy Callaghan (drums), Les Pearce
(bass), Terry Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
August 1, 1953
Concerts
Moss' Empire, Liverpool, England (July 27 - August 1)
Two Show nightly
Time: 6:20 & 8:35
Orchestra Conducted by: Billy Ternant
Billy Ternent And His Broadcasting Orchestra:
Bill Miller (piano), Dennis Walton (alto sax),
Ivan Dawson (alto sax), Bill Humphrey (baritone),
Brian Wicks (tenor sax), Bob Humphries (tenor
sax), Harold Luff (trumpet), Eric Todd (trumpet),
Stan Howard (trumpet), Jack Davies (trombone),
Hughie Akehurst (trombone), Reg Guest (piano),
Tommy Callaghan (drums), Les Pearce (bass), Terry
Walsh (guitar), Eva Beynon (vocalist), Johnny Webb (vocalist)
August 5, 1953
Film
"From Here to Eternity" (USA Release: August 5, 1953, New York City Premiere)
Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, Ernest Borgnine
Produced by: Buddy Adler
Directed by: Fred Zinnemann
In Hawaii in 1941, a Private Prewitt (Clift) is cruelly punished for not boxing on his unit's team, while his captain's wife Karen (Deborah Kerr) and second-in-command (Burt Lancaster) are carrying on an affair. Prewitt and and his friend Maggio (Sinatra) join a social club where Prewitt becomes attracted to Lorene (Donna Reed). At the club, Maggio gets into an argument with stockade Sergeant "Fatso" Judson (Borgnine). Later, Maggio is sentenced to the stockade after walking off guard duty and getting drunk. This results in harsh treatment at the hands of Judson. Maggio escapes the stockade after a brutal beating from Judson. His injuries are aggravated during his escape and he dies in Prewitt's arms. Everything else plays out as the Japanese bomb Pearl Harbor with Prewitt eventually killed trying to return to base and the movie ends with Karen and Lorene together on a boat returning stateside.
--DVD Release: 2001-10-23 - Blu-Ray Release: 2013-10-01
Note: From Here to Eterntiy would win an Academy Award for Best Picture and Fred Zinnemann won for Best Director. Frank Sinatra and Donna Reed would also win for Best Supporting Actor and Best Supporting Actress The film also won Academy Awards for Best Screenplay, Best Cinematography – Black-and-White, Best Film Editing, and Best Sound Recording.
"From Here to Eternity" (USA Release: August 5, 1953, New York City Premiere)
Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, Ernest Borgnine
Harry Cohn, president of Columbia Studios, fell in love with James Jones' sensational novel and decided to purchase the rights to it.
He was told not to by his own people and by just about everyone else in Tinseltown. There was no way a decent picture could come
from such a lewd work of fiction. Cohn would not listen and paid $82,000 to acquire the rights. It became known throughout Hollywood as "Cohn's Folly."
And he certainly did have problems. There were six screen adaptations submitted to Cohn and all were rejected. Daniel Taradash would submit lucky number seven and get the green light from Harry. The dream cast he envisioned would be Aldo Ray, Robert
Mitchum, Rita Hayworth, Eli Wallach and Gloria Grahame. The producer, Buddy Adler, recommended Fred Zinnemann, who was coming off the great success of "High Noon." Zinnemann insisted on Montgomery Clift for the role of Robert E. Lee Prewitt. Cohn turned him down.
Why would he want such an effeminate man in the key role? Zinnemann told him it was simple: He wanted to make a great movie and Clift was a fabulous actor. He also told Cohn that it was a deal breaker if he did not get him. Cohn was furious but reluctantly gave in to a very determined director.
Zinnemann would also go to bat for Deborah Kerr. Cohn insisted she would never be able to play Karen Holmes -
a woman trapped in a loveless marriage who sought comfort from other men. She just wasn't sexy enough. Zinnemann wouldn't budge. Lancaster and Donna Reed were easier, although Zinnemann wasn't sure Reed could play a believable prostitute. Eli Wallach was a shoo-in for the role of Maggio. Frank Sinatra had actively pursued the role, begging for a screen test. Cohn saw Frank as a lightweight song and dance man. Wallach was a real actor. Frank kept plugging along, but it was Ava Gardner who found a way to open the door for Frank. Harry Cohn adored her and Ava asked to see him. She offered to do a picture at Columbia for free and she invited herself to dinner at the Cohn home. Joan, Harry's wife, also adored Ava. The dinner went very nicely and Ava sang the praises of her husband to Harry and Joan. He would be great and was willing to do it for scale ( $8,000 ). Harry liked that idea, but he was still sold on Wallach.
Frank went to Africa with Ava - she was making "Mogambo" with John Ford directing. It was mid November and Frank was in Africa
with no news from Cohn. Then a telegram arrived instructing him to report to the studio and do a test for the role of Maggio. He had to borrow the plane fare money from Ava to get back to the states. The test was set for 11-20-52 late in the afternoon. Harvey Lembeck was testing for the role and Frank paced up and down. Adler was there and later told people he thought it was just a big waste of time. But Frank was determined. He did two scenes and left the studio knowing he had nailed it. Even if the role went to someone else, he had NAILED IT. And the man directing the test, Fred Zinnemann, agreed. He was blown away by what this skinny little guy just showed him.
He immediately called Buddy Adler and told him you have to see this. Cohn was out of town and it would have to wait until the following week. Weeks later at home, Harry ran the test for himself and Joan. He had to admit Sinatra could act. He had seriously underestimated him. But Wallach was still the better actor. He asked Joan what did she think. She agreed with his assessment, but, she said there was a vulnerability and a desperate intensity from Frank. He got her vote. Cohn agreed.
The great irony would be Wallach dropping out to be in Tennessee Williams' new Broadway play "Camino Real." Years later, when Sinatra dropped out of "Godfather III," Wallach replaced him.
Filming got underway in Hollywood, 3-6-53. The budget was $1.7 million with a 41 day shoot. The two weeks in Hawaii started on 4/8.
Burt Lancaster could not stop shaking when he did his first scene with Monty Clift. He was so in awe of such talent. It took several takes before Burt could calm down. Sinatra and Clift took to each other immediately, became great drinking buddies, and Monty guided Frank throughout the film. He showed him how to convey the desperate quality that was at the heart of the Maggio character. Frankwould acknowledge that many times through the years. Zinnemann had a tough time getting the best performances in the scenes they did together. Frank was not a trained thespian and his best work was instinctual. After a few takes, he began to lose that ability.
Monty was a trained actor who got better as the takes piled up. Amazingly, the director got the best from both men. Frank was un-
happy with a few scenes that Cohn had changed. But all in all, it was a happy experience for everyone involved.
Columbia showed a sneak preview of the film, in Hollywood, 7-23-53. The official world premiere - in widescreen with stereophonic
sound - took place at the Capitol Theater, in N.Y.C., 8-5-53. Donna Reed greeted the filmgoers in the lobby from 10:00 to 11:00 A.M.
and Deborah Kerr did the same from 8:30 to 9:30 P.M. What happened next shocked everyone associated with the film. Marlene
Dietrich went to see it at 10 o'clock the first night. As she was leaving the theatre, the crowds had lined up for the next showing.
But none was scheduled. The Capitol changed that immediately and the showings continued 24/7 for the duration. Dietrich called
a friend at Columbia and explained what was going on. The guy couldn't believe it. Columbia had not spent much money promoting
the film. How could this be happening ? Marlene told him "They can smell it." The first week the film grossed $173,000. The most for one week, in one theater, for any film in the history of the industry. After three weeks, it had pulled in almost a half-million. Columbia opened it in three more cities on 8/26 ( Boston, Washington D.C., Kansas City). Playing in only four cities the film was the top grosser in the country.
The following week, 9/2, it opened in five more cities. The studio did this staggered approach throughout the month of September. It would pull in $18.1 million in its first run and through the years its earnings would top $30 million dollars.
The critical acclaim would even surpass the financial success. The critics searched for superlatives to describe what a viewing of the
film offered a moviegoer. All five leads were lavished with praise -- the best being saved for Clift and Sinatra. It would go on to win
eight Academy Awards, including Best Picture, Director, Supporting Actors, Screenplay, Cinematography and editing. The eight wins
equalled the record number "Gone With The Wind" had received in 1939.
Frank Sinatra, strictly on the basis of the response in New York, became a very hot property again. He signed with 20th Century to star in "Pink Tights," with Marilyn Monroe and Dan Dailey, and with MGM for "St Louis Woman," with Ava Gardner and Gene Kelly. Milton Berle paid him $6,500 for a guest shot on the season opener of his show, 9-29-53 and Jackie Gleason wanted him for a number of appearances. NBC-TV opened discussions to lock him up with a long term contract. The 500 Club wanted him before Labor Day of
53 and Bill Miller's Riviera offered him $10,000 a week. That was an increase of $2,500 from the previous year. Variety would credit
him with "the greatest comeback in show business history." Imagine if Harvey Lembeck had really hit the ball out of the park, late in
afternoon, on that November day.
"From Here To Eternity" would be issued on VHS in 1987, a digital remaster on laser in 1994, DVD 2001 and BluRay 2013. The latter
two offer some extras.
Was it the best film Sinatra ever appeared in ? is the question. The only real competition it has is "The Manchurian Candidate." Both
films are ranked in the AFI 100 Greatest Of All-Time. "Eternity" at #52 and "M.C." at 67.
Ed
August 23, 1953
Radio
On A Sunday Afternoon
Guest: Frank Sinatra
CBS Radio
Television
NONE
. On A Sunday Afternoon
Guest: Frank Sinatra
CBS Radio
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
August 24, 1953
Radio
Make Believe Ballroom
WNEW
Frank Sinatra was guest
Television
NONE
Make Believe Ballroom
WNEW
Frank Sinatra was guest
August 30, 1953
Radio
Robert Q’s Waxworks
Host: Robert Q. Lewis
CBS 10:30 PM
Guests: Frank Sinatra & Jack Leonard
Television
NONE
Concerts
500 Club, Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and ensembe,
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto and
Pete Miller Orchestras
1. I Get A Kick Out Of You
2. My One And Only Love
3. You Can't Take That Away From Me
4. My Funny Valentine
5. Little Girl Blue
6. It All Depends On You
7. Violets For Your Furs
8. This Can't Be Love
9. Coffee In Brazil
10. Foggy Day In London Town
11. One For My Baby
12. I Concentrate On You
13. Don't Worry About Me
14. I've Got A Crush On You
15. Autumn In New York
16. From Here To Eternity
17. I've Got The World On A String
18. Put You Dreams Away
500 Club , Atlantic City, New Jersey (Aug 30 to Sept
5)
Frank Sinatra and ensemble,
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto
and Pete Miller Orchestras
Variety September 2, 1953
Articles from Press of Atlantic City 8-29 and 9-4-53
note: Frank new idea was singing with an octet. He
conducted most of the time. Bill Miller spotted him
on a few numbers. Frank stated that this engagement
and the next at Bill Miller's Riviera were the most
important part of his great comeback. He told a
reviewer in 1958, "I showed them what I could
do."
-- Ed
Ad in Press of Atlantic City
September 6, 1953
Frank closed on the 6th of September
He opened at the Riviera on 9/8
He did three shows every night at 9 - 12- 2
--Ed
Robert Q’s Waxworks
Host: Robert Q. Lewis
Guests: Frank Sinatra & Jack Leonard
August 31, 1953
Concerts
500 Club , Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and ensembe,
Marion Blair, George DeWitt, Henderson girls,
Jack Curtis, Joe Frasetto and Pete Miller Orchestras
500 Club , Atlantic City, New Jersey (Aug 30 to Sept
8)
Frank Sinatra and ensemble,
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto
and Pete Miller Orchestras
Variety September 2, 1953
September 1, 1953
Concerts
500 Club , Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and ensemble,
Marion Blair, George DeWitt, Henderson girls,
Jack Curtis, Joe Frasetto and Pete Miller Orchestras
September 2, 1953
Concerts
500 Club , Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and octet
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto
and Pete Miller Orchestras
note: I keep forgetting to mention this was Sinatra's
first nightclub engagement in Atlantic City. His earlier
appearances were in theaters.
September 3, 1953
Concerts
500 Club, Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and ensemble,
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto and
Pete Miller Orchestras
September 4, 1953
Concerts
500 Club , Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and ensemlbe,
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto and Pete Miller Orchestras
September 5, 1953
Concerts
500 Club , Atlantic City, New Jersey (Aug 30 to Sept 5)
Frank Sinatra and ensemlbe,
Marion Blair, George DeWitt, Henderson girls, Jack Curtis, Joe Frasetto and Pete Miller Orchestras
September 6, 1953
Radio -Television
Walter Winchell Show
ABC
9:00 to 9:15 p.m.
Sunday
Miami Herald
9-6-53
September 8, 1953
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
Ad for opening night
Frank with dancers and owner
Bill Miller
Riviera Club, Fort Lee, New Jersey (September 8-22)
Ad for opening night
Frank with dancers and owner
Bill Miller
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
September 9, 1953
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
Madison Square Gardens, New York, NY
19th Annual Harvest Moon Ball
Host: Ed Sullivan
Frank Sinatra, Ava Gardner, Dean martin, Jerry Lewis, Red Buttons, Carmen Miranada, Julius La Rosa and others
------------------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
September 10, 1953
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
September 11, 1953
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
September 12, 1953
Radio
Give and Take Quiz Show
Guest: Frank Sinatra
11:30AM CBS
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
September 13, 1953
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
September 14, 1953
Concerts
Riviera Club, Fort Lee, New Jersey (September 8-22)
September 15, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls,
Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
Program for 9-15-53:
1 I Get A Kick Out Of You
2. My One And Only Love
3. You Go To My Head
4. They Can't Take That Away From Me
5. My Funny Valentine
6. A Foggy Day
7. Little Girl Blue
8. It All Depends On You
9. Violets For Your Furs
10. The Coffee Song
11. Spring Is Here
12. One For My Baby
13. Don't Worry 'Bout Me ( did the verse )
14. From Here To Eternity
15. I've Got The World On A String
Ed O'Brien:
Other tunes sung during the engagement:
I'll Never Smile Again
It Never Entered My Mind
This Can't Be Love
Someone To Watch Over Me
Autumn In New York
The Very Thought Of You
I've Got A Crush On You
Like Someone In Love
The Girl Next Door
You're The Top ( parody )
You'll Never Walk Alone
Frank received a salary of $10,000 a week
He was asked in a 1959 interview what was the most important single
element in reviving his career in 1953. The interviewer mentioned
"Eternity" and
signing with Capitol. Frank did not consider either to be as important as
the
two-week engagement at Bill Miller's Riviera in September of 1953. Frank
very
carefully chose a nine piece chamber set ( his description ) and
rehearsed with them for
two solid weeks before opening at the club..There was no conductor, just
the
singer and nine musicians: Bill Miller was the piano player, Alvin
Stoller was
on drums, Sonny Salad pulled off a hat trick by alternating on alto sax,
flute and clarinet,
throughout the two week engagement, a bass and guitar completed the
rhythm section
and a string quartet made up the rest of the musical ensemble. The
eminent jazz critic
George T.Simon called Frank's performance " one of the most
thrilling musically ever witnessed
anywhere." Sinatra told the interviewer that people in the trade
realized what he was capable
of during the engagement.
note: Last year I discovered a new wrinkle to the chamber
set concept Frank employed
at the Riviera. Prior to that engagement, Frank did a week at Skinny
D'Amato's
500 Club in Atlantic City. He brought along his new set of musicians for
that week
and had the crowds hanging from the rafters.
Ed
Here are some of Frank's remarks from a interview with Mr. Simon in early
October of 1953:
"If what I did at Bill Miller's did anything, it convinced me once
and for all that you can still
show good taste and be appreciated. You don't have to sing loud and
raucously and belt
them over the head all the time. You can use a little restraint and try
and create a mood
that you and they can both feel, sort of like being together in a small
room, and if you really
mean it, and show that you mean it, you can register all
right."
"It made me feel great the way they paid attention to the songs I
sang. They were good
songs -- all of them -- at least I think so, because they were my
favorites. Things by
Rodgers & Hart, and Rodgers & Hammerstein and the Gershwins and
Cole Porter.
They don't write songs like that today." One thing they certainly
aren't writing today
is many good lyrics. I know that because I'm more conscious of the words
in songs
than I am of the melody."
"The melody should be like a backdrop for the lyrics. Sure, it
should be good and
musical. But it should be more like a guy reading poetry with organ music
or some-
thing going in the back. If the poem or lyrics are stated often enough,
with the same
music going at the same time, they become associated as
one."
"Of course the lyrics have to be something special like the ones
Larry Hart and Oscar
Hammerstein and Ira Gershwin and Johnny Mercer and Sammy Cahn have
been
writing. You know, I have a healthy respect for anybody who can write. I
don't mean
just songs. I mean anything. Sure wish I could!"
Six weeks after the Riviera engagement Frank would lay down eight of the
songs done
on stage ( "A Foggy Day," "My Funny Valentine, "
"They Can't Take That Away From Me,"
"Violets For Your Furs," "Like Someone In Love,"
"I Get A Kick Out Of You," "Little Girl
Blue" and "The Girl Next Door" ). Nelson Riddle conducted
but George Siravo wrote
seven of the eight charts used.. Riddle told me he did a few slight
modifications but the
credit should have gone to Siravo. Sinatra was the absolute perfectionist
during the early
Capitol years. He did numerous takes on all the songs recorded. The album
"Songs For
Young Lovers" and the one to follow, "Swing Easy," both
capture the sound of a nightclub
performance with a small jazz group backing the singer. Sinatra would
employ 12
musicians for the November 1953 sessions and 14 for the April 54
"Swing Easy"
sessions.
review of the Reviera Club (located at Fort Lee , New Jersey ) engagement
taken from the September 15, 1953 issue of VARIETY. There was a $5
minimum.
"If carry a torch, as most first-nighters suspected, is the key to
the resounding click, such as Frank Sinatra achieved on his opening last
Tuesday (September 8) night at Bill Miller's Riviera then every chirper,
either sex, should see a man about a Diogenes. Sinatra culled the
pashiest set of ballads out of Cole Porter, Rodgers & Hart, and the
ASCAP catalogue and hit the jackpot with a personal whammo such as few
straight singers achieve.
"The toucheroo, of course, stems from the published reports about a
lovers sport between Mr. and Mrs. Sinatra, keyed to the just-returned-
from-Europe news "shots" of the "beautiful bride,"
Ava Gardner. Whether or not a staged romantic setting, as was the
late George Evans' nifty builderupper for Frankie-boy as the swoonerate
kid in the 1940s: It certainly registered with the Riviera
rounders, who are more Seratan than bobby sox in the acturalial batting
average.
"By actual county, the swooner crooned 20 ballads and each pyramided
to a boffola. In every respect, Sinatra was great, making a great
comeback. He proved (1) that he had long since proved himself not a
flash in the box office; (2) achieved a sonalog stature in repose, poise,
and personal performance that comes to few singers; (3) reincarnated the
straight romantic singing style which, somehow, has left us the just
crooned at "em; no gags or ad-libs; and (4) gave new magic to the
Hollywood hypo. As in the celluloid days, a picture can do the
trick. "From Here to Eternity" is the answer. And
it may even prove the bellwether for Sinatra's diskery comeback for the
long absent from the jocks and jukes league.
"With the same authoritative nonchalance which has distinguished
Sinatra over the years, this time he comes out backed by a hand-picked
special accompanying group of eight including a femme violinist with Bill
Miller (no relation to the Riviera 's Boniface) at the ivories, and
thrushes a cavalcade of past and present familiars. He has them against
the damasks in no time. In the barnlike reaches of this Cliffside
roadhouse, you could hear an orchestration drop. He sang with ease
and charm, never reaching, only punctuating his stuff with musical cues
to his special ibackstoppers, and only once utilizing a prop cup and
saucer for "Coffee in Brazil ."
"He was tour-de-force to delight the Brill Building and the Lindy
Hop set: his style of lyrical interpretation gave new values to the
wordsmiths. Show Biz observers can't help but be impressed that
Gilbert & Sullivan have beaucoup Yank counterparts in effective
wordings. Sinatra gave librettos values to the pops: the obvious
absolute salute to a virtuoso of song.
"Casual reprise of some of the titles reads like a Fire Dept. road
company of every torch and romantic ballad in the book, and Sinatra gave
them new meanings as he uncorked (them) . . .
"It was a tour-de-force of unparalleled degree. He held the
floor a solid 60 minutes and while he might and should cut 10 minutes,
there was no gainsaying the consistency of his socko.. He's in for
$10,000 a week for two weeks, and both he and Bill Miller owe a lot to
Harry Cohn for that the Columbia picture did for all concerned. Oh,
yes, he also sang "From Here to Eternity" and wisely sh-sh'd
some exuberant bobbysoxers who squealed an occasional, "Oh,
Frankie."
Bill Miller's Riviera Club, Fort Lee, New Jersey
(8-22)
The commentary and review of Sinatras 1953 career-changing
engagement at Bill Millers Riviera Club in Ft. Lee transports me to that
magical time and place. I found a couple of pictures of the Club, which
must have been groundbreaking at the time. Cantilevered over the New
Jersey cliff, and with a retractable roof, this must have been quite a
hot spot for those special dates meant to impress! Ive read its
architecture was a forerunner to Las Vegas clubs that made that city an
entertainment capital. And just a thought, but I wonder how many people
who have read of this 1953 engagement think piano playing-Bill Miller was
the source for the eponymous club name. I confess I was confused
for a while when I first started learning about the Riviera Club.
I don't post on this list often, but I look forward to the postings each
day. So many people to acknowledge who make this a treat especially our
dear Ed OBrien.
Jim Johnson
Rehoboth Beach, DE
Hi Jim,
Love the card. Sinatra was the
penultimate act at Miller's Riviera. Eddie Fisher followed for two
weeks and then
the club closed its doors forever. New Jersey claimed eminent domain and
built the Palisades Parkway that ran right
through the property. Miller would move to Vegas and be entertainment
director at a number of hotels.
I thank you for the kind words.
Ed
September 16, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls, Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
September 17, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson,
Donn Arden Girls, Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
September 18, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls, Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
September 19, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls, Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
Bill Miller's Riviera Club, Fort Lee, New Jersey
(8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls,
Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
The reference brought an additional
comment from Sinatra
which got the laughs. The show
started off with Bud and Cece
Robinson (billed as Robbins here).
probably one of the best opening
acts in the business. Their youthful
bounce. more familiar to presentation
houses than local night clubs. was
refreshing and deserved the big mitt
it got. George DeWitt was seldom better
as a comic than on the show caught.
From his opening lighthouse gag he belted
across a series of situation gags that built
from chuckles to yocks. His routine, built on
"I Can't Give You Anything but Love, was an
excellent vehicle for his brand of acid take -offs
on various names . DeWitt later explained that
his act was cut. If so, whoever scissors it rates
thanks from the comic. It kept in the fast yock
stuff and threw out the slow draggy material that
DeWitt frequently uses. The rest of the show,
production, etc., remains the same.
Bill Smith
Billboard
September 20, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls, Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
September 21, 1953
Concerts
Bill Miller's Riviera Club, Fort Lee, New Jersey (8-22)
Tuesday Evening
Opening Acts: George Dewitt, Bud & Cece Robinson, Donn Arden Girls, Doug Rogers Paul Campo & Walter Nye Orchestras
$5 minimum
September 22, 1953
Concerts
Riviera Club, Fort Lee , New Jersey (September 8 - September 22)
1. I Get a Kick out of You
2. My One and Only Love
3. You Go to My Head
4. They Can't Take That Away from Me
5. My Funny Valentin
6. A Foggy Day
7. Little Girl Blue
8. It All Depends on You
9. Violets for Your Furs
10. This Can't Be Love
11. The Coffee Song
12. Spring is Here
13. One for my Baby
14. All of Me
15. I'll Never Walk Alone
16. Don't Worry 'Bout Me
17. From Here to Eternity
18. I've Got the World on a String
#1
Tuesday
w/ The Sinatra Symphonette & Strings
1. I've Got The World On A String
2. Choo-Choo Train - Dinah Shore
3. There's A Flaw In My Flue w/Bill Miller on piano**
4. Lean Baby
*only Perfectly Frank to employ strings
note: The number after "String" was "Choo-Choo
Train,"'
sung by Dinah Shore. Frank then recited the poem "By The Time"
with a
snare drum backing him.
--ED
** Here are Frank's comments before " A Flaw In My Flue"
and after singing it
"Johnny Burke and Jimmy Van Heusen have written
a list of hits as long as your arm and mine together, but
what tunes do you think Jimmy bends your ear about?
A little list he calls his flop parade. He not only bent my
ear the last time, he twisted my arm, too, so I'm booked
to lead off your Flop Parade with a little pudding that mixes
up like this."
"The ushers will now pass among you with beakers of
air-wick and restorative elixirs."
Perfectly Frank
Audition tape #2
Tuesday
w/ The Sinatra Symphonette & String Quartet
9:48
1. Bim Bam Baby Columbia Recording
2. Autumn In New York* w/strings
3. How Much Is That Doggie In The Window?**
Patti Page
4. Birth Of The Blues Columbia Recording
*The only Perfectly Franks to employ strings
On the second audition tape, Frank credits Vladmir Dukelsky as the
writer
of "Autumn In New York." That was Verdon Duke's original
name.
Strings were used on both shows.
--Ed
** There is only a segment of Page's huge hit played, followed by
scathing commentary from Mr. Sinatra
note: These two shows -- somewhat modified -- would be broadcast
over NBC on November 3 and 6, 1953.
Ed
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
.
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
September 29, 1953
Television
Milton Berle Show (NBC)
Episode #214, Season #6
Host: Miton Berle
Guests: Frank Sinatra, Tallulah Bankhead
Recurring Roles: Arnold Stang, Ruth Gilbert, Milton Frome, Jack Collins
Alan Roth and Orchestra
Directed By: Greg Garrison
Writers: Selma Diamond, Jay Burton, Goodman Ace, Aaron Ruben, Jerry Seelen, Phil Charig
1. I've Got The World On A String
Notes: Show in circulation
Sinatra Scholar Ed O'Brien points out that Sinatra showed tremendous confidence on the Berle Show. After Berle's introduction, Sinatra sang "I've Got the World on a String" with a supreme sense of himself. Berle joins him in parody of Rodgers & Hart's "This
Can't Be Love." Sinatra, Tallulah Bankhead and Berle sing "Let's Do the Town Tonight." This show offers a look at Sinatra in the early days of his great comeback.
Ed O'Brien:
Billboard gave Uncle Miltie's sixth season opener a rave review. But the ratings were not what gave "Mr. Television" that moniker.
He was starting to fade, and very quickly..
If you can find it, "The Ultimate Frank Sinatra Collection" 10 DVD set put out by Passport in 2009 includes this 1953 Milton Berle Show episode -- Scott
Buick -Berle Show (TV). NBC - TV. Tuesday (29). 8.9 p.m.. EST. Milton Berle's return for the new season was a fast -paced, entertaining stanza all the way, with Frank Sinatra and Tallulah Bankhead offering top -flight support. Again using the storyline format
introduced last year, Berle's scripting staff, headed by Goodman Ace, came thru with a topflight job. The premise on the preem was Berle's desire to get into legit and his struggle to beat out Sinatra for the male lead opposite Tallulah. This gambit led to
some fast and funny exchanges among the three of them, culminating in a sketch which was to be an audition for Frankie and Millie. Sinatra played a counterman who brought together again a has been actress and a down and out comic. The drama was well integrated
with the rest of the show and did not seem out of place, altho Berle will never win any Academy Awards for serious thesping. The show was buttressed by fine support from a couple of good comic characters, Ruthie Gilbert and Arnold Stang. Alan Ruth's band provided
the music. Even the stanza's opening was good for some yocks, as the old "Texaco Star Theater" billboard was flashed, with the "men of Texaco" on hand to open as in past seasons. Berle interrupted to salute his new bankroller. Buick, and also gave that firm
a warm pitch at the end. The commercials were handled by Vinton Hayworth in highly convincing fashion, altho the middle plug seemed a bit over -produced, what with film integrated into a live pitch and a local cut -in for price. Sam Chase.
Billboard
Milton Berle Show (NBC)
Episode #214, Season #6
Host: Miton Berle
Guests: Frank Sinatra, Tallulah Bankhead
Variety
September 29, 1954 A Star Is Born premiere
Humphrey Bogart, Elia Kazan and Marlene Dietrich at the premiere
of A Star Is Born at the Cocoanut Grove, 1954
Frank Sinatra at the premiere of A Star is Born with Judy
Garland and Lauren Bacall on September 29th, 1954
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
October 6, 1953
Radio
Rocky Fortune, "Oyster Shucker"
Network: NBC
Episode: 1
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Jack Kruschen.
Writers: George Lefferts, Norm Sickel, Robert Senadella (story), Ernest Kinoy, Doc Sanford
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky gets a job in a seafood restaurant and finds twelve pearls in twelve oysters. The first show of the series
Note: The show appears on the officially released CD set: 60 Greaest Old Time Radio Show " Frank Sinatra & Friends"
Sinatraphile Scott Henderson says he has enjoyed all the Rocky Fortune series.
He wonders why all but two or three of them did not make it onto the Radio Spirits release of the Rocky Fortune episodes.
Ed O'Brien:
I've been doing some research on Frank's only dramatic role in a radio series. The September 5, 1953 Billboard
has an article on Frank's new show "Frankie Galahad, Private Detective." The new series was set for an NBC debut
on Tuesday evenings in early October. Discovered AP articles detailing the "audition" tapes of that proposed show and
an "Erle Stanley Gardner detective series. Obviously neither concept generated much excitement and the footloose,
fancy free Rocky Fortune was developed very quickly for an October 6th beginning at 9:35 PM. Frank lead-in was the
very popular "Dragnet," with Jack Webb, and a five-minute newscast with John Cameron Swayze. Rocky's surname
was Fortunato. The Italian name was anglicized for assimilation purposes. Rocco ( Rocky ) was not a detective but a fellow
who took on odd jobs and somehow fell into all kinds of misadventures involving murder, kidnapping, swindles,
blackmail and bigamy. The show ran 25 minutes and never acquired a sponsor. There were 26 episodes. The 10-13
show was never aired. The 11-3 show was broadcast despite claims it was pre-empted for election coverage.
Twenty-five shows are in circulation among collectors. NBC spared no expense in promoting the series and making
available their best studio actors including Marvin Miller, Raymond Burr, Virginia Grey, Jack Kruschen and many
others. The November 5, 1953 Billboard has a mention of the theme music used for the series. The title was "I
Remember Harlem," composed by Bob Astor, Roy Eldridge and George Williams. Sinatra would hum or sing a
few lines of songs, including ones not associated with him at all, as he went about solving the crime of the week.
The line "from here to eternity" made it into every show. The phenomenal success of that film and the sudden
renewed demand for his services proved fatal to the series. Frank did not want to be saddled with a weekly
drama series and grew indifferent to it very quickly. In March of 1954, NBC quietly canceled the show after just
one season.
Scott: Does anyone know the details of the unaired episode from October 13th, 1953?
Ed: I searched for sites that discussed the unaired episode. They are still listed but will not open.
There is a site that offers 27 episodes. It includes two repeats that have slightly different running
times. I also found the transcript of "Too Many Husbands." I also found a site that acknowledges
the show ran 26 weeks but questions whether there was a broadcast scheduled that was not
aired.
Rocky Fortune, "Oyster Shucker"
Network: NBC
Episode: 1
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Jack Kruschen.
Writers: George Lefferts, Norm Sickel, Robert Senadella (story), Ernest Kinoy, Doc Sanford
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky gets a job in a seafood restaurant and finds twelve pearls in twelve oysters. The first show of the series
Note: The show appears on the officially released CD set: 60 Greatest Old Time Radio Show " Frank Sinatra & Friends"
October 7, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
Frank Sinatra has always appealed to the gambling
genre. His previous bookings in Las Vegas have
signalled turn away biz for the entire span. Now,
bolstered even more by the success of the Maggio
role in "From Here To Eternity," he reaches into
ranks of moderate bet-flingers and insures more
than capacity for his three-frame Sandstand.
Although high on the list as a top moneymaker in
Vegas, Sinatra's vocals and attitude have left much
to be desired among discriminating customers. With
this return, he fronts a dulcet musical ensemble and
warbles a rather subdued repertoire of standards. As
he meanders down memory lane, Sinatra slams the
door on his former worshippers to please an older and
less exuberant set of applauders.
Whether selling a fleeting hit parader or an evergreen,
the unmistakable stamp of quality is always evident.
Jarring the pleasant reverie are tendencies to insert
dubious gags or parody lines in great established
melodies, ennui and mechanically phrased offerings
of humility. Offset these by top showmanship, striving
toward perfection, flair for the dramatic, and that's
the very complex guy Sinatra.
Very few of the current crop of male singers could equal
his contouring of "My Funny Valentine," "Spring Is Here,"
"Someone To Watch Over Me," or create the spine-tingle
of his "One For My Baby." In these ballads he reaches
the heights. Such profuse programming of oldies tends
to pall, with similarity of mood and tempi needing even
more sock shots in the rhythm section than he formats.
Insertion of "This Can't Be Love," Coffee In Brazil," "All
Of Me" in mild jump tempo does aid somewhat in relieving
the legato streams. Although reception varies throughout,
Sinatra exits to kingsize mitts.
VARIETY
October 21, 1953
Ed O'Brien notes: This was Frank's first engagement at the Sands.
He would perform there many times over the next 15
years. In September of 1953 he would have a chamber
group ( Frank's description) of nine backing him. He
reduced it by one for the Sands appearances.
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
Thanks to Michel Macaire for above photo
Billboard
10-31-53
review of 10-19-53 show
Frank was originally set to open on 10-4 but his marriage
was falling apart and Ava was his primary concern. Then the date
was changed to 10-8. Variety has a small article mentioning this
opening. Frank told Jack Entratter that he might have to push
the date up to 10-13. He was in negotiations with Elia Kazan
and Sam Spiegel for the plum role of Terry Malloy in Columbia
Pictures "On The Waterfront." At the same time, Lucille Ball
and Desi Arnaz had formed their own production company.
They had created a show for Frank in which he would play
a down and out club performer. The tentative title was
"Blues In The Night." Frank was also set to start, on 10-6,
a dramatic radio show titled "Frankie Galahad." He was
a taxi driver in N.Y.C., who solved crimes. At the last moment
it was switched to "Rocky Fortune." According to Variety,
Frank taped the debut show, in Los Angeles, on the afternoon
of the 6th. He then decided to open at the Sands the next day.
Variety, in their 10-7 issue, had B & J Kean as the headliners
with the Louis Jordan Orchestra. They had opened in mid-
September and Jack Entratter extended their run until Frank's
appearance was set. Entratter got ads in the late editions
of the Tuesday papers and also in Wednesday's.
Opening night was a bit of a disaster. Ava would not
attend, Frank was distraught and it showed. His finely tuned
octet felt it too. They hit a few clams and Frank exploded
at them during the actual performance. The Vegas papers were
highly critical of his behavior. Billboard reviewed his show on
10-13. The reviewer mentioned opening night and how Frank
redeemed himself the following week. Entratter had cut back on
the supporting acts to give Sinatra a full hour of singing to a
very appreciative crowd. Frank's cousin, Ray, was on the bill,
but he was not involved with Frank's segment of the show. The
star was billed as "Frank Sinatra & Orchestra."
Frank opted to go with two radio shows and skip the
offer from Desi and Lucy. He knew how draining a TV series could
be and "Pink Tights" was set for a mid-December start at 20th
Century, and other offers were pouring in everyday, regardless of
what happened with the "Waterfront" project. And he was about to
record his first Capitol album with Nelson Riddle conducting George
Siravo's charts.
On 10-31, Frank appeared before the Nevada Tax
Commission. He was applying for a state gambling license. He
was awarded the license and the Sands increased his ownership
to two percent. After the hearing, Sinatra returned to the Sands
and threw a big party. He also performed. Which bring us to the
question of when did he close his first engagement at the hotel.
The 10-28 issue of Variety has him performing for the final week
of October. The 11-4 Variety does not list any entertainment during
the first week of November. The 11-11 has Jeanette MacDonald
opening. Frank set new attendance records during his engagement.
Variety gave him a rave review and the Sands couldn't wait for his
next appearance.
Ed
Scott:
I went with October 27th because of this article from October 28th:
The second paragraph says “contacted at the Sands Hotel where he finished out a show stand last night.” I took that to mean the 27th. I saw no ad for the Sands however in the Las Vegas Review Journal on the 27th with the last ad appearing on the 26th but not saying anything about it being the last night. I also assumed that if he opened on Wednesday then he would have closed on a Tuesday being October 27th. Jeanette MacDonald opened October 28th at the Sands:
--------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
October 8, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 9, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 10, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 11, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 12, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 13, 1953
Radio
Rocky Fortune, "Steven In A Rest Home"
Network: NBC
Episode: 2
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Jack Mather, Herb Ellis
Writers: George Lefferts, Norm Sickel, Robert Senadella (story), Ernest Kinoy, Doc Sanford
Directors: Andrew C. Love, Fred Weihe, Howard Wiley
Announcer: Edward King
Description: Rocky's job as a chauffeur leads him to a new identity as a mental patient in Denver!
Note: The show appears on the officially released CD set: 60 Greatest Old Time Radio Show "Listen Now Frank Sinatra & Friends"
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
Frank Sinatra has always appealed to the gambling
genre. His previous bookings in Las Vegas have
signalled turn away biz for the entire span. Now,
bolstered even more by the success of the Maggio
role in "From Here To Eternity," he reaches into
ranks of moderate bet-flingers and insures more
than capacity for his three-frame Sandstand.
Although high on the list as a top moneymaker in
Vegas, Sinatra's vocals and attitude have left much
to be desired among discriminating customers. With
this return, he fronts a dulcet musical ensemble and
warbles a rather subdued repertoire of standards. As
he meanders down memory lane, Sinatra slams the
door on his former worshippers to please an older and
less exuberant set of applauders.
Whether selling a fleeting hit parader or an evergreen,
the unmistakable stamp of quality is always evident.
Jarring the pleasant reverie are tendencies to insert
dubious gags or parody lines in great established
melodies, ennui and mechanically phrased offerings
of humility. Offset these by top showmanship, striving
toward perfection, flair for the dramatic, and that's
the very complex guy Sinatra.
Very few of the current crop of male singers could equal
his contouring of "My Funny Valentine," "Spring Is Here,"
"Someone To Watch Over Me," or create the spine-tingle
of his "One For My Baby." In these ballads he reaches
the heights. Such profuse programming of oldies tends
to pall, with similarity of mood and tempi needing even
more sock shots in the rhythm section than he formats.
Insertion of "This Can't Be Love," Coffee In Brazil," "All
Of Me" in mild jump tempo does aid somewhat in relieving
the legato streams. Although reception varies throughout,
Sinatra exits to kingsize mitts.
VARIETY
October 21, 1953
Ed O'Brien notes: This was Frank's first engagement at the Sands.
He would perform there many times over the next 15
years. In September of 1953 he would have a chamber
group ( Frank's description) of nine backing him. He
reduced it by one for the Sands appearances.
October 14, 1953
Concerts
SANDS, LAS VEGAS, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
SANDS, LAS VEGAS, Nevada (October 7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 15, 1953
Concerts
Sands, Las Vegas, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 16, 1953
Concerts
Sands, Las Vegas, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 17, 1953
Concerts
Sands, Las Vegas, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 18, 1953
Concerts
Sands, Las Vegas, Nevada (7-27)
Frank Sinatra & Orch (8) with Bill Miller, Nicholas
Bros.(2),Charles Nelson, Bek Steiner, Bryon Balmer,
Copa Girls (10), Ray Sinatra Orch (12); no cover or
minimum
October 19, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
NOTE: Ed O'Brien sends along a review of one of these 1953 performances from the October 21, 1953 issue of VARIETY magazine. Here are extracts:
Frank Sinatra has always appealed to the gambling genre. His previous bookings in Las Vegas have signaled turnaway biz for the entire span. Now, bolstered even more by the success of the Maggia role in "From Here to Eternity," he reaches into ranks of moderate bet-flingers and insures more than capacity for his three-frame Sandstand.
Although high on the list of a top moneymaker in Vegas, Sinatra's vocals and attitude have left much to be desired among discriminating customers. With this return, he fronts a dulcet repertoire of standards. As he meanders down memory lane, Sinatra slams the door on his former worshippers to please an older and less exuberant set of applauders.
Whether selling a fleeting hit parader or an evergreen, the unmistakeable stamp of quality is always evident. Jarring the pleasant reverie are tendencies to insert dubious gags or parody lines in great established melodies, ennui and mechanically phrased offerings of humility. Offset these with top showmanship, striving toward perfection, flair for the dramatic, and that's the very complex guy Sinatra.
SANDS HOTEL.
LAS VEGAS, NEV.
( Monday, October 19 )
Capacity, 444. Price Policy,
No Cover, No Minimum.
Shows at 8:30 and 12:30
Producer-booker, Jack Entratter
Publicity, Granoff, Freeman Association
Estimated Budget, $12,500.
Frank Sinatra succeeded here in
getting to them after a few hassles with
local press. His hour-long songalogue
received fan acclaim.
Frank Sinatra, the spindly crooner
who is not noted for warmth toward an
audience, this week tried hard to change
his ways in the Copa Room, and suc-
ceeded, after drawing severe column raps
from local papers for his rough treatment
on musicians behind him on opening
night.
Supporting acts were cut down to
feature almost an hour of Sinatra, which
his fans appreciated and others politely
endured. He relied mostly on old recorded
favorites, such as "I Get A Kick Out Of
You," "You Go To My Head." "They Can't
Take That Away From Me," "This Can't
Be Love," "It All Depends On You," "Spring
Is Here," "All Of Me," "Don't Worry 'Bout Me,"
"Where Or When," "I've Got The World On
A String," and "Night And Day." Sinatra was
most effective in the sentimental "One For My
Baby."
Only supporting act was the Nicholas
Brothers, an amazing pair of song and
dance artisans, who begin where most
other similar acts leave off, and provide
one of the most crowd-pleasing performances
ever to play Las Vegas.
Chorus numbers are done pleasantly by
the Copa Girls, with music by the orchestra
of Ray Sinatra, cousin of the crooner.
Ed Oncken
Billboard
October 31, 1953
Additional tunes sung during the engagement:
Someone To Watch Over Me
The Coffee Song
Day In, Day Out
My Funny Valentine
From Here To Eternity
You'll Never Walk Alone
Just One Of Those Things
note: Imagine seeing Sinatra perform in a room
that seated less than 450 patrons. And there
was no cover or minimum. The Comeback-Kid
offered up 20 or more great tunes at each show,
including ballad versions of "Where Or When"
and "Day In, Day Out," The rhythm numbers
were sung with just an octet and there were
songs with just piano accompaniment ( Bill
Miller ). After his triumphant two weeks at
Bill Miller's Riviera ( Sept. 8 to 22 ), with a
nine piece chamber set, Frank demanded
the very best from the musicians backing
him at the Sands. I'm sure that explains
the blow-up on opening night (10-13 ).
Frank's first engagement at the Sands
proved to be a tumultuous time both
onstage and in his private life. His two
year marriage to Ava Gardener was
coming apart and the artist had exper-
ienced a remarkable rebirth. His affiliation
with the Sands would endure for the next
15 years. The first of 28 appearances
would run for two weeks. He closed on
10-26. The hotel paid him $10,000 a week.
October 20, 1953
Radio
Rocky Fortune, "Shipboard Jewel Robbery"
Network: NBC
Episode: 3
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Tony Barrett, Marvin Miller, Lynn Allen, Norma Varden, Shepard Menken.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky's gets a job as a steward on an ocean liner and gets involved in a jewel heist.
Concerts
Sands, Las Vegas, Nevada (October 7-27)
October 21, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
Sands, Las Vegas, Nevada (October 13-25)
Here is the complete review from Variety
10-21-53
--------------------------------------------
October 21, 1957 Friars Club Stag Roast of Nat King Cole, Hollywood, CA
Frank Sinatra, Jack Benny, Dean Martin, George Burns, Maurice Chevalier, Eddie Fisher and others
The above image says it's from the Friar's Club 1957 but it didn't give an exact date.
October 22, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
October 23, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
October 24, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
October 25, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
October 26, 1953
Concerts
Sands, Las Vegas, Nevada (October 7-27)
October 27, 1953
Radio
Rocky Fortune, "Pintsized Payroll Bandit"
Network: NBC
Episode: 4
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Barney Phillips, Vivi Janniss.
Writers: George Lefferts
Directors: Andrew C. Love, Fred Weihe, Howard Wiley
Announcer: Edward King
Description: As a night man in a hamburger joint, Rocky's job leads
to a nine year old runaway who has $50,000 in cash!
Concerts
Sands, Las Vegas, Nevada (October 7-27)
November 1, 1953
Radio
Ask Hollywood
NBC 6:15
Sinatra, Edmond O'Brien, Eddie Canotr, Rosemary Clooney, Phil Harris, and Anna Maria Alberghetti interviewed by Jimmy Wallington
I'll bet Frank was on this NBC show to plug his "Rocky Fortune" and "Perfectly Frank" shows. The former got
under way on 10-6-53 and the latter was set for 11-3-53 debut.
Ed
November 3, 1953
Radio
and rebroadcast with a few modifications on 11/3
and 11/6. They were the only two of the 70 shows that
employed strings.
Ed
* Here are Frank's comments before " A Flaw In My Flue"
and after singing it
"Johnny Burke and Jimmy Van Heusen have written
a list of hits as long as your arm and mine together, but
what tunes do you think Jimmy bends your ear about?
A little list he calls his flop parade. He not only bent my
ear the last time, he twisted my arm, too, so I'm booked
to lead off your Flop Parade with a little pudding that mixes
up like this."
"The ushers will now pass among you with beakers of
air-wick and restorative elixirs."
November 5, 1953
Studio
KHJ Studios, Hollywood
11846 A Foggy Day
Arranged & Conducted by Nelson Riddle
-17 CD: CDP 7-4870-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
11847 My Funny Valentine
Arranged & Conducted by Nelson Riddle
-10 CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
11852 They Can't Take That Away From Me
(George. Gershwin/Ira Gershwin)
Chappell Music (ASCAP)
Arranged & Conducted by Nelson Riddle
-4 (1:57) CD: C2-94777 The Capitol Years
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
11853 Violets For Your Furs
Arranged & Conducted by Nelson Riddle
-4 CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
NOTE: Ed O'Brien asks us to imagine how many times Sinatra sang these
four songs in concert setting after this November 1953 session.
Ed O'Brien:
George Siravo wrote the four arrangements for the songs recorded at
Capitol
on 11-5-53. After Frank left Columbia in September of 1952, he asked
George
to do some arrangements for him. Private recordings were done in
late 52.
Frank appeared at the Latin Casino in Boston, January of 1953. While
there
he subbed as a D.J. for Norm Prescott on WORL-AM. He played the
recordings
for his New England audience. The songs done at the 11-5-53 session had
been
performed by Sinatra throughout 1953 in nightclubs and concert halls.
Seven of the eight songs recorded for "Songs For Young Lovers"
have Siravo charts.
Riddle's only contribution was "Like Someone In Love."
Riddle told me he was embarrassed that Capitol had credited him with the
work and
felt apologetic toward Siravo. I contacted Siravo around 1990. He was
living in Medford,
Oregon. He did not harbor any ill feelings toward Riddle, feeling
it was typical record
company behavior. I would say from the tone of our conversation that he
was resigned
to the injustice of it all.
Mr Siravo did tell me a wonderful story concerning Mr Riddle and Tony
Bennett. The latter
was playing a number of venues along the Pacific Coast shortly before I
was in touch with
George. He went out of his way to detour over toward Medford while in
Oregon. The two had
worked together at Columbia and had become friends. Tony's visit was long
delayed and he
explained the purpose of why he was there. Shortly before his death in
1985, Riddle asked
Tony, knowing how well he knew George, to convey this message in person
when he had the
chance: A profuse apology to Mr. Siravo for what Capitol had done
more than a quarter of a
century ago. Siravo told me it was a wonderful gesture from Riddle and
very much appreciated.
Sinatra would always credit Riddle for the charts and Capitol never
acknowledged Siravo's
contribution in all the umpteen reissues.
note: I want to put an addendum on this story.. Some years after Siravo
told me this story, I passed
it on to Billy May during one of our conversations. Billy was very moved
by what Riddle had done.
He told me Nelson was always a class act.
--Ed
Shemmy:
You write that private recording of the songs from Songs For Young
Lovers
were done late 1952. I guess they were good quality if used for
broadcasts.
Ed O'Brien:
The seven songs Frank recorded in December of 52 were not intended for
any album project. Frank had been cut loose by Columbia Records, although
they
were interested in resigning him with a deal much more favorable to the
record co.
RCA was also interested. Manie Sacks had left Columbia and was now at
RCA. That
certainly was an incentive for Frank. But Frank's interest was geared
toward Capitol.
The December recordings were demos that Frank could make available to any
company
of interest. Alan Livingston told me that the William Morris agency was
in shock when
he indicated that Cap. would be interested in signing Frank. When Alan,
who also signed
the Beatles at Cap, informed the executives at the record company, they
were appalled.
They all felt Frank was a has-been and it was a foolish move by
Livingston.
KHJ Studios, Hollywood
11847 My Funny Valentine
Arranged & Conducted by Nelson Riddle
-10 CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
Note: My Funny Valentine on the sheet music. -- Thanks to John Larrabee
November 6, 1953
Studio
KHJ Studios, Hollywood
11858 Like Someone In Love
Arranged & Conducted by Nelson Riddle
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
11859 I Get A Kick Out Of You
(Cole Porter)
Warner Bros., Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-12 (2:53) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: CDP 7-9661-2 Sings The Select Cole Porter
CD: C2-94777 The Capitol Years
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
12033 Little Girl Blue
Arranged & Conducted by Nelson Riddle
CD: CDP 7-4870-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
12034 The Girl Next Door
Arranged & Conducted by Nelson Riddle
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1432 Songs For Young Lovers
Musicians: Reeds:Skeets Herfurt, Mahlon Clark; Violins: Felix Slatkin, Paul C. Shure; Viola: Paul Robyn; Cello: Eleandor Slatkin, Harp: Kathyrn Julye;
Piano: Bill Miller; Guitars: Al Hendrickson, Allan Reuss; Bass: Joe Comfort; Drums: Alvin Stoller;
Arrangements: George Siravo, Nelson Riddle ( Like Someone In Love )
Conductor: Nelson Riddle
NOTE: Sinatra Scholar Ed O'Brien says that Riddle used a 12 piece orchestra for this memorable session.
He listened to the recording only last week. He can't imagine the number of times he has listened and
they still remain fresh today. He especially treasures "Like Someone in Love" and "Little Girl Blue." Marvelous singing.
Ed O'Brien:
Riddle arranged "Like Someone In Love." George Siravo arranged
the four songs recorded the previous evening, "A Foggy Day," "My
Funny Valentine," "They Can't Take That Away From Me," Violets
For Your Furs" and the other three from this session.
I asked Riddle to describe his contribution. He told me there were
slight modifications but the charts were done by Mr. Siravo. I tracked
George down in the early 1990s. He was living in Medford, Oregon.
He assured me they were his charts and then shared a wonderful
story related to the classic album. A few months before we spoke,
Tony Bennett had stopped to see him during a tour along the Pacific
Coast. According to Tony, Nelson had asked him to please convey
his profound apology for being credited with the great charts George
had written for Frank. George couldn't remember exactly when Sinatra
had commissioned the charts but it appears to have been during the
months just prior to Frank's signing at Capitol. He was very pleased
that Nelson wanted him to know how much of an injustice had been
perpetrated by Capitol. Billy May once told me Nelson Riddle was
a true gentleman and a class act. Siravo reaffirmed that the day
we spoke.
Riddle's one arrangement for the album "Like Someone In Love"
has two flutes. Nelson mentioned in an 1981 interview that for what-
ever reason he knew it was the perfect compliment for both the
song and the singer.
Radio
Perfectly Frank
NBC-Radio
Friday
8:15 p.m - 8:30 p,m.
w/ The Sinatra Symphonette & String Quartet
1. Bim Bam Baby Columbia Recording
2. Autumn In New York* w/strings
3. Birth Of The Blues Columbia Recording
4. Don't Ever Be Afraid To Go Home w/strings
note: Audition tape, 9-22-53, featured a segment
of How Much Is That Doggie In The Window by
Patti Page, with Frank commenting on the merits
or demerits of the song. The 11/6 NBC broadcast
cut that bit and added the closing song. Frank
announced he was singing "Bim Bam Baby"
with the Sinatra Symphonette. In truth, it was
the Columbia recording.
Ed
Perfectly Frank
NBC-Radio
Friday
8:15 p.m - 8:30 p,m.
w/ The Sinatra Symphonette & String Quartet
Variety Review of 11-6 show from the 11-11-53
November 6, 1977, Sinatra presents the Scopus award to John Wayne
(thanks to Ed for this one)
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
November 8, 1953
Television
Colgate Comedy Hour
Network: NBC
Season 4, Episode 128
Host: Jimmy Durante
Guests: Frank Sinatra, Eddie Jackson, Gay Tyroliers, Charles Smith, Jules Buffano ,Allen Henderson, Jack Roth, Mad Hatters, Jackie Barnett, Danny Thomas, Jan Arvan, Hy Averback
Writers: Jack Elinson, Jackie Barnett, Charles Issacs
Orchestra Conducted By: Roy Bargy
1. South Of The Border
2. "Every Comic Wants to Sing" w/Durante
Sinatra also sings a portion of "From Here To Eternity" but Durante keeps interrupting him and later during a Musical Quiz sketch, Sinatra sings a portion of "You Go To My Head".
Colgate Comedy Hour
Variety
November 10, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 1
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I Love You - Frank Sinatra
2. Offshore (instrumental) - Axel Stordahl
3. The Most Blues - Frank Sinatra
4. Toys - Eileen Barton
5. From Here To Eternity - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "Messenger For Murder"
Network: NBC
Episode: 5
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Marion Richman, Georgia Ellis, Bill Justine,
Parley Baer, Theodore Von Eltz.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky is paid to deliver a $1000 package to a blind lady in a
dangerous neighborhood.
To Be Perfectly Frank
Network: NBC
Show: 1
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I Love You - Frank Sinatra
2. Offshore (instrumental) - Axel Stordahl
3. The Most Blues - Frank Sinatra
4. Toys - Eileen Barton
5. From Here To Eternity - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "Messenger For Murder"
Network: NBC
Episode: 5
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Marion Richman, Georgia Ellis, Bill Justine, Parley Baer, Theodore Von Eltz.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky is paid to deliver a $1000 package to a blind lady in a
dangerous neighborhood.
November 13, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 4
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1, All Of Me. Performed by Frank Sinatra
2. When My Dreamboat Comes Home - Kay Starr
3. They Can't Take That Away From Me - Frank Sinatra
4. Palladium Party (instrumental) - Harry James
5. South Of The Border - Frank Sinatra
Notes: LOC Listing
November 17, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 3
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Azure-te - Frank Sinatra
2. Changing Partners - Dinah Shore
3. A Hundred Years From Today - Frank Sinatra
4. South Of The Border - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "A Hepcat Kills The Canary"
Network: NBC
Episode: 6
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Jack Crushin, Barney Philips
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky and the bass player.
November 20, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 4
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I've Got My Love To Keep Me Warm - Frank Sinatra
2. That Old Gang Of Mine - Perry Como
3. When My Dreamboat Comes Home - Kay Starr
4. This Can't Be Love - Frank Sinatra
Notes: LOC Listing
November 24, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 5
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. South Of The Border - Frank Sinatra
2. That Old Black Magic - Ferrante and Teicher
3. One For My Baby - Frank Sinatra
4. From Here To Eternity - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "Murder On The Aisle" (NBC)
Announcer: Edward King
Artist: Frank Sinatra
Rocky fails when he is hired to guard the life of a drunken, hated drama critic.
November 25, 1953
Dean Martin & Jerry Lewis Television Party for Muscular Dystrophy (cancelled appearance?)
ABC-TV
Note: The entire broadcast is available on Youtube but Sinatra does not appear.
November 26, 1953
Radio
Rocky Fortune, "Murder On The Aisle"
Network: NBC
Episode: 7
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Eliane Ross
Writers: Ernest Kinoy
Directors: Fred Weihe
Announcer: Edward King
Description: Rocky fails when he is hired to guard the life of a drunken,
hated drama critic.
November 27, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 6
Time: 8:00 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Tennessee Newsboy - Frank Sinatra
2. Sentimental Journey (instrumental)
3. I Want A Boy - Connie Russell
4. That's Good Enough For Me - Pearl Bailey
5. My Funny Valentine - Frank Sinatra
Notes: LOC Listing. Surface noise but in fair condition.
November 29, 1953
Television
Colgate Comedy Hour
Sunday Evening
8:00 p.m. - 9:00 p.m.
Network: NBC
Season:4 Episode: #131
Sponsor: Colgate
Host: Eddie Cantor
Guests: Frank Sinatra, Eddie Fisher, Harold Arlen
1. Harold Arlen Medley w/Arlen Accompaniment
-It's Only A Paper Moon
-Over The Rainbow
-Ac-cen-tchu-ate The Positive
-Come Rain Or Come Shine F.S.
-I've Got The World On A String F.S.
-That Old Black Magic F.S.
-Get Happy F.S.
- Blues In The Night / Let's Fall In Love
- I Love A Parade
- Stormy Weather F.S. E.F. E.C. C.R
NOTE: Ed O'Brien says this show was pure
magic: Sinatra singing the great Harold Arlen
songs and the composer backing him on
piano. Only complaint: Wish it had run 30 minutes longer.
A Sinatraphile wondered if it were on
DVD. Sinatraphile Scott Henderson says that it's
on DVD and that he's had a DVD of the show for a
couple of years. He picked it up in a discount
bin at Wal-Mart for less than $5.
Colgate Comedy Hour
Variety
Frank Sinatra Harold Arlen
November 29, 1957 Frank Sinatra Show
a variety review of 11-29-57
Frank
Sinatra
Harold Arlen
November 29, 1957 Frank Sinatra Show
a variety review of 11-29-57
December 1, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 7
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I've Got A Crush On You - Frank Sinatra
2. The Heebie Jeebies - Connie Boswell
3. Classical Jukebox - Boston Pops
4. It All Depends On You - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "Murder Among The Statues"
Network: NBC
Episode: 8
Time: 9:35 p.m.- 10 p..m.
Performers: Frank Sinatra, Jan Miner, Joseph Julian, Ed Begley, Ted Osborne, Leon Janney, Mandel Kramer.
Writers: Ernest Kinoy
Directors: Fred Weihe
Announcer: Edward King
Description: Rocky is working for an art dealer, when a statue becomes very interesting to a wealthy collector.
December 4, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 8
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I Can't Believe That Your In Love With Me w/ Sinatra Symphonette
2. The Lost Chord Jimmy Durante
3. Soliloquy Columbia Recording
Notes: Sinatra songs only. .
December 8, 1953
Studio
KHJ Studios, Hollywood
12051 Take A Chance
(D. Raksin/D. Stanford)
Arranged & Conducted by Nelson Riddle
-9 CD: C2 724383808922 The Complete Capitol Singles
45: 2703
12052 Ya Better Stop
(MacIntyre/Ferre)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
12053 Why Should I Cry Over You?
(N. Miller/C. Conn )
Arranged & Conducted by Nelson Riddle
-11 CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-94520-2 Come Swing With Me
LP: W1429 Swingin' Easy
45: 3050
Musicians - Reeds: Sam Donahue, Jack Dumont, Joseph Koch, Willie Schwartz,
William Skalak; Trumpet:
Conrad Gozzo, Emanuel Klein, Vito "Mickey" Mangano, Clarence "Shorty" Sherock;
Trombones: Milton
Bernhart, Francis Howard, Lloyd Ulate; Bass Trombone: George Roberts; Piano:
Bill Miller; Bass: Joe Comfort;
Guitar: Bob Bain; Drums: Alvin Stoller
Session Producer: Voyle Gilmore
Radio
To Be Perfectly Frank
Network: NBC
Show: 9
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. They Can't Take That Away From Me w/ Sinatra Symphonette
2. 'Deed I Do Lena Horne
3. Anytime, Anywhere Capitol Recording
4. How Lovely Cooks The Meat Doris Day & Frankie Laine
5. South Of The Border Capitol Recording
Notes:
Rocky Fortune, "Carnival One Way"
Network: NBC
Episode: 9
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Ken Williams,
Writers: George Lefferts
Directors: Fred Weihe
Announcer: Edward King
Description: Rocky's carnival case.
December 9, 1953
Studio
KHJ Studios. Hollywood
11991 Rain (Falling From The Skies)
(R. Mellin/G. Finlay)
Arranged & Conducted by Nelson Riddle
-27 CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-91209-2 Where Are You?
LP: T768 This Is Sinatra!
45: 2816
KHJ Studios. Hollywood
11993 I Could Have Told You
(J. Van Heusen/C. Sigman)
Arranged & Conducted by Nelson Riddle
December 11, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 10
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Wrap Your Trouble In Dreams w/ Sinatra Symphonette
2. I Had To Do It The Hard Way Betty Hutton
3. I'm Nobody's Baby Betty Hutton
4. Deep Night Columbia Recording
5. Embraceable You Columbia Recording
Notes:
The Bob Hope show
Time: 8:30 p.m.
Guest: Frank Sinatra.
1. South Of The Border - Frank Sinatra
2. Jingle Bells (parody) - Frank Sinatra & Bob Hope
Note: This is a partial recording. TT: 30mins.
December 15, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 11
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Re-enlistment Blues - Buddy Morrow Orchestra
2. Changing Partners - Kay Starr
3. She's Funny That Way - Frank Sinatra
4. Them There eEyes - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "Companion To A Chimp"
Network: NBC
Episode: 10
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky becomes a Companion to a Chimp.
December 18, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 12
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. The One I Love Belongs To Somebody Else - Frank Sinatra
2. That's Amore - Dean Martin
3. Zsa Zsa (instrumental) - Bernie Wayne
4. Love Is Here To Stay - Frank Sinatra
Notes: LOC Listing
December 22, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 13
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. You Do Something To Me - Frank Sinatra
2. I Love Paris - Les Baxter
3.. Re-enlistment Blues - Buddy Morrow Orchestra
4. From Here To Eternity - Frank Sinatra
Notes: LOC Listing
Rocky Fortune, "The Plot To Murder Santa Claus"
Network: NBC
Episode: 11
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Barney Phillips.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky gets involved in a Plot to Murder Santa Claus.
December 25, 1953
Radio
To Be Perfectly Frank
Network: NBC
Show: 14
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. What Are You Doing New Year's Eve Margaret Whiting
2. Santa Claus Is Coming To Town Bing Crosby
3. Mi Amor Joni James
4. You'll Never Walk Alone Sinatra's Columbia Recording
note: This is the complete song list for Frank's Christmas show
December 29, 1953
Radio
Rocky Fortune, "Prize Fight Setup"
Network: NBC
Episode: 12
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Jack Mather, Barney
Phillips, Maurice Hart, Joe Forte, Jack Carroll, Maya Gregory
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky is mistaken for "The Great
Gondolfo," a prize fighter and finds that he's
the winner! With some poison turns up Rocky see it as a fight setup.
January 1, 1954
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
January 2, 1954
Radio
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
Three week engagement
SRO every show
SINATRA THRILLS COPA WITH MATURE BRILLIANCE
This was a mature Frank Sinatra who was caught at the Copacabana Thursday (23) night. All the promise
he has given in the past came to full growth before an overflow audience. This was no Sinatra idol of the bobby
sox brigade. This was a brilliant actor giving blood and guts to lyrics with such a masterful touch that the aud-
ience sat hushed at one point and exploded into wild applause at another.
The saga of Sinatra is well known in the trade, his legal hassles, agency differences, explosive temper-
ament, etc. But despite his mistakes, and he even invented some, he's come out of it a great performer.
His big comeback started with the flick "From Here To Eternity," then came his Capitol disk "Young At
Heart," followed by his Capitol album "Songs For Young Lovers." And now he is better than ever and
more firmly established as a singer who can act.His routine at the Copa demonstrated each
facet of the Sinatra genius. He was intense and moody with "One For My Baby," reminiscently
nostalgic with "Gal That Got Away" and pulled the heartstrings with "Young At Heart." His tremulous
smile, his tiptoe finishes, his thrilling phrasing enraptured the house. We have caught Sinatra too
many times to count. As our swan song with The Billboard, we can't think of a better way to say
goodbye and thanks for being such a pleasant assignment..
Joey Bishop, working in the middle, threw most of his set routine away and went into in
character ad libs. A couple of more shows under his suspenders and Bishop will get the howls he
deserves.
The Five DeMarco Sisters were pleasant in the opening slot..
The production numbers and production singers and dancers remained the same.
Bill Smith
Billboard
January 1, 1955
Ed O'Brien:
Sinatra played a three week engagement at the Copa from December 23, 1954 thru January 12, 1955.. I have talked
to people who saw him during this run. I've been told that night after night he thrilled the audience with his stunning performances.
Here is a list of the songs he was doing in concert at the time, plus the three numbers mentioned in the review.
I've Got The World On A String
I Get A Kick Out Of You
My Funny Valentine .
Taking A Chance On Love
Three Coins In The Fountain
She's Funny That Way
Just One Of Those Things
A Foggy Day
All Of Me
Nancy .
They Can't Take That Away From Me
Ol' Man River
Try A Little Tenderness
My Blue Heaven
This Love Of Mine
I'll Never Smile Again
January 3, 1954
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
January 4, 1954
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
January 5, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 17
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Lean Baby - Frank Sinatra
2. I'm A Fool To Want You - Frank Sinatra
3. What Are You Doing New Year's Eve - Margaret Whiting
4. I Love You - Frank Sinatra
Rocky Fortune, "On The Trail Of A Killer"
Network: NBC
Episode: 13
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Barney Phillips
Writers: Norm Sickel
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky is on the trail of Sister Ellie's Killer.
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
January 6, 1954
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
January 7, 1954
Concerts
Copacabana, New York City (December 23/54 - January 12/55)
Three week engagement
SRO every show
January 8, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 18
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. South Of The Border - Frank Sinatra
2. Don't Ask Me Why - Eileen Barton
3. Palsy Walsy (instrumental) - George Siravo
4. My One And Only Love - Frank Sinatra
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
January 9, 1954
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
January 12, 1954
Radio
Rocky Fortune, "Rodeo Murder"
Network: NBC
Episode: 14
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Don Diamond, Tony Barrett.
Writers: Ernest Kinoy
Directors: Andrew C. Love
Announcer: Edward King
Description: When a murder happens at a rodeo, Rocky is framed for that murder.
To Be Perfectly Frank
Network: NBC
Show: 19
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Don't Forget Tonight Tomorrow - Frank Sinatra
2. Full Moon And Empty Arms - Frank Sinatra
3. Lover Come Back To Me - Nat King Cole
4. Birth Of The Blues - Frank Sinatra
January 15, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 20
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. If I Could Be With You - Frank Sinatra
2. For Dancers Only (instrumental) - Jimmy Lunceford
3. I'll Always Be In Love With You - Kay Starr
4. One Finger Melody - Frank Sinatra
January 17, 1954
Television
Colgate Comedy Hour
NBC-TV
Sunday Evening
8:00 p.m -9:00 p.m.
Live From Hollywood
Episode 16 (1953-54 season)
First -half was telecast from the
Bing Crosby Pro-Am Golf Tournament
in Pebble Beach, California
Guests: Dean Martin, Phil Harris, and others
Alan Young was the host.
Guests: Frank Sinatra, Stan Freberg, Chiquita & Johnson
1. Young At Heart
2. Blues Number
Notes: Second half of the show is coverage of the Bing Crosby Pro-Am from Pebble Beach, California.
note: Frank's first performance of "Young At Heart" outside the
Capitol session in December of 53. Capitol released
the single the following day. It would peak at #2 on the
Billboard Chart and sell over a million records. Jack
Warner loved the song and insisted a film be built around
the song. He got his wish.
Ed
Colgate Comedy Hour
Ed O'Brien:
Frank's first public performance of "Young At
Heart.." Capitol had not released it yet. Song would
not chart in Billboard until 2-13-54. Would love to
know title of the "Blues" number Frank sang with
the dancing chorus.
January 19, 1954
Radio
Rocky Fortune, "The Museum Murder"
Network: NBC
Episode: 15
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Dick Beals, Barney Phillips, June Foray.
Writers: George Lefferts
Directors: Howard Wiley
Announcer: Edward King
Description: Rocky's finds a corpse in a mummy case while running a tour
through a New York museum.
To Be Perfectly Frank
Network: NBC
Show: 21
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Young At Heart - Frank Sinatra
2. Forever Yours - Vicki Young
3. In The Mood (instrumental) - Ray Anthony
4. I Don't Know Why - Frank Sinatra
January 22, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 22
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I've Got My Love To Keep Me Warm - Frank Sinatra
2. Undecided - Ella Fitzgerald
3. This Love Of Mine - Tommy Dorsey Orchestra
4. From Here To Eternity - Frank Sinatra
January 26, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 23
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Somebody Loves Me - Frank Sinatra
2. A Woman A Woman - Johnny Desmond
3. Gimme Gimme John - Eydie Gorme
4. Take A Chance - Frank Sinatra
Rocky Fortune, "Hauling Nitro"
Network: NBC
Episode: 16
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Frank Gerstle, Lynn Allen.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky's job is driving a truckload of nitroglycerine.
January 29, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 24
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. On The Sunny Side Of The Street - FS w Symphonette
2. Poco Loco In The Coco - Eileen Barton
3. Heart Of My Heart - Johnny Long, Alan Dale, Don Cornell, and Johnny Desmond
4. I Guess I'll Hang My Tears Out To Dry
February 2, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 27
Time: 8:15 p.m - 8:30 P.M.
Host: Frank Sinatra
Announcer: Edward King
1. You Must Have Been A Beautiful Baby w/ Sinatra Symphonette
2. Dancing In The Dark Ray Anthony & His Orchestra
3. You've Changed Richard Heyman
4. Changing Partners Dinah Shore
5. A Hundred Years From Today w/ Sinatra Symphonette
Rocky Fortune, "Football Fix"
Network: NBC
Episode: 17
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Jack Mather, Lou Krugman, Vivi Janniss.
Writers: Doc Sanford
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky is hired to protect a football player who won't take a bribe.
February 5, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 26
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance Capitol recording
2. A Village In Peru Vic Damone
2. South Of The Border Capitol recording
4. I'm In The Mood For Love w/ Sinatra Symphonette
5. I've Got My Love To Keep Me Warm w/ Sinatra Symphonette
February 8, 1954
Concerts
Beachcomber Club, Miami Beach, Florida (8 - 14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
Ed O'Brien:
note: Found the following information in the Billboard of 2-27-54.
Article is about the breakout business in Miami Beach in February
of that year.
MIAMI, Feb. 20, "Frank Sinatra at Beachcomber in Miami. Two days
before engagement ended, he departed by mutual consent with the
management. Claim was he was called back to Hollywood for a movie,
but turned up at the Plantation Yacht Harbor on Plantation Key ( 60 miles
south of Miami ) for three days of fishing."
Article mentions he was doing so-so business. Nat Cole followed to
sold out shows every night.
"Songs For Young Lovers" and the single "Young At Heart" had been
out a few weeks when Frank took this engagement. He was coming back
but wasn't completely there yet. By the fall of 1954, Frank Sinatra was
the hottest performer in show business.
Ed
Beachcomber Club, Miami Beach, Florida (8 - 14)
note: Frank was set to open on 2/6 ( Saturday ) but was unable to get ready, so the opening took place on Monday, 2/8.
Initially the demand to see him was more than expected. But by the weekend, the excitement had worn off and
there were empty seats. Frank did not want the local papers printing articles on his inability to draw a full house.
He decided not to finish out the gig, canceling the last two nights ( 15 & 16 ). And he headed down to the Keys,
for a three day fishing trip. The story about "Pink Tights' was not accurate. Twentieth-Century had given up on
Marilyn and were considering Sheree North as a replacement. Frank was set to make an appearance at an all-star
fund raiser for Miami Children's Hospital on 2/16. He apologized for not being there. On the 17th, Frank headed
out to Hollywood. He was set to appear opposite Ethel Merman in the Colgate Comedy Hour adaptation of Cole
Porter's "Anything Goes." The production would be broadcast live by NBC from the El Capitan Theatre on
Hollywood Boulevard. The cast rehearsed for a week prior to the February 28th airing. Sheree North played
Bonnie. It certainly didn't help her chances with 20th Century. They shut down production of "Pink Tights"
and took the loss.
Ed
P.S While researching this time in Frank's life, I came across an article that was downright scary. Goldwyn Studios
reached an agreement with Clark Gable to star as Sky Masterson in "Guys & Dolls." He would do his own
singing. The studio wanted Frank to co-star as Nathan Detroit. And they were, according to the article, willing
to give him some of the songs Gable was set to warble. Oh my ! Sinatra loved to tell his audience that the
actual film was the worst casting in the history of Hollywood. In retrospect, it looks like a major step up from
the idea floating around in February 1954.
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
February 9, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 27
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. What Can I Say After I Say I'm Sorry w/ Sinatra Symphonette
2. You Alone Perry Como
3 How Lovely Cooks The Meat Frankie Laine and Doris Day
4. Body And Soul Columbia recording
Rocky Fortune, "Catskills Cover-Up"
Network: NBC
Episode: 18
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Barney Phillips.
Writers: George Lefferts, Norm Sickel, Robert Senadella (story), Ernest Kinoy, Doc Sanford
Directors: Andrew C. Love, Fred Weihe, Howard Wiley
Announcer: Edward King
Description: Rocky becomes a social director to help a man involved in a
post office robbery.
Concerts
Beachcomber Club, Miami Beach, Florida (8-14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
February 10, 1954
Concerts
Beachcomber Club, Miami Beach, Florida (8 - 14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
February 11, 1954
Concerts
Beachcomber Club, Miami Beach, Florida (8 - 14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
February 12, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 28
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance Capitol recording
2. Please Understand Pied Pipers
3. The Story Of Three Loves Richard Heyman
4. I'll String Along With You w/ Sinatra Symphonette
Concerts
Beachcomber Club, Miami Beach, Florida (8 - 14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
February 13, 1954
Concerts
Beachcomber Club, Miami Beach, Florida (8 - 14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
February 14, 1954
Concerts
Beachcomber Club, Miami Beach, Florida (8 - 14)
Opened on the 8th, Closed on the 14th.
On The Bill: Frank Sinatra, Dick Shawn (comedian), The
Dunhills (dance team), Harry Richman (m.c.)
Frank subbed for Sophie Tucker
February 16, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 29
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. The One I Love Belongs To Somebody Else w/ Sinatra Symphonette
2. That's Amore Dean Martin
3. Our Love Is Here To Stay w/ Sinatra Symphonette
4. Lover Come Back To Me Nat King Cole
Notes: Sinatra songs only. Full list to be completed.
Rocky Fortune, "Too Many Husbands"
Network: NBC
Episode: 19
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Betty Lou Gerson, Barney Phillips, John Stevenson, Maurice Hart.
Writers: Norm Sickel
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky is hired by a beautiful woman to kill her husband...
Note: The show appears on the officially released CD set: 60 Greatest Old Time Radio Shows " Frank Sinatra & Friends"
February 19, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 30
Time: 8:15 p.m
Host: Frank Sinatra
1. Should I w/ Sinatra Symphonette
2. Forever Yours Vicki Young
3. C'est Si Bon Stan Freberg
4. Body And Soul (Columbia Recording)
4. This Can't Be Love w/Sinatra Symphonette
February 23, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 31
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. It's Only A Paper Moon w/Sinatra Symphonette
2. Take Me In Your Arms Jo Stafford
3. They Can't Take That Away From Me Capitol Recording
4. Little Girl Blue Capitol Recording
5. Don't Ask Me Why Eileen Barton
Miami Herald
2-23-54
note: I found one last week that was the wrong date. Songs listed were done
on the next Perfectly Frank.
Ed
[image referenced in source but could not be recovered]
Rocky Fortune, "Decoy For Death"
Network: NBC
Episode: 20
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Kay Stewart.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: A "Organ Grinder" has broken out of jail and sets out to get Rocky who set him up.
February 26, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 32
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance - FS
2. Ricochet - Teresa Brewer
3. My Friend The Ghost - Dorsey Brothers
4. One Hundred Years From Today - FS
February 28, 1954
Television
Colgate Comedy Hour
Musical: Anything Goes
Network: NBC
Episode Number: 144 Season Num: 4
Music and Lyrics by Cole Porter
Original Book by Guy Bolton and P.. G. Wodehouse
Written for television by Herbert Baker
Produced by Jule Styne
Executive Producer: Leland Hayward
Production Staged by David Alexander
Directed by Sid Smith
Musical Director: Al Goodman
Vocal Supervision: Eliot Daniel
Production Designed by Furth Ullman
Orchestrations by Buddy Bregman and Nelson Riddle
Performer: Ethel Merman, Frank Sinatra, Bert Lahr, Sheree North,
Sunday Evening
8 -9:pm
Hollywood
1. Opening Credits and Overture
2. Anything Goes Ethel Merman
3. You Do Something To Me Ethel Merman & Frank Sinatra
4. Anything Goes E. Merman
5. I Get A Kick Out Of You E. Merman
6. I Get A Kick Out Of You F. Sinatra
7. You're The Top E. Merman & F. Sinatra
8. Just One Of Those Things F. Sinatra
9. Blow Gabriel, Blow E. Merman
10. All Through The Night F.. Sinatra
11.. Friendship Bert Lahr & E. Merman
12. I Get A Kick Out Of You E. Merman & F. Sinatra
13. Anything Goes E. Merman, F. Sinatra & B. Lah
14. Closing credits
Ed O'Brien:
According to Buddy Bregman Sinatra was early for
rehearsal throughout the week prior to the actual telecast.
Buddy loves to tell how he got to arrange "Just One Of
Those Things" for Frank. Leland Hayward interrupted
Frank halfway through a run down of the Porter classic.
Hayward, Riddle and Bregman were sitting in the theatre
watching Frank sing it on stage. Hayward announced he
wanted a Broadway sound for the Porter classic. He
rejected Nelson's swinging chart and assigned the chart
to Mr. Bregman, who is still thrilled about it to this day.
Show was live and there was time to kill at the end. Ethel
got Frank and Bert to wing "Anything Goes" to close out
the hour. Sinatra's stunning version of "All Through The
Night" is the highlight of the hour. Riddle gave him a
wonderful arrangement. Absolutely nothing like the
excitement and energy of live television.
Colgate Comedy Hour
tv ad
Review:
Variety
3-3-54
Ed O'Brien:
What a great review. The critics were starting
to pay attention again to the kid from Hoboken. I
love the rapt appreciation accorded Frank's glorious
reading of Porter's "All Through The Night."
note: Buddy Bregman told me Frank was early every day for the rehearsals. During the lunch break, Sinatra would address Buddy with the laudatory "Genius"
sobriquet. Buddy was never sure if it was meant as a compliment or sarcasm. He told me Ethel and Frank got along famously.
Ed
Variety
3-3-54
1958 Frank Sinatra Show
Network: ABC
Show #20
Sponsors: Chesterfield Cigarettes, Bulova Watch Company
Guest: Van Johnson
Photo:
Ed O'Brien:
What a great review. The critics were starting
to pay attention again to the kid from Hoboken. I
love the rapt appreciation accorded Frank's glorious
reading of Porter's "All Through The Night."
note: Buddy Bregman told me Frank was early every day for the rehearsals.
During the lunch break, Sinatra would address Buddy with the laudatory
"Genius"
sobriquet. Buddy was never sure if it was meant as a compliment or
sarcasm. He told me Ethel and Frank got along famously.
Ed
Variety
tv ad
Review:
Variety
March 1, 1954
Studio
KHJ Studios. Hollywood
12365 Day In, Day Out
Arranged & Conducted by Nelson Riddle
CD: CDP 7-96827-2 Nice 'n' Easy
EP: EPA 590 Melody Of Love
12366 Last Night When We Were Young
(Harold Arlen/E.Y. Harburg)
Arranged & Conducted by Nelson Riddle
-30 CD: CDP 7-96826-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
Ed O'Brien:
A couple of mysterious recordings. Frank recorded "Day In, Day Out"
at his first Capitol session on 4-2-53. He used the arrangement Stordahl
did for him in 1951. He would perform the song during his extended European
tour in the spring and summer of 1953. There was also a marvelous reading
done on the BBC Showband show, 7-16-53. The Riddle arranged recording, from
the above session, is also quite spectacular, but the song was stuck on an
obscure EP and then forgotten about for the next 20 years. "Last Night When We Were
Young" is a stunning tour de force. Frank did thirty takes. The song would be
part of the magnificent "Wee Small Hours" LP, released the following year on 4-15-55
Was he already planning the "Wee Small" in March of 1954? Was it for another project
that fell by the wayside? I asked Riddle why it was done a year before the rest of
the album was recorded. He couldn't remember the circumstances surrounding the
recording. When Capitol first issued "Wee Small" on CD, they deleted "Last Night .. ."
I asked Riddle why Frank needed 30 takes. His answer is something I will always remember:
"He had voice to burn."
12367 Three Coins In A Fountain
(J. Styne/S. Cahn)
Chappell & Co./Cahn Music Company (ASCAP)
Arranged & Conducted by Nelson Riddle
-4 (3:04) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra!
45: 2816
Musicians - Reeds: Bart Caldarell, Mahlon Clark, Morton Friedman, Harry Klee, Warren Webb, James Williamson; Trombone: Francis Howard, Tommy Pederson; French Horns: John Cave, John Graas; Violins: Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstien, George Kast, Paul Nero, Nathan Ross, Mischa Russell, Eudice Shapiro, Paul Shure, Felix Slatkin; Violas: Stanley Harris, Maxine Johnson, Paul Robyn; Cellos: Cy Bernard. Edgar Lustgarten, Eleanor Slatkin; Piano: Bill Miller; Bass: Joe Comfort, Edward Gilbert; Drums: Frank Carlson; Guitar: Bobby Gibbons; Harp: Kathryn Julye
Session Producer: Voyle Gilmore
KHJ Studios. Hollywood
12365 Day In, Day Out
Arranged & Conducted by Nelson Riddle
CD: CDP 7-96827-2 Nice 'n' Easy
EP: EPA 590 Melody Of Love
March 2, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 33
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. A Foggy Day Capitol Recording
2. That's Good Enough For Me Pearl Bailey
3. Montoona Clipper Les Brown & His Orch.
4. From Here To Eternity Capitol Recording
Rocky Fortune, "The Doctor's Dilemma"
Network: NBC
Episode: 21
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Raymond Burr, Maurice Hart, Jack Carroll, Georgia Ellis, Barney Phillips.
Writers: Norm Sickel,
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky pretends he's a blackmailer and lays a trap for a doctor's son that has stolen $25,000 worth of narcotics from his father's office
March 5, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 34
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance Capitol Recording
2. Marie Four Tunes
3. Napoli Allan Dale
4. My Blue Heaven Columbia Recording
5. I Don't Know Why w/ Sinatra Symphonette
Television
None
March 9, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 35
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I've Got The World On A String - (FS record)
2. Don't Ask Me Why - Eileen Barton
3. Serenata - Leroy Anderson
4. My Funny Valentine - (FS record)
5. It All Depends On You - FS with Symphonette
Notes: Ms. Barton told me that Sinatra was
very loyal to her. He saw to it she got club dates
and played her records on his P.F. and Bobbi shows.
Ed
Rocky Fortune, "Incident In A Bar"
Network: NBC
Episode: 22
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Paul Frees, Barney Phillips, Jack Nessler, George Pirrone, Eda Reiss Merin.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: The vice president of an insurance company confesses to Rocky that he has strangled his blonde girlfriend.
March 12, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 36
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Wrap Your Troubles In Dreams - FS (with Symphonette)
2. Violets For Your Furs - FS (record)
3. Yellow Dog Blues - Paul Lingle
4. Somebody Else Is Taking My Place - Vicki Young
3. Anytime Anywhere - FS (record)
Television
None
March 15, 1954
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs," "My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to laryngitis.
Joe E. Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs," "My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to laryngitis.
Joe E. Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to
laryngitis.
Joe E.
Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to
laryngitis.
Joe E.
Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to
laryngitis.
Joe E.
Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to
laryngitis.
Joe E.
Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to
laryngitis.
Joe E.
Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
note: Frank was unable to perform for at least two nights due to
laryngitis.
Joe E.
Lewis and George DeWitt subbed for him.
Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
.
Frank opened at the Fontainbleau
on 3-11 for a 12 day run. Variety
reviewed the Saturday night show(15).
Frank did two shows a night during the
week and three on the weekend dates.
I think this reviewer captured Sinatra's
impact in a nightclub perfectly at the
absolute apex of his career.The excitement
is palpable throughout his description of
Sinatra on a stage, in his prime, electrifying
the audience for an hour.
"Witchcraft," "I've Got You Under
My Skin," "When Your Lover Has Gone,"
"April In Paris," "Violets For Your Furs,"
"My
Funny Valentine, "One For My Baby," "Come
Fly With Me," "On The Road To Mandalay,"
"All The Way," "Chicago." were some of the
songs done that night. He usually did 18 per
per show. And sometimes he took requests.
--Ed
March 16, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 37
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance Capitol Recording
2. April In Paris Sauter Finegan
3. I Get So Lonely The Four Knights
4 The Girl Next Door Capitol Recording
5. Sunny Side of The Street w/Sinatra Symphonette
Rocky Fortune, "Psychological Murder"
Network: NBC
Episode: 23
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Maurice Hart, Frank Gerstle, Betty Lou Gerson, Marvin Miller.
Writers: Norm Sickel,
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky witnesses the execution of the will of a wealthy woman who thinks that she's going insane.
Rocky Fortune, "Psychological Murder"
Network: NBC
Episode: 23
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra, Maurice Hart, Frank Gerstle, Betty Lou Gerson, Marvin Miller.
Writers: Norm Sickel,
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky witnesses the execution of the will of a wealthy woman who thinks that she's going insane.
note: A pilot was done of "Frankie Galahad."
March 19, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 38
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. I Can't Believe Your In Love With Me w/Sinatra Symphonette
2. Forever Yours Vicki Young
3. Anytime, Anywhere Capitol Recording
4. Cross Over The Bridge Patti Page
5. Montoona Clipper Les Brown
Easter Seals Parade of Stars
Frank Sinatra, Dinah Shore, Danny Thomas, Jane Russell, Connie Haines and others
Television
NONE
Easter Seals Parade of Stars
Frank Sinatra, Dinah Shore, Danny Thomas, Jane Russell, Connie Haines and others
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
March 21, 1954
Radio
The Bing Crosby Show
Network: CBS
Sponsor: General Electric
Guests: Frank Sinatra
John Scott Trotter And His Orchestra
Announcer: Ken Carpenter
Producers: Bill Morrow, Murdo McKenzie
Transcriber: Murdo McKenzie
1. opening
2. Jones Boy - Bing Crosby
3. comedy - Bing Crosby & Ken Carpenter
4. Granada - Bing Crosby
5. Sinatra intro and discussion of "From Here To Eternity"
6. Young At Heart - Frank Sinatra
7. medley: Among My Souvenirs / September Song / As Time Goes By - Frank
Sinatra & Bing Crosby
8. G.E. Annual Report "commercial" disscusion - Bing Crosby
& Ken Carpenter
9. Wanted - Bing Crosby
10. closing
Note: The show appears on the officially released CD set: 60 Greatest
Old Time Radio Show "Frank Sinatra & Friends." TT: 30mins.
Audio Condition: Excellent.
March 23, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 39
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. They Can't Take That Away From Me Capitol Recording
2. Come Over And Say Hello Connie Russell
3. The Doodle Town Fifers Sauter Finegan
4. Birth Of The Blues Columbia Recording
[image referenced in source but could not be recovered]
Rocky Fortune, "Rocket Racket"
Network: NBC
Episode: 24
Time: 9:35 p.m..- 10 p.m.
Performers: Frank Sinatra, Howard Culver, Don Diamond, Dan Riss, Edith Terry, William Oyler.
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky signs to ride a rocket to the moon and the job pays $10,000!
March 26, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 40
Time: 8:15 - 8:30 p.m
Host: Frank Sinatra
Announcer: Edward King
1. From Here To Eternity Capitol Recording
2. Lovin' Spree Eartha Kitt
3. Boogie-Woogie Machine Ames Brothers
4. I'm A Fool To Want You Columbia Recording
5. Should I? w/ Sinatra Symphonette.
March 28, 1954
Radio
The Bing Crosby Show
Network: CBS
Sponsor: General Electric
Guests: Frank Sinatra.
John Scott Trotter And His Orchestra
Announcer: Ken Carpenter
Producers: Bill Morrow, Murdo McKenzie
Transcriber: Murdo McKenzie
1. opening
2. Oh Baby Mine - Bing Crosby
3. comedy - Bing Crosby & Ken Carpenter
4. Imagination - Bing Crosby
5. "Oscar" talk - Frank Sinatra & Bing Crosby
6. Take A Chance - Frank Sinatra
7. medley: Till We Meet Again / Meet Me Tonight in Dreamland / There's A
Long Long Trail - Frank Sinatra & Bing Crosby
8. G.E. "commercial" public vs private enterprise - Bing Crosby & Ken
Carpenter
9. The Breeze and I - John Scott Trotter And His Orchestra
10. If You Love Me (Really Love Me) - Bing Crosby
11. closing
Note: The show appears on the officially released CD set: 60 Greaest Old
Time Radio Show "Frank Sinatra & Friends" TT: 30mins. Audio Condition:
Excellent.
Ed O'Brien:
Sinatra's reading of "Till We Meet Again," on Crosby's 3-28-54 show, is
exquisite.
March 30, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 41
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Between The Devil And The Deep Blue Sea - Sinatra & Symphonette
2. Nancy - Columbia Recording
3. Pipe Dreams - Eileen Barton
4. Young At Heart - Capitol Recording
Rocky Fortune, "Boarding House Doublecross"
Network: NBC
Episode: 25
Time: 9:35 p.m.- 10 p.m.
Performers: Frank Sinatra,
Writers: George Lefferts
Directors: Andrew C. Love
Announcer: Edward King
Description: Rocky rents a room and finds himself in a boarding house
doublecross.
Note: The show appears on the officially released CD set: 60 Greatest Old
Time Radio Show " Frank Sinatra & Friends."
March 31, 1954
Studio
20TH CENTURY FOX
THREE COINS IN THE FOUNTAIN
Arranged and conducted by Victor Young
Wednesday
5 to 6:15 PM
Three Coins In The Fountain
DEMO RECORDING
20TH CENTURY HAS THE FILM'S ORIGINAL TITLE ON THE DISC
20TH CENTURY FOX
THREE COINS IN THE FOUNTAIN
Arranged and conducted by Victor Young
Wednesday
5 to 6:15 PM
Three Coins In The Fountain
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April 2, 1954
Studio
KHJ Studios, Hollywood
12511 The Sea Song (By The Beautiful Sea)
(Arthur Schwartz - Dorothy Fields)
Conducted by Nelson Riddle
(2:56) CD: C2 724383808922 The Complete Capitol Singles
LP: ST26784 The Rarities - Volume One (Australian Capitol Release)
Mannie Klein, Conrad Gozzo (tpt); Joe Howard, Tommy Pederson (tbn); John
Graas, Vincent DeRosa (fr·h); Skeets Herfurt, Jules Kinsler, Jules Jacob, Arthur
Fleming (sax/wwd); Felix Slatkin, Paul Shure, Emanuel Moss, Victor Bay, Alex
Beller, Mischa Russell (vln); Cy Bernard (vie); Kathryn Julye (harp); Bill Miller,
Paul Smith (p); Allan Reuss (g); Mike Rubin (b); Lou Singer (d); Lee Gotch,
Clark Yocum, Allan Davies, Charles Schrouder, Marie Vernon, Eileen Neeley,
Jana Ekelund, Dorothy McCarty (vocal).
Note: The song is from the Broadway musical "By The Beautiful Sea." The show opened at the Majestic Theatre, in New York, on 4-8-54.
Frank was hoping the show would be a hit and the song would be carried along with it. He was a great admirer of both Arthur Schwartz and
Dorothy Fields. The story takes place at Coney Island in 1907 and Shirley Booth was the star. She sang "The Sea Song" and her performance
received rave reviews. The critics gave the story and score less than enthusiastic reviews. It ran for 270 performances and this was credited
to the star power of Ms. Booth.
Nelson Riddle wrote a chart that captures the mood of the early music of the century. The 23 piece orchestra and the vocal octet
surround Sinatra with that nostalgic sound. Capitol didn't see the song as a viable single and it was put on the back burner. It escaped on
an Australian LP in the mid-1970s and was finally released in this country on "The Complete Singles" - 4 CD set in 1996. It was a bonus
track on the fourth disc.
Arthur Schwartz's son, Jonathan, has put up with my ribbing about the recording for well over 45 years. He did tell me his father
thought Frank did a terrific vocal. Jonathan liked playing it when he was on WNEW, because the recording was very rare for many years.
--Ed
Radio
To Be Perfectly Frank
Network: NBC
Show: 42
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Love Is Just Around The Corner FS (with Symphonette)
2. For Dancers Only - Jimmie Lunceford
3. I'll Always Be In Love With You - Kay Starr
4. Y'all Come - Bing Crosby
5. Take A Chance - FS (Record)
Television
None
April 6, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 43
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
Script By: Bob Smith
Directed By: Andy Love
1. opening
2. Sposin' - Frank Sinatra
3. The Night We Called It A Day - Frank Sinatra
4. I Want A Sunday Kind Of Love - Ella Fitzgerald
3. Put Your Dreams Away - Frank Sinatra
4. closing
5. PSA spot
April 7, 1954
Studio
KHJ Studios, Hollywood
12430 Sunday
(Miller/Krueger/ Conn/Styne)
Arranged & Conducted by Nelson Riddle
(2:31) EP: Capitol EAP-528 Swing Easy!
LP: W-587 Swing Easy!
CD: CDP 48470 Songs For Young Lovers & Swing Easy
12431 Just One Of Those Things
(Cole Porter)
Arranged & Conducted by Nelson Riddle
(3:14) EP: Capitol EAP-528 Swing Easy!
LP: W-587 Swing Easy!
CD: CDP 48470 Songs For Young Lovers & Swing Easy
12432 I'm Gonna Sit Right Down And Write Myself A Letter
(Fred E Ahlert/Joe Young)
Arranged & Conducted by Nelson Riddle
(2:29) EP: Capitol EAP-528 Swing Easy!
LP: W-587 Swing Easy!
CD: CDP 48470 Songs For Young Lovers & Swing Easy
12433 Wrap Your Trouble In Dreams
(Barris/Moll/ Koehler)
Arranged & Conducted by Nelson Riddle
(2:17) EP: Capitol EAP-528 Swing Easy!
LP: W-587 Swing Easy!
CD: CDP 48470 Songs For Young Lovers & Swing Easy
note: I was stunned when Riddle told me this was the best work he did with
Sinatra. He felt the idea behind this album was perfectly realized. Frank
wanted swinging songs that fit his nightclub performances. Frank and
Nelson redefined the eight songs and they were a huge addition to his
act for many years.
Ed
KHJ Studios, Hollywood
12430 Sunday
12431 Just One Of Those Things
12432 I'm Gonna Sit Right Down And Write Myself A Letter
12433 Wrap Your Trouble In Dreams
April 9, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 44
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
Script By: Bob Smith
Directed By: Andy Love
1. opening
2. I Love You - Frank Sinatra (Capitol)
3. Don't Blame Me - Frank Sinatra
4. Baubles, Bangles And Beads - Georgia Gibbs
5. I Dream Of You - Frank Sinatra (Columbia)
6. closing
7. PSA spot
Television
None
April 13, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 45
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance Capitol Recording
2. A Foggy Day Capitol Recording
3. The Gypsy Louis Armstrong
4. Blue Moon w/ Sinatra Symphonette
5. If I Could Be With You w/Sinatra Symphonette
April 16, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 46
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Just You, Just Me --w/Sinatra Symphonette
2. Young At Heart -- Capitol Recording
3. Bell-Bottom Blues -- Teresa Brewer
4. Lamplighters Serenade --RCA Recording
5. Please Understand --The Pied Pipers
Television
None
April 19, 1954
Studio
KHJ Studios, Hollywood
12564 All Of Me
(S. Simons/G. Marks)
Bourne Co. (ASCAP)
Arranged & Conducted by Nelson Riddle
-16 (2:07) CD: C2-94777 The Capitol Years
CD: CDP 7-48470-2 Songs For Young Lovrs/Swing Easy
LP: W1429 Swing Easy
12565 Jeepers Creepers
(Harry Warren/Johnny Mercer)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1429 Swing Easy
12566 Get Happy
(Ted Koehler/Harold Arlen)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1429 Swing Easy
12567 Taking A Chance On Love
(Duke/LaTouche/ Fetter)
SBK Miller Catalog Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-5 (2:19) CD: C2-94777 The Capitol Years
CD: CDP 7-48470-2 Songs For Young Lovers/Swing Easy
LP: W1429 Swing Easy
Ed O'Brien notes:
What great, great recordings. A perfect example
of the magic of Sinatra/Riddle.
When I asked Riddle what was the best thing he ever did
with Sinatra, he shocked me by naming "Swing Easy." Riddle
explained to me that they were trying to create a small combo
sound that Frank could use in his nightclub performances. He
felt they had redefined the songs done for "Swing Easy"
and
perfectly realized the concept they had in mind. Sinatra
obviously agreed because the tunes were a staple of his
stage work for many years.
KHJ Studios, Hollywood
12564 All Of Me
12565 Jeepers Creepers
12566 Get Happy
12567 Taking A Chance On Love
April 20, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 47
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. S' Wonderful w/Sinatra Symphonette
2. Young At Heart Capitol Recording
3. Answer Me Nat King Cole
4. They Can't Take That Away Capitol Recording
5. The Lost Chord Jimmy Durante
April 23, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 48
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Them There Eyes
2. Heart Of My Heart - Les Elgart
3. Where Can I Go Without You - Peggy Lee's
4. Put Your Dreams Away
Television
NONE
April 27, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 49
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Everything Happens To Me live performance with symphonette
2. Serenata Leroy Anderson
3. 'Deed I Do Lena Horne
4. Violets For Your Furs Frank Sinatra Capitol recording
April 28, 1954
Radio
Amos 'N' Andy Music Hall
Hollywood
Starring Freeman Gosden and Charles Correll
CBS
Wednesday evening
Sponsored by Campbell's Soup
Johnson & Johnson
GE
30 minutes
Guest: Frank Sinatra
Birth Of The Blues ( Col. recording)
Frank is introduced by Amos 'N' Andy and is interviewed by them
Young At Heart ( Cap. recording)
Amos N' Andy also play songs by
Nat Cole, Jo Stafford and others.
Ed O'Brien: Amos 'N' Andy became a very controversial
show. I found it to be a very funny back in the
late forties, early fifties. Sapphire and Kingfish
would leave me howling with their marvellous antics.
As a child, I certainly wasn't aware of the racial element
that appalled many at the time. In the innocence of childhood,
it was just a very funny radio show with memorable characters.
Amos 'N' Andy Music Hall
Hollywood
Starring Freeman Gosden and Charles Correll
CBS
Wednesday evening
Sponsored by Campbell's Soup
Johnson & Johnson
GE
30 minutes
Guest: Frank Sinatra
Birth Of The Blues ( Col. recording)
Frank is introduced by Amos 'N' Andy and is interviewed by them
Young At Heart ( Cap. recording)
Amos N' Andy also play songs by
Nat Cole, Jo Stafford and others.
Ed O'Brien: Amos 'N' Andy became a very controversial
show. I found it to be a very funny back in the
late forties, early fifties. Sapphire and Kingfish
would leave me howling with their marvellous antics.
As a child, I certainly wasn't aware of the racial element
that appalled many at the time. In the innocence of childhood,
it was just a very funny radio show with memorable characters.
note: This show was a pilot for a projected Monday through Friday broadcast.
Amos "n" Andy would spin records and do comedy skits with Kingfish. Pilot was taped on 4-28-54. Gosden and Correll went out of there way with the commercial spots. I can find no evidence that the show was ever aired. CBS did pick it up as a sustainer and it had its debut on 9-13-54. The 9/15 show included an edited version of Sinatra's appear- on the audition tape. It quite obvious Frank was not in the studio for the pilot program. He answered a bunch of questions similar to the "Meet Danny Wilson" and "From Here To Eternity" broad- casts. Ask by Kingfish if he is married to Zsa Zsa Gabor, Frank tells him he is married to Ava Gardner. The September show has no response from Frank. Harlow Wilcox is the announcer on both programs. Songs on April taping: 1. Oh ! Baby Mine ( I Get So Lonely ) The Four Knights 2. Make Love To Me Jo Stafford 3. A Little Bird Told Me Evelyn Knight 4. Answer Me, My Love Nat King Cole 5. Birth Of The Blues* Frank Sinatra 6. Young At Heart Frank Sinatra 7. Cross Over The Bridge Patti Page * Only about five seconds of "Birth of the Blues" is played. Amos 'n' Andy asked Frank to bring along a record. The pilot has "Young At Heart" and the Sept. broadcast has "Birth of the Blues.." Correll states that Frank considers it to be his finest recording. In the fall of 54, CBS could not find a sponsor for the show. Finally, in early 55, CBS started selling Columbia TVs on the show. Ed
April 30, 1954
Radio
To Be Perfectly Frank
Network: NBC
Show: 50
Time: 8:15 p.m
Host: Frank Sinatra
Announcer: Edward King
1. Taking A Chance On Love w/live symphonette
2. Easy Come, Easy Go Sarah Vaughan
3. Frere Jacques Nelson Riddle
4. Bright Eyed And Bushy Tailed Eileen Barton
5. This Love Of Mine w/ live symphonette
Television
NONE
May 4, 1954
Radio
To Be Perfectly Frank
Network:
Show: 51
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Thou Swell (with the Sinatra Symphonette)
2. Peachtree Street (record - Sinatra & Rosemary Clooney)
3. The Anything Can Happen Mambo - Mel Torme
4. I Concentrate On You (record - Sinatra)
5. I Can't Believe That Your In Love With Me (with the Sinatra Symphonette)
Ed O'Brien:
"Thou Swell" and "I Can't Believe You're In Love With Me" are both live
studio tracks with the Sinatra Symphonette. Rosie Clooney is Frank's
duet partner on "Peachtree Street." Frank received a writer's credit on
ditty Dinah Shore refused to record with him.
May 7, 1954
Radio
To Be Perfectly Frank
Network:
Show: 52
Time:
Host: Frank Sinatra
Announcer: Edward King
1. You Took Advantage Of Me - with Sinatra Symphonette
2. Bop Goes My Heart - Instrumental
3. It's Nice To Have You Home - Margaret Whiting
4. September Song - with just Bill Miller on piano
5. What Is This Thing Call Love - with Sinatra Symphonette
Television
None
May 11, 1954
Radio
To Be Perfectly Frank
Network:
Show: 53
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Let's Fall In Love - Sinatra & Symphonette
2. Where Can I Go Without You - Peggy Lee
3. Almost Like Being In Love - Nat King Cole
4. Embraceable You - Sinatra's Columbia recording
Ed O'Brien:
Terrific vocal by Sinatra on "Let's Fall In Love."
And so different from the treatment given this
gem on "RADD."
May 13, 1954
Studio
KHJ Studios. Hollywood
12642 The Gal That Got Away
(H. Arlen/I. Gershwin)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: T768 This Is Sinatra!
45: 2864
NOTE: This song is much more closely associated with Judy Garland, Sinatra Scholar Ed O'Brien reminds us,
but Sinatra actually had a slightly bigger hit back in 1954 and he sang it in concert for many years.
The 1981 recording is simply the 1954 arrangement slowed down. Sinatra also did a memorable performance
of the song on the Hollywood Palace in 1965.
12643 Half As Lovely (Twice As True)
(L. Spence/S. Gallop)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W982 This Is Sinatra Vol.2
45: 2864
12644 It Worries Me
(Schulz/Reichel/ Sigman)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-91209-2 Where Are You?
LP: W1432 Songs For Young Lovers
45: 2922
Ed O'Brien:
Frank loved the lyrics Lew Spence wrote for this song. He
asked Lew to write more tunes for him. Lew obliged and wrote
"If I Had Three Wishes." Spence was at the session , 3-7-55,
when Frank laid it down. After getting a master take, Frank
gave Lew an earful. Wanted to know why he wrote such a
damn difficult song to sing after "Half As Lovely" was so easy.
Lew told me the musicians started laughing and that broke
Frank up. Lew would do six more songs for Sinatra during
the Capitol years.
Musicians - Reed: Mahlon Clark, Chuck Gentry, Arthur "Skeets" Herfurt, Arthur Kafton, Ted Nash, Warren Webb; Trumpet: Conrad Gozzo, Rubin "Zeke" Zarchy; Trombones: Dick Noel, Tommy Pederson; Brass Trombone: George Roberts; Violins: Victor Bay, Harry Bluestone, Walter Edelstein, George Kast, Nick Pisani, Mischa Russell, Eudice Shapiro, Paul Shure, Felix Slatkin; Violas: Maxine Johnson, Paul Robyn; Cellos: Cy Bernard, Eleanor Slatkin; Piano: Bill Miller; Bass: Joe Comfort; Guitar: Bobby Gibbions; Drums: Alvin Stoller; Harp: Kathryn Julye
Session Producer: Voyle Gilmore
KHJ Studios. Hollywood
12642 The Gal That Got Away
12643 Half As Lovely (Twice As True)
12644 It Worries Me
------------------------------------
May 13, 1960 SHARE, Inc. benefit party at the Moulin Rouge, Los Angeles
Frank Sinatra & girlfriend Juliet Prowse in costume at the SHARE, Inc. benefit party at the Moulin Rouge, Los Angeles, May 13, 1960
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[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
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May 14, 1954
Radio
To Be Perfectly Frank
Network:
Show: 54
Time:
Host: Frank Sinatra
Announcer: Edward King
1. My Blue Heaven w/ Sinatra symphonette
2. Jesse James Eileen Barton
3. It Happened Once Before The Four Freshmen
4. My Funny Valentine Capitol recording
5. I'm Gonna Live Till I Die Frankie Laine
Ed O'Brien
Frank and Frankie Laine both recorded "I'm Gonna
Live Till I Die." And on different labels. It was very generous
of Mr. Sinatra to give Mr Laine's a spin.
Television
None
May 18, 1954
Radio
To Be Perfectly Frank
Network:
Show: 55
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Out Of Nowhere Sinatra and Symphonette
2. I Get So Lonely Four Knights
3. Bright Eyed And Bushy Tailed Eileen Barton
4..Where Or When Sinatra and Symphonette
5. Montoona Clipper Les Brown and His Band Of Renown
May 21, 1954
Radio
To Be Perfectly Frank
Network:
Show: 56
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Three Coins In A Fountain ( Capitol recording)
2. A String Of Pearls Glenn Miller & His Orchestra
3. Rain ( Capitol recording)
4. Tenderly Bill Miller on piano
NOTE: Jonathan Schwartz told Ed O'Brien that he
won a number of bets on Sinatra's recording
of the Walter Gross classic, "Tenderly." Bar
patron after bar patron was absolutely certain that
there was a Sinatra commercial recording of it. There is not.
Television
None
May 25, 1954
Radio
To Be Perfectly Frank
Network:
Show: 57
Time:
Host: Frank Sinatra
Announcer: Edward King
1. I'm Confessin' w/ symphonette
2. No One But You Connie Russell
3. Don't Worry 'bout Me Capitol recording
4. As Time Goes By* w/symphonette
5. The Story Of Three Loves Richard Heyman
* On the Frank Sinatra Bobbi Show, 3-16-55, Frank sang the classic from "Casablanca"
with just Bill Miller backing him on piano..
Ed O'Brien reports that two of these songs were done with the Sinatra Symphonette.
"I'm Confessin'" is terrific with castanets and "As Time Goes By" is quiet and lovely.
May 28, 1954
Radio
To Be Perfectly Frank
Network:
Show: 58
Time:
Host: Frank Sinatra
Announcer: Edward King
1. If I Had You w/ Sinatra symphonette
2. Marie Tommy Dorsey & His Orchestra
3. These Foolish Things Columbia recording
4. From This Day Forward Columbia recording
May 31, 1954
June 1, 1954
Radio
To Be Perfectly Frank
Network:
Show: 59
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Taking A Chance On Love w/ Sinatra Symphonette
2. I Have But One Heart Columbia recording
3. Too Little Time Wally Stott
4. Deep Night Columbia recording
Ed O'Brien:
Wally Stott did the orchestral arrangement for Frank's recording
of "Have Yourself A Merry Little Christmas," heard in "The Victors." (1963)
June 4, 1954
Radio
To Be Perfectly Frank
Network:
Show: 60
Time:
Host: Frank Sinatra
Announcer: Edward King
1. That Old Black Magic w/ Sinatra Symphonette
2. The Jersey Bounce Ray Anthony & Orch.
3. That's Good Enough For Me Pearl Bailey
4. Under A Blanket Of Blue w/ Sinatra Symphonette
NOTE: Ed O'Brien says that Sinatra's reading of the Bing Crosby classic "Under a Blanket of Blue"
is a real highlight from the Perfectly Frank series of broadcasts.
Television
None
June 8, 1954
Radio
To Be Perfectly Frank
Network:
Show: 61
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Them There Eyes w/ Sinatra Symphonette
2. I Get So Lonely Four Knights
3. Don't Blame Me w/ Sinatra Symphonette
4. Change Partners Kay Starr
5. She's Funny That Way Columbia Recording
NOTE: Ed O'Brien exclaims, "What a show!" Two of the three songs Sinatra never recorded and the small group sound fit him perfectly in 1954.
June 9, 1954
Concerts
Sands Hotel, Las Vegas
Frank Sinatra & Ziegfeld Follies
Sands Hotel, Las Vegas (Part 1)
Frank Sinatra & Ziegfeld Follies
note: Here is the complete program for the Ziegfeld Follies
presentation
at the Sands in June/July 1954.
Song Sinatra sang in the "Rainbow Blues" segment:
note: The show opened on 6-9-54 and continued into July. Sam Levenson
and Frances Langford
replaced Sinatra on 7-14-54. I have the reviews of their opening night..
Frank was still in Vegas
as of 7/9. He invited all the stars on the strip to attend a sneak
preview of his new movie "Suddenly,"
on Friday morning, 7/9, at the Huntridge Theatre, at 2: A.M.
Ed
note: Wilson names a few of the songs
Frank was
singing
and does a good job capturing Frank's
upbeat
mood and tells how a three week gig
was
extended into five. --Ed
June 10, 1954
Concerts
Sands Hotel, Las Vegas
Frank Sinatra & Ziegfeld Follies
George Tapps, Chuck Belson,
Dorothy Matthews, The Martin
Brothers and The Copa Girls
Special lyrics for the production Sid Kuller
Choreography Bob Gilbert and Renee Stewart
Arranged and Conducted by Ray Sinatra
June 11, 1954
Radio
To Be Perfectly Frank
Network:
Show: 62
Time:
Host: Frank Sinatra
Announcer: Edward King
1. You Do Something To Me w/ Sinatra Symphonette
2. My Funny Valentine Capitol recording
3. How About You Les Brown and His Orchestra
4. If You Are But A Dream Columbia recording
5. I've Got My Love To Keep Me Warm w/ Sinatra Symphonette
Concerts
Sands Hotel, Las Vegas
Frank Sinatra & Ziegfeld Follies
George Tapps, Chuck Belson,
Dorothy Matthews, The Martin
Brothers and The Copa Girls
Special lyrics for the production Sid Kuller
Choreography Bob Gilbert and Renee Stewart
Arranged and Conducted by Ray Sinatra
note: Jack Entratter's Ziegfeld Follies, with Sinatra, opened on 6-9-54.
Frank was set to be there through the 28th of the month.
Vic Damone would then come in for two weeks and
Sam Levenson and Frances Langford would complete
the six week run, opening on 7/14. Damone dropped out
and Frank agreed to do two more weeks. I have the
Variety review of the 7/14 opening and the WB work sheets
for "Young At Heart." Frank was on the set as the production got
underway Monday, 7/12. Did he close at the Sands on 7/11 ?
Certainly seems reasonable, but I don't know for sure.
--Ed
Sands Hotel, Las Vegas
Frank Sinatra & Ziegfeld Follies
George Tapps, Chuck Belson,
Dorothy Matthews, The Martin
Brothers and The Copa Girls
Special lyrics for the production Sid Kuller
Choreography Bob Gilbert and Renee Stewart
Arranged and Conducted by Ray Sinatra
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June 12, 1954
Concerts
Sands Hotel, Las Vegas
Frank Sinatra & Ziegfeld Follies
George Tapps, Chuck Belson,
Dorothy Matthews, The Martin
Brothers and The Copa Girls
Special lyrics for the production Sid Kuller
Choreography Bob Gilbert and Renee Stewart
Arranged and Conducted by Ray Sinatra
June 13, 1954
Concerts
Sands Hotel, Las Vegas
Frank Sinatra & Ziegfeld Follies
June 14, 1954
Concerts
Ben Church Memorial Field, Henderson, Nevada
Youth Center Victory Show
Purpose of the event was to raise funds for the local Youth Center.
Frank Sinatra, Ink Spots, Artie Shaw, Sophie Tucker and Others
Ben Church Memorial Field, Henderson, Nevada
Youth Center Victory Show
Purpose of the event was to raise funds for the local Youth Center.
Frank Sinatra, Ink Spots, Artie Shaw, Sophie Tucker and Others
Henderson Youth Center and Fundraiser. Entertainer Frank Sinatra performing at the Youth Center Victory Show in Henderson, Nevada.
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
June 15, 1954
Radio
To Be Perfectly Frank
Network:
Show: 63
Time:
Host: Frank Sinatra
Announcer: Edward King
1. I've Got A Crush On You w/ Sinatra Symphonette
2. Three Coins In A Fountain Capitol Recording
3. The Anything Can Happen Mambo Mel Torme
4. Night And Day w/ Sinatra Symphonette
5. Wrap Your Troubles In Dreams w/ Sinatra Symphonette
Notes:
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
Ben Church Memorial Field, Henderson, Nevada
Youth Center Victory Show
Purpose of the event was to raise funds for the local Youth Center.
Frank Sinatra, Ink Spots, Artie Shaw, Sophie Tucker and Others
June 16, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
June 17, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
June 18, 1954
Radio
To Be Perfectly Frank
Network:
Show: 64
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Sometimes I'm Happy w/ Sinatra Symphonette
2. Little Girl Blue Capitol Recording
3. Honey Jug Sauter Finegan
4 A Foggy Day Capitol Recording
5. It's Only A Paper Moon w/Sinatra Symphonette
Television
None
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
June 19, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
June 20, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
Rehearsal with the 1954 version of the Follies Girls plus Jack Entratter and Frank
June 22, 1954
Studio
To Be Perfectly Frank
Network:
Show: 65
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Love Me Or Leave Me w/Sinatra Symphonette
2. The Girl Next Door Capitol Recording
3. Lemon Twist Billy May
4. Birth Of The Blues Columbia Recording
NOTE: Ed O'Brien loves "Love Me or Leave Me" as sung here by Frank Sinatra.. It has a great sound and the tempo is perfect.
June 25, 1954
Radio
To Be Perfectly Frank
Network:
Show: 66
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Should I w/ Sinatra Symphonette
2. Marie 4 Tunes
3..Don't Worry 'Bout Me Capitol Recording
4. It's Only A Paper Moon Ella Fitzgerald
5. Hello Young Lovers w/ Bill Miller on piano
June 29, 1954
Radio
To Be Perfectly Frank
Network:
Show: 67
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Just One Of Those Things w/ Sinatra Symphonette
2. I'm A Fool To Want You Columbia Recording
3. Undecided* Ella Fitzgerald
4. The Doodle Town Pipers Sauter Finegan
Notes: Ed O'Brien *Frank would sing "Undecided" on his 11-27-51 TV show. I would guess the chart was done by George Siravo.
July 2, 1954
Radio
To Be Perfectly Frank
Network:
Show: 68
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Castle Rock Columbia Recording
2. I Want A Boy Connie Russell
3. Dancing In The Dark Ray Anthony & His Orchestra
4. That Old Black Magic Columbia Recording
5. I'm In The Mood For Love w/Sinatra Symphonette
Notes:
Ed O'Brien notes that the last song is another classic pop song not recorded by Sinatra but performed on the "Perfectly Frank" radio show.
Television
None
July 6, 1954
Radio
To Be Perfectly Frank
Network:
Show: 69
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Wrap Your Trouble In Dreams w/ Sinatra Symphonette
2. Rain Capitol Recording
3. The Gypsy Louis Armstrong
4. You're The One Columbia Recording
Notes:
July 7, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
July 8, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
Sahara Hotel, Las Vegas
Frank Sinatra subbed for Martha Raye’s second show
July 9, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
Note: Sinatra was dark on Mondays
July 12, 1954
Concerts
Sands Hotel, Las Vegas (June 9-July 11)
Frank Sinatra & Ziegfeld Follies
July 13, 1954
Studio
WARNER BROS. - Los Angeles, California
YOUNG AT HEART
"Just One Of Those Things"
LP Release: 50 Years Of Film Music - Warner Bros 3XX-2736
Required two sessions. Started on the 13th and completed on the 14th.
Frank was backed by a jazz quartet and Bill Miller.
Radio
To Be Perfectly Frank
Network:
Show: 71
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Everything Happens To Me w/ Sinatra Symphonette
2. Serenata Leroy Anderson
3. 'Deed I Do Lena Horne
4. Violets For Your Furs Capitol Recording
Television
NONE
[image referenced in source but could not be recovered]
July 14, 1954
Studio
WARNER BROS. - Los Angeles, California
YOUNG AT HEART
Wednesday afternoon
3 to 4:40 PM
Arranged and conducted by Ray Heindorf
52 piece orchestra including Bill Miller and Alvin Stoller
You My Love
Additional vocal work done on "Just One Of Those Things
orchestral track done for "Someone To Watch Over Me."
Bill Miller was paid $48.21 per session
Doris Day recorded from 1:30 to 4:35 PM
Frank and Doris rehearsed during this session
Ed O'Brien provided the Young At Heart" session info above.
July 16, 1954
Radio
To Be Perfectly Frank
Network:
Show: 72
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Taking A Chance On Love
2. This Love Of Mine
Notes: Sinatra songs only. Full list to be completed.
Television
NONE
August 11, 1954
Studio
Warner Bros. Soundstage 12 - Los Angeles, California
film "Young at Heart"
Frank Sinatra with Bill Miller at the piano
Four takes
One for my Baby
NOTE: Thanks go to Ed O'Brien, who supplied the
information on this soundstage recording session.
August 12, 1954
AP Article
8-12-54
August 15, 1954
Radio
Gary Crosby Show
Note: The show appears on the officially released CD set: 60 Greatest
Old Time Radio Show "Frank Sinatra & Friends"
NOTE: Ed O'Brien calls this a very interesting show. We get to hear
Sinatra sing "Half as Lovely.. Twice as True"
with a modified John Scott Trotter turn of the Riddle chart. Sinatra
then joins Gary in a duet of "Sam's Song.
Gary Crosby Show
Photo from the broadcast
August 18, 1954
Red Skelton Revue (air date: August 18, 1954)
NBC
Johnny Carson was the substitute host while Red recovered from a concussion. The guests were to have been Frank Sinatra, Cab Calloway and dancer Georgia Tapps.
Note: Less than an hour before the broadcast, during rehearsal, Red Skelton was seriously injured when a breakaway wall in a prison sketch failed to break.
Red received a concussion, was hospitalized, and was unable to perform. At the last minute, Johnny Carson substituted for Red as guest host, writing his monologue as he drove in to the studio.
Sinatra also cancelled at the last minute.
Sinatra was to have performed "The Gal That Got Away." "Foggy Day" and "Half as Lovely."
August 23, 1954
Studio
KHJ Studios. Hollywood
12937 When I Stop Loving You
w/Vocal Chorus
(Cates/Copeland/ Greene)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 2922
12938 White Christmas
w/Vocal Chorus
(Irving Berlin)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-48329-2 The Sinatra Christmas Album
45: 2954
12644 The Christmas Waltz
w/Vocal Chorus
(J. Styne/S. Cahn)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-48329-2 The Sinatra Christmas Album
45: 2954
Musicans - Reeds: John Hacker, Dominic Mumolo, Warren Webb, James
Williamson; Trombones: Simon Zenther; Bass Trombone: George Roberts;
French Horns: John Cave, Vincent De Rosa; Violins: Victor Bay, Alex
Beller, Harry Bluestone, Walter Edelstein, Henry Hill, Mischa Russell,
Paul Shure, Felix Slatkin; Violas: Staney Harris, David Sterkin; Cellos:
Cy Bernard, Edgar Lustgarten, Eleanor Slatkin; Piano: Bill Miller; Bass:
Joe Comfort; Guitar: Allan Reuss; Drums: Lou Singer, Alvin Stoller
Session Producer: Voyle Gilmore
August 25, 1954
Studio
WARNER BROS. Los Angeles
YOUNG AT HEART
Wednesday afternoon
Arranged and conducted by Ray Heindorf
You My Love
Frank Sinatra & Doris Day
Ed O'Brien:
Pre-recording was music spot #18
Recording was done on Warner Soundstage #9 from 2 to 4 p.m. There were three takes
Heindorf was paid $120.52 for his efforts. There were 52 musicians in the orchestra
On this date production was five days behind schedule. It was the 30th day of filming and 41
days had been allotted. Estimated finish date was revised on this day to 9-14-54. Film had
98 scenes in the original script and 44 had been completed prior to 8/25. Two scenes were shot
from 9 to 11 A.M. Tuttle living room scene (music spot #5) and Doris Day filmed "There's A Rising
Moon" (music spot #14). There was one dog on the set with trainer Frank Weatherwax. No animals were
harmed during the shoot (a little humor, folks).
Doris Frank Ray Heindorf
September 1, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 1
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Just One Of Those Things - Frank Sinatra.
2. Hey There - Rosemary Clooney.
3. Young At Heart - Frank Sinatra
September 3, 1954
Radio
To Be Perfectly Frank
1. I'm Gonna Sit Right Down And Write Myself A Letter
2. This Can't Be Love
3. Half As Lovely
Television
None
September 8, 1954
Radio
To Be Perfectly Frank
1. Jeepers Creepers
2. It All Depends On You
3. The Gal That ot Away
September 10, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 4
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Taking A Chance On Love - Frank Sinatra.
2. I Cried - Patti Page.
3. Don't Worry 'bout Me - Frank Sinatra.
September 15, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 5
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Get Happy - Frank Sinatra.
2. Sway - Eileen Barton.
3. When I Stop Loving You - Frank Sinatra.
Amos 'N' Andy Music Hall
CBS
Wednesday Evening
9:30 p.m. - 9:55 p.m.
third show of the season
Guest: Frank Sinatra
Note: The show appears on the officially released CD set: 60 Greatest Old Time Radio Show "Frank Sinatra & Friends"
September 17, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 6
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Taking A Chance On Love - Frank Sinatra.
2. I'm A Fool To Care - Les Paul and Mary Ford.
3. Half As Lovely (Twice as true) Frank Sinatra.
Television
NONE
Film
"Suddenly" (September 17, 1954)
Starring: Frank Sinatra, Sterling Hayden, James Gleason, Nancy
Gates, Kim Charney, Willis Bouchey, Paul Frees, Christopher Dark, James
Lilburn
Produced by: Robert Basslet
Directed by: Lewis Allen
The tranquility of a small town is marred only by sheriff Tod Shaw's
(Sterling Hayden) unsuccessful courtship of widow Ellen Benson (Nancy
Gates), a pacifist who can't abide guns and those who use them. But
violence descends on Ellen's household when the U.S. President passes
through town... and slightly psycho hired assassin John Baron (Frank
Sinatra) finds the Benson home ideal for an ambush.
--Blu-Ray Release: 2012-12-04
September 22, 1954
Radio
To Be Perfectly Frank
1. All Of Me --Frank Sinatra
2. When My Dreamboat Comes Home --Kay Starr
2. They Can't Take That Away From Me --Frank Sinatra
4. If I Give My Heart To You --Connee Boswell
3. When I Stop Loving You --Frank Sinatra
Television
None
September 23, 1954
Studio
KHJ Studios. Hollywood
12707 Don't Change Your Mind About Me
w/Virginia Maxey adn The Modernaires
( I. Carpenter/L. Adelson)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: SYS 5637 Sinatra Like Never Before
45: 3050
NOTE: Sinatraphile Robert Freed asked if it were really June Hutton and the Pied Pipers on this recording, reckoning that Hutton and the Pipers were long parted from Capitol by 1954 and pointing out that the Silva discography lists Virginia Maxey and four gentlemen who he believes were The Modernaires (Alan Campbell, John Drake, Francis Scott, and Hal Dickinson) for the vocal on this.
In addition, Sinatraphile Craig Poff wanted to know, personally, the identification of the gal who gets that wonderful solo line 'don't change your mind about me, after the chorus starts "I can see it through, as long as you . . ." He says that gal can sing him to sleep any night..... Wonderful record!
To these inquiries, Ed O'Brien confirms that Capitol definitely attributes the backup vocal to Hutton and the Pied Pipers. Hutton left the group in 1950 and started a solo career. Capitol Records released her efforts up into the mid-1950s. She worked with Sinatra in the 40s on his radio show and was a regular on his CBS-TV show in 1951-52. She married Alex Stordahl in 1951 and they made many records throughout the 50s.
When O'Brien received information from Capitol back in 1991, Hutton was credited on the song and he used that information in his 1992 book. But AFM sheets don't lie and it is NOT Hutton on the record. O'Brien is very familiar with that smoky voice and it is not Hutton.
It has to be Virginia Maxey. He listened to the recording and the group certainly doesn't have the signature sound of The Pipers. A search for the history of The Modernaires shows Maxey and Copeland as occasional contributors to recordings with the group. Hal Dickinson free-lanced on sessions while not singing with The Modernaires. O'Brien would guess it was a call-up from Capitol and these particular singers were available. The original Modernaires did two sessions with Sinatra at Columbia with Paula Kelly providing the vocals with the group.
Robert Freed thanked O'Brien for the confirmation. He says he thought the same when listening to the track, even though virtually every source in existence credits June Hutton and Pied Pipers.
He suspects Capitol put their names on the recording to bolster sales of the single. Hutton (who was married to Axel Stordahl and associated with Sinatra from radio and TV) was under contract to Capitol, and Virginia Maxey was probably unknown to the general public.
Freed finds it interesting that Capitol credited Hutton and The Pipers for 'Don't Change Your Mind" in The Complete Capitol Singles Collection 4-cd set of 1996. He wonders if there's a credit on the 1973 Longines Symphonette Society's '"Sinatra Like Never Before" set or "The Rarities, Vol. 2" from Australia. He believes the former was the first time the track appeared on an LP.
O'Brien says 'Nope on all the issues.' He checked the Longines, Australian Vol. 2, and the UK 's 'Look Over Your Shoulder.' There is no mention of a chorus let alone Hutton and The Pipers.
12703 Someone To Watch Over Me
(G. Gershwin/ I. Gershwin)
WB Music Corp (ASCAP)
Arranged & Conducted by Nelson Riddle
-20 (2:56) CD: CDP 724383595228 Sinatra 80th 'All The Bestâ
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-96827-2 Nice â n' Easy
CD: : C2-94777 The Capitol Years
LP: W1432 Songs For Young Lovers
45: 2993
12704 You, My Love
(J. Van Heusen/M. Gordon)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 2993
Musicians: Reeds: Mahlon Clark, John Hacker, Jules Kinsler, Harry Klee, Waren Webb; Trombone: Milton Bernhart; Bass Trombone: George Roberts; French Horns: John Cave, Vincent De Rosa; Violins: Victor bay, Alex Beller, Harry Bluestone, Walter Edelstein, Eudice Shapiro, Marshall Sosson, Gerald Vinci; Violas: Stanley Harris, Maxine Johnson, David Sterkin; Cellos: Cy Bernard, Eleanor Slatkin; Piano: Bill Miller; Bass: Joe Comfort; Guitar: Allan Reuss; Drums: Alvin Stoller; Harp: Kathryn Julye
Session Producer: Voyle Gilmore
NOTE: Ed O'Brien reports that he interviewed four of the musicians from this date. He says he always goes through all the sessions an individual played on with Sinatra. All remembered one song from this date: 'Someone to Watch Over Me.' They told O'Brien that it didn't come easy (20 takes) but the final result was a great recording.
Television
None
KHJ Studios. Hollywood
12707 Don't Change Your Mind About Me
w/Virginia Maxey adn The Modernaires
( I. Carpenter/L. Adelson)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: SYS 5637 Sinatra Like Never Before
45: 3050
San Francisco Chronicle
September 24, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 8
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Sunday - Frank Sinatra.
2. Tell Me Tell Me - June Valli.
3. I Could Have Told You - Frank Sinatra
Television
NONE
September 29, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 9
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Wrap Your Troubles In Dreams - Frank Sinatra
2. That Was My Heart You Heard - Betty Madigan
3. From Here To Eternity - Frank Sinatra
Michel Macaire sent these photos to me:
Jack Warner called the premiere of the film, and the party that followed
at the Cocoanut Grove, "the single greatest night in the history of Hollywood."
Sinatra sat at the main table with Judy, Bogie, Bacall, Warner. He did not wear
his toupee and graciously agreed to hold the mic while Warner read a thank
letter to all the people involved with the making of the film.
Jack Warner called the premiere of the film, and the party that followed
at the Cocoanut Grove, "the single greatest night in the history of Hollywood."
Sinatra sat at the main table with Judy, Bogie, Bacall, Warner. He did not wear
his toupee and graciously agreed to hold the mic while Warner read a thank
letter to all the people involved with the making of the film.
A Star Is Born
LOS ANGELES - SEPTEMBER 29: Frank Sinatra listens in as actress and singer Judy Garland, comedienne Sophie Tucker and actress Lauren Bacall share a joke at the party celebrating the premiere of the Warner Bros film 'A Star Is Born' on September 29, 1954 in Los Angeles, California. (Photo by Earl Leaf/ Michael Ochs Archives/Getty Images
October 1, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 10
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. South Of The Border - Frank Sinatra
2. All There Is And Then Some - Margaret Whiting
3. It Worries Me - Frank Sinatra
To Be Perfectly Frank
Network:
Show: 94
Time: 13 mins
Host: Frank Sinatra
Announcer: Edward King
1. It's Only A Paper Moon w/ Sinatra Symphonette
2. Take Me In Your Arms Jo Stafford
3. It Happened Once Before The Four Freshmen
4. All I Want And Then Some Margaret Whiting
5. It Worries Me Capitol Recording
note:The NBC series of this show ran from 11/3/53 until 7/2/54. In all there were
70 shows aired on Tuesdays and Fridays of each week. A follow up
in September of 54 was simply titled the "Frank Sinatra Show" and was
sponsored by Toni Home Permanent. The show ran from 9-1-54 through
6-25-55.. There were 86 broadcasts on Wednesdays and Fridays.
All of the PF. broadcasts after 7-2-54 are AFRS shows culled from the series.
There were 128 made available to our armed forces.
Ed
October 6, 1954
Radio
To Be Perfectly Frank
Network:
Show: 95
Time:
Host: Frank Sinatra
Announcer: Edward King
1. Take A Chance Capitol Recording
2. Let's Try Again Tony Martin
3. A Fortune In Dreams Kay Starr
2. When I Stop Loving You Capitol Recording
note: There were 70 Perfectly Frank shows broadcast on NBC. But there were 127 AFRS versions of the show.
If you look above at the "Frank Sinatra Show, " sponsored by Bobbi, it becomes quite apparent that AFRS used the
Bobbi Shows for the continuation of the PF series. They borrowed from 57 of the 86 broadcasts NBC aired in
1954-55.
Frank was not overly fond of his smash 1954 hit "Young At Heart." He much preferred the single's flip-side "Take
A Chance." Eight of the PF/Bobbi shows opened with "Take A Chance" and a measly one featured "Young At
Heart" as the opener.
Ed
The Frank Sinatra Show
Network: NBC
Show Number: 11
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Take A Chance - Frank Sinatra.
2. Fortune In Dreams - Kay Starr.
3. When I Stop Loving You - Frank Sinatra.
October 8, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 12
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I've Got The World On A String - Frank Sinatra
2. Let's Try Again - Tony Martin
3. My Funny Valentine - Frank Sinatra
This is an AFRS show culled from the Frank Sinatra Bobbi Show.
The last PF broadcast on NBC was 7-2-54. Bobbi got underway on 9-1-54, on NBC.
--Ed
October 13, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 13
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. They Can't Take That Away From Me - Frank Sinatra
2. High And The Mighty - Les Baxter
3. Half As Lovely (Twice As True) - Frank Sinatra
October 15, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 14
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. A Foggy Day - Frank Sinatra
2. Never Underestimate - Dinah Shore
3. The Girl Next Door - Frank Sinatra
Television
None
October 17, 1954
Radio
The Glenn Miller Era
NBC
Time 6:30 p.m. - 8:00 p.m.
Notes: Volume 2 of the RCA collection of Glenn Miller recordings is played. There are brief interviews with several musicians and Frank Sinatra.
Television
None
October 20, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 15
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I Get A Kick Out Of You - Frank Sinatra
2. If I Give My Heart To You - Denise Lor
3. When I Stop Loving You - Frank Sinatra
October 22, 1954
Radio
Frank Sinatra Show
Friday Evening
NBC -Radio
8:15 P.M. - 8:30 P.M.
Sponsor: Bobbi Home Permanent
1. Wrap Your Troubles In Dreams F.S.
2. Smile Sunny Gale
3. The Gal That Got Away F.S.
Television
None
October 27, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 17
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Sit Right Down A Right Myself A Letter Capitol recording
2. If I Give My Heart To You - Denise Law
3. C'est Si Bon - Stan Freberg
4. Half As Lovely - Capitol recording
Television
NONE
October 29, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 18
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Taking A Chance On Love - Frank Sinatra
2. It's All Right With Me - Frank Sinatra w/Bill Miller, piano
3. Half As Lovely (Twice as True) - Frank Sinatra
Television
NONE
November 3, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 19
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Sunday - Frank Sinatra
2. Love, You Didn't Do Right By Me - Peggy Lee
3. Violets For Your Furs - Frank Sinatra
November 5, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 20
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Get Happy - Frank Sinatra
2. Someone To Watch Over Me - Frank Sinatra; Bill Miller, piano
3. When I Stop Loving You - Frank Sinatra
Notes: Frank plugs the movie "Suddenly."
November 7, 1954
Television
Max Liebman Presents: Fanfare
Sunday Night
7:30 to 9:00 pm
NBC
Color Broadcast
Sponsors: Sunbeam & Hazel Scott Cosmetics
Season 1, Episode 5
Host: Steve Allen
Guests: Frank Sinatra, Judy Holiday, Dick Shawn, Jacques Tati
Hollywood Segment:
Director: Bob Banner
Writers: Don McGuire
Musical Director: Ray Sinatra
Choreographer: Al White
"Songs For Young Lovers"
Frank segment opens with him singing "Young At Heart" with a visual
recreation of the cover of the famous Capitol album built around his segment.
1. Gal That Got Away
2. I Get A Kick Out Of You
3. When I Stop Loving You w/chorus
4. Chat plus skit with young girl
5. Get Happy
6. Put Your Dreams Away -- orchestral only
note: Frank's segment was in black & white.
The NBC affiliate in L.A. lacked the ability to
broadcast in color.
Max Liebman Presents: Fanfare
Variety
review was by Donald Kirkley and appeared in the Baltimore Sun November 10, 1954
An excellent example of bias overriding
the obvious: Sinatra was fantastic that night. He
was at the beginning of his great years with Capitol
and was in total command throughout his segment
of the show. Marvelous singing and the visual recreation
of the "Songs For Young Lovers" was a very nice
opening.
Ed
Billboard posted a somewhat better review:
November 10, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 21
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Sit Right Down And Write Myself A Letter - Frank Sinatra
2. Anyone Can Fall In Love - Doris Day
3. Like Someone In Love - Frank Sinatra
Television
NONE
Film
Tony Rome (US Film Release: November 10, 1967)
Starring: Frank Sinatra, Jill St. John, Sue Lyon and Gena Rowlands
(Directed by Gordon Douglas. Produced by Aaron Rosenberg)
The story follows the adventures of Miami private investigator Tony Rome (Sinatra) in his quest to locate a missing diamond pin that belongs to a wealthy heiress.
(1st DVD Release date: 2005-05-24)
(Blu-Ray Released on August 16, 2016 by Twilight Time with "Lady In Cement", limited to 3,000)
Note: Sinatra would play Tony Rome again in 1968's "Lady In Cement"
The Sands, Las Vegas, NV
November 10 -16
dinner & late show
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
note: I put this up some years back. Looking
for a story on "Young At Heart," I stumbled
on it again. Billy Eckstine followed Sinatra, opening
on the 17th for a two week run. Variety reviewer
felt Eckstine had a tough act to follow.
Sinatra had completed "Swing Easy" at Capitol
(Riddle's pick as the best work he did with Frank),
on 11/5&6, then the Fanfare appearance on 11/7(he
had received rave reviews) when Entratter asked him
to do a week at the Sands. Following his SRO week,
Frank began recording songs from "Finian's
Rainbow" for the John and Faith Hubley animated
cartoon project. He would do two singles sessions
at Capitol with Riddle, the second week in December, and
then fly to New York and close out the year with a sensational
engagement at the Copa. He truly had made the greatest
comeback in the history of show business. And the best
was yet to come.
Variety
The Sands, Las Vegas, NV (November 10 - 16)
dinner & late show
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
---------------------------------------------
FRIARS DINNER
NOVEMBER 10, 1955
BEVERLY HILTON HOTEL, HOLLYWOOD
$100.00 A PLATE DINNER
HONOREE: SAMMY DAVIS JR.
Dais: Jack Benny( toastmaster)
Frank Sinatra, Eddie Cantor,
George Burns, Tony Martin
Jerry Lewis, Cole Porter,
Pearl Bailey, Ronald Reagan,
Jeff Chandler, Humphrey Bogart,
Gary Cooper, Noel Coward
note: Sammy was the first African-
American to be honored by the Friars
Eddie Cantor got the evening under-
way with the following comment: "The Friars
have reached a new level of maturity
they have never had before."
There were a thousand people in attend-
ance. Sinatra was the last performer to
speak before Sammy was introduced.
Marilyn Monroe and Eddie Fisher were
seated at a front table.
------------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
November 11, 1954
Concerts
The Sands, Las Vegas, NV (November 10 -16)
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
November 12, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 22
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Jeepers Creepers - Frank Sinatra
2. Sisters - Rosemary Clooney and Betty Clooney
3. The Girl Next Door - Frank Sinatra
Notes: Frank plugs his movie "Suddenly."
note: Jerry Lawrence was the announcer
and did the commercials with Sinatra.
Frank opened every show singing
"Young At Heart." He also did sing-
ing commercials for the products
being offered and closed the show
with "Put Your Dreams Away."
Maurice Hart would replace Lawrence
in January of 1955.
--Ed
Concerts
The Sands, Las Vegas, NV (November 10 -16)
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
November 13, 1954
Concerts
The Sands, Las Vegas, NV (November 10 -16)
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
November 14, 1954
Concerts
The Sands, Las Vegas, NV (November 10 -16)
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
November 15, 1954
Concerts
The Sands, Las Vegas, NV (November 10 -16)
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
November 16, 1954
Concerts
The Sands, Las Vegas, NV (November 10 -16)
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
November 17, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 23
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. All Of Me - Frank Sinatra
2. Teach Me Tonight - The De Castro Sisters
3. I'm A Fool To Want You - Frank Sinatra
Television
NONE
November 19, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 24
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. South Of The Border - Frank Sinatra
2. Mr. Sandman - The Chordettes
3. The Gal That Got Away - Frank Sinatra
November 20, 1954
Studio
Goldwyn Soundstage
Saturday afternoon,
Time: 2:30 PM - 5:30 PM
Frank Sinatra recorded two songs for the animated cartoon soundtrack
"Finian's Rainbow."
Placid Productions
Orchestra Conducted By: Lyn Murray
1. Ad-Lib Blues - scat song with Louis Armstrong
2. Necessity - with Ella Fitzgerald
Ed O'Brien adds:
Manager at the session was Robert Helfer
The songs were recorded with a jazz trio:
Guitar: Howard Roberts
Bass: Philip Stephens
Drums: Frank Flynn
They would be the only studio recordings Frank
did with two of the giants of 20th century popular
music.
I interviewed many of the participants and the entire
project is a fascinating story. Mike Shore, Burton Lane
and Faith Hubley regaled me with background details
from this lost project.
No question 11-20-54 was a historical moment in the
history of American music.
Looking at the AFM sheet, it amazes me the hourly wage
of the men who backed these great artists.
Murray was paid $96.42
The three musicians received $48.21 each
Helfer walked away with $72.32.
Frank Flynn was also paid $9.12 for a drum cartridge
Goldwyn Soundstage
Saturday afternoon,
Time: 2:30 PM - 5:30 PM
Frank Sinatra recorded two songs for the animated cartoon soundtrack"Finian's Rainbow."
Placid Productions
Orchestra Conducted By: Lyn Murray
Ad-Lib Blues - scat song with Louis Armstrong
Necessity - with Ella Fitzgerald
Ed O'Brien adds:
Manager at the session was Robert Helfer
The songs were recorded with a jazz trio:
Guitar: Howard Roberts
Bass: Philip Stephens
Drums: Frank Flynn
--------------------------------------------
EXTRA:: November 1962
Variety reviewed Sammy Davis' opening at the Villa Venice in Chicago ( 11/20 )
The club had opened the week before with Eddie Fisher as the headliner. Sammy
was having trouble filling up the 965 seats every night. But the cavalry was riding
to his rescue. On the 26th of the month, Dean Martin and Frank Sinatra joined
Sammy and Chicago came out to see the dynamic threesome. They would play
through 12/2. Variety declared that there was not one empty seat during the seven
day run. Dinah Shore would follow with a week in early December.
-ED
November 24, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 25
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I've Got The World On A String - Frank Sinatra
2. Blame It On Yourself - Fran Warren
3. America The Beautiful - Frank Sinatra
November 26, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 26
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
Notes: show unconfirmed
Note: “My Sweetie Went Away” was by Teresa Brewer.
Ed O'Brien:
LOC has 79 of the 86 shows from this series. This is one they are lacking. It
was broadcast on that Friday evening in 1954.
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
December 1, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 27
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Someone To Watch Over Me - Frank Sinatra
2. One For My Baby - Frank Sinatra w/Bill Miller, piano
3. You, My Love - Frank Sinatra.
Notes: Frank promotes his songs from the Warner Bros. release "Young At Heart."
Hi There !
" This is young at heart Sinatra
welcoming you to our Wednesday, December
1st, Bobbi classroom."
" 'One For My Baby,' another song from
'Young At Heart.' Barney Sloan, that's me,
sings it in the picture and it is almost a
character study of the guy. Cause, Barney
is bitter about one thing: himself. He looked
in the mirror one day and found a reflection
as shoddy as the world he lives in. He sits
and plays the piano and sings at a local
saloon, dropping cigarette ashes and dreams,
all over the place. Mr. Kanobi, sir, the scene
is set, so let's grab off another take on 'One
For My Baby.' "
note: The first Bobbi show in December 54
was built around the soon to be released
Warner Brother film "Young At Heart." Show
opened with an edited recording of the
Gershwin's "Someone To Watch Over Me."
Frank devoted time to explaining what made
his character in the film tick and then sang
"One For My Baby" with Bill Miller backing
him on piano. "You My Love" closed the
show.
--Ed
December 2, 1954
Studio
GOLDWYN STUDIOS
FINIAN'S RAINBOW PLACID PRODUCTIONS
Thursday 2 to 6:PM
Orchestra conducted by Lynn Murray
Arrangement by Nelson Riddle
Producer Robert Helfer
Old Devil Moon (8:26)
with Ella Logan and Jazz All-Stars: Red Norvo (vibraharp), Ray Brown (bass), Herb Ellis (guitar), Frank Flynn (drums), Oscar Peterson (piano)
Ed O'Brien supplied the session above and added:
AFM sheet reveals that Murray was paid $128.56
Helfer received $96.42
and the five legendary musicians were compensated
to the tune of $60.26 each after taxes.
Faith Hubley told me that the great jazz riff was completely
improvised after Norvo and Peterson challenged each other.
Sinatra and Logan stepped back and watched in amazement.
[image referenced in source but could not be recovered]
December 6, 1954
Radio
Christmas Seals Show
1. I'm Gonna Sit Right Down And Right Myself A Letter
2. A Foggy Day
3. Violets For Your Furs
4. They Can't Take That Away From Me
5. Put Your Dreams Away
Note: TT: 15 mins.
Ed O'Brien:
Essentially the Bobbi format sans the commercials. Excellent copy in circulation.
December 8, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 29
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Saturday Night - Frank Sinatra
2. Celeste - Frank Sinatra w/Bill Miller, piano and celeste
3. When I Stop Loving You - Frank Sinatra
December 9, 1954
Studio
Goldwyn Studios
FINIAN'S RAINBOW PLACID PRODUCTIONS
Thursday 1 to 4 PM
36 piece orchestra and children's choral group
Orchestra conducted by Lynn Murray
Arranged by Albert Sendry
Producer Robert Helfer
--If This Isn't Love
Ed O'Brien Notes: Faith Hubley remembered how gentle Frank was with the
children who made up the choral group at this session. She told me he put
them completely at ease and was very patient throughout the session.
December 10, 1954
Studio
FINIAN'S RAINBOW PLACID PRODUCTIONS
Goldwyn Studios
1 to 4 PM Friday
Orchestra conducted by Lynn Murray
Arrangement by Nelson Riddle
36 piece orchestra
Necessity
Ed O'Brien notes: Faith Hubley remembered a wonderful story involving Frank and Ella at one of the sessions for the "Finian's recordings." Ella had agreed to record Walter Gross' "Tenderly" for another Hubley project. For some reason the sheet music would not stay on the stand. Frank volunteered to be the holder of the music sheets and the page turner. Faith told me the entire room was mesmerized by the scene and applauded both performers after the final take.
Notes
- Information from: "Jazz on the Screen" by David Meeker. Used with permission. (Source)
- Feature film (over 60 minutes).
- "How are things in Glocca Morra?", "Look to the rainbow" sung by Ella Logan; "Begin the begat", "Lonesome man blues" sung by Louis Armstrong; "Ad-lib blues" sung by Frank Sinatra, Louis Armstrong; "Necessity" performed by Ella Fitzgerald, Frank Sinatra; "Old devil moon" performed by Frank Sinatra, Oscar Peterson; "That great come-and-get-it day", "If this isn't love" performed by Frank Sinatra and Children's Chorus. (Songs)
- Unfinished animated version of the fantasy for which numerous music tracks were pre-recorded at Goldwyn Studios in November and December 1954.
- Inc: Ray Linn, Pete Candoli, Cecil Read, trumpet; Milt Bernhart, Al Anderson, Elmer Smithers, Seymour Zeldin, trombone; Paul Sarmento, tuba; Phil Sobel, Jack Dumont, reeds; André Previn, Oscar Peterson, Bill Miller, piano; Red Norvo, vibraphone; Howard Roberts, Herb Ellis, guitar; Ray Brown, Phil Stephens, acoustic double bass; Frank Flynn, Lee Perrin, drums, percussion; Ella Logan, Ella Fitzgerald, Frank Sinatra, Louis Armstrong, vocal; + strings. (Soundtrack Personnel)
- Jazz on the Screen is a reference work of filmographic information and does not point to digitized versions of the items described.. The Library of Congress may or may not own a copy of a particular film or video. To request additional information Ask a Librarian ( http://www.loc.gov/rr/askalib/ask-record.html).
Form
motion picture
Description
motion picture | Feature film (over 60 minutes). "How are things in Glocca Morra?", "Look to the rainbow" sung by Ella Logan; "Begin the begat", "Lonesome man blues" sung by Louis Armstrong; "Ad-lib blues" sung by Frank Sinatra, Louis Armstrong; "Necessity" performed by Ella Fitzgerald, Frank Sinatra; "Old devil moon" performed by Frank Sinatra, Oscar Peterson; "That great come-and-get-it day", "If this isn't love" performed by Frank Sinatra and Children's Chorus. (Songs). Unfinished animated version of the fantasy for which numerous music tracks were pre-recorded at Goldwyn Studios in November and December 1954. Inc: Ray Linn, Pete Candoli, Cecil Read, trumpet; Milt Bernhart, Al Anderson, Elmer Smithers, Seymour Zeldin, trombone; Paul Sarmento, tuba; Phil Sobel, Jack Dumont, reeds; André Previn, Oscar Peterson, Bill Miller, piano; Red Norvo, vibraphone; Howard Roberts, Herb Ellis, guitar; Ray Brown, Phil Stephens,
acoustic double bass; Frank Flynn, Lee Perrin, drums, percussion; Ella Logan, Ella Fitzgerald, Frank Sinatra, Louis Armstrong, vocal; + strings. (Soundtrack Personnel). Motion Picture (Form).
note: There are some omissions that need to be added:
The marvelous eight minute plus recording of "Ol' Devil Moon"
featured the jazz greats Oscar Peterson, Red Norvo, Herb
Ellis, Ray Brown, Frank Flynn. Vocals by Frank Sinatra
and Ella Logan. Frank also did a 58 second segment of
"How Are Things In Glocca Morra" with Ella Logan. She
did a wonderful reading of "The Idle Rich" and "Susan's
Dance" is credited to "Harmonica."
Ed
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 30
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. The Gal That Got Away - Frank Sinatra
2. Without Love - Eileen Barton
3. The Christmas Waltz - Frank Sinatra
Television
None
December 11, 1954
Studio
Goldwyn Studios
FINIAN'S RAINBOW PLACID PRODUCTIONS
Saturday
6:30 to 9:45 PM
34 piece orchestra
Orchestra conducted by Lynn Murray
Arranged by Nelson Riddle
Produced By Robert S. Helfer
Great Come And Get It Day
Ed O'Brien notes: There was an earlier session for 1:00 to 4:15 with Andre Previn on piano. Sinatra was not a participant. Albery Sendry arranged for the afternoon recordings.
December 13, 1954
Studio
KHJ Studios. Hollywood
13141 Melody Of Love
w/Ray Anthony & His Orchestra
(H. Engelmann/T. Glazer)
Arranged by Dick Reynolds
Conducted by Ray Anthony
-15 CD: CDP 724383595228 Sinatra 80th All The Best
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-92160-2 Frank Sinatra Collectors Series
LP: T2602 Forever Frank
45: 3018
13302 I’m Gonna Live Till I Die
w/Ray Anthony & His Orchestra
(Hoffman/Kent/Curtis)
Arranged by Dick Reynolds
Conducted by Ray Anthony
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 3018
Musicians - Reeds: Morris Bercov, Fred Fallensby; Alto Sax: Aurthur
Skeets Herfurt, Willie Schwartz; Baritone Sax: Leo Anthony; Trumpet: John
Best, Conrad Gozzo, Emanel Klein, Uan Rasey; Trombones: Ed Kusby, Tommy
Pederson, Simon Zentner; Bass Trombones: George Roberts; Piano: Paul
Smith; Drums: Jack Constanzo; Guitar: Alton Hendrickson; Drums: Lou
Singer, Alvin Stoller Session Producer: Voyle Gilmore
KHJ Studios. Hollywood
Melody Of Love/Im Gonna Live Till I Die
:
December 15, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 31
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Should I - Frank Sinatra
2. Make Yourself Comfortable - Sarah Vaughan
3. You, My Love - Frank Sinatra
December 17, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 32
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Castle Rock - Frank Sinatra
2. Mambo Italiano - Rosemary Clooney
3. Melody Of Love - Frank Sinatra.
Television
none
December 19, 1954
Television
Toast of the Town
Season 8, Episode #339
Host: Ed Sullivan
Live From New York Performers: The Chordettes, Patti Page, Julius LaRosa, Sam Levenson, Mata & Hari
On Film Guests: Olivia De Havilland, Frank Sinatra, Broderick Crawford, Gloria Grahame, Charles Bickford, Robert Mitchum, Stanley Kramer, James Mason
Announcer: Art Hannes
Note: Ed appears on film with the cast of Not As A Stranger
December 22, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 33
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face
lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Take A Chance - Frank Sinatra
2. Five Little Angels - The Mellomen
3. You'll Never Walk Alone - Frank Sinatra
December 23, 1954
Concerts
Copacabana, New York (Dec. 23, 1954 - Jan. 12, 1955)
Thursday Evening
Richard Jones Conducting
Bill Miller on Piano
1. I've Got The World On A String
2. I Get A Kick Out Of You
3. When I Stop Loving You
4. Taking A Chance On Love
5. Violets For Your Furs
6. I'm Gonna Sit Right Down A Write Myself A Letter
7. Just One Of Those Things
8. One For My Baby w/ Miller on piano
9. The Gal That Got Away
monologue
10. Young At Heart
11. A Foggy Day
12. My Funny Valentine
13. They Can't Take That Away From Me
14. It's All Right With Me
15. Don't Worry 'Bout Me
16. All Of Me
NIGHT CLUB
SINATRA THRILLS COPA WITH MATURE BRILLIANCE
This was a mature Frank Sinatra who was caught at
the Copacabana Thursday (23) night. All the promise
he has given in the past came to full growth before an
overflow audience. This was no Sinatra idol of the bobby
sox brigade. This was a brilliant actor giving blood and
guts to lyrics with such a masterful touch that the aud-
ience sat hushed at one point and exploded into wild
applause at another.
The saga of Sinatra is well known in the trade, his
legal hassles, agency differences, explosive temper-
ament, etc. But despite his mistakes, and he even
invented some, he's come out of it a great performer.
His big comeback started with the flick "From Here
To Eternity," then came his Capitol disk "Young At
Heart," followed by his Capitol album "Songs For
Young Lovers." And now he is better than ever and
more firmly established as a singer who can act.
His routine at the Copa demonstrated each
facet of the Sinatra genius. He was intense and
moody with "One For My Baby," reminiscently
nostalgic with "Gal That Got Away" and pulled the
heartstrings with "Young At Heart." His tremulous
smile, his tiptoe finishes, his thrilling phrasing en-
raptured the house. We have caught Sinatra too
many times to count. As our swan song with The
Billboard, we can't think of a better way to say
goodbye and thanks for being such a pleasant
assignment.
Joey Bishop, working in the middle, threw
most of his set routine away and went into in
character ad libs. A couple of more shows under
his suspenders and Bishop will get the howls he
deserves.
The Five DeMarco Sisters were pleasant in
the opening slot.
The production numbers and production
singers and dancers remained the same.
Bill Smith
Billboard
January 1, 1955
note: Sinatra played a three week engagement at the Copa
from December 23, 1954 thru January 12, 1955. I have talked
to people who saw him during this run. I've been told that night
after night he thrilled the audience with his stunning performances.
Here is a list of the songs he was doing in concert at the
time, plus the three numbers mentioned in the review.
I've Got The World On A String
I Get A Kick Out Of You
My Funny Valentine .
Taking A Chance On Love
Three Coins In The Fountain
She's Funny That Way
Just One Of Those Things
A Foggy Day
All Of Me
Nancy .
They Can't Take That Away From Me
Ol' Man River
Try A Little Tenderness
My Blue Heaven
This Love Of Mine
I'll Never Smile Again
COPACABANA (Dec. 23, 1954 - Jan. 12, 1955)
Variety
12-29-54
--------------------------------------------
"What Christmas Means To Me"
12-23-55
What Christmas Means To Me. December 24, 1955. NBC net. Sustaining. A unique Christmas program, as people around the world tell, "What Christmas Means To Me.". Leif Eid (from Paris), Frank Bourgholtzer (from Bonn), Roy Rogers, Dale Evans, Tallulah Bankhead (reads a Christmas Story), Ronald Colman (reads from "Revelations"), Tyrone Power (from Pittsburgh), Jim Jordan, Marian Jordan, Phil Leslie (writer), Merrill Mueller (from Rome), Dylan Thomas (reads from his "A Child's Christmas In Wales"), Edwin Newman (from London), Ben Grauer (from Fifth Avenue, New York City: a vivid description; good radio), Helen Hayes (speaks on behalf of The Salvation Army), George Thomas Folster (? from Tokyo), Gregory Peck (reads a Christmas story by George Tazewell), Carmen Dragon and His Orchestra, Alvin Rosenfeld (from Jerusalem), Edwin C. Hill (gives a "word portrait" of Jesus), Bob Mauer (from The Bowery, New York City), Gene Hamilton (from a "foster home"), Frank Sinatra, Fred Collins (announcer), Irving R. Levine (from Moscow), Noel Digby (from Nashville, Tennessee), Norman Vincent Peale.
----------------------------------------------
note: A combined review of two albums
recorded in December. The Capitol effort
in 1958 and Frank's first album on Reprise
in 1960.
Ed
© 1997-2024 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
December 24, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 34
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. The Christmas Waltz - Frank Sinatra
2. The Night Before Christmas Song - Eileen Barton
3. White Christmas - Frank Sinatra
Concerts
COPACABANA (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
December 25, 1954
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
Note: Most likely there was no show on this date.
December 26, 1954
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
--If you look at the ads for this engagement, there is nothing indicating
Frank did not play the club on both the 25th and 26th..
Ed
December 27, 1954
Concerts
COPACABANA (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
December 28, 1954
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
December 29, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 35
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. They Can't Take That Away From Me - Frank Sinatra
2. Let Me Go Lover - Teresa Brewer
3. Something Old, Something New - Frank Sinatra
Television
none
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
December 30, 1954
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
December 31, 1954
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 36
Time 6:15 p.m. - 6:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Get Happy - Frank Sinatra
2. Funny Thing - Tony Bennett
3. You, My Love - Frank Sinatra
Concerts
Copacabana, New York City (Dec. 23, 1954 - Jan. 12, 1955)
Richard Jones Conducting
Bill Miller on Piano
January 1, 1955
Film
"Young At Heart" (US Film
Release: January 1st, 1955)
Starring: Frank Sinatra, Doris Day, Gig Young, Ethel Barrymore,
Dorothy Malone, Elisabeth Fraser, Robert Keith, Alan Hale Jr., and Lonny
Chapman
Produced by Henry Blanke
Directed by Gordon Douglas
The lives and romances of three sisters in a musical family; the
youngest daughter's (Day) life is complicated by the subsequent arrival
of a charming composer and a cynical music arranger played by Frank
Sinatra.
(DVD Release date: 2002-01-15 -- Blu-Ray Release:
2014-04-08)
Warner Brothers decided to pyramid the Day-Sinatra film. The
movie opened at the Chicago Theater on 12-16-54. First week gross
was
$54,000 and it exceeded that figure the second week. Film replaced
"A Star Is Born." Don Cornell helmed an ice show onstage
during
the holiday run. Film opened in St Louis on 12/28 and then was slowly
expanded across the country. The New York premier, at the Para-
mount, did not happen until 1-19-55. The reviews were mixed but Sinatra's
performance was highly praised by many critics. Frank and
Doris were the winners of the Billboard poll for top vocalists in 1954,
published in January of 55. The movie would earn a profit of 2.5
million dollars in 1955. Frank was in three movies that made the Variety
Top Grossing list that year. Surprisingly, "Young At Heart" was
the least successful. "Not As A Stranger" was a huge success,
finishing in the top five grossers for the year, and "The Tender
Trap"
earned 3 million dollars.
Frank was looking for a musical role after the disappointment
surrounding "Pink Tights." When Marilyn Monroe walked off the
set, 12-15-53,
Frank and Dan Dailey were kept on the payroll through January of 1954.
Marilyn could not come to terms with 20th Century and the projected first
musical
in cinemascope was canceled. WB had decided to do a musical remake of the
1938 drama "Four Daughters." Sinatra was
their first choice to play Barney Sloan. During the negotiations, Frank
let it be known that he had no intention of dying in the film. The
January 5, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 37
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Just One Of Those Things - Frank Sinatra
2. Tenderly - Frank Sinatra w/Bill Miller, pianoà à Ã
3. When I Stop Loving You - Frank Sinatra
Television
None
January 10, 1955
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
Two Shows
Staring: Frank Sinatra, Joey Bishop, The Petticoats, Copa Girls, Ron Beattie, Dori Anne Gray, Bud Spencer, Kathi Dean Michael Durso and Copacabana Orchestra Frank Marti and Copa Samba Band
Staged By: Douglas Coudy
Music And Lyrics By: Micheal Durso, Mel Mitchell, Marvin Kahn
Orchestrations By: Deac Eberhard
Jewelry By: Coro
Colffures By: Larry Matthews
January 11, 1955
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
Two Shows
Staring: Frank Sinatra, Joey Bishop, The Petticoats, Copa Girls, Ron Beattie, Dori Anne Gray, Bud Spencer, Kathi Dean Michael Durso and Copacabana Orchestra Frank Marti and Copa Samba Band
Staged By: Douglas Coudy
Music And Lyrics By: Micheal Durso, Mel Mitchell, Marvin Kahn
Orchestrations By: Deac Eberhard
Jewelry By: Coro
Colffures By: Larry Matthews
Statler Hotel, New York, NY
Dorsey Brothers 20th Anniversary Show
Frank Sinatra sang three songs:
1. I'll Never Smile Again
2. Oh, Look At Me Now
3. This Love of Mine
Frank's penultimate night at the Copa was preceded by his appearance at the
Hotel Statler. The Dorsey Brothers were celebrating their 20th Anniversary
with a big show at the hotel. Martin Block was allowed to tape the event.
Block celebrated his 20th Anniversary of the WNEW "Make Believe Ballroom"
with a seven and a half hour extravaganza, broadcast over WABC-TV and radio
from the Manhattan Center, 2-3-55.
The broadcast ran from 2:30 to 10: P.M. TV segments ran for three hours.
The Sinatra segment from 1-11-55 was part of the broadcast.
Frank sang "I'll Never Smile Again," 'Oh, Look At Me" and "This Love Of
Mine." Dorsey had the temerity to ask Frank to sing. Frank readily agreed
and expressed regret he couldn't do more, but he had to get over to the
Copa for his first show that night.
The Sinatra segment is on the "New York" 4 CD + DVD set.
--Ed
Statler Hotel, New York, NY
Dorsey Brothers 20th Anniversary Show
Frank Sinatra sang three songs:
1. I'll Never Smile Again
2. Oh, Look At Me Now
3. This Love of Mine
Frank's penultimate night at the Copa was preceded by his appearance at the
Hotel Statler. The Dorsey Brothers were celebrating their 20th Anniversary
with a big show at the hotel. Martin Block was allowed to tape the event.
Block celebrated his 20th Anniversary of the WNEW "Make Believe Ballroom"
with a seven and a half hour extravaganza, broadcast over WABC-TV and radio
from the Manhattan Center, 2-3-55.
The broadcast ran from 2:30 to 10: P.M. TV segments ran for three hours.
The Sinatra segment from 1-11-55 was part of the broadcast.
Frank sang "I'll Never Smile Again," 'Oh, Look At Me" and "This Love Of
Mine." Dorsey had the temerity to ask Frank to sing. Frank readily agreed
and expressed regret he couldn't do more, but he had to get over to the
Copa for his first show that night.
The Sinatra segment is on the "New York" 4 CD + DVD set.
--Ed
January 12, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 39
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Sit Right Down And Write Myself A Letter - Frank Sinatra
2. My Own True Love - Margaret Whiting
3. Full Moon And Empty Arms - Frank Sinatra
Concerts
Copacabana, New York City (December 23, 1954 - January 12, 1955)
Three week engagement
SRO every show
Two Shows
Staring: Frank Sinatra, Joey Bishop, The Petticoats, Copa Girls, Ron Beattie, Dori Anne Gray, Bud Spencer, Kathi Dean Michael Durso and Copacabana Orchestra Frank Marti and Copa Samba Band
Staged By: Douglas Coudy
Music And Lyrics By: Micheal Durso, Mel Mitchell, Marvin Kahn
Orchestrations By: Deac Eberhard
Jewelry By: Coro
Colffures By: Larry Matthews
January 14, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 40
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Sunday - Frank Sinatra
2. Hello Young Lovers - Frank Sinatra w/Bill Miller, piano
3. My Funny Valentine - Frank Sinatra
Television
None
January 17, 1955
Concerts
West Melbourne Stadium, Melbourne, Australia (January 17-20)
6pm 8:45pm Shows
Other performers: Anne McCormack, actress/dancer Lois Raye and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
West Melbourne Stadium, Melbourne, Australia
January 17, 18, 19 & 20
6pm & 8:45pm
January 18, 1955
Concerts
West Melbourne Stadium, Melbourne, Australia (January 17-20)
6pm 8:45pm Shows
Other performers: Anne McCormack, actress/dancer Lois Raye and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
January 19, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 41
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Live Till I Die - Frank Sinatra
2. You've Changed - Connie Russell
3. You, My Love - Frank Sinatra
Notes: Frank plugs his current movie "Young at heart."
Concerts
West Melbourne Stadium, Melbourne, Australia (January 17-20)
6pm & 8:45pm Shows
Other performers: Anne McCormack, actress/dancer Lois Raye and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
First Show
1. Frank D'Amor into to Frank
2. I've Got The World On A String
3. I Get A Kick Out Of You
4. My Funny Valentine
5. Taking A Chance On Love
6.. Three Coins In A Fountain
7. She's Funny That Way
8. Just One Of Those Things
9. A Foggy Day
10. All Of Me
11. Young At Heart
12. Nancy
13.. They Can't Take That Away
14. Ol' Man River
Ed Notes:
Frank arrived in Australia on 1-17-55
with his daughter Nancy and some great
jazz sidemen. He was making his first
appearances Down Under in Sydney
and Melbourne. There was a brief interview
at the airport. Prior to his concert at
West Melbourne Stadium, 1-19, he
was interviewed by Tom Jones, star
of the radio show Metropolis Today.
Frank discussed his budding film career,
his excitement at finally playing in Australia
and his great teacher and long time friend
John Quinlan. Frank told Jones that it was
a dream of his to bring John back to his home
country when he finally made it to Australia.
Unfortunately Quinlan had passed away the
previous year. Frank expressed great regret.
Jones asked him if he found it daunting to
play in large stadiums like West Melbourne.
Frank assured him that it not. He was use to it
because of the many large stadiums in The States.
January 20, 1955
Concerts
West Melbourne Stadium, Melbourne, Australia (January 17-20)
6pm 8:45pm Shows
Other performers: Anne McCormack, actress/dancer Lois Raye and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra,
augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
West Melbourne Stadium, Melbourne, Australia (January 17-20)
6pm 8:45pm Shows
Other performers: Anne McCormack, actress/dancer Lois Raye and
comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra,
augmented by his regular American sidemen Bud Shank (saxophone), Max
Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
Ken Wolfe was an Australian rules umpire when he first saw
Sinatra sing in 1955: "I can remember this bloke with a funny name,
and when he sings all the girls go crazy." Promoter Michael Chugg
fell under his spell as a tyke in Tasmania, "when I was a couple of
years old, I reckon". Forty years later, Chugg would bring his hero
out on his penultimate tour.
For Tom Burlinson, it began as a child, enchanted by the fellow pictured
on his mother's albums: "The man in the hat." Decades later,
Burlinson wrote a song called just that, a fan's tribute that revealed a
singing voice so eerie in its echo of the Sinatra tone that a teary Tina
Sinatra hired Burlinson to re-create her father's early hits for a TV
mini-series.
Frank Sinatra arrives in Sydney with his daughter Nancy in January 1955.
CREDIT:K. REDSHAW
The common thread: Sinatra is for life. Another common
refrain: to note the influence he had beyond the affection he inspired.
We can safely take musician Paul Kelly's word for it as he waxes lyrical
about the intensity of the connection. "His singing," Kelly
tells Good Weekend, "is still a deep mystery to me."
A deep mystery. With that, Kelly perhaps explains the loyalty of the bond
and the endurance of our fascination that even after all thesee years,
we're still trying to work Sinatra out. God knows, we spent enough time
trying.
At Melbourne airport, 1955.CREDIT:GEORGE LIPMAN
Bob Horsfall w/ Frank 1/55
01|55: THE FIRST DATE
"Hello, and welcome to Melbourne, Frank Sinatra."
"Thank you, and I'm very happy to be here."
Bob Horsfall can add this to the many feathers in his cap: the media
man who did the first and possibly last relaxed and civil interview with
Frank Sinatra in Australia. His first question: "Were your parents
musical?" Sinatra: "Actually, no." A pioneering showbiz
reporter for Melbourne radio, Horsfall cottoned on quickly: if you asked
Sinatra about the work rather than, say, the wives, he was putty in your
hands. "He was bloody great. He was like we are now, just chatting.
But keep away from asking a question about himself, he didn't like it.
But we talked about music all the time."
For Horsfall, and many others, it was thrilling. This was Robert Menzies'
Australia: dull, isolated, insecure. Ken Wolfe recalls, "It was
incredible just that he was here. In those days, nobody like that
came."
Sinatra was then 39, in fine form on stage and friendly form off it.
"We were great mates from the start," says Horsfall, whose
musical rapport had roots in his own talents as founder of the band the
Tune Twisters, who would tour and play with Sinatra on his third tour,
six years later. But in 1955, it was enough to meet and greet and see the
man live. Ken Wolfe was at the first concert, too: West Melbourne
Stadium, January 17, 1955. "Amazing. Frank Sinatra, here. He was
like a god appearing before us. Just magnificent."
January 21, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 42
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Get Happy - Frank Sinatra
2. Bring Back My Baby To Me - Ella Mae Morse
3. Half As Lovely (Twice As True) - Frank Sinatra
Television
None
Concerts
Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
The Big Show
6pm & 8:45pm shows
and Matinees 2:30pm Saturdays (January 22 & 29)
Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
The Big Show
Crowd scene at the Frank Sinatra concert at The Stadium in Sydney on 21 January 1955.
Credit:Fairfax Archives
January 22, 1955
Concerts
Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
The Big Show
6pm & 8:45pm shows
and Matinees 2:30pm Saturdays (January 22 & 29)
January 24, 1955
Concerts
Melbourne Town Hall, Melbourne, Australia (January 24-25)
2 shows 6pm and 8:45pm
Note: January 24th and 25th were to have been at West Melbourne Stadium
but had to be held at the Melbourne Town Hall, because the old Melbourne Stadium
was destroyed by fire in the early hours of January 24th,
1. I've Got The World On A String
2. I Get A Kick Out Of You
3. My Funny Valentine
4. Taking A Chance On Love
5. Three Coins In A Fountain
6. She's Funny That Way
7. Just One Of Those Things
8. A Foggy Day
9. All Of Me
10. Monologue
11. Young At Heart
12. Nancy
13. They Can't Take That Away
14. Ol' Man River
TT: 42min.
Melbourne Town Hall, Melbourne, Australia (January 24-25)
2 shows 6pm and 8:45pm
Note: January 24th and 25th were to have been at West Melbourne Stadium
but had to be held at the Melbourne Town Hall, because the old Melbourne Stadium
was destroyed by fire in the early hours of January 24th,
January 25, 1955
Concerts
Melbourne Town Hall, Melbourne, Australia (January 24-25)
2 shows 6pm and 8:45pm
Note: January 24th and 25th were to have been at West Melbourne Stadium
but had to be held at the Melbourne Town Hall, because the old Melbourne Stadium
was destroyed by fire in the early hours of 24 January,
Melbourne Town Hall, Melbourne, Australia (January 24-25)
2 shows 6pm and 8:45pm
Note: January 24th and 25th were to have been at West Melbourne Stadium
but had to be held at the Melbourne Town Hall, because the old Melbourne Stadium
was destroyed by fire in the early hours of 24 January,
[image referenced in source but could not be recovered]
January 26, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 43
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. South Of The Border - Frank Sinatra
2. You'd Be So Nice To Come Home To - Frank Sinatra w/Bill Miller, piano
3. When I Stop Loving You - Frank Sinatra
Concerts
The Big Show, Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
6pm & 8:45pm shows
and Matinees 2:30pm Saturdays (January 22 & 29)
Other performers: Anne McCormack, actress/dancer Lois Ray and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
January 27, 1955
Concerts
The Big Show, Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
6pm & 8:45pm shows
and Matinees 2:30pm Saturdays (January 22 & 29)
Other performers: Anne McCormack, actress/dancer Lois Ray and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
January 28, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 44
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Jeepers Creepers - Frank Sinatra
2. Our Future Has Only Just Begun - Denise Lor
3. From Here To Eternity - Frank Sinatra
Notes: Confirmed aired on WCBS
Concerts
The Big Show, Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
6pm & 8:45pm shows
and Matinees 2:30pm Saturdays (January 22 & 29)
Other performers: Anne McCormack, actress/dancer Lois Ray and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
January 29, 1955
Concerts
The Big Show, Sydney Stadium, Sydney, Australia (January 21-22 & January 26-29)
6pm & 8:45pm shows
and Matinees 2:30pm Saturdays (January 22 & 29)
Other performers: Anne McCormack, actress/dancer Lois Ray and comedian Frank D'Amor
On this tour Sinatra was backed by the local Dennis Collinson Orchestra, augmented by his regular American sidemen Bud Shank (saxophone), Max Albright (drums), Nick Bonny (guitar) and Bill Miller (piano)
February 1, 1955
Radio
Heart To Heart #4
Sponsored By: American Heart Association fund appeal.
Syndicated.
Host: Frank Sinatra.
Guest : Lauritz Melchior
1. Young At Heart
2. All Of Me
3. I Have But One Heart
4. I'm Gonna Sit Right Down And Write Myself A Letter
Note: TT: 15 mins. Sound Excellent
note: This is a good show. A lighthearted competition
between Frank's pop music and Melchior's long hair
music.--Ed
February 2, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 45
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C.. Love
Television
none
February 4, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 46
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
February 8, 1955
Studio
KHJ Studios, Hollywood
13556 Dancing On The Ceiling
(Richard Rodgers/Lorenz Hart)
Arranged by Nelson Riddle
Conducted by Bill Miller
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13557 Can't We Be Friends?
(Kay Swift/Paul James)
Arranged by Nelson Riddle
Conducted by Bill Miller
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13558 Glad To Be Unhappy
(Richard Rodgers/Lorenz Hart)
Arranged by Nelson Riddle
Conducted by Bill Miller
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13559 I'll Be Around
(Alec Wilder)
Arranged by Nelson Riddle
Conducted by Bill Miller
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
NOTE: Sinatraphile Rich Warwick exclaims "What a session." "Glad to be Unhappy" was the only song included in Ed O'Brien's book SINATRA 101, THE 101 BEST RECORDINGS AND THE STORIES BEHIND THEM (Boulevard Books 1996), but Rich suspects he would have liked to include all four songs. Actually probably every song from the album could be included! If only the session material for this album had surfaced over the years!
Sinatraphile Jack Tomsky says that the only session number he knows of is "What Is This Thing Called Love?."
Sinatra Scholar Ed O'Brien agrees with both Rich and Jack and says he fervently wishes Sinatra had done about 200 sessions with the little group present at the KHJ Studios that evening.
1. Bill Miller, piano[
2. Paul Smith, celeste
3. George Van Eps, guitar
4. Phil Stephens, bass
5. Alvin Stoller, drums
Drummer Stoller told O'Brien that Sinatra was all business for the "Wee Small" sessions. Many years later Alan Livingston and George Jacobs expanded on what Stoller told O'Brien with even more amazing information. Livingston told O'Brien the entire concept including song selection, musicians, arrangements and even song sequence on the finished product was all thought out and controller by Sinatra.
Have you ever heard more exquisite singing than what he did on February 8,1955? Jacobs told O'Brien that Frank and Bill would spend hours going over note of each tune. Frank perfected every nuance, shading, pause until he was totally sure that it was exactly right. The results is arguably the finest album ever recorded. In recent months there have been lists published by Time, Rolling Stone, and others on the greatest albums ever recorded. "Wee Small" was an automatic pick. How could it not be!
Sinatra did a number of albums lamenting the consequences of unrequited love, O'Brien continues, but never, never was there one with such a seamless selection of tunes, exploring the pain and loneliness that comes in the wee small hour. What he created in February and March of 1955 is the very best American music has to offer. "Wee Small . . ." is the album to play and play again.
KHJ Studios, Hollywood
13556 Dancing On The Ceiling
13557 Can't We Be Friends?
13558 Glad To Be Unhappy
13559 I'll Be Around
This is from the original liner notes the album that many consider to be
Frank Sinatra's finest, and never a truer word spoken.
In The Wee Small
Hours is a record that creates a mood of stark loneliness and
it’ss one that has become the soundtrack for countless
failed love affairs. Sinatra sets out his stall from the very moment the
album begins. "In the wee small hours of the morning, while the
whole
wide world is asleep, you lie awake and think about the
girl…"
DOWNBEAT
JUNE 1, 1955
Variety
Billboard
April 1955
Record Town
Citizens News,
Hollywood
Cincinnati
Post
Hartford Courant
7-26-55
7-5-55
February 9, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 47
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
Television
None
February 11, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 48
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I Got A Crush On You - Frank Sinatra
2. Celeste - Frank Sinatra w/Bill Miller, piano
3. Melody Of Love - Frank Sinatra
Ed O'Brien notes:
Celeste was the name of the Bobbi Permanent Girl.
Song was written for the show and Frank performed it twice,
both efforts with just Bill Miller on piano.
February 16, 1955
Studio
KHJ Studios, Hollywood
13457 What Is This Thing Called Love?
(Cole Porter)
Warner Bros. Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-21 (2:35) CD: CDP 724383595228 Sinatra 80th "All The
Best"
CD: CDP 7-96611-2 Sings The Select Cole Porter
CD: C2-94777 The Capitol Years
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
"What Is This Thing Called Love("Take 1) was issued in 2015
on the Bonus Disc on the Ultimate Sinatra in Japan. --Fred
W
NOTE: Sinatra Scholar Ed O'Brien reports that he had the great privilege
of interviewing Mahlon Clark.
He is the featured clarinet solo on Take One and did additional work
throughout including that great introduction.
Sinatra did 21 takes and Mahlon told O'Brien it was a remarkable session.
Sinatra loved the chart Nelson Riddle wrote for the Porter tune.
Note: A number of musicians, who worked Sinatra sessions, concerts, TV
shows, told me that Frank never warmed to Riddle.
They worked well together but that is where it ended. Frank was much
closer with Jenkins and May. The latter told me
stories about their friendship through the years. Vinnie told me that
Riddle was never a real insider.
Mahlon Clark gave some real understanding as to why when we discussed the
2-16-55 session. Frank and Nelson were
standing next to each other, listening to the final playback of
"What Is This Thing Called Love." When it ended, Frank
turned
to him and said, "You're a gas, Nels." Riddle replied with
"likewise." Mahlon told me there was collective cringe from all
the
musicians.
Ed
Sinatraphile Vance Adair says he loves the solo on "What Is This
Thing."
13458 Ill Wind
(Harold Alren/Ted Koehler)
Arranged & Conducted by Nelson Riddle
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13459 I See Your Face Before Me
(Arthur Schwartz/Howard Dietz)
Arranged & Conducted by Nelson Riddle
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
NOTE: Ed O'Brien reports that Jonathan Schwartz, son of the composer,
told him that Arthur Schwartz
wasn't thrilled with the note Frank sang on it, wasn't the one he wrote
for the song. Later on, Jonathan
convinced his father that it was wonderful regardless.
Sinatraphile Vance Adair finds the Schwartz song interesting and asks if
Sinatra had pitching problems
or did he choose to "modify" the note. It is indeed a very
tricky melody to sing.
O'Brien responds by reporting that Jonathan told him that Riddle wrote
the chart with the note that Frank sang.
Riddle thought it was an improvement. Arthur didn't agree.
Paul Marinaro:
Having learned "I See Your Face Before Me" from Sinatra, I'm
curious what the "wrong" note is.
Anyone?
Ed O'Brien:
The first note on the word "I," Arthur had written as a
string of identical notes to
accommodate the title - in the key of C, for example, that note
would be an E, the words
"I See Your Face Before Me" all landing on that E, depending on
it before the melody ascended
to F and G. Sinatra had begun by placing the word "I" on the
low G before jumping up to the
intended E. Arthur took exception.
13523 Mood Indigo
(Duke Ellington/Irving Mills/Barney Bigard)
Arranged & Conducted by Nelson Riddle
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
NOTE: Ed O'Brien reports that there are some great photos from this
session.
Personnel:
Harry Sweets Edison trumpet
Mahlon Clark, Skeets Herfurt, Champ Webb, Babe Russin, Ted Nash
(saxaphones/woodwinds)
Felix Slaxin, Paul Shure, Harry Bluestone, Mischa Russell ( violins
)
Alvin Dinkin, Eleanor Slatkin (violas)
Kathryn Julye (harp)
Bill Miller (piano)
Paul Smith (celeste)
George Van Eps ( guitar)
Phil Stephens (bass)
Alvin Stoller (drums)
note: I interviewed six of the musicians on this session. I already
shared a bit of what Mahlon
Clark had to say. Paul Smith forgot he had played the sessions. I sent
him some material and
then we chatted again. Riddle liked the idea of a celeste and Frank loved
it. Listen to
"What Is This Thing Called Love" and you'll hear just how
inventive Riddle was and how
talented those L.A. musicians were back then.
Ed
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 49
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
Notes: unconfirmed show
Television
None
February 17, 1955
Studio
KHJ Studios, Hollywood
13460 I Get Along Without You Very Well
(Hoagy Carmichael)
Arranged & Conducted by Nelson Riddle
CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13461 In The Wee Small Hours Of The Morning
(D. Mann/B. Hilliard)
(Redd Evans Music Company (ASCAP)
Arranged & Conducted by Nelson Riddle
-13 (2:59) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2-94777 The Capitol Years
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13573 When Your Lover Has Gone
(E.A. Swan)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
Ed O'Brien notes: I was told by musicians, who played on this session, that Frank was in tears
listening to the final playback of "When Your Lover Has Gone."
Note: Frank loved this song. He sang it for more
than 40 years. He always accorded the song
the greatest respect in his concert and club
performances.
--Ed
13574 This Love Of Mine
(Sol Parker/Henry Sanicola/Frank Sinatra)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
IN THE WEE SMALL HOURS
Frank Sinatra ( 1-12" )
Capitol W 581
A Frank Sinatra album is good sales-news
to the dealer and this is one of his best. The
singer is still very hot with the public -- as the
result of his continued success in the movies
and new-found popularity on TV and for some
reason he seems to pack more sales-punch
on LP than he does with singles. He warbles
15 memorable standards, plus the title tune
( written expressly for the album ) with poignancy
and feeling, ranging in mood from the haunting
"When Your Lover Has Gone" to the wistful "I'll
Be Around," "Dancing On The Ceiling," "This Love
Of Mine" and "I Get Along Without You Very Well."
Billboard
May 14, 1955
note: Sinatra's finest album was released by Capitol
on April 15,1955. Billboard Top LP list had it charting
at #2 for 18 consecutive weeks. Nelson Riddle's goal,
in writing charts for Frank back then, was to achieve
a timeless quality that would endure for ever. Years
later he told George Robert, bass trombonist on many
sessions with Nelson and Frank, that he felt that had
happened with his work on "Wee Small Hours."
In my interviews with musicians, arrangers,
songwriters, "Wee Small . . ." is always the album
they rank as Frank's greatest. Neal Hefti, Al Porcino,
Vince DeRosa, Teddy Randazzo and others not only
sang the praises for this monumental work but told
me how many copies they wore out through the years.
According to George Jacobs, Frank referred to it as
the "Ava album." From that tumultuous relationship,
the artist channeled his agony into a masterwork
that explored the desolation and despair of unrequited
love. He sang each of the marvelous 16 songs with
a shattering honesty that will always resonant with
anyone who comes upon this remarkable work.
Ed
Sinatra in studio on February 17, 1955. Sheet music is for "I Get Along Without You Very Well"
[image referenced in source but could not be recovered]
February 18, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 50
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C.. Love
Television
None
February 23, 1955
Studio
KHJ Studios, Hollywood
13470 Soliloquy N/R
Arranged & Conducted by Richard Jones
Ed O'Brien notes:
I was puzzled for years about this recording,
Why was it incomplete? Frank was in the process
of recording the great "Wee Small Hours" in February
of 55. What happened? Well, Vince DeRosa, the
French horn player, told me. As the session progressed
that evening, Sinatra became less and less thrilled with
the Richard Jones arrangement. They tried to work it out,
but to no avail. Session was then scrapped.
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 51
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
Notes: unconfirmed show
Television
None
February 24, 1955
KHJ Studios, Hollywood
13585 Deep In A Dream (Orchestral Track)
(Jimmy Van Heusen/Eddie De Lange)
Arranged & Conducted by Nelson Riddle
13586 I'll Never Be The Same (Orchestral Track)
(Matty Malneck/Frank Signorelli/Gus Kahn)
Arranged & Conducted by Nelson Riddle
Ed O'Brien Notes:
There were no vocals done at this session.
Riddle conducted and the orchestral tracks were laid down.
-----------------------------------------
February 24, 1959, Beverly Hilton Hotel, Los Angeles
Testimonial Banquet Honoring George Jessel
[image referenced in source but could not be recovered]
February 25, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 52
Time 8:15 p.m.. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Live Till I Die - Frank Sinatra
2. Try A Little Tenderness - Frank Sinatra w/Bill Miller, piano
3. Birth Of The Blues - Frank Sinatra
March 1, 1955
Studio
Los Angeles, SAMUEL GOLDWYN STUDIOS
GUYS AND DOLLS
Orchestra conducted by Jay Blackton
Arrangements by Nelson Riddle
The Oldest Established Floating Crap Game In New York*
Frank Sinatra, Stubby Kaye, Johnny Silver & Chorus
*On 5-27-55 (Friday), Sinatra would do a vocal pickup
Guys And Dolls
Frank Sinatra, Stubby Kaye and Johnny Silver
Sinatra's first stereo recordings
March 2, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 53
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Why Should I Cry Over You? - Frank Sinatra
2. Everlovin' - Patti Page
3. Don't Change Your Mind About Me - Frank Sinatra
Television
NONE
March 4, 1955
Studio
KHJ Studios. Hollywood
13486 It Never Entered My Mind
(Richard Rodgers/Lorenz Hart)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13487 Not As A Stranger
(J. Van Heusen/B. Kaye)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 3130
13585 Deep In A Dream
(Jimmy Van Heusen/Eddie De Lange)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13585 I'll Never Be The Same
(Matty Malneck/Frank Signorelli/Gus Kahn)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
Musicians - French Horns: John Cave, Joseph Eger, Richard Perissi, Vincent De Rosa; Flute: Arthur Gleghorn, Luella Howard, Jules Kinsler, George Pooole; Violins: Victor Bay, Alex bay, Alex Beller, Harry Bluestone, Nathan Ross, Mischa Russell, Paul Shure, Felix Slatkin, Marshall Sosson; Cellos: James Arkatov, Cy Bernard, Armand Kaproff, Ray Kramer, Edgar Lustgarten, Kurt Reher, Joseph Saxon, Eleanor Slatkin; Piano: Bill Miller; Bass: Phil Stephens; Drums: Lou Singer; Guitar: George Van Eps; Harp: Kathryn Julye
Session Producer: Voyle Gilmore
note: The four sessions that make up 15 of the 16 songs, for the "Wee Small Hours", were done in February/March
of 1955.
Each sessions had very different orchestrations. This was Frank's idea. The first session was done with
a quintet( 2/8); the second one used 18 musicians including Harry "Sweets" Edison on trumpet and Mahlon
Clark playing clarinet; plus four violins, the third (2/17) had 26 musicians including 12 violins and the final
session(3/4) used four French horns, four flutes plus 22 additional players. Riddle immediately understood
that Sinatra had different ideas for the sounds surrounding each vocal. And the songs were recorded in the
order that fit the concepts that Sinatra envisioned.
Ed
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 54
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Get Happy - Frank Sinatra
2. That's All I Want From You - Jaye P. Morgan
3. Melody Of Love - Frank Sinatra
KHJ Studios. Hollywood
13486 It Never Entered My Mind
(Richard Rodgers/Lorenz Hart)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13585 Deep In A Dream
(Jimmy Van Heusen/Eddie De Lange)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
13585 I'll Never Be The Same
(Matty Malneck/Frank Signorelli/Gus Kahn)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46571-2 In The Wee Small Hours
LP: W581 In The Wee Small Hours
Musicians - French Horns: John Cave, Joseph Eger, Richard Perissi, Vincent De Rosa; Flute: Arthur Gleghorn, Luella Howard, Jules Kinsler, George Pooole; Violins: Victor Bay, Alex bay, Alex Beller, Harry Bluestone, Nathan Ross, Mischa Russell, Paul Shure, Felix Slatkin, Marshall Sosson; Cellos: James Arkatov, Cy Bernard, Armand Kaproff, Ray Kramer, Edgar Lustgarten, Kurt Reher, Joseph Saxon, Eleanor Slatkin; Piano: Bill Miller; Bass: Phil Stephens; Drums: Lou Singer; Guitar: George Van Eps; Harp: Kathryn Julye
Session Producer: Voyle Gilmore
note: The four sessions that make up 15 of the 16 songs, for the "Wee Small Hours", were done in February/March
of 1955.
Each sessions had very different orchestrations. This was Frank's idea. The first session was done with
a quintet( 2/8); the second one used 18 musicians including Harry "Sweets" Edison on trumpet and Mahlon
Clark playing clarinet; plus four violins, the third (2/17) had 26 musicians including 12 violins and the final
session(3/4) used four French horns, four flutes plus 22 additional players. Riddle immediately understood
that Sinatra had different ideas for the sounds surrounding each vocal. And the songs were recorded in the
order that fit the concepts that Sinatra envisioned.
March 7, 1955
Studio
note: Capitol was big on this single. It was in the record
stores
a week after the recording. There were other d.js. who
refused to play it. Single did not chart. Capitol was un-
deterred. Three weeks later they would release "Learnin
The Blues." It has the distinction of being Frank's only
# 1 single at Capitol.
Ed
March 9, 1955
Studio
GOLDWYN STUDIOS
GUYS AND DOLLS
Orchestra conducted by Jay Blackton
Arrangement by Nelson Riddle
Sue Me w/ Vivian Blaine
vocal pickup was done on the song 5-27-55
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 55
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I've Got The World On A String - Frank Sinatra
2. Hands Across The Table - Frank Sinatra w/Bill Miller, piano
3. The Girl Next Door - Frank Sinatra
March 11, 1955
Studio
GOLDWYN STUDIOS, Los Angeles
GUYS AND DOLLS
Orchestra conducted by Jay Blackton
Arrangements by Nelson Riddle
Adelaide* 1:35
Adelaide (reprise with chorus) :54
*Frank Loesser wrote the song for the film
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 56
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Castle Rock - Frank Sinatra
2. Lullaby Of Birdland - Ella Fitzgerald
3. If I Loved You - Frank Sinatra
March 13, 1955
Radio
"The Life and Times Of A Musician: The Kenton Era", Biography In Sound (NBC)
Narrator: Frank Sinatra
Announcer: Fred Collins
Time 7:00 p.m. - 7:55 p.m.
Robert Wogan, Ted Levan, Stan Kenton, Romney Weaver, Frank Bourgholtzer, Robert Wogan, Don Gillis, Leith Stevens.
Note: TT: 56 mins. Sound Very good.
"The Life and Times Of A Musician: The Kenton Era", Biography In Sound (NBC)
Narrator: Frank Sinatra
Announcer: Fred Collins
Time 7:00 p.m. - 7:55 p.m.
Robert Wogan, Ted Levan, Stan Kenton, Romney Weaver, Frank Bourgholtzer, Robert Wogan, Don Gillis, Leith Stevens.
Note: TT: 56 mins. Sound Very good.
March 16, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 57
Time 8:15 p.m.. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Why Should I Cry Over You? - Frank Sinatra
2. As Time Goes By - Frank Sinatra w/Bill Miller, piano
3. You, My Love - Frank Sinatra
Notes: Frank plugs his movie "Young at heart."
Television
NONE
March 18, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 58
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Live Till I Die - Frank Sinatra
2. Malaguena - Caterina Valente
3. Don't Change Your Mind About Me - Frank Sinatra
March 23, 1955
Studio
KHJ Studios. Hollywood
13628 Learnin' The Blues
(Delores Silver)
Barton Music Corp. (ASCAP)
Arranged & Conducted by Nelson Riddle
-31 (3:00) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra
45: 3102
Musicians - Reeds: Chuck Gentry, Plas Johnson, Babe Russin, Willie Schwartz, George Smith; Trumpets: Harry â Sweetsâ Edison, Conrad Gozzo, zo, Emanuel Klein, Vito â Mickeyâ Mangano; Trombones: George Benson, Francis Howard, Ed Kusby; Bass Trombone: George Roberts; Piano: Bill Miller; Guitar: Alton Hendrickson; Marimba: Frank Fynn
Session Producer: Voyle Gilmore
Ed notes:
An 18 piece orchestra, 31 takes, a great Riddle chart
and the only # 1 single for Frank at Capitol. Dolores Vicki
Silvers, from Philadelphia, wrote the song and submitted it
to Frank's people. She was an amateur songsmith, who
wrote a tremendous pop song. George Roberts told me
that take three was a real gem. He was very surprised
that Sinatra wasn't satisfied. George wishes Cap. would
dig out that take and release it.
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 59
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. When You're Smiling - Frank Sinatra
2. Where Or When - Lena Horne
3. Put Your Dreams Away - Performed by Frank Sinatra
KHJ Studios. Hollywood
13628 Learnin' The Blues
(Delores Silver)
Barton Music Corp. (ASCAP)
Arranged & Conducted by Nelson Riddle
-31 (3:00) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra
45: 3102
\
March 25, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 60
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. You Do Something To Me - Frank Sinatra
2. Can't We Be Friends - Frank Sinatra w/Bill Miller, piano and organ
3. My Funny Valentine - Frank Sinatra
COMMENT: Sinatra does a fascinating version of
"Can't We Be Friends" on his NBC Bobbi show of March 25, 1955.
Bill Miller provides the musical accompaniment
and Frank closes the song with a different ending:
I should have seen the signal to stop
What a flop
This is how the story ends
I let her turn me down and say
Can't we be just friends.
NOTE: Sinatra Scholar Ed O'Brien, who provided
the above information, points out that the Frank
Sinatra Bobbi radio show was Frank's last radio series.
It had 86 shows beginning September 1, 1954 and
concluding on June 29, 1955. It was broadcast on
NBC from 8:15 to 8:30 p.m. on Wednesday and Friday.
Seventy-nine shows have survived.
March 30, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 61
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. It All Depends On You - Frank Sinatra
2. Celeste - Frank Sinatra w/Bill Miller, piano and organ
3. You, My Love - Frank Sinatra
Television
Academy Award Ceremonies
Wednesday evening
RKO Pantages Theatre in Hollywood and NBC Century Theatre in New York
Hosts:
Bob Hope in Hollywood
Thelma Ritter in N.Y.
Ed O'Brien:
Frank Sinatra presented the Best Supporting
Actress award. Eva Marie Saint won for "On The
Waterfront." A very pregnant Miss Saint accepted
the award in N.Y., warning the audience that she
just might have the baby right there. Dean Martin
sang "Three Coins In The Fountain." It proved
to be the winning song that year.
Academy Award Ceremonies
Wednesday evening
Note: Here is a rare photo of a very tender moment
at a post Oscar party. Grace Kelly had won the Best
Actress award for her portrayal of the long suffering
wife in "The Country Girl. -ED
Party after 55 Oscars show
April 1, 1955
Radio
Music From Hollywood, Wallich's Auditorium
1. Don't Change You Mind About Me
2. Why Should I Cry Over You
3. Three Coins In The Fountain
4. I'm Gonna Live Till I Die
5. You My Love
6. The Gal That Got Away
7. Someone To Watch Over Me
8. Young At Heart
Note: Sinatra Plays DJ to some of his recent songs. TT: 30 mins.
Ed O'Brien notes:
Music From Hollywood was a BBC radio program.
Sinatra was at Wallich's Auditorium in Hollywood and he
introduced and then played eight of his Capitol recordings.
The auditorium was owned by Capitol Records and Glenn
Wallich was one of the original owners of the company.
Basically, the show was a great half-hour of Frank promoting
his Capitol singles.
The Frank Sinatra Show
Network: NBC
Show Number: 62
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. Fools Rush In - Frank Sinatra
3. I'm A Fool To Want You - Frank Sinatra
April 6, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 63
Time 8:45 p.m. - 9:00 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C.. Love
1. I'm Gonna Live Till I Die - Frank Sinatra
2. Idle Gossip - Sarah Vaughan
3. Don't Change Your Mind About Me - Frank Sinatra
April 8, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 64
Time 8:15 p.m. - 8:30 p.m..
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Lean Baby - Frank Sinatra
2. The Year We Fell In Love - Eileen Barton
3. Melody Of Love - Frank Sinatra
April 13, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 65
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. Love Me Or Leave Me - Lena Horne
3. If I Had Three Wishes - Frank Sinatra
All-Star Review From Hollywood
for the American Cancer Society
Wednesday
Announcer: John Daly
Sinatra-Crosby medley from Bing's GE show, 3-21-54.
April 15, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 66
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Live Till I Die - Frank Sinatra
2. Don't Blame Me - Frank Sinatra w/Bill Miller, piano
3. Hello Young Lovers - Frank Sinatra
Notes: Maurice Hart plugs Frank's article in the April issue of Coronet, "I love secretaries."
April 16, 1955
Concerts
Sands, Las Vegas, Nevada (16-17)
Sinatra subbed for Danny Thomas for 2 nights after Thomas' brother was killed in an auto accident
Sands, Las Vegas, Nevada (16-17)
Sinatra subbed for Danny Thomas for 2 nights after Thomas' brother was killed in an auto accident
April 17, 1955
Concerts
Sands, Las Vegas, Nevada (16-17)
Sinatra subbed for Danny Thomas for 2 nights after Thomas' brother was killed in an auto accident
April 20, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 67
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. Over The Rainbow - Judy Garland
3.. The Gal That Got Away - Frank Sinatra
April 22, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 68
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. South Of The Border - Frank Sinatra
2. Empty Ballroom - Ella Fitzgerald
3. Half As Lovely (Twice As True) - Frank Sinatra
Television
NONE
April 24, 1955
Television
Max Liebman Presents Kaleidoscope
Network: NBC
Season:1 Episode: 14
Host: Judy Holiday
Guest Star: Frank Sinatra, Dick Shawn, George S. Irving, Robert Gallagher, Beatrice Arthur, George Kluge, Peggy Castle, Craig Timberlake, Eleanor Williams, Rod Alexander, Bambi Linn
Announcer: Don Pardo
1. I'm Gonna' Live Till I Die
2. When Your Lover Has Gone
3. Learnin' the Blue
4. Wrap Your Troubles in Dreams
5. A skit with several songs included :note: The last minute change from "One For My Baby" to "When Your Lover Has Gone" is not surprising if you know the back story of the latter. Frank recorded the song on 2-17-55. Musicians, who were at the session, told me tears streamed down Frank's face as he listrened to the playback of the final take. Ed
Max Liebman Presents Kaleidoscope
Network: NBC
Season:1 Episode: 14
Host: Judy Holiday
Guest Star: Frank Sinatra, Dick Shawn, George S. Irving, Robert Gallagher, Beatrice Arthur, George Kluge, Peggy Castle, Craig Timberlake, Eleanor Williams, Rod Alexander, Bambi Linn
Announcer: Don Pardo
Variety
4-27-55
April 27, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 69
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Two Hearts, Two Kisses - Frank Sinatra.
2. Come Rain Or Come Shine - Frank Sinatra w/Bill Miller, piano
3. If I Had Three Wishes - Frank Sinatra
Television
NONE
April 29, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 70
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. Young And Foolish - June Valli
3. You, My Love - Frank Sinatra
May 4, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 71
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Sunday - Frank Sinatra
2. I Don't Want To Walk Without You - Helen Forrest
3. When I Stop Loving You - Frank Sinatra
Notes: LOC copy of program opening is missing.
Television
None
May 6, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 72
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I'm Gonna Live Till I Die - Frank Sinatra
2. As Time Goes By - Frank Sinatra w/Bill Miller, piano
3. Guess I'll Hang My Tears Out To Dry - Frank Sinatra
Television
None
May 11, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 73
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Two Hearts, Two Kisses - Frank Sinatra
2. Nothing At All - Jeri Southern
3. Learnin' The Blues - Frank Sinatra
May 13, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 74
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. It All Depends On You - Frank Sinatra
2. The Man I've Been Looking For - Denise Lor
3. You're The One - Frank Sinatra
May 18, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 75
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. All Of Me - Frank Sinatra.
2. Love Is Here To Stay - Frank Sinatra w/Bill Miller, piano and organ
3. If I Had Three Wishes - Frank Sinatra.
May 20, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 76
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. Moon Nocturne (instrumenta) - Neal Hefti
3. From Here To Eternity - Frank Sinatra
Television
None
May 25, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 77
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Take A Chance - Frank Sinatra
2. I'll Remember April - Miltha Tilton
3. In The Wee Small Hours Of The Morning - Frank Sinatra
Notes: "Sinatra introduces his new album "In the wee small hours."
On the next ten shows he plays one track per program following the
sequencing on the album. On 6/29/55, the final program of the series,
he plays the last track on the album, This love of mine, a tune
that goes back to the Tommy Dorsey days."
Television
none
May 26, 1955
Here's a photo supposedly from this date in 1955:
Frank Sinatra, who fancies himself something of a pugilist,
squares off with the world's heavyweight champion, Rocky Marciano, but
you can tell from the stance that it's all in fun. The horseplay occurred
while Marciano visited the "Guys and Dolls" movie set in
Hollywood, May 26, 1955. (AP Photo)
May 27, 1955
Studio
Goldwyn Studios - Los Angeles
GUYS & DOLLS
Friday
Orchestra conducted by Jay Blackton
Arrangements by Nelson Riddle
Sinatra did vocal pickups on:
The Oldest Established Permanent Floating Crap Game
Sue Me
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 78
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. It's All Right With Me - Frank Sinatra w/Bill Miller, piano
3. Mood Indigo - Frank Sinatra
June 1, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 79
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
Television
None
June 3, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 80
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. I've Got The World On A String - Frank Sinatra
2. Kiss And Kill Me With Love - Fran Warren
3. I Get Along Without You Very Well - Frank Sinatra
June 8, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 81
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. I Could Write A Book - Frank Sinatra
3. Deep In A Dream - Frank Sinatra
Notes: LOC lists this shows as June 6. Most likely a typo but could have been broadcast on the 6th.
Television
None
June 10, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 82
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Sunday - Frank Sinatra
2. No Letter Today - Les Paul and Mary Ford
3. I See Your Face Before Me - Frank Sinatra
Television
NONE
June 15, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 83
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. My Blue Heaven - Frank Sinatra
2. It Might As Well Be Spring - Margaret Whiting
3. Can't We Be Friends - Frank Sinatra
June 17, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 84
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Why Should I Cry Over You? - Frank Sinatra
2. September Song - Frank Sinatra w/Bill Miller, piano
3. When Your Lover Has Gone - Frank Sinatra
June 22, 1955
Studio
The Frank Sinatra Show
Network: NBC
Show Number: 85
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Should I - Frank Sinatra
2. Keep Me In Mind - Patti Page
3. What Is This Thing Called Love - Frank Sinatra
Television
NONE
June 24, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 86
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Learnin' The Blues - Frank Sinatra
2. Not As A Stranger - Frank Sinatra
3. Last Night When We Were Young - Frank Sinatra
Television
None
The Frank Sinatra Show
Network: NBC
Show Number: 86
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Variety
Note: Norm Sickel was a man of many talents.
He wrote scripts for both radio and TV, was
an actor and a poet. Frank had him work on
Perfectly Frank, Rocky Fortune and the Frank
Sinatra Show( Bobbi). Sickel also appeared
in four of the R.F. episodes. One day he
showed Frank some of the poetry he had
written and suggested a unique Capitol album
project. Frank was intrigued and discussed
the concept with Felix and Eleanor Slatkin.
They enlisted the aid of Nelson Riddle, Billy
May, Alec Wilder, Victor Young, Gordon Jenkins,
Andre Previn, Elmer Bernstein and Jeff Alexander.
They wrote orchestral compositions based on the
dominant color in Norm's poems. Frank then conducted
the studio sessions for "Tone Poems In Color."
I just discovered this Variety piece from late
October of 1955. What happened to the TV project is
not known. I will continue doing research on another
Sinatra series that never came to fruition.
-- Ed
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
June 27, 1955
Television
Matt Dennis Show
NBC-TV
7:30 -7:45 P.M. EST
GUEST: FRANK SINATRA
Matt Dennis Show
NBC-TV
7:30 -7:45 P.M. EST
GUEST: FRANK SINATRA
June 27, 1957, Statler Hotel, Los Angeles
65th Birthday Salute of Eddie Cantor
Frank Sinatra, Dinah Shore, Shelly Winters, Edward G. Robinson, George Jessel
© 1997-2026 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
June 28, 1955
Film
"Not As A Stranger" (USA Release: June 28, 1955)
Starring: Olivia de Havilland, Robert Mitchum, Frank Sinatra, Gloria Grahame, Broderick Crawford, Charles Bickford, Lon Chaney, Jesse White, Harry Morgan, Lee Marvin
Produced and Directed by: Stanley Kramer
Lucas Marsh (Robert Mitchum) is a brilliant and dedicated medical student who turns into an ego-driven, aspiring physician intolerant of the weaknesses of others, especially those closest to him. In order to get the needed tuition money to finish medical school, Lucas marries an older nurse, Kristina "Kris" Hedvigson (Olivia de Havilland), who has substantial savings. Although Kris loves Lucas and helps him in a variety of ways, he is indifferent towards her and considers her "stupid" though she is an excellent nurse. Lucas cares only about doing excellent medical work, and frequently clashes with other doctors who he considers incompetent, including his wealthy best friend Alfred Boone (Frank Sinatra). Kris, Alfred, and Lucas' mentor Dr. Aarons (Broderick Crawford) try to humanize him and teach him that all doctors sometimes make mistakes.
--DVD Release: 2011-03-29 & Blu-Ray Release: 2018-01-29
The film's opening title cards read: "Stanley Kramer Pictures Corporation Presents A United Artists Release Morton Thompson's Not As a Stranger." Thompson died a few weeks before the publication of his novel. A Var news item of 3 Feb 1954 revealed that producer Stanley Kramer made a pre-publication deal to purchase the screen rights in early Dec 1953 for $75,000. The novel subsequently became a bestseller. According to a 20 May 1954 HR news item, Kramer followed the "same book-plugging campaign used on The Caine Mutiny" by visiting book editors in large cities and making personal appearances at bookstores in order to publicize the novel and create a larger audience for the film.
Not As a Stranger marked longtime producer Kramer's first film as a director. On 17 Feb 1954, LAT reported that Kramer wanted Montgomery Clift for the role of "Lucas Marsh" and Ingrid Bergman for "Kristina Hedvigson." A 21 Sep 1954 HR news item noted that Olivia de Havilland observed two surgical operations at Cedars-Sinai Hospital to prepare for her role. Although HR news items add the following actors to the cast, their appearance in the completed film has not been confirmed: John Goddard, David Alpert, Tamar Cooper, Jo Gilbert, Stafford Repp, Darren Dublin, Tyler McVey, Israel Garcia, Lynn Kevin, Heidi Dublin, Mimi Doyle, Jo Anne Davis, John Raven, Gail Bonney, Marlo Dwyer, Michael Free, Stephen Wooton, Don C. Harvey , Gertrude W. Hoffman, Dave White, Susan Hamilton, Donald Kerr, Art Lewis, Dorothy Newmann, Claire Carleton, Kate McKenna, Alan Nixon , Jimmy Hawkins, Peggy Campbell, Pattee Chapman, Rankin Mansfield, Mack Williams, Richard Emory, Kay Stewart, Aloha Wray, Harry Lauter, Marlene Felton, John Lehman and Harlan Warde.
Buildings on the University of California, Los Angeles campus served as exteriors for the medical school. A 5 Nov 1954 HR news item adds Whitman Air Field in the San Fernando Valley as another shooting location. According to an 8 Sep 1954 HR news item, Dmitri Tiomkin was originally set to write and direct the film's music score but dropped out due to "conflicting commitments." Although James Van Heusen and Buddy Kaye are credited onscreen with the song "Not As a Stranger," and it was recorded by Frank Sinatra in 1955, only the instrumental version was used in the released picture. A 20 Jan 1955 HR news item noted that Eddie Fisher was also scheduled to record the song. Sinatra's recording of the song was released in 1959 on his "Look to Your Heart" album.
On 10 Mar 1955, HR reported that "the biggest ad, publicity and exploitation budget in United Artists' history" at least $1,000,000 was to be spent publicizing the picture. Other HR news items noted that a special five-minute trailer, featuring Kramer explaining the film's story and how the cast was selected, and showing clips of the stars’ makeup tests and performances, was to be shown on television and in movie theaters. The film's West Coast premiere, held on 28 Jun 1955 in Los Angeles, raised over $30,000 for the new Mt. Sinai Hospital. Not As a Stranger received an Academy Award nomination for Best Sound Recording.
June 29, 1955
Radio
The Frank Sinatra Show
Network: NBC
Show Number: 87
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1, I'm Gonna Live Till I Die - Frank Sinatra
2. Blue Star - Felicia Sanders
3. This Love Of Mine - Frank Sinatra
Notes: This is the final broadcast of the series.
Television
NONE
[image referenced in source but could not be recovered]
San Francisco Examiner
6-29-55
June 30, 1955
Studio
KHJ Studios, Hollywood
14158 I Thought About You (N/R)
Arranged & Conducted by Nelson Riddle
NOTE: Sinatra Scholar Ed O'Brien calls this a mysterious recording. Why hasn't it been officially released? Why did Sinatra re-do the song on January 9, 1956? The June 30, 1955 recording, listed here, was done with a 17-piece orchestra and no string section. The January 9, 1956 recording had a 35-piece orchestra and abundant strings. O'Brien says he loves both efforts and Riddle's charts are terrific both times around. The 1955 effort is jazzier and eminently deserves to be heard by Sinatra lovers everywhere, O'Brien asserts.
Scott Henderson:
You are right. I love this version of I thought About You. Very jazzy.
July 10, 1955
Buffalo News
July 12, 1955
Radio
Here's To The Vets #437
Note: TT: 15 mins
Here are the Capitol recordings by Frank Sinatra used in this broadcast:
Young at Heart
All of Me
When I Stop Loving You
You My Love
Television
NONE
July 15, 1955
Studio
MGM studio soundstage
Recording session for the movie "The Tender Trap"
Orchestra conducted by Jeff Alexander
1. Bow Ye Faithful 2 takes, runs 50 seconds, not used in film.
2. The Tender Trap Bill Miller, solo piano accompaniment - Seven takes, runs 2:04.
1. The Tender Trap - Debbie Reynolds, 7 takes, runs 1:13
2. The Tender Trap - Lena Horne, 1 take, runs 1:50, not used in film. Including orchestral intros 7:54 was recorded in 2 hrs and 55 mins.
Johnny Green was the producer
July 17, 1955
Television
Dateline: Disneyland
Season: 1 Episode #26
Disneyland Opening The live special of the opening of the park. If you have never seen this, it is one of the most blooper-filled programs ever aired. If it could go wrong, it did. Abrupt closing as the show was running long. Features Bob Cummings, Art Linkletter, and Ronald Reagan as hosts with guest appearances by Johnny Greene, Irene Dunne, Bonita Granville, Danny Thomas, Bobby Driscoll, Margaret Whiting, Barbara Whiting, Gale Storm, Ken Murray, Julie Bishop, Don DeFore, Jeanne Crain, Frank Sinatra, Sammy Davis Jr., Alan Young, Jerry Colonna, and more 90 minutes
Ed O'Brien:
The perils of live TV. This broadcast is a panic. The wind was a factor and the obvious lack of rehearsal and/or having no idea what was next added to the chaos.
Brian Chearno:
One word to describe this show, Pointless.
Dateline: Disneyland
Season: 1 Episode #26
Frank Sinatra and Frank Jr. on Autopia. July 17, 1955
July 27, 1955
Studio
MGM - Los Angeles
THE TENDER TRAP
Wednesday afternoon
Arranged & conducted by Jeff Alexander
End Title alternate verse
w/ Celeste Holm, Debbie Reynolds, David Wayne,
Frank Sinatra, Johnny Green
Three takes .47 secs.
Prologue & Main Title bars 1 thru 56
Frank Sinatra
Fourteen takes 1:58
Usable recording time 2:45 done over a period of 3 hours & 20 minutes.
Johnny Green produced the session
Production #1681
July 29, 1955
Studio
KHJ Studios. Hollywood
14286 Same Old Saturday Night
(F. Reardon/S. Cahn)
Arranged & Conducted by Nelson Riddle
-13 CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: CAP 1164 Look To Your Heart
45: 3218
14287 You Forgot All The Words (N/R)
Arranged & Conducted by Nelson Riddle
14288 Fairy Tale
(J. Livingston/D. Stanford)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: CAP 1164 Look To Your Heart
45: 3218
Musicians: Reeds: Mahlon Clark, Justin Gordon, Jerome Kasper, Babe Russin, Willie Schwartz; Trumpets: Frank Beach, Harry :Sweets: Edison, Clarence :Shorty: Sherock, Rubin :Zeke: Zarchy; Trombones: Raymond Klein, James Priddy, Simon Zentner; Bass Trombone: George Roberts; Violin: Victor bay, Alex Beller, Harry Bluestone, Henry Hill, Erno Shapiro, Marshall Sosson; Viola: Stanley Spiegelman, David Sterkin; Cellos: Armand Kaproff, Ray Kramer, Edgar Lustgarten; Piano: Bill Miller; Bass: Joe Comfort, Drums: Max Albright; Guitar: Jack Marshall; Vibraphone; Frank Flynn; Harp: Kathryn Julye
Session Producer: Voyle Gilmore
KHJ Studios. Hollywood
14286 Same Old Saturday Night
14288 Fairy Tale
[image referenced in source but could not be recovered]
August 15, 1955
Studio
KHJ Studios, Hollywood
14118 Look To Your Heart
w/Chorus
(S. Cahn/J.. Van Heusen)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
EP: EPA 673 Our Town
14119 Love And Marriage
w/Band Chorus
(J. Van Heusen/S. Cahn)
Barton Music Corp. (ASCAP)
Arranged & Conducted by Nelson Riddle
-5 (2:38) CD: CDP 724383595228 Sinatra 80th - All The Best
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector’s Series
LP: T768 This Is Sinatra!
45: 3260
14120 The Impatient Years
(J. Van Heusen/S. Cahn)
Arranged & Conducted by Nelson Riddle
CD: CDP 724383595228 Sinatra 80th - All The Best
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 3260
14121 Our Town
(Sammy Cahn/Jimmy Van Heusen)
Barton Music Corp. (ASCAP)
Arranged & Conducted by Nelson Riddle
-3 (3:15) CD: C2-94777 The Capitol Years
LP: W1164 Look To Your Heart
EP: EPA 673 Our Town
Musicians - Reeds: Harry Klee, Ted Nash, Joseph Palange, Willie Schwartz, Warren Webb; Trombone: Francis Howard; Bass Trombones: George Roberts; French Horns: John Cave, James Decker, Vincent De Rosa; Voilins: Victor Bay, Alex Beller, Harry Bluestone, Alex Murray, Erno Neufeld, Nick Pisani, Nathan Ross, Mischa Russell, Paul Shure, Felix Slatkin, Marshall Sosson, Gerald Vinci; Violas: Alvin Dinkin, Stanley Speigelman, David Sterkin; Cellos: Armand Kaproff, Edgar Gilbert; Drums: Max Albright; Guitar: Alton Hendrickson; Vibaphone: Frank Flynn; Harp: Kathryn Julye
Chorus - Sweet Blair, Vince Degen, Jack Gruberman, John Gustavson, Ray Linn Jr., Gil Mershon, Robert Namlin, Charles Parlato, William Reeve, Robert Wacker, Allan Wattson, Norma Zimmer
Session Producer: Vole Gilmore
NOTE: Sinatra Scholar Ed O'Brien points out that Sinatra was getting ready for the musical adaptation of Thorton Wilder's "Our Town" on Producer's Showcase on September 19, 1955 on NBC-TV. O'Brien hasn't looked it up, but wonders if there was a session prior to this where Sinatra did this many songs by the same writing team. Sammy Cahn often said that the TV production of Wilder's play was Sinatra's greatest live performance. O'Brien believes that Cahn and Van Heusen outdid themselves with the music numbers for this show.
note: Cahn & Van Heusen wrote "The Tender Trap" for Frank prior to the
"Our Town" songs. He recorded the former at MGM on 7-15 and 27. But
the 8-15 at Capitol was the first commercial effort Frank did by this newly
formed duo.
--Ed
20th Century Fox Soundstage - Hollywood , California
Recording for the film adaptation of Rodgers and Hammerstein's
"Carousel"
"Blow High, Blow Low"
Vocal: Frank Sinatra, as Billy Bigelow
Conductor: Alfred Newman w/Urban Thielman on piano
NOTE: Ed O'Brien reports that in the summer of 1955, Sinatra did
extensive wardrobe tests for the lead role of Billy Bigelow in the 20th
Century Fox film adaptation of the Rodgers and Hammerstein musical
"Carousel." He also pre-recorded three songs on the soundstage of the
film studio on August 15, 16, and 17, 1955. And there were on location
in Booth Bay Harbor, Maine recordings done on August 20, 21, and 22,
1955.
On August 15, 1955, on the soundstage, Sinatra did "Blow Hard, Blow Low"
with Alfred Newman conducting a 57 piece orchestra including Urban
Thielman on piano. (AFM sheets reveals a payment of $64.28 for five
hours work.)
KHJ Studios, Hollywood
14118 Look To Your Heart
14119 Love And Marriage
14120 The Impatient Years
14121 Our Town
Morning Sentinel
Pasadena Independent
Sunday Oregonian
The Times
August 16, 1955
Studio
20th Century Fox Soundstage - Hollywood, California
For proposed film adaptation of Rodgers and Hammerstein's
"Carousel"
Alfred Newman conducting 57 piece orchestra
"If I Loved You" - Frank Sinatra and Shirley Jones
August 17, 1955
Studio
20th Century Fox Soundstage - Hollywood
For proposed film adaptation of Rodgers and Hammerstein's musical
"Carousel"
"You'll Never Walk Alone" --Frank Sinatra
Alfred Newman conducting 57 piece orchestra
NOTE: Ed O'Brien points out that in the summer of 1955, Sinatra
pre-recorded three songs from "Carousel" on the soundstage of
the film studio. On August 17th, Sinatra did "You'll Never Walk
Alone"
Sinatraphile Larry Crawford asked O'Brien why, in his opinion, Sinatra
dropped out of the filming. O'Brien responded: "I think he was
uncomfortable playing the big roustabout, carny Billy Bigelow. Role
called for a John Rait or Gordon McRae, not a skinny little guy who was
barely over 5 feet 7 inches. Shirley Jones has hinted at just that in
different interviews. But I believe Sinatra would have been great in the
role and the physical stature question would have been of little
consequence once Sinatra established the character. I agree with Shirley
Jones, the film would have been great with Sinatra."
Sinatraphile Ed Speigel agrees that the film would have been great with
Sinatra. Speigel points out that in recent "Carousel"
productions, Billy has not been a big bruiser and that includes the
acclaimed Broadway revival of some years back. From my first hearing of
Sinatra's Columbia version of "Solilquoy," I cast him in the
role in my mind. When he announced for the part, I was thrilled. The
movie was all right, McRae has a big baritone and looked good. But he was
not much of an actor. Frank, at that time, was at the peak of his thespic
powers and could have brought so much to the character. The segments of
Frank's "Solilquoy" that are included in the Sinatra Hollywood
box are spectacular. In my opinion, they go even beyond his great 1953
version. If Sinatra had stuck around, done the work he was capable of,
we'd have a musical for the ages instead of merely a respectable version
of the musicalized Liliom."
Speigel adds: Further on this topic, Fred Zimmerman got more out of
McRae in "Oklahoma" than Henry King was able to do in
"Carousel." Zimmerman, of course, had directed Frank
earlier in "From Here to Eternity."
note: MacRae was a cousin of mine on my mother's side of the
family. Having seen film of Raitt's performance, I think 20th Century
made a mistake with
the replacement for Sinatra. Skitch Henderson told me Frank was in awe of
Raitt's singing during the Broadway run of "Carousel." Frank
and Skitch
caught the show many times. If you have never heard it, Frank has fun
singing a parody, during the Dean Martin Friars Trib, 11-8-59, in which
he
mentions his replacement in the film.
--Ed
September 9, 1955
Concerts
Dunes Hotel, Las Vegas, Nevada (September 9-11)
Hedda Hopper
note: Frank's appearance was done in an attempt to rescue the new Dunes.
I found a number of articles detailing the general lack of interest in another
hotel. Entratter had signed a number of major stars but there were very
few reservation. Frank received part ownership in the Dunes and despite
a heavy work load, including "Our Town," 9-19, he agreed to do the three
days on the weekend.
Ed
Dunes Hotel, Las Vegas, Nevada (September 9-11)
The hotel failed a few months after its original opening. Owners of the Sands took over and held second premiere.
In August 1955, an agreement was reached for Sands Hotel Corporation, owner of the Sands Hotel and Casino, to lease and operate the struggling Dunes. To mark the management change, a three-day celebration was held starting on September 9, 1955. Singer Frank Sinatra headlined the ceremony and entered on a camel.
"Las Vegas, the glittering Monte Carlo of America, has so changed that even Frank Sinatra climbed aboard a camel to try to lure customer back to one of the dying hotels."
1955 Dunes Hotel, Las Vegas, Nevada (September 9-11)
Hedda Hopper
note: Frank's appearance was done in an attempt to rescue the new Dunes.
I found a number of articles detailing the general lack of interest in another
hotel. Entratter had signed a number of major stars but there were very
few reservation. Frank received part ownership in the Dunes and despite
a heavy work load, including "Our Town," 9-19, he agreed to do the three
days on the weekend.
Ed
Dunes Hotel, Las Vegas, Nevada (September 9-11)
Emacs!
September 10, 1955
Concerts
Dunes Hotel, Las Vegas, Nevada (September 9-11)
Statesman Journal 9-20-55
note: Interesting to know that Frank was singing songs from the
upcoming TV production of "Our Town."
Ed
Dunes Hotel, Las Vegas, Nevada (September 9-11)
note: Interesting to know that Frank was singing songs from the
upcoming TV production of "Our Town."
Ed
September 11, 1955
Concerts
Dunes Hotel, Las Vegas, Nevada (September 9-11)
September 13, 1955
Studio
KHJ Studios, Hollywood
14429 (Love Is) The Tender Trap
From the film "The Tender Trap"
(S. Cahn/J. Van Heusen)
Barton Music Corp. (ASCAP)
Arranged & Conducted by Nelson Riddle
-12 (2:57) CD: CDP 724383595228 Sinatra 80th "All The Best"
CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
CD: CDP 7-92160-2 Frank Sinatra Collector's Series
LP: T768 This Is Sinatra!
45: 3290
14430 You'll Get Yours
(J. Van Heusen/D. Stanford)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: T2602 Forever Frank
45: 3350
14431 Weep They Will -N/R
(C. Fischer/B. Carey)
Arranged & Conducted by Nelson Riddle
Musicians: Reeds: Mahlon Clark, Chuck Gentry, Harry Klee, Ted Nash, Warren Webb; Trumpets: Frank Beach, Walter Candoli, Emanuel Klein, Vito "Mickey" Mangano; Trombones: Francis Howard, Dick Noel, James Priddy; Bass Trombone: George Roberts; Violins: Victor Bay, Alex Beller, Anatol Kaminsky, Nathan Ross, Mischa Russell, Paul Shure, Felix Slatkin, Marshall Sosson; Violas: Alvin Dinkin, Virginia Majewski, Stanley Spiegelman; Cellos: Armand Kaproff, Ray Kramer, Eleanor Slatkin; Piano: Bill Miller; Bass: Joe Comfort; Drums: Max Albright; Guitar: Nick Bonney; Harp: Kathryn Julye
Session Producer: Vole Gilmore
NOTE: Sinatra Scholar Ed O'Brien reports that Van Heusen wrote a high F note for "Trap." Musicians he interviewed on this session told him that Sinatra and Chester Babcock (Van Heusen's real name) did quite a bit of teasing over that particular note, but Sinatra easily soared when he needed to hit that high F.
"Weep They Will" is Tony Bennett's favorite Sinatra recording. The released one, from October of 1955, has an incredible falsetto segment that is simply sublime.
September 18, 1955
Television
The Colgate Variety Hour
NBC-TV
Sunday Evening
8:00 p.m. -- 9:00 p.m.
Hosts: Dean Martin & Jerry Lewis.
Guest: Frank Sinatra (heard only on recording)
1. Sinatra: Yetta ( I Can't Forget Her)
Notes: At the end of the show, Dean and Jerry plug Sinatra's appearance on Producer's Showcase the next night. Two copies. One with original commercials and one cleaner without commercials.
Ed O'Brien:
Scene takes place in a pool hall. Frank comes on
the radio singing "Yetta." Simply amazing that he
recorded the entire song.
note: According to Variety, Jerry Lewis wrote "Yetta."
Ed
The Colgate Variety Hour
NBC-TV
Sunday Evening
8:00 p.m. -- 9:00 p.m.
Hosts: Dean Martin & Jerry Lewis.
Guest: Frank Sinatra (heard only on recording)
1. Sinatra: Yetta ( I Can't Forget Her)
Notes: At the end of the show, Dean and Jerry plug Sinatra's appearance on Producer's Showcase the next night. Two copies. One with original commercials and one cleaner without commercials.
note: According to Variety, Jerry Lewis wrote "Yetta."
Ed
September 19, 1955
Television
Los Angeles Mirror
Producers' Showcase Presents A Musical Adaptation Of Thornton
Wilder's Our Town
Frank rehearsing songs
for "Our Town" production
Frank
Paul
Variety
note: Here are the Nielsen Ratings for the week of 9/11 to 24, 1955
NUMBER OF TV HOMES REACHED
## program Network homes
1. $64,000 Question CBS 19,302,000
2. Ford Star Jubilee CBS 15,667,000
3. Toast of the Town CBS 12,764,000
4. Disneyland ABC 12,363,000
5. Colgate Variety Hour NBC 12,190,000
6. Martha Raye Show NBC 11,687,000
7. Producers Showcase NBC 11,193,000
8. Climax CBS 11,001,000
9. Those Whiting Girls CBS 10,906,000
10. Color Spread NBC 10,847,000
Frank was paid $25,000 for his role of Stage Manager
Boston Globe
Variety
On the set of "Can Can" September 19, 1959 during
Khrushchev's visit
Frank Sinatra Greets Nikita Khrushchev
ORIGINAL CAPTION: Frank Sinatra greets then Soviet Premier Nikita
Khrushchev on the set of "Can Can" September 19, 1959 during
Khrushchev's visit to the U.S. Also in photo are actor Louis Jourdan (L)
and actress Shirley Maclaine.
September 23, 1955
12703 Someone To Watch Over Me
(G. Gershwin/ I. Gershwin)
WB Music Corp (ASCAP)
Arranged & Conducted by Nelson Riddle
-20 (2:56) CD: CDP 724383595228 Sinatra 80th 'All The Best'
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-96827-2 Nice â n' Easy
CD: : C2-94777 The Capitol Years
LP: W1432 Songs For Young Lovers
45: 2993
Glamorgan Gazette
U.K. release
12704 You, My Love
(J. Van Heusen/M. Gordon)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
LP: W1164 Look To Your Heart
45: 2993
Leicester Chronicle
South Wales Argus
October 17, 1955
Studio
KHJ Studios, Hollywood
14287 You Forgot All The Words (While I Still Remember The Tune)
(B. Wayne/E.H. Jay)
Arranged & Conducted by Nelson Riddle
CD: C2 724383808922 The Complete Capitol Singles
CD: CDP 7-94519-2 No One Cares
LP: 982 This Is Sinatra Vol..2
45: 3552
14633 Love Is Here To Stay
(George Gershwin/Ira Gershwin)
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46570-2 Songs For Swingin' Lovers
LP: W653 Songs For Swingin' Lovers
14634 Weep They Will
(C. Fischer/B. Carey)
Sam Weiss Music, Inc. (ASCAP)
Arranged & Conducted by Nelson Riddle
-11 (3:16) CD: C2 724383808922 The Complete Capitol Singles
CD: C2-94777 The Capitol Years
LP: T1919 Tell Her You Love Her
45: 3290
Musicians - Alto Sax: Mahlon Clark, Willie Schwartz; Tenor Sax: Justin Gordon, Warren Webb; Baritone Sax: Robert Lawson; Trumpets: John Best, Harry "Sweets" Edison, Clarence "Shorty" Sherock, Rubin "Zeke" Zarchy; Trombones: Dick Noel, James Pridy, Paul Tanner; Bass Trombone: George Roberts; Violins: Victor Bay, Alex Beller, Samuel Cytron, Robert Gross, Henry Hill, Dan Lube, Alex Murray, Paul Nero, Erno Neufeld, Mischa Russell; Violas: Maxine Johnson, Paul Robyn, David Sterkin; Cellos: Ennio Bolognni, Ray Kramer, Eleanor Slatkin; Piano: Bill Miller; Bass: Joe Comfort; Drums: Irv Cottler; Guitar: George Van Eps; Vibraphone: Frank Flynn; Harp: Kathryn Julye
Session Producer: Vole Gilmore
October 23, 1955
Concerts
Beverly Hilton, Los Angeles, CA
City of Hope Award Dinner
Sinatra, Dinah Shore, Bob Hope, The Skylarks
October 28, 1955
Concerts
University High School, Los Angeles, CA
Sinatra appears at his daughter Nancy's High School
Sinatra sang a few songs including "Love and Marriage" and a duet with Nancy on "Side By Side"
Songs included:
--Learnin' The Blues
--It Wat Just One Of Those Things
--Love And Marriage
--A Foggy Day
--I Get A Kick Out Of You
University High School, Los Angeles, CA
Sinatra appears at his daughter Nancy's High School
Sinatra sang a few songs including "Love and Marriage" and a duet with Nancy on "Side By Side"
note: Interesting song selection
October 31, 1955
Studio
UNITED ARTISTS - Los Angeles
THE MAN WITH THE GOLDEN ARM
Monday evening
8:30 to 11:30 PM
Capitol KHJ Studios
Arranged and conducted by Elmer Bernstein
25 piece orchestra
The Man With The Golden Arm ( trailer song) 3:21 ( Cahn & Van Heusen)
Issued on "Frank Sinatra In Hollywood - Disc 5" & "Frank Sinatra The Soundtrack Sessions, Bravura BRCD7106"
Note: Although the recording was done at Capitol Records, it was produced by Carlyle Productions for the film of
the same name. Otto Preminger, Kim Novak and others associated with the film were at the session. Meant for
the film trailer, the song was not released and the famous Bernstein jazz instrumental ( recorded on 10-28-55 with
a 17 piece orchestra. Elmer Bernstein conducted and played piano) was used. Bernstein was paid $96.42 for his work with
Sinatra. Robert S. Helfer was the manager. He was paid the royal sum of $72.32 for his three hours of work. The musicians were paid $48.21 each. The violinist, David Frisina, was the concertmaster at the session. Bill Miller was the pianist, Shelly Manne on drums, Ralph Pena on bass, Howard Roberts on guitar and Harry "Sweets" Edison played the trumpet. There is a note on the session sheet pointing out that there were two "William Millers" on the date. They were identified on withholding slips by their respective instruments, violin and piano.
The entire pay out for the session was $1, 398.10.
UNITED ARTISTS - Los Angeles
THE MAN WITH THE GOLDEN ARM
!
F.S Otto and Kim behind glass Elmer Bernstein
!
!
November 4, 1955
note Another big b.o. hit for Frank. Crowds were three deep around the block
at Radio City Music Hall in N.Y.C.
The Tender Trap, (US Film Release: November 4, 1955)
Starring: Frank Sinatra,Debbie Reynolds, David Wayne, Celeste Holm
Directed by Charles Walters.
Sinatra plays Charlie Reader, a 35-year-old theatrical agent in New York City, living a seemingly idyllic life as a bachelor with numerous women who come and go, cleaning and cooking for him until one day Charlie meets singer-actress Julie Gillis (Debbie
Reynolds) and his bachelor life is put to the test.
(1st DVD Release date: 2008-05-13)
November 22, 1955
Television
KTLA Coverage of the Charity premier of "Guys And Dolls"
8pm to 8:30PM
Hollywood Paramount, Los Angeles, CA
Charity premier of "Guys And Dolls"
Singer and actor Frank Sinatra poses with co-star Jean Simmons and
husband Stewart Granger at the premiere of the film 'Guys and Dolls' on November 22, 1955 in Los Angeles, California.
November 29, 1955
Television
Milton Berle Show
Season: 8, Episode: 294
Host: Jan Murray
Guests: Gale Storm, Vic Damone
Note: Sinatra does not appear on this show.. He
is shown in a clip from September 29, 1950.
Comedian Jan Murray fills in for Berle, who fell ill at the last minute.
Ed O'Brien:
The clip is from the 9-29-53 Texaco Star Theatre.
It was a skit with Tallulah Bankhead and Miltie.
Show was Berle's first broadcast for the 1953-54
season. I have an interesting review. Sinatra
was sensational. He had closed at the Bill Miller Riviera on 9/22.
December 4, 1955
Television
Dave Garroway's Wide Wide World Show
Network: NBC
Guest: Frank Sinatra
1. The Tender Trap
2. Love And Marriage
Note: Frank was at poolside at The Sands in Vegas with Bill Miller on piano. SA is searching for this program.
Ed' O'Brien added this info: NBC broadcast "Wide, Wide World" on Sunday afternoons from 4 to 5:30 in color. The correct date is 12-4-55. Last year I contacted the Library Of Congress and asked a librarian to look at the show for me. Here is her description of the Sinatra segment: Frank Sinatra appeared "live" while rehearsing with an orchestra next to the outdoor pool of the Sands Hotel in Las Vegas. He is first heard in a fragment from "Same Old Saturday Night" as the camera approaches the setting. Next, he answers a few questions from host Dave Garroway (who is in the studio) about an international goodwill tour planned for Spring of the following year, then sings "The Tender Trap" in its entirety. As he starts "Love and Marriage," the camera moves away and this concludes the segment. As to the musicians, the only clue is the NBC press release of 11/25/1955 which states that "Sinatra will do his singing to the
accompaniment of Antonio Morelli and the Sands Orchestra."
note: Nat Cole was also set to appear and sing some numbers. But was a no-show.
Las Vegas, Nevada Nov 29) Six live cameras will project a rain of entertainment produced by Jack Entratter and starring singers Frank Sinatra and Nat King Cole right from the grounds of the Sands Hotel here to 35,000,000 viewer* on 144 stations of the NBC-TV network as a featured segment of the 90-minute spectacular program "Wide, Wide World" this Sunday, December 4, between 1 and 2:30 P. M, Las vegas time. The program will feature American music, and the live pickup from the Sands will Include various types of the American Rhapsody as portrayed by Frank Sinatra, Nat King Cole, Freddy Bell and the Bellboys, aad Antonio Morelli and the Sands orchestra. The 6 cameras with a crew of 20 will pick up the Sands entertainment scene from the Lounge bandstand, from the Copa Room stage, and from poolside where Frank Sinatra will be shown rehearsing for his overseas goodwill tour scheduled for next spring* Also featured on the program will be the Copa Girls with a full dress rehearsal of a new production staged by Bob Gilbert and Ren** Stewart, with music by Torrls Bread's orchestra. The public is invited to attend the show and be televised in the Lounge. Casino, Copa Room and pool side at the Sands on Sunday.
note: Nat Cole canceled and Frank did not do the overseas tour.
Ed
Dave Garroway's Wide Wide World Show
December 15, 1955
The Man With The Golden Arm (US Film Release: December 15, 1955)
Starring: Frank Sinatra, Eleanor Parker, Kim Novak, Arnold Stang, and Darren McGavin
(Directed & Produced by Otto Preminger)
Sinatra gives a powerful performance as "Frankie Machine", a skilled card dealer and one-time heroin addict. When he returns home from jail, he struggles to find a new livelihood and to avoid slipping back into addiction. Frankie returns home to his wife Zosh (Eleanor Parker), who is supposedly wheelchair-bound after a car crash some years earlier that was caused by Frankie driving drunk. Zosh is secretly fully recovered, but pretends to be unable to walk in order to keep making Frankie feel guilty so he will stay with her. Frankie thinks he has what it takes to play drums for a big band. While calling to make an appointment, he bumps into an old flame, Molly (Kim Novak) who works in a local strip joint as a hostess and lives in the apartment below Frankie's. Unlike Zosh, Molly encourages his dream of becoming a drummer.
Release Date:January 1956Premiere Information:New York opening: 15 Dec 1955; Los Angeles opening: 26 Dec 1955; Chicago, IL opening: 28 Dec 1955
Production Date:26 Sep--early Nov 1955 at RKO-Pathe Studios
The film's opening title credits, designed by Saul Bass, feature white lines breaking up a black background. The lines form a crooked arm over the last credit, that of producer-director Otto Preminger. The crooked arm became the film's symbol and was used extensively in its advertising. According to a 3 Nov 1949 HR news item, the screen rights to Nelson Algren's best-selling novel, which was the first book to win the National Book Award, were purchased by producer Bob Roberts as a starring vehicle for John Garfield. Information in the film's file in the MPAA/PCA Collection at the AMPAS Library reveals that Paul Trivers was to write the screenplay for Roberts, with Robert Aldrich scheduled to direct. Roberts first submitted a screenplay to the PCA in Feb 1950, and in Mar 1950, was told by PCA director Joseph I. Breen that the basic story was "unacceptable under the provisions of the Production Code" because of the Code's prohibition against showing drug addiction and illegal drug traffic. Breen further stated: "In view of the fact that this dope addiction problem is basic to this story, we suggest you dismiss any further consideration of this material for a motion picture to be made within the Code."
Roberts continued to consult with the PCA in hopes of preparing an acceptable script, but was repeatedly discouraged by the Breen office, which warned him that not only would the subject fail to receive PCA approval, it would also receive condemnation from the National Catholic Legion of Decency, the U.S. Treasury Dept., the Bureau of Narcotics and "state and municipal censor boards, both in this country and abroad." In late Mar 1950, Pandro S. Berman, then a producer at M-G-M, expressed interest in making a film based on the novel, and was also told by the PCA that it would be impossible for the picture to receive a Production Code seal, without which many movie theaters of the time refused to exhibit films.
According to modern sources, Roberts was acting on Garfield's behalf in purchasing the book's screen rights from Algren, who purportedly thought that Garfield would be ideal to play "Frankie Machine," and Garfield himself owned the rights. Garfield, who had been under great strain due to questioning by the House Un-American Activities Committee, died of a heart attack on 21 May 1952. Although Trivers and Algren himself worked on a screenplay for Garfield's project, it is unlikely that they contributed to the Preminger film. In Mar 1955, NYT and HR reported that Preminger had purchased the rights to Algren's book from Garfield's estate and entered into a deal with United Artists to produce and distribute The Man with the Golden Arm. According to a Sep 1955 HR news item, a clause in the contract between Preminger and UA allowed UA to withdraw from distribution if the film did not receive a Code seal. At that time, Preminger, who had produced and directed The Moon Is Blue (see entry), which failed to obtain a Code seal prior to its 1953 release, indicated that he would set up his own company to distribute The Man with the Golden Arm if necessary.
A 24 Mar 1955 LAEx news item reported that Preminger was hoping to persuade William Holden to star in the picture, while modern sources add that Marlon Brando was considered for the role of Frankie. According to Jul 1955 HR news items, Barbara Bel-Geddes was under consideration for one of the female leads, but her participation in the project was contingent upon her being able to obtain a four-week leave from her role in the stage production of Cat on a Hot Tin Roof. In Aug 1955, HR's "Rambling Reporter" column stated that Preminger was "torn" between casting either Ray Middleton or Raymond Burr as "Zero Schwiefka." Eleanor Parker was borrowed from M-G-M for the production, and Kim Novak was borrowed from Columbia. HR news items include Arvle Miller, Jay Lawrence, Robert Paquin, Diane DeLayne, Ursula Fimbers, Libby Jones, Bene Marten, Jack Mulhall, Mahin Shahriver and David White, Frank Sinatra's stand-in, in the cast, although their appearance in the finished picture has not been confirmed.
In Aug 1955, HR noted that Preminger had contemplated shooting the picture in color and CinemaScope, but decided that black-and-white with a 1.85:1 ratio would be "more suitable." According to a 29 Aug 1955 HR news item, background footage was shot on location in Chicago, IL. A 4 Oct 1955 HR news item noted that the dog "Rumdum" was played by "Mike," a dog rescued from a pound by noted animal trainers Frank and Rudd Weatherwax. HR news items and the film's pressbook noted that drummer Shelly Manne taught Sinatra how to play drums; magician Charles E. Miller served as the technical advisor on the poker sequences; Tom Bailey, a retired Los Angeles police officer, was the technical advisor on the jail scenes; Jack Entratter, a director of the Sands casino in Las Vegas, acted as a technical advisor; and an unnamed physician supervised narcotics sequences.
Although the drug to which Frankie is addicted is never specified in the finished movie, most contemporary and modern sources assume that it is heroin. In the book, however, Frankie takes morphine, to which he became addicted during his military service in World War II. After being wounded while fighting in the South Pacific, Frankie began taking morphine and became addicted. In the film, only a very brief mention is made of Frankie's wartime service, and no connection is made between it and his addiction. Other notable differences between the novel and the movie are that in the book, Frankie, not "Zosh," kills Louie, and Zosh is not feigning her paralysis, although it is partially psychosomatic. At the end of the book, Zosh is committed to an insane asylum, "Molly Novotny" is arrested by the police for harboring Frankie and Frankie, who has run from Molly's apartment, commits suicide by hanging himself in a flophouse.
Preminger continued to have problems with the PCA throughout the film's production, and he decided to release The Man with the Golden Arm without a Code seal. According to Nov 1955 trade paper and NYT news items, after viewing a rough cut of the picture, United Artists, which had also released The Moon Is Blue, decided to release The Man with the Golden Arm, even though the action could result in the company being fined $25,000 by the MPAA. UA president Arthur Krim called the film "one of the most important productions ever handled by the company" and expressed the hope that the PCA would reverse its decision because of the film's "immense potential for public service." A modern source states that UA invested $1,000,000 in the film's production. A 13 Nov 1955 NYT article reported that the film's release would mark "the first time that a company has made public its intention to go forward with the release of a controversial picture in advance of its submission for a Code seal." The film also received several advance bookings in Nov and early Dec 1955, before the issue of the Code seal had been settled.
Although numerous contemporary sources speculated that the PCA would make an exception for The Man with the Golden Arm, after the film was submitted for final approval in early Dec 1955, the PCA denied it a Code seal. Their decision was upheld by the appeals board of the MPAA on 6 Dec 1955 in a meeting in which the MPAA board also declined to revise PCA guidelines governing the depiction of drug use. In order to protest the censorship battle, UA resigned from the MPAA on 7 Dec 1956, although the company rejoined later in the 1950s. Even though the PCA refused to approve the film, the influential National Catholic Legion of Decency awarded it a "B," or "morally objectionable in part for all," rating. According to a 31 Dec 1955 Har news item, The Man with the Golden Arm marked the first time that the Legion did not give a "C," or condemned, rating to a film not passed by the PCA. Several contemporary sources indicate that the schism between the Legion and PCA was one of the contributing factors to the revision of the Code.
Controversy over the MPAA's decision to uphold the PCA's ban on the film forced MPAA president Eric Johnston to launch a four-man committee to investigate Production Code provisions and methods of appeal in Jan 1956. A 25 Jan 1956 NYT article about the investigation noted that one of the major reasons for the need to revise the Production Code was the "refusal, for the first time, of the Loew's theatres and other large circuits to abide by a Production ban." Loew's and other large theater chains were then exhibiting The Man with the Golden Arm despite its lack of a Code seal. In Dec 1956, NYT announced that the committee's recommendation to change several provisions of the Production Code had been accepted, and that "the film industry has revised and relaxed its code of morals and taboos for the first time since the code was adopted in 1930." In addition to revising restrictions about the portrayals of prostitution, abortion, kidnapping and miscegenation, the MPAA eliminated the absolute prohibition of subjects having to do with narcotics. The first film to benefit from the PCA's revisions about the depiction of drug addiction was the 1957 Twentieth Century-Fox release A Hatful of Rain (see entry).
The Man with the Golden Arm received mostly laudatory reviews upon its release, with many critics commenting on its success in dealing with the controversial subject matter. The Var reviewer declared: "Fortunately this is a gripping, fascinating film, expertly produced and directed by Preminger and performed with marked conviction by Frank Sinatra as the drug slave." In conclusion, the Var critic stated: "It makes for a powerful condemnation of the use of narcotics merciless in its display of the cruelties of the habit. This is the kind of message that should be spread, not suppressed." Several critics did complain about the film's contrived happy ending, however, stating that it was both inaccurate and potentially harmful to show an addict recovering completely in such a short time period.
As noted by NYT reviewer Bosley Crowther, in order to satisfy censor requirements, the sequence in which Frankie receives a "fix" from "Louie" was shortened, to prevent the details of Louie's preparations of the drug from being shown. Crowther concluded, "either way, what you see or what you don't see is not likely to create anythingoutside of the hardened addicttsbut a revulsion toward the habit of drugs." According to a 14 Dec 1955 DV news item, the short sequence was deleted at the insistence of the New York State Censor Board, although Preminger deleted the footage from all prints of the film, not just those shown in New York.
In Feb 1956, HR noted that censors in Maryland, Atlanta, GA and Milwaukee, WI threatened either to ban the film outright or demand cuts, but that Preminger was determined to fight them and allow the film to be shown in the same version that was then being distributed. In Jul 1956, Var reported that after several court decisions in its favor, United Artists was able to exhibit the film uncut throughout the world except in Spain, which had banned the picture. According to the news item, Spanish officials declared that they did not want the film to "give the people ideas" about narcotics use. According to information in the MPAA/PCA Collection, the film received an "X" rating in Great Britain, which restricted admission to adults only.
Even though Preminger claimed in several contemporary sources that the MPAA was exerting pressure on exhibitors not to play the film, UA stated in a 12 Feb 1961 NYT article that the film had been a "spectacular" success at the box office. The article concluded that the film's achievements were partially due to the "considerable publicity" surrounding its censorship battles. The Man with the Golden Arm received Academy Award nominations for Best Art Direction (Black and White) and Best Music (Scoring of a Dramatic or Comedy Picture) and a BAFTA nomination for Best Film from Any Source. The film's score, which was Elmer Bernstein's first jazz score, became a best-selling soundtrack record and is considered by many sources to be one of the most important film scores of the 1950s. The McGuire Sisters released a vocal version of the distinctive main theme, called "Delilah Jones," with lyrics by Sylvia Fine. A title song, written by Sammy Cahn and James Van Heusen, was recorded by Sammy Davis, Jr., and their "Molly-O" was recorded by The Gaylords and The Naturals. According to a Nov 1955 HR news item, Sinatra himself was to record a version of the title song for Capitol Records. A Sinatra discography notes that Sinatra's version of the song was never officially released, but did appear on a bootleg album entitled "On the Town and Others."
Sinatra, who received many positive reviews for his work in the film, was nominated for a Best Actor Academy Award as well as a Best Foreign Actor BAFTA award. The SatRev critic stated that Sinatra gave "a truly virtuoso performance," and HR reviewer Jack Moffit proclaimed that he achieved "a tortured realistic masterpiece as the drug addict." According to several biographies of Sinatra, the actor considered his performance in The Man with the Golden Arm to be his finest work.
According to Nov 1955 DV and NYT reports, screenwriter Walter Newman protested the joint credit that he and writer Lewis Meltzer were to receive, claiming that he alone should be credited with the film's screenplay. After the Writers Guild of America (WGA) denied his petition, Newman attempted to take his case to Los Angeles Superior Court, a first in WGA history. Newman's attempt was denied by Judge Arnold Prager, according to the NYT article. In mid-Dec 1955, DV reported that the Screen Writers Branch of the WGA protested the print advertising of The Man with the Golden Arm, stating that the overly prominent emphasis on Preminger in the ads mistakenly led people to believe that he wrote as well as directed and produced the picture.
In Apr 1956, Algren filed a lawsuit against Preminger, UA, Carlyle Productions and several other individuals and companies, according to a 24 Apr 1956 HR news item. Algren asked that profits from the picture be held in trust and that the profits from the distribution of the theme song be accounted for and held in trust, in addition to asking for an injuction "restraining Preminger, UA and others from "˜passing off' the plaintiff's work as that of Preminger." According to Algren's lawsuit, the agreement under which he had sold the screen rights to Roberts stipulated that he would receive a percentage of the film's profits or a percentage of Roberts' profits if he sold the rights, but the agreement had not been upheld. Algren also claimed that the title song was "not up to the literary and artistic standards set by the novel," according to a May 1956 SatRev article. The disposition of the suit has not been determined.
As reported by various contemporary sources, the film was granted a Production Code seal on 14 Jun 1961. According to a 31 Jul 1961 NYT article, UA applied for the seal in order to re-issue the film, along with The Moon Is Blue, which was also granted a seal, and to sell it for television broadcast. In Jan 1965, Preminger contracted with Allied Artists for The Man with the Golden Arm and The Moon Is Blue to be re-released theatrically as a double bill. [A Jul 1980 NYT article confirmed that the rights to both films had reverted to Preminger in 1965.] In Dec 1966, Preminger leased television broadcast rights to The Man with the Golden Arm to ABC. The network was to be allowed to show the film twice during the following two years, according to a 28 Dec 1966 NYT article, and Preminger had obtained the previously unheard-of concessions that the film was to be shown uncut in any way, and that he himself would be allowed to decide where the seven commercial breaks would be inserted. An 18 Jan 1967 Var item reported that Sinatra would receive a percentage of the fee Preminger received for the broadcast rights. Although a Jul 1986 HR news item announced that Preminger was agreeing to allow Hal Roach Studios to colorize the picture, along with three other of his works, the colorization was never completed.
AFI Catalog
Sinatra Preminger Novak
-----------------------------------------
© 1997-2025 The Sinatra Archive
This calendar, or any parts thereof, may not be reproduced in any fashion
whatsoever without the prior written permission of the publisher (The
Sinatra Archive)
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[image referenced in source but could not be recovered]
December 23, 1955
Radio
"What Christmas Means To Me"
12-23-55
NBC
8:00 P.M - 10:00 P.M
Writer: Jack C. Wilson
Producer/Director: Robert Wogan
Guests: Helen Hayes, Tallulah
Bankhead, Tyrone Power, Ben
Grauer, Fibber McGee & Molly,
Roy Rogers & Dale Evans, Irving
R. Levine, Alan Young, Gregory
Peck, Ronald Colman, Dylan Thomas,
Edwin C. Hill, Norman Vincent Peale,
Frank Sinatra
note: Show's highlights included a recording of Thomas reading "A Child's
Christmas In Wales," Bankhead reading a story written by Heywood Broun in
1929, Colman reading from The New Testament and Frank Sinatra's reading
of Rodgers & Hammerstein's "HappyChristmas, Little Friend."
--Ed
