January 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-01
Editorial note: parsed as a “Film” entry for 1938, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
film ended with the death of John Garfield's character. Frank had
perished in both "Eternity" and "Suddenly." He didn't
see any
charm in making it three in a row. Warners balked and Frank told them he
wouldn't sign the contract unless the ending was rewritten.
The film did not have a working title until Jack Warner, who adored
Frank's recording of "Young At Heart," decided it was the title
he
wanted. It would open and close the film. The pre-recordings were done in
mid-July and production of the film got underway on 7-22-54.
The famous "One For My Baby" scene, which first established
Sinatra as a saloon singer, was shot on 8-11-54. The film was
completed
on 9-14-54.
After his success in "Eternity" and the renewed
vocal career at Capitol, Frank Sinatra knew exactly what he wanted and
would accept
nothing less. The first casualty during the filming of "Young At
Heart" happened just two days into the shoot. Charles Lang, the
Academy
Award winning cinematographer, was a meticulous craftsman, who set up
every shot with great care. Frank could not stand the long
waits between scenes. He demanded that Lang be replaced or he was
dropping out of the project. Ted D McCord replaced him. A few
weeks into the filming, Frank announced that Marty Melcher, Doris's
husband, was to be barred from the set. Period. But what bothered
Day, far more, was Frank's dilatory ways. Doris was a consummate
professional and her co-star was late every day. Sometimes he did
not show until after lunch. In later years, she would write about her
frustration and discuss it in many interviews.
After seeing the rushes, WB offered Frank the lead in the remake of the
Bogie classic "High Sierra." Frank agreed to do it for 50% of
the
net. He knew they would not accept such a demand. One did not do remakes
of Bogart films.
In 2001, Republic Entertainment Inc, a division of Paramount
Pictures, issued the DVD of "Young At Heart." It is not
digitally remastered
and there are no special features. Truly a shame that this film has not
received the respect it so richly deserves.
--Ed
January 6 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-06
Editorial note: parsed as a “Studio” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
. Released in February of 41, the tune
was #2 on the Billboard chart for six consecutive
weeks and stayed around for 14 weeks.
January 6 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-06
Editorial note: parsed as a “Concerts” entry for 1958, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sands, Las Vegas, Nevada (January 5-28)
Notes: In response to an inquiry from Sinatraphile Tom Adam, Ed
O'Brien points out that Sinatra was doing "Come Fly With
Me."
January 1958 featured two renditions of that song in TV appearances plus
Isle of Capri . Sinatra dedicated the full half-hour of
his opening TV show in 1958 to the "Come Fly With Me" lp. Teddy
Randazzo and George Jacobs told O'Brien that Sinatra would
bring the arranger of his most recent album into the Sands around the
time of its release. Randazzo also told him that
Billy May was with him when their albums came out. O'Brien doubts that
Sinatra did any of the songs from "Only The Lonely,"
with the one exception being "One for My Baby," which had
become a concert staple after mid-1952.
Sinatra did a few of the "Come Fly . . ." songs on his TV show
into the Spring of 1958, O'Brien continues. Unfortunately, there is no
documentation of just what he sang at the Sands in January, but here is
the list from Monte Carlo , June 14, 1958.
Curious that he did only one song from the legendary May 29 session and
it wasn't a track from "Only The Lonely."
1. Come Fly With Me
2. I Get a Kick out of You
3. I've Got You Under My Skin
4. Where or When (ballad recording done September 11, 1958)
5. Moonlight in Vermont
6. On the Road to Mandalay
7. When Your Lover has Gone
8. April in Paris
9. All the Way
10. Monique (song from "Kings Go Forth ")
11. Bewitched
12. Lady is a Tramp
13. You Make Me Feel so Young
These, O'Brien says, are essentially the gems that would be Sinatra's
concert repertoire for the next four decades..
He is willing to bet that some enterprising soul could dig up some
reviews from the trade papers and possibly
Vegas papers covering the entertainment on The Strip.
January 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-07
Editorial note: parsed as a “Radio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Guest: Eileen Barton
note: First show with 45 minute running time. Last 15 minutes of the
hour had "News with Eric Sevareld"
Television
None

Re: January 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "John K. George" <dmarc-noreply@freelists.org> | Received: 2024-01-10
Editorial note: parsed as a “Radio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Guest: Eileen Barton
note: First show with 45 minute running time. Last 15 minutes of the
hour had "News with Eric Sevareld"
Television
None

Re: January 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
Editorial note: parsed as a “Radio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Guest: Eileen Barton
note: First show with 45 minute running time. Last 15 minutes of the
hour had "News with Eric Sevareld"
Television
None

Re: January 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-10
Editorial note: parsed as a “Radio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Guest: Eileen Barton
note: First show with 45 minute running time. Last 15 minutes of the
hour had "News with Eric Sevareld"
January
7, 1951 Meet Frank Sinatra
Taped December 27, 1950
Show
#11
Network: CBS
Sunday
5 P.M - 5:45 P.M. EST
Sponsor: Tintair - Luden's Cough Drops
Musicians: Graham Forbes and His
Quartet
Announcer: Hal Sims
Writers: Paul Dudley
Guest: Eileen Barton
Notes:
First show with the new 45 minute format. Last 15 minutes of the hour
have "News with Eric Sevareid"
\
Producers:
Mark Goodson, Bill Todman

January 11 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-11
Editorial note: parsed as a “Concerts” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Shea Theatre, Buffalo, New York (December 31/39 to January 11/40)
Harry James with Frank Sinatra
Red Skelton, Erina Stillwell, Patricia Norman
Hudson Wonders, Frank Paris and His Marionettes
Note: Sinatra's last concert with Harry James. He would join Tommy Dorsey's Orchestra
in Rockford, Illinois on January 24th
Re: January 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Editorial note: parsed as a “Radio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Guest: Eileen Barton
note: First show with 45 minute running time. Last 15 minutes of the
hour had "News with Eric Sevareld"
Television
None

Re: January 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-11
Editorial note: parsed as a “Radio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Guest: Eileen Barton
note: First show with 45 minute running time. Last 15 minutes of the
hour had "News with Eric Sevareld"
Television
None

January 16 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-16
Editorial note: parsed as a “Television” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Texaco Star Theatre
Milton Berle, Martha Raye, Perry Como
A boxed marked "The Thing" is opened and Frank Sinatra steps out
January 20 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-20
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (16-22)
Woody Herman Orchestra Conducted By: Bill Miller
1. The Lady Is A Tramp
2. Bad, Bad Leroy Brown
3. Let Me Try Again
4. My Kind Of Town
5. medley: Last Night When We Were Young / Violets For Your Furs /
Here's That Rainy Day
6. monologue
7. Something
8.. You Are The Sunshine Of My Life
9. My Way
10. Strangers In The Night
11. Send In The Clowns
12. I Have Dreamed
13. I've Got You Under My Skin
Notes: TT 52mins.
January 21 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-21
Editorial note: parsed as a “Studio” entry for 1962, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
. "Call Me Irresponsible" was intended for Fred Astaire
and Frank
got it after Fred dropped out of the film project involving the song
("Papa's
Delicate Condition."). This was the first Reprise session where
Riddle's charts would
be acknowledged when the recordings were released. He was no longer
contractually
committed to Capitol Records.
Vance Adair:
Sammy Cahn, somewhat late in life, came to regard this as his favourite
song.
Cahn was justly proud of the ease with which the seven syllable phrase
blends with the music.
note: I have an interview with Cahn in which he talks about his great
disappointment regarding
Astaire. Among singers and songwriters, Fred was considered to be the
very best exponent
of a song. Berlin, Porter, Gershwin were in awe of his ability to
sell their work to a mass
audience. I have a show that Tony Bennett did with Jonathan
Schwartz. They discuss
how musicians viewed Astaire and Jonathan relates stories from his
father, Arthur Schwartz.
--Ed





March 9 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-09
Editorial note: parsed as a “Film” entry for 1955, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
. He negotiated a tremendous deal with the studio before
agreeing
to star in "Can-Can." Frank received up front $200,000 and 25%
of the
gross earnings. This was unheard of in 1959. A clever studio
accountant
could easily make a net profit disappear. But the gross was the
gross.
20th Century wanted Marilyn Monroe to play Simon, but Frank
insisted on
Shirley MacLaine. Filming got underway in early September
of 1959. The budget was $6,000,000. It became apparent very early
in the
filming that Frank and Shirley were badly miscast. Whereas the two
Frenchmen ,
Maurice Chevalier and Louis Jordan, fit into the story splendidly. On
10-13-59, Sinatra
and Chevalier recorded "I Love Paris." The recording is on the
Capitol s/t album, but for
some insane reason it was deleted from the final cut.
The film was a wrap in early November. An elaborate
opening took place at the Rivoli
Theatre, in N.Y.C, 3-9-60. There was one showing at 8:30 P.M and all
seats were reserved.
The nation-wide release took place two days later. The reviews were not
good. Prior to the release,
Variety estmated the movie would have a domestic gross of
$10,000,000.
The actual take was $4.2 million. Time has not been good to the film.
On Rotten Tomatoes, "Can-Can" receives an audience score
of 47%.
Capitol Records released the soundtrack album on April 4,
1960. The big selling point at the time
was Full Dimensional Stereo. A CD version from Capitol was issued in
1989. A
more recent version is available on the Hallmark label. The quality of
that release is definitely inferior
to the Capitol original. The VHS was issued in April 1993 and the
deluxe DVD in May of 2007.
The latter is a two-disc offering that is the wide-screen version.
20th filmed it in TODD-AO and
it is really the only way to watch it. The second disc offers a look at
the famous Khrushev visit
to the "Can-Can" set on 9-19-59. Sinatra, Maclaine,
Chevalier, Jordan did numbers
from the film. Nikita and Co were shocked at the very revealing outfits
worn by the dancers and
would later issue a statement condemning western decadence. A laser disc
copy was issued
in wide screen format in 1995. Excellent quality.
--Ed
Re: October 22 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-23
Editorial note: parsed as a “Studio” entry for 1980, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Syracuse Carrier Dome, New York
Reagan Benefit
Wednesday evening
Conducted by Vinnie Falcone
O.A. Wayne Newton
1. I've Got The World On A String
2. The Best Is Yet To Come
3. The Song Is You
4. When Your Lover Has Gone
5. The Lady Is A Tramp
monologue
6. Street Of Dreams
7. You And Me
8. My Kind Of Town
9. New York, New York
The Post Standard

October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Studio” entry for 1946, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Hollywood
HCO2116 Time After Time
(J. Styne/S. Cahn)
(from It Happened In Brooklyn)
Sinatra Music Publishing Corp. (ASCAP) 1946
Arranged & Conducted by Axel Stordahl
-1 (3:08) CD: Columbia Years 43-52 Vol. 5
CD: 09372 Greatest Hits-The Early Years, Vol. 2
LP: C6X-40343 The Voice- The Columbia Years, 43-52
LP: CL-2913 Frank Sinatra In Hollywood
LP: CL-2572 Greatest Hits, The Early Years, Vol. 2
LP: CL-606 Frankie
78: 37300
HCO2117 It's The Same Old Dream
w/Four Hits & A Miss
(J. Styne/S. Cahn)
(from It Happened In Brooklyn)
Sinatra Music Publishing Corp. (ASCAP) 1946
Arranged & Conducted by Axel Stordahl
-1 (3:05) CD: Columbia Years 43-52 Vol. 5
LP: C6X-40343 The Voice- The Columbia Years, 43-52
LP: CL-2913 Frank Sinatra In Hollywood
LP: CL-2740 The Essential Frank Sinatra, Vol. 2
78: 37288
NOTE: Sinatra Scholar Ed O'Brien thinks the songs by Cahn/Styne for "It Happened in Brooklyn" were the best Sinatra had during the MGM years.
The two listed above are still fresh after all these years. There would be three recordings made by Sinatra for both tunes.
He wishes that MGM had employed their gorgeous Technicolor on this underrated gem.
HCO2118 I'm Sorry I Made You Cry
(N.J. Clesi)
(from Rose Of Washington Square)
Leo Feist, Inc. (ASCAP) 1918
Arranged & Conducted by Axel Stordahl
-1 (3:04) CD: Columbia Years 43-52 Vol. 5
LP: CL-6087 Songs By Sinatra, Vol. 1 (10 inch)
78: 37256
Four Hits And A Miss: Marvin Bailey, Lee Gotch, Beverly Mahr, Mack McLean, William Seckler
Violins: E. Bergman, H. Bluestone, W. Callies, S. Cytron, W. Edelstein, P. Ellis, G. Kast, M. King, S. Middleman, F. Olson, N. Pisani, E. Powers, M. Russell, F. Slatkin, M. Sosson; Violas: A. Harshman, P. Lowenkron, M. Perlmutter, P. Robyn; Cellos: F. Goerner, A. Kafton, N. Ochi-Albi, J. Sewell; Harp: M. Hogan Cambern; Horn: F. Fox; Saxes: H. Beau, H. Haymer, J. Kinsler, F. Stulce; Trumpets: D. Anderson, R. Linn, R. Zarchy; Trombones: D. Hallett, G. Jenkins, W. Schaefer; Piano: M. Mclntyre; Guitar: A. Reuss; Bass: P. Stephens; Drums: R. Hagan
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Studio” entry for 1947, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
New York City
CO38284 My Cousin Louella
(B. Bierman/J. Manus)
Shapiro, Berstein & Co., Inc. (ASCAP) 1947
Arranged & Conducted by John Guarnieri-1 (3:05) CD: Columbia Years 43-52 Vol. 7
78: 38045
CO38285 We Just Couldn't Say Goodbye
(H. Woods)
Words And Music, Inc. (ASCAP) 1929
Arranged & Conducted by John Guarnieri
-1 (3:06) CD: Columbia Years 43-52 Vol. 7
LP: C2X-40897 Hello Young Lovers
78: 38129
CO38286 S'Posin'
(A. Razaf/P. Denniker)
Mayfair Music Corp. (ASCAP) 1929
Arranged & Conducted by John Guarnieri
-1 (2:45) CD: Columbia Years 43-52 Vol. 7
LP: C6X-40343 The Voice-The Columbia years, 43-52
LP: CL-606 Frankie
78: 38210
Piano: John Guarnieri; Bass: Herman Alpert; Guitar: Tony Mattola
NOTE:‚ Ed O''Brien points out that guitarist Tony Mattola had known Sinatra since the early 1930s. They had worked together at WAAT in Jersey City back in 1933 when Sinatra was 17 years old.
They both had sustaining 15-minute shows. Tony was on a number of Sinatra's radio shows after the Dorsey years and was a regular on the Vimms show of 1944.
But his first session with Sinatra was on October 24, 1947. Mattola told O'Brien that Mitch Miller was behind "My Cousin Louella," and Sinatra was less than thrilled. One of the few sessions done with just a trio.
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Studio” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Hollywood
TCA5717 A Baby Just Like You
w/Vocal Chorus
(John Denver /Joe Henry)
Cherry Lane Music Publishing Co. Inc. (ASCAP)
Arranged by Don Costa
Conducted by Bill Miller
(2:45) CD: 46013-2 The Complete Reprise Studio Recordings Disc 17
LP: W54093 I Sing The Songs Vol.2‚ ( Italy )
45: S1342
TCA5718 Christmas Memories
w/Vocal Chorus
(Alan Bergman/Marilyn Bergman/Don Costa)
WB Music Corp. (ASCAP)
Arranged by Don Costa
Conducted by Bill Miller
(2:08) CD: 46013-2 The Complete Reprise Studio Recordings Disc 17
LP: W54093 I Sing The Songs Vol.2
45: S1342
Note: The Orchestral tracks were pre-recorded on October 15, 1975
Ed O'Brien:
Shortly after the recordings were done, Reprise released
them on a 45 (RPS1342). There was a picture of Frank's granddaughter,
Amanda, on the sleeve. An employee at the record company told me the
suits were none too pleased with the extra expense the very attractive
sleeve cost. Typical record executives. Recordings were a nice tribute.
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Radio” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fame And Fortune - Tommy Dorsey Orchestra
Network: NBC - Blue Network
Location: Hollywood
Show #2
Sponsor: Nature's Remedy
Time: 8:30PM - 9:00PM (EST) Thursdays
Orchestra Conducted By: Tommy Dorsey
Arrangements By: Axel Stordahl (Sinatra)
Announcer: Fred B. Cole
Musicians: Chuck Peterson, Ray Linn, Clyde Hurley, Ziggy Elman (trumpet); Tommy Dorsey, George Arus, Les Jenkins, Lowell Martin (trombone); Fred Stulce, Paul Mason (alto sax); Don Lodice, Heinie Beau (tenor sax); Johnny Mince (clarinet & alto sax); Clark Yocum (guitar); Sid Weiss (bass); Joe Bushkin (piano); Buddy Rich (drums).
Vocals: Frank Sinatra, Connie Haines, Pied Pipers
1. opening theme: Getting Sentimental Over You - TD & Orchestra
2. Dark Eyes - Orchestra
3. Trade Winds - Frank Sinatra
4. That's For Me - Connie Haines
5. Who? - Frank Sinatra
6. Margie - Pied Pipers
7. I Know That You Know - Orchestra
8. Oh! Look At Me Now - Frank Sinatra, Connie Haines & Pied Pipers
9. closing theme: Getting Sentimental Over You - TD & Orchestra
Notes: Confirmed airing on WJZ.
("Who" appears in the box set Tommy Dorsey Frank Sinatra - The Song Is You)
("Oh! Look at Me Now" appears on the CD "It's All So New")
Ed O'Brien:
The melody for "Oh! Look At Me Now" was written by Joe Bushkin.
He was a ringer in the amateur contest. John DeVries submitted the lyrics
the previous week. The set-up at the time involved a panel of experts who
listened to the entries the previous Saturday(19) and chose the top three
songs. On the 10-24 show, the intro to the winning tune was a brief orchestral
version of "There I Go."
note: Joe Bushkin was a guest on Frank's CBS-TV show, 12-9-50. Joe
and Frank did a duet of "Oh! Look At Me Now" Before Bushkin started
the piano intro, Frank teased him about the "amateur" songwriter on
the long ago Fame & Fortune broadcast.
Ed
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Radio” entry for 1943, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Songs By Sinatra
Network: CBS
Time: 7:15-7:30PM Sunday
Show #1
Sponsor: none (sustaining)
Producer: Herb Polesie
Orchestra conducted by: Axel Stordahl
Musicians: The Bobby Tucker Singers
Arrangements By: Axel Stordahl
1. Paper Doll
2. Lover Come Back To Me
3. Put Your Dreams Away
Note: Frank also sang "Kiss Me Again" and "If Loveliness Were Music."
Announcer was Everett Clark.
Love the ballad reading of "Paper Doll." Show opens
with a short segment of " This Love Of Mine."
Notes: Confirmed aired on WABC, WTOP & KNX among others. Sinatra takes over the Jerry Lester Show time slot, which aired the week before on WABC 7:00PM - 7:30PM.
Ed O'Brien:
Stephen Holden, NYT art critic, told me his favorite Sinatra was the bobbysox singer from 1943-47.
"Lover Come Back To Me," from Frank's first "Songs By Sinatra," in the fall of 1943, is a perfect
example of what he was so attracted to from those years. Frankie had such a remarkable voice.
There is an angelic sound to every note and virtuoso singing of a very high order.
Note: The full show opens disc 2 of "A Voice on Air".
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Radio” entry for 1945, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Songs By Sinatra
Network: CBS
Location: New York City
CBS Radio Playhouse #3
Show #7
Sponsor: Old Gold Cigarettes
Time: 9:00PM - 9:30PM (EST) Wednesday
Orchestra Conducted By: Axel Stordahl
Arrangements By: Axel Stordahl
Announcer: Bill Lazar
Writer: Glenn Wheaton
Directed By: Mann Holiner
Performers: The Pied Pipers
Guest: Tommy Dorsey
1. opening theme: Night And Day
2. I'll Buy That Dream - Frank Sinatra
3. I'm Getting Sentimental Over You Tommy Dorsey
4. Never Too Late To Pray Tommy Dorsey
5. Tampico Pied Pipers
6. Without A Song - Frank Sinatra
7. Medley: Frank Sinatra w/The Pied Pipers & Tommy Dorsey:
Somebody Loves Me (P.P.)/By The Sleepy Lagoon (T.D.)
This Love Of Mine (F.S.) / Oh Look At Me Now (F.S.-P.P.)/
Marie ( T.D.)/ (What Can I Say)After I Say I'm Sorry (P.P.)/
There Are Such Things(F.S.-P.P.) / Song Of India (T.D.) / Everything
Happens To Me (F.S.)
8. I'll Never Smile Again - Frank Sinatra w/Pied Pipers & Tommy Dorsey
9. closing theme: Put Your Dreams Away
note: If I Loved You and Surrey With The Fringe On Top - from the 9-12-45
broadcast - are the added songs on the AFRS version of this show
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Television” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Highlights Of A Quarter Century Of Bob Hope
Guests: Frank Sinatra
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Film” entry for 1962, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Manchurian Candidate (US Film Release: October 24, 1962
Starring: Frank Sinatra, Laurence Harvey, Janet Leigh, Angela Lansbury, Henry Silva, and James Gregory
Produced and Directed by John Frankenheimer. The screenplay was written by George Axelrod, and was based on the 1959 Richard Condon novel The Manchurian Candidate
Sinatra plays Captain Bennett Marco in this political thriller film about the Cold War and sleeper agents.
(1st DVD Release date: 1998-03-24 -- Blu Ray Release date: 2011-01-31)
Note: This film is considered by many to be Sinatra's greatest. He was paid $1,000,000. Laurence Harvey received $200,000
and the additional cost, for everything involved in the making of the film - $1,000,000 - made a grand total of $2,200,000.
The film was not removed from circulation after the Kennedy assassination. It would be re-released and also shown on
commercial TV. CBS ran it against Dean Martin's premiere NBC variety show, with Frank as guest, 9-16-65. The b.o.
take for the initial run was $2,700,000. The re-releases plus numerous TV showings would bring in millions more
through the years. The film was completed in 39 days. Sinatra's scenes were shot in 15 days. Frank very much wanted
Lucille Ball for the role of Harvey's mother. After Frankenheimer showed Frank Lansbury's screen test, Sinatra agreed
she was perfect for the part. Frank did all his own stunts in the film. And he broke his finger in the karate fight with Henry
Silva. Rotten Tomatoes shows a 96% favorable rating from more than 50 critics and a 90% favorable from the audience..
Frank obtained complete rights to the film in 1972. He allowed a few showings before the big re-release in 1988.
Suddenly" is a different story. Oswald watched a 16mm print prior to killing Kennedy. Sinatra asked that all copies be
pulled from circulation. Sinatra gave a fantastic performance in that film.
-- Ed

October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Concerts” entry for 1982, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Resorts International, Atlantic City, New Jersey (14-24)
Orchestra Conducted By: Joe Parnello
1. I've Got You Under My Skin
2. I Get A Kick Out Of You
3. Come Rain Or Come Shine
4. When Your Lover Has Gone
5. The Lady Is A Tramp
6. monologue
7. Guess I'll Hang My Tears Out To Dry
8. Change Partners
9. The Best Is Yet To Come
10. New York, New York
Notes: TT 48mins.
October 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2024-10-24
Editorial note: parsed as a “Concerts” entry for 1987, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
"Come Swing With Me" - Reunion Area, Dallas, Texas
Orchestra Conducted By: Bill Miller
Full Set List:
1. overture
2. You Are The Sunshine Of My Life
3. What Now My Love
4. My Heart Stood Still
5. Moonlight In Vermont
6. Summer Wind
7. You Will Be My Music
8. More Than You Know
9. Mack The Knife
10. What's New
11. Bewitched
12. monologue
13. Angel Eyes
14. If
15. When Joanna Loved Me
16. For Once In My Life
17. Lonely Town
18. New York, New York
19. Where Or When
20. My Way
21. Maybe This Time
22. Lady Is A Tramp
Notes: Complete concert circulates on Stereo Audio Tape. An edited radio transcription was made of this concert a played on a special broadcast. "You Are The Sunshine Of My Life", "What Now My Love", "My Heart Stood Still", "What New", "You Will Be My Music", "Angel Eyes", "For Once In My Life", "New York, New York", "Where Or When", & "Maybe This Time." All appear on the Sinatra 80th-Live In Concert

OCTOBER 27 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-10-27
Editorial note: parsed as a “Concerts” entry for 1979, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Resorts International, Atlantic City, New Jersey
Orchestra Conducted By: Vincent Falcone, jr.
Fw: December 20 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-12-21
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
San Bernardino County Sun

December 21 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-12-22
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Hawaii Tribune Herald

December 22 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-22
Editorial note: parsed as a “Television” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Christmas Carolers Song Fest
Frank Sinatra and Marilyn Maxwell
8:45 WENR, ABC, and WEWS

December 22 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-22
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Chicago Theatre, Chicago, Illinois (December 15-21)
Harry James and his Orchestra with Frank Sinatra
On Screen: Daytime Wife with Tyrone Power & Linda
Darnell
The Andrews Sisters were also appearing during this run.
December 24 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-24
Editorial note: parsed as a “Radio” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Harry James and His Orchestra
WTAM Cleveland 10:30-11:00pm

December 24 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-24
Editorial note: parsed as a “Radio” entry for 1958, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Treasures of Christmas
Yuletide readings by Frank Sinatra, Johnny Desmond,
Tallulah Bankhead, Loretta Young, Gregory Peck and others

December 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-25
Editorial note: parsed as a “Radio” entry for 1949, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Christmas at the home of Phil Harris, Frank Sinatra, Gordon
McRae, Robert Young, Bob Hope and others



December 26 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-26
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Trianon Ballroom, Cleveland, Ohio
Harry James and His Orchestra with Frank Sinatra
December 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-28
Editorial note: parsed as a “Radio” entry for 1946, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
A certain group of fans here
sure are sure down on Frank
Sinatra. He has been very
difficult since his last trip to
New York. On the Ginny
Simms show, he talked,
joked, laughed all during
the rehearsal. And I hear
that's the real reason he
did not do a guest shot
with Dinah Shore
Re: December 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-12-30
Editorial note: parsed as a “Radio” entry for 1949, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Christmas at the home of Phil Harris, Frank Sinatra, Gordon
McRae, Robert Young, Bob Hope and others
NBC show was titled "Favorite Families." Show ran 30 minutes and
the theme was the opening of gifts around the Christmas tree in the
home of the stars. Broadcast time varied with the earliest at noon and
at various times throughout the afternoon.
The Times


January 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-01-01
Editorial note: parsed as a “Film” entry for 1938, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
film ended with the death of John Garfield's character. Frank had
perished in both "Eternity" and "Suddenly." He didn't
see any
charm in making it three in a row. Warners balked and Frank told them he
wouldn't sign the contract unless the ending was rewritten.
The film did not have a working title until Jack Warner, who adored
Frank's recording of "Young At Heart," decided it was the title
he
wanted. It would open and close the film. The pre-recordings were done in
mid-July and production of the film got underway on 7-22-54.
The famous "One For My Baby" scene, which first established
Sinatra as a saloon singer, was shot on 8-11-54. The film was
completed
on 9-14-54.
After his success in "Eternity" and the renewed
vocal career at Capitol, Frank Sinatra knew exactly what he wanted and
would accept
nothing less. The first casualty during the filming of "Young At
Heart" happened just two days into the shoot. Charles Lang, the
Academy
Award winning cinematographer, was a meticulous craftsman, who set up
every shot with great care. Frank could not stand the long
waits between scenes. He demanded that Lang be replaced or he was
dropping out of the project. Ted D McCord replaced him. A few
weeks into the filming, Frank announced that Marty Melcher, Doris's
husband, was to be barred from the set. Period. But what bothered
Day, far more, was Frank's dilatory ways. Doris was a consummate
professional and her co-star was late every day. Sometimes he did
not show until after lunch. In later years, she would write about her
frustration and discuss it in many interviews.
After seeing the rushes, WB offered Frank the lead in the remake of the
Bogie classic "High Sierra." Frank agreed to do it for 50% of
the
net. He knew they would not accept such a demand. One did not do remakes
of Bogart films.
In 2001, Republic Entertainment Inc, a division of Paramount
Pictures, issued the DVD of "Young At Heart." It is not
digitally remastered
and there are no special features. Truly a shame that this film has not
received the respect it so richly deserves.
--Ed
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-03-28
Editorial note: parsed as a “Radio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
"Fred Robbins" radio show over WINS-NYC
At the Copa, Sinatra was "crowned ‘the King of all Crooners’
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-03-28
Editorial note: parsed as a “Television” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
N.Y. Heart Fund Brunch at the Monte Carlo
Ed Sullivan and Maggie McNellis were emcees
CBS Television 2:15 to 5pm
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-03-28
Editorial note: parsed as a “Concerts” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Monte Carlo, New York, NY
Easter Brunch and Millinery Fashion Show
Benefit for the New York Heart Fund
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-03-28
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 20 – April 2)
Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano)
Nat Brandwynne Orchestra Conducted By: Don Costa
Opening Act: Sam Butera & The Witnesses featuring Sandy Williams.
April 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-04-28
Editorial note: parsed as a “Concerts” entry for 1977, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Waldorf Astoria, New York, NY
July 13 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-07-13
Editorial note: parsed as a “Studio” entry for 1965, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Frank's recording career got underway 84 years ago today.
On that Thursday afternoon, so long ago now, the Harry James
Band entered the Brunswick Recording Studio, 550 Fifth Ave,
in N.Y.C. The boy vocalist in the band would earn an additional
$50.00 for his efforts. That is what Harry James paid him for
the two recordings..
The Make Believe Ballroom, WNEW A.M., had released a poll
showing that the James contingent was the eighth most popular
band in the greater New York area. Harry and Co. received a
lot of radio attention and that evening was no exception. At
midnight
WOR broadcast the James band live from the Roseland Ballroom.
Frank could be heard singing "I Poured My Heart Into A Song"
On
the 7/15 broadcast, he sang the two songs recorded on 7-13-39.
According to Variety, the band played the Paramount before jumping
over to the Roseland for an extended stay. WOR, CBS, WNEW and
other radio stations would broadcast this exciting new band
throughout
the summer of 1939. They would be heard from the Steel Pier, in
Atlantic
City, the World's Fair and Roseland in N.Y.C.
In August of 39, James and Sinatra decided to try out a new song on the
radio broadcasts before making a recording. The song was "All Or
Nothing
At All." According to Billboard the song was released in June of
1940 and
sold 16,000 copies. The re-release in June 1943 sold well over a
million
units..
I am indebted to Variety, Peter Levinson, NYT
and Billboard.
Ed
July 18 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-21
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Mail Millom and South Copeland Edition


Re: July 18 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-21
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Mail Millom and South Copeland Edition


Re: July 18 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-21
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Mail Millom and South Copeland Edition


July 23 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-07-23
Editorial note: parsed as a “Radio” entry for 1941, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Live Remote from the Cavalier Beach Club, Cavalier Hotel, Virginia Beach, Virginia
Tommy Dorsey & His Orchestra with Frank Sinatra
WTAR 11:30pm
Note: Dorsey would broadcast from the Cavalier Beach Club on July 21st and July 23rd.
Television
NONE

July 24 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-25
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Liverpool Daily Post

Re: July 24 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-25
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Liverpool Daily Post

Re: [sinatraphiles] July 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-27
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Re: [sinatraphiles] July 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-28
Editorial note: parsed as a “Television” entry for 1984, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
MTV Premiere of music video for "L.A. Is My Lady"
August 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-08-01
Editorial note: parsed as a “Television” entry for 1976, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Repeat Airing of 'John Denver and Friend'
July 31 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-02
Editorial note: parsed as a “Studio” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Morning Union

July 31 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-02
Editorial note: parsed as a “Studio” entry for 1965, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Concerts
England
August 1, 1953

Re: June 19 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-15
Editorial note: parsed as a “Studio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Truth Or Consequences
Sponsored by DUZ
NBC Saturday Night
Time 8:30 p.m. - 9:00 p.m.
Host: Ralph Edwards
Announcer: Harlow Wilcox
Performers: Mr. and Mrs. Felix, Mr. Eddie Caridio, Mrs, Boyd Lydle, Mr. and Mrs. Dolan, Frank Sinatra
note: There is no mention of Sinatra being on the show until 22 minutes have elapsed.
Mrs.Lydle is blindfolded and instructed to go onto the next room. She does not realized
it is actually the Hit Parade studio. Frank is waiting to go on at 9: P.M. The poor woman
is told to make all kinds of funny noises and than imitate the voice of Frank Sinatra.
She sings "Four Leaf Clover." Ralph Edwards tells her to take off the blindfold. Frank is
standing next to her. Mrs. Lydle screams. Frank tells Ralph that he likes her act.
The Capital Times

August 17 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-08-17
Editorial note: parsed as a “Television” entry for 1973, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Rehearsal for "Ol' Blue Eyes Is Back' TV
special
Show would be taped on 9-20-73
August 17 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-08-17
Editorial note: parsed as a “Concerts” entry for 1960, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Cal-Neva Lodge, Nevada (August 8 - 17)
Frank Sinatra, Matty Malneck and His Orchestra
O.A.: Buddy Lester
August 21 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-22
Editorial note: parsed as a “Studio” entry for 1980, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
August 22 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-25
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Valley Times

August 23 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-28
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Journal and Courier


August 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-28
Editorial note: parsed as a “Studio” entry for 1970, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
M51587 The Train
(Bob Gaudio/Jake Holmes)
Devalbo Inc./WB Music Corp. (ASCAP)
Arranged & Conducted By Joseph Scott
(3:25) CD: 46013-2 The Complete Reprise Studio Recordings Disc 15
LP: FS1031 Watertown
45: 0920
M51594 She Says
w/Chorus
(Bob Gaudio/Jake Holmes)
Devalbo Inc./WB Music Corp. (ASCAP)
Arranged & Conducted By Joseph Scott
(1:50) CD: 46013-2 The Complete Reprise Studio Recordings Disc 15
LP: FS1031Watertown
M51637 Lady Day
(Bob Gaudio/Jake Holmes)
Devalbo Inc./WB Music Corp. (ASCAP)
Arranged by Charles Calello
Conducted By Joseph Scott
(2:47) CD: 46013-2 The Complete Reprise Studio Recordings Disc 15
CD: 45689-2
M51636 For A While N/R
(Bob Gaudio/Jake Holmes)
Devalbo Inc../WB Music Corp. (ASCAP)
Arranged by Charles Calello
Conducted By Joseph Scott
Memphis Press Scimitar


August 26 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-28
Editorial note: parsed as a “Studio” entry for 1970, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Plain Dealer

August 27 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-28
Editorial note: parsed as a “Studio” entry for 1970, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Daily News

August 31 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-08-31
Editorial note: parsed as a “Studio” entry for 1943, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
November/December,1968; February ,1976 and for his 40th Anniversary
Party, June, 1979
He would still be performing the song in November of 1994. After a while
he would claim it was
the first song he did with Harry James. The release in 1939 sold,
according to Billboard, 16,000
copies. Reissued during the musician's strike in 1943, the song would top
the charts and become
Frank's first solo million seller. A tune recorded five times and
performed countless times through
the years. And what a great title to sum up what Frank was shooting for
in August of 1939.
Ed O'Brien (2014):
Seventy-five years ago. Wow! Frank laid down this track on the day before
the start of World War II.
Germany marched into Poland on September 1, 1939. The world would be at
war for the next six years.
During those years Frank Sinatra would become the first teenage idol and
the ads would read "The Voice
That Thrilled Millions." The recording done on this date in 1939
would be the one to define him throughout
his career: All Or Nothing At All.
August 31 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-01
Editorial note: parsed as a “Studio” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Richmond Times Dispatch

August 31 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-01
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Bolten News

Fw: September 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-02
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Evening Post


September 12 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-09-12
Editorial note: parsed as a “Concerts” entry for 1978, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Royal Festival Hall, London, England
Conductor: Bill Miller
Piano: Vincent Falcone Jr.
O.A. Guys 'N' Dolls group, Lennie Bennett & Jerry Steven
1. Night and Day
2. At Long Last Love
3. The Lady is a Tramp
4. Didn't We
5. Someone to Watch over Me
6. Something
7.. Baubles, Bangles and Beads
8. Gal that Got Away/Never Entered my Mind
9. Monologue
10. That's What God Looks Like to Me
11. I Hadn't Anyone Til You
12. You and Me
13. The Oldest Established Floating Crap Game
14. Lonely Town
15. My Kind of Town
16. Remember
17. Maybe This Time
18. My Way
September 11 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-13
Editorial note: parsed as a “Studio” entry for 1962, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Gazette

September 12 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-13
Editorial note: parsed as a “Studio” entry for 1962, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Progress Index

September 13 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-14
Editorial note: parsed as a “Studio” entry for 1956, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Times and Democrat

Fw: SEPTEMBER 18 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-22
Editorial note: parsed as a “Studio” entry for 1942, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
BS067915 A Sinner Kissed An Angel
(M. David/R. Joseph)
Polygram International Publishing Inc./Larry Shayne Enterprises (ASCAP)
-1 (2:52) CD: 07863 66353-2 "The Song Is You" 5CD set Vol 3
CD: RCA 8554-2-R
LP: SD 1000
78: 27611
Baltimore Sun

September 21 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-24
Editorial note: parsed as a “Studio” entry for 1961, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
note: Columbia release of "London By Night" had "April In Paris" on the flipside.
Ed
October 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-02
Editorial note: parsed as a “Studio” entry for 1958, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Reno Gazette Journal

October 2 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-03
Editorial note: parsed as a “Studio” entry for 1963, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Sunday Oregonian

October 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-03
Editorial note: parsed as a “Studio” entry for 1958, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
note: Reviewer was a tad off on this one. Album hit #1 on Billboard just three
weeks after being issued and charted for 71 weeks.
Independent

October 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-03
Editorial note: parsed as a “Studio” entry for 1963, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Observer

October 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-03
Editorial note: parsed as a “Studio” entry for 1965, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
October 2 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-10-04
Editorial note: parsed as a “Concerts” entry for 1942, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
October 8 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-09
Editorial note: parsed as a “Studio” entry for 1958, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Piedmont Journal

October 9 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-11
Editorial note: parsed as a “Studio” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Progress

October 9 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-11
Editorial note: parsed as a “Studio” entry for 1952, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Richmond Times Dispatch

October 15 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-18
Editorial note: parsed as a “Studio” entry for 1947, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
St Louis Globe Democrat

October 15 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-18
Editorial note: parsed as a “Studio” entry for 1959, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Spokesman Review

October 17 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-20
Editorial note: parsed as a “Studio” entry for 1956, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Petaluma Argus Courier

October 18 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-20
Editorial note: parsed as a “Studio” entry for 1967, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Kidderminister Shuttle

October 19 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-21
Editorial note: parsed as a “Studio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Indianapolis News

October 21 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-10-21
Editorial note: parsed as a “Radio” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Panther Room, Hotel Sherman, Chicago, Illinois
WMAQ ( NBC )
11: p.m. -11:30 p.m.
Harry James and his Orchestra w/Frank Sinatra
October 22 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-23
Editorial note: parsed as a “Studio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Hartford Courant


November 8 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-08
Editorial note: parsed as a “Studio” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
release
reviewed 1-20
Hollywood

November 8 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-08
Editorial note: parsed as a “Studio” entry for 1979, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (8-14)
Opening Night
Orchestra Conducted By: Vincent Falcone, jr.
O.A.Marlene Ricci
Pat Henry

THIS DATE IN SINATRA HISTORY NOVEMBER 10
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-11-10
Editorial note: parsed as a “Concerts” entry for 1954, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Sands, Las Vegas, NV (November 10 -16)
dinner & late show
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
note: I put this up some years back. Looking for a story on "Young At Heart," I stumbled
on it again. Billy Eckstine followed Sinatra, opening on the 17th for a two week run. Variety reviewer
felt Eckstine had a tough act to follow.
Sinatra had completed "Swing Easy" at Capitol (Riddle's pick as the best work he did with Frank),
on 11/5&6, then the Fanfare appearance on 11/7 (he had received rave reviews) when Entratter asked him
to do a week at the Sands. Following his SRO week, Frank began recording songs from "Finian's
Rainbow" for the John and Faith Hubley animated cartoon project. He would do two singles sessions
at Capitol with Riddle, the second week in December, and then fly to New York and close out the year with a sensational
engagement at the Copa. He truly had made the greatest comeback in the history of show business. And the best
was yet to come.
THIS DATE IN SINATRA HISTORY NOVEMBER 10
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-11-10
Editorial note: parsed as a “Concerts” entry for 1954, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Sands, Las Vegas, NV (November 10 -16)
dinner & late show
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
no cover or minimum
note: I put this up some years back. Looking for a story on "Young At Heart," I stumbled
on it again. Billy Eckstine followed Sinatra, opening on the 17th for a two week run. Variety reviewer
felt Eckstine had a tough act to follow.
Sinatra had completed "Swing Easy" at Capitol (Riddle's pick as the best work he did with Frank),
on 11/5&6, then the Fanfare appearance on 11/7 (he had received rave reviews) when Entratter asked him
to do a week at the Sands. Following his SRO week, Frank began recording songs from "Finian's
Rainbow" for the John and Faith Hubley animated cartoon project. He would do two singles sessions
at Capitol with Riddle, the second week in December, and then fly to New York and close out the year with a sensational
engagement at the Copa. He truly had made the greatest comeback in the history of show business. And the best
was yet to come.
THIS DATE IN SINATRA HISTORY NOVEMBER 10
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-11
Editorial note: parsed as a “Concerts” entry for 1954, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Sands, Las Vegas, NV (November 10 -16)
dinner & late show
Frank Sinatra
Borrah Minevitch Harmonica Rascals
w/ Johnny Puleo (6)
Nanci Crompion
Copa Girls (12)
Antonio Morelli & His Orch. (18)
Evening Sun

November 13 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-14
Editorial note: parsed as a “Studio” entry for 1969, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Rock Island Argus

November 21 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Editorial note: parsed as a “Studio” entry for 1962, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.


November 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-11-28
Editorial note: parsed as a “Radio” entry for 1960, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Timex show on ABC-TV. He was still doing some very
credible versions of the Riddle ballad arg. in the 1990s.
Vance Adair added:
FS delivered some beautiful versions of this Riddle arrangement in the late 80s. The old man loved to surprise his audiences with that last big sustaining note.
They always cheered to the heavens. And rightly so.
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1936, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Major Bowes Amateur Hour
Thursday Evening
Time: 9:00 PM - 10:00 PM (EST)
Location: CBS-Studios, New York City
Sponsor: Chrysler Corporation
730th Consecutive Broadcast
Among the Contestants: The Swingsters Vocal & Instrumental Quintet
1. Major chats with Frank Sinatra & Irwin Zike
2. "Curse Of An Aching Heart"
3. Swingsters close show with instrumental of "Stardust."
Note: above information credited to Ed O'Brien
note: Frank and The Swingsters did not fare too well in the voting
on that Thursday evening 82 years ago. They finished far back
with 1,028 votes. The winning amateur garnered 2,837 votes.
The ads for Chrysler offered a brand new 1937 Plymouth for
$510.00 and the Chrysler for $715.00.
Ed
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Live Remote: Hollywood Palladium
Tuesday Evening
11:30 pm - 12:am
NBC Red Network - KFI Los Angeles
Western Feed Only
Tommy Dorsey & His Orch
Frank Sinatra, Connie Haines & The Pied Pipers Ziggy Elman, Joe Bushkin, Sy Oliver, Buddy Rich
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1942, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Reflections
Network: CBS
Location: New York City - CBS Playhouse #3
Show #8
Sponsor: none (substaining)
Time: 8:00PM - 8:30PM (EST)
Musicans: Walter Gross's orchestra and Bobby Tucker's Voices
Arrangements By: Axel Stordahl
Notes: Confirmed airing as Reflections on WISV / Listed as Variety Musical on WABC. No Show 12-10-42. Airing in it's place December 10, 1942 WISV 8:00PM - 8:30PM Italians For Freedom / WABC Italians For Freedom Play.
Sinatra did do a show 12-10-42 at 10:45-11PM on this night. It was not "Reflections" as far as I can tell and was not carried by any other stations but WABC. So it was a local NYC show, like SBS 42'. Has the same format listed as a Songs By Sinatra of that
time period.
note: I checked radio listings in Boston and the 10:45 to 11:P.M. was a Treasury Song Parade on the Mutual Network. Might have been Frank.
Ed
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Spotlight Revue Starring Spike Jones
Network: CBS
Time: 10:30 PM - 11:00 PM
Sponsor: Coca Cola.
Spike Jones and The City Slickers
Announcer: Michael Roy
Commercial Spokesman: Dick Joy
Guests: Frank Sinatra, Dorothy Shay, Doodles Weaver, George Rock
1. Once In Love With Amy - Frank SInatra
2. Prisoner Of Love - Frank Sinatra
Note: The show appears on the officially released CD set: 60 Greatest Old Time Radio Show "Frank Sinatra & Friends"
Ed O'Brien noted:
"Once In Love With Amy" was from the Broadway musical
"Where's Charley"," starring Ray Bolger. Frank would record the song
in mid-December of 48. He did sing a throwaway version of "Prisoner
Of Love" during a skit with Spike Jones and his crew.
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1950, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Show #6
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Guest: Georgia Gibbs, Nancy Reed
Notes: Confirmed aired on WCBS
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1954, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Frank Sinatra Show
Network: NBC
Show Number: 28
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. My Blue Heaven - Frank Sinatra
2. That's All I Want From You - Jaye P. Morgan
3. It Worries Me - Frank Sinatra
Television
NONE
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sweet's Ballroom, Oakland, California
Harry James and his Orchestra w/Frank Sinatra
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Hollywood Palladium, Hollywood, California (October 31 - December 11)
Tommy Dorsey and his Orchestra w/Frank Sinatra
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1943, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
RKO-BOSTON, Boston, Massachusetts (December 2-8)
(Thursday thru Wednesday)
w/Jan Savitt & His Orchestra
w/seven piece string section
Buddy Welcome, The Three
Welles and Marty May.
Film: "Falcon and the Co-Eds"
Tom Conway as The Falcon
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1945, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Wedgwood Room, Waldorf Astoria (November 23-December 17)
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1946, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Wedgwood Room, Waldorf Astoria, New York City (November 29 - December 19 )
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1947, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Capitol Theater , New York City (November 13 - December 3)
Last official concerts for two years
Up to eight shows a day
NOTE: Author Richard Havers says that given Frank Sinatra's personal problems with Nancy, Sr., it was ironic that the featured film during his Capitol Theater run was Lucille Ball in "Her Husband's Affair." On a professional level, this was far from a triumphant
homecoming. The New York Times said that with Frank Sinatra on the bill not much attention would be paid to the film and that is why such a lightweight affair had been booked. "Frank Sinatra take it away" is how they previewed Frank's appearance. In fact,
he didn't. The crowds were less than anticipated; the reviews were not so enthusiastic, even ignoring the bad reviews perpetuated by the likes of Lee Mortimer (NY Daily Mirror) and his sympathizers. By the end of the second week, Mortimer reported "The crooner,
expected to pile up new highs, almost hits a new low. His second week (in which he missed no performances) was a sickly $71.000. half of the advance estimate." It's probably factually
correct, Frank was on the wane. As one writer put it, "Frank was not The Voice, just a voice."
Given all that happened in the recent months, Havers continues, it was not too surprising. There were other factors, too. It is easy to forget that back in 1947 Frank was not a legend, not the Chairman of the Board, leader of the Rat Pack, or any other of the
epithets that has been bestowed upon him. He may have been "The Voice," but he was essentially a pop singer.
Regardless of how good a pop singer he was, like every other pop singer since, he has been subject to the changes in attitudes of what is an unusually fickle audience. Some people grow older with their idols, while many move on, dropping their adolescent heroes
as they mature and change. The main wave of hysteria that surrounded Frank was from the bobby-soxers, 13, 14, 15, and 16 year old girls, young women who fantasized about Frankie. There was an inevitability in Frank's changing audience that no amount of good
or bad publicity could alter.
He was, like many who have competed in the same field, at the point where he had to somehow change. Either he had to develop an appeal outside music, and the movies were the obvious arenas, although so far the material had been less than impressive, or he had
to find a way of changing his style to build a new audience, Havers points out. Sixty years ago people did not envisage a career in "pop music." There was no such thing. It was just something you did for a while before moving on to live the rest of your life.
Whether Frank had a real sense of what the rest of his life might be like is impossible to know, Havers states, He may have seen himself becoming principally a movie star, or maybe he saw himself becoming a businessman; he talked of and had already made some
investments. Frank's disappointing showing in New York by no means signaled the end of a career. In the same way as Frank was no overnight success, neither would he disappear overnight.
note: Skitch Henderson told me how disappointing the four-week run at
the Capitol turned out to be, The theater guaranteed Frank $20,000
a week. I asked Skitch why Frank failed to draw. He told me the kids
just stopped coming to see him.
Frank opened on Thursday to a packed house. The next day was a
shocker. The place was half-empty during part of the day. Saturday,
Frank barely made it through the first show. He was sick and had to
bow out for the rest of the day. He would miss all the shows Saturday
through Monday. Jane Powell and Jack Smith would sub for him.
Here is an article in the 11-19-47 Variety.
Here is the gross each week during the engagement:
1. $55,000
2. $65,000
3. $79,000
4. $74,000
Total take for the month was $273,000. Based on
Sinatra's previous drawing power, the theater was
projecting a gross of half-a-million dollars. Sinatra
was almost 32 years old. He learned that an older
audience was what he needed to capture if there
was any chance of grabbing the brass ring again.
Ed
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1949, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
State Theatre, Hartford, Conn. (December 3-4)
w/Ziggy Elman and His Trumpet, Harvey Stone
Eight shows over the two days
Brian Chearno notes:
Grossed $18,000 breaking Arthur Godfrey's record. December 4, 1949 Sunday Herald mention first theatre stand in two years. December 10, 1949 mention of record breaking shows. November 27, 1949 ad mentions Sinatra's coming appearance. Hartford Courant mentioned
that Sinatra gave a boost to help fund the Hospital in Italy drive. Sinatra invited students at the Connecticut School for the Blind to the afternoon show. They also reported that he announced he would return in February.
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1952, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sands, Las Vegas, Nevada (November 27 - December 10)
Count Basie Orchestra
Conducted by Quincy Jones
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1968, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (November 22 - December 19)
w/Harry James, The Fifth Dimension, Jose Feliciano, Pat Henry
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1988, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fox Theater, Detroit, Michigan (November 30-December 4)
Orchestra Conducted By: Frank Sinatra, jr.
1. I've Got The World On A String
2. In The Still Of The Night
3. I've Got A Crush On You
4. Come Rain Or Come Shine
5. Where Or When
6. My Heart Stood Still
7. Mack The Knife
8. Guess I'll Hang My Tears Out To Dry
9. My Way
10. One For My Baby
11. medley w/ Liza Minnelli & Sammy Davis Jr: Guys And Dolls / Luck Be A Lady / The Oldest Established / Style / Witchcraft / All Or Nothing At All / I've Got You Under My Skin / All The Way / The Lady Is A Tramp / New York, New York

December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1990, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Beverly Hilton Hotel, Los Angeles, California
Society Of Singers Salute To Frank Sinatra
Orchestra Conducted By: Henry Mancini
Performers: Jack Jones, George Burns, Harry Connick, Jo Stafford, The Hi -Lo's, Tony Bennett, Manhattan Transfer, Connie Haines, Peggy Lee, Herb Jeffries, Tony Martin, Kay Star, Helen Forrest, Martha Tilton, Bea Wayne, Kitty Kallen, Helen O'Connell, Frances
Warren, The Sentimentalists, Joe Williams, Steve Lawrence, Eydie Gorme.
1. The Lady Is A Tramp w/Ella
2. Alright, Ok, You Win w/Joe William & Cast
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1936, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Major Bowes Amateur Hour
Thursday Evening
Time: 9:00 PM - 10:00 PM (EST)
Location: CBS-Studios, New York City
Sponsor: Chrysler Corporation
730th Consecutive Broadcast
Among the Contestants: The Swingsters Vocal & Instrumental Quintet
1. Major chats with Frank Sinatra & Irwin Zike
2. "Curse Of An Aching Heart"
3. Swingsters close show with instrumental of "Stardust."
Note: above information credited to Ed O'Brien
note: Frank and The Swingsters did not fare too well in the voting
on that Thursday evening 82 years ago. They finished far back
with 1,028 votes. The winning amateur garnered 2,837 votes.
The ads for Chrysler offered a brand new 1937 Plymouth for
$510.00 and the Chrysler for $715.00.
Ed
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Live Remote: Hollywood Palladium
Tuesday Evening
11:30 pm - 12:am
NBC Red Network - KFI Los Angeles
Western Feed Only
Tommy Dorsey & His Orch
Frank Sinatra, Connie Haines & The Pied Pipers Ziggy Elman, Joe Bushkin, Sy Oliver, Buddy Rich
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1942, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Reflections
Network: CBS
Location: New York City - CBS Playhouse #3
Show #8
Sponsor: none (substaining)
Time: 8:00PM - 8:30PM (EST)
Musicans: Walter Gross's orchestra and Bobby Tucker's Voices
Arrangements By: Axel Stordahl
Notes: Confirmed airing as Reflections on WISV / Listed as Variety Musical on WABC. No Show 12-10-42. Airing in it's place December 10, 1942 WISV 8:00PM - 8:30PM Italians For Freedom / WABC Italians For Freedom Play. Sinatra did do a show 12-10-42 at 10:45-11PM on this night. It was not "Reflections" as far as I can tell and was not carried by any other stations but WABC. So it was a local NYC show, like SBS 42'. Has the same format listed as a Songs By Sinatra of that time period.
note: I checked radio listings in Boston and the 10:45 to 11:P.M. was a Treasury Song Parade on the Mutual Network. Might have been Frank.
Ed
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Spotlight Revue Starring Spike Jones
Network: CBS
Time: 10:30 PM - 11:00 PM
Sponsor: Coca Cola.
Spike Jones and The City Slickers
Announcer: Michael Roy
Commercial Spokesman: Dick Joy
Guests: Frank Sinatra, Dorothy Shay, Doodles Weaver, George Rock
1. Once In Love With Amy - Frank SInatra
2. Prisoner Of Love - Frank Sinatra
Note: The show appears on the officially released CD set: 60 Greatest Old Time Radio Show "Frank Sinatra & Friends"
Ed O'Brien noted:
"Once In Love With Amy" was from the Broadway musical
"Where's Charley"," starring Ray Bolger. Frank would record the song
in mid-December of 48. He did sing a throwaway version of "Prisoner
Of Love" during a skit with Spike Jones and his crew.
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1950, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Meet Frank Sinatra
Show #6
Network: CBS
Sponsor: Tintair, Ludens
Time: 5:00PM - 6:00PM (EST), Sunday
Producers: Mark Goodson, Bill Todman
Musicians: Graham Forbes and His Quartet
Announcer: Hal Sims
Guest: Georgia Gibbs, Nancy Reed
Notes: Confirmed aired on WCBS
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Radio” entry for 1954, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Frank Sinatra Show
Network: NBC
Show Number: 28
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanent, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. My Blue Heaven - Frank Sinatra
2. That's All I Want From You - Jaye P. Morgan
3. It Worries Me - Frank Sinatra
Television
NONE
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sweet's Ballroom, Oakland, California
Harry James and his Orchestra w/Frank Sinatra
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1940, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Hollywood Palladium, Hollywood, California (October 31 - December 11)
Tommy Dorsey and his Orchestra w/Frank Sinatra
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1943, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
RKO-BOSTON, Boston, Massachusetts (December 2-8)
(Thursday thru Wednesday)
w/Jan Savitt & His Orchestra
w/seven piece string section
Buddy Welcome, The Three
Welles and Marty May.
Film: "Falcon and the Co-Eds"
Tom Conway as The Falcon
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1945, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Wedgwood Room, Waldorf Astoria (November 23-December 17)
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1946, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Wedgwood Room, Waldorf Astoria, New York City (November 29 - December 19 )
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1947, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Capitol Theater , New York City (November 13 - December 3)
Last official concerts for two years
Up to eight shows a day
NOTE: Author Richard Havers says that given Frank Sinatra's personal problems with Nancy, Sr., it was ironic that the featured film during his Capitol Theater run was Lucille Ball in "Her Husband's Affair." On a professional level, this was far from a triumphant homecoming. The New York Times said that with Frank Sinatra on the bill not much attention would be paid to the film and that is why such a lightweight affair had been booked. "Frank Sinatra take it away" is how they previewed Frank's appearance. In fact, he didn't. The crowds were less than anticipated; the reviews were not so enthusiastic, even ignoring the bad reviews perpetuated by the likes of Lee Mortimer (NY Daily Mirror) and his sympathizers. By the end of the second week, Mortimer reported "The crooner, expected to pile up new highs, almost hits a new low. His second week (in which he missed no performances) was a sickly $71.000. half of the advance estimate." It's probably factually
correct, Frank was on the wane. As one writer put it, "Frank was not The Voice, just a voice."
Given all that happened in the recent months, Havers continues, it was not too surprising. There were other factors, too. It is easy to forget that back in 1947 Frank was not a legend, not the Chairman of the Board, leader of the Rat Pack, or any other of the epithets that has been bestowed upon him. He may have been "The Voice," but he was essentially a pop singer.
Regardless of how good a pop singer he was, like every other pop singer since, he has been subject to the changes in attitudes of what is an unusually fickle audience. Some people grow older with their idols, while many move on, dropping their adolescent heroes as they mature and change. The main wave of hysteria that surrounded Frank was from the bobby-soxers, 13, 14, 15, and 16 year old girls, young women who fantasized about Frankie. There was an inevitability in Frank's changing audience that no amount of good or bad publicity could alter.
He was, like many who have competed in the same field, at the point where he had to somehow change. Either he had to develop an appeal outside music, and the movies were the obvious arenas, although so far the material had been less than impressive, or he had to find a way of changing his style to build a new audience, Havers points out. Sixty years ago people did not envisage a career in "pop music." There was no such thing. It was just something you did for a while before moving on to live the rest of your life.
Whether Frank had a real sense of what the rest of his life might be like is impossible to know, Havers states, He may have seen himself becoming principally a movie star, or maybe he saw himself becoming a businessman; he talked of and had already made some investments. Frank's disappointing showing in New York by no means signaled the end of a career. In the same way as Frank was no overnight success, neither would he disappear overnight.
note: Skitch Henderson told me how disappointing the four-week run at
the Capitol turned out to be, The theater guaranteed Frank $20,000
a week. I asked Skitch why Frank failed to draw. He told me the kids
just stopped coming to see him.
Frank opened on Thursday to a packed house. The next day was a
shocker. The place was half-empty during part of the day. Saturday,
Frank barely made it through the first show. He was sick and had to
bow out for the rest of the day. He would miss all the shows Saturday
through Monday. Jane Powell and Jack Smith would sub for him.
Here is an article in the 11-19-47 Variety.
Here is the gross each week during the engagement:
1. $55,000
2. $65,000
3. $79,000
4. $74,000
Total take for the month was $273,000. Based on
Sinatra's previous drawing power, the theater was
projecting a gross of half-a-million dollars. Sinatra
was almost 32 years old. He learned that an older
audience was what he needed to capture if there
was any chance of grabbing the brass ring again.
Ed
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1949, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
State Theatre, Hartford, Conn. (December 3-4)
w/Ziggy Elman and His Trumpet, Harvey Stone
Eight shows over the two days
Brian Chearno notes:
Grossed $18,000 breaking Arthur Godfrey's record. December 4, 1949 Sunday Herald mention first theatre stand in two years. December 10, 1949 mention of record breaking shows. November 27, 1949 ad mentions Sinatra's coming appearance. Hartford Courant mentioned that Sinatra gave a boost to help fund the Hospital in Italy drive. Sinatra invited students at the Connecticut School for the Blind to the afternoon show. They also reported that he announced he would return in February.
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1952, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
French Casino, New York City (11-26 TO 12-8 1952)
Frank Sinatra with Bill Miller
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1964, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sands, Las Vegas, Nevada (November 27 - December 10)
Count Basie Orchestra
Conducted by Quincy Jones
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1968, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (November 22 - December 19)
w/Harry James, The Fifth Dimension, Jose Feliciano, Pat Henry
December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1988, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fox Theater, Detroit, Michigan (November 30-December 4)
Orchestra Conducted By: Frank Sinatra, jr.
1. I've Got The World On A String
2. In The Still Of The Night
3. I've Got A Crush On You
4. Come Rain Or Come Shine
5. Where Or When
6. My Heart Stood Still
7. Mack The Knife
8. Guess I'll Hang My Tears Out To Dry
9. My Way
10. One For My Baby
11. medley w/ Liza Minnelli & Sammy Davis Jr: Guys And Dolls / Luck Be A Lady / The Oldest Established / Style / Witchcraft / All Or Nothing At All / I've Got You Under My Skin / All The Way / The Lady Is A Tramp / New York, New York

December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1990, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Beverly Hilton Hotel, Los Angeles, California
Society Of Singers Salute To Frank Sinatra
Orchestra Conducted By: Henry Mancini
Performers: Jack Jones, George Burns, Harry Connick, Jo Stafford, The Hi -Lo's, Tony Bennett, Manhattan Transfer, Connie Haines, Peggy Lee, Herb Jeffries, Tony Martin, Kay Star, Helen Forrest, Martha Tilton, Bea Wayne, Kitty Kallen, Helen O'Connell, Frances Warren, The Sentimentalists, Joe Williams, Steve Lawrence, Eydie Gorme.
1. The Lady Is A Tramp w/Ella
2. Alright, Ok, You Win w/Joe William & Cast
re: [sinatraphiles] December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sweet's Ballroom, Oakland, California
Harry James and his Orchestra w/Frank Sinatra

re: [sinatraphiles] December 3 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2025-12-03
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sweet's Ballroom, Oakland, California
Harry James and his Orchestra w/Frank Sinatra

December 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-05
Editorial note: parsed as a “Studio” entry for 1954, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
The Frank Sinatra Show
Network: NBC
Show Number: 27
Time 8:15 p.m. - 8:30 p.m.
Sponsor: Bobbi Home Permanet, White Rain Shampoo, Deep Magic Face lotion
Host: Frank Sinatra
Writers: Norm Sickel
Announcer: Maurice Hart
Producer: Andrew C. Love
1. Someone To Watch Over Me - Frank Sinatra
2. One For My Baby - Frank Sinatra w/Bill Miller, piano
3. You, My Love - Frank Sinatra.
Notes: Frank promotes his songs from the Warner Bros. release "Young At Heart."
Hi There !
" This is young at heart Sinatra
welcoming you to our Wednesday, December
1st, Bobbi classroom."
" 'One For My Baby,' another song from
'Young At Heart.' Barney Sloan, that's me,
sings it in the picture and it is almost a
character study of the guy. Cause, Barney
is bitter about one thing: himself. He looked
in the mirror one day and found a reflection
as shoddy as the world he lives in. He sits
and plays the piano and sings at a local
saloon, dropping cigarette ashes and dreams,
all over the place. Mr. Kanobi, sir, the scene
is set, so let's grab off another take on 'One
For My Baby.' "
note: The first Bobbi show in December 54
was built around the soon to be released
Warner Brother film "Young At Heart." Show
opened with an edited recording of the
Gershwin's "Someone To Watch Over Me."
Frank devoted time to explaining what made
his character in the film tick and then sang
"One For My Baby" with Bill Miller backing
him on piano. "You My Love" closed the
show.
--Ed

December 7 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-07
Editorial note: parsed as a “Studio” entry for 1957, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
8:00 p.m. to 9:00 p.m.
Premier broadcast
Special guest: Frank Sinatra
Boston Globe

December 13 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-14
Editorial note: parsed as a “Studio” entry for 1959, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sunday
Frank Sinatra
L.A. Mirror

December 16 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-17
Editorial note: parsed as a “Studio” entry for 1945, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Richmond News Leader

December 18 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-12-18
Editorial note: parsed as a “Television” entry for 1930, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
lyrics:
verse:
The more I travel across the gravel,
The more I sail the sea,
The more I feel
convinced of the fact
New York's the town for me.
Its crazy skyline is right in my line
And when I'm far away
I'm able to bear it for several hours,
And then break down and say:
refrain
Take me back to Manhattan,
Take Me Back to New York,
I'm just longing to see once more
My little home on the hundredth floor.
Can you wonder I'm gloomy ?
Can you smile when I frown ?
I miss the East Side, the West Side,
The North Side and the South Side,
So take me back to Manhattan,
That dear old dirty town.
Sinatra's version on 12-18-51
verse
New York, New York,
I've been to Paris and tasted its thrills,
But I wasn't amused there.
I've done the nightclubs of Beverly Hills,
But I was so utterly confused there,
I found no joy in Illinois, in Mexico, or Rome.
And now it is time for your wandering boy,
To start in heading home, so.....
Refrain
Take me back to Manhattan,
Take me back to New York,
I just want to go to that door,
And say hello to my boy Toots Shor.
When I'm out of the country,
I just mope and I frown,
Although Great Britain is terrific,
They've got South Pacific,
So take me back to Manhattan,
That one and only town
Take me back to the Battery,
Take me up to the Bronx,
I love each cop, every shiny badge,
The bleachers cling to the name DiMag.
When you mention the Copa,
I just grin like a clown.
I love the music by the Cubans,
The Lindy's and Reubens.
So take me back to Manhattan,
My very favorite town.
Take me down to the subway,
And the buses and els,
I love the models along fifth ave,
I love to swing to the things that they have,
I adore Earl Wilson or whoever is around,
I love each ferry in the harbor,
I just adore Impellitteri,
So take me back to Manhattan,
That stupendous, tremendous,
That glorious, uproarious,
That peaceful, sinful, lovely, sinful town
Ed O'Brien answered:
Porter wrote "Farewell Amanda" for the Tracy-Hepburn
MGM film "Adam's Rib," in 1949. David Wayne also
sang the tune in the film but Frank made a special recording
of the song for the film. Did he write expressly for Sinatra ?
I don't know. Maybe, maybe not.
I'm glad you found "Take Me Back To Manhattan" interesting.
I doubt very much that Cahn rewrote the lyrics, esp. in 1951.
I've tried to trace the history of the tune and if there is anything
in the Porter collection at Yale. I haven't had any luck . Perhaps
there is a mention at the end of the FS show on 12-18-51.
December 26 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-12-26
Editorial note: parsed as a “Concerts” entry for 1939, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Trianon Ballroom, Cleveland, Ohio
Harry James and His Orchestra with Frank Sinatra
January 16 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-01-16
Editorial note: parsed as a “Television” entry for 1951, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Texaco Star Theatre
Milton Berle, Martha Raye, Perry Como
A boxed marked "The Thing" is opened and Frank Sinatra steps out
MARCH 8 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-08
Editorial note: parsed as a “Concerts” entry for 1938, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
. He tells the audience Dinah Shore had a 15 minute
show from 10 to 10:15 A.M. and he followed her with a
15 minute show. The station paid him 35 cents for carfare.
Ed O'Brien: After "I Can't Get Started," Frank sings a segment of Eddie Fisher's big hit "Oh! My Pa-Pa.'
During the monologue, he tells the audience Bogie introduced Jack Daniels to him. A very
long and rewarding association for Frank.
Monologue
note: Recently I have come across articles that attribute Sinatra's introduction to Jack
Daniels to a number of people. Two of the most prominent being Jackie Gleason and
Joe E. Lewis. Here is Frank Sinatra telling the audience at Caesars the real story:
"That's Blackass Jack Daniels. How many people drink Jack Daniels . . . in the house?
I was introduced to this drink by a great friend. A great man named Mr. Bogart. He introduced
me to Jack Daniels one night after dinner --- at his house. Which was outdoors, I think, at the
time. He said to me, 'Dago, what do you want to drink after dinner?' And I said, 'I don't know.' He
said, 'All right, how about a little Jack Daniels?' And I said, 'What the hell is Jack Daniels?' It's
true. He said, "Let me pour you some.' And it was a happy marriage from then on."
FEBRUARY 8 THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-09
Editorial note: parsed as a “Studio” entry for 1956, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Capitol Studio A, Hollywood
E15185 If It's The Last Thing I Do
w/ The Hollywood String Quartet
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46572-2 Close To You
LP: T2602 Forever Frank
E15186 Don't Like Goodbyes
w/ The Hollywood String Quartet
(H. Arlen/T. Capote)
Harwin Music Co. (ASCAP)
Arranged & Conducted by Nelson Riddle
-4 (4:50) CD: C2-94777 The Capitol Years
CD: CDP 7-46572-2 Close To You
LP: W789 Close To You
E15187 P.S. I Love You
w/ The Hollywood String Quartet
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46572-2 Close To You
LP: W789 Close To You
E15188 Love Locked Out
w/ The Hollywood String Quartet
Arranged & Conducted by Nelson Riddle
CD: CDP 7-46572-2 Close To You
LP: W789 Close To You
Original reviews from spring of 1957:
RALPH J. GLEASON
There is one in every crowd including music critics
Love the "Moonlight Sinatra" reference in a 1957 review.











March 9 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2026-03-09
Editorial note: parsed as a “Film” entry for 1955, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
. He negotiated a tremendous deal with the studio before agreeing
to star in "Can-Can." Frank received up front $200,000 and 25% of the
gross earnings. This was unheard of in 1959. A clever studio accountant
could easily make a net profit disappear. But the gross was the gross.
20th Century wanted Marilyn Monroe to play Simon, but Frank insisted on
Shirley MacLaine. Filming got underway in early September
of 1959. The budget was $6,000,000. It became apparent very early in the
filming that Frank and Shirley were badly miscast. Whereas the two Frenchmen ,
Maurice Chevalier and Louis Jordan, fit into the story splendidly. On 10-13-59, Sinatra
and Chevalier recorded "I Love Paris." The recording is on the Capitol s/t album, but for
some insane reason it was deleted from the final cut.
The film was a wrap in early November. An elaborate opening took place at the Rivoli
Theatre, in N.Y.C, 3-9-60. There was one showing at 8:30 P.M and all seats were reserved.
The nation-wide release took place two days later. The reviews were not good. Prior to the release,
Variety estimated the movie would have a domestic gross of $10,000,000.
The actual take was $4.2 million. Time has not been good to the film.
On Rotten Tomatoes, "Can-Can" receives an audience score of 47%.
Capitol Records released the soundtrack album on April 4, 1960. The big selling point at the time
was Full Dimensional Stereo. A CD version from Capitol was issued in 1989. A
more recent version is available on the Hallmark label. The quality of that release is definitely inferior
to the Capitol original. The VHS was issued in April 1993 and the deluxe DVD in May of 2007.
The latter is a two-disc offering that is the wide-screen version. 20th filmed it in TODD-AO and
it is really the only way to watch it. The second disc offers a look at the famous Khrushev visit
to the "Can-Can" set on 9-19-59. Sinatra, Maclaine, Chevalier, Jordan did numbers
from the film. Nikita and Co were shocked at the very revealing outfits worn by the dancers and
would later issue a statement condemning western decadence. A laser disc copy was issued
in wide screen format in 1995. Excellent quality.
--Ed
Re: [sinatraphiles] March 9 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Kenny Lucas <kennylucas589@gmail.com> | Received: 2026-03-11
Editorial note: parsed as a “Film” entry for 1955, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
. He negotiated a tremendous deal with the studio before agreeing
to star in "Can-Can." Frank received up front $200,000 and 25% of the
gross earnings. This was unheard of in 1959. A clever studio accountant
could easily make a net profit disappear. But the gross was the gross.
20th Century wanted Marilyn Monroe to play Simon, but Frank insisted on
Shirley MacLaine. Filming got underway in early September
of 1959. The budget was $6,000,000. It became apparent very early in the
filming that Frank and Shirley were badly miscast. Whereas the two Frenchmen ,
Maurice Chevalier and Louis Jordan, fit into the story splendidly. On 10-13-59, Sinatra
and Chevalier recorded "I Love Paris." The recording is on the Capitol s/t album, but for
some insane reason it was deleted from the final cut.
The film was a wrap in early November. An elaborate opening took place at the Rivoli
Theatre, in N.Y.C, 3-9-60. There was one showing at 8:30 P.M and all seats were reserved.
The nation-wide release took place two days later. The reviews were not good. Prior to the release,
Variety estimated the movie would have a domestic gross of $10,000,000.
The actual take was $4.2 million. Time has not been good to the film.
On Rotten Tomatoes, "Can-Can" receives an audience score of 47%.
Capitol Records released the soundtrack album on April 4, 1960. The big selling point at the time
was Full Dimensional Stereo. A CD version from Capitol was issued in 1989. A
more recent version is available on the Hallmark label. The quality of that release is definitely inferior
to the Capitol original. The VHS was issued in April 1993 and the deluxe DVD in May of 2007.
The latter is a two-disc offering that is the wide-screen version. 20th filmed it in TODD-AO and
it is really the only way to watch it. The second disc offers a look at the famous Khrushev visit
to the "Can-Can" set on 9-19-59. Sinatra, Maclaine, Chevalier, Jordan did numbers
from the film. Nikita and Co were shocked at the very revealing outfits worn by the dancers and
would later issue a statement condemning western decadence. A laser disc copy was issued
in wide screen format in 1995. Excellent quality.
--Ed
March 24 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-24
Editorial note: parsed as a “Concerts” entry for 1960, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fontainebleau, Miami, Fla, (March 8 to March 27)
Also appearing: The Duquaines & Sacacas and his Latin America Orchestra
MARCH 25 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-25
Editorial note: parsed as a “Concerts” entry for 1960, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fontainebleau, Miami, Fla, (March 8 to March 27)
Also appearing: The Duquaines & Sacacas and his Latin America Orchestra
Last three nights ( 25 to 27 ) Dean, Sammy, Joey and
Peter joined Frank. First time "The Summit" played outside Vegas
March 26 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-26
Editorial note: parsed as a “Concerts” entry for 1960, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fontainebleau, Miami, Fla, (March 8 to March 27)
Also appearing: The Duquaines & Sacacas and his Latin America Orchestra
Last three nights ( 25 to 27 ) Dean, Sammy, Joey and
Peter joined Frank. First time "The Summit" played outside Vegas
MARCH 27 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-27
Editorial note: parsed as a “Concerts” entry for 1960, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Fontainebleau, Miami, Fla, (March 8 to March 27)
Also appearing: The Duquaines & Sacacas and his Latin America Orchestra
Last three nights ( 25 to 27 ) Dean, Sammy, Joey and
Peter joined Frank. First time "The Summit" played outside Vegas
MARCH 27 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-27
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 20 – April 2)
Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano)
Nat Brandwynne Orchestra Conducted By: Don Costa
Opening Act: Sam Butera & The Witnesses featuring Sandy Williams
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-28
Editorial note: parsed as a “Radio” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
"Fred Robbins" radio show over WINS-NYC
At the Copa, Sinatra was "crowned ‘the King of all Crooners’
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-28
Editorial note: parsed as a “Television” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
N.Y. Heart Fund Brunch at the Monte Carlo
Ed Sullivan and Maggie McNellis were emcees
CBS Television 2:15 to 5pm
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-28
Editorial note: parsed as a “Concerts” entry for 1948, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Monte Carlo, New York, NY
Easter Brunch and Millinery Fashion Show
Benefit for the New York Heart Fund
MARCH 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-28
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 20 – April 2)
Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler
(drums), Charlie Turner (trumpet), Bill Miller (piano)
Nat Brandwynne Orchestra Conducted By: Don Costa
Opening Act: Sam Butera & The Witnesses featuring Sandy
Williams.
MARCH 29 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-29
Editorial note: parsed as a “Concerts” entry for 1956, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Sands, Las Vegas (March 29-April 3)
MARCH 29 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-03-29
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 20 – April 2)
Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler
(drums), Charlie Turner (trumpet), Bill Miller (piano)
Nat Brandwynne Orchestra Conducted By: Don Costa
Opening Act: Sam Butera & The Witnesses featuring Sandy
Williams.
March 30 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-30
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 20 – April 2)
Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano)
Nat Brandwynne Orchestra Conducted By: Don Costa
Opening Act: Sam Butera & The Witnesses featuring Sandy Williams.
March 30 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-30
Editorial note: parsed as a “Concerts” entry for 1981, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 26-April 1) (Camceled)
Orchestra Conducted By: Vincent Falcone, jr.
Ed O'Brien:
The last three days of this engagement
were canceled due to the Reagan assassination
attempt in Washington, D.C.
MARCH 31 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-03-31
Editorial note: parsed as a “Concerts” entry for 1975, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Caesars Palace, Las Vegas, Nevada (March 20 – April 2)
Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano)
Nat Brandwynne Orchestra Conducted By: Don Costa
Opening Act: Sam Butera & The Witnesses featuring Sandy Williams.
APRIL 18 THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-04-18
Editorial note: parsed as a “Concerts” entry for 1945, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Shrine Auditorium, Los Angeles, CA
Democratic Tribute to FDR
Sinatra sang "Home On The Range"
]April 29 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-30
Editorial note: parsed as a “Studio” entry for 1942, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
"Ship Ahoy" (U.S. Release: April 29, 1942)
Starring: Eleanor Powell, Red Skelton, Bert Lahr, Virginia O'Brien, Tommy Dorsey and His Orchestra with Frank Sinatra
Produced by: Jack Cummings
Directed by: Edward Buzzell
Excerpt from Variety review


Re: [sinatraphiles] MAY 1 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-08
Editorial note: parsed as a “Studio” entry for 1947, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.

Re: [sinatraphiles] MAY 6 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-09
Editorial note: parsed as a “Studio” entry for 1977, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Latin Casino, Cherry Hill, New Jersey
Orchestra Conducted By: Bill Miller
O.A, Pat Henry
note: According to this ad, Sinatra played 15 shows during this engagement. He was dark on Monday(2nd). He did two shows a night on consecutive weekends and one show on Tues, Wed and Thurs. But an offer than ran in the papers, five
days before he opened, refutes that claim:
May 2nd fell on a Monday.
Philadelphia Daily News






June 13 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-06-13
Editorial note: parsed as a “Concerts” entry for 1957, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
and "Pal Joey." Sinatra as the lovable heel, Joey Evens,
hustling for show
business and romantic success. Sinatra electrifies "The Lady
Is A Tramp" with his
own inimitable brand of flip humor.
But Sinatra isn't through. He will end his farewell
appearance his way..
"I've built my career," he say softly, "on saloon
songs," and he slips into "Angel Eyes."
Lonely words and lonely notes. Darkness, a pin point spot.. Sinatra in
silhouette. Sinatra
and loneliness. Sinatra with perspective, which could well be the real
man.
Midway through the number he lights a cigarette. Smoke encircles,
protects him. Forty-
five minutes out front to say goodbye. Memories of 58 films,100 albums
and nearly 1,500 recordings.
He comes to the last line of the song, "Excuse me while I . . .
disappear." And he is gone.
Billboard
June 19, 1971
Brian Chearno:
I wanted to add a few things.. Henry Kissinger was in the
audience at this event. He called it the most moving performance he
had ever seen. Commenting that even the secret service men were
crying. In discussions for the April 17, 1973 concert,
Kissinger and Nixon thought it would be wonderful to sort of recreate
that "farewell" event. Nixon came up with having it at
the Kennedy Center and televised. The president felt the East Room
was to small for big name entertainers. He also wanted performances
no longer than 25 or 30 minutes for events held there.
The president tracked Sinatra down in Monte Carlo in July and
talked of the idea. Nixon mentioned the Kennedy Center or the East Room,
Sinatra opted for the East Room. It's funny but I think Nixon
thought he was talking to the more powerful man. Nervous, back slapping
and thoroughly agreeably to whatever Sinatra said. Very strange phone
call from what is supposed to be the most powerful person in the
world.
Mike Agron:
I was able to attend the LA Retirement with my girlfriend, and was lucky
to grab 2 seats in the upper balcony of the Music Center They cost $25
each which was a lot of money in '71. The roster of artists was
incredible from Cary Grant, Jack Benny, to Barbra Streisand, etc. They
started in the Music Center and then went across the property to play the
same set at the Ahmanson Theater. As Streisand finished her set, Roz
Russell came on and then introduced him. The Music Center set was shorter
than the Ahmanson venue, maybe 8 or so songs. I'll never forget how he
finished singing My Way, we all thought that was the end of the show, and
then he slid into That's Life, and closed with Angel Eyes, and walked off
the stage to thunderous applause. All of old Hollywood was there. I was
so glad to have been there too.
JULY 17 THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Editorial note: parsed as a “Studio” entry for 1942, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
New York City
BS075282 In The Blue Of Evening
(T. Adair/A. D'Artega)
Shapiro, Berstein & Co. (ASCAP)
Arranged by Axel Stordahl
-1 (2:54) CD: 07863 66353-2 "The Song Is You" 5CD set Vol 4
CD: RCA 8554-2-R
LP: SD 1000
78: 20-1530
78: 27947
note: session was done in Studio #2. After Frank laid down :"In The
Blue of Evening" two Dorsey tunes were recorded:"Sleepy Lagoon"
and ",Melody." Session ran from 1:30 p.m. to 4:45 p.m.with full orchestra
RCA would release this recording in late May of 1943. It would reach #1
and remain there for three weeks. Song would chart for 16 weeks.
BS075285 Dig Down Deep
w/The Pied Pipers
(W. Hirsch/G. Marks/S. Marco)
Embassy Music Corp. (BMI)
-1 (2:06) CD: 07863 66353-2 "The Song Is You" 5CD set Vol 4
LP: SD 1000
78: 20-1539
note session - minus strings - took half-an-hour - 4:45 p.m. to 5:15 p.m.
Sy Oliver arranged.

JULY 17 THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Editorial note: parsed as a “Studio” entry for 1943, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
July 13 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-07-13
Editorial note: parsed as a “Studio” entry for 1965, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
Frank's recording career got underway 84 years ago today.
On that Thursday afternoon, so long ago now, the Harry James
Band entered the Brunswick Recording Studio, 550 Fifth Ave,
in N.Y.C. The boy vocalist in the band would earn an additional
$50.00 for his efforts. That is what Harry James paid him for
the two recordings..
The Make Believe Ballroom, WNEW A.M., had released a poll
showing that the James contingent was the eighth most popular
band in the greater New York area. Harry and Co. received a
lot of radio attention and that evening was no exception. At
midnight
WOR broadcast the James band live from the Roseland Ballroom.
Frank could be heard singing "I Poured My Heart Into A Song"
On
the 7/15 broadcast, he sang the two songs recorded on 7-13-39.
According to Variety, the band played the Paramount before jumping
over to the Roseland for an extended stay. WOR, CBS, WNEW and
other radio stations would broadcast this exciting new band
throughout
the summer of 1939. They would be heard from the Steel Pier, in
Atlantic
City, the World's Fair and Roseland in N.Y.C.
In August of 39, James and Sinatra decided to try out a new song on the
radio broadcasts before making a recording. The song was "All Or
Nothing
At All." According to Billboard the song was released in June of
1940 and
sold 16,000 copies. The re-release in June 1943 sold well over a
million
units..
I am indebted to Variety, Peter Levinson, NYT
and Billboard.
Ed
JULY 13, 1939
Flagged for reviewFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-15
Editorial note: parsed as a “Studio” entry for 1992, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
TEST PRESSING

July 28 - THIS DATE IN SINATRA HISTORY
Flagged for reviewFrom: scott@falseducks.com | Received: 2026-07-28
Editorial note: parsed as a “Television” entry for 1984, but no existing entry was found to reconcile it against. This may be a genuinely new item, or a fragment split off from a longer post (e.g. a source citation date misread as a new entry). Recommend manual placement.
MTV Premiere of music video for "L.A. Is My Lady"
Re: C Palace:
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2023-11-11
The November 7 show we have listed says the 12:30am Show. Could this
have been from late November 6th making it the 7th?
1977 Caesars Palace, Las Vegas, Nevada (3-16)
Key Musicians: Al Viola (Guitar), Gene Cherico (Bass), Vincent
Falcone Jr. (Piano), Charles Tunner (Trumpet), Irv Cottler (Drums)
Nat Brandwynne Orchestra Conducted By: Bill Miller
12:30am Show
Scott
At 11:30 AM 11/10/2023, you wrote:
>Hi Ed, thanks Best FJW
>
>----------
>From: sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien
><dmarc-noreply@freelists.org>
>Sent: 10 November 2023 03:17
>To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Subject: [sinatraphiles] Re: C Palace:
>
>Hi Fred,
> I just checked my listings for that engagement.
>There was no show on 11/7. The following Monday
>Frank would be dark because he was the guest host
>on the Tonight Show.
>Ed
>
>On Friday, November 10, 2023 at 03:11:32 AM EST, Fred Wadsworth
><frw2@hotmail.co.uk> wrote:
>
>
>Hi Scott, can you check C Palace Nov 7 i977 was a Monday and Frank
>was dark on a monday? Best fjw
>
><http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
>[]
>
>Virus-free.<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>www.avg.com
>
Re: C Palace:
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2023-11-11
The November 7 show we have listed says the 12:30am Show. Could this
have been from late November 6th making it the 7th?
1977 Caesars Palace, Las Vegas, Nevada (3-16)
Key Musicians: Al Viola (Guitar), Gene Cherico (Bass), Vincent
Falcone Jr. (Piano), Charles Tunner (Trumpet), Irv Cottler (Drums)
Nat Brandwynne Orchestra Conducted By: Bill Miller
12:30am Show
Scott
At 11:30 AM 11/10/2023, you wrote:
>Hi Ed, thanks Best FJW
>
>----------
>From: sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien
><dmarc-noreply@freelists.org>
>Sent: 10 November 2023 03:17
>To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Subject: [sinatraphiles] Re: C Palace:
>
>Hi Fred,
> I just checked my listings for that engagement.
>There was no show on 11/7. The following Monday
>Frank would be dark because he was the guest host
>on the Tonight Show.
>Ed
>
>On Friday, November 10, 2023 at 03:11:32 AM EST, Fred Wadsworth
><frw2@hotmail.co.uk> wrote:
>
>
>Hi Scott, can you check C Palace Nov 7 i977 was a Monday and Frank
>was dark on a monday? Best fjw
>
><http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
>[]
>
>Virus-free.<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>www.avg.com
>
Re: January 5 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-06
Hi Ed,
Were there supposed to be images in your last two emails? They
arrived without them.
Scott
At 11:13 PM 1/5/2024, you wrote:
>[]
>
>
>
>
>
>RADIO:
>
>
>1954 Rocky Fortune, "On The Trail Of A Killer"
>Network: NBC
>Episode: 13
>Time: 9:35 p.m.- 10 p.m.
>Performers: Frank Sinatra, Barney Phillips
>Writers: Norm Sickel
>Directors: Andrew C. Love
>Announcer: Edward King
>Description: Rocky is on the trail of Sister Ellie's Killer.
>
>
>
Re: January 5 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-06
Hi Ed,
Were there supposed to be images in your last two emails? They
arrived without them.
Scott
At 11:13 PM 1/5/2024, you wrote:
>[]
>
>
>
>
>
>RADIO:
>
>
>1954 Rocky Fortune, "On The Trail Of A Killer"
>Network: NBC
>Episode: 13
>Time: 9:35 p.m.- 10 p.m.
>Performers: Frank Sinatra, Barney Phillips
>Writers: Norm Sickel
>Directors: Andrew C. Love
>Announcer: Edward King
>Description: Rocky is on the trail of Sister Ellie's Killer.
>
>
>
Re: January 5 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-06
Hi Ed,
Were there supposed to be images in your last two emails? They
arrived without them.
Scott
At 11:13 PM 1/5/2024, you wrote:
>[]
>
>
>
>
>
>RADIO:
>
>
>1954 Rocky Fortune, "On The Trail Of A Killer"
>Network: NBC
>Episode: 13
>Time: 9:35 p.m.- 10 p.m.
>Performers: Frank Sinatra, Barney Phillips
>Writers: Norm Sickel
>Directors: Andrew C. Love
>Announcer: Edward King
>Description: Rocky is on the trail of Sister Ellie's Killer.
>
>
>
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
Hi Ed,
I have the audio of that concert, and indeed, he was far from being on top
form, he sounded hoarse. It looks like all those days in which he had to be
locked in at his hotel, took their toll.
Prior to watching this concert - I'm doing it now ! - I remember some years
ago one or two songs from Jerusalem appeared on youtube ( My Way was one of
them if I'm not mistaken .. ), it was black and white though.
I didn't know a full B&W version had been circulating, the last three or
four years I wasn't very much into the web, I may have missed a lot ...
Thank you for all the accurate information!
Al
El lun, 8 ene 2024 a las 14:56, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Tito,
> I have a tape of M. Rudin telling the story and what became
> of the tape. If you have an audio of the concert, I'm sure you would
> agree it is not Frank at his best. Or anywhere near his best.
> I know the colorized Jerusalem is being discussed, but there
> is a digitally remastered b&w version that is fantastic.
> Ed
>
> On Monday, January 8, 2024 at 11:16:59 AM EST, Tito Montoya <
> franklyjoy22@gmail.com> wrote:
>
>
> That's probably all true Ed .. sadly. About twelve years ago me and a
> friend from Sydney contacted the promoter who brought Frank to that country
> in 74 ( and later in 1987 ). I can't remember his name right now but at the
> time, although well into his 60's or 70's, he was still an avid surfer. (
> He sent us some recent pics of him at the beach, lol! ). He also said he
> believed the video tape had been destroyed, the concert was filmed by
> Australia's ABC where this friend of mine had worked for years and she
> herself, being able to access their archives, had looked for it with no
> results. The story was told some years after in the film The Night we
> called it a Day, with Dennis Hopper and Melanie Griffiths.
> A real shame ..
>
> El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>)
> escribió:
>
> Hi Fred,
> The concert you are looking for was aired in Australia
> as part of the deal to get Frank up and running again. After offend-
> ing the press and unions, he was literally a prisoner in his hotel
> room. Mickey Rudin worked out a deal that included the concert
> being aired throughout the country. But there was a proviso: all
> copies had to be destroyed immediately after the airing.
> Bill Weeden(president of the Aussie Society) came to
> visit later that year. I asked him if any copies escaped. He was
> quite certain they had not. I then asked if anyone down under
> had a Vu Matic or other machine that could have taken it directly
> from the TV broadcast. Bill told me Australia was far behind
> America in that kind of technology. No one was able to copy
> it according to Mr. Weeden.
> Ed
>
> On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <
> frw2@hotmail.co.uk> wrote:
>
>
> Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued
> on DVD? Thanks FJW
>
>
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> Virus-free.www.avg.com
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> <#m_8804834078266617316_m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>
>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-08
Hi Tito, I have a tape of M. Rudin telling the story and what becameof the tape. If you have an audio of the concert, I'm sure you wouldagree it is not Frank at his best. Or anywhere near his best. I know the colorized Jerusalem is being discussed, but there
is a digitally remastered b&w version that is fantastic. Ed
On Monday, January 8, 2024 at 11:16:59 AM EST, Tito Montoya <franklyjoy22@gmail.com> wrote:
That's probably all true Ed .. sadly. About twelve years ago me and a friend from Sydney contacted the promoter who brought Frank to that country in 74 ( and later in 1987 ). I can't remember his name right now but at the time, although well into his 60's or 70's, he was still an avid surfer. ( He sent us some recent pics of him at the beach, lol! ). He also said he believed the video tape had been destroyed, the concert was filmed by Australia's ABC where this friend of mine had worked for years and she herself, being able to access their archives, had looked for it with no results. The story was told some years after in the film The Night we called it a Day, with Dennis Hopper and Melanie Griffiths. A real shame ..
El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>) escribió:
Hi Fred, The concert you are looking for was aired in Australiaas part of the deal to get Frank up and running again. After offend-ing the press and unions, he was literally a prisoner in his hotelroom. Mickey Rudin worked out a deal that included the concertbeing aired throughout the country. But there was a proviso: allcopies had to be destroyed immediately after the airing. Bill Weeden(president of the Aussie Society) came tovisit later that year. I asked him if any copies escaped. He wasquite certain they had not. I then asked if anyone down under had a Vu Matic or other machine that could have taken it directlyfrom the TV broadcast. Bill told me Australia was far behindAmerica in that kind of technology. No one was able to copyit according to Mr. Weeden.Ed
On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <frw2@hotmail.co.uk> wrote:
Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued on DVD? Thanks FJW
| | Virus-free.www.avg.com |
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
That's probably all true Ed .. sadly. About twelve years ago me and a
friend from Sydney contacted the promoter who brought Frank to that country
in 74 ( and later in 1987 ). I can't remember his name right now but at the
time, although well into his 60's or 70's, he was still an avid surfer. (
He sent us some recent pics of him at the beach, lol! ). He also said he
believed the video tape had been destroyed, the concert was filmed by
Australia's ABC where this friend of mine had worked for years and she
herself, being able to access their archives, had looked for it with no
results. The story was told some years after in the film The Night we
called it a Day, with Dennis Hopper and Melanie Griffiths.
A real shame ..
El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Fred,
> The concert you are looking for was aired in Australia
> as part of the deal to get Frank up and running again. After offend-
> ing the press and unions, he was literally a prisoner in his hotel
> room. Mickey Rudin worked out a deal that included the concert
> being aired throughout the country. But there was a proviso: all
> copies had to be destroyed immediately after the airing.
> Bill Weeden(president of the Aussie Society) came to
> visit later that year. I asked him if any copies escaped. He was
> quite certain they had not. I then asked if anyone down under
> had a Vu Matic or other machine that could have taken it directly
> from the TV broadcast. Bill told me Australia was far behind
> America in that kind of technology. No one was able to copy
> it according to Mr. Weeden.
> Ed
>
> On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <
> frw2@hotmail.co.uk> wrote:
>
>
> Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued
> on DVD? Thanks FJW
>
>
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> Virus-free.www.avg.com
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> <#m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
Hi Ed,
I have the audio of that concert, and indeed, he was far from being on top
form, he sounded hoarse. It looks like all those days in which he had to be
locked in at his hotel, took their toll.
Prior to watching this concert - I'm doing it now ! - I remember some years
ago one or two songs from Jerusalem appeared on youtube ( My Way was one of
them if I'm not mistaken .. ), it was black and white though.
I didn't know a full B&W version had been circulating, the last three or
four years I wasn't very much into the web, I may have missed a lot ...
Thank you for all the accurate information!
Al
El lun, 8 ene 2024 a las 14:56, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Tito,
> I have a tape of M. Rudin telling the story and what became
> of the tape. If you have an audio of the concert, I'm sure you would
> agree it is not Frank at his best. Or anywhere near his best.
> I know the colorized Jerusalem is being discussed, but there
> is a digitally remastered b&w version that is fantastic.
> Ed
>
> On Monday, January 8, 2024 at 11:16:59 AM EST, Tito Montoya <
> franklyjoy22@gmail.com> wrote:
>
>
> That's probably all true Ed .. sadly. About twelve years ago me and a
> friend from Sydney contacted the promoter who brought Frank to that country
> in 74 ( and later in 1987 ). I can't remember his name right now but at the
> time, although well into his 60's or 70's, he was still an avid surfer. (
> He sent us some recent pics of him at the beach, lol! ). He also said he
> believed the video tape had been destroyed, the concert was filmed by
> Australia's ABC where this friend of mine had worked for years and she
> herself, being able to access their archives, had looked for it with no
> results. The story was told some years after in the film The Night we
> called it a Day, with Dennis Hopper and Melanie Griffiths.
> A real shame ..
>
> El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>)
> escribió:
>
> Hi Fred,
> The concert you are looking for was aired in Australia
> as part of the deal to get Frank up and running again. After offend-
> ing the press and unions, he was literally a prisoner in his hotel
> room. Mickey Rudin worked out a deal that included the concert
> being aired throughout the country. But there was a proviso: all
> copies had to be destroyed immediately after the airing.
> Bill Weeden(president of the Aussie Society) came to
> visit later that year. I asked him if any copies escaped. He was
> quite certain they had not. I then asked if anyone down under
> had a Vu Matic or other machine that could have taken it directly
> from the TV broadcast. Bill told me Australia was far behind
> America in that kind of technology. No one was able to copy
> it according to Mr. Weeden.
> Ed
>
> On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <
> frw2@hotmail.co.uk> wrote:
>
>
> Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued
> on DVD? Thanks FJW
>
>
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> Virus-free.www.avg.com
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> <#m_8804834078266617316_m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>
>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-08
Hi Tito, I have a tape of M. Rudin telling the story and what becameof the tape. If you have an audio of the concert, I'm sure you wouldagree it is not Frank at his best. Or anywhere near his best. I know the colorized Jerusalem is being discussed, but there
is a digitally remastered b&w version that is fantastic. Ed
On Monday, January 8, 2024 at 11:16:59 AM EST, Tito Montoya <franklyjoy22@gmail.com> wrote:
That's probably all true Ed .. sadly. About twelve years ago me and a friend from Sydney contacted the promoter who brought Frank to that country in 74 ( and later in 1987 ). I can't remember his name right now but at the time, although well into his 60's or 70's, he was still an avid surfer. ( He sent us some recent pics of him at the beach, lol! ). He also said he believed the video tape had been destroyed, the concert was filmed by Australia's ABC where this friend of mine had worked for years and she herself, being able to access their archives, had looked for it with no results. The story was told some years after in the film The Night we called it a Day, with Dennis Hopper and Melanie Griffiths. A real shame ..
El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>) escribió:
Hi Fred, The concert you are looking for was aired in Australiaas part of the deal to get Frank up and running again. After offend-ing the press and unions, he was literally a prisoner in his hotelroom. Mickey Rudin worked out a deal that included the concertbeing aired throughout the country. But there was a proviso: allcopies had to be destroyed immediately after the airing. Bill Weeden(president of the Aussie Society) came tovisit later that year. I asked him if any copies escaped. He wasquite certain they had not. I then asked if anyone down under had a Vu Matic or other machine that could have taken it directlyfrom the TV broadcast. Bill told me Australia was far behindAmerica in that kind of technology. No one was able to copyit according to Mr. Weeden.Ed
On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <frw2@hotmail.co.uk> wrote:
Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued on DVD? Thanks FJW
| | Virus-free.www.avg.com |
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
That's probably all true Ed .. sadly. About twelve years ago me and a
friend from Sydney contacted the promoter who brought Frank to that country
in 74 ( and later in 1987 ). I can't remember his name right now but at the
time, although well into his 60's or 70's, he was still an avid surfer. (
He sent us some recent pics of him at the beach, lol! ). He also said he
believed the video tape had been destroyed, the concert was filmed by
Australia's ABC where this friend of mine had worked for years and she
herself, being able to access their archives, had looked for it with no
results. The story was told some years after in the film The Night we
called it a Day, with Dennis Hopper and Melanie Griffiths.
A real shame ..
El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Fred,
> The concert you are looking for was aired in Australia
> as part of the deal to get Frank up and running again. After offend-
> ing the press and unions, he was literally a prisoner in his hotel
> room. Mickey Rudin worked out a deal that included the concert
> being aired throughout the country. But there was a proviso: all
> copies had to be destroyed immediately after the airing.
> Bill Weeden(president of the Aussie Society) came to
> visit later that year. I asked him if any copies escaped. He was
> quite certain they had not. I then asked if anyone down under
> had a Vu Matic or other machine that could have taken it directly
> from the TV broadcast. Bill told me Australia was far behind
> America in that kind of technology. No one was able to copy
> it according to Mr. Weeden.
> Ed
>
> On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <
> frw2@hotmail.co.uk> wrote:
>
>
> Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued
> on DVD? Thanks FJW
>
>
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> Virus-free.www.avg.com
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> <#m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
Hi Ed,
I have the audio of that concert, and indeed, he was far from being on top
form, he sounded hoarse. It looks like all those days in which he had to be
locked in at his hotel, took their toll.
Prior to watching this concert - I'm doing it now ! - I remember some years
ago one or two songs from Jerusalem appeared on youtube ( My Way was one of
them if I'm not mistaken .. ), it was black and white though.
I didn't know a full B&W version had been circulating, the last three or
four years I wasn't very much into the web, I may have missed a lot ...
Thank you for all the accurate information!
Al
El lun, 8 ene 2024 a las 14:56, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Tito,
> I have a tape of M. Rudin telling the story and what became
> of the tape. If you have an audio of the concert, I'm sure you would
> agree it is not Frank at his best. Or anywhere near his best.
> I know the colorized Jerusalem is being discussed, but there
> is a digitally remastered b&w version that is fantastic.
> Ed
>
> On Monday, January 8, 2024 at 11:16:59 AM EST, Tito Montoya <
> franklyjoy22@gmail.com> wrote:
>
>
> That's probably all true Ed .. sadly. About twelve years ago me and a
> friend from Sydney contacted the promoter who brought Frank to that country
> in 74 ( and later in 1987 ). I can't remember his name right now but at the
> time, although well into his 60's or 70's, he was still an avid surfer. (
> He sent us some recent pics of him at the beach, lol! ). He also said he
> believed the video tape had been destroyed, the concert was filmed by
> Australia's ABC where this friend of mine had worked for years and she
> herself, being able to access their archives, had looked for it with no
> results. The story was told some years after in the film The Night we
> called it a Day, with Dennis Hopper and Melanie Griffiths.
> A real shame ..
>
> El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>)
> escribió:
>
> Hi Fred,
> The concert you are looking for was aired in Australia
> as part of the deal to get Frank up and running again. After offend-
> ing the press and unions, he was literally a prisoner in his hotel
> room. Mickey Rudin worked out a deal that included the concert
> being aired throughout the country. But there was a proviso: all
> copies had to be destroyed immediately after the airing.
> Bill Weeden(president of the Aussie Society) came to
> visit later that year. I asked him if any copies escaped. He was
> quite certain they had not. I then asked if anyone down under
> had a Vu Matic or other machine that could have taken it directly
> from the TV broadcast. Bill told me Australia was far behind
> America in that kind of technology. No one was able to copy
> it according to Mr. Weeden.
> Ed
>
> On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <
> frw2@hotmail.co.uk> wrote:
>
>
> Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued
> on DVD? Thanks FJW
>
>
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> Virus-free.www.avg.com
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> <#m_8804834078266617316_m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>
>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-08
Hi Tito, I have a tape of M. Rudin telling the story and what becameof the tape. If you have an audio of the concert, I'm sure you wouldagree it is not Frank at his best. Or anywhere near his best. I know the colorized Jerusalem is being discussed, but there
is a digitally remastered b&w version that is fantastic. Ed
On Monday, January 8, 2024 at 11:16:59 AM EST, Tito Montoya <franklyjoy22@gmail.com> wrote:
That's probably all true Ed .. sadly. About twelve years ago me and a friend from Sydney contacted the promoter who brought Frank to that country in 74 ( and later in 1987 ). I can't remember his name right now but at the time, although well into his 60's or 70's, he was still an avid surfer. ( He sent us some recent pics of him at the beach, lol! ). He also said he believed the video tape had been destroyed, the concert was filmed by Australia's ABC where this friend of mine had worked for years and she herself, being able to access their archives, had looked for it with no results. The story was told some years after in the film The Night we called it a Day, with Dennis Hopper and Melanie Griffiths. A real shame ..
El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>) escribió:
Hi Fred, The concert you are looking for was aired in Australiaas part of the deal to get Frank up and running again. After offend-ing the press and unions, he was literally a prisoner in his hotelroom. Mickey Rudin worked out a deal that included the concertbeing aired throughout the country. But there was a proviso: allcopies had to be destroyed immediately after the airing. Bill Weeden(president of the Aussie Society) came tovisit later that year. I asked him if any copies escaped. He wasquite certain they had not. I then asked if anyone down under had a Vu Matic or other machine that could have taken it directlyfrom the TV broadcast. Bill told me Australia was far behindAmerica in that kind of technology. No one was able to copyit according to Mr. Weeden.Ed
On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <frw2@hotmail.co.uk> wrote:
Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued on DVD? Thanks FJW
| | Virus-free.www.avg.com |
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
That's probably all true Ed .. sadly. About twelve years ago me and a
friend from Sydney contacted the promoter who brought Frank to that country
in 74 ( and later in 1987 ). I can't remember his name right now but at the
time, although well into his 60's or 70's, he was still an avid surfer. (
He sent us some recent pics of him at the beach, lol! ). He also said he
believed the video tape had been destroyed, the concert was filmed by
Australia's ABC where this friend of mine had worked for years and she
herself, being able to access their archives, had looked for it with no
results. The story was told some years after in the film The Night we
called it a Day, with Dennis Hopper and Melanie Griffiths.
A real shame ..
El sáb, 30 dic 2023 a las 13:24, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Fred,
> The concert you are looking for was aired in Australia
> as part of the deal to get Frank up and running again. After offend-
> ing the press and unions, he was literally a prisoner in his hotel
> room. Mickey Rudin worked out a deal that included the concert
> being aired throughout the country. But there was a proviso: all
> copies had to be destroyed immediately after the airing.
> Bill Weeden(president of the Aussie Society) came to
> visit later that year. I asked him if any copies escaped. He was
> quite certain they had not. I then asked if anyone down under
> had a Vu Matic or other machine that could have taken it directly
> from the TV broadcast. Bill told me Australia was far behind
> America in that kind of technology. No one was able to copy
> it according to Mr. Weeden.
> Ed
>
> On Saturday, December 30, 2023 at 10:30:32 AM EST, Fred Wadsworth <
> frw2@hotmail.co.uk> wrote:
>
>
> Can anyone help me as the Sinatra Concert SYDNEY 16/7 74 ever been issued
> on DVD? Thanks FJW
>
>
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> Virus-free.www.avg.com
> <http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
> <#m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-08
Hi Shemmy, Roberto Quartin was the fellow who did the Jerusalemand the RFH 62. Roberto worked with what was sent to him. Hewanted both shows from the masters. Alas, that was not be. Robertowas very frustrated and worked with the material provided. I tried totalk him out of putting "All By Myself" on the CD. He loved the songand wouldn't listen to me. The London is not all from 6-1-62. Robertolifted songs from Tokyo and I believe other venues. He gave me therun down on what he replaced from 6/1. I could try and dig out his letterif you are interested.Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
JohnThe jerusalem concert was first released on a cd by “mazal tov” records.A very good bootleg.I was told the Brazil guy got this cd and copied it and issued it asHis find.In order to look original he added a song from Another concert “all by myself”As far as I remember.Just to look authentic.If you watch the video it is not there.It was a gimmick from reprise Brazil.They also issued the London June 1 1962 concert.I have this concert on monoAnd it sounds better.Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy! Very much appreciated.Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------Van: shemmy Mashiah <smashiah@netvision.net.il> Datum: 28-12-2023 16:02 (GMT+01:00) Aan: sinatraphiles@freelists.org Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-08
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: "John K. George" <dmarc-noreply@freelists.org> | Received: 2024-01-08
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy! Very much appreciated.Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------Van: shemmy Mashiah <smashiah@netvision.net.il> Datum: 28-12-2023 16:02 (GMT+01:00) Aan: sinatraphiles@freelists.org Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
Thank you from me too Shemmy !! I just opened this account and found this
very rare concert .. WOW !!!! For years I looked for it together with the
televised Concert in Australia from 1974 ( to no avail sadly, the promoter
of those concerts told us that the ABC TV tape seemed to have been
destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better
sounding tape of the Concertgebow performance from that same year exists ?
To me that was one of his very best concerts from the 70's ... oh well ...
maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
escribió:
>
> Thank you Shemmy!
> Very much appreciated.
> Margriet
>
>
> Verzonden vanaf mijn Galaxy
>
>
> -------- Oorspronkelijk bericht --------
> Van: shemmy Mashiah <smashiah@netvision.net.il>
> Datum: 28-12-2023 16:02 (GMT+01:00)
> Aan: sinatraphiles@freelists.org
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
> I was there 47 years ago.
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-08
Hi Shemmy, Roberto Quartin was the fellow who did the Jerusalemand the RFH 62. Roberto worked with what was sent to him. Hewanted both shows from the masters. Alas, that was not be. Robertowas very frustrated and worked with the material provided. I tried totalk him out of putting "All By Myself" on the CD. He loved the songand wouldn't listen to me. The London is not all from 6-1-62. Robertolifted songs from Tokyo and I believe other venues. He gave me therun down on what he replaced from 6/1. I could try and dig out his letterif you are interested.Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
JohnThe jerusalem concert was first released on a cd by “mazal tov” records.A very good bootleg.I was told the Brazil guy got this cd and copied it and issued it asHis find.In order to look original he added a song from Another concert “all by myself”As far as I remember.Just to look authentic.If you watch the video it is not there.It was a gimmick from reprise Brazil.They also issued the London June 1 1962 concert.I have this concert on monoAnd it sounds better.Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy! Very much appreciated.Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------Van: shemmy Mashiah <smashiah@netvision.net.il> Datum: 28-12-2023 16:02 (GMT+01:00) Aan: sinatraphiles@freelists.org Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-08
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: "John K. George" <dmarc-noreply@freelists.org> | Received: 2024-01-08
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy! Very much appreciated.Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------Van: shemmy Mashiah <smashiah@netvision.net.il> Datum: 28-12-2023 16:02 (GMT+01:00) Aan: sinatraphiles@freelists.org Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
Thank you from me too Shemmy !! I just opened this account and found this
very rare concert .. WOW !!!! For years I looked for it together with the
televised Concert in Australia from 1974 ( to no avail sadly, the promoter
of those concerts told us that the ABC TV tape seemed to have been
destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better
sounding tape of the Concertgebow performance from that same year exists ?
To me that was one of his very best concerts from the 70's ... oh well ...
maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
escribió:
>
> Thank you Shemmy!
> Very much appreciated.
> Margriet
>
>
> Verzonden vanaf mijn Galaxy
>
>
> -------- Oorspronkelijk bericht --------
> Van: shemmy Mashiah <smashiah@netvision.net.il>
> Datum: 28-12-2023 16:02 (GMT+01:00)
> Aan: sinatraphiles@freelists.org
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
> I was there 47 years ago.
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-08
Hi Shemmy, Roberto Quartin was the fellow who did the Jerusalemand the RFH 62. Roberto worked with what was sent to him. Hewanted both shows from the masters. Alas, that was not be. Robertowas very frustrated and worked with the material provided. I tried totalk him out of putting "All By Myself" on the CD. He loved the songand wouldn't listen to me. The London is not all from 6-1-62. Robertolifted songs from Tokyo and I believe other venues. He gave me therun down on what he replaced from 6/1. I could try and dig out his letterif you are interested.Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
JohnThe jerusalem concert was first released on a cd by “mazal tov” records.A very good bootleg.I was told the Brazil guy got this cd and copied it and issued it asHis find.In order to look original he added a song from Another concert “all by myself”As far as I remember.Just to look authentic.If you watch the video it is not there.It was a gimmick from reprise Brazil.They also issued the London June 1 1962 concert.I have this concert on monoAnd it sounds better.Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy! Very much appreciated.Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------Van: shemmy Mashiah <smashiah@netvision.net.il> Datum: 28-12-2023 16:02 (GMT+01:00) Aan: sinatraphiles@freelists.org Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-08
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: "John K. George" <dmarc-noreply@freelists.org> | Received: 2024-01-08
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy! Very much appreciated.Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------Van: shemmy Mashiah <smashiah@netvision.net.il> Datum: 28-12-2023 16:02 (GMT+01:00) Aan: sinatraphiles@freelists.org Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-08
Thank you from me too Shemmy !! I just opened this account and found this
very rare concert .. WOW !!!! For years I looked for it together with the
televised Concert in Australia from 1974 ( to no avail sadly, the promoter
of those concerts told us that the ABC TV tape seemed to have been
destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better
sounding tape of the Concertgebow performance from that same year exists ?
To me that was one of his very best concerts from the 70's ... oh well ...
maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
escribió:
>
> Thank you Shemmy!
> Very much appreciated.
> Margriet
>
>
> Verzonden vanaf mijn Galaxy
>
>
> -------- Oorspronkelijk bericht --------
> Van: shemmy Mashiah <smashiah@netvision.net.il>
> Datum: 28-12-2023 16:02 (GMT+01:00)
> Aan: sinatraphiles@freelists.org
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
> I was there 47 years ago.
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-09
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-09
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-09
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
On Tuesday, January 9, 2024 at 01:55:09 AM EST, Tito Montoya <franklyjoy22@gmail.com> wrote:
I agree the two concerts from Japan '62 are great! I believe Hibiya Park was officially released some years ago, Mikado might be missing.
El lun, 8 ene 2024 a las 18:06, Jumong Singson (<iamjumongsingson@gmail.com>) escribió:
The two songs you're mentioning Tito was My Way and Send in the Clowns. I have the master of the black and white of the concert i don't know if this is the digitally remastered version so nah. Off-Topic but i also have two great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than those mentioned concerts above
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-09
I agree the two concerts from Japan '62 are great! I believe Hibiya Park
was officially released some years ago, Mikado might be missing.
El lun, 8 ene 2024 a las 18:06, Jumong Singson (<iamjumongsingson@gmail.com>)
escribió:
> The two songs you're mentioning Tito was My Way and Send in the Clowns. I
> have the master of the black and white of the concert i don't know if this
> is the digitally remastered version so nah. Off-Topic but i also have two
> great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than
> those mentioned concerts above
>
>
>>> <#m_-1052237339508264834_m_-2430510341078119992_m_2668372741691890359_m_8804834078266617316_m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>>>
>>>
Re: Sinatra Concert:
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
The two songs you're mentioning Tito was My Way and Send in the Clowns. I have the master of the black and white of the concert i don't know if this is the digitally remastered version so nah. Off-Topic but i also have two great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than those mentioned concerts above
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-09
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-09
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-09
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
On Tuesday, January 9, 2024 at 01:55:09 AM EST, Tito Montoya <franklyjoy22@gmail.com> wrote:
I agree the two concerts from Japan '62 are great! I believe Hibiya Park was officially released some years ago, Mikado might be missing.
El lun, 8 ene 2024 a las 18:06, Jumong Singson (<iamjumongsingson@gmail.com>) escribió:
The two songs you're mentioning Tito was My Way and Send in the Clowns. I have the master of the black and white of the concert i don't know if this is the digitally remastered version so nah. Off-Topic but i also have two great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than those mentioned concerts above
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-09
I agree the two concerts from Japan '62 are great! I believe Hibiya Park
was officially released some years ago, Mikado might be missing.
El lun, 8 ene 2024 a las 18:06, Jumong Singson (<iamjumongsingson@gmail.com>)
escribió:
> The two songs you're mentioning Tito was My Way and Send in the Clowns. I
> have the master of the black and white of the concert i don't know if this
> is the digitally remastered version so nah. Off-Topic but i also have two
> great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than
> those mentioned concerts above
>
>
>>> <#m_-1052237339508264834_m_-2430510341078119992_m_2668372741691890359_m_8804834078266617316_m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>>>
>>>
Re: Sinatra Concert:
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
The two songs you're mentioning Tito was My Way and Send in the Clowns. I have the master of the black and white of the concert i don't know if this is the digitally remastered version so nah. Off-Topic but i also have two great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than those mentioned concerts above
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-09
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-09
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-09
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
On Tuesday, January 9, 2024 at 01:55:09 AM EST, Tito Montoya <franklyjoy22@gmail.com> wrote:
I agree the two concerts from Japan '62 are great! I believe Hibiya Park was officially released some years ago, Mikado might be missing.
El lun, 8 ene 2024 a las 18:06, Jumong Singson (<iamjumongsingson@gmail.com>) escribió:
The two songs you're mentioning Tito was My Way and Send in the Clowns. I have the master of the black and white of the concert i don't know if this is the digitally remastered version so nah. Off-Topic but i also have two great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than those mentioned concerts above
Re: Sinatra Concert:
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-09
I agree the two concerts from Japan '62 are great! I believe Hibiya Park
was officially released some years ago, Mikado might be missing.
El lun, 8 ene 2024 a las 18:06, Jumong Singson (<iamjumongsingson@gmail.com>)
escribió:
> The two songs you're mentioning Tito was My Way and Send in the Clowns. I
> have the master of the black and white of the concert i don't know if this
> is the digitally remastered version so nah. Off-Topic but i also have two
> great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than
> those mentioned concerts above
>
>
>>> <#m_-1052237339508264834_m_-2430510341078119992_m_2668372741691890359_m_8804834078266617316_m_8458977156277733043_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
>>>
>>>
Re: Sinatra Concert:
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
The two songs you're mentioning Tito was My Way and Send in the Clowns. I have the master of the black and white of the concert i don't know if this is the digitally remastered version so nah. Off-Topic but i also have two great shows. Manila 1994 and Japan 1962 (Mikado) way more better shows than those mentioned concerts above
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Paul DAlessandro <dmarc-noreply@freelists.org> | Received: 2024-01-09
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-01-09
Thanks for the details Shemmy.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
I guess it was not filmed in colour - the top left of the video on YouTube says it was "colorized and enhanced by Silvereyes".
Richard
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of smashiah@netvision.net.il <smashiah@netvision.net.il>
Sent: 09 January 2024 08:31
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS<https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com<mailto:franklyjoy22@gmail.com>> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-09
Sorry
Jumong
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of shemmy Mashiah
Sent: Tuesday, January 9, 2024 1:39 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson < <mailto:iamjumongsingson@gmail.com> iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> > On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George < <mailto:dmarc-noreply@freelists.org> dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com <mailto:franklyjoy22@gmail.com> > wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il <mailto:shemmy@s-mashiah.co.il> >
To: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
Oh im Sorry 😅😅 I've done a mistake ahahaha
On Tue, Jan 9, 2024, 7:38 PM shemmy Mashiah <smashiah@netvision.net.il> wrote:
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson <iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image not recovered — source caption: “IMG_8097.JPG”]
[image not recovered — source caption: “IMG_8098.jpg”]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-09
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson <iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]


Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-09
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Paul DAlessandro <dmarc-noreply@freelists.org> | Received: 2024-01-09
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-01-09
Thanks for the details Shemmy.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
I guess it was not filmed in colour - the top left of the video on YouTube says it was "colorized and enhanced by Silvereyes".
Richard
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of smashiah@netvision.net.il <smashiah@netvision.net.il>
Sent: 09 January 2024 08:31
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS<https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com<mailto:franklyjoy22@gmail.com>> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-09
Sorry
Jumong
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of shemmy Mashiah
Sent: Tuesday, January 9, 2024 1:39 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson < <mailto:iamjumongsingson@gmail.com> iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> > On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George < <mailto:dmarc-noreply@freelists.org> dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com <mailto:franklyjoy22@gmail.com> > wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il <mailto:shemmy@s-mashiah.co.il> >
To: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
Oh im Sorry 😅😅 I've done a mistake ahahaha
On Tue, Jan 9, 2024, 7:38 PM shemmy Mashiah <smashiah@netvision.net.il> wrote:
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson <iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image not recovered — source caption: “IMG_8097.JPG”]
[image not recovered — source caption: “IMG_8098.jpg”]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-09
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson <iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]


Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-09
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Paul DAlessandro <dmarc-noreply@freelists.org> | Received: 2024-01-09
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-01-09
Thanks for the details Shemmy.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
I guess it was not filmed in colour - the top left of the video on YouTube says it was "colorized and enhanced by Silvereyes".
Richard
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of smashiah@netvision.net.il <smashiah@netvision.net.il>
Sent: 09 January 2024 08:31
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS<https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com<mailto:franklyjoy22@gmail.com>> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-09
Sorry
Jumong
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of shemmy Mashiah
Sent: Tuesday, January 9, 2024 1:39 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson < <mailto:iamjumongsingson@gmail.com> iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> > On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George < <mailto:dmarc-noreply@freelists.org> dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com <mailto:franklyjoy22@gmail.com> > wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il <mailto:shemmy@s-mashiah.co.il> >
To: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
Oh im Sorry 😅😅 I've done a mistake ahahaha
On Tue, Jan 9, 2024, 7:38 PM shemmy Mashiah <smashiah@netvision.net.il> wrote:
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson <iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image not recovered — source caption: “IMG_8097.JPG”]
[image not recovered — source caption: “IMG_8098.jpg”]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-09
Jumping
Bill miller plays on one for my baby.
I know bill Miller.
He is conducting.
When he conducts there is a piano player with a small beard.
Do you think that as a 63 year fan since I was 14 I will not recognize bill Miller?
Shemmy
נשלח מה-iPhone שלי
ב-9 בינו׳ 2024, בשעה 13:08, Jumong Singson <iamjumongsingson@gmail.com> כתב/ה:
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]


Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Jumong Singson <iamjumongsingson@gmail.com> | Received: 2024-01-09
The piano player is Bill Miller. Shemmy nice story!
On Tue, Jan 9, 2024, 4:31 PM <smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
---------- Forwarded message ----------
From: Shemmy Mashiah <shemmy@s-mashiah.co.il>
To: shemmy Mashiah <smashiah@netvision.net.il>
Cc:
Bcc:
Date: Tue, 09 Jan 2024 09:43:19 +0200
Subject: Jerusalem 1975
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-09
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: January 9 - THIS DATE IN SINATRA HISTORY - 1988 Sanctuary Cove , Australia
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
A good concert. Loved the inclusion of ‘Easy to Love.’
-Vance
On Tue, 9 Jan 2024 at 20:19, Margriet <dmarc-noreply@freelists.org> wrote:
> https://www.dailymotion.com/video/x2ovf2a
>
>
>
> 1988 Sanctuary Cove , Australia – full concert!
>
>
>
>
>
>
>
>
>
> *Van: *Scott Henderson <scott@falseducks.com>
> *Verzonden: *dinsdag 9 januari 2024 18:06
> *Aan: *sinatraphiles@freelists.org
> *Onderwerp: *[sinatraphiles] January 9 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
> *35 years ago today Sinatra exited the stage at the Sanctuary Cove in a
> most unique way. Moves last seen by Buddy Ebsen, Sinatra skipped away. One
> can only think he was happy with that million dollars he just earned.
> --BrianEd O'Brien replied:You are so cynical. Frank went down there because
> he longed to spend more time with the Australian press.Red Norvo told me
> some of the wonderful things they did to Frank during his visit in 1959 and
> Al Porcino remembered a few memorable moments during the 1961 visit. Funny
> stories today, not so funny for Frank back then.*
>
>
> *Television*
> *1988 Frank Sinatra Australian Press Conference*15 min.
>
>
> *1988 Sanctuary Cove , Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
>
>
>
>
>
>
>
>
>
>
>
> *Note: Australian TV special. Peter Allen opened the showEd O'Brien:The
> press conference was a love-in. Frank went out of his way to be very
> cordialand there was a group photo taken of all the Australian reporters
> with Sinatra.Clive Jamesinterviewed Sinatra separately and it was very
> interesting. The concert at Sanctuary Coveearned Frank a million dollars
> for less than 60 minutes of work. Of course there was 28hours of flying to
> and fro from L.A. to Down Under. He did a very nice job on "Easy To
> Love,"with the Mandel chart.*
> *1988 Sanctuary Cove, Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
> -------------------------------------------------
>
>
>
> * 1988 Sanctuary Cove , Australia*
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> © 1997-2024 The Sinatra Archive
> This calendar, or any parts thereof, may not be reproduced in any fashion
> whatsoever without the prior written permission of the publisher (The
> Sinatra Archive)
>
>
>
>
>
>
>
Re: January 9 - THIS DATE IN SINATRA HISTORY - 1988 Sanctuary Cove , Australia
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
A good concert. Loved the inclusion of ‘Easy to Love.’
-Vance
On Tue, 9 Jan 2024 at 20:19, Margriet <dmarc-noreply@freelists.org> wrote:
> https://www.dailymotion.com/video/x2ovf2a
>
>
>
> 1988 Sanctuary Cove , Australia – full concert!
>
>
>
>
>
>
>
>
>
> *Van: *Scott Henderson <scott@falseducks.com>
> *Verzonden: *dinsdag 9 januari 2024 18:06
> *Aan: *sinatraphiles@freelists.org
> *Onderwerp: *[sinatraphiles] January 9 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
> *35 years ago today Sinatra exited the stage at the Sanctuary Cove in a
> most unique way. Moves last seen by Buddy Ebsen, Sinatra skipped away. One
> can only think he was happy with that million dollars he just earned.
> --BrianEd O'Brien replied:You are so cynical. Frank went down there because
> he longed to spend more time with the Australian press.Red Norvo told me
> some of the wonderful things they did to Frank during his visit in 1959 and
> Al Porcino remembered a few memorable moments during the 1961 visit. Funny
> stories today, not so funny for Frank back then.*
>
>
> *Television*
> *1988 Frank Sinatra Australian Press Conference*15 min.
>
>
> *1988 Sanctuary Cove , Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
>
>
>
>
>
>
>
>
>
>
>
> *Note: Australian TV special. Peter Allen opened the showEd O'Brien:The
> press conference was a love-in. Frank went out of his way to be very
> cordialand there was a group photo taken of all the Australian reporters
> with Sinatra.Clive Jamesinterviewed Sinatra separately and it was very
> interesting. The concert at Sanctuary Coveearned Frank a million dollars
> for less than 60 minutes of work. Of course there was 28hours of flying to
> and fro from L.A. to Down Under. He did a very nice job on "Easy To
> Love,"with the Mandel chart.*
> *1988 Sanctuary Cove, Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
> -------------------------------------------------
>
>
>
> * 1988 Sanctuary Cove , Australia*
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> © 1997-2024 The Sinatra Archive
> This calendar, or any parts thereof, may not be reproduced in any fashion
> whatsoever without the prior written permission of the publisher (The
> Sinatra Archive)
>
>
>
>
>
>
>
Re: January 9 - THIS DATE IN SINATRA HISTORY - 1988 Sanctuary Cove , Australia
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
A good concert. Loved the inclusion of ‘Easy to Love.’
-Vance
On Tue, 9 Jan 2024 at 20:19, Margriet <dmarc-noreply@freelists.org> wrote:
> https://www.dailymotion.com/video/x2ovf2a
>
>
>
> 1988 Sanctuary Cove , Australia – full concert!
>
>
>
>
>
>
>
>
>
> *Van: *Scott Henderson <scott@falseducks.com>
> *Verzonden: *dinsdag 9 januari 2024 18:06
> *Aan: *sinatraphiles@freelists.org
> *Onderwerp: *[sinatraphiles] January 9 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
> *35 years ago today Sinatra exited the stage at the Sanctuary Cove in a
> most unique way. Moves last seen by Buddy Ebsen, Sinatra skipped away. One
> can only think he was happy with that million dollars he just earned.
> --BrianEd O'Brien replied:You are so cynical. Frank went down there because
> he longed to spend more time with the Australian press.Red Norvo told me
> some of the wonderful things they did to Frank during his visit in 1959 and
> Al Porcino remembered a few memorable moments during the 1961 visit. Funny
> stories today, not so funny for Frank back then.*
>
>
> *Television*
> *1988 Frank Sinatra Australian Press Conference*15 min.
>
>
> *1988 Sanctuary Cove , Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
>
>
>
>
>
>
>
>
>
>
>
> *Note: Australian TV special. Peter Allen opened the showEd O'Brien:The
> press conference was a love-in. Frank went out of his way to be very
> cordialand there was a group photo taken of all the Australian reporters
> with Sinatra.Clive Jamesinterviewed Sinatra separately and it was very
> interesting. The concert at Sanctuary Coveearned Frank a million dollars
> for less than 60 minutes of work. Of course there was 28hours of flying to
> and fro from L.A. to Down Under. He did a very nice job on "Easy To
> Love,"with the Mandel chart.*
> *1988 Sanctuary Cove, Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
> -------------------------------------------------
>
>
>
> * 1988 Sanctuary Cove , Australia*
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> © 1997-2024 The Sinatra Archive
> This calendar, or any parts thereof, may not be reproduced in any fashion
> whatsoever without the prior written permission of the publisher (The
> Sinatra Archive)
>
>
>
>
>
>
>
Re: Sinatra & CAROUSEL
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-10
Great reading and listening.
I’m of the opinion that Frank left Carousel because he didn’t like the ride. He was more of a Ferris Wheel type of person.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Will Friedwald
Sent: January 10, 2024 9:19 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Sinatra & CAROUSEL
Happy New Year (it’s not too late for that, is it?) This is my SubStack story on Sinatra and CAROUSEL, in four parts, which includes access to the remarkable newly-discovered historical recordings recently unearthed by Chuck Granata. It’s the most complete look at the topic yet, although ultimately we still don’t know the definitive answer as to why Sinatra left the set, although, obviously, there was more than one reason. Hope you enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
<https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d> https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u <https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true> &utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! <http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS <http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: Sinatra & CAROUSEL
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-10
Great reading and listening.
I’m of the opinion that Frank left Carousel because he didn’t like the ride. He was more of a Ferris Wheel type of person.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Will Friedwald
Sent: January 10, 2024 9:19 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Sinatra & CAROUSEL
Happy New Year (it’s not too late for that, is it?) This is my SubStack story on Sinatra and CAROUSEL, in four parts, which includes access to the remarkable newly-discovered historical recordings recently unearthed by Chuck Granata. It’s the most complete look at the topic yet, although ultimately we still don’t know the definitive answer as to why Sinatra left the set, although, obviously, there was more than one reason. Hope you enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
<https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d> https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u <https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true> &utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! <http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS <http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: Sinatra & CAROUSEL
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-01-10
Great reading and listening.
I’m of the opinion that Frank left Carousel because he didn’t like the ride. He was more of a Ferris Wheel type of person.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Will Friedwald
Sent: January 10, 2024 9:19 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Sinatra & CAROUSEL
Happy New Year (it’s not too late for that, is it?) This is my SubStack story on Sinatra and CAROUSEL, in four parts, which includes access to the remarkable newly-discovered historical recordings recently unearthed by Chuck Granata. It’s the most complete look at the topic yet, although ultimately we still don’t know the definitive answer as to why Sinatra left the set, although, obviously, there was more than one reason. Hope you enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
<https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d> https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u <https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true> &utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! <http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS <http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: Sinatra Concert:
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-10
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-10
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Re: Sinatra Concert:
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-10
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-10
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
Sinatra & CAROUSEL
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2024-01-10
Happy New Year (it’s not too late for that, is it?) This is my SubStack
story on Sinatra and CAROUSEL, in four parts, which includes access to the
remarkable newly-discovered historical recordings recently unearthed by
Chuck Granata. It’s the most complete look at the topic yet, although
ultimately we still don’t know the definitive answer as to why Sinatra left
the set, although, obviously, there was more than one reason. Hope you
enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for *The Wall Street
Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy*
magazine and other publications. He is also the host of the radio show Sing!
Sing! Sing! <http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS
<http://jazz88.us/> on Saturday mornings. He also is the author of ten
books including the award-winning *A Biographical Guide To The Great Jazz
And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett:
The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing.* He has
written over 600 liner notes for compact discs, received eleven Grammy
nominations, and appears frequently on television and other documentaries.
He is also a consultant and curator for Apple Music. Current books : *The
Great Jazz And Pop Vocal Albums* (Pantheon Books / Random House, November
2017), *Sinatra: The Song Is You!* - New Revised Edition (Chicago Review
Press, May 2018) and *Straighten Up and Fly Right: The Life and Music of **Nat
King Cole * (Oxford University Press, July 2020). He studied elocution
with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Sinatra & CAROUSEL
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2024-01-10
Happy New Year (it’s not too late for that, is it?) This is my SubStack
story on Sinatra and CAROUSEL, in four parts, which includes access to the
remarkable newly-discovered historical recordings recently unearthed by
Chuck Granata. It’s the most complete look at the topic yet, although
ultimately we still don’t know the definitive answer as to why Sinatra left
the set, although, obviously, there was more than one reason. Hope you
enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for *The Wall Street
Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy*
magazine and other publications. He is also the host of the radio show Sing!
Sing! Sing! <http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS
<http://jazz88.us/> on Saturday mornings. He also is the author of ten
books including the award-winning *A Biographical Guide To The Great Jazz
And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett:
The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing.* He has
written over 600 liner notes for compact discs, received eleven Grammy
nominations, and appears frequently on television and other documentaries.
He is also a consultant and curator for Apple Music. Current books : *The
Great Jazz And Pop Vocal Albums* (Pantheon Books / Random House, November
2017), *Sinatra: The Song Is You!* - New Revised Edition (Chicago Review
Press, May 2018) and *Straighten Up and Fly Right: The Life and Music of **Nat
King Cole * (Oxford University Press, July 2020). He studied elocution
with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Sinatra & CAROUSEL
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2024-01-10
Happy New Year (it’s not too late for that, is it?) This is my SubStack
story on Sinatra and CAROUSEL, in four parts, which includes access to the
remarkable newly-discovered historical recordings recently unearthed by
Chuck Granata. It’s the most complete look at the topic yet, although
ultimately we still don’t know the definitive answer as to why Sinatra left
the set, although, obviously, there was more than one reason. Hope you
enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for *The Wall Street
Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy*
magazine and other publications. He is also the host of the radio show Sing!
Sing! Sing! <http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS
<http://jazz88.us/> on Saturday mornings. He also is the author of ten
books including the award-winning *A Biographical Guide To The Great Jazz
And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett:
The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing.* He has
written over 600 liner notes for compact discs, received eleven Grammy
nominations, and appears frequently on television and other documentaries.
He is also a consultant and curator for Apple Music. Current books : *The
Great Jazz And Pop Vocal Albums* (Pantheon Books / Random House, November
2017), *Sinatra: The Song Is You!* - New Revised Edition (Chicago Review
Press, May 2018) and *Straighten Up and Fly Right: The Life and Music of **Nat
King Cole * (Oxford University Press, July 2020). He studied elocution
with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: January 9 - THIS DATE IN SINATRA HISTORY - 1988 Sanctuary Cove , Australia
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Thank you Margriet !! :)
El mar, 9 ene 2024 a las 15:19, Margriet (<dmarc-noreply@freelists.org>)
escribió:
> https://www.dailymotion.com/video/x2ovf2a
>
>
>
> 1988 Sanctuary Cove , Australia – full concert!
>
>
>
>
>
>
>
>
>
> *Van: *Scott Henderson <scott@falseducks.com>
> *Verzonden: *dinsdag 9 januari 2024 18:06
> *Aan: *sinatraphiles@freelists.org
> *Onderwerp: *[sinatraphiles] January 9 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
> *35 years ago today Sinatra exited the stage at the Sanctuary Cove in a
> most unique way. Moves last seen by Buddy Ebsen, Sinatra skipped away. One
> can only think he was happy with that million dollars he just earned.
> --BrianEd O'Brien replied:You are so cynical. Frank went down there because
> he longed to spend more time with the Australian press.Red Norvo told me
> some of the wonderful things they did to Frank during his visit in 1959 and
> Al Porcino remembered a few memorable moments during the 1961 visit. Funny
> stories today, not so funny for Frank back then.*
>
>
> *Television*
> *1988 Frank Sinatra Australian Press Conference*15 min.
>
>
> *1988 Sanctuary Cove , Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
>
>
>
>
>
>
>
>
>
>
>
> *Note: Australian TV special. Peter Allen opened the showEd O'Brien:The
> press conference was a love-in. Frank went out of his way to be very
> cordialand there was a group photo taken of all the Australian reporters
> with Sinatra.Clive Jamesinterviewed Sinatra separately and it was very
> interesting. The concert at Sanctuary Coveearned Frank a million dollars
> for less than 60 minutes of work. Of course there was 28hours of flying to
> and fro from L.A. to Down Under. He did a very nice job on "Easy To
> Love,"with the Mandel chart.*
> *1988 Sanctuary Cove, Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
> -------------------------------------------------
>
>
>
> * 1988 Sanctuary Cove , Australia*
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> © 1997-2024 The Sinatra Archive
> This calendar, or any parts thereof, may not be reproduced in any fashion
> whatsoever without the prior written permission of the publisher (The
> Sinatra Archive)
>
>
>
>
>
>
>
Re: January 9 - THIS DATE IN SINATRA HISTORY - 1988 Sanctuary Cove , Australia
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Thank you Margriet !! :)
El mar, 9 ene 2024 a las 15:19, Margriet (<dmarc-noreply@freelists.org>)
escribió:
> https://www.dailymotion.com/video/x2ovf2a
>
>
>
> 1988 Sanctuary Cove , Australia – full concert!
>
>
>
>
>
>
>
>
>
> *Van: *Scott Henderson <scott@falseducks.com>
> *Verzonden: *dinsdag 9 januari 2024 18:06
> *Aan: *sinatraphiles@freelists.org
> *Onderwerp: *[sinatraphiles] January 9 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
> *35 years ago today Sinatra exited the stage at the Sanctuary Cove in a
> most unique way. Moves last seen by Buddy Ebsen, Sinatra skipped away. One
> can only think he was happy with that million dollars he just earned.
> --BrianEd O'Brien replied:You are so cynical. Frank went down there because
> he longed to spend more time with the Australian press.Red Norvo told me
> some of the wonderful things they did to Frank during his visit in 1959 and
> Al Porcino remembered a few memorable moments during the 1961 visit. Funny
> stories today, not so funny for Frank back then.*
>
>
> *Television*
> *1988 Frank Sinatra Australian Press Conference*15 min.
>
>
> *1988 Sanctuary Cove , Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
>
>
>
>
>
>
>
>
>
>
>
> *Note: Australian TV special. Peter Allen opened the showEd O'Brien:The
> press conference was a love-in. Frank went out of his way to be very
> cordialand there was a group photo taken of all the Australian reporters
> with Sinatra.Clive Jamesinterviewed Sinatra separately and it was very
> interesting. The concert at Sanctuary Coveearned Frank a million dollars
> for less than 60 minutes of work. Of course there was 28hours of flying to
> and fro from L.A. to Down Under. He did a very nice job on "Easy To
> Love,"with the Mandel chart.*
> *1988 Sanctuary Cove, Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
> -------------------------------------------------
>
>
>
> * 1988 Sanctuary Cove , Australia*
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> © 1997-2024 The Sinatra Archive
> This calendar, or any parts thereof, may not be reproduced in any fashion
> whatsoever without the prior written permission of the publisher (The
> Sinatra Archive)
>
>
>
>
>
>
>
Re: January 9 - THIS DATE IN SINATRA HISTORY - 1988 Sanctuary Cove , Australia
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Thank you Margriet !! :)
El mar, 9 ene 2024 a las 15:19, Margriet (<dmarc-noreply@freelists.org>)
escribió:
> https://www.dailymotion.com/video/x2ovf2a
>
>
>
> 1988 Sanctuary Cove , Australia – full concert!
>
>
>
>
>
>
>
>
>
> *Van: *Scott Henderson <scott@falseducks.com>
> *Verzonden: *dinsdag 9 januari 2024 18:06
> *Aan: *sinatraphiles@freelists.org
> *Onderwerp: *[sinatraphiles] January 9 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
> *35 years ago today Sinatra exited the stage at the Sanctuary Cove in a
> most unique way. Moves last seen by Buddy Ebsen, Sinatra skipped away. One
> can only think he was happy with that million dollars he just earned.
> --BrianEd O'Brien replied:You are so cynical. Frank went down there because
> he longed to spend more time with the Australian press.Red Norvo told me
> some of the wonderful things they did to Frank during his visit in 1959 and
> Al Porcino remembered a few memorable moments during the 1961 visit. Funny
> stories today, not so funny for Frank back then.*
>
>
> *Television*
> *1988 Frank Sinatra Australian Press Conference*15 min.
>
>
> *1988 Sanctuary Cove , Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
>
>
>
>
>
>
>
>
>
>
>
> *Note: Australian TV special. Peter Allen opened the showEd O'Brien:The
> press conference was a love-in. Frank went out of his way to be very
> cordialand there was a group photo taken of all the Australian reporters
> with Sinatra.Clive Jamesinterviewed Sinatra separately and it was very
> interesting. The concert at Sanctuary Coveearned Frank a million dollars
> for less than 60 minutes of work. Of course there was 28hours of flying to
> and fro from L.A. to Down Under. He did a very nice job on "Easy To
> Love,"with the Mandel chart.*
> *1988 Sanctuary Cove, Australia*1. All Of Me
> 2. You Make Me Feel So Young
> 3. For Once In My Life
> 4. Summer Wind
> 5. Maybe This Time
> 6. If
> 7. You Are The Sunshine Of My Life
> 8. What's New
> 9. Come Fly With Me
> 10. The Gal That Got Away - It Never Entered My Mind
> 11. Easy To Love
> 12. Bewitched
> 13. Mack The Knife
> 14. The Lady Is A Tramp
> 15. My Way
> 16. New York , New York
>
>
> -------------------------------------------------
>
>
>
> * 1988 Sanctuary Cove , Australia*
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> [image: Emacs!]
>
> © 1997-2024 The Sinatra Archive
> This calendar, or any parts thereof, may not be reproduced in any fashion
> whatsoever without the prior written permission of the publisher (The
> Sinatra Archive)
>
>
>
>
>
>
>
Re: SINATRA IN ARGENTINA - PREPARATIONS FOR THE CONCERT - BEHIND THE SCENES
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-01-11
Al: Thank you for the translation. Very interesting.
_____________
Jim Johnson
Rehoboth Beach, DE
On Jan 11, 2024, at 12:39 PM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Below is a Youtube clip and a translation of Ramón (Nicknamed "Palito" ) Ortega, explaining how he brought Sinatra to Argentina in 1981.
Some time after Frank went back to the States, a skyrocketing inflation took place in Argentina - actually it had already begun before Sinatra and his team arrived in Buenos Aires - ; Palito explained in another interview that when his team saw how the "pesos" began to lose value against american dollars, they saw the concerts could be a financial disaster for him. Palito's answer was that at that stage he could'nt back off, he had already signed the contract with Frank and besides he added, they're already packing up all their stuff. I gave Sinatra my word, I shall honour it.
So the peso devaluation started days before Sinatra and his team arrived in Buenos Aires, kept going up during the time he performed in that city and skyrocketed months after he left.
Minutes before the plane with Sinatra took off to take him back to the USA, Palito got in the plane for a final hug and was told by him: "I know what you're going through. I want you to know that if you ever go to the States to work, I will always be there as a warrant. I want you to remember this. "
In the below clip Ortega explains how the idea of taking Sinatra to Argentina came about, the negotiations he went though and how he came to his rescue years after, when he paid all his debts in Argentina and had to start over from zero. Palito was already a millionaire performer when he engaged Sinatra and his team to perform in Buenos Aires, but so severe was his financial crash that he had to work for some years in his country to pay all he owed before he could leave.
Palito ortega by the way, was an iconic singer-composer all over Latin America and Spain all through the sixties till this day. He didn't have the most charming of all voices, but was agreat song writer, very often too making songs for other artists turning them into big hits.
Below is the youtube clip and a translation (Btw, there was another one some time ago where he also spoke at lenght about his time with Frank in Argentina, sadly I believe it was taken down ) - The "Sinatra interview" begins at 3' 29
Palito Ortega: Frank Sinatra, la politica y el cine.
https://www.youtube.com/watch?v=QszYLfC240I
3.29
Interviewer:
Tell me
what was it like bringing Sinatra, how did it come about ?
There were
four dinner shows and two concerts at the Luna Park arena.
3.37
Palito: At the beginning making Sinatra appear at the
Luna park looked like a distant dream. I had a friend here, a great pianist,
Filiken was his name, he had a son who used to travel a lot. He told me he that
knew one of Sinatra’s lawyers .. so that’s how the first contact with one of
them took place. We had a lot of meetings first, until one day Sinatra finally
turned up taking a seat before me. .. face to face…. In order to break the
ice and my nervoussness I made a joke to him.. in Spanish … like someone saying
here “ I have a chacarera for you” (it’s an argentinian phrase meaning “ I have
a something for you to sing .. ” ), instead of it I told him “ Sinatra, I have
a Cumbia for you” ( the Cumbia is a popular Colombian rhythm, with various
degrees of popularity in different LA countries) ..
4.30
Interviewer:
Don’t fuck me up!
Palito: I
swear it, for my life … all the others present who knew spanish were trying to
keep a square face … can you imagine me offering Sinatra a Cumbia ? .. but that was just to break the ice …
obviously he didn’t understand a word ….
But that’s how our first meeting took place ..
I really can’t tell you how warm he was
.. when I remember the Bourbon and the Whiskie he used to drink .. I had to run to the American Embassy for
some bottles … till they got all for me
… there was a large table with drinks … the look of pleasure on his face when
he finished his shows … he would ask to be alone for fiteen minutes after the
concerts, he shouldn’t be disturbed …he’d
ask you not to go up to his suite until he finished showering, changing
clothes, etc … we’ d wait for a while and then when we went up he’d welcome us with a big smile on his face and asked what you’ d like
to drink .. he used to prepare the drinks for you himself …he made incredible
martinis … he was very, very warm in private … he would kneel down on the
carpet and sit there with my and other people’s children just being one of them
(interesting pic at 5:35 … Sinatra singing or talking to the children, probably
taken at one of the concerts in Buenos Aires at the Sheraton Hotel ) .. Afterwards of course he
took up the stage, became Sinatra and the whole stadium fell down … a
very enchanting guy … the thing is when the doors to his suite opened his whole
face started to change … there’d be two big guys walking ahead and behind him ..
and then one day .. I was almost
impertinent to ask him … why he had so
many “security people” around him … he looked at me very seriously and said … (
6.03 ) “If John lennon had acted like me .. nothing like what happened would
have taken place … I don’t think anybody
hates me as much as to put a bullet in me … but the world is filled up with crazy guys “.
6.24
Intercviewer:
He was very
good to you when he realized everything that was going on in Argentina at that
time with the economy going down right ? … I
understand he behaved great with you … a guy who honoured his word.
6.30
Palito: Yes, yes … very, very well .. they
(Sinatra’s people ) left the USA for Argentina when they had already charged their “cache” ,
the thing is that you had to have a large bank behind you backing you up .. they
were large banking transfers, almost as if you were importing extremely valuable
goods. Somebody informed him well about Argentina’s devaluation at that time ..
the lies …. about USA dollars being ten one
day, then twenty on the next … something
awful … you couldn’t really plan anything in advance … impossible to make a
project for tomorrow or the day after … finally …. in life I believe that if you behave
well… at some point other people will be good to you too.
When he went
back to the States, the last thing he told me was: I know everything that
has happened to you, ( Inflation had already begun
and Palito was losing millions with every week. )
“The only
thing that you musnt’ forget is this: The day when you need someone in the
States to act as a warrantor, do not hesitate to call me”
I went to the
States five years after working, and working in Argentina non-stop … till I finally paid everything I
owed … I said to myself, I don’t want to make any mistakes or take a false step
anymore … now I want to go and start over again … my wife was pregnant so it
was hard for her too … where do we go she asked … to the USA …. She wanted to go to Europe though cause I’d been offered a contract in
Spain .. but I said no, let’s go to the
States … and I took up the dates I was offered .. I went to sing to Vegas … and I was amazed, my concerts were crowded, till
then I didn’t understand how that could be … soon after I realized that when he
made his moves (Sinatra) … he did move!
. I began to be called by people I’d never heard about … till one day I get a
call from someone who asks me : “ Mr Ortega, how are your kids doing ? .. at
school I mean “ . Suddenly the principal, the vice principal .. even the
doormen were coming to my house to make sure that we were all well attended.
(Palito here is skipping the fact that one of
the first things he did when he arrived in the States, was contacting Sinatra’s
people, though not knowing if he would remember him or even more, the promise
he had made to him; on another video he speaks a t length of his meetings with
Sinatra when he contacted him for help. Sinatra’s “intelligence service” had
already told him that Palito was coming to perform in Vegas, so he arranged
everything for his concerts to be sold out, before ven speaking with Ortega. I’ll make a translation tomorrow ).
Palito:
The truth
is that he behaved so well … a huge pleasure to be sharing drinks with him all
those nights and finally taking him up there at the Luna Park to perform … I
had never, ever seen so many men crying … I am deeply moved when I see a man
crying you know .. but deeply … I get shivers … people who never though they
would see him perform … fans you know, fans are like that … “ Palito … they would thank me sobbing …. I never
though I would get to see him in person “. But of course a fan is like that …
There's also another interview to Palito Orteha's son some months ago, in which he recalls how Sinatra tok the time to play with him at his hotel room ( "something he didn't have to do but took the time to! " ):
I will attempt a translation tomorrow if there's an interest ..
Al (Tito)
El jue, 11 ene 2024 a las 11:03, Tito Montoya (<franklyjoy22@gmail.com>) escribió:
Ooops !! 🙄
You were very lucky though to see him live, and at his very peak too! I could never saw him in person, I was in Argentina in July of 1981, a few days before he arrived in town to give a series of concerts, but had to return back to school in Lima; so asking my parents to stay for a few more days was out of the question. That was "the closest" I ever got to see him live.
A few days ago i made translation into English, of some clips I saw on youtube, where Palito Ortega - an iconic Argentinian singer-composer who happened to bring Sinatra to Argentina - tells of his experiences with Frank before , during and after he performed in that country. I think it's interesting to know how he helped him out some years after, when Palito went to the States with his family to work. He couldn't have had a better warrant and supporter. I'll send it soon !
Alvaro
El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
Tito
It was 1960
And 2 years latter as a 16 years boys I have seen Sinatra and sextet in Haifa
May 9 1962
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Tito Montoya
Sent: Thursday, January 11, 2024 7:11 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14 by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<dmarc-noreply@freelists.org>) escribió:
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: SINATRA IN ARGENTINA - PREPARATIONS FOR THE CONCERT - BEHIND THE SCENES
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-01-11
Al: Thank you for the translation. Very interesting.
_____________
Jim Johnson
Rehoboth Beach, DE
On Jan 11, 2024, at 12:39 PM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Below is a Youtube clip and a translation of Ramón (Nicknamed "Palito" ) Ortega, explaining how he brought Sinatra to Argentina in 1981.
Some time after Frank went back to the States, a skyrocketing inflation took place in Argentina - actually it had already begun before Sinatra and his team arrived in Buenos Aires - ; Palito explained in another interview that when his team saw how the "pesos" began to lose value against american dollars, they saw the concerts could be a financial disaster for him. Palito's answer was that at that stage he could'nt back off, he had already signed the contract with Frank and besides he added, they're already packing up all their stuff. I gave Sinatra my word, I shall honour it.
So the peso devaluation started days before Sinatra and his team arrived in Buenos Aires, kept going up during the time he performed in that city and skyrocketed months after he left.
Minutes before the plane with Sinatra took off to take him back to the USA, Palito got in the plane for a final hug and was told by him: "I know what you're going through. I want you to know that if you ever go to the States to work, I will always be there as a warrant. I want you to remember this. "
In the below clip Ortega explains how the idea of taking Sinatra to Argentina came about, the negotiations he went though and how he came to his rescue years after, when he paid all his debts in Argentina and had to start over from zero. Palito was already a millionaire performer when he engaged Sinatra and his team to perform in Buenos Aires, but so severe was his financial crash that he had to work for some years in his country to pay all he owed before he could leave.
Palito ortega by the way, was an iconic singer-composer all over Latin America and Spain all through the sixties till this day. He didn't have the most charming of all voices, but was agreat song writer, very often too making songs for other artists turning them into big hits.
Below is the youtube clip and a translation (Btw, there was another one some time ago where he also spoke at lenght about his time with Frank in Argentina, sadly I believe it was taken down ) - The "Sinatra interview" begins at 3' 29
Palito Ortega: Frank Sinatra, la politica y el cine.
https://www.youtube.com/watch?v=QszYLfC240I
3.29
Interviewer:
Tell me
what was it like bringing Sinatra, how did it come about ?
There were
four dinner shows and two concerts at the Luna Park arena.
3.37
Palito: At the beginning making Sinatra appear at the
Luna park looked like a distant dream. I had a friend here, a great pianist,
Filiken was his name, he had a son who used to travel a lot. He told me he that
knew one of Sinatra’s lawyers .. so that’s how the first contact with one of
them took place. We had a lot of meetings first, until one day Sinatra finally
turned up taking a seat before me. .. face to face…. In order to break the
ice and my nervoussness I made a joke to him.. in Spanish … like someone saying
here “ I have a chacarera for you” (it’s an argentinian phrase meaning “ I have
a something for you to sing .. ” ), instead of it I told him “ Sinatra, I have
a Cumbia for you” ( the Cumbia is a popular Colombian rhythm, with various
degrees of popularity in different LA countries) ..
4.30
Interviewer:
Don’t fuck me up!
Palito: I
swear it, for my life … all the others present who knew spanish were trying to
keep a square face … can you imagine me offering Sinatra a Cumbia ? .. but that was just to break the ice …
obviously he didn’t understand a word ….
But that’s how our first meeting took place ..
I really can’t tell you how warm he was
.. when I remember the Bourbon and the Whiskie he used to drink .. I had to run to the American Embassy for
some bottles … till they got all for me
… there was a large table with drinks … the look of pleasure on his face when
he finished his shows … he would ask to be alone for fiteen minutes after the
concerts, he shouldn’t be disturbed …he’d
ask you not to go up to his suite until he finished showering, changing
clothes, etc … we’ d wait for a while and then when we went up he’d welcome us with a big smile on his face and asked what you’ d like
to drink .. he used to prepare the drinks for you himself …he made incredible
martinis … he was very, very warm in private … he would kneel down on the
carpet and sit there with my and other people’s children just being one of them
(interesting pic at 5:35 … Sinatra singing or talking to the children, probably
taken at one of the concerts in Buenos Aires at the Sheraton Hotel ) .. Afterwards of course he
took up the stage, became Sinatra and the whole stadium fell down … a
very enchanting guy … the thing is when the doors to his suite opened his whole
face started to change … there’d be two big guys walking ahead and behind him ..
and then one day .. I was almost
impertinent to ask him … why he had so
many “security people” around him … he looked at me very seriously and said … (
6.03 ) “If John lennon had acted like me .. nothing like what happened would
have taken place … I don’t think anybody
hates me as much as to put a bullet in me … but the world is filled up with crazy guys “.
6.24
Intercviewer:
He was very
good to you when he realized everything that was going on in Argentina at that
time with the economy going down right ? … I
understand he behaved great with you … a guy who honoured his word.
6.30
Palito: Yes, yes … very, very well .. they
(Sinatra’s people ) left the USA for Argentina when they had already charged their “cache” ,
the thing is that you had to have a large bank behind you backing you up .. they
were large banking transfers, almost as if you were importing extremely valuable
goods. Somebody informed him well about Argentina’s devaluation at that time ..
the lies …. about USA dollars being ten one
day, then twenty on the next … something
awful … you couldn’t really plan anything in advance … impossible to make a
project for tomorrow or the day after … finally …. in life I believe that if you behave
well… at some point other people will be good to you too.
When he went
back to the States, the last thing he told me was: I know everything that
has happened to you, ( Inflation had already begun
and Palito was losing millions with every week. )
“The only
thing that you musnt’ forget is this: The day when you need someone in the
States to act as a warrantor, do not hesitate to call me”
I went to the
States five years after working, and working in Argentina non-stop … till I finally paid everything I
owed … I said to myself, I don’t want to make any mistakes or take a false step
anymore … now I want to go and start over again … my wife was pregnant so it
was hard for her too … where do we go she asked … to the USA …. She wanted to go to Europe though cause I’d been offered a contract in
Spain .. but I said no, let’s go to the
States … and I took up the dates I was offered .. I went to sing to Vegas … and I was amazed, my concerts were crowded, till
then I didn’t understand how that could be … soon after I realized that when he
made his moves (Sinatra) … he did move!
. I began to be called by people I’d never heard about … till one day I get a
call from someone who asks me : “ Mr Ortega, how are your kids doing ? .. at
school I mean “ . Suddenly the principal, the vice principal .. even the
doormen were coming to my house to make sure that we were all well attended.
(Palito here is skipping the fact that one of
the first things he did when he arrived in the States, was contacting Sinatra’s
people, though not knowing if he would remember him or even more, the promise
he had made to him; on another video he speaks a t length of his meetings with
Sinatra when he contacted him for help. Sinatra’s “intelligence service” had
already told him that Palito was coming to perform in Vegas, so he arranged
everything for his concerts to be sold out, before ven speaking with Ortega. I’ll make a translation tomorrow ).
Palito:
The truth
is that he behaved so well … a huge pleasure to be sharing drinks with him all
those nights and finally taking him up there at the Luna Park to perform … I
had never, ever seen so many men crying … I am deeply moved when I see a man
crying you know .. but deeply … I get shivers … people who never though they
would see him perform … fans you know, fans are like that … “ Palito … they would thank me sobbing …. I never
though I would get to see him in person “. But of course a fan is like that …
There's also another interview to Palito Orteha's son some months ago, in which he recalls how Sinatra tok the time to play with him at his hotel room ( "something he didn't have to do but took the time to! " ):
I will attempt a translation tomorrow if there's an interest ..
Al (Tito)
El jue, 11 ene 2024 a las 11:03, Tito Montoya (<franklyjoy22@gmail.com>) escribió:
Ooops !! 🙄
You were very lucky though to see him live, and at his very peak too! I could never saw him in person, I was in Argentina in July of 1981, a few days before he arrived in town to give a series of concerts, but had to return back to school in Lima; so asking my parents to stay for a few more days was out of the question. That was "the closest" I ever got to see him live.
A few days ago i made translation into English, of some clips I saw on youtube, where Palito Ortega - an iconic Argentinian singer-composer who happened to bring Sinatra to Argentina - tells of his experiences with Frank before , during and after he performed in that country. I think it's interesting to know how he helped him out some years after, when Palito went to the States with his family to work. He couldn't have had a better warrant and supporter. I'll send it soon !
Alvaro
El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
Tito
It was 1960
And 2 years latter as a 16 years boys I have seen Sinatra and sextet in Haifa
May 9 1962
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Tito Montoya
Sent: Thursday, January 11, 2024 7:11 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14 by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<dmarc-noreply@freelists.org>) escribió:
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: SINATRA IN ARGENTINA - PREPARATIONS FOR THE CONCERT - BEHIND THE SCENES
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-01-11
Al: Thank you for the translation. Very interesting.
_____________
Jim Johnson
Rehoboth Beach, DE
On Jan 11, 2024, at 12:39 PM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Below is a Youtube clip and a translation of Ramón (Nicknamed "Palito" ) Ortega, explaining how he brought Sinatra to Argentina in 1981.
Some time after Frank went back to the States, a skyrocketing inflation took place in Argentina - actually it had already begun before Sinatra and his team arrived in Buenos Aires - ; Palito explained in another interview that when his team saw how the "pesos" began to lose value against american dollars, they saw the concerts could be a financial disaster for him. Palito's answer was that at that stage he could'nt back off, he had already signed the contract with Frank and besides he added, they're already packing up all their stuff. I gave Sinatra my word, I shall honour it.
So the peso devaluation started days before Sinatra and his team arrived in Buenos Aires, kept going up during the time he performed in that city and skyrocketed months after he left.
Minutes before the plane with Sinatra took off to take him back to the USA, Palito got in the plane for a final hug and was told by him: "I know what you're going through. I want you to know that if you ever go to the States to work, I will always be there as a warrant. I want you to remember this. "
In the below clip Ortega explains how the idea of taking Sinatra to Argentina came about, the negotiations he went though and how he came to his rescue years after, when he paid all his debts in Argentina and had to start over from zero. Palito was already a millionaire performer when he engaged Sinatra and his team to perform in Buenos Aires, but so severe was his financial crash that he had to work for some years in his country to pay all he owed before he could leave.
Palito ortega by the way, was an iconic singer-composer all over Latin America and Spain all through the sixties till this day. He didn't have the most charming of all voices, but was agreat song writer, very often too making songs for other artists turning them into big hits.
Below is the youtube clip and a translation (Btw, there was another one some time ago where he also spoke at lenght about his time with Frank in Argentina, sadly I believe it was taken down ) - The "Sinatra interview" begins at 3' 29
Palito Ortega: Frank Sinatra, la politica y el cine.
https://www.youtube.com/watch?v=QszYLfC240I
3.29
Interviewer:
Tell me
what was it like bringing Sinatra, how did it come about ?
There were
four dinner shows and two concerts at the Luna Park arena.
3.37
Palito: At the beginning making Sinatra appear at the
Luna park looked like a distant dream. I had a friend here, a great pianist,
Filiken was his name, he had a son who used to travel a lot. He told me he that
knew one of Sinatra’s lawyers .. so that’s how the first contact with one of
them took place. We had a lot of meetings first, until one day Sinatra finally
turned up taking a seat before me. .. face to face…. In order to break the
ice and my nervoussness I made a joke to him.. in Spanish … like someone saying
here “ I have a chacarera for you” (it’s an argentinian phrase meaning “ I have
a something for you to sing .. ” ), instead of it I told him “ Sinatra, I have
a Cumbia for you” ( the Cumbia is a popular Colombian rhythm, with various
degrees of popularity in different LA countries) ..
4.30
Interviewer:
Don’t fuck me up!
Palito: I
swear it, for my life … all the others present who knew spanish were trying to
keep a square face … can you imagine me offering Sinatra a Cumbia ? .. but that was just to break the ice …
obviously he didn’t understand a word ….
But that’s how our first meeting took place ..
I really can’t tell you how warm he was
.. when I remember the Bourbon and the Whiskie he used to drink .. I had to run to the American Embassy for
some bottles … till they got all for me
… there was a large table with drinks … the look of pleasure on his face when
he finished his shows … he would ask to be alone for fiteen minutes after the
concerts, he shouldn’t be disturbed …he’d
ask you not to go up to his suite until he finished showering, changing
clothes, etc … we’ d wait for a while and then when we went up he’d welcome us with a big smile on his face and asked what you’ d like
to drink .. he used to prepare the drinks for you himself …he made incredible
martinis … he was very, very warm in private … he would kneel down on the
carpet and sit there with my and other people’s children just being one of them
(interesting pic at 5:35 … Sinatra singing or talking to the children, probably
taken at one of the concerts in Buenos Aires at the Sheraton Hotel ) .. Afterwards of course he
took up the stage, became Sinatra and the whole stadium fell down … a
very enchanting guy … the thing is when the doors to his suite opened his whole
face started to change … there’d be two big guys walking ahead and behind him ..
and then one day .. I was almost
impertinent to ask him … why he had so
many “security people” around him … he looked at me very seriously and said … (
6.03 ) “If John lennon had acted like me .. nothing like what happened would
have taken place … I don’t think anybody
hates me as much as to put a bullet in me … but the world is filled up with crazy guys “.
6.24
Intercviewer:
He was very
good to you when he realized everything that was going on in Argentina at that
time with the economy going down right ? … I
understand he behaved great with you … a guy who honoured his word.
6.30
Palito: Yes, yes … very, very well .. they
(Sinatra’s people ) left the USA for Argentina when they had already charged their “cache” ,
the thing is that you had to have a large bank behind you backing you up .. they
were large banking transfers, almost as if you were importing extremely valuable
goods. Somebody informed him well about Argentina’s devaluation at that time ..
the lies …. about USA dollars being ten one
day, then twenty on the next … something
awful … you couldn’t really plan anything in advance … impossible to make a
project for tomorrow or the day after … finally …. in life I believe that if you behave
well… at some point other people will be good to you too.
When he went
back to the States, the last thing he told me was: I know everything that
has happened to you, ( Inflation had already begun
and Palito was losing millions with every week. )
“The only
thing that you musnt’ forget is this: The day when you need someone in the
States to act as a warrantor, do not hesitate to call me”
I went to the
States five years after working, and working in Argentina non-stop … till I finally paid everything I
owed … I said to myself, I don’t want to make any mistakes or take a false step
anymore … now I want to go and start over again … my wife was pregnant so it
was hard for her too … where do we go she asked … to the USA …. She wanted to go to Europe though cause I’d been offered a contract in
Spain .. but I said no, let’s go to the
States … and I took up the dates I was offered .. I went to sing to Vegas … and I was amazed, my concerts were crowded, till
then I didn’t understand how that could be … soon after I realized that when he
made his moves (Sinatra) … he did move!
. I began to be called by people I’d never heard about … till one day I get a
call from someone who asks me : “ Mr Ortega, how are your kids doing ? .. at
school I mean “ . Suddenly the principal, the vice principal .. even the
doormen were coming to my house to make sure that we were all well attended.
(Palito here is skipping the fact that one of
the first things he did when he arrived in the States, was contacting Sinatra’s
people, though not knowing if he would remember him or even more, the promise
he had made to him; on another video he speaks a t length of his meetings with
Sinatra when he contacted him for help. Sinatra’s “intelligence service” had
already told him that Palito was coming to perform in Vegas, so he arranged
everything for his concerts to be sold out, before ven speaking with Ortega. I’ll make a translation tomorrow ).
Palito:
The truth
is that he behaved so well … a huge pleasure to be sharing drinks with him all
those nights and finally taking him up there at the Luna Park to perform … I
had never, ever seen so many men crying … I am deeply moved when I see a man
crying you know .. but deeply … I get shivers … people who never though they
would see him perform … fans you know, fans are like that … “ Palito … they would thank me sobbing …. I never
though I would get to see him in person “. But of course a fan is like that …
There's also another interview to Palito Orteha's son some months ago, in which he recalls how Sinatra tok the time to play with him at his hotel room ( "something he didn't have to do but took the time to! " ):
I will attempt a translation tomorrow if there's an interest ..
Al (Tito)
El jue, 11 ene 2024 a las 11:03, Tito Montoya (<franklyjoy22@gmail.com>) escribió:
Ooops !! 🙄
You were very lucky though to see him live, and at his very peak too! I could never saw him in person, I was in Argentina in July of 1981, a few days before he arrived in town to give a series of concerts, but had to return back to school in Lima; so asking my parents to stay for a few more days was out of the question. That was "the closest" I ever got to see him live.
A few days ago i made translation into English, of some clips I saw on youtube, where Palito Ortega - an iconic Argentinian singer-composer who happened to bring Sinatra to Argentina - tells of his experiences with Frank before , during and after he performed in that country. I think it's interesting to know how he helped him out some years after, when Palito went to the States with his family to work. He couldn't have had a better warrant and supporter. I'll send it soon !
Alvaro
El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
Tito
It was 1960
And 2 years latter as a 16 years boys I have seen Sinatra and sextet in Haifa
May 9 1962
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Tito Montoya
Sent: Thursday, January 11, 2024 7:11 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14 by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<dmarc-noreply@freelists.org>) escribió:
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George <dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com> wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il>
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra & CAROUSEL
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-01-11
I subscibe to Friedwalds e-mails. On the subject of Sinatra his writing is very informative. I like the topics on: Carousel, Paramount 1951 and his " Deep Cuts " e-mails. his work on the Sinatra/Dorsey airchecks was fantastic. I asked him if BMG plans to do anymore, he said there is nothing left in the vaults.
On Wednesday, January 10, 2024 at 10:44:44 AM EST, Scott Henderson <scott@falseducks.com> wrote:
<!--#yiv0798432193 filtered {}#yiv0798432193 filtered {}#yiv0798432193 p.yiv0798432193MsoNormal, #yiv0798432193 li.yiv0798432193MsoNormal, #yiv0798432193 div.yiv0798432193MsoNormal {margin:0cm;margin-bottom:.0001pt;font-size:12.0pt;font-family:"Times New Roman", "serif";}#yiv0798432193 a:link, #yiv0798432193 span.yiv0798432193MsoHyperlink {color:blue;text-decoration:underline;}#yiv0798432193 a:visited, #yiv0798432193 span.yiv0798432193MsoHyperlinkFollowed {color:purple;text-decoration:underline;}#yiv0798432193 p {margin-right:0cm;margin-left:0cm;font-size:12.0pt;font-family:"Times New Roman", "serif";}#yiv0798432193 span.yiv0798432193gmailsignatureprefix {}#yiv0798432193 span.yiv0798432193EmailStyle19 {font-family:"Calibri", "sans-serif";color:#1F497D;}#yiv0798432193 .yiv0798432193MsoChpDefault {font-family:"Calibri", "sans-serif";}#yiv0798432193 filtered {}#yiv0798432193 div.yiv0798432193WordSection1 {}-->
Great reading and listening.
I’m of the opinion that Frank left Carousel because he didn’t like the ride. He was more of a Ferris Wheel type of person.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Will Friedwald
Sent: January 10, 2024 9:19 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Sinatra & CAROUSEL
Happy New Year (it’s not too late for that, is it?) This is my SubStack story on Sinatra and CAROUSEL, in four parts, which includes access to the remarkable newly-discovered historical recordings recently unearthed by Chuck Granata. It’s the most complete look at the topic yet, although ultimately we still don’t know the definitive answer as to why Sinatra left the set, although, obviously, there was more than one reason. Hope you enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! on San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: Sinatra & CAROUSEL
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-01-11
I subscibe to Friedwalds e-mails. On the subject of Sinatra his writing is very informative. I like the topics on: Carousel, Paramount 1951 and his " Deep Cuts " e-mails. his work on the Sinatra/Dorsey airchecks was fantastic. I asked him if BMG plans to do anymore, he said there is nothing left in the vaults.
On Wednesday, January 10, 2024 at 10:44:44 AM EST, Scott Henderson <scott@falseducks.com> wrote:
<!--#yiv0798432193 filtered {}#yiv0798432193 filtered {}#yiv0798432193 p.yiv0798432193MsoNormal, #yiv0798432193 li.yiv0798432193MsoNormal, #yiv0798432193 div.yiv0798432193MsoNormal {margin:0cm;margin-bottom:.0001pt;font-size:12.0pt;font-family:"Times New Roman", "serif";}#yiv0798432193 a:link, #yiv0798432193 span.yiv0798432193MsoHyperlink {color:blue;text-decoration:underline;}#yiv0798432193 a:visited, #yiv0798432193 span.yiv0798432193MsoHyperlinkFollowed {color:purple;text-decoration:underline;}#yiv0798432193 p {margin-right:0cm;margin-left:0cm;font-size:12.0pt;font-family:"Times New Roman", "serif";}#yiv0798432193 span.yiv0798432193gmailsignatureprefix {}#yiv0798432193 span.yiv0798432193EmailStyle19 {font-family:"Calibri", "sans-serif";color:#1F497D;}#yiv0798432193 .yiv0798432193MsoChpDefault {font-family:"Calibri", "sans-serif";}#yiv0798432193 filtered {}#yiv0798432193 div.yiv0798432193WordSection1 {}-->
Great reading and listening.
I’m of the opinion that Frank left Carousel because he didn’t like the ride. He was more of a Ferris Wheel type of person.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Will Friedwald
Sent: January 10, 2024 9:19 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Sinatra & CAROUSEL
Happy New Year (it’s not too late for that, is it?) This is my SubStack story on Sinatra and CAROUSEL, in four parts, which includes access to the remarkable newly-discovered historical recordings recently unearthed by Chuck Granata. It’s the most complete look at the topic yet, although ultimately we still don’t know the definitive answer as to why Sinatra left the set, although, obviously, there was more than one reason. Hope you enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! on San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: Sinatra & CAROUSEL
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-01-11
I subscibe to Friedwalds e-mails. On the subject of Sinatra his writing is very informative. I like the topics on: Carousel, Paramount 1951 and his " Deep Cuts " e-mails. his work on the Sinatra/Dorsey airchecks was fantastic. I asked him if BMG plans to do anymore, he said there is nothing left in the vaults.
On Wednesday, January 10, 2024 at 10:44:44 AM EST, Scott Henderson <scott@falseducks.com> wrote:
<!--#yiv0798432193 filtered {}#yiv0798432193 filtered {}#yiv0798432193 p.yiv0798432193MsoNormal, #yiv0798432193 li.yiv0798432193MsoNormal, #yiv0798432193 div.yiv0798432193MsoNormal {margin:0cm;margin-bottom:.0001pt;font-size:12.0pt;font-family:"Times New Roman", "serif";}#yiv0798432193 a:link, #yiv0798432193 span.yiv0798432193MsoHyperlink {color:blue;text-decoration:underline;}#yiv0798432193 a:visited, #yiv0798432193 span.yiv0798432193MsoHyperlinkFollowed {color:purple;text-decoration:underline;}#yiv0798432193 p {margin-right:0cm;margin-left:0cm;font-size:12.0pt;font-family:"Times New Roman", "serif";}#yiv0798432193 span.yiv0798432193gmailsignatureprefix {}#yiv0798432193 span.yiv0798432193EmailStyle19 {font-family:"Calibri", "sans-serif";color:#1F497D;}#yiv0798432193 .yiv0798432193MsoChpDefault {font-family:"Calibri", "sans-serif";}#yiv0798432193 filtered {}#yiv0798432193 div.yiv0798432193WordSection1 {}-->
Great reading and listening.
I’m of the opinion that Frank left Carousel because he didn’t like the ride. He was more of a Ferris Wheel type of person.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Will Friedwald
Sent: January 10, 2024 9:19 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Sinatra & CAROUSEL
Happy New Year (it’s not too late for that, is it?) This is my SubStack story on Sinatra and CAROUSEL, in four parts, which includes access to the remarkable newly-discovered historical recordings recently unearthed by Chuck Granata. It’s the most complete look at the topic yet, although ultimately we still don’t know the definitive answer as to why Sinatra left the set, although, obviously, there was more than one reason. Hope you enjoy!
1:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on
2:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-c90
3:
https://willfriedwald.substack.com/p/sinatra-deep-cuts-another-ride-on-b0d
4:
https://open.substack.com/pub/willfriedwald/p/sinatra-deep-cuts-another-ride-on-e66?r=6ra9u&utm_campaign=post&utm_medium=web&showWelcome=true
Straighten Up & Fly Right!
W
Will Friedwald writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! on San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
Re: Sinatra Concert:
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-11
Hi Ed,
Yes - absolutely agree. Very contrasting quality.
-Vance
On Thu, 11 Jan 2024 at 04:28, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-11
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-11
Tony, as Bob Hope would have said, thanks for the memory! After reading your description, I feel like I recall Frank sitting on the stool on the stage at some point at least. Maybe it was for one of his ballads, or maybe it was during Steve and Eydie's return during that medley. Or maybe I am just imagining it. I do specifically remember him introducing Sid Mark, who was sitting in one of the sections on the floor (in my memory, between the stage and the hockey boards along the side--I was sitting "behind the goal" in the lower level).
I wonder whether there is a recording of the show floating around.
Steve
On Thursday, January 11, 2024 at 04:05:05 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance, I wish the 7-15-74 show had been aired and made availableto collectors throughout the world. Vastly superior to the 7-16 perform-ance.Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-11
There was a 1989 country/jazz/blues album, "Lyle Lovett and his Large Band." Frank's big band could have been called his "Very Large Band". I'm sure the members were all paid according to scale, but if there weren't union rules, I'm sure he could have attracted a lot of them to play some of those shows for free, just to be a part of it. (Not every night, mind you, but some....)
On Thursday, January 11, 2024 at 11:45:49 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at CarnegieHall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi John,
I have never seen this photo before. What an outfit.
Somewhere I have a photo in color. That's how I know it is
green.
Ed
On Thursday, January 11, 2024 at 12:00:14 PM EST, John Larrabee <dmarc-noreply@freelists.org> wrote:
One more:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-01-11
One more:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-01-11
The Sands, the Copa Girls:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Tony, "Bossa Nova In C" was composed by Vinnie Falcone.A tribute piece to his first wife Connie. When Frank learned thestory behind it, he insisted on conducting while Vinnie and therest of the orchestra played. Vinnie told me that the June 80 engagement at Carnegie Hall exceeded all the expectations he had in becoming an entertainer. Vinnie conducted and played the piano for Frank in front of an SRO house every night, and Frank took over the baton and did a beautiful job conducting.Ed
On Thursday, January 11, 2024 at 03:23:46 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance, I wish the 7-15-74 show had been aired and made availableto collectors throughout the world. Vastly superior to the 7-16 perform-ance.Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Shemmy, Concert has been in circulation among collectorsfor many years.Ed
On Thursday, January 11, 2024 at 10:12:00 AM EST, <smashiah@netvision.net.il> wrote:
HI Ed
Is this available somewhere even as an audio concert?
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Thursday, January 11, 2024 6:28 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra Concert:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
| |
Re: Sinatra Concert:
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-11
HI Ed
Is this available somewhere even as an audio concert?
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Thursday, January 11, 2024 6:28 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra Concert:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com <mailto:dr.vanceadair@gmail.com> > wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-11
Hi Ed,
Yes - absolutely agree. Very contrasting quality.
-Vance
On Thu, 11 Jan 2024 at 04:28, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-11
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-11
Tony, as Bob Hope would have said, thanks for the memory! After reading your description, I feel like I recall Frank sitting on the stool on the stage at some point at least. Maybe it was for one of his ballads, or maybe it was during Steve and Eydie's return during that medley. Or maybe I am just imagining it. I do specifically remember him introducing Sid Mark, who was sitting in one of the sections on the floor (in my memory, between the stage and the hockey boards along the side--I was sitting "behind the goal" in the lower level).
I wonder whether there is a recording of the show floating around.
Steve
On Thursday, January 11, 2024 at 04:05:05 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance, I wish the 7-15-74 show had been aired and made availableto collectors throughout the world. Vastly superior to the 7-16 perform-ance.Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-11
There was a 1989 country/jazz/blues album, "Lyle Lovett and his Large Band." Frank's big band could have been called his "Very Large Band". I'm sure the members were all paid according to scale, but if there weren't union rules, I'm sure he could have attracted a lot of them to play some of those shows for free, just to be a part of it. (Not every night, mind you, but some....)
On Thursday, January 11, 2024 at 11:45:49 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at CarnegieHall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi John,
I have never seen this photo before. What an outfit.
Somewhere I have a photo in color. That's how I know it is
green.
Ed
On Thursday, January 11, 2024 at 12:00:14 PM EST, John Larrabee <dmarc-noreply@freelists.org> wrote:
One more:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-01-11
One more:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-01-11
The Sands, the Copa Girls:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Tony, "Bossa Nova In C" was composed by Vinnie Falcone.A tribute piece to his first wife Connie. When Frank learned thestory behind it, he insisted on conducting while Vinnie and therest of the orchestra played. Vinnie told me that the June 80 engagement at Carnegie Hall exceeded all the expectations he had in becoming an entertainer. Vinnie conducted and played the piano for Frank in front of an SRO house every night, and Frank took over the baton and did a beautiful job conducting.Ed
On Thursday, January 11, 2024 at 03:23:46 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance, I wish the 7-15-74 show had been aired and made availableto collectors throughout the world. Vastly superior to the 7-16 perform-ance.Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Shemmy, Concert has been in circulation among collectorsfor many years.Ed
On Thursday, January 11, 2024 at 10:12:00 AM EST, <smashiah@netvision.net.il> wrote:
HI Ed
Is this available somewhere even as an audio concert?
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Thursday, January 11, 2024 6:28 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra Concert:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
| |
Re: Sinatra Concert:
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-11
HI Ed
Is this available somewhere even as an audio concert?
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Thursday, January 11, 2024 6:28 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra Concert:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com <mailto:dr.vanceadair@gmail.com> > wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
Re: Sinatra Concert:
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-01-11
Hi Ed,
Yes - absolutely agree. Very contrasting quality.
-Vance
On Thu, 11 Jan 2024 at 04:28, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-11
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed

Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-11
Tony, as Bob Hope would have said, thanks for the memory! After reading your description, I feel like I recall Frank sitting on the stool on the stage at some point at least. Maybe it was for one of his ballads, or maybe it was during Steve and Eydie's return during that medley. Or maybe I am just imagining it. I do specifically remember him introducing Sid Mark, who was sitting in one of the sections on the floor (in my memory, between the stage and the hockey boards along the side--I was sitting "behind the goal" in the lower level).
I wonder whether there is a recording of the show floating around.
Steve
On Thursday, January 11, 2024 at 04:05:05 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance, I wish the 7-15-74 show had been aired and made availableto collectors throughout the world. Vastly superior to the 7-16 perform-ance.Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-01-11
There was a 1989 country/jazz/blues album, "Lyle Lovett and his Large Band." Frank's big band could have been called his "Very Large Band". I'm sure the members were all paid according to scale, but if there weren't union rules, I'm sure he could have attracted a lot of them to play some of those shows for free, just to be a part of it. (Not every night, mind you, but some....)
On Thursday, January 11, 2024 at 11:45:49 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at CarnegieHall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi John,
I have never seen this photo before. What an outfit.
Somewhere I have a photo in color. That's how I know it is
green.
Ed
On Thursday, January 11, 2024 at 12:00:14 PM EST, John Larrabee <dmarc-noreply@freelists.org> wrote:
One more:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-01-11
One more:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-01-11
The Sands, the Copa Girls:
On Thursday, January 11, 2024 at 10:45:45 AM CST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no. There were engagements where Sinatra had a 50 piece band. He used over 40 at Carnegie
Hall. Imagine the cost if Miller, Dorsey, Shaw and other big bands carried that many musicians.
Steve
Frank appeared in the Ziegfeld Follies at the Sands in June of 1954. Jack Entratter came up with the idea
and Frank was there into July. Vic Damone took over for him and on it went with other performers. Frank did his
usual program early in the show. Later he came out onstage with the Copa Girls. He was dressed in a green
outfit which included a wild hat. One song he sang was titled "Rainbow Blues."

Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Tony, "Bossa Nova In C" was composed by Vinnie Falcone.A tribute piece to his first wife Connie. When Frank learned thestory behind it, he insisted on conducting while Vinnie and therest of the orchestra played. Vinnie told me that the June 80 engagement at Carnegie Hall exceeded all the expectations he had in becoming an entertainer. Vinnie conducted and played the piano for Frank in front of an SRO house every night, and Frank took over the baton and did a beautiful job conducting.Ed
On Thursday, January 11, 2024 at 03:23:46 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance, I wish the 7-15-74 show had been aired and made availableto collectors throughout the world. Vastly superior to the 7-16 perform-ance.Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve, What I meant regarding the Mikado is the curtain coming down, stage dark for about 15 minutes. That is why I made thedistinction between that concert and the 82 Dominican.Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito, Mikado is the only Sinatra concert that I can think of that hasan intermission. Dominican 82 has Frank leaving the stage, but BuddyRich comes out and does a memorable drum segment.Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Hi Shemmy, Concert has been in circulation among collectorsfor many years.Ed
On Thursday, January 11, 2024 at 10:12:00 AM EST, <smashiah@netvision.net.il> wrote:
HI Ed
Is this available somewhere even as an audio concert?
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Thursday, January 11, 2024 6:28 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra Concert:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
| |
Re: Sinatra Concert:
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-11
HI Ed
Is this available somewhere even as an audio concert?
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
Sent: Thursday, January 11, 2024 6:28 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra Concert:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com <mailto:dr.vanceadair@gmail.com> > wrote:
For all the controversy, the tour did superb business.
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> > wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Ooops !! 🙄
You were very lucky though to see him live, and at his very peak too! I
could never saw him in person, I was in Argentina in July of 1981, a few
days before he arrived in town to give a series of concerts, but had to
return back to school in Lima; so asking my parents to stay for a few more
days was out of the question. That was "the closest" I ever got to see him
live.
A few days ago i made translation into English, of some clips I saw on
youtube, where Palito Ortega - an iconic Argentinian singer-composer who
happened to bring Sinatra to Argentina - tells of his experiences with
Frank before , during and after he performed in that country. I think it's
interesting to know how he helped him out some years after, when Palito
went to the States with his family to work. He couldn't have had a better
warrant and supporter. I'll send it soon !
Alvaro
El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
> Tito
>
> It was 1960
>
> And 2 years latter as a 16 years boys I have seen Sinatra and sextet in
> Haifa
>
> May 9 1962
>
> shemmy
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Tito Montoya
> *Sent:* Thursday, January 11, 2024 7:11 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Great story Shemmy, thanks for sharing it!
>
> ( Curious ... that's exactly the age when I became a Sinatra fan too, 14
> by the end of 1979 .. )
>
>
>
> El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
> dmarc-noreply@freelists.org>) escribió:
>
> Thank you for sharing this fascinating information Shemmy! I have often
> wondered how these historic recordings are created and shared. You are very
> fortunate to have attended the show!
>
> --
>
> Paul D'Alessandro
>
> Huntington Beach, CA
>
>
>
> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>
>
>
> Hi Ed
>
> Since I was there and was involved I will give you the full story.
>
> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>
> Mastered by one of his friends in the west coast.
>
> He used the master tape that was recorded while the concert was broadcasted
>
> By the IDF (Israel defence forces) Radio station
>
> I did my army service in this station as acoustic engineer till I was
> about 50 years old.
>
> This was recorded alongside the Sinatra’s audio console.
>
> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
> vocal master sound columns that sounded great.
>
> It was 1975. The Guy who supplied the sound system was a good friend of
> mine.
>
> Some years later I installed an ALTEC LANSING loudspeaker system in this
> hall.
>
> When the Roberto Quartin came out I talked to Rick apt.
>
> He told me he gave a free copy to roberto who promised not to use it.
>
> But he did not kept his word and issued a copy with the addition of” all
> by myself” so people will think this is the full authentic concert.
>
> No!! it is not.
>
> I did not mention his name because I don’t like what he did.(I do have the
> Brazilian cds)
>
> I have another master tape from the show recorded from the radio broadcast
> by my revox that sounds very good as well.
>
>
>
> About the Jerusalem 75 video.
>
> The concert was broadcasted in B&W.
>
> I have asked a friend who is a video producer to record it on Umatic.(We
> were more advanced than Australia)
>
>
>
> I have this Umatic tape but never saw it since I don’t have a Umatic
> machine.
>
> If you have access to one I can send it to you.
>
> Some years later the concert was on Israel TV and I recorded it on video
> tape.
>
> This is the version you are familiar with till the new colorized version
> arrived
>
> On the colorized version it is written on the top right ARCHIVE in
> Hebrew.
>
> So this is from the archive of the Israel broadcasting organization.
>
>
>
> I will check if the original can be purchased.
>
> I don’t know if it was filmed in color. Or colorized later.maybe some
> members know.
>
> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
> latter)
>
> And the Sinatra companyin the concert.
>
> Everytime the orchestra played the first 2 notes I told my friends the
> name of the songs.
>
> And they turned back many times with appreciation.
>
> I have enclosed photos where you can see me with a mark like arrow above
> my head right behind Barbara and the Sinatra group.
>
> Maybe you know who they are.I can not recognize any one of them.
>
> By the way who played piano in the concert.?
>
> Regards
>
> shemmy
>
>
>
>
>
>
>
>
>
>
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* Monday, January 8, 2024 10:08 PM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Hi Shemmy,
>
> Roberto Quartin was the fellow who did the Jerusalem
>
> and the RFH 62. Roberto worked with what was sent to him. He
>
> wanted both shows from the masters. Alas, that was not be. Roberto
>
> was very frustrated and worked with the material provided. I tried to
>
> talk him out of putting "All By Myself" on the CD. He loved the song
>
> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>
> lifted songs from Tokyo and I believe other venues. He gave me the
>
> run down on what he replaced from 6/1. I could try and dig out his letter
>
> if you are interested.
>
> Ed
>
>
>
> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
> smashiah@netvision.net.il> wrote:
>
>
>
>
>
> John
>
> The jerusalem concert was first released on a cd by “mazal tov” records.
>
> A very good bootleg.
>
> I was told the Brazil guy got this cd and copied it and issued it as
>
> His find.
>
> In order to look original he added a song from
>
> Another concert “all by myself”
>
> As far as I remember.Just to look authentic.
>
> If you watch the video it is not there.
>
> It was a gimmick from reprise Brazil.
>
> They also issued the London June 1 1962 concert.
>
> I have this concert on mono
>
> And it sounds better.
>
> Shemmy
>
> נשלח מה-iPhone שלי
>
>
>
> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
> dmarc-noreply@freelists.org> כתב/ה:
>
> The Jerusalem Concert was released on CD a decade or more ago by
> Reprise in Brazil.
>
>
>
> John G.
>
> Sent from the all new AOL app for iOS
> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>
>
>
> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
> wrote:
>
> Thank you from me too Shemmy !! I just opened this account and found this
> very rare concert .. WOW !!!! For years I looked for it together with the
> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
> of those concerts told us that the ABC TV tape seemed to have been
> destroyed, the story was loosely told in a movie some years after.)
>
> This is Frank still at his very peak! I also wonder if a video or a
> better sounding tape of the Concertgebow performance from that same year
> exists ? To me that was one of his very best concerts from the 70's ... oh
> well ... maybe I'm asking too much, we must be happy with this very rare
> jewel !!
>
> Thank you again for leading us to it Shemmy !!!
>
>
>
> Alvaro
>
>
>
> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
> escribió:
>
>
>
> Thank you Shemmy!
>
> Very much appreciated.
>
> Margriet
>
>
>
>
>
> Verzonden vanaf mijn Galaxy
>
>
>
>
>
> -------- Oorspronkelijk bericht --------
>
> Van: shemmy Mashiah <smashiah@netvision.net.il>
>
> Datum: 28-12-2023 16:02 (GMT+01:00)
>
> Aan: sinatraphiles@freelists.org
>
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
>
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
>
> I was there 47 years ago.
>
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-11
Tito
It was 1960
And 2 years latter as a 16 years boys I have seen Sinatra and sextet in Haifa
May 9 1962
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Tito Montoya
Sent: Thursday, January 11, 2024 7:11 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14 by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> > On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George < <mailto:dmarc-noreply@freelists.org> dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com <mailto:franklyjoy22@gmail.com> > wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14
by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
dmarc-noreply@freelists.org>) escribió:
> Thank you for sharing this fascinating information Shemmy! I have often
> wondered how these historic recordings are created and shared. You are very
> fortunate to have attended the show!
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>
>
>
> Hi Ed
>
> Since I was there and was involved I will give you the full story.
>
> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>
> Mastered by one of his friends in the west coast.
>
> He used the master tape that was recorded while the concert was broadcasted
>
> By the IDF (Israel defence forces) Radio station
>
> I did my army service in this station as acoustic engineer till I was
> about 50 years old.
>
> This was recorded alongside the Sinatra’s audio console.
>
> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
> vocal master sound columns that sounded great.
>
> It was 1975. The Guy who supplied the sound system was a good friend of
> mine.
>
> Some years later I installed an ALTEC LANSING loudspeaker system in this
> hall.
>
> When the Roberto Quartin came out I talked to Rick apt.
>
> He told me he gave a free copy to roberto who promised not to use it.
>
> But he did not kept his word and issued a copy with the addition of” all
> by myself” so people will think this is the full authentic concert.
>
> No!! it is not.
>
> I did not mention his name because I don’t like what he did.(I do have the
> Brazilian cds)
>
> I have another master tape from the show recorded from the radio broadcast
> by my revox that sounds very good as well.
>
>
>
> About the Jerusalem 75 video.
>
> The concert was broadcasted in B&W.
>
> I have asked a friend who is a video producer to record it on Umatic.(We
> were more advanced than Australia)
>
>
>
> I have this Umatic tape but never saw it since I don’t have a Umatic
> machine.
>
> If you have access to one I can send it to you.
>
> Some years later the concert was on Israel TV and I recorded it on video
> tape.
>
> This is the version you are familiar with till the new colorized version
> arrived
>
> On the colorized version it is written on the top right ARCHIVE in
> Hebrew.
>
> So this is from the archive of the Israel broadcasting organization.
>
>
>
> I will check if the original can be purchased.
>
> I don’t know if it was filmed in color. Or colorized later.maybe some
> members know.
>
> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
> latter)
>
> And the Sinatra companyin the concert.
>
> Everytime the orchestra played the first 2 notes I told my friends the
> name of the songs.
>
> And they turned back many times with appreciation.
>
> I have enclosed photos where you can see me with a mark like arrow above
> my head right behind Barbara and the Sinatra group.
>
> Maybe you know who they are.I can not recognize any one of them.
>
> By the way who played piano in the concert.?
>
> Regards
>
> shemmy
>
>
>
>
>
>
>
>
>
>
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* Monday, January 8, 2024 10:08 PM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Hi Shemmy,
>
> Roberto Quartin was the fellow who did the Jerusalem
>
> and the RFH 62. Roberto worked with what was sent to him. He
>
> wanted both shows from the masters. Alas, that was not be. Roberto
>
> was very frustrated and worked with the material provided. I tried to
>
> talk him out of putting "All By Myself" on the CD. He loved the song
>
> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>
> lifted songs from Tokyo and I believe other venues. He gave me the
>
> run down on what he replaced from 6/1. I could try and dig out his letter
>
> if you are interested.
>
> Ed
>
>
>
> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
> smashiah@netvision.net.il> wrote:
>
>
>
>
>
> John
>
> The jerusalem concert was first released on a cd by “mazal tov” records.
>
> A very good bootleg.
>
> I was told the Brazil guy got this cd and copied it and issued it as
>
> His find.
>
> In order to look original he added a song from
>
> Another concert “all by myself”
>
> As far as I remember.Just to look authentic.
>
> If you watch the video it is not there.
>
> It was a gimmick from reprise Brazil.
>
> They also issued the London June 1 1962 concert.
>
> I have this concert on mono
>
> And it sounds better.
>
> Shemmy
>
> נשלח מה-iPhone שלי
>
>
>
> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
> dmarc-noreply@freelists.org> כתב/ה:
>
> The Jerusalem Concert was released on CD a decade or more ago by
> Reprise in Brazil.
>
>
>
> John G.
>
> Sent from the all new AOL app for iOS
> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>
>
>
> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
> wrote:
>
> Thank you from me too Shemmy !! I just opened this account and found this
> very rare concert .. WOW !!!! For years I looked for it together with the
> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
> of those concerts told us that the ABC TV tape seemed to have been
> destroyed, the story was loosely told in a movie some years after.)
>
> This is Frank still at his very peak! I also wonder if a video or a
> better sounding tape of the Concertgebow performance from that same year
> exists ? To me that was one of his very best concerts from the 70's ... oh
> well ... maybe I'm asking too much, we must be happy with this very rare
> jewel !!
>
> Thank you again for leading us to it Shemmy !!!
>
>
>
> Alvaro
>
>
>
> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
> escribió:
>
>
>
> Thank you Shemmy!
>
> Very much appreciated.
>
> Margriet
>
>
>
>
>
> Verzonden vanaf mijn Galaxy
>
>
>
>
>
> -------- Oorspronkelijk bericht --------
>
> Van: shemmy Mashiah <smashiah@netvision.net.il>
>
> Datum: 28-12-2023 16:02 (GMT+01:00)
>
> Aan: sinatraphiles@freelists.org
>
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
>
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
>
> I was there 47 years ago.
>
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Ooops !! 🙄
You were very lucky though to see him live, and at his very peak too! I
could never saw him in person, I was in Argentina in July of 1981, a few
days before he arrived in town to give a series of concerts, but had to
return back to school in Lima; so asking my parents to stay for a few more
days was out of the question. That was "the closest" I ever got to see him
live.
A few days ago i made translation into English, of some clips I saw on
youtube, where Palito Ortega - an iconic Argentinian singer-composer who
happened to bring Sinatra to Argentina - tells of his experiences with
Frank before , during and after he performed in that country. I think it's
interesting to know how he helped him out some years after, when Palito
went to the States with his family to work. He couldn't have had a better
warrant and supporter. I'll send it soon !
Alvaro
El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
> Tito
>
> It was 1960
>
> And 2 years latter as a 16 years boys I have seen Sinatra and sextet in
> Haifa
>
> May 9 1962
>
> shemmy
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Tito Montoya
> *Sent:* Thursday, January 11, 2024 7:11 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Great story Shemmy, thanks for sharing it!
>
> ( Curious ... that's exactly the age when I became a Sinatra fan too, 14
> by the end of 1979 .. )
>
>
>
> El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
> dmarc-noreply@freelists.org>) escribió:
>
> Thank you for sharing this fascinating information Shemmy! I have often
> wondered how these historic recordings are created and shared. You are very
> fortunate to have attended the show!
>
> --
>
> Paul D'Alessandro
>
> Huntington Beach, CA
>
>
>
> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>
>
>
> Hi Ed
>
> Since I was there and was involved I will give you the full story.
>
> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>
> Mastered by one of his friends in the west coast.
>
> He used the master tape that was recorded while the concert was broadcasted
>
> By the IDF (Israel defence forces) Radio station
>
> I did my army service in this station as acoustic engineer till I was
> about 50 years old.
>
> This was recorded alongside the Sinatra’s audio console.
>
> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
> vocal master sound columns that sounded great.
>
> It was 1975. The Guy who supplied the sound system was a good friend of
> mine.
>
> Some years later I installed an ALTEC LANSING loudspeaker system in this
> hall.
>
> When the Roberto Quartin came out I talked to Rick apt.
>
> He told me he gave a free copy to roberto who promised not to use it.
>
> But he did not kept his word and issued a copy with the addition of” all
> by myself” so people will think this is the full authentic concert.
>
> No!! it is not.
>
> I did not mention his name because I don’t like what he did.(I do have the
> Brazilian cds)
>
> I have another master tape from the show recorded from the radio broadcast
> by my revox that sounds very good as well.
>
>
>
> About the Jerusalem 75 video.
>
> The concert was broadcasted in B&W.
>
> I have asked a friend who is a video producer to record it on Umatic.(We
> were more advanced than Australia)
>
>
>
> I have this Umatic tape but never saw it since I don’t have a Umatic
> machine.
>
> If you have access to one I can send it to you.
>
> Some years later the concert was on Israel TV and I recorded it on video
> tape.
>
> This is the version you are familiar with till the new colorized version
> arrived
>
> On the colorized version it is written on the top right ARCHIVE in
> Hebrew.
>
> So this is from the archive of the Israel broadcasting organization.
>
>
>
> I will check if the original can be purchased.
>
> I don’t know if it was filmed in color. Or colorized later.maybe some
> members know.
>
> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
> latter)
>
> And the Sinatra companyin the concert.
>
> Everytime the orchestra played the first 2 notes I told my friends the
> name of the songs.
>
> And they turned back many times with appreciation.
>
> I have enclosed photos where you can see me with a mark like arrow above
> my head right behind Barbara and the Sinatra group.
>
> Maybe you know who they are.I can not recognize any one of them.
>
> By the way who played piano in the concert.?
>
> Regards
>
> shemmy
>
>
>
>
>
>
>
>
>
>
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* Monday, January 8, 2024 10:08 PM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Hi Shemmy,
>
> Roberto Quartin was the fellow who did the Jerusalem
>
> and the RFH 62. Roberto worked with what was sent to him. He
>
> wanted both shows from the masters. Alas, that was not be. Roberto
>
> was very frustrated and worked with the material provided. I tried to
>
> talk him out of putting "All By Myself" on the CD. He loved the song
>
> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>
> lifted songs from Tokyo and I believe other venues. He gave me the
>
> run down on what he replaced from 6/1. I could try and dig out his letter
>
> if you are interested.
>
> Ed
>
>
>
> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
> smashiah@netvision.net.il> wrote:
>
>
>
>
>
> John
>
> The jerusalem concert was first released on a cd by “mazal tov” records.
>
> A very good bootleg.
>
> I was told the Brazil guy got this cd and copied it and issued it as
>
> His find.
>
> In order to look original he added a song from
>
> Another concert “all by myself”
>
> As far as I remember.Just to look authentic.
>
> If you watch the video it is not there.
>
> It was a gimmick from reprise Brazil.
>
> They also issued the London June 1 1962 concert.
>
> I have this concert on mono
>
> And it sounds better.
>
> Shemmy
>
> נשלח מה-iPhone שלי
>
>
>
> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
> dmarc-noreply@freelists.org> כתב/ה:
>
> The Jerusalem Concert was released on CD a decade or more ago by
> Reprise in Brazil.
>
>
>
> John G.
>
> Sent from the all new AOL app for iOS
> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>
>
>
> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
> wrote:
>
> Thank you from me too Shemmy !! I just opened this account and found this
> very rare concert .. WOW !!!! For years I looked for it together with the
> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
> of those concerts told us that the ABC TV tape seemed to have been
> destroyed, the story was loosely told in a movie some years after.)
>
> This is Frank still at his very peak! I also wonder if a video or a
> better sounding tape of the Concertgebow performance from that same year
> exists ? To me that was one of his very best concerts from the 70's ... oh
> well ... maybe I'm asking too much, we must be happy with this very rare
> jewel !!
>
> Thank you again for leading us to it Shemmy !!!
>
>
>
> Alvaro
>
>
>
> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
> escribió:
>
>
>
> Thank you Shemmy!
>
> Very much appreciated.
>
> Margriet
>
>
>
>
>
> Verzonden vanaf mijn Galaxy
>
>
>
>
>
> -------- Oorspronkelijk bericht --------
>
> Van: shemmy Mashiah <smashiah@netvision.net.il>
>
> Datum: 28-12-2023 16:02 (GMT+01:00)
>
> Aan: sinatraphiles@freelists.org
>
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
>
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
>
> I was there 47 years ago.
>
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-11
Tito
It was 1960
And 2 years latter as a 16 years boys I have seen Sinatra and sextet in Haifa
May 9 1962
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Tito Montoya
Sent: Thursday, January 11, 2024 7:11 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14 by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> > On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George < <mailto:dmarc-noreply@freelists.org> dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com <mailto:franklyjoy22@gmail.com> > wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14
by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
dmarc-noreply@freelists.org>) escribió:
> Thank you for sharing this fascinating information Shemmy! I have often
> wondered how these historic recordings are created and shared. You are very
> fortunate to have attended the show!
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>
>
>
> Hi Ed
>
> Since I was there and was involved I will give you the full story.
>
> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>
> Mastered by one of his friends in the west coast.
>
> He used the master tape that was recorded while the concert was broadcasted
>
> By the IDF (Israel defence forces) Radio station
>
> I did my army service in this station as acoustic engineer till I was
> about 50 years old.
>
> This was recorded alongside the Sinatra’s audio console.
>
> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
> vocal master sound columns that sounded great.
>
> It was 1975. The Guy who supplied the sound system was a good friend of
> mine.
>
> Some years later I installed an ALTEC LANSING loudspeaker system in this
> hall.
>
> When the Roberto Quartin came out I talked to Rick apt.
>
> He told me he gave a free copy to roberto who promised not to use it.
>
> But he did not kept his word and issued a copy with the addition of” all
> by myself” so people will think this is the full authentic concert.
>
> No!! it is not.
>
> I did not mention his name because I don’t like what he did.(I do have the
> Brazilian cds)
>
> I have another master tape from the show recorded from the radio broadcast
> by my revox that sounds very good as well.
>
>
>
> About the Jerusalem 75 video.
>
> The concert was broadcasted in B&W.
>
> I have asked a friend who is a video producer to record it on Umatic.(We
> were more advanced than Australia)
>
>
>
> I have this Umatic tape but never saw it since I don’t have a Umatic
> machine.
>
> If you have access to one I can send it to you.
>
> Some years later the concert was on Israel TV and I recorded it on video
> tape.
>
> This is the version you are familiar with till the new colorized version
> arrived
>
> On the colorized version it is written on the top right ARCHIVE in
> Hebrew.
>
> So this is from the archive of the Israel broadcasting organization.
>
>
>
> I will check if the original can be purchased.
>
> I don’t know if it was filmed in color. Or colorized later.maybe some
> members know.
>
> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
> latter)
>
> And the Sinatra companyin the concert.
>
> Everytime the orchestra played the first 2 notes I told my friends the
> name of the songs.
>
> And they turned back many times with appreciation.
>
> I have enclosed photos where you can see me with a mark like arrow above
> my head right behind Barbara and the Sinatra group.
>
> Maybe you know who they are.I can not recognize any one of them.
>
> By the way who played piano in the concert.?
>
> Regards
>
> shemmy
>
>
>
>
>
>
>
>
>
>
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* Monday, January 8, 2024 10:08 PM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Hi Shemmy,
>
> Roberto Quartin was the fellow who did the Jerusalem
>
> and the RFH 62. Roberto worked with what was sent to him. He
>
> wanted both shows from the masters. Alas, that was not be. Roberto
>
> was very frustrated and worked with the material provided. I tried to
>
> talk him out of putting "All By Myself" on the CD. He loved the song
>
> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>
> lifted songs from Tokyo and I believe other venues. He gave me the
>
> run down on what he replaced from 6/1. I could try and dig out his letter
>
> if you are interested.
>
> Ed
>
>
>
> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
> smashiah@netvision.net.il> wrote:
>
>
>
>
>
> John
>
> The jerusalem concert was first released on a cd by “mazal tov” records.
>
> A very good bootleg.
>
> I was told the Brazil guy got this cd and copied it and issued it as
>
> His find.
>
> In order to look original he added a song from
>
> Another concert “all by myself”
>
> As far as I remember.Just to look authentic.
>
> If you watch the video it is not there.
>
> It was a gimmick from reprise Brazil.
>
> They also issued the London June 1 1962 concert.
>
> I have this concert on mono
>
> And it sounds better.
>
> Shemmy
>
> נשלח מה-iPhone שלי
>
>
>
> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
> dmarc-noreply@freelists.org> כתב/ה:
>
> The Jerusalem Concert was released on CD a decade or more ago by
> Reprise in Brazil.
>
>
>
> John G.
>
> Sent from the all new AOL app for iOS
> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>
>
>
> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
> wrote:
>
> Thank you from me too Shemmy !! I just opened this account and found this
> very rare concert .. WOW !!!! For years I looked for it together with the
> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
> of those concerts told us that the ABC TV tape seemed to have been
> destroyed, the story was loosely told in a movie some years after.)
>
> This is Frank still at his very peak! I also wonder if a video or a
> better sounding tape of the Concertgebow performance from that same year
> exists ? To me that was one of his very best concerts from the 70's ... oh
> well ... maybe I'm asking too much, we must be happy with this very rare
> jewel !!
>
> Thank you again for leading us to it Shemmy !!!
>
>
>
> Alvaro
>
>
>
> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
> escribió:
>
>
>
> Thank you Shemmy!
>
> Very much appreciated.
>
> Margriet
>
>
>
>
>
> Verzonden vanaf mijn Galaxy
>
>
>
>
>
> -------- Oorspronkelijk bericht --------
>
> Van: shemmy Mashiah <smashiah@netvision.net.il>
>
> Datum: 28-12-2023 16:02 (GMT+01:00)
>
> Aan: sinatraphiles@freelists.org
>
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
>
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
>
> I was there 47 years ago.
>
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Ooops !! 🙄
You were very lucky though to see him live, and at his very peak too! I
could never saw him in person, I was in Argentina in July of 1981, a few
days before he arrived in town to give a series of concerts, but had to
return back to school in Lima; so asking my parents to stay for a few more
days was out of the question. That was "the closest" I ever got to see him
live.
A few days ago i made translation into English, of some clips I saw on
youtube, where Palito Ortega - an iconic Argentinian singer-composer who
happened to bring Sinatra to Argentina - tells of his experiences with
Frank before , during and after he performed in that country. I think it's
interesting to know how he helped him out some years after, when Palito
went to the States with his family to work. He couldn't have had a better
warrant and supporter. I'll send it soon !
Alvaro
El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
> Tito
>
> It was 1960
>
> And 2 years latter as a 16 years boys I have seen Sinatra and sextet in
> Haifa
>
> May 9 1962
>
> shemmy
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Tito Montoya
> *Sent:* Thursday, January 11, 2024 7:11 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Great story Shemmy, thanks for sharing it!
>
> ( Curious ... that's exactly the age when I became a Sinatra fan too, 14
> by the end of 1979 .. )
>
>
>
> El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
> dmarc-noreply@freelists.org>) escribió:
>
> Thank you for sharing this fascinating information Shemmy! I have often
> wondered how these historic recordings are created and shared. You are very
> fortunate to have attended the show!
>
> --
>
> Paul D'Alessandro
>
> Huntington Beach, CA
>
>
>
> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>
>
>
> Hi Ed
>
> Since I was there and was involved I will give you the full story.
>
> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>
> Mastered by one of his friends in the west coast.
>
> He used the master tape that was recorded while the concert was broadcasted
>
> By the IDF (Israel defence forces) Radio station
>
> I did my army service in this station as acoustic engineer till I was
> about 50 years old.
>
> This was recorded alongside the Sinatra’s audio console.
>
> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
> vocal master sound columns that sounded great.
>
> It was 1975. The Guy who supplied the sound system was a good friend of
> mine.
>
> Some years later I installed an ALTEC LANSING loudspeaker system in this
> hall.
>
> When the Roberto Quartin came out I talked to Rick apt.
>
> He told me he gave a free copy to roberto who promised not to use it.
>
> But he did not kept his word and issued a copy with the addition of” all
> by myself” so people will think this is the full authentic concert.
>
> No!! it is not.
>
> I did not mention his name because I don’t like what he did.(I do have the
> Brazilian cds)
>
> I have another master tape from the show recorded from the radio broadcast
> by my revox that sounds very good as well.
>
>
>
> About the Jerusalem 75 video.
>
> The concert was broadcasted in B&W.
>
> I have asked a friend who is a video producer to record it on Umatic.(We
> were more advanced than Australia)
>
>
>
> I have this Umatic tape but never saw it since I don’t have a Umatic
> machine.
>
> If you have access to one I can send it to you.
>
> Some years later the concert was on Israel TV and I recorded it on video
> tape.
>
> This is the version you are familiar with till the new colorized version
> arrived
>
> On the colorized version it is written on the top right ARCHIVE in
> Hebrew.
>
> So this is from the archive of the Israel broadcasting organization.
>
>
>
> I will check if the original can be purchased.
>
> I don’t know if it was filmed in color. Or colorized later.maybe some
> members know.
>
> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
> latter)
>
> And the Sinatra companyin the concert.
>
> Everytime the orchestra played the first 2 notes I told my friends the
> name of the songs.
>
> And they turned back many times with appreciation.
>
> I have enclosed photos where you can see me with a mark like arrow above
> my head right behind Barbara and the Sinatra group.
>
> Maybe you know who they are.I can not recognize any one of them.
>
> By the way who played piano in the concert.?
>
> Regards
>
> shemmy
>
>
>
>
>
>
>
>
>
>
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* Monday, January 8, 2024 10:08 PM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Hi Shemmy,
>
> Roberto Quartin was the fellow who did the Jerusalem
>
> and the RFH 62. Roberto worked with what was sent to him. He
>
> wanted both shows from the masters. Alas, that was not be. Roberto
>
> was very frustrated and worked with the material provided. I tried to
>
> talk him out of putting "All By Myself" on the CD. He loved the song
>
> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>
> lifted songs from Tokyo and I believe other venues. He gave me the
>
> run down on what he replaced from 6/1. I could try and dig out his letter
>
> if you are interested.
>
> Ed
>
>
>
> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
> smashiah@netvision.net.il> wrote:
>
>
>
>
>
> John
>
> The jerusalem concert was first released on a cd by “mazal tov” records.
>
> A very good bootleg.
>
> I was told the Brazil guy got this cd and copied it and issued it as
>
> His find.
>
> In order to look original he added a song from
>
> Another concert “all by myself”
>
> As far as I remember.Just to look authentic.
>
> If you watch the video it is not there.
>
> It was a gimmick from reprise Brazil.
>
> They also issued the London June 1 1962 concert.
>
> I have this concert on mono
>
> And it sounds better.
>
> Shemmy
>
> נשלח מה-iPhone שלי
>
>
>
> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
> dmarc-noreply@freelists.org> כתב/ה:
>
> The Jerusalem Concert was released on CD a decade or more ago by
> Reprise in Brazil.
>
>
>
> John G.
>
> Sent from the all new AOL app for iOS
> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>
>
>
> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
> wrote:
>
> Thank you from me too Shemmy !! I just opened this account and found this
> very rare concert .. WOW !!!! For years I looked for it together with the
> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
> of those concerts told us that the ABC TV tape seemed to have been
> destroyed, the story was loosely told in a movie some years after.)
>
> This is Frank still at his very peak! I also wonder if a video or a
> better sounding tape of the Concertgebow performance from that same year
> exists ? To me that was one of his very best concerts from the 70's ... oh
> well ... maybe I'm asking too much, we must be happy with this very rare
> jewel !!
>
> Thank you again for leading us to it Shemmy !!!
>
>
>
> Alvaro
>
>
>
> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
> escribió:
>
>
>
> Thank you Shemmy!
>
> Very much appreciated.
>
> Margriet
>
>
>
>
>
> Verzonden vanaf mijn Galaxy
>
>
>
>
>
> -------- Oorspronkelijk bericht --------
>
> Van: shemmy Mashiah <smashiah@netvision.net.il>
>
> Datum: 28-12-2023 16:02 (GMT+01:00)
>
> Aan: sinatraphiles@freelists.org
>
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
>
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
>
> I was there 47 years ago.
>
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
>
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: smashiah@netvision.net.il | Received: 2024-01-11
Tito
It was 1960
And 2 years latter as a 16 years boys I have seen Sinatra and sextet in Haifa
May 9 1962
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Tito Montoya
Sent: Thursday, January 11, 2024 7:11 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14 by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you for sharing this fascinating information Shemmy! I have often wondered how these historic recordings are created and shared. You are very fortunate to have attended the show!
Paul D'Alessandro
Huntington Beach, CA
On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> wrote:
Hi Ed
Since I was there and was involved I will give you the full story.
The ‘Mazal Tov” cd was produced by the Late Rick Apt.
Mastered by one of his friends in the west coast.
He used the master tape that was recorded while the concert was broadcasted
By the IDF (Israel defence forces) Radio station
I did my army service in this station as acoustic engineer till I was about 50 years old.
This was recorded alongside the Sinatra’s audio console.
He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure vocal master sound columns that sounded great.
It was 1975. The Guy who supplied the sound system was a good friend of mine.
Some years later I installed an ALTEC LANSING loudspeaker system in this hall.
When the Roberto Quartin came out I talked to Rick apt.
He told me he gave a free copy to roberto who promised not to use it.
But he did not kept his word and issued a copy with the addition of” all by myself” so people will think this is the full authentic concert.
No!! it is not.
I did not mention his name because I don’t like what he did.(I do have the Brazilian cds)
I have another master tape from the show recorded from the radio broadcast by my revox that sounds very good as well.
About the Jerusalem 75 video.
The concert was broadcasted in B&W.
I have asked a friend who is a video producer to record it on Umatic.(We were more advanced than Australia)
I have this Umatic tape but never saw it since I don’t have a Umatic machine.
If you have access to one I can send it to you.
Some years later the concert was on Israel TV and I recorded it on video tape.
This is the version you are familiar with till the new colorized version arrived
On the colorized version it is written on the top right ARCHIVE in Hebrew.
So this is from the archive of the Israel broadcasting organization.
I will check if the original can be purchased.
I don’t know if it was filmed in color. Or colorized later.maybe some members know.
By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra latter)
And the Sinatra companyin the concert.
Everytime the orchestra played the first 2 notes I told my friends the name of the songs.
And they turned back many times with appreciation.
I have enclosed photos where you can see me with a mark like arrow above my head right behind Barbara and the Sinatra group.
Maybe you know who they are.I can not recognize any one of them.
By the way who played piano in the concert.?
Regards
shemmy
From: sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org <mailto:sinatraphiles-bounce@freelists.org> > On Behalf Of Ed O'Brien ("eob101")
Sent: Monday, January 8, 2024 10:08 PM
To: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Hi Shemmy,
Roberto Quartin was the fellow who did the Jerusalem
and the RFH 62. Roberto worked with what was sent to him. He
wanted both shows from the masters. Alas, that was not be. Roberto
was very frustrated and worked with the material provided. I tried to
talk him out of putting "All By Myself" on the CD. He loved the song
and wouldn't listen to me. The London is not all from 6-1-62. Roberto
lifted songs from Tokyo and I believe other venues. He gave me the
run down on what he replaced from 6/1. I could try and dig out his letter
if you are interested.
Ed
On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> > wrote:
John
The jerusalem concert was first released on a cd by “mazal tov” records.
A very good bootleg.
I was told the Brazil guy got this cd and copied it and issued it as
His find.
In order to look original he added a song from
Another concert “all by myself”
As far as I remember.Just to look authentic.
If you watch the video it is not there.
It was a gimmick from reprise Brazil.
They also issued the London June 1 1962 concert.
I have this concert on mono
And it sounds better.
Shemmy
נשלח מה-iPhone שלי
ב-8 בינו׳ 2024, בשעה 19:10, John K. George < <mailto:dmarc-noreply@freelists.org> dmarc-noreply@freelists.org> כתב/ה:
The Jerusalem Concert was released on CD a decade or more ago by Reprise in Brazil.
John G.
Sent from the all new AOL app for iOS <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com <mailto:franklyjoy22@gmail.com> > wrote:
Thank you from me too Shemmy !! I just opened this account and found this very rare concert .. WOW !!!! For years I looked for it together with the televised Concert in Australia from 1974 ( to no avail sadly, the promoter of those concerts told us that the ABC TV tape seemed to have been destroyed, the story was loosely told in a movie some years after.)
This is Frank still at his very peak! I also wonder if a video or a better sounding tape of the Concertgebow performance from that same year exists ? To me that was one of his very best concerts from the 70's ... oh well ... maybe I'm asking too much, we must be happy with this very rare jewel !!
Thank you again for leading us to it Shemmy !!!
Alvaro
El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org <mailto:dmarc-noreply@freelists.org> >) escribió:
Thank you Shemmy!
Very much appreciated.
Margriet
Verzonden vanaf mijn Galaxy
-------- Oorspronkelijk bericht --------
Van: shemmy Mashiah <smashiah@netvision.net.il <mailto:smashiah@netvision.net.il> >
Datum: 28-12-2023 16:02 (GMT+01:00)
Aan: sinatraphiles@freelists.org <mailto:sinatraphiles@freelists.org>
Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you tube in color
This concert is now on YouTube in color.watch it or download it before it is removed.
I was there 47 years ago.
Shemmy mashiah
נשלח מה-iPhone שלי
Re: Sinatra jerusalem concert 27.11.75 no on you tube in color
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Great story Shemmy, thanks for sharing it!
( Curious ... that's exactly the age when I became a Sinatra fan too, 14
by the end of 1979 .. )
El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
dmarc-noreply@freelists.org>) escribió:
> Thank you for sharing this fascinating information Shemmy! I have often
> wondered how these historic recordings are created and shared. You are very
> fortunate to have attended the show!
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>
>
>
> Hi Ed
>
> Since I was there and was involved I will give you the full story.
>
> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>
> Mastered by one of his friends in the west coast.
>
> He used the master tape that was recorded while the concert was broadcasted
>
> By the IDF (Israel defence forces) Radio station
>
> I did my army service in this station as acoustic engineer till I was
> about 50 years old.
>
> This was recorded alongside the Sinatra’s audio console.
>
> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
> vocal master sound columns that sounded great.
>
> It was 1975. The Guy who supplied the sound system was a good friend of
> mine.
>
> Some years later I installed an ALTEC LANSING loudspeaker system in this
> hall.
>
> When the Roberto Quartin came out I talked to Rick apt.
>
> He told me he gave a free copy to roberto who promised not to use it.
>
> But he did not kept his word and issued a copy with the addition of” all
> by myself” so people will think this is the full authentic concert.
>
> No!! it is not.
>
> I did not mention his name because I don’t like what he did.(I do have the
> Brazilian cds)
>
> I have another master tape from the show recorded from the radio broadcast
> by my revox that sounds very good as well.
>
>
>
> About the Jerusalem 75 video.
>
> The concert was broadcasted in B&W.
>
> I have asked a friend who is a video producer to record it on Umatic.(We
> were more advanced than Australia)
>
>
>
> I have this Umatic tape but never saw it since I don’t have a Umatic
> machine.
>
> If you have access to one I can send it to you.
>
> Some years later the concert was on Israel TV and I recorded it on video
> tape.
>
> This is the version you are familiar with till the new colorized version
> arrived
>
> On the colorized version it is written on the top right ARCHIVE in
> Hebrew.
>
> So this is from the archive of the Israel broadcasting organization.
>
>
>
> I will check if the original can be purchased.
>
> I don’t know if it was filmed in color. Or colorized later.maybe some
> members know.
>
> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
> latter)
>
> And the Sinatra companyin the concert.
>
> Everytime the orchestra played the first 2 notes I told my friends the
> name of the songs.
>
> And they turned back many times with appreciation.
>
> I have enclosed photos where you can see me with a mark like arrow above
> my head right behind Barbara and the Sinatra group.
>
> Maybe you know who they are.I can not recognize any one of them.
>
> By the way who played piano in the concert.?
>
> Regards
>
> shemmy
>
>
>
>
>
>
>
>
>
>
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* Monday, January 8, 2024 10:08 PM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
> you tube in color
>
>
>
> Hi Shemmy,
>
> Roberto Quartin was the fellow who did the Jerusalem
>
> and the RFH 62. Roberto worked with what was sent to him. He
>
> wanted both shows from the masters. Alas, that was not be. Roberto
>
> was very frustrated and worked with the material provided. I tried to
>
> talk him out of putting "All By Myself" on the CD. He loved the song
>
> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>
> lifted songs from Tokyo and I believe other venues. He gave me the
>
> run down on what he replaced from 6/1. I could try and dig out his letter
>
> if you are interested.
>
> Ed
>
>
>
> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
> smashiah@netvision.net.il> wrote:
>
>
>
>
>
> John
>
> The jerusalem concert was first released on a cd by “mazal tov” records.
>
> A very good bootleg.
>
> I was told the Brazil guy got this cd and copied it and issued it as
>
> His find.
>
> In order to look original he added a song from
>
> Another concert “all by myself”
>
> As far as I remember.Just to look authentic.
>
> If you watch the video it is not there.
>
> It was a gimmick from reprise Brazil.
>
> They also issued the London June 1 1962 concert.
>
> I have this concert on mono
>
> And it sounds better.
>
> Shemmy
>
> נשלח מה-iPhone שלי
>
>
>
> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
> dmarc-noreply@freelists.org> כתב/ה:
>
> The Jerusalem Concert was released on CD a decade or more ago by
> Reprise in Brazil.
>
>
>
> John G.
>
> Sent from the all new AOL app for iOS
> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>
>
>
> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
> wrote:
>
> Thank you from me too Shemmy !! I just opened this account and found this
> very rare concert .. WOW !!!! For years I looked for it together with the
> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
> of those concerts told us that the ABC TV tape seemed to have been
> destroyed, the story was loosely told in a movie some years after.)
>
> This is Frank still at his very peak! I also wonder if a video or a
> better sounding tape of the Concertgebow performance from that same year
> exists ? To me that was one of his very best concerts from the 70's ... oh
> well ... maybe I'm asking too much, we must be happy with this very rare
> jewel !!
>
> Thank you again for leading us to it Shemmy !!!
>
>
>
> Alvaro
>
>
>
> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
> escribió:
>
>
>
> Thank you Shemmy!
>
> Very much appreciated.
>
> Margriet
>
>
>
>
>
> Verzonden vanaf mijn Galaxy
>
>
>
>
>
> -------- Oorspronkelijk bericht --------
>
> Van: shemmy Mashiah <smashiah@netvision.net.il>
>
> Datum: 28-12-2023 16:02 (GMT+01:00)
>
> Aan: sinatraphiles@freelists.org
>
> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
> tube in color
>
>
>
> This concert is now on YouTube in color.watch it or download it before it
> is removed.
>
> I was there 47 years ago.
>
> Shemmy mashiah
>
> נשלח מה-iPhone שלי
>
>
Re: ZIEGFELD FOLLIES
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Should work this time. I hope.
On Thursday, January 11, 2024 at 12:51:32 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
note: Entratter added eight Copa Girls for the Follies. Usually the Sands
had 12 on stage.
Ed

[image referenced in source but could not be recovered]
Re: ZIEGFELD FOLLIES
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Should work this time. I hope.
On Thursday, January 11, 2024 at 12:51:32 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
note: Entratter added eight Copa Girls for the Follies. Usually the Sands
had 12 on stage.
Ed

[image referenced in source but could not be recovered]
Re: ZIEGFELD FOLLIES
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
Should work this time. I hope.
On Thursday, January 11, 2024 at 12:51:32 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
note: Entratter added eight Copa Girls for the Follies. Usually the Sands
had 12 on stage.
Ed

[image referenced in source but could not be recovered]
SINATRA IN ARGENTINA - PREPARATIONS FOR THE CONCERT - BEHIND THE SCENES
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Below is a Youtube clip and a translation of Ramón (Nicknamed "Palito" )
Ortega, explaining how he brought Sinatra to Argentina in 1981.
Some time after Frank went back to the States, a skyrocketing inflation
took place in Argentina - actually it had already begun before Sinatra and
his team arrived in Buenos Aires - ; Palito explained in another interview
that when his team saw how the "pesos" began to lose value against american
dollars, they saw the concerts could be a financial disaster for him.
Palito's answer was that at that stage he could'nt back off, he had already
signed the contract with Frank and besides he added, they're already
packing up all their stuff. I gave Sinatra my word, I shall honour it.
So the peso devaluation started days before Sinatra and his team arrived in
Buenos Aires, kept going up during the time he performed in that city and
skyrocketed months after he left.
Minutes before the plane with Sinatra took off to take him back to the USA,
Palito got in the plane for a final hug and was told by him: "I know what
you're going through. I want you to know that if you ever go to the States
to work, I will always be there as a warrant. I want you to remember this. "
In the below clip Ortega explains how the idea of taking Sinatra to
Argentina came about, the negotiations he went though and how he came
to his rescue years after, when he paid all his debts in Argentina and had
to start over from zero. Palito was already a millionaire performer when he
engaged Sinatra and his team to perform in Buenos Aires, but so severe was
his financial crash that he had to work for some years in his country to
pay all he owed before he could leave.
Palito ortega by the way, was an iconic singer-composer all over Latin
America and Spain all through the sixties till this day. He didn't have the
most charming of all voices, but was agreat song writer, very often too
making songs for other artists turning them into big hits.
Below is the youtube clip and a translation (Btw, there was another one
some time ago where he also spoke at lenght about his time with Frank in
Argentina, sadly I believe it was taken down ) - The "Sinatra interview"
begins at 3' 29
Palito Ortega: Frank Sinatra, la politica y el cine.
https://www.youtube.com/watch?v=QszYLfC240I
3.29
Interviewer:
Tell me what was it like bringing Sinatra, how did it come about ?
There were four dinner shows and two concerts at the Luna Park arena.
3.37
Palito: At the beginning making Sinatra appear at the Luna park looked
like a distant dream. I had a friend here, a great pianist, Filiken was his
name, he had a son who used to travel a lot. He told me he that knew one of
Sinatra’s lawyers .. so that’s how the first contact with one of them took
place. We had a lot of meetings first, until one day Sinatra finally turned
up taking a seat before me. .. face to face…. In order to break the ice and
my nervoussness I made a joke to him.. in Spanish … like someone saying
here “ I have a chacarera for you” (it’s an argentinian phrase meaning “ I
have a something for you to sing .. ” ), instead of it I told him “
Sinatra, I have a Cumbia for you” ( the Cumbia is a popular Colombian
rhythm, with various degrees of popularity in different LA countries) ..
4.30
Interviewer: Don’t fuck me up!
Palito: I swear it, for my life … all the others present who knew spanish
were trying to keep a square face … can you imagine me offering Sinatra a
Cumbia ? .. but that was just to break the ice … obviously he didn’t
understand a word …. But that’s how our first meeting took place .. I
really can’t tell you how warm he was .. when I remember the Bourbon and
the Whiskie he used to drink .. I had to run to the American Embassy for
some bottles … till they got all for me … there was a large table with
drinks … the look of pleasure on his face when he finished his shows … he
would ask to be alone for fiteen minutes after the concerts, he shouldn’t
be disturbed …he’d ask you not to go up to his suite until he finished
showering, changing clothes, etc … we’ d wait for a while and then when we
went up he’d welcome us with a big smile on his face and asked what you’
d like to drink .. he used to prepare the drinks for you himself …he made
incredible martinis … he was very, very warm in private … he would kneel
down on the carpet and sit there with my and other people’s children just
being one of them (interesting pic at 5:35 … Sinatra singing or talking to
the children, probably taken at one of the concerts in Buenos Aires at the
Sheraton Hotel ) .. Afterwards of course he took up the stage, became
Sinatra and the whole stadium fell down … a very enchanting guy … the
thing is when the doors to his suite opened his whole face started to
change … there’d be two big guys walking ahead and behind him .. and then
one day .. I was almost impertinent to ask him … why he had so many
“security people” around him … he looked at me very seriously and said … (
6.03 ) “If John lennon had acted like me .. nothing like what happened
would have taken place … I don’t think anybody hates me as much as to put
a bullet in me … but the world is filled up with crazy guys “.
6.24
Intercviewer:
He was very good to you when he realized everything that was going on in
Argentina at that time with the economy going down right ? … I understand
he behaved great with you … a guy who honoured his word.
6.30
Palito: Yes, yes … very, very well .. they (Sinatra’s people ) left the
USA for Argentina when they had already charged their “cache” , the thing
is that you had to have a large bank behind you backing you up .. they were
large banking transfers, almost as if you were importing extremely valuable
goods. Somebody informed him well about Argentina’s devaluation at that
time .. the lies …. about USA dollars being ten one day, then twenty on
the next … something awful … you couldn’t really plan anything in advance
… impossible to make a project for tomorrow or the day after … finally ….
in life I believe that if you behave well… at some point other people will
be good to you too.
When he went back to the States, the last thing he told me was: I know
everything that has happened to you, ( Inflation had already begun and
Palito was losing millions with every week. )
“The only thing that you musnt’ forget is this: The day when you need
someone in the States to act as a warrantor, do not hesitate to call me”
I went to the States five years after working, and working in Argentina
non-stop … till I finally paid everything I owed … I said to myself, I
don’t want to make any mistakes or take a false step anymore … now I want
to go and start over again … my wife was pregnant so it was hard for her
too … where do we go she asked … to the USA …. She wanted to go to Europe
though cause I’d been offered a contract in Spain .. but I said no, let’s
go to the States … and I took up the dates I was offered .. I went to sing
to Vegas … and I was amazed, my concerts were crowded, till then I didn’t
understand how that could be … soon after I realized that when he made his
moves (Sinatra) … he did move! . I began to be called by people I’d never
heard about … till one day I get a call from someone who asks me : “ Mr
Ortega, how are your kids doing ? .. at school I mean “ . Suddenly the
principal, the vice principal .. even the doormen were coming to my house
to make sure that we were all well attended.
(Palito here is skipping the fact that one of the first things he did when
he arrived in the States, was contacting Sinatra’s people, though not
knowing if he would remember him or even more, the promise he had made to
him; on another video he speaks a t length of his meetings with Sinatra
when he contacted him for help. Sinatra’s “intelligence service” had
already told him that Palito was coming to perform in Vegas, so he arranged
everything for his concerts to be sold out, before ven speaking with
Ortega. I’ll make a translation tomorrow ).
Palito:
The truth is that he behaved so well … a huge pleasure to be sharing drinks
with him all those nights and finally taking him up there at the Luna Park
to perform … I had never, ever seen so many men crying … I am deeply moved
when I see a man crying you know .. but deeply … I get shivers … people who
never though they would see him perform … fans you know, fans are like that
… “ Palito … they would thank me sobbing …. I never though I would get to
see him in person “. But of course a fan is like that …
There's also another interview to Palito Orteha's son some months ago, in
which he recalls how Sinatra tok the time to play with him at his hotel
room ( "something he didn't have to do but took the time to! " ):
I will attempt a translation tomorrow if there's an interest ..
Al (Tito)
El jue, 11 ene 2024 a las 11:03, Tito Montoya (<franklyjoy22@gmail.com>)
escribió:
> Ooops !! 🙄
>
> You were very lucky though to see him live, and at his very peak too! I
> could never saw him in person, I was in Argentina in July of 1981, a few
> days before he arrived in town to give a series of concerts, but had to
> return back to school in Lima; so asking my parents to stay for a few more
> days was out of the question. That was "the closest" I ever got to see him
> live.
>
> A few days ago i made translation into English, of some clips I saw on
> youtube, where Palito Ortega - an iconic Argentinian singer-composer who
> happened to bring Sinatra to Argentina - tells of his experiences with
> Frank before , during and after he performed in that country. I think it's
> interesting to know how he helped him out some years after, when Palito
> went to the States with his family to work. He couldn't have had a better
> warrant and supporter. I'll send it soon !
>
> Alvaro
>
> El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
>
>> Tito
>>
>> It was 1960
>>
>> And 2 years latter as a 16 years boys I have seen Sinatra and sextet in
>> Haifa
>>
>> May 9 1962
>>
>> shemmy
>>
>>
>>
>> *From:* sinatraphiles-bounce@freelists.org <
>> sinatraphiles-bounce@freelists.org> *On Behalf Of *Tito Montoya
>> *Sent:* Thursday, January 11, 2024 7:11 AM
>> *To:* sinatraphiles@freelists.org
>> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
>> you tube in color
>>
>>
>>
>> Great story Shemmy, thanks for sharing it!
>>
>> ( Curious ... that's exactly the age when I became a Sinatra fan too,
>> 14 by the end of 1979 .. )
>>
>>
>>
>> El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
>> dmarc-noreply@freelists.org>) escribió:
>>
>> Thank you for sharing this fascinating information Shemmy! I have often
>> wondered how these historic recordings are created and shared. You are very
>> fortunate to have attended the show!
>>
>> --
>>
>> Paul D'Alessandro
>>
>> Huntington Beach, CA
>>
>>
>>
>> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>>
>>
>>
>> Hi Ed
>>
>> Since I was there and was involved I will give you the full story.
>>
>> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>>
>> Mastered by one of his friends in the west coast.
>>
>> He used the master tape that was recorded while the concert was
>> broadcasted
>>
>> By the IDF (Israel defence forces) Radio station
>>
>> I did my army service in this station as acoustic engineer till I was
>> about 50 years old.
>>
>> This was recorded alongside the Sinatra’s audio console.
>>
>> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
>> vocal master sound columns that sounded great.
>>
>> It was 1975. The Guy who supplied the sound system was a good friend of
>> mine.
>>
>> Some years later I installed an ALTEC LANSING loudspeaker system in this
>> hall.
>>
>> When the Roberto Quartin came out I talked to Rick apt.
>>
>> He told me he gave a free copy to roberto who promised not to use it.
>>
>> But he did not kept his word and issued a copy with the addition of” all
>> by myself” so people will think this is the full authentic concert.
>>
>> No!! it is not.
>>
>> I did not mention his name because I don’t like what he did.(I do have
>> the Brazilian cds)
>>
>> I have another master tape from the show recorded from the radio
>> broadcast by my revox that sounds very good as well.
>>
>>
>>
>> About the Jerusalem 75 video.
>>
>> The concert was broadcasted in B&W.
>>
>> I have asked a friend who is a video producer to record it on Umatic.(We
>> were more advanced than Australia)
>>
>>
>>
>> I have this Umatic tape but never saw it since I don’t have a Umatic
>> machine.
>>
>> If you have access to one I can send it to you.
>>
>> Some years later the concert was on Israel TV and I recorded it on video
>> tape.
>>
>> This is the version you are familiar with till the new colorized version
>> arrived
>>
>> On the colorized version it is written on the top right ARCHIVE in
>> Hebrew.
>>
>> So this is from the archive of the Israel broadcasting organization.
>>
>>
>>
>> I will check if the original can be purchased.
>>
>> I don’t know if it was filmed in color. Or colorized later.maybe some
>> members know.
>>
>> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
>> latter)
>>
>> And the Sinatra companyin the concert.
>>
>> Everytime the orchestra played the first 2 notes I told my friends the
>> name of the songs.
>>
>> And they turned back many times with appreciation.
>>
>> I have enclosed photos where you can see me with a mark like arrow above
>> my head right behind Barbara and the Sinatra group.
>>
>> Maybe you know who they are.I can not recognize any one of them.
>>
>> By the way who played piano in the concert.?
>>
>> Regards
>>
>> shemmy
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> *From:* sinatraphiles-bounce@freelists.org <
>> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
>> *Sent:* Monday, January 8, 2024 10:08 PM
>> *To:* sinatraphiles@freelists.org
>> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
>> you tube in color
>>
>>
>>
>> Hi Shemmy,
>>
>> Roberto Quartin was the fellow who did the Jerusalem
>>
>> and the RFH 62. Roberto worked with what was sent to him. He
>>
>> wanted both shows from the masters. Alas, that was not be. Roberto
>>
>> was very frustrated and worked with the material provided. I tried to
>>
>> talk him out of putting "All By Myself" on the CD. He loved the song
>>
>> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>>
>> lifted songs from Tokyo and I believe other venues. He gave me the
>>
>> run down on what he replaced from 6/1. I could try and dig out his letter
>>
>> if you are interested.
>>
>> Ed
>>
>>
>>
>> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
>> smashiah@netvision.net.il> wrote:
>>
>>
>>
>>
>>
>> John
>>
>> The jerusalem concert was first released on a cd by “mazal tov” records.
>>
>> A very good bootleg.
>>
>> I was told the Brazil guy got this cd and copied it and issued it as
>>
>> His find.
>>
>> In order to look original he added a song from
>>
>> Another concert “all by myself”
>>
>> As far as I remember.Just to look authentic.
>>
>> If you watch the video it is not there.
>>
>> It was a gimmick from reprise Brazil.
>>
>> They also issued the London June 1 1962 concert.
>>
>> I have this concert on mono
>>
>> And it sounds better.
>>
>> Shemmy
>>
>> נשלח מה-iPhone שלי
>>
>>
>>
>> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
>> dmarc-noreply@freelists.org> כתב/ה:
>>
>> The Jerusalem Concert was released on CD a decade or more ago by
>> Reprise in Brazil.
>>
>>
>>
>> John G.
>>
>> Sent from the all new AOL app for iOS
>> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>>
>>
>>
>> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
>> wrote:
>>
>> Thank you from me too Shemmy !! I just opened this account and found this
>> very rare concert .. WOW !!!! For years I looked for it together with the
>> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
>> of those concerts told us that the ABC TV tape seemed to have been
>> destroyed, the story was loosely told in a movie some years after.)
>>
>> This is Frank still at his very peak! I also wonder if a video or a
>> better sounding tape of the Concertgebow performance from that same year
>> exists ? To me that was one of his very best concerts from the 70's ... oh
>> well ... maybe I'm asking too much, we must be happy with this very rare
>> jewel !!
>>
>> Thank you again for leading us to it Shemmy !!!
>>
>>
>>
>> Alvaro
>>
>>
>>
>> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
>> escribió:
>>
>>
>>
>> Thank you Shemmy!
>>
>> Very much appreciated.
>>
>> Margriet
>>
>>
>>
>>
>>
>> Verzonden vanaf mijn Galaxy
>>
>>
>>
>>
>>
>> -------- Oorspronkelijk bericht --------
>>
>> Van: shemmy Mashiah <smashiah@netvision.net.il>
>>
>> Datum: 28-12-2023 16:02 (GMT+01:00)
>>
>> Aan: sinatraphiles@freelists.org
>>
>> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
>> tube in color
>>
>>
>>
>> This concert is now on YouTube in color.watch it or download it before it
>> is removed.
>>
>> I was there 47 years ago.
>>
>> Shemmy mashiah
>>
>> נשלח מה-iPhone שלי
>>
>>
SINATRA IN ARGENTINA - PREPARATIONS FOR THE CONCERT - BEHIND THE SCENES
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Below is a Youtube clip and a translation of Ramón (Nicknamed "Palito" )
Ortega, explaining how he brought Sinatra to Argentina in 1981.
Some time after Frank went back to the States, a skyrocketing inflation
took place in Argentina - actually it had already begun before Sinatra and
his team arrived in Buenos Aires - ; Palito explained in another interview
that when his team saw how the "pesos" began to lose value against american
dollars, they saw the concerts could be a financial disaster for him.
Palito's answer was that at that stage he could'nt back off, he had already
signed the contract with Frank and besides he added, they're already
packing up all their stuff. I gave Sinatra my word, I shall honour it.
So the peso devaluation started days before Sinatra and his team arrived in
Buenos Aires, kept going up during the time he performed in that city and
skyrocketed months after he left.
Minutes before the plane with Sinatra took off to take him back to the USA,
Palito got in the plane for a final hug and was told by him: "I know what
you're going through. I want you to know that if you ever go to the States
to work, I will always be there as a warrant. I want you to remember this. "
In the below clip Ortega explains how the idea of taking Sinatra to
Argentina came about, the negotiations he went though and how he came
to his rescue years after, when he paid all his debts in Argentina and had
to start over from zero. Palito was already a millionaire performer when he
engaged Sinatra and his team to perform in Buenos Aires, but so severe was
his financial crash that he had to work for some years in his country to
pay all he owed before he could leave.
Palito ortega by the way, was an iconic singer-composer all over Latin
America and Spain all through the sixties till this day. He didn't have the
most charming of all voices, but was agreat song writer, very often too
making songs for other artists turning them into big hits.
Below is the youtube clip and a translation (Btw, there was another one
some time ago where he also spoke at lenght about his time with Frank in
Argentina, sadly I believe it was taken down ) - The "Sinatra interview"
begins at 3' 29
Palito Ortega: Frank Sinatra, la politica y el cine.
https://www.youtube.com/watch?v=QszYLfC240I
3.29
Interviewer:
Tell me what was it like bringing Sinatra, how did it come about ?
There were four dinner shows and two concerts at the Luna Park arena.
3.37
Palito: At the beginning making Sinatra appear at the Luna park looked
like a distant dream. I had a friend here, a great pianist, Filiken was his
name, he had a son who used to travel a lot. He told me he that knew one of
Sinatra’s lawyers .. so that’s how the first contact with one of them took
place. We had a lot of meetings first, until one day Sinatra finally turned
up taking a seat before me. .. face to face…. In order to break the ice and
my nervoussness I made a joke to him.. in Spanish … like someone saying
here “ I have a chacarera for you” (it’s an argentinian phrase meaning “ I
have a something for you to sing .. ” ), instead of it I told him “
Sinatra, I have a Cumbia for you” ( the Cumbia is a popular Colombian
rhythm, with various degrees of popularity in different LA countries) ..
4.30
Interviewer: Don’t fuck me up!
Palito: I swear it, for my life … all the others present who knew spanish
were trying to keep a square face … can you imagine me offering Sinatra a
Cumbia ? .. but that was just to break the ice … obviously he didn’t
understand a word …. But that’s how our first meeting took place .. I
really can’t tell you how warm he was .. when I remember the Bourbon and
the Whiskie he used to drink .. I had to run to the American Embassy for
some bottles … till they got all for me … there was a large table with
drinks … the look of pleasure on his face when he finished his shows … he
would ask to be alone for fiteen minutes after the concerts, he shouldn’t
be disturbed …he’d ask you not to go up to his suite until he finished
showering, changing clothes, etc … we’ d wait for a while and then when we
went up he’d welcome us with a big smile on his face and asked what you’
d like to drink .. he used to prepare the drinks for you himself …he made
incredible martinis … he was very, very warm in private … he would kneel
down on the carpet and sit there with my and other people’s children just
being one of them (interesting pic at 5:35 … Sinatra singing or talking to
the children, probably taken at one of the concerts in Buenos Aires at the
Sheraton Hotel ) .. Afterwards of course he took up the stage, became
Sinatra and the whole stadium fell down … a very enchanting guy … the
thing is when the doors to his suite opened his whole face started to
change … there’d be two big guys walking ahead and behind him .. and then
one day .. I was almost impertinent to ask him … why he had so many
“security people” around him … he looked at me very seriously and said … (
6.03 ) “If John lennon had acted like me .. nothing like what happened
would have taken place … I don’t think anybody hates me as much as to put
a bullet in me … but the world is filled up with crazy guys “.
6.24
Intercviewer:
He was very good to you when he realized everything that was going on in
Argentina at that time with the economy going down right ? … I understand
he behaved great with you … a guy who honoured his word.
6.30
Palito: Yes, yes … very, very well .. they (Sinatra’s people ) left the
USA for Argentina when they had already charged their “cache” , the thing
is that you had to have a large bank behind you backing you up .. they were
large banking transfers, almost as if you were importing extremely valuable
goods. Somebody informed him well about Argentina’s devaluation at that
time .. the lies …. about USA dollars being ten one day, then twenty on
the next … something awful … you couldn’t really plan anything in advance
… impossible to make a project for tomorrow or the day after … finally ….
in life I believe that if you behave well… at some point other people will
be good to you too.
When he went back to the States, the last thing he told me was: I know
everything that has happened to you, ( Inflation had already begun and
Palito was losing millions with every week. )
“The only thing that you musnt’ forget is this: The day when you need
someone in the States to act as a warrantor, do not hesitate to call me”
I went to the States five years after working, and working in Argentina
non-stop … till I finally paid everything I owed … I said to myself, I
don’t want to make any mistakes or take a false step anymore … now I want
to go and start over again … my wife was pregnant so it was hard for her
too … where do we go she asked … to the USA …. She wanted to go to Europe
though cause I’d been offered a contract in Spain .. but I said no, let’s
go to the States … and I took up the dates I was offered .. I went to sing
to Vegas … and I was amazed, my concerts were crowded, till then I didn’t
understand how that could be … soon after I realized that when he made his
moves (Sinatra) … he did move! . I began to be called by people I’d never
heard about … till one day I get a call from someone who asks me : “ Mr
Ortega, how are your kids doing ? .. at school I mean “ . Suddenly the
principal, the vice principal .. even the doormen were coming to my house
to make sure that we were all well attended.
(Palito here is skipping the fact that one of the first things he did when
he arrived in the States, was contacting Sinatra’s people, though not
knowing if he would remember him or even more, the promise he had made to
him; on another video he speaks a t length of his meetings with Sinatra
when he contacted him for help. Sinatra’s “intelligence service” had
already told him that Palito was coming to perform in Vegas, so he arranged
everything for his concerts to be sold out, before ven speaking with
Ortega. I’ll make a translation tomorrow ).
Palito:
The truth is that he behaved so well … a huge pleasure to be sharing drinks
with him all those nights and finally taking him up there at the Luna Park
to perform … I had never, ever seen so many men crying … I am deeply moved
when I see a man crying you know .. but deeply … I get shivers … people who
never though they would see him perform … fans you know, fans are like that
… “ Palito … they would thank me sobbing …. I never though I would get to
see him in person “. But of course a fan is like that …
There's also another interview to Palito Orteha's son some months ago, in
which he recalls how Sinatra tok the time to play with him at his hotel
room ( "something he didn't have to do but took the time to! " ):
I will attempt a translation tomorrow if there's an interest ..
Al (Tito)
El jue, 11 ene 2024 a las 11:03, Tito Montoya (<franklyjoy22@gmail.com>)
escribió:
> Ooops !! 🙄
>
> You were very lucky though to see him live, and at his very peak too! I
> could never saw him in person, I was in Argentina in July of 1981, a few
> days before he arrived in town to give a series of concerts, but had to
> return back to school in Lima; so asking my parents to stay for a few more
> days was out of the question. That was "the closest" I ever got to see him
> live.
>
> A few days ago i made translation into English, of some clips I saw on
> youtube, where Palito Ortega - an iconic Argentinian singer-composer who
> happened to bring Sinatra to Argentina - tells of his experiences with
> Frank before , during and after he performed in that country. I think it's
> interesting to know how he helped him out some years after, when Palito
> went to the States with his family to work. He couldn't have had a better
> warrant and supporter. I'll send it soon !
>
> Alvaro
>
> El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
>
>> Tito
>>
>> It was 1960
>>
>> And 2 years latter as a 16 years boys I have seen Sinatra and sextet in
>> Haifa
>>
>> May 9 1962
>>
>> shemmy
>>
>>
>>
>> *From:* sinatraphiles-bounce@freelists.org <
>> sinatraphiles-bounce@freelists.org> *On Behalf Of *Tito Montoya
>> *Sent:* Thursday, January 11, 2024 7:11 AM
>> *To:* sinatraphiles@freelists.org
>> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
>> you tube in color
>>
>>
>>
>> Great story Shemmy, thanks for sharing it!
>>
>> ( Curious ... that's exactly the age when I became a Sinatra fan too,
>> 14 by the end of 1979 .. )
>>
>>
>>
>> El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
>> dmarc-noreply@freelists.org>) escribió:
>>
>> Thank you for sharing this fascinating information Shemmy! I have often
>> wondered how these historic recordings are created and shared. You are very
>> fortunate to have attended the show!
>>
>> --
>>
>> Paul D'Alessandro
>>
>> Huntington Beach, CA
>>
>>
>>
>> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>>
>>
>>
>> Hi Ed
>>
>> Since I was there and was involved I will give you the full story.
>>
>> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>>
>> Mastered by one of his friends in the west coast.
>>
>> He used the master tape that was recorded while the concert was
>> broadcasted
>>
>> By the IDF (Israel defence forces) Radio station
>>
>> I did my army service in this station as acoustic engineer till I was
>> about 50 years old.
>>
>> This was recorded alongside the Sinatra’s audio console.
>>
>> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
>> vocal master sound columns that sounded great.
>>
>> It was 1975. The Guy who supplied the sound system was a good friend of
>> mine.
>>
>> Some years later I installed an ALTEC LANSING loudspeaker system in this
>> hall.
>>
>> When the Roberto Quartin came out I talked to Rick apt.
>>
>> He told me he gave a free copy to roberto who promised not to use it.
>>
>> But he did not kept his word and issued a copy with the addition of” all
>> by myself” so people will think this is the full authentic concert.
>>
>> No!! it is not.
>>
>> I did not mention his name because I don’t like what he did.(I do have
>> the Brazilian cds)
>>
>> I have another master tape from the show recorded from the radio
>> broadcast by my revox that sounds very good as well.
>>
>>
>>
>> About the Jerusalem 75 video.
>>
>> The concert was broadcasted in B&W.
>>
>> I have asked a friend who is a video producer to record it on Umatic.(We
>> were more advanced than Australia)
>>
>>
>>
>> I have this Umatic tape but never saw it since I don’t have a Umatic
>> machine.
>>
>> If you have access to one I can send it to you.
>>
>> Some years later the concert was on Israel TV and I recorded it on video
>> tape.
>>
>> This is the version you are familiar with till the new colorized version
>> arrived
>>
>> On the colorized version it is written on the top right ARCHIVE in
>> Hebrew.
>>
>> So this is from the archive of the Israel broadcasting organization.
>>
>>
>>
>> I will check if the original can be purchased.
>>
>> I don’t know if it was filmed in color. Or colorized later.maybe some
>> members know.
>>
>> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
>> latter)
>>
>> And the Sinatra companyin the concert.
>>
>> Everytime the orchestra played the first 2 notes I told my friends the
>> name of the songs.
>>
>> And they turned back many times with appreciation.
>>
>> I have enclosed photos where you can see me with a mark like arrow above
>> my head right behind Barbara and the Sinatra group.
>>
>> Maybe you know who they are.I can not recognize any one of them.
>>
>> By the way who played piano in the concert.?
>>
>> Regards
>>
>> shemmy
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> *From:* sinatraphiles-bounce@freelists.org <
>> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
>> *Sent:* Monday, January 8, 2024 10:08 PM
>> *To:* sinatraphiles@freelists.org
>> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
>> you tube in color
>>
>>
>>
>> Hi Shemmy,
>>
>> Roberto Quartin was the fellow who did the Jerusalem
>>
>> and the RFH 62. Roberto worked with what was sent to him. He
>>
>> wanted both shows from the masters. Alas, that was not be. Roberto
>>
>> was very frustrated and worked with the material provided. I tried to
>>
>> talk him out of putting "All By Myself" on the CD. He loved the song
>>
>> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>>
>> lifted songs from Tokyo and I believe other venues. He gave me the
>>
>> run down on what he replaced from 6/1. I could try and dig out his letter
>>
>> if you are interested.
>>
>> Ed
>>
>>
>>
>> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
>> smashiah@netvision.net.il> wrote:
>>
>>
>>
>>
>>
>> John
>>
>> The jerusalem concert was first released on a cd by “mazal tov” records.
>>
>> A very good bootleg.
>>
>> I was told the Brazil guy got this cd and copied it and issued it as
>>
>> His find.
>>
>> In order to look original he added a song from
>>
>> Another concert “all by myself”
>>
>> As far as I remember.Just to look authentic.
>>
>> If you watch the video it is not there.
>>
>> It was a gimmick from reprise Brazil.
>>
>> They also issued the London June 1 1962 concert.
>>
>> I have this concert on mono
>>
>> And it sounds better.
>>
>> Shemmy
>>
>> נשלח מה-iPhone שלי
>>
>>
>>
>> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
>> dmarc-noreply@freelists.org> כתב/ה:
>>
>> The Jerusalem Concert was released on CD a decade or more ago by
>> Reprise in Brazil.
>>
>>
>>
>> John G.
>>
>> Sent from the all new AOL app for iOS
>> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>>
>>
>>
>> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
>> wrote:
>>
>> Thank you from me too Shemmy !! I just opened this account and found this
>> very rare concert .. WOW !!!! For years I looked for it together with the
>> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
>> of those concerts told us that the ABC TV tape seemed to have been
>> destroyed, the story was loosely told in a movie some years after.)
>>
>> This is Frank still at his very peak! I also wonder if a video or a
>> better sounding tape of the Concertgebow performance from that same year
>> exists ? To me that was one of his very best concerts from the 70's ... oh
>> well ... maybe I'm asking too much, we must be happy with this very rare
>> jewel !!
>>
>> Thank you again for leading us to it Shemmy !!!
>>
>>
>>
>> Alvaro
>>
>>
>>
>> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
>> escribió:
>>
>>
>>
>> Thank you Shemmy!
>>
>> Very much appreciated.
>>
>> Margriet
>>
>>
>>
>>
>>
>> Verzonden vanaf mijn Galaxy
>>
>>
>>
>>
>>
>> -------- Oorspronkelijk bericht --------
>>
>> Van: shemmy Mashiah <smashiah@netvision.net.il>
>>
>> Datum: 28-12-2023 16:02 (GMT+01:00)
>>
>> Aan: sinatraphiles@freelists.org
>>
>> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
>> tube in color
>>
>>
>>
>> This concert is now on YouTube in color.watch it or download it before it
>> is removed.
>>
>> I was there 47 years ago.
>>
>> Shemmy mashiah
>>
>> נשלח מה-iPhone שלי
>>
>>
SINATRA IN ARGENTINA - PREPARATIONS FOR THE CONCERT - BEHIND THE SCENES
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-01-11
Below is a Youtube clip and a translation of Ramón (Nicknamed "Palito" )
Ortega, explaining how he brought Sinatra to Argentina in 1981.
Some time after Frank went back to the States, a skyrocketing inflation
took place in Argentina - actually it had already begun before Sinatra and
his team arrived in Buenos Aires - ; Palito explained in another interview
that when his team saw how the "pesos" began to lose value against american
dollars, they saw the concerts could be a financial disaster for him.
Palito's answer was that at that stage he could'nt back off, he had already
signed the contract with Frank and besides he added, they're already
packing up all their stuff. I gave Sinatra my word, I shall honour it.
So the peso devaluation started days before Sinatra and his team arrived in
Buenos Aires, kept going up during the time he performed in that city and
skyrocketed months after he left.
Minutes before the plane with Sinatra took off to take him back to the USA,
Palito got in the plane for a final hug and was told by him: "I know what
you're going through. I want you to know that if you ever go to the States
to work, I will always be there as a warrant. I want you to remember this. "
In the below clip Ortega explains how the idea of taking Sinatra to
Argentina came about, the negotiations he went though and how he came
to his rescue years after, when he paid all his debts in Argentina and had
to start over from zero. Palito was already a millionaire performer when he
engaged Sinatra and his team to perform in Buenos Aires, but so severe was
his financial crash that he had to work for some years in his country to
pay all he owed before he could leave.
Palito ortega by the way, was an iconic singer-composer all over Latin
America and Spain all through the sixties till this day. He didn't have the
most charming of all voices, but was agreat song writer, very often too
making songs for other artists turning them into big hits.
Below is the youtube clip and a translation (Btw, there was another one
some time ago where he also spoke at lenght about his time with Frank in
Argentina, sadly I believe it was taken down ) - The "Sinatra interview"
begins at 3' 29
Palito Ortega: Frank Sinatra, la politica y el cine.
https://www.youtube.com/watch?v=QszYLfC240I
3.29
Interviewer:
Tell me what was it like bringing Sinatra, how did it come about ?
There were four dinner shows and two concerts at the Luna Park arena.
3.37
Palito: At the beginning making Sinatra appear at the Luna park looked
like a distant dream. I had a friend here, a great pianist, Filiken was his
name, he had a son who used to travel a lot. He told me he that knew one of
Sinatra’s lawyers .. so that’s how the first contact with one of them took
place. We had a lot of meetings first, until one day Sinatra finally turned
up taking a seat before me. .. face to face…. In order to break the ice and
my nervoussness I made a joke to him.. in Spanish … like someone saying
here “ I have a chacarera for you” (it’s an argentinian phrase meaning “ I
have a something for you to sing .. ” ), instead of it I told him “
Sinatra, I have a Cumbia for you” ( the Cumbia is a popular Colombian
rhythm, with various degrees of popularity in different LA countries) ..
4.30
Interviewer: Don’t fuck me up!
Palito: I swear it, for my life … all the others present who knew spanish
were trying to keep a square face … can you imagine me offering Sinatra a
Cumbia ? .. but that was just to break the ice … obviously he didn’t
understand a word …. But that’s how our first meeting took place .. I
really can’t tell you how warm he was .. when I remember the Bourbon and
the Whiskie he used to drink .. I had to run to the American Embassy for
some bottles … till they got all for me … there was a large table with
drinks … the look of pleasure on his face when he finished his shows … he
would ask to be alone for fiteen minutes after the concerts, he shouldn’t
be disturbed …he’d ask you not to go up to his suite until he finished
showering, changing clothes, etc … we’ d wait for a while and then when we
went up he’d welcome us with a big smile on his face and asked what you’
d like to drink .. he used to prepare the drinks for you himself …he made
incredible martinis … he was very, very warm in private … he would kneel
down on the carpet and sit there with my and other people’s children just
being one of them (interesting pic at 5:35 … Sinatra singing or talking to
the children, probably taken at one of the concerts in Buenos Aires at the
Sheraton Hotel ) .. Afterwards of course he took up the stage, became
Sinatra and the whole stadium fell down … a very enchanting guy … the
thing is when the doors to his suite opened his whole face started to
change … there’d be two big guys walking ahead and behind him .. and then
one day .. I was almost impertinent to ask him … why he had so many
“security people” around him … he looked at me very seriously and said … (
6.03 ) “If John lennon had acted like me .. nothing like what happened
would have taken place … I don’t think anybody hates me as much as to put
a bullet in me … but the world is filled up with crazy guys “.
6.24
Intercviewer:
He was very good to you when he realized everything that was going on in
Argentina at that time with the economy going down right ? … I understand
he behaved great with you … a guy who honoured his word.
6.30
Palito: Yes, yes … very, very well .. they (Sinatra’s people ) left the
USA for Argentina when they had already charged their “cache” , the thing
is that you had to have a large bank behind you backing you up .. they were
large banking transfers, almost as if you were importing extremely valuable
goods. Somebody informed him well about Argentina’s devaluation at that
time .. the lies …. about USA dollars being ten one day, then twenty on
the next … something awful … you couldn’t really plan anything in advance
… impossible to make a project for tomorrow or the day after … finally ….
in life I believe that if you behave well… at some point other people will
be good to you too.
When he went back to the States, the last thing he told me was: I know
everything that has happened to you, ( Inflation had already begun and
Palito was losing millions with every week. )
“The only thing that you musnt’ forget is this: The day when you need
someone in the States to act as a warrantor, do not hesitate to call me”
I went to the States five years after working, and working in Argentina
non-stop … till I finally paid everything I owed … I said to myself, I
don’t want to make any mistakes or take a false step anymore … now I want
to go and start over again … my wife was pregnant so it was hard for her
too … where do we go she asked … to the USA …. She wanted to go to Europe
though cause I’d been offered a contract in Spain .. but I said no, let’s
go to the States … and I took up the dates I was offered .. I went to sing
to Vegas … and I was amazed, my concerts were crowded, till then I didn’t
understand how that could be … soon after I realized that when he made his
moves (Sinatra) … he did move! . I began to be called by people I’d never
heard about … till one day I get a call from someone who asks me : “ Mr
Ortega, how are your kids doing ? .. at school I mean “ . Suddenly the
principal, the vice principal .. even the doormen were coming to my house
to make sure that we were all well attended.
(Palito here is skipping the fact that one of the first things he did when
he arrived in the States, was contacting Sinatra’s people, though not
knowing if he would remember him or even more, the promise he had made to
him; on another video he speaks a t length of his meetings with Sinatra
when he contacted him for help. Sinatra’s “intelligence service” had
already told him that Palito was coming to perform in Vegas, so he arranged
everything for his concerts to be sold out, before ven speaking with
Ortega. I’ll make a translation tomorrow ).
Palito:
The truth is that he behaved so well … a huge pleasure to be sharing drinks
with him all those nights and finally taking him up there at the Luna Park
to perform … I had never, ever seen so many men crying … I am deeply moved
when I see a man crying you know .. but deeply … I get shivers … people who
never though they would see him perform … fans you know, fans are like that
… “ Palito … they would thank me sobbing …. I never though I would get to
see him in person “. But of course a fan is like that …
There's also another interview to Palito Orteha's son some months ago, in
which he recalls how Sinatra tok the time to play with him at his hotel
room ( "something he didn't have to do but took the time to! " ):
I will attempt a translation tomorrow if there's an interest ..
Al (Tito)
El jue, 11 ene 2024 a las 11:03, Tito Montoya (<franklyjoy22@gmail.com>)
escribió:
> Ooops !! 🙄
>
> You were very lucky though to see him live, and at his very peak too! I
> could never saw him in person, I was in Argentina in July of 1981, a few
> days before he arrived in town to give a series of concerts, but had to
> return back to school in Lima; so asking my parents to stay for a few more
> days was out of the question. That was "the closest" I ever got to see him
> live.
>
> A few days ago i made translation into English, of some clips I saw on
> youtube, where Palito Ortega - an iconic Argentinian singer-composer who
> happened to bring Sinatra to Argentina - tells of his experiences with
> Frank before , during and after he performed in that country. I think it's
> interesting to know how he helped him out some years after, when Palito
> went to the States with his family to work. He couldn't have had a better
> warrant and supporter. I'll send it soon !
>
> Alvaro
>
> El jue, 11 ene 2024 a las 10:12, <smashiah@netvision.net.il> escribió:
>
>> Tito
>>
>> It was 1960
>>
>> And 2 years latter as a 16 years boys I have seen Sinatra and sextet in
>> Haifa
>>
>> May 9 1962
>>
>> shemmy
>>
>>
>>
>> *From:* sinatraphiles-bounce@freelists.org <
>> sinatraphiles-bounce@freelists.org> *On Behalf Of *Tito Montoya
>> *Sent:* Thursday, January 11, 2024 7:11 AM
>> *To:* sinatraphiles@freelists.org
>> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
>> you tube in color
>>
>>
>>
>> Great story Shemmy, thanks for sharing it!
>>
>> ( Curious ... that's exactly the age when I became a Sinatra fan too,
>> 14 by the end of 1979 .. )
>>
>>
>>
>> El mar, 9 ene 2024 a las 9:12, Paul DAlessandro (<
>> dmarc-noreply@freelists.org>) escribió:
>>
>> Thank you for sharing this fascinating information Shemmy! I have often
>> wondered how these historic recordings are created and shared. You are very
>> fortunate to have attended the show!
>>
>> --
>>
>> Paul D'Alessandro
>>
>> Huntington Beach, CA
>>
>>
>>
>> On Jan 9, 2024, at 12:31 AM, smashiah@netvision.net.il wrote:
>>
>>
>>
>> Hi Ed
>>
>> Since I was there and was involved I will give you the full story.
>>
>> The ‘Mazal Tov” cd was produced by the Late Rick Apt.
>>
>> Mastered by one of his friends in the west coast.
>>
>> He used the master tape that was recorded while the concert was
>> broadcasted
>>
>> By the IDF (Israel defence forces) Radio station
>>
>> I did my army service in this station as acoustic engineer till I was
>> about 50 years old.
>>
>> This was recorded alongside the Sinatra’s audio console.
>>
>> He Used for the 2500 seats Binyaney Haoma concert hall only 2-4 Shure
>> vocal master sound columns that sounded great.
>>
>> It was 1975. The Guy who supplied the sound system was a good friend of
>> mine.
>>
>> Some years later I installed an ALTEC LANSING loudspeaker system in this
>> hall.
>>
>> When the Roberto Quartin came out I talked to Rick apt.
>>
>> He told me he gave a free copy to roberto who promised not to use it.
>>
>> But he did not kept his word and issued a copy with the addition of” all
>> by myself” so people will think this is the full authentic concert.
>>
>> No!! it is not.
>>
>> I did not mention his name because I don’t like what he did.(I do have
>> the Brazilian cds)
>>
>> I have another master tape from the show recorded from the radio
>> broadcast by my revox that sounds very good as well.
>>
>>
>>
>> About the Jerusalem 75 video.
>>
>> The concert was broadcasted in B&W.
>>
>> I have asked a friend who is a video producer to record it on Umatic.(We
>> were more advanced than Australia)
>>
>>
>>
>> I have this Umatic tape but never saw it since I don’t have a Umatic
>> machine.
>>
>> If you have access to one I can send it to you.
>>
>> Some years later the concert was on Israel TV and I recorded it on video
>> tape.
>>
>> This is the version you are familiar with till the new colorized version
>> arrived
>>
>> On the colorized version it is written on the top right ARCHIVE in
>> Hebrew.
>>
>> So this is from the archive of the Israel broadcasting organization.
>>
>>
>>
>> I will check if the original can be purchased.
>>
>> I don’t know if it was filmed in color. Or colorized later.maybe some
>> members know.
>>
>> By the way I sat with 2 of my best friends behind Barbara Marx (Sinatra
>> latter)
>>
>> And the Sinatra companyin the concert.
>>
>> Everytime the orchestra played the first 2 notes I told my friends the
>> name of the songs.
>>
>> And they turned back many times with appreciation.
>>
>> I have enclosed photos where you can see me with a mark like arrow above
>> my head right behind Barbara and the Sinatra group.
>>
>> Maybe you know who they are.I can not recognize any one of them.
>>
>> By the way who played piano in the concert.?
>>
>> Regards
>>
>> shemmy
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> *From:* sinatraphiles-bounce@freelists.org <
>> sinatraphiles-bounce@freelists.org> *On Behalf Of *Ed O'Brien ("eob101")
>> *Sent:* Monday, January 8, 2024 10:08 PM
>> *To:* sinatraphiles@freelists.org
>> *Subject:* [sinatraphiles] Re: Sinatra jerusalem concert 27.11.75 no on
>> you tube in color
>>
>>
>>
>> Hi Shemmy,
>>
>> Roberto Quartin was the fellow who did the Jerusalem
>>
>> and the RFH 62. Roberto worked with what was sent to him. He
>>
>> wanted both shows from the masters. Alas, that was not be. Roberto
>>
>> was very frustrated and worked with the material provided. I tried to
>>
>> talk him out of putting "All By Myself" on the CD. He loved the song
>>
>> and wouldn't listen to me. The London is not all from 6-1-62. Roberto
>>
>> lifted songs from Tokyo and I believe other venues. He gave me the
>>
>> run down on what he replaced from 6/1. I could try and dig out his letter
>>
>> if you are interested.
>>
>> Ed
>>
>>
>>
>> On Monday, January 8, 2024 at 01:06:19 PM EST, shemmy Mashiah <
>> smashiah@netvision.net.il> wrote:
>>
>>
>>
>>
>>
>> John
>>
>> The jerusalem concert was first released on a cd by “mazal tov” records.
>>
>> A very good bootleg.
>>
>> I was told the Brazil guy got this cd and copied it and issued it as
>>
>> His find.
>>
>> In order to look original he added a song from
>>
>> Another concert “all by myself”
>>
>> As far as I remember.Just to look authentic.
>>
>> If you watch the video it is not there.
>>
>> It was a gimmick from reprise Brazil.
>>
>> They also issued the London June 1 1962 concert.
>>
>> I have this concert on mono
>>
>> And it sounds better.
>>
>> Shemmy
>>
>> נשלח מה-iPhone שלי
>>
>>
>>
>> ב-8 בינו׳ 2024, בשעה 19:10, John K. George <
>> dmarc-noreply@freelists.org> כתב/ה:
>>
>> The Jerusalem Concert was released on CD a decade or more ago by
>> Reprise in Brazil.
>>
>>
>>
>> John G.
>>
>> Sent from the all new AOL app for iOS
>> <https://apps.apple.com/us/app/aol-news-email-weather-video/id646100661>
>>
>>
>>
>> On Monday, January 8, 2024, 8:01 AM, Tito Montoya <franklyjoy22@gmail.com>
>> wrote:
>>
>> Thank you from me too Shemmy !! I just opened this account and found this
>> very rare concert .. WOW !!!! For years I looked for it together with the
>> televised Concert in Australia from 1974 ( to no avail sadly, the promoter
>> of those concerts told us that the ABC TV tape seemed to have been
>> destroyed, the story was loosely told in a movie some years after.)
>>
>> This is Frank still at his very peak! I also wonder if a video or a
>> better sounding tape of the Concertgebow performance from that same year
>> exists ? To me that was one of his very best concerts from the 70's ... oh
>> well ... maybe I'm asking too much, we must be happy with this very rare
>> jewel !!
>>
>> Thank you again for leading us to it Shemmy !!!
>>
>>
>>
>> Alvaro
>>
>>
>>
>> El vie, 29 dic 2023 a las 7:46, margriet57 (<dmarc-noreply@freelists.org>)
>> escribió:
>>
>>
>>
>> Thank you Shemmy!
>>
>> Very much appreciated.
>>
>> Margriet
>>
>>
>>
>>
>>
>> Verzonden vanaf mijn Galaxy
>>
>>
>>
>>
>>
>> -------- Oorspronkelijk bericht --------
>>
>> Van: shemmy Mashiah <smashiah@netvision.net.il>
>>
>> Datum: 28-12-2023 16:02 (GMT+01:00)
>>
>> Aan: sinatraphiles@freelists.org
>>
>> Onderwerp: [sinatraphiles] Sinatra jerusalem concert 27.11.75 no on you
>> tube in color
>>
>>
>>
>> This concert is now on YouTube in color.watch it or download it before it
>> is removed.
>>
>> I was there 47 years ago.
>>
>> Shemmy mashiah
>>
>> נשלח מה-iPhone שלי
>>
>>
ZIEGFELD FOLLIES
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
note: Entratter added eight Copa Girls for the Follies. Usually the Sandshad 12 on stage.Ed
ZIEGFELD FOLLIES
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
note: Entratter added eight Copa Girls for the Follies. Usually the Sandshad 12 on stage.Ed
ZIEGFELD FOLLIES
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-11
note: Entratter added eight Copa Girls for the Follies. Usually the Sandshad 12 on stage.Ed
Re: Sinatra Concert:
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-12
Steve and Ed,
Thank you very much for your comments and info! Steve, you had pretty good seats that night! We were up a little distance in the first tier. However, I was lucky enough to win the two tickets via a radio contest. I guess you know that this concert was the last time Frank performed at the Spectrum. The band was 31 pieces because of the strings and harp. Perhaps Tommy Dorsey’s big band or Stan Kenton’s group were that size during Stan’s Neophonic era. Most of the time Sinatra liked a full orchestra. And I do recall Frank introducing Sid Mark, as he did several other times at the Spectrum. My son, who was 11 at the time, wanted to use our binoculars to get a good look at Sid after hearing his voice every week on the radio.
Tony
On Jan 11, 2024, at 3:36 PM, Steve <dmarc-noreply@freelists.org> wrote:
Tony, as Bob Hope would have said, thanks for the memory! After reading your description, I feel like I recall Frank sitting on the stool on the stage at some point at least. Maybe it was for one of his ballads, or maybe it was during Steve and Eydie's return during that medley. Or maybe I am just imagining it. I do specifically remember him introducing Sid Mark, who was sitting in one of the sections on the floor (in my memory, between the stage and the hockey boards along the side--I was sitting "behind the goal" in the lower level).
I wonder whether there is a recording of the show floating around.
Steve
On Thursday, January 11, 2024 at 04:05:05 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-12
Steve and Ed,
Thank you very much for your comments and info! Steve, you had pretty good seats that night! We were up a little distance in the first tier. However, I was lucky enough to win the two tickets via a radio contest. I guess you know that this concert was the last time Frank performed at the Spectrum. The band was 31 pieces because of the strings and harp. Perhaps Tommy Dorsey’s big band or Stan Kenton’s group were that size during Stan’s Neophonic era. Most of the time Sinatra liked a full orchestra. And I do recall Frank introducing Sid Mark, as he did several other times at the Spectrum. My son, who was 11 at the time, wanted to use our binoculars to get a good look at Sid after hearing his voice every week on the radio.
Tony
On Jan 11, 2024, at 3:36 PM, Steve <dmarc-noreply@freelists.org> wrote:
Tony, as Bob Hope would have said, thanks for the memory! After reading your description, I feel like I recall Frank sitting on the stool on the stage at some point at least. Maybe it was for one of his ballads, or maybe it was during Steve and Eydie's return during that medley. Or maybe I am just imagining it. I do specifically remember him introducing Sid Mark, who was sitting in one of the sections on the floor (in my memory, between the stage and the hockey boards along the side--I was sitting "behind the goal" in the lower level).
I wonder whether there is a recording of the show floating around.
Steve
On Thursday, January 11, 2024 at 04:05:05 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
<image_123650291.JPG>
Re: Sinatra Concert:
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-12
Steve and Ed,
Thank you very much for your comments and info! Steve, you had pretty good seats that night! We were up a little distance in the first tier. However, I was lucky enough to win the two tickets via a radio contest. I guess you know that this concert was the last time Frank performed at the Spectrum. The band was 31 pieces because of the strings and harp. Perhaps Tommy Dorsey’s big band or Stan Kenton’s group were that size during Stan’s Neophonic era. Most of the time Sinatra liked a full orchestra. And I do recall Frank introducing Sid Mark, as he did several other times at the Spectrum. My son, who was 11 at the time, wanted to use our binoculars to get a good look at Sid after hearing his voice every week on the radio.
Tony
On Jan 11, 2024, at 3:36 PM, Steve <dmarc-noreply@freelists.org> wrote:
Tony, as Bob Hope would have said, thanks for the memory! After reading your description, I feel like I recall Frank sitting on the stool on the stage at some point at least. Maybe it was for one of his ballads, or maybe it was during Steve and Eydie's return during that medley. Or maybe I am just imagining it. I do specifically remember him introducing Sid Mark, who was sitting in one of the sections on the floor (in my memory, between the stage and the hockey boards along the side--I was sitting "behind the goal" in the lower level).
I wonder whether there is a recording of the show floating around.
Steve
On Thursday, January 11, 2024 at 04:05:05 AM EST, Tony Ferrigno <dmarc-noreply@freelists.org> wrote:
Replying to Steve’s comments and question, my son and I were at Philly’s Spectrum in 1991 for the show with Frank, Steve and Eydie. My clear memory is that Sinatra wasn’t on stage at all until after the intermission. I remember us sitting there during the intermission, deciding not to leave so that we didn’t miss anything, and noticing the teleprompters turning on with the composers and words for Frank’s first number, Come Fly With Me. When his part of the show started, Frank never left the stage until the show was over. For the finale he brought out Steve and Eydie and my memory is that all three of them sang a medley of Frank’s hits called Sinatra A To Z, which ended with Zing Went The Strings Of My Heart. Frank was featured the least in this medley (probably to allow him to not get too tired) which may be why you have a memory of him leaving. But he did not. As for the question about Frank letting someone else take over during other tours, I remember that happening only once in the 30 times I saw him live. That was at the Spectrum in 1986 when he let the orchestra play an instrumental while he sat on a stool on stage. I believe the instrumental was sometimes referred to as Bossa Nova In C.
Tony
On Jan 10, 2024, at 11:29 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
I wish the 7-15-74 show had been aired and made available
to collectors throughout the world. Vastly superior to the 7-16 perform-
ance.
Ed
On Wednesday, January 10, 2024 at 03:30:47 PM EST, Vance Adair <dr.vanceadair@gmail.com> wrote:
For all the controversy, the tour did superb business.
<image_123650291.JPG>
On Wed, 10 Jan 2024 at 19:47, Steve <dmarc-noreply@freelists.org> wrote:
Thanks, Ed. That's what I figured. Do you know whether Frank had many tours where he stepped aside to let someone else take over for awhile like he did in 1991 (without an intermission--just a break for him), or was that a fairly uncommon occurrence?
Steve
On Tuesday, January 9, 2024 at 11:15:51 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Steve,
What I meant regarding the Mikado is the curtain coming
down, stage dark for about 15 minutes. That is why I made the
distinction between that concert and the 82 Dominican.
Ed
On Tuesday, January 9, 2024 at 11:00:50 AM EST, Steve <dmarc-noreply@freelists.org> wrote:
Ed, my memory from the only time I saw Frank in person--1991 at the Spectrum in Philadelphia--is that he left the stage to have Steve Lawrence and Eydie Gorme do a couple songs together. I could be wrong, as maybe he just sat on a stool and sipped a whiskey (or whisky, as it was sponsored by Chivas) while they sang. There definitely was not an intermission though. Does anyone remember from that tour whether Frank actually left the stage for those numbers? Considering he also did it in 1982, was that common for him in his later years?
By the way, in trying to find the answer, I found an article mentioning the band Frank, Jr. led was 31 pieces. 31 piece band! Did any of the big bands of the Big Band era even approach that size? I'm guessing no.
Steve
On Tuesday, January 9, 2024 at 10:31:44 AM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Tito,
Mikado is the only Sinatra concert that I can think of that has
an intermission. Dominican 82 has Frank leaving the stage, but Buddy
Rich comes out and does a memorable drum segment.
Ed
<image_123650291.JPG>
AJ Lambert
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2024-01-13
Greetings:
I apologize in advance if this is a breach of the list’s etiquette.
Does anyone on the list have contact information for AJ Lambert, the singer
and, of course, Frank’s granddaughter?
I want to reach out to her for a professional request, not as a fan (though
I am one).
If any of you have any information that would be helpful, I’d greatly
appreciate it.
Please let me know at gigliotti@ccsu.edu.
Many thanks, and may 2024 be good to all of us.
Best,
Gil Gigliotti
AJ Lambert
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2024-01-13
Greetings:
I apologize in advance if this is a breach of the list’s etiquette.
Does anyone on the list have contact information for AJ Lambert, the singer
and, of course, Frank’s granddaughter?
I want to reach out to her for a professional request, not as a fan (though
I am one).
If any of you have any information that would be helpful, I’d greatly
appreciate it.
Please let me know at gigliotti@ccsu.edu.
Many thanks, and may 2024 be good to all of us.
Best,
Gil Gigliotti
AJ Lambert
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2024-01-13
Greetings:
I apologize in advance if this is a breach of the list’s etiquette.
Does anyone on the list have contact information for AJ Lambert, the singer
and, of course, Frank’s granddaughter?
I want to reach out to her for a professional request, not as a fan (though
I am one).
If any of you have any information that would be helpful, I’d greatly
appreciate it.
Please let me know at gigliotti@ccsu.edu.
Many thanks, and may 2024 be good to all of us.
Best,
Gil Gigliotti
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Ed
Thank you for teaching me
The meaning of the word harbinger.
Never read or heard it before.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch Miller was very proud of the "Sing and Dance" album.
> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
> of the great album that Frank later did at Capitol.
> I think there is a strong possibility that Frank may have sung
> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
> Count and his band.
> Ed
>
> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>
>
> Hi
> Am listening now after some years to this album.
> Gee!!!!!!!
> What a production!
> The sound is unbelievable for
> 1949-1950.
> The music is top sinatra on the way to stardom again.
> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
> Shemmy
> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you Ed
I have a single audio clip(with picture) of Pennie’s from heaven
Very loose and a little different
From the studio version.
Do you know if the sands 1964 with Basie is in circulation.
About sing a dance I am amazed
In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch Miller was very proud of the "Sing and Dance" album.
> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
> of the great album that Frank later did at Capitol.
> I think there is a strong possibility that Frank may have sung
> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
> Count and his band.
> Ed
>
> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>
>
> Hi
> Am listening now after some years to this album.
> Gee!!!!!!!
> What a production!
> The sound is unbelievable for
> 1949-1950.
> The music is top sinatra on the way to stardom again.
> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
> Shemmy
> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-13
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Ed
Thank you for teaching me
The meaning of the word harbinger.
Never read or heard it before.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch Miller was very proud of the "Sing and Dance" album.
> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
> of the great album that Frank later did at Capitol.
> I think there is a strong possibility that Frank may have sung
> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
> Count and his band.
> Ed
>
> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>
>
> Hi
> Am listening now after some years to this album.
> Gee!!!!!!!
> What a production!
> The sound is unbelievable for
> 1949-1950.
> The music is top sinatra on the way to stardom again.
> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
> Shemmy
> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you Ed
I have a single audio clip(with picture) of Pennie’s from heaven
Very loose and a little different
From the studio version.
Do you know if the sands 1964 with Basie is in circulation.
About sing a dance I am amazed
In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch Miller was very proud of the "Sing and Dance" album.
> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
> of the great album that Frank later did at Capitol.
> I think there is a strong possibility that Frank may have sung
> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
> Count and his band.
> Ed
>
> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>
>
> Hi
> Am listening now after some years to this album.
> Gee!!!!!!!
> What a production!
> The sound is unbelievable for
> 1949-1950.
> The music is top sinatra on the way to stardom again.
> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
> Shemmy
> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-13
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Ed
Thank you for teaching me
The meaning of the word harbinger.
Never read or heard it before.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch Miller was very proud of the "Sing and Dance" album.
> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
> of the great album that Frank later did at Capitol.
> I think there is a strong possibility that Frank may have sung
> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
> Count and his band.
> Ed
>
> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>
>
> Hi
> Am listening now after some years to this album.
> Gee!!!!!!!
> What a production!
> The sound is unbelievable for
> 1949-1950.
> The music is top sinatra on the way to stardom again.
> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
> Shemmy
> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you Ed
I have a single audio clip(with picture) of Pennie’s from heaven
Very loose and a little different
From the studio version.
Do you know if the sands 1964 with Basie is in circulation.
About sing a dance I am amazed
In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch Miller was very proud of the "Sing and Dance" album.
> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
> of the great album that Frank later did at Capitol.
> I think there is a strong possibility that Frank may have sung
> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
> Count and his band.
> Ed
>
> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>
>
> Hi
> Am listening now after some years to this album.
> Gee!!!!!!!
> What a production!
> The sound is unbelievable for
> 1949-1950.
> The music is top sinatra on the way to stardom again.
> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
> Shemmy
> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-13
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you
I enjoy very much the concert for the American version.
I doubt if I have 1982 concerts and if I had them I doubt the sound is good enough.will have to search my files.
Is there any non official release?
I have many.
I listen mainly on weekends
And prefer the songs that I love and sound well.
“I won’t dance” in Vegas 66 could
Have been the show highlight.
the Basie was a classic.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 16:20, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shermmy,
> Frank started doing the song with the Hefti chart
> in May of 82. He did it about 50 times from then till October of
> that year. He brought it back for one show in Chicago on 9-10-86.
> Ed
>
>> On Saturday, January 13, 2024 at 05:42:08 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Pedro
>> Could be but I might have this concert and don’t remember.
>> Anyway it’s from the same time of the concert for the americas.
>> And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
>>
>>
>
> Carnegie 1982 and that’s it I think
>
> PJM
>
>> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>>
>>
>
> I am listening now to this great album in mono.
> It was my first LP bought in 1965when I bought my first Turntable.
> My favorite song is “I won’t dance”
> The Basie crescendo is out of this world.
> And I wonder.
> As far as I remember Sinatra did not sang it with Basie live.
> Can’t imagine why.
> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
> Are there any more live versions
> Of the Niel heftie arrangement live?
> Shemmy
> נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you
I enjoy very much the concert for the American version.
I doubt if I have 1982 concerts and if I had them I doubt the sound is good enough.will have to search my files.
Is there any non official release?
I have many.
I listen mainly on weekends
And prefer the songs that I love and sound well.
“I won’t dance” in Vegas 66 could
Have been the show highlight.
the Basie was a classic.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 16:20, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shermmy,
> Frank started doing the song with the Hefti chart
> in May of 82. He did it about 50 times from then till October of
> that year. He brought it back for one show in Chicago on 9-10-86.
> Ed
>
>> On Saturday, January 13, 2024 at 05:42:08 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Pedro
>> Could be but I might have this concert and don’t remember.
>> Anyway it’s from the same time of the concert for the americas.
>> And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
>>
>>
>
> Carnegie 1982 and that’s it I think
>
> PJM
>
>> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>>
>>
>
> I am listening now to this great album in mono.
> It was my first LP bought in 1965when I bought my first Turntable.
> My favorite song is “I won’t dance”
> The Basie crescendo is out of this world.
> And I wonder.
> As far as I remember Sinatra did not sang it with Basie live.
> Can’t imagine why.
> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
> Are there any more live versions
> Of the Niel heftie arrangement live?
> Shemmy
> נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you
I enjoy very much the concert for the American version.
I doubt if I have 1982 concerts and if I had them I doubt the sound is good enough.will have to search my files.
Is there any non official release?
I have many.
I listen mainly on weekends
And prefer the songs that I love and sound well.
“I won’t dance” in Vegas 66 could
Have been the show highlight.
the Basie was a classic.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 16:20, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shermmy,
> Frank started doing the song with the Hefti chart
> in May of 82. He did it about 50 times from then till October of
> that year. He brought it back for one show in Chicago on 9-10-86.
> Ed
>
>> On Saturday, January 13, 2024 at 05:42:08 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Pedro
>> Could be but I might have this concert and don’t remember.
>> Anyway it’s from the same time of the concert for the americas.
>> And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
>>
>>
>
> Carnegie 1982 and that’s it I think
>
> PJM
>
>> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>>
>>
>
> I am listening now to this great album in mono.
> It was my first LP bought in 1965when I bought my first Turntable.
> My favorite song is “I won’t dance”
> The Basie crescendo is out of this world.
> And I wonder.
> As far as I remember Sinatra did not sang it with Basie live.
> Can’t imagine why.
> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
> Are there any more live versions
> Of the Niel heftie arrangement live?
> Shemmy
> נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-13
Hi Shermmy, Frank started doing the song with the Hefti chartin May of 82. He did it about 50 times from then till October of that year. He brought it back for one show in Chicago on 9-10-86.Ed
On Saturday, January 13, 2024 at 05:42:08 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you PedroCould be but I might have this concert and don’t remember.Anyway it’s from the same time of the concert for the americas.And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
Carnegie 1982 and that’s it I think
PJM
No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
I am listening now to this great album in mono.It was my first LP bought in 1965when I bought my first Turntable.My favorite song is “I won’t dance”The Basie crescendo is out of this world.And I wonder.As far as I remember Sinatra did not sang it with Basie live.Can’t imagine why.He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.Are there any more live versionsOf the Niel heftie arrangement live?Shemmy
נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-13
Hi Shermmy, Frank started doing the song with the Hefti chartin May of 82. He did it about 50 times from then till October of that year. He brought it back for one show in Chicago on 9-10-86.Ed
On Saturday, January 13, 2024 at 05:42:08 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you PedroCould be but I might have this concert and don’t remember.Anyway it’s from the same time of the concert for the americas.And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
Carnegie 1982 and that’s it I think
PJM
No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
I am listening now to this great album in mono.It was my first LP bought in 1965when I bought my first Turntable.My favorite song is “I won’t dance”The Basie crescendo is out of this world.And I wonder.As far as I remember Sinatra did not sang it with Basie live.Can’t imagine why.He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.Are there any more live versionsOf the Niel heftie arrangement live?Shemmy
נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-13
Hi Shermmy, Frank started doing the song with the Hefti chartin May of 82. He did it about 50 times from then till October of that year. He brought it back for one show in Chicago on 9-10-86.Ed
On Saturday, January 13, 2024 at 05:42:08 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you PedroCould be but I might have this concert and don’t remember.Anyway it’s from the same time of the concert for the americas.And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
Carnegie 1982 and that’s it I think
PJM
No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
I am listening now to this great album in mono.It was my first LP bought in 1965when I bought my first Turntable.My favorite song is “I won’t dance”The Basie crescendo is out of this world.And I wonder.As far as I remember Sinatra did not sang it with Basie live.Can’t imagine why.He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.Are there any more live versionsOf the Niel heftie arrangement live?Shemmy
נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you Pedro
Could be but I might have this concert and don’t remember.
Anyway it’s from the same time of the concert for the americas.
And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
>
>
> Carnegie 1982 and that’s it I think
>
> PJM
>
>> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>>
>> I am listening now to this great album in mono.
>> It was my first LP bought in 1965when I bought my first Turntable.
>> My favorite song is “I won’t dance”
>> The Basie crescendo is out of this world.
>> And I wonder.
>> As far as I remember Sinatra did not sang it with Basie live.
>> Can’t imagine why.
>> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
>> Are there any more live versions
>> Of the Niel heftie arrangement live?
>> Shemmy
>> נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you Pedro
Could be but I might have this concert and don’t remember.
Anyway it’s from the same time of the concert for the americas.
And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
>
>
> Carnegie 1982 and that’s it I think
>
> PJM
>
>> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>>
>> I am listening now to this great album in mono.
>> It was my first LP bought in 1965when I bought my first Turntable.
>> My favorite song is “I won’t dance”
>> The Basie crescendo is out of this world.
>> And I wonder.
>> As far as I remember Sinatra did not sang it with Basie live.
>> Can’t imagine why.
>> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
>> Are there any more live versions
>> Of the Niel heftie arrangement live?
>> Shemmy
>> נשלח מה-iPhone שלי
Re: [sinatraphiles] Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Thank you Pedro
Could be but I might have this concert and don’t remember.
Anyway it’s from the same time of the concert for the americas.
And I am sorry he did not sang it with Basie live 1964-66 and latter on in England.
Shemmy
נשלח מה-iPhone שלי
> ב-13 בינו׳ 2024, בשעה 12:25, Pedro Matos <pedrojotamatos@gmail.com> כתב/ה:
>
>
> Carnegie 1982 and that’s it I think
>
> PJM
>
>> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>>
>> I am listening now to this great album in mono.
>> It was my first LP bought in 1965when I bought my first Turntable.
>> My favorite song is “I won’t dance”
>> The Basie crescendo is out of this world.
>> And I wonder.
>> As far as I remember Sinatra did not sang it with Basie live.
>> Can’t imagine why.
>> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
>> Are there any more live versions
>> Of the Niel heftie arrangement live?
>> Shemmy
>> נשלח מה-iPhone שלי
Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-01-13
Carnegie 1982 and that’s it I think
PJM
> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>
> I am listening now to this great album in mono.
> It was my first LP bought in 1965when I bought my first Turntable.
> My favorite song is “I won’t dance”
> The Basie crescendo is out of this world.
> And I wonder.
> As far as I remember Sinatra did not sang it with Basie live.
> Can’t imagine why.
> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
> Are there any more live versions
> Of the Niel heftie arrangement live?
> Shemmy
> נשלח מה-iPhone שלי
Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-01-13
Carnegie 1982 and that’s it I think
PJM
> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>
> I am listening now to this great album in mono.
> It was my first LP bought in 1965when I bought my first Turntable.
> My favorite song is “I won’t dance”
> The Basie crescendo is out of this world.
> And I wonder.
> As far as I remember Sinatra did not sang it with Basie live.
> Can’t imagine why.
> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
> Are there any more live versions
> Of the Niel heftie arrangement live?
> Shemmy
> נשלח מה-iPhone שלי
Re: [sinatraphiles] Sinatra -Basie-I won’t dance
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-01-13
Carnegie 1982 and that’s it I think
PJM
> No dia 13/01/2024, às 10:14, shemmy Mashiah <smashiah@netvision.net.il> escreveu:
>
> I am listening now to this great album in mono.
> It was my first LP bought in 1965when I bought my first Turntable.
> My favorite song is “I won’t dance”
> The Basie crescendo is out of this world.
> And I wonder.
> As far as I remember Sinatra did not sang it with Basie live.
> Can’t imagine why.
> He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
> Are there any more live versions
> Of the Niel heftie arrangement live?
> Shemmy
> נשלח מה-iPhone שלי
Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
I am listening now to this great album in mono.
It was my first LP bought in 1965when I bought my first Turntable.
My favorite song is “I won’t dance”
The Basie crescendo is out of this world.
And I wonder.
As far as I remember Sinatra did not sang it with Basie live.
Can’t imagine why.
He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
Are there any more live versions
Of the Niel heftie arrangement live?
Shemmy
נשלח מה-iPhone שלי
Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
I am listening now to this great album in mono.
It was my first LP bought in 1965when I bought my first Turntable.
My favorite song is “I won’t dance”
The Basie crescendo is out of this world.
And I wonder.
As far as I remember Sinatra did not sang it with Basie live.
Can’t imagine why.
He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
Are there any more live versions
Of the Niel heftie arrangement live?
Shemmy
נשלח מה-iPhone שלי
Sinatra -Basie-I won’t dance
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
I am listening now to this great album in mono.
It was my first LP bought in 1965when I bought my first Turntable.
My favorite song is “I won’t dance”
The Basie crescendo is out of this world.
And I wonder.
As far as I remember Sinatra did not sang it with Basie live.
Can’t imagine why.
He gave a brilliant!!!! Performence of the song with Buddy Rich at the Dominican republic.
Are there any more live versions
Of the Niel heftie arrangement live?
Shemmy
נשלח מה-iPhone שלי
Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Hi
Am listening now after some years to this album.
Gee!!!!!!!
What a production!
The sound is unbelievable for
1949-1950.
The music is top sinatra on the way to stardom again.
By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
Shemmy
נשלח מה-iPhone שלי
Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Hi
Am listening now after some years to this album.
Gee!!!!!!!
What a production!
The sound is unbelievable for
1949-1950.
The music is top sinatra on the way to stardom again.
By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
Shemmy
נשלח מה-iPhone שלי
Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-13
Hi
Am listening now after some years to this album.
Gee!!!!!!!
What a production!
The sound is unbelievable for
1949-1950.
The music is top sinatra on the way to stardom again.
By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-01-14
With the mention of the Impex SACD release I can't help but say that Chuck Granata has been the most important producer of Sinatra re-issues from all 3 of the major labels. In going over the liner notes to the 1996 release " Swing and Dance " then, reading the notes to the 2020 release it is apparent that the actual Tapes were not known of in 1996. He doesn't mention tapes until the 2020 release. Thank God they found them. the extra session material is a god send. Just wonderful to hear Sinatra actually setting up the arrangement to the extra session takes.
On Saturday, January 13, 2024 at 11:08:12 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-14
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-01-14
With the mention of the Impex SACD release I can't help but say that Chuck Granata has been the most important producer of Sinatra re-issues from all 3 of the major labels. In going over the liner notes to the 1996 release " Swing and Dance " then, reading the notes to the 2020 release it is apparent that the actual Tapes were not known of in 1996. He doesn't mention tapes until the 2020 release. Thank God they found them. the extra session material is a god send. Just wonderful to hear Sinatra actually setting up the arrangement to the extra session takes.
On Saturday, January 13, 2024 at 11:08:12 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-14
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-01-14
With the mention of the Impex SACD release I can't help but say that Chuck Granata has been the most important producer of Sinatra re-issues from all 3 of the major labels. In going over the liner notes to the 1996 release " Swing and Dance " then, reading the notes to the 2020 release it is apparent that the actual Tapes were not known of in 1996. He doesn't mention tapes until the 2020 release. Thank God they found them. the extra session material is a god send. Just wonderful to hear Sinatra actually setting up the arrangement to the extra session takes.
On Saturday, January 13, 2024 at 11:08:12 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-14
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Sinatra/Basie Pennies From Heaven 1964
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-14
As far as I can tell, the clip of Frank and Basie performing Pennies From Heaven from the Sands in 1964 has been removed from YouTube. Is it possible for someone to please include this clip in an email on this list? Thanks in advance!
Tony
> On Jan 14, 2024, at 3:26 PM, kenny lucas <dmarc-noreply@freelists.org> wrote:
>
>
> With the mention of the Impex SACD release I can't help but say that Chuck Granata has been the most important producer of Sinatra re-issues from all 3 of the major labels. In going over the liner notes to the 1996 release " Swing and Dance " then, reading the notes to the 2020 release it is apparent that the actual Tapes were not known of in 1996. He doesn't mention tapes until the 2020 release. Thank God they found them. the extra session material is a god send. Just wonderful to hear Sinatra actually setting up the arrangement to the extra session takes.
>
> On Saturday, January 13, 2024 at 11:08:12 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Shemmy,
> Mitch told me he met Frank at the airport
> in April of 1950. According to Mitch, Frank looked awful.
> He had been chasing Ava all over the world and it showed.
> When they got to the Columbia Studios ( N.Y.C. ), Mitch
> realized Frank was in terrible shape vocally. When the
> session began that day, Mitch turned off Frank's mike.
> When he told him at the end of the session, Sinatra
> was furious. Mitch got him to calm down. He had
> Frank come into the studio in the wee small hours.
> Mitch and an engineer joined him. Frank overdubbed
> the songs. Miller told me if the union had known it
> would have been the end of him. He broke every
> rule, but Frank now had excellent recordings.
> There are two tapes from 12-5-64. They
> are not in general circulation. "Pennies From Heaven"
> was posted on YouTube. Runs over five minutes. Frank
> sounds great.
> Ed
>> On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Ed
>> I have a single audio clip(with picture) of Pennie’s from heaven
>> Very loose and a little different
>> From the studio version.
>> Do you know if the sands 1964 with Basie is in circulation.
>> About sing a dance I am amazed
>> In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>>
>
>>
>> Hi Shemmy,
>> Mitch Miller was very proud of the "Sing and Dance" album.
>> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
>> of the great album that Frank later did at Capitol.
>> I think there is a strong possibility that Frank may have sung
>> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
>> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
>> Count and his band.
>> Ed
>>
>> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Hi
>> Am listening now after some years to this album.
>> Gee!!!!!!!
>> What a production!
>> The sound is unbelievable for
>> 1949-1950.
>> The music is top sinatra on the way to stardom again.
>> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
>> Shemmy
>> נשלח מה-iPhone שלי
Sinatra/Basie Pennies From Heaven 1964
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-14
As far as I can tell, the clip of Frank and Basie performing Pennies From Heaven from the Sands in 1964 has been removed from YouTube. Is it possible for someone to please include this clip in an email on this list? Thanks in advance!
Tony
> On Jan 14, 2024, at 3:26 PM, kenny lucas <dmarc-noreply@freelists.org> wrote:
>
>
> With the mention of the Impex SACD release I can't help but say that Chuck Granata has been the most important producer of Sinatra re-issues from all 3 of the major labels. In going over the liner notes to the 1996 release " Swing and Dance " then, reading the notes to the 2020 release it is apparent that the actual Tapes were not known of in 1996. He doesn't mention tapes until the 2020 release. Thank God they found them. the extra session material is a god send. Just wonderful to hear Sinatra actually setting up the arrangement to the extra session takes.
>
> On Saturday, January 13, 2024 at 11:08:12 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Shemmy,
> Mitch told me he met Frank at the airport
> in April of 1950. According to Mitch, Frank looked awful.
> He had been chasing Ava all over the world and it showed.
> When they got to the Columbia Studios ( N.Y.C. ), Mitch
> realized Frank was in terrible shape vocally. When the
> session began that day, Mitch turned off Frank's mike.
> When he told him at the end of the session, Sinatra
> was furious. Mitch got him to calm down. He had
> Frank come into the studio in the wee small hours.
> Mitch and an engineer joined him. Frank overdubbed
> the songs. Miller told me if the union had known it
> would have been the end of him. He broke every
> rule, but Frank now had excellent recordings.
> There are two tapes from 12-5-64. They
> are not in general circulation. "Pennies From Heaven"
> was posted on YouTube. Runs over five minutes. Frank
> sounds great.
> Ed
>> On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Ed
>> I have a single audio clip(with picture) of Pennie’s from heaven
>> Very loose and a little different
>> From the studio version.
>> Do you know if the sands 1964 with Basie is in circulation.
>> About sing a dance I am amazed
>> In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>>
>
>>
>> Hi Shemmy,
>> Mitch Miller was very proud of the "Sing and Dance" album.
>> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
>> of the great album that Frank later did at Capitol.
>> I think there is a strong possibility that Frank may have sung
>> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
>> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
>> Count and his band.
>> Ed
>>
>> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Hi
>> Am listening now after some years to this album.
>> Gee!!!!!!!
>> What a production!
>> The sound is unbelievable for
>> 1949-1950.
>> The music is top sinatra on the way to stardom again.
>> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
>> Shemmy
>> נשלח מה-iPhone שלי
Sinatra/Basie Pennies From Heaven 1964
Undated materialFrom: Tony Ferrigno <dmarc-noreply@freelists.org> | Received: 2024-01-14
As far as I can tell, the clip of Frank and Basie performing Pennies From Heaven from the Sands in 1964 has been removed from YouTube. Is it possible for someone to please include this clip in an email on this list? Thanks in advance!
Tony
> On Jan 14, 2024, at 3:26 PM, kenny lucas <dmarc-noreply@freelists.org> wrote:
>
>
> With the mention of the Impex SACD release I can't help but say that Chuck Granata has been the most important producer of Sinatra re-issues from all 3 of the major labels. In going over the liner notes to the 1996 release " Swing and Dance " then, reading the notes to the 2020 release it is apparent that the actual Tapes were not known of in 1996. He doesn't mention tapes until the 2020 release. Thank God they found them. the extra session material is a god send. Just wonderful to hear Sinatra actually setting up the arrangement to the extra session takes.
>
> On Saturday, January 13, 2024 at 11:08:12 PM EST, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Shemmy,
> Mitch told me he met Frank at the airport
> in April of 1950. According to Mitch, Frank looked awful.
> He had been chasing Ava all over the world and it showed.
> When they got to the Columbia Studios ( N.Y.C. ), Mitch
> realized Frank was in terrible shape vocally. When the
> session began that day, Mitch turned off Frank's mike.
> When he told him at the end of the session, Sinatra
> was furious. Mitch got him to calm down. He had
> Frank come into the studio in the wee small hours.
> Mitch and an engineer joined him. Frank overdubbed
> the songs. Miller told me if the union had known it
> would have been the end of him. He broke every
> rule, but Frank now had excellent recordings.
> There are two tapes from 12-5-64. They
> are not in general circulation. "Pennies From Heaven"
> was posted on YouTube. Runs over five minutes. Frank
> sounds great.
> Ed
>> On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Ed
>> I have a single audio clip(with picture) of Pennie’s from heaven
>> Very loose and a little different
>> From the studio version.
>> Do you know if the sands 1964 with Basie is in circulation.
>> About sing a dance I am amazed
>> In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>>
>
>>
>> Hi Shemmy,
>> Mitch Miller was very proud of the "Sing and Dance" album.
>> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
>> of the great album that Frank later did at Capitol.
>> I think there is a strong possibility that Frank may have sung
>> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
>> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
>> Count and his band.
>> Ed
>>
>> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Hi
>> Am listening now after some years to this album.
>> Gee!!!!!!!
>> What a production!
>> The sound is unbelievable for
>> 1949-1950.
>> The music is top sinatra on the way to stardom again.
>> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
>> Shemmy
>> נשלח מה-iPhone שלי
Is this true?
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2024-01-15
https://www.tastingtable.com/1490534/rusty-nail-two-ingredient-cocktail-frank-sinatra/
Is this true?
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2024-01-15
https://www.tastingtable.com/1490534/rusty-nail-two-ingredient-cocktail-frank-sinatra/
Is this true?
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2024-01-15
https://www.tastingtable.com/1490534/rusty-nail-two-ingredient-cocktail-frank-sinatra/
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-15
Thank you Ed
I remember you think highly of Mitch miller rule in those years.
Indeed thanks to him this tracks were recorded and preserved and what a sound
And fabulous singing.
So why Sinatra hated him so much?
Shemmy
נשלח מה-iPhone שלי
> ב-14 בינו׳ 2024, בשעה 6:08, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch told me he met Frank at the airport
> in April of 1950. According to Mitch, Frank looked awful.
> He had been chasing Ava all over the world and it showed.
> When they got to the Columbia Studios ( N.Y.C. ), Mitch
> realized Frank was in terrible shape vocally. When the
> session began that day, Mitch turned off Frank's mike.
> When he told him at the end of the session, Sinatra
> was furious. Mitch got him to calm down. He had
> Frank come into the studio in the wee small hours.
> Mitch and an engineer joined him. Frank overdubbed
> the songs. Miller told me if the union had known it
> would have been the end of him. He broke every
> rule, but Frank now had excellent recordings.
> There are two tapes from 12-5-64. They
> are not in general circulation. "Pennies From Heaven"
> was posted on YouTube. Runs over five minutes. Frank
> sounds great.
> Ed
>> On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Ed
>> I have a single audio clip(with picture) of Pennie’s from heaven
>> Very loose and a little different
>> From the studio version.
>> Do you know if the sands 1964 with Basie is in circulation.
>> About sing a dance I am amazed
>> In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>>
>
>>
>> Hi Shemmy,
>> Mitch Miller was very proud of the "Sing and Dance" album.
>> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
>> of the great album that Frank later did at Capitol.
>> I think there is a strong possibility that Frank may have sung
>> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
>> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
>> Count and his band.
>> Ed
>>
>> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Hi
>> Am listening now after some years to this album.
>> Gee!!!!!!!
>> What a production!
>> The sound is unbelievable for
>> 1949-1950.
>> The music is top sinatra on the way to stardom again.
>> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
>> Shemmy
>> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-15
Thank you Ed
I remember you think highly of Mitch miller rule in those years.
Indeed thanks to him this tracks were recorded and preserved and what a sound
And fabulous singing.
So why Sinatra hated him so much?
Shemmy
נשלח מה-iPhone שלי
> ב-14 בינו׳ 2024, בשעה 6:08, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch told me he met Frank at the airport
> in April of 1950. According to Mitch, Frank looked awful.
> He had been chasing Ava all over the world and it showed.
> When they got to the Columbia Studios ( N.Y.C. ), Mitch
> realized Frank was in terrible shape vocally. When the
> session began that day, Mitch turned off Frank's mike.
> When he told him at the end of the session, Sinatra
> was furious. Mitch got him to calm down. He had
> Frank come into the studio in the wee small hours.
> Mitch and an engineer joined him. Frank overdubbed
> the songs. Miller told me if the union had known it
> would have been the end of him. He broke every
> rule, but Frank now had excellent recordings.
> There are two tapes from 12-5-64. They
> are not in general circulation. "Pennies From Heaven"
> was posted on YouTube. Runs over five minutes. Frank
> sounds great.
> Ed
>> On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Ed
>> I have a single audio clip(with picture) of Pennie’s from heaven
>> Very loose and a little different
>> From the studio version.
>> Do you know if the sands 1964 with Basie is in circulation.
>> About sing a dance I am amazed
>> In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>>
>
>>
>> Hi Shemmy,
>> Mitch Miller was very proud of the "Sing and Dance" album.
>> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
>> of the great album that Frank later did at Capitol.
>> I think there is a strong possibility that Frank may have sung
>> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
>> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
>> Count and his band.
>> Ed
>>
>> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Hi
>> Am listening now after some years to this album.
>> Gee!!!!!!!
>> What a production!
>> The sound is unbelievable for
>> 1949-1950.
>> The music is top sinatra on the way to stardom again.
>> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
>> Shemmy
>> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-01-15
Thank you Ed
I remember you think highly of Mitch miller rule in those years.
Indeed thanks to him this tracks were recorded and preserved and what a sound
And fabulous singing.
So why Sinatra hated him so much?
Shemmy
נשלח מה-iPhone שלי
> ב-14 בינו׳ 2024, בשעה 6:08, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> Mitch told me he met Frank at the airport
> in April of 1950. According to Mitch, Frank looked awful.
> He had been chasing Ava all over the world and it showed.
> When they got to the Columbia Studios ( N.Y.C. ), Mitch
> realized Frank was in terrible shape vocally. When the
> session began that day, Mitch turned off Frank's mike.
> When he told him at the end of the session, Sinatra
> was furious. Mitch got him to calm down. He had
> Frank come into the studio in the wee small hours.
> Mitch and an engineer joined him. Frank overdubbed
> the songs. Miller told me if the union had known it
> would have been the end of him. He broke every
> rule, but Frank now had excellent recordings.
> There are two tapes from 12-5-64. They
> are not in general circulation. "Pennies From Heaven"
> was posted on YouTube. Runs over five minutes. Frank
> sounds great.
> Ed
>> On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Thank you Ed
>> I have a single audio clip(with picture) of Pennie’s from heaven
>> Very loose and a little different
>> From the studio version.
>> Do you know if the sands 1964 with Basie is in circulation.
>> About sing a dance I am amazed
>> In the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.
>> Shemmy
>> נשלח מה-iPhone שלי
>>
>> ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>>
>
>>
>> Hi Shemmy,
>> Mitch Miller was very proud of the "Sing and Dance" album.
>> Frank's first attempt at swing in album form. Mitch felt it was a harbinger
>> of the great album that Frank later did at Capitol.
>> I think there is a strong possibility that Frank may have sung
>> "I Won't Dance" during his first live engagement with Basie-- Sands in Nov/
>> Dec 64. Most of the program was a mix of the 62 and 64 albums with the
>> Count and his band.
>> Ed
>>
>> On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
>>
>>
>> Hi
>> Am listening now after some years to this album.
>> Gee!!!!!!!
>> What a production!
>> The sound is unbelievable for
>> 1949-1950.
>> The music is top sinatra on the way to stardom again.
>> By the way I am using a second turntable with a mono cartridge for sinatra mono lps.
>> Shemmy
>> נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-16
Hi Shemmy, Mitch Miller was the head of A&R at Columbia Records.He was tremendously influential in the 1940s and '50s. Mitch was thedriving force behind the success of Tony Bennett, Doris Day, RosemaryClooney Johnnie Ray, Ray Conniff, Percy Faith, Guy Mitchell and others.Early on his relationship with Sinatra was amicable but as Frank's starfaded, Columbia wanted Mitch to find material for Frank that would makethe charts in a big way. He had received advances from the label but hissales were very disappointing. Mitch made suggestions, found songsfor Frank and oversaw the sessions. Mitch told me Frank never recordeda song that he didn't want to do. The best example was "Mama Will Bark."In the spring of 1951, Frank was appearing at the Paramount and singinga duet with the new sensation Dagmar. He called Mitch and asked him tofind something they could record. Mitch presented Frank with four or fivesongs and "Mama" was the one he wanted to record. I have an interview where Frank admits what Miller claimed. Frank also said that he was luckyit was not a hit. He would have been stuck with it. But Frank insisted onblaming Miller for the ''crap" he was recording. Mitch told me that Frank'sprivate life was the problem. The Catholic Church was after him and hisvery public relationship with Ava was proving to be a career disaster. As the years passed, Miller became an obsession with Frank.He went after him many times and blamed him for many things that Mitchfelt had no basis in reality. Miller told me he reached out to Frank but wasrebuffed every time. Frank claimed that Mitch had a definite reason forforcing him to do so many inferior recordings. Here is an excerpt froman article concerning what the two men had to say:
In September of 1956 The House Judiciary subcommittee was investigating the television industry and the monopoly involved. Sinatra sent a telegram to them complaining that Miller forced inferior material on him because Columbia had a financial interest in all parts of the final product.
Sinatra:
"Before Mr. Miller's arrival at Columbia Records, I found myself enjoying a freedom of Selection of material, a freedom which I may modestly say resulted in a modicum of success for me."
"Suddenly Mr. Miller, by design or coincidence, began to present many, many inferior songs, all curiously bearing the BMI (Broadcast Music Inc) label."
Sinatra then stated he preferred material from ASCAP
Miller replied to Sinatra's telegram. Saying he shouldn't blame music for his decline, but rather his own hectic love life at the time. Miller noted that Sinatra recorded while under him 51 ASCAP songs and only 5 BMI songs, but since joining Capitol, which has no broadcast connections, he has recorded "at least 10 BMI songs out of a total of 49." Miller also noted that Sinatra, a member of ASCAP has recorded at least 30 songs in which he has a financial interest.
Miller:
"If they want to examine the record, they will find that under my aegis at Columbia, Frank Sinatra recorded 95 per cent or more ASCAP songs and five percent BMI. It is a matter of record"
While in Pittsburgh in September of 1957 Miller struck back on the radio with:
"I can't believe that Frank has been behind these charges. I think a high-powered public relations firm is using him."
"When Frank left Columbia," went on Mitch, "He owed us $150,000. That debt has been erased through royalties on the songs he recorded for us during the time he says we forced him to do unsalable tunes."
Miller reflected again in November 0f 1962:
"Like with Sinatra. He left Columbia owing $150,000. We couldn't give his records away. He blamed us, but what about his nightclub appearances? Or his movies? This was during his slump time and nothing was going for him. Later those same songs earned him a million dollars. It wasn't my fault they hadn't sold them. It was just timing."
On Monday, January 15, 2024 at 11:34:55 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI remember you think highly of Mitch miller rule in those years.Indeed thanks to him this tracks were recorded and preserved and what a sound And fabulous singing.So why Sinatra hated him so much?Shemmy
נשלח מה-iPhone שלי
ב-14 בינו׳ 2024, בשעה 6:08, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-16
Hi Shemmy, Mitch Miller was the head of A&R at Columbia Records.He was tremendously influential in the 1940s and '50s. Mitch was thedriving force behind the success of Tony Bennett, Doris Day, RosemaryClooney Johnnie Ray, Ray Conniff, Percy Faith, Guy Mitchell and others.Early on his relationship with Sinatra was amicable but as Frank's starfaded, Columbia wanted Mitch to find material for Frank that would makethe charts in a big way. He had received advances from the label but hissales were very disappointing. Mitch made suggestions, found songsfor Frank and oversaw the sessions. Mitch told me Frank never recordeda song that he didn't want to do. The best example was "Mama Will Bark."In the spring of 1951, Frank was appearing at the Paramount and singinga duet with the new sensation Dagmar. He called Mitch and asked him tofind something they could record. Mitch presented Frank with four or fivesongs and "Mama" was the one he wanted to record. I have an interview where Frank admits what Miller claimed. Frank also said that he was luckyit was not a hit. He would have been stuck with it. But Frank insisted onblaming Miller for the ''crap" he was recording. Mitch told me that Frank'sprivate life was the problem. The Catholic Church was after him and hisvery public relationship with Ava was proving to be a career disaster. As the years passed, Miller became an obsession with Frank.He went after him many times and blamed him for many things that Mitchfelt had no basis in reality. Miller told me he reached out to Frank but wasrebuffed every time. Frank claimed that Mitch had a definite reason forforcing him to do so many inferior recordings. Here is an excerpt froman article concerning what the two men had to say:
In September of 1956 The House Judiciary subcommittee was investigating the television industry and the monopoly involved. Sinatra sent a telegram to them complaining that Miller forced inferior material on him because Columbia had a financial interest in all parts of the final product.
Sinatra:
"Before Mr. Miller's arrival at Columbia Records, I found myself enjoying a freedom of Selection of material, a freedom which I may modestly say resulted in a modicum of success for me."
"Suddenly Mr. Miller, by design or coincidence, began to present many, many inferior songs, all curiously bearing the BMI (Broadcast Music Inc) label."
Sinatra then stated he preferred material from ASCAP
Miller replied to Sinatra's telegram. Saying he shouldn't blame music for his decline, but rather his own hectic love life at the time. Miller noted that Sinatra recorded while under him 51 ASCAP songs and only 5 BMI songs, but since joining Capitol, which has no broadcast connections, he has recorded "at least 10 BMI songs out of a total of 49." Miller also noted that Sinatra, a member of ASCAP has recorded at least 30 songs in which he has a financial interest.
Miller:
"If they want to examine the record, they will find that under my aegis at Columbia, Frank Sinatra recorded 95 per cent or more ASCAP songs and five percent BMI. It is a matter of record"
While in Pittsburgh in September of 1957 Miller struck back on the radio with:
"I can't believe that Frank has been behind these charges. I think a high-powered public relations firm is using him."
"When Frank left Columbia," went on Mitch, "He owed us $150,000. That debt has been erased through royalties on the songs he recorded for us during the time he says we forced him to do unsalable tunes."
Miller reflected again in November 0f 1962:
"Like with Sinatra. He left Columbia owing $150,000. We couldn't give his records away. He blamed us, but what about his nightclub appearances? Or his movies? This was during his slump time and nothing was going for him. Later those same songs earned him a million dollars. It wasn't my fault they hadn't sold them. It was just timing."
On Monday, January 15, 2024 at 11:34:55 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI remember you think highly of Mitch miller rule in those years.Indeed thanks to him this tracks were recorded and preserved and what a sound And fabulous singing.So why Sinatra hated him so much?Shemmy
נשלח מה-iPhone שלי
ב-14 בינו׳ 2024, בשעה 6:08, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
Re: Sing and dance with Frank sinatra-IMPEX record
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-16
Hi Shemmy, Mitch Miller was the head of A&R at Columbia Records.He was tremendously influential in the 1940s and '50s. Mitch was thedriving force behind the success of Tony Bennett, Doris Day, RosemaryClooney Johnnie Ray, Ray Conniff, Percy Faith, Guy Mitchell and others.Early on his relationship with Sinatra was amicable but as Frank's starfaded, Columbia wanted Mitch to find material for Frank that would makethe charts in a big way. He had received advances from the label but hissales were very disappointing. Mitch made suggestions, found songsfor Frank and oversaw the sessions. Mitch told me Frank never recordeda song that he didn't want to do. The best example was "Mama Will Bark."In the spring of 1951, Frank was appearing at the Paramount and singinga duet with the new sensation Dagmar. He called Mitch and asked him tofind something they could record. Mitch presented Frank with four or fivesongs and "Mama" was the one he wanted to record. I have an interview where Frank admits what Miller claimed. Frank also said that he was luckyit was not a hit. He would have been stuck with it. But Frank insisted onblaming Miller for the ''crap" he was recording. Mitch told me that Frank'sprivate life was the problem. The Catholic Church was after him and hisvery public relationship with Ava was proving to be a career disaster. As the years passed, Miller became an obsession with Frank.He went after him many times and blamed him for many things that Mitchfelt had no basis in reality. Miller told me he reached out to Frank but wasrebuffed every time. Frank claimed that Mitch had a definite reason forforcing him to do so many inferior recordings. Here is an excerpt froman article concerning what the two men had to say:
In September of 1956 The House Judiciary subcommittee was investigating the television industry and the monopoly involved. Sinatra sent a telegram to them complaining that Miller forced inferior material on him because Columbia had a financial interest in all parts of the final product.
Sinatra:
"Before Mr. Miller's arrival at Columbia Records, I found myself enjoying a freedom of Selection of material, a freedom which I may modestly say resulted in a modicum of success for me."
"Suddenly Mr. Miller, by design or coincidence, began to present many, many inferior songs, all curiously bearing the BMI (Broadcast Music Inc) label."
Sinatra then stated he preferred material from ASCAP
Miller replied to Sinatra's telegram. Saying he shouldn't blame music for his decline, but rather his own hectic love life at the time. Miller noted that Sinatra recorded while under him 51 ASCAP songs and only 5 BMI songs, but since joining Capitol, which has no broadcast connections, he has recorded "at least 10 BMI songs out of a total of 49." Miller also noted that Sinatra, a member of ASCAP has recorded at least 30 songs in which he has a financial interest.
Miller:
"If they want to examine the record, they will find that under my aegis at Columbia, Frank Sinatra recorded 95 per cent or more ASCAP songs and five percent BMI. It is a matter of record"
While in Pittsburgh in September of 1957 Miller struck back on the radio with:
"I can't believe that Frank has been behind these charges. I think a high-powered public relations firm is using him."
"When Frank left Columbia," went on Mitch, "He owed us $150,000. That debt has been erased through royalties on the songs he recorded for us during the time he says we forced him to do unsalable tunes."
Miller reflected again in November 0f 1962:
"Like with Sinatra. He left Columbia owing $150,000. We couldn't give his records away. He blamed us, but what about his nightclub appearances? Or his movies? This was during his slump time and nothing was going for him. Later those same songs earned him a million dollars. It wasn't my fault they hadn't sold them. It was just timing."
On Monday, January 15, 2024 at 11:34:55 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI remember you think highly of Mitch miller rule in those years.Indeed thanks to him this tracks were recorded and preserved and what a sound And fabulous singing.So why Sinatra hated him so much?Shemmy
נשלח מה-iPhone שלי
ב-14 בינו׳ 2024, בשעה 6:08, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch told me he met Frank at the airportin April of 1950. According to Mitch, Frank looked awful.He had been chasing Ava all over the world and it showed.When they got to the Columbia Studios ( N.Y.C. ), Mitchrealized Frank was in terrible shape vocally. When the session began that day, Mitch turned off Frank's mike.When he told him at the end of the session, Sinatrawas furious. Mitch got him to calm down. He had Frank come into the studio in the wee small hours.Mitch and an engineer joined him. Frank overdubbedthe songs. Miller told me if the union had known it would have been the end of him. He broke every rule, but Frank now had excellent recordings. There are two tapes from 12-5-64. Theyare not in general circulation. "Pennies From Heaven"was posted on YouTube. Runs over five minutes. Franksounds great.Ed On Saturday, January 13, 2024 at 12:47:17 PM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
Thank you EdI have a single audio clip(with picture) of Pennie’s from heaven Very loose and a little different From the studio version.Do you know if the sands 1964 with Basie is in circulation.About sing a dance I am amazedIn the alternate takes from sinatra’s involvement in the technical points of the recording Adkin the drummer to isolate is bass drum Bering too strong.Shemmy
נשלח מה-iPhone שלי
ב-13 בינו׳ 2024, בשעה 19:21, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy, Mitch Miller was very proud of the "Sing and Dance" album.Frank's first attempt at swing in album form. Mitch felt it was a harbingerof the great album that Frank later did at Capitol. I think there is a strong possibility that Frank may have sung"I Won't Dance" during his first live engagement with Basie-- Sands in Nov/Dec 64. Most of the program was a mix of the 62 and 64 albums with theCount and his band.Ed
On Saturday, January 13, 2024 at 10:50:19 AM EST, shemmy Mashiah <smashiah@netvision.net.il> wrote:
HiAm listening now after some years to this album.Gee!!!!!!!What a production!The sound is unbelievable for1949-1950.The music is top sinatra on the way to stardom again.By the way I am using a second turntable with a mono cartridge for sinatra mono lps.Shemmy
נשלח מה-iPhone שלי
REVIEW: GREAT SONGS FROM GREAT BRITAIN - October 1962
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-18
note: Some of you have contacted me privately regarding the album
and concert reviews. You want more, so I will make an effort to post
some to the list.
Here is one from The Nottingham Evening Post, Nottinghamshire,
England, 10-18-62
Ed

REVIEW: GREAT SONGS FROM GREAT BRITAIN - October 1962
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-18
note: Some of you have contacted me privately regarding the album
and concert reviews. You want more, so I will make an effort to post
some to the list.
Here is one from The Nottingham Evening Post, Nottinghamshire,
England, 10-18-62
Ed

REVIEW: GREAT SONGS FROM GREAT BRITAIN - October 1962
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-18
note: Some of you have contacted me privately regarding the album
and concert reviews. You want more, so I will make an effort to post
some to the list.
Here is one from The Nottingham Evening Post, Nottinghamshire,
England, 10-18-62
Ed

REVIEW: I REMEMBER TOMMY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
The Nottingham Evening Post,
Nottingham, Notting Hampshire, England
April 13-62

REVIEW: I REMEMBER TOMMY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
The Nottingham Evening Post,
Nottingham, Notting Hampshire, England
April 13-62

REVIEW: I REMEMBER TOMMY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
The Nottingham Evening Post,
Nottingham, Notting Hampshire, England
April 13-62

REVIEW: SWINGIN' BRASS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
Tampa Tribune
Tampa, Florida
9-2-62

REVIEW: SWINGIN' BRASS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
Tampa Tribune
Tampa, Florida
9-2-62

REVIEW: SWINGIN' BRASS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
Tampa Tribune
Tampa, Florida
9-2-62

REVIEW: SWINGIN' BRASS/ALL ALONE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
Oakland Tribune
11-18-62

REVIEW: SWINGIN' BRASS/ALL ALONE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
Oakland Tribune
11-18-62

REVIEW: SWINGIN' BRASS/ALL ALONE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-01-19
Oakland Tribune
11-18-62

Christmas With Class
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-04
Las Vegas Aladdin Hotel December 16. 1983 Christmas With Class

Christmas With Class
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-04
Las Vegas Aladdin Hotel December 16. 1983 Christmas With Class

Christmas With Class
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-04
Las Vegas Aladdin Hotel December 16. 1983 Christmas With Class

MANIE AND FRIENDS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-04

MANIE AND FRIENDS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-04

MANIE AND FRIENDS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-04

A Man And His Music Sessionograpy
Undated materialFrom: Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> | Received: 2024-03-05
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of
your '90's sessiongraphy from an eBay seller. I received my copy
yesterday, and I very much look forward to spending a ridiculous amount of
time with it.
Just two quick questions -one based on a notation that I saw for the
November 26 – December 2, 1962 engagement at the Villa Venice. The note
said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
considered for inclusion on the Reprise Collection CD set. I was wondering
if we knew if the performances being considered for release were the same
as those issued on the Jazz Hour independent set many years ago, or from
the show(s) that Steve Hoffman pulled for his official release, or perhaps
different ones still. Apparently, all of the shows in that engagement were
recorded, the Jazz Hour release most likely being the last show of the
series.
Also, sessionographies don’t seem to include an entry for “How Long Will It
Last”, which I understand was recorded (perhaps incompletely) with Xavier
Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until you mentioned it
recently. Thank you again.
Ted P.
A Man And His Music Sessionograpy
Undated materialFrom: Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> | Received: 2024-03-05
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of
your '90's sessiongraphy from an eBay seller. I received my copy
yesterday, and I very much look forward to spending a ridiculous amount of
time with it.
Just two quick questions -one based on a notation that I saw for the
November 26 – December 2, 1962 engagement at the Villa Venice. The note
said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
considered for inclusion on the Reprise Collection CD set. I was wondering
if we knew if the performances being considered for release were the same
as those issued on the Jazz Hour independent set many years ago, or from
the show(s) that Steve Hoffman pulled for his official release, or perhaps
different ones still. Apparently, all of the shows in that engagement were
recorded, the Jazz Hour release most likely being the last show of the
series.
Also, sessionographies don’t seem to include an entry for “How Long Will It
Last”, which I understand was recorded (perhaps incompletely) with Xavier
Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until you mentioned it
recently. Thank you again.
Ted P.
A Man And His Music Sessionograpy
Undated materialFrom: Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> | Received: 2024-03-05
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of
your '90's sessiongraphy from an eBay seller. I received my copy
yesterday, and I very much look forward to spending a ridiculous amount of
time with it.
Just two quick questions -one based on a notation that I saw for the
November 26 – December 2, 1962 engagement at the Villa Venice. The note
said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
considered for inclusion on the Reprise Collection CD set. I was wondering
if we knew if the performances being considered for release were the same
as those issued on the Jazz Hour independent set many years ago, or from
the show(s) that Steve Hoffman pulled for his official release, or perhaps
different ones still. Apparently, all of the shows in that engagement were
recorded, the Jazz Hour release most likely being the last show of the
series.
Also, sessionographies don’t seem to include an entry for “How Long Will It
Last”, which I understand was recorded (perhaps incompletely) with Xavier
Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until you mentioned it
recently. Thank you again.
Ted P.
Re: A Man And His Music Sessionograpy
Undated materialFrom: "Ted Pastuszak Jr." <tedpastuszakjr@gmail.com> | Received: 2024-03-05
Too bad! Thank you very much for confirming, Ed.
On Tue, Mar 5, 2024 at 2:45 PM Ed O'Brien <dmarc-noreply@freelists.org>
wrote:
> Hi Ted,
> Yes, they are from different performances not issued.
> Ed
>
> On Tuesday, March 5, 2024 at 12:27:32 PM EST, Ted Pastuszak Jr. <
> tedpastuszakjr@gmail.com> wrote:
>
>
> Thank you very much, Ed.
>
> So it's likely that the versions of the two VV performances that were
> considered for release on the Reprise Collection are different from the
> ones that eventually came out on the various "Rat Pack" CD's? I'm just
> wondering if we may have heard them in some other form over the years.
>
> Ted P.
>
> On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
> Hi Ted,
> Reprise recorded all 16 shows at the Villa Venice in 62.
> There were plans to release a two LP set back in early 63. Jazz
> Hour release is the closing show on 12-2-62. Complete show. I
> did the liner notes. The great engineer Wally Heider recorded
> that one. You will see I included info from the Reprise vaults
> in the book. Reprise initially planned to issue a 24 CD set in
> 1995. This would have included some interesting live tracks
> including some from the V. Venice. I was involved in quite
> a few of the different projects and they gave me some of
> the material. The two versions you mentioned were never
> issued, but, were mastered.
> "How Long Will It Last" was not discovered until
> after the publication of my book. And it is incomplete. I
> had great rapport with the Columbia archivists. They
> just didn't know about that title at the time.
> I think you will find a great many interesting details
> in the book. Enjoy.
> Ed
>
> On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <
> akatedpastuszakjr@gmail.com> wrote:
>
>
> Hi Ed,
>
> Following up on a lead from a lister, I purchased a hardcover copy of
> your '90's sessiongraphy from an eBay seller. I received my copy
> yesterday, and I very much look forward to spending a ridiculous amount of
> time with it.
>
> Just two quick questions -one based on a notation that I saw for the
> November 26 – December 2, 1962 engagement at the Villa Venice. The note
> said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
> considered for inclusion on the Reprise Collection CD set. I was wondering
> if we knew if the performances being considered for release were the same
> as those issued on the Jazz Hour independent set many years ago, or from
> the show(s) that Steve Hoffman pulled for his official release, or perhaps
> different ones still. Apparently, all of the shows in that engagement were
> recorded, the Jazz Hour release most likely being the last show of the
> series.
>
> Also, sessionographies don’t seem to include an entry for “How Long Will
> It Last”, which I understand was recorded (perhaps incompletely) with
> Xavier Cugat on May 24, 1945.
>
> I can’t believe I didn’t know about this book until you mentioned it
> recently. Thank you again.
>
> Ted P.
>
>
Re: A Man And His Music Sessionograpy
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi Ted, Yes, they are from different performances not issued.Ed
On Tuesday, March 5, 2024 at 12:27:32 PM EST, Ted Pastuszak Jr. <tedpastuszakjr@gmail.com> wrote:
Thank you very much, Ed.
So it's likely that the versions of the two VV performances that were considered for release on the Reprise Collection are different from the ones that eventually came out on the various "Rat Pack" CD's? I'm just wondering if we may have heard them in some other form over the years.
Ted P.
On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Ted, Reprise recorded all 16 shows at the Villa Venice in 62.There were plans to release a two LP set back in early 63. JazzHour release is the closing show on 12-2-62. Complete show. Idid the liner notes. The great engineer Wally Heider recordedthat one. You will see I included info from the Reprise vaultsin the book. Reprise initially planned to issue a 24 CD set in1995. This would have included some interesting live tracksincluding some from the V. Venice. I was involved in quite a few of the different projects and they gave me some of the material. The two versions you mentioned were neverissued, but, were mastered. "How Long Will It Last" was not discovered untilafter the publication of my book. And it is incomplete. Ihad great rapport with the Columbia archivists. They just didn't know about that title at the time. I think you will find a great many interesting detailsin the book. Enjoy.Ed
On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> wrote:
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of your '90's sessiongraphy from an eBay seller. I received my copy yesterday,and I very much look forward to spending a ridiculous amount of time with it.
Just two quick questions -one based on a notation that I sawfor the November 26 – December 2, 1962 engagement at the Villa Venice. The note said that “Chicago” and “When YourLover Has Gone” were mastered and considered for inclusion on the RepriseCollection CD set. I was wondering if weknew if the performances being considered for release were the same as thoseissued on the Jazz Hour independent set many years ago, or from the show(s)that Steve Hoffman pulled for his official release, or perhaps different onesstill. Apparently, all of the shows inthat engagement were recorded, the Jazz Hour release most likely being the lastshow of the series.
Also, sessionographies don’t seem to include an entry for “HowLong Will It Last”, which I understand was recorded (perhaps incompletely) withXavier Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until youmentioned it recently. Thank you again.
Ted P.
Re: A Man And His Music Sessionograpy
Undated materialFrom: "Ted Pastuszak Jr." <tedpastuszakjr@gmail.com> | Received: 2024-03-05
Thank you very much, Ed.
So it's likely that the versions of the two VV performances that were
considered for release on the Reprise Collection are different from the
ones that eventually came out on the various "Rat Pack" CD's? I'm just
wondering if we may have heard them in some other form over the years.
Ted P.
On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org>
wrote:
> Hi Ted,
> Reprise recorded all 16 shows at the Villa Venice in 62.
> There were plans to release a two LP set back in early 63. Jazz
> Hour release is the closing show on 12-2-62. Complete show. I
> did the liner notes. The great engineer Wally Heider recorded
> that one. You will see I included info from the Reprise vaults
> in the book. Reprise initially planned to issue a 24 CD set in
> 1995. This would have included some interesting live tracks
> including some from the V. Venice. I was involved in quite
> a few of the different projects and they gave me some of
> the material. The two versions you mentioned were never
> issued, but, were mastered.
> "How Long Will It Last" was not discovered until
> after the publication of my book. And it is incomplete. I
> had great rapport with the Columbia archivists. They
> just didn't know about that title at the time.
> I think you will find a great many interesting details
> in the book. Enjoy.
> Ed
>
> On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <
> akatedpastuszakjr@gmail.com> wrote:
>
>
> Hi Ed,
>
> Following up on a lead from a lister, I purchased a hardcover copy of
> your '90's sessiongraphy from an eBay seller. I received my copy
> yesterday, and I very much look forward to spending a ridiculous amount of
> time with it.
>
> Just two quick questions -one based on a notation that I saw for the
> November 26 – December 2, 1962 engagement at the Villa Venice. The note
> said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
> considered for inclusion on the Reprise Collection CD set. I was wondering
> if we knew if the performances being considered for release were the same
> as those issued on the Jazz Hour independent set many years ago, or from
> the show(s) that Steve Hoffman pulled for his official release, or perhaps
> different ones still. Apparently, all of the shows in that engagement were
> recorded, the Jazz Hour release most likely being the last show of the
> series.
>
> Also, sessionographies don’t seem to include an entry for “How Long Will
> It Last”, which I understand was recorded (perhaps incompletely) with
> Xavier Cugat on May 24, 1945.
>
> I can’t believe I didn’t know about this book until you mentioned it
> recently. Thank you again.
>
> Ted P.
>
Re: A Man And His Music Sessionograpy
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi Ted, Reprise recorded all 16 shows at the Villa Venice in 62.There were plans to release a two LP set back in early 63. JazzHour release is the closing show on 12-2-62. Complete show. Idid the liner notes. The great engineer Wally Heider recordedthat one. You will see I included info from the Reprise vaultsin the book. Reprise initially planned to issue a 24 CD set in1995. This would have included some interesting live tracksincluding some from the V. Venice. I was involved in quite a few of the different projects and they gave me some of the material. The two versions you mentioned were neverissued, but, were mastered. "How Long Will It Last" was not discovered untilafter the publication of my book. And it is incomplete. Ihad great rapport with the Columbia archivists. They just didn't know about that title at the time. I think you will find a great many interesting detailsin the book. Enjoy.Ed
On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> wrote:
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of your '90's sessiongraphy from an eBay seller. I received my copy yesterday,and I very much look forward to spending a ridiculous amount of time with it.
Just two quick questions -one based on a notation that I sawfor the November 26 – December 2, 1962 engagement at the Villa Venice. The note said that “Chicago” and “When YourLover Has Gone” were mastered and considered for inclusion on the RepriseCollection CD set. I was wondering if weknew if the performances being considered for release were the same as thoseissued on the Jazz Hour independent set many years ago, or from the show(s)that Steve Hoffman pulled for his official release, or perhaps different onesstill. Apparently, all of the shows inthat engagement were recorded, the Jazz Hour release most likely being the lastshow of the series.
Also, sessionographies don’t seem to include an entry for “HowLong Will It Last”, which I understand was recorded (perhaps incompletely) withXavier Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until youmentioned it recently. Thank you again.
Ted P.
Re: A Man And His Music Sessionograpy
Undated materialFrom: "Ted Pastuszak Jr." <tedpastuszakjr@gmail.com> | Received: 2024-03-05
Too bad! Thank you very much for confirming, Ed.
On Tue, Mar 5, 2024 at 2:45 PM Ed O'Brien <dmarc-noreply@freelists.org>
wrote:
> Hi Ted,
> Yes, they are from different performances not issued.
> Ed
>
> On Tuesday, March 5, 2024 at 12:27:32 PM EST, Ted Pastuszak Jr. <
> tedpastuszakjr@gmail.com> wrote:
>
>
> Thank you very much, Ed.
>
> So it's likely that the versions of the two VV performances that were
> considered for release on the Reprise Collection are different from the
> ones that eventually came out on the various "Rat Pack" CD's? I'm just
> wondering if we may have heard them in some other form over the years.
>
> Ted P.
>
> On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
> Hi Ted,
> Reprise recorded all 16 shows at the Villa Venice in 62.
> There were plans to release a two LP set back in early 63. Jazz
> Hour release is the closing show on 12-2-62. Complete show. I
> did the liner notes. The great engineer Wally Heider recorded
> that one. You will see I included info from the Reprise vaults
> in the book. Reprise initially planned to issue a 24 CD set in
> 1995. This would have included some interesting live tracks
> including some from the V. Venice. I was involved in quite
> a few of the different projects and they gave me some of
> the material. The two versions you mentioned were never
> issued, but, were mastered.
> "How Long Will It Last" was not discovered until
> after the publication of my book. And it is incomplete. I
> had great rapport with the Columbia archivists. They
> just didn't know about that title at the time.
> I think you will find a great many interesting details
> in the book. Enjoy.
> Ed
>
> On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <
> akatedpastuszakjr@gmail.com> wrote:
>
>
> Hi Ed,
>
> Following up on a lead from a lister, I purchased a hardcover copy of
> your '90's sessiongraphy from an eBay seller. I received my copy
> yesterday, and I very much look forward to spending a ridiculous amount of
> time with it.
>
> Just two quick questions -one based on a notation that I saw for the
> November 26 – December 2, 1962 engagement at the Villa Venice. The note
> said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
> considered for inclusion on the Reprise Collection CD set. I was wondering
> if we knew if the performances being considered for release were the same
> as those issued on the Jazz Hour independent set many years ago, or from
> the show(s) that Steve Hoffman pulled for his official release, or perhaps
> different ones still. Apparently, all of the shows in that engagement were
> recorded, the Jazz Hour release most likely being the last show of the
> series.
>
> Also, sessionographies don’t seem to include an entry for “How Long Will
> It Last”, which I understand was recorded (perhaps incompletely) with
> Xavier Cugat on May 24, 1945.
>
> I can’t believe I didn’t know about this book until you mentioned it
> recently. Thank you again.
>
> Ted P.
>
>
Re: A Man And His Music Sessionograpy
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi Ted, Yes, they are from different performances not issued.Ed
On Tuesday, March 5, 2024 at 12:27:32 PM EST, Ted Pastuszak Jr. <tedpastuszakjr@gmail.com> wrote:
Thank you very much, Ed.
So it's likely that the versions of the two VV performances that were considered for release on the Reprise Collection are different from the ones that eventually came out on the various "Rat Pack" CD's? I'm just wondering if we may have heard them in some other form over the years.
Ted P.
On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Ted, Reprise recorded all 16 shows at the Villa Venice in 62.There were plans to release a two LP set back in early 63. JazzHour release is the closing show on 12-2-62. Complete show. Idid the liner notes. The great engineer Wally Heider recordedthat one. You will see I included info from the Reprise vaultsin the book. Reprise initially planned to issue a 24 CD set in1995. This would have included some interesting live tracksincluding some from the V. Venice. I was involved in quite a few of the different projects and they gave me some of the material. The two versions you mentioned were neverissued, but, were mastered. "How Long Will It Last" was not discovered untilafter the publication of my book. And it is incomplete. Ihad great rapport with the Columbia archivists. They just didn't know about that title at the time. I think you will find a great many interesting detailsin the book. Enjoy.Ed
On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> wrote:
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of your '90's sessiongraphy from an eBay seller. I received my copy yesterday,and I very much look forward to spending a ridiculous amount of time with it.
Just two quick questions -one based on a notation that I sawfor the November 26 – December 2, 1962 engagement at the Villa Venice. The note said that “Chicago” and “When YourLover Has Gone” were mastered and considered for inclusion on the RepriseCollection CD set. I was wondering if weknew if the performances being considered for release were the same as thoseissued on the Jazz Hour independent set many years ago, or from the show(s)that Steve Hoffman pulled for his official release, or perhaps different onesstill. Apparently, all of the shows inthat engagement were recorded, the Jazz Hour release most likely being the lastshow of the series.
Also, sessionographies don’t seem to include an entry for “HowLong Will It Last”, which I understand was recorded (perhaps incompletely) withXavier Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until youmentioned it recently. Thank you again.
Ted P.
Re: A Man And His Music Sessionograpy
Undated materialFrom: "Ted Pastuszak Jr." <tedpastuszakjr@gmail.com> | Received: 2024-03-05
Thank you very much, Ed.
So it's likely that the versions of the two VV performances that were
considered for release on the Reprise Collection are different from the
ones that eventually came out on the various "Rat Pack" CD's? I'm just
wondering if we may have heard them in some other form over the years.
Ted P.
On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org>
wrote:
> Hi Ted,
> Reprise recorded all 16 shows at the Villa Venice in 62.
> There were plans to release a two LP set back in early 63. Jazz
> Hour release is the closing show on 12-2-62. Complete show. I
> did the liner notes. The great engineer Wally Heider recorded
> that one. You will see I included info from the Reprise vaults
> in the book. Reprise initially planned to issue a 24 CD set in
> 1995. This would have included some interesting live tracks
> including some from the V. Venice. I was involved in quite
> a few of the different projects and they gave me some of
> the material. The two versions you mentioned were never
> issued, but, were mastered.
> "How Long Will It Last" was not discovered until
> after the publication of my book. And it is incomplete. I
> had great rapport with the Columbia archivists. They
> just didn't know about that title at the time.
> I think you will find a great many interesting details
> in the book. Enjoy.
> Ed
>
> On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <
> akatedpastuszakjr@gmail.com> wrote:
>
>
> Hi Ed,
>
> Following up on a lead from a lister, I purchased a hardcover copy of
> your '90's sessiongraphy from an eBay seller. I received my copy
> yesterday, and I very much look forward to spending a ridiculous amount of
> time with it.
>
> Just two quick questions -one based on a notation that I saw for the
> November 26 – December 2, 1962 engagement at the Villa Venice. The note
> said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
> considered for inclusion on the Reprise Collection CD set. I was wondering
> if we knew if the performances being considered for release were the same
> as those issued on the Jazz Hour independent set many years ago, or from
> the show(s) that Steve Hoffman pulled for his official release, or perhaps
> different ones still. Apparently, all of the shows in that engagement were
> recorded, the Jazz Hour release most likely being the last show of the
> series.
>
> Also, sessionographies don’t seem to include an entry for “How Long Will
> It Last”, which I understand was recorded (perhaps incompletely) with
> Xavier Cugat on May 24, 1945.
>
> I can’t believe I didn’t know about this book until you mentioned it
> recently. Thank you again.
>
> Ted P.
>
Re: A Man And His Music Sessionograpy
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi Ted, Reprise recorded all 16 shows at the Villa Venice in 62.There were plans to release a two LP set back in early 63. JazzHour release is the closing show on 12-2-62. Complete show. Idid the liner notes. The great engineer Wally Heider recordedthat one. You will see I included info from the Reprise vaultsin the book. Reprise initially planned to issue a 24 CD set in1995. This would have included some interesting live tracksincluding some from the V. Venice. I was involved in quite a few of the different projects and they gave me some of the material. The two versions you mentioned were neverissued, but, were mastered. "How Long Will It Last" was not discovered untilafter the publication of my book. And it is incomplete. Ihad great rapport with the Columbia archivists. They just didn't know about that title at the time. I think you will find a great many interesting detailsin the book. Enjoy.Ed
On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> wrote:
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of your '90's sessiongraphy from an eBay seller. I received my copy yesterday,and I very much look forward to spending a ridiculous amount of time with it.
Just two quick questions -one based on a notation that I sawfor the November 26 – December 2, 1962 engagement at the Villa Venice. The note said that “Chicago” and “When YourLover Has Gone” were mastered and considered for inclusion on the RepriseCollection CD set. I was wondering if weknew if the performances being considered for release were the same as thoseissued on the Jazz Hour independent set many years ago, or from the show(s)that Steve Hoffman pulled for his official release, or perhaps different onesstill. Apparently, all of the shows inthat engagement were recorded, the Jazz Hour release most likely being the lastshow of the series.
Also, sessionographies don’t seem to include an entry for “HowLong Will It Last”, which I understand was recorded (perhaps incompletely) withXavier Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until youmentioned it recently. Thank you again.
Ted P.
Re: A Man And His Music Sessionograpy
Undated materialFrom: "Ted Pastuszak Jr." <tedpastuszakjr@gmail.com> | Received: 2024-03-05
Too bad! Thank you very much for confirming, Ed.
On Tue, Mar 5, 2024 at 2:45 PM Ed O'Brien <dmarc-noreply@freelists.org>
wrote:
> Hi Ted,
> Yes, they are from different performances not issued.
> Ed
>
> On Tuesday, March 5, 2024 at 12:27:32 PM EST, Ted Pastuszak Jr. <
> tedpastuszakjr@gmail.com> wrote:
>
>
> Thank you very much, Ed.
>
> So it's likely that the versions of the two VV performances that were
> considered for release on the Reprise Collection are different from the
> ones that eventually came out on the various "Rat Pack" CD's? I'm just
> wondering if we may have heard them in some other form over the years.
>
> Ted P.
>
> On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
> Hi Ted,
> Reprise recorded all 16 shows at the Villa Venice in 62.
> There were plans to release a two LP set back in early 63. Jazz
> Hour release is the closing show on 12-2-62. Complete show. I
> did the liner notes. The great engineer Wally Heider recorded
> that one. You will see I included info from the Reprise vaults
> in the book. Reprise initially planned to issue a 24 CD set in
> 1995. This would have included some interesting live tracks
> including some from the V. Venice. I was involved in quite
> a few of the different projects and they gave me some of
> the material. The two versions you mentioned were never
> issued, but, were mastered.
> "How Long Will It Last" was not discovered until
> after the publication of my book. And it is incomplete. I
> had great rapport with the Columbia archivists. They
> just didn't know about that title at the time.
> I think you will find a great many interesting details
> in the book. Enjoy.
> Ed
>
> On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <
> akatedpastuszakjr@gmail.com> wrote:
>
>
> Hi Ed,
>
> Following up on a lead from a lister, I purchased a hardcover copy of
> your '90's sessiongraphy from an eBay seller. I received my copy
> yesterday, and I very much look forward to spending a ridiculous amount of
> time with it.
>
> Just two quick questions -one based on a notation that I saw for the
> November 26 – December 2, 1962 engagement at the Villa Venice. The note
> said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
> considered for inclusion on the Reprise Collection CD set. I was wondering
> if we knew if the performances being considered for release were the same
> as those issued on the Jazz Hour independent set many years ago, or from
> the show(s) that Steve Hoffman pulled for his official release, or perhaps
> different ones still. Apparently, all of the shows in that engagement were
> recorded, the Jazz Hour release most likely being the last show of the
> series.
>
> Also, sessionographies don’t seem to include an entry for “How Long Will
> It Last”, which I understand was recorded (perhaps incompletely) with
> Xavier Cugat on May 24, 1945.
>
> I can’t believe I didn’t know about this book until you mentioned it
> recently. Thank you again.
>
> Ted P.
>
>
Re: A Man And His Music Sessionograpy
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi Ted, Yes, they are from different performances not issued.Ed
On Tuesday, March 5, 2024 at 12:27:32 PM EST, Ted Pastuszak Jr. <tedpastuszakjr@gmail.com> wrote:
Thank you very much, Ed.
So it's likely that the versions of the two VV performances that were considered for release on the Reprise Collection are different from the ones that eventually came out on the various "Rat Pack" CD's? I'm just wondering if we may have heard them in some other form over the years.
Ted P.
On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Ted, Reprise recorded all 16 shows at the Villa Venice in 62.There were plans to release a two LP set back in early 63. JazzHour release is the closing show on 12-2-62. Complete show. Idid the liner notes. The great engineer Wally Heider recordedthat one. You will see I included info from the Reprise vaultsin the book. Reprise initially planned to issue a 24 CD set in1995. This would have included some interesting live tracksincluding some from the V. Venice. I was involved in quite a few of the different projects and they gave me some of the material. The two versions you mentioned were neverissued, but, were mastered. "How Long Will It Last" was not discovered untilafter the publication of my book. And it is incomplete. Ihad great rapport with the Columbia archivists. They just didn't know about that title at the time. I think you will find a great many interesting detailsin the book. Enjoy.Ed
On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> wrote:
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of your '90's sessiongraphy from an eBay seller. I received my copy yesterday,and I very much look forward to spending a ridiculous amount of time with it.
Just two quick questions -one based on a notation that I sawfor the November 26 – December 2, 1962 engagement at the Villa Venice. The note said that “Chicago” and “When YourLover Has Gone” were mastered and considered for inclusion on the RepriseCollection CD set. I was wondering if weknew if the performances being considered for release were the same as thoseissued on the Jazz Hour independent set many years ago, or from the show(s)that Steve Hoffman pulled for his official release, or perhaps different onesstill. Apparently, all of the shows inthat engagement were recorded, the Jazz Hour release most likely being the lastshow of the series.
Also, sessionographies don’t seem to include an entry for “HowLong Will It Last”, which I understand was recorded (perhaps incompletely) withXavier Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until youmentioned it recently. Thank you again.
Ted P.
Re: A Man And His Music Sessionograpy
Undated materialFrom: "Ted Pastuszak Jr." <tedpastuszakjr@gmail.com> | Received: 2024-03-05
Thank you very much, Ed.
So it's likely that the versions of the two VV performances that were
considered for release on the Reprise Collection are different from the
ones that eventually came out on the various "Rat Pack" CD's? I'm just
wondering if we may have heard them in some other form over the years.
Ted P.
On Tue, Mar 5, 2024 at 12:15 PM Ed O'Brien <dmarc-noreply@freelists.org>
wrote:
> Hi Ted,
> Reprise recorded all 16 shows at the Villa Venice in 62.
> There were plans to release a two LP set back in early 63. Jazz
> Hour release is the closing show on 12-2-62. Complete show. I
> did the liner notes. The great engineer Wally Heider recorded
> that one. You will see I included info from the Reprise vaults
> in the book. Reprise initially planned to issue a 24 CD set in
> 1995. This would have included some interesting live tracks
> including some from the V. Venice. I was involved in quite
> a few of the different projects and they gave me some of
> the material. The two versions you mentioned were never
> issued, but, were mastered.
> "How Long Will It Last" was not discovered until
> after the publication of my book. And it is incomplete. I
> had great rapport with the Columbia archivists. They
> just didn't know about that title at the time.
> I think you will find a great many interesting details
> in the book. Enjoy.
> Ed
>
> On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <
> akatedpastuszakjr@gmail.com> wrote:
>
>
> Hi Ed,
>
> Following up on a lead from a lister, I purchased a hardcover copy of
> your '90's sessiongraphy from an eBay seller. I received my copy
> yesterday, and I very much look forward to spending a ridiculous amount of
> time with it.
>
> Just two quick questions -one based on a notation that I saw for the
> November 26 – December 2, 1962 engagement at the Villa Venice. The note
> said that* “Chicago” *and *“When Your Lover Has Gone”* were mastered and
> considered for inclusion on the Reprise Collection CD set. I was wondering
> if we knew if the performances being considered for release were the same
> as those issued on the Jazz Hour independent set many years ago, or from
> the show(s) that Steve Hoffman pulled for his official release, or perhaps
> different ones still. Apparently, all of the shows in that engagement were
> recorded, the Jazz Hour release most likely being the last show of the
> series.
>
> Also, sessionographies don’t seem to include an entry for “How Long Will
> It Last”, which I understand was recorded (perhaps incompletely) with
> Xavier Cugat on May 24, 1945.
>
> I can’t believe I didn’t know about this book until you mentioned it
> recently. Thank you again.
>
> Ted P.
>
Re: A Man And His Music Sessionograpy
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi Ted, Reprise recorded all 16 shows at the Villa Venice in 62.There were plans to release a two LP set back in early 63. JazzHour release is the closing show on 12-2-62. Complete show. Idid the liner notes. The great engineer Wally Heider recordedthat one. You will see I included info from the Reprise vaultsin the book. Reprise initially planned to issue a 24 CD set in1995. This would have included some interesting live tracksincluding some from the V. Venice. I was involved in quite a few of the different projects and they gave me some of the material. The two versions you mentioned were neverissued, but, were mastered. "How Long Will It Last" was not discovered untilafter the publication of my book. And it is incomplete. Ihad great rapport with the Columbia archivists. They just didn't know about that title at the time. I think you will find a great many interesting detailsin the book. Enjoy.Ed
On Tuesday, March 5, 2024 at 11:46:59 AM EST, Ted Pastuszak Jr <akatedpastuszakjr@gmail.com> wrote:
Hi Ed,
Following up on a lead from a lister, I purchased a hardcover copy of your '90's sessiongraphy from an eBay seller. I received my copy yesterday,and I very much look forward to spending a ridiculous amount of time with it.
Just two quick questions -one based on a notation that I sawfor the November 26 – December 2, 1962 engagement at the Villa Venice. The note said that “Chicago” and “When YourLover Has Gone” were mastered and considered for inclusion on the RepriseCollection CD set. I was wondering if weknew if the performances being considered for release were the same as thoseissued on the Jazz Hour independent set many years ago, or from the show(s)that Steve Hoffman pulled for his official release, or perhaps different onesstill. Apparently, all of the shows inthat engagement were recorded, the Jazz Hour release most likely being the lastshow of the series.
Also, sessionographies don’t seem to include an entry for “HowLong Will It Last”, which I understand was recorded (perhaps incompletely) withXavier Cugat on May 24, 1945.
I can’t believe I didn’t know about this book until youmentioned it recently. Thank you again.
Ted P.
Re: March 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi John,
You can see this is Frank in 1944. He did a Command Performance
with the Andrew Sisters in June of that year and the unaired pilot for their
"8 To The Bar Ranch" in December 44. I think this photo is from the latter
show. I don't recognize the young woman. Could have been Frankie Carle.
Love the photo.
Ed
Here’s another version of the photo:

Re: March 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi John,
You can see this is Frank in 1944. He did a Command Performance
with the Andrew Sisters in June of that year and the unaired pilot for their
"8 To The Bar Ranch" in December 44. I think this photo is from the latter
show. I don't recognize the young woman. Could have been Frankie Carle.
Love the photo.
Ed
Here’s another version of the photo:

Re: March 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
Hi John,
You can see this is Frank in 1944. He did a Command Performance
with the Andrew Sisters in June of that year and the unaired pilot for their
"8 To The Bar Ranch" in December 44. I think this photo is from the latter
show. I don't recognize the young woman. Could have been Frankie Carle.
Love the photo.
Ed
Here’s another version of the photo:

TORONTO TICKET SALES IN MARCH 1975
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
I remember this controversy. Variety did a long article back then
Times
3-4-75

TORONTO TICKET SALES IN MARCH 1975
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
I remember this controversy. Variety did a long article back then
Times
3-4-75

TORONTO TICKET SALES IN MARCH 1975
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-05
I remember this controversy. Variety did a long article back then
Times
3-4-75

DORSEY BAND MARCH 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-06
Daily Tar Heel, North Carolina
3-1-42
note: This has to be one of the times Dorsey fired Frank.
Connie Haines loved to tell how much the two men went
at each other.
I found in the Shawnee Evening Star, 3-3-42, an announcement
that Dorsey star drummer, Buddy Rich, would soon be enlisting
in the army. Before going Buddy was going to introduce "I Realize
Now," which was a "real killer," with Sinatra and the Pied Pipers.
March 12 had two notices: Connie Haines was forced to leave
the bandstand due to illness; Blue Network broadcast the Dorsey
band that evening at 11:30 P.M. Found this in the Des Moines
Register. Local station broadcasting the half-hour was KMA.
There are hundreds and hundreds of Dorsey ads, profiles
and reviews in the papers from 1940 to 42.
Ed

DORSEY BAND MARCH 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-06
Daily Tar Heel, North Carolina
3-1-42
note: This has to be one of the times Dorsey fired Frank.
Connie Haines loved to tell how much the two men went
at each other.
I found in the Shawnee Evening Star, 3-3-42, an announcement
that Dorsey star drummer, Buddy Rich, would soon be enlisting
in the army. Before going Buddy was going to introduce "I Realize
Now," which was a "real killer," with Sinatra and the Pied Pipers.
March 12 had two notices: Connie Haines was forced to leave
the bandstand due to illness; Blue Network broadcast the Dorsey
band that evening at 11:30 P.M. Found this in the Des Moines
Register. Local station broadcasting the half-hour was KMA.
There are hundreds and hundreds of Dorsey ads, profiles
and reviews in the papers from 1940 to 42.
Ed

DORSEY BAND MARCH 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-06
Daily Tar Heel, North Carolina
3-1-42
note: This has to be one of the times Dorsey fired Frank.
Connie Haines loved to tell how much the two men went
at each other.
I found in the Shawnee Evening Star, 3-3-42, an announcement
that Dorsey star drummer, Buddy Rich, would soon be enlisting
in the army. Before going Buddy was going to introduce "I Realize
Now," which was a "real killer," with Sinatra and the Pied Pipers.
March 12 had two notices: Connie Haines was forced to leave
the bandstand due to illness; Blue Network broadcast the Dorsey
band that evening at 11:30 P.M. Found this in the Des Moines
Register. Local station broadcasting the half-hour was KMA.
There are hundreds and hundreds of Dorsey ads, profiles
and reviews in the papers from 1940 to 42.
Ed

Re: March 6 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-03-06
“Tell you what, Chester. Why don't you get Jack Kennedy to record this f**king song, and then see how many records it sells?”
> 940 Cathy( Orchestral track only )
> Arranged and Conducted by Billy May
> (Sammy Cahn/Jimmy Van Heusen)
>
> note: Here is the second page of the AFM recording sheet.
> You will see all three songs were laid down at United Recording in Hollywood. There was a 39 piece orchestra. Billy May conducted.
> He told me Frank started to do "Cathy" but his anger toward Van Heusen erupted and Frank departed. About 20 mins later, Billy got a call from him. instructing Billy to lay down the orchestral
> track. Frank told Billy he would come in within a few days and do the overdub. It never happened. Billy told me it was a very pretty song and he was sorry Frank didn't follow through.
> Ed
>
> <image001.jpg>
>
>
Re: March 6 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-03-06
“Tell you what, Chester. Why don't you get Jack Kennedy to record this f**king song, and then see how many records it sells?”
> 940 Cathy( Orchestral track only )
> Arranged and Conducted by Billy May
> (Sammy Cahn/Jimmy Van Heusen)
>
> note: Here is the second page of the AFM recording sheet.
> You will see all three songs were laid down at United Recording in Hollywood. There was a 39 piece orchestra. Billy May conducted.
> He told me Frank started to do "Cathy" but his anger toward Van Heusen erupted and Frank departed. About 20 mins later, Billy got a call from him. instructing Billy to lay down the orchestral
> track. Frank told Billy he would come in within a few days and do the overdub. It never happened. Billy told me it was a very pretty song and he was sorry Frank didn't follow through.
> Ed
>
> <image001.jpg>
>
>
Re: March 6 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-03-06
“Tell you what, Chester. Why don't you get Jack Kennedy to record this f**king song, and then see how many records it sells?”
> 940 Cathy( Orchestral track only )
> Arranged and Conducted by Billy May
> (Sammy Cahn/Jimmy Van Heusen)
>
> note: Here is the second page of the AFM recording sheet.
> You will see all three songs were laid down at United Recording in Hollywood. There was a 39 piece orchestra. Billy May conducted.
> He told me Frank started to do "Cathy" but his anger toward Van Heusen erupted and Frank departed. About 20 mins later, Billy got a call from him. instructing Billy to lay down the orchestral
> track. Frank told Billy he would come in within a few days and do the overdub. It never happened. Billy told me it was a very pretty song and he was sorry Frank didn't follow through.
> Ed
>
> <image001.jpg>
>
>
Fw: THE SUMMIT AT THE FONTAINEBLEAU
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-08
note: The research I did some years back involved the use of Elvis sites.
They claimed there was no show at the Fontainebleau on 3/26 and
The Summit got underway after Frank closed on the 27th. The ad
I have enclosed is from the Miami Herald on 3/26. There were shows
that night. The Summit ran for three nights ( 25 to 27 ). There is a
smaller ad that has Frank, Dean, Joey, Peter and Mr X. The X was
Sammy Davis Jr. After the final show, Sammy was asked how the
hotel could "afford you guys." He told the reporter it couldn't. They
did the shows for Frank " because we love him." It was the first
appearance, of what had become a legendary act, outside of Vegas.
Earl Wilson and other columnists reported that Elvis was a side
attraction to The Summit. The lobby of the Fontainebleau saw a
lot of pushing and shoving by the hundreds of people fighting to
get into the La Ronde room.
Frank had become the biggest nightclub draw in the country, For
three consecutive years, he performed to a sold out house every
show. And that would continue throughout the 1960s.
Ed
Miami Herald
3-26-60

Fw: THE SUMMIT AT THE FONTAINEBLEAU
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-08
note: The research I did some years back involved the use of Elvis sites.
They claimed there was no show at the Fontainebleau on 3/26 and
The Summit got underway after Frank closed on the 27th. The ad
I have enclosed is from the Miami Herald on 3/26. There were shows
that night. The Summit ran for three nights ( 25 to 27 ). There is a
smaller ad that has Frank, Dean, Joey, Peter and Mr X. The X was
Sammy Davis Jr. After the final show, Sammy was asked how the
hotel could "afford you guys." He told the reporter it couldn't. They
did the shows for Frank " because we love him." It was the first
appearance, of what had become a legendary act, outside of Vegas.
Earl Wilson and other columnists reported that Elvis was a side
attraction to The Summit. The lobby of the Fontainebleau saw a
lot of pushing and shoving by the hundreds of people fighting to
get into the La Ronde room.
Frank had become the biggest nightclub draw in the country, For
three consecutive years, he performed to a sold out house every
show. And that would continue throughout the 1960s.
Ed
Miami Herald
3-26-60

Fw: THE SUMMIT AT THE FONTAINEBLEAU
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-08
note: The research I did some years back involved the use of Elvis sites.
They claimed there was no show at the Fontainebleau on 3/26 and
The Summit got underway after Frank closed on the 27th. The ad
I have enclosed is from the Miami Herald on 3/26. There were shows
that night. The Summit ran for three nights ( 25 to 27 ). There is a
smaller ad that has Frank, Dean, Joey, Peter and Mr X. The X was
Sammy Davis Jr. After the final show, Sammy was asked how the
hotel could "afford you guys." He told the reporter it couldn't. They
did the shows for Frank " because we love him." It was the first
appearance, of what had become a legendary act, outside of Vegas.
Earl Wilson and other columnists reported that Elvis was a side
attraction to The Summit. The lobby of the Fontainebleau saw a
lot of pushing and shoving by the hundreds of people fighting to
get into the La Ronde room.
Frank had become the biggest nightclub draw in the country, For
three consecutive years, he performed to a sold out house every
show. And that would continue throughout the 1960s.
Ed
Miami Herald
3-26-60

Monte Carlo 1958
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-08
Frank crossing the tracks at the Monte Carlo station in 1958. There are many photos showing him on the platform or getting off the train,
but this is the first time I've seen this one.

Monte Carlo 1958
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-08
Frank crossing the tracks at the Monte Carlo station in 1958. There are many photos showing him on the platform or getting off the train,
but this is the first time I've seen this one.

Monte Carlo 1958
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-08
Frank crossing the tracks at the Monte Carlo station in 1958. There are many photos showing him on the platform or getting off the train,
but this is the first time I've seen this one.

Steve Lawrence, singer, entertainer and half of popular stage duo Steve & Eydie, dies at 88
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-08
Steve Lawrence, singer, entertainer and half of popular stage duo Steve &
Eydie, dies at 88
NEW YORK (AP) - Steve Lawrence, a singer and top stage act who as a solo
performer and in tandem with his wife Eydie Gorme kept Tin Pan Alley alive
during the rock era, died Thursday. He was 88.
Lawrence, whose hits included "Go Away Little Girl," died from complications
due to Alzheimer's disease, said Susan DuBow, a spokesperson for the family.
Lawrence and Gorme - or Steve & Eydie - were known for their frequent
appearances on talk shows, in night clubs and on the stages of Las Vegas.
The duo took inspiration from George Gershwin, Cole Porter, Jerome Kern and
other songwriters.
Soon after Elvis Presley and other rock music pioneers began to dominate
radio and records, Lawrence and his wife were approached about changing
their style.
"We had a chance to get in on the ground floor of rock 'n' roll," he
recalled in a 1989 interview. "It was 1957 and everything was changing, but
I wanted to be Sinatra, not Rick Nelson.
"Our audience knows we're not going to load up on heavy metal or set fire to
the drummer - although on some nights we've talked about it," he joked.
Although Lawrence and Gorme were best known as a team, both also had huge
solo hits just months apart in the early 1960s.
Dionne Warwick, a longtime friend, said in a statement that Lawrence was
"resting with comfort in the arms of the Heavenly Father. My heartfelt
condolences go out." Carol Burnett, in a statement, called Lawrence one of
her favorite guests on her variety show. "He was also my very close friend,"
she said. "He will always be in my heart."
Lawrence scored first in 1962 with the achingly romantic ballad "Go Away
Little Girl," written by the Brill Building songwriting team of Gerry Goffin
and Carole King. Gorme matched his success the following year with "Blame It
on the Bossa Nova," a bouncy tune about a dance craze of the time that was
written by Brill hitmakers Barry Mann and Cynthia Weil.
By the 1970s, Lawrence and his wife were a top draw in Las Vegas casinos and
nightclubs across the country. They also appeared regularly on television,
making specials and guesting on various shows.
In the 1980s, when Vegas cut down on headline acts and nightclubs became
scarcer, the pair switched to auditoriums and drew large audiences.
"People come with a general idea of what they're going to get with us,"
Lawrence said in 1989. "It's like a product. They buy a certain cereal and
they know what to expect from that package."
Lawrence launched his professional singing career at age 15. After two
failed auditions for "Arthur Godfrey's Talent Scouts" TV show, he was
accepted on the third try, going on to win the competition and the prize of
appearing on Godfrey's popular daytime radio show for a week.
King Records, impressed by the teenager's strong, two-octave voice, signed
him to a contract. His first record, "Poinciana," sold more than 100,000
copies, and his high school allowed him to skip classes to promote it with
out-of-town singing dates.
After several guest appearances on Steve Allen's television show, Lawrence
was hired as a regular. When the program became NBC's "Tonight" in 1954, he
went with it, singing and exchanging quips with Allen. The series set the
pattern for the long-running "The Tonight Show."
"I think Steve Allen was the biggest thing that happened to me," said
Lawrence, who stayed with the show's host for five years, honing his comedic
skills and attracting a wide audience with his singing. "Every night I was
called upon to do something different. In its own way it was better than
vaudeville."
Early in the series' run, a young singer named Eydie Gorme joined the cast.
After singing together for four years, she and Lawrence were married in
1957.
Until Gorme's death, in 2013, they remained popular, whether working
together in concert or making separate TV appearances.
His reasoning: "If we did television together all the time, why should
anyone go see us in a club?"
He appeared in such shows as "CSI: Crime Scene Investigation," "Gilmore
Girls," "Diagnosis Murder" and "The Nanny."
He and his wife did star together in "The Steve Lawrence-Eydie Gorme Show"
in 1958 and Lawrence had his own series, "The Steve Lawrence Show," in 1965.
He also made stage appearances without Gorme, including a starring role in a
1962 summer stock version of "Pal Joey." He made it to Broadway in 1964 -
and earned a Tony Award nomination - in the musical "What Makes Sammy Run?"
based on Budd Schulberg's classic novel about a New York hustler who claws
his way to the top of the entertainment world.
Critics praised Lawrence but gave the play bad reviews. Still, it turned a
profit, and insiders attributed its success to his performance.
Lawrence also had a few character roles in movies, most notably "Stand Up
and Be Counted," "Blues Brothers 2000," "The Lonely Guy" and "The Yards."
Native-born New Yorkers, Lawrence and Gorme lived in a Manhattan apartment
during their early years together. When the center of TV entertainment
shifted to Hollywood, they moved to Beverly Hills.
Born Sidney Liebowitz in New York City's borough of Brooklyn, Lawrence was
the son of a Jewish cantor who worked as a house painter. He began singing
in his father's synagogue choir at 8, moving on to bars and clubs by his
mid-teens. He took his name from the first names of two nephews.
He and Gorme had two sons, David, a composer, and Michael. Long troubled
with heart problems, Michael died of heart failure in 1986 at age 23.
"My dad was an inspiration to so many people," his son David said in a
statement. "But, to me, he was just this charming, handsome, hysterically
funny guy who sang a lot. Sometimes alone and sometimes with his insanely
talented wife. I am so lucky to have had him as a father and so proud to be
his son."
Steve Lawrence, singer, entertainer and half of popular stage duo Steve & Eydie, dies at 88
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-08
Steve Lawrence, singer, entertainer and half of popular stage duo Steve &
Eydie, dies at 88
NEW YORK (AP) - Steve Lawrence, a singer and top stage act who as a solo
performer and in tandem with his wife Eydie Gorme kept Tin Pan Alley alive
during the rock era, died Thursday. He was 88.
Lawrence, whose hits included "Go Away Little Girl," died from complications
due to Alzheimer's disease, said Susan DuBow, a spokesperson for the family.
Lawrence and Gorme - or Steve & Eydie - were known for their frequent
appearances on talk shows, in night clubs and on the stages of Las Vegas.
The duo took inspiration from George Gershwin, Cole Porter, Jerome Kern and
other songwriters.
Soon after Elvis Presley and other rock music pioneers began to dominate
radio and records, Lawrence and his wife were approached about changing
their style.
"We had a chance to get in on the ground floor of rock 'n' roll," he
recalled in a 1989 interview. "It was 1957 and everything was changing, but
I wanted to be Sinatra, not Rick Nelson.
"Our audience knows we're not going to load up on heavy metal or set fire to
the drummer - although on some nights we've talked about it," he joked.
Although Lawrence and Gorme were best known as a team, both also had huge
solo hits just months apart in the early 1960s.
Dionne Warwick, a longtime friend, said in a statement that Lawrence was
"resting with comfort in the arms of the Heavenly Father. My heartfelt
condolences go out." Carol Burnett, in a statement, called Lawrence one of
her favorite guests on her variety show. "He was also my very close friend,"
she said. "He will always be in my heart."
Lawrence scored first in 1962 with the achingly romantic ballad "Go Away
Little Girl," written by the Brill Building songwriting team of Gerry Goffin
and Carole King. Gorme matched his success the following year with "Blame It
on the Bossa Nova," a bouncy tune about a dance craze of the time that was
written by Brill hitmakers Barry Mann and Cynthia Weil.
By the 1970s, Lawrence and his wife were a top draw in Las Vegas casinos and
nightclubs across the country. They also appeared regularly on television,
making specials and guesting on various shows.
In the 1980s, when Vegas cut down on headline acts and nightclubs became
scarcer, the pair switched to auditoriums and drew large audiences.
"People come with a general idea of what they're going to get with us,"
Lawrence said in 1989. "It's like a product. They buy a certain cereal and
they know what to expect from that package."
Lawrence launched his professional singing career at age 15. After two
failed auditions for "Arthur Godfrey's Talent Scouts" TV show, he was
accepted on the third try, going on to win the competition and the prize of
appearing on Godfrey's popular daytime radio show for a week.
King Records, impressed by the teenager's strong, two-octave voice, signed
him to a contract. His first record, "Poinciana," sold more than 100,000
copies, and his high school allowed him to skip classes to promote it with
out-of-town singing dates.
After several guest appearances on Steve Allen's television show, Lawrence
was hired as a regular. When the program became NBC's "Tonight" in 1954, he
went with it, singing and exchanging quips with Allen. The series set the
pattern for the long-running "The Tonight Show."
"I think Steve Allen was the biggest thing that happened to me," said
Lawrence, who stayed with the show's host for five years, honing his comedic
skills and attracting a wide audience with his singing. "Every night I was
called upon to do something different. In its own way it was better than
vaudeville."
Early in the series' run, a young singer named Eydie Gorme joined the cast.
After singing together for four years, she and Lawrence were married in
1957.
Until Gorme's death, in 2013, they remained popular, whether working
together in concert or making separate TV appearances.
His reasoning: "If we did television together all the time, why should
anyone go see us in a club?"
He appeared in such shows as "CSI: Crime Scene Investigation," "Gilmore
Girls," "Diagnosis Murder" and "The Nanny."
He and his wife did star together in "The Steve Lawrence-Eydie Gorme Show"
in 1958 and Lawrence had his own series, "The Steve Lawrence Show," in 1965.
He also made stage appearances without Gorme, including a starring role in a
1962 summer stock version of "Pal Joey." He made it to Broadway in 1964 -
and earned a Tony Award nomination - in the musical "What Makes Sammy Run?"
based on Budd Schulberg's classic novel about a New York hustler who claws
his way to the top of the entertainment world.
Critics praised Lawrence but gave the play bad reviews. Still, it turned a
profit, and insiders attributed its success to his performance.
Lawrence also had a few character roles in movies, most notably "Stand Up
and Be Counted," "Blues Brothers 2000," "The Lonely Guy" and "The Yards."
Native-born New Yorkers, Lawrence and Gorme lived in a Manhattan apartment
during their early years together. When the center of TV entertainment
shifted to Hollywood, they moved to Beverly Hills.
Born Sidney Liebowitz in New York City's borough of Brooklyn, Lawrence was
the son of a Jewish cantor who worked as a house painter. He began singing
in his father's synagogue choir at 8, moving on to bars and clubs by his
mid-teens. He took his name from the first names of two nephews.
He and Gorme had two sons, David, a composer, and Michael. Long troubled
with heart problems, Michael died of heart failure in 1986 at age 23.
"My dad was an inspiration to so many people," his son David said in a
statement. "But, to me, he was just this charming, handsome, hysterically
funny guy who sang a lot. Sometimes alone and sometimes with his insanely
talented wife. I am so lucky to have had him as a father and so proud to be
his son."
Steve Lawrence, singer, entertainer and half of popular stage duo Steve & Eydie, dies at 88
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-08
Steve Lawrence, singer, entertainer and half of popular stage duo Steve &
Eydie, dies at 88
NEW YORK (AP) - Steve Lawrence, a singer and top stage act who as a solo
performer and in tandem with his wife Eydie Gorme kept Tin Pan Alley alive
during the rock era, died Thursday. He was 88.
Lawrence, whose hits included "Go Away Little Girl," died from complications
due to Alzheimer's disease, said Susan DuBow, a spokesperson for the family.
Lawrence and Gorme - or Steve & Eydie - were known for their frequent
appearances on talk shows, in night clubs and on the stages of Las Vegas.
The duo took inspiration from George Gershwin, Cole Porter, Jerome Kern and
other songwriters.
Soon after Elvis Presley and other rock music pioneers began to dominate
radio and records, Lawrence and his wife were approached about changing
their style.
"We had a chance to get in on the ground floor of rock 'n' roll," he
recalled in a 1989 interview. "It was 1957 and everything was changing, but
I wanted to be Sinatra, not Rick Nelson.
"Our audience knows we're not going to load up on heavy metal or set fire to
the drummer - although on some nights we've talked about it," he joked.
Although Lawrence and Gorme were best known as a team, both also had huge
solo hits just months apart in the early 1960s.
Dionne Warwick, a longtime friend, said in a statement that Lawrence was
"resting with comfort in the arms of the Heavenly Father. My heartfelt
condolences go out." Carol Burnett, in a statement, called Lawrence one of
her favorite guests on her variety show. "He was also my very close friend,"
she said. "He will always be in my heart."
Lawrence scored first in 1962 with the achingly romantic ballad "Go Away
Little Girl," written by the Brill Building songwriting team of Gerry Goffin
and Carole King. Gorme matched his success the following year with "Blame It
on the Bossa Nova," a bouncy tune about a dance craze of the time that was
written by Brill hitmakers Barry Mann and Cynthia Weil.
By the 1970s, Lawrence and his wife were a top draw in Las Vegas casinos and
nightclubs across the country. They also appeared regularly on television,
making specials and guesting on various shows.
In the 1980s, when Vegas cut down on headline acts and nightclubs became
scarcer, the pair switched to auditoriums and drew large audiences.
"People come with a general idea of what they're going to get with us,"
Lawrence said in 1989. "It's like a product. They buy a certain cereal and
they know what to expect from that package."
Lawrence launched his professional singing career at age 15. After two
failed auditions for "Arthur Godfrey's Talent Scouts" TV show, he was
accepted on the third try, going on to win the competition and the prize of
appearing on Godfrey's popular daytime radio show for a week.
King Records, impressed by the teenager's strong, two-octave voice, signed
him to a contract. His first record, "Poinciana," sold more than 100,000
copies, and his high school allowed him to skip classes to promote it with
out-of-town singing dates.
After several guest appearances on Steve Allen's television show, Lawrence
was hired as a regular. When the program became NBC's "Tonight" in 1954, he
went with it, singing and exchanging quips with Allen. The series set the
pattern for the long-running "The Tonight Show."
"I think Steve Allen was the biggest thing that happened to me," said
Lawrence, who stayed with the show's host for five years, honing his comedic
skills and attracting a wide audience with his singing. "Every night I was
called upon to do something different. In its own way it was better than
vaudeville."
Early in the series' run, a young singer named Eydie Gorme joined the cast.
After singing together for four years, she and Lawrence were married in
1957.
Until Gorme's death, in 2013, they remained popular, whether working
together in concert or making separate TV appearances.
His reasoning: "If we did television together all the time, why should
anyone go see us in a club?"
He appeared in such shows as "CSI: Crime Scene Investigation," "Gilmore
Girls," "Diagnosis Murder" and "The Nanny."
He and his wife did star together in "The Steve Lawrence-Eydie Gorme Show"
in 1958 and Lawrence had his own series, "The Steve Lawrence Show," in 1965.
He also made stage appearances without Gorme, including a starring role in a
1962 summer stock version of "Pal Joey." He made it to Broadway in 1964 -
and earned a Tony Award nomination - in the musical "What Makes Sammy Run?"
based on Budd Schulberg's classic novel about a New York hustler who claws
his way to the top of the entertainment world.
Critics praised Lawrence but gave the play bad reviews. Still, it turned a
profit, and insiders attributed its success to his performance.
Lawrence also had a few character roles in movies, most notably "Stand Up
and Be Counted," "Blues Brothers 2000," "The Lonely Guy" and "The Yards."
Native-born New Yorkers, Lawrence and Gorme lived in a Manhattan apartment
during their early years together. When the center of TV entertainment
shifted to Hollywood, they moved to Beverly Hills.
Born Sidney Liebowitz in New York City's borough of Brooklyn, Lawrence was
the son of a Jewish cantor who worked as a house painter. He began singing
in his father's synagogue choir at 8, moving on to bars and clubs by his
mid-teens. He took his name from the first names of two nephews.
He and Gorme had two sons, David, a composer, and Michael. Long troubled
with heart problems, Michael died of heart failure in 1986 at age 23.
"My dad was an inspiration to so many people," his son David said in a
statement. "But, to me, he was just this charming, handsome, hysterically
funny guy who sang a lot. Sometimes alone and sometimes with his insanely
talented wife. I am so lucky to have had him as a father and so proud to be
his son."
joan edwards
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-08
note: Joan Edwards was on the Hit Parade with Frank from July 43 to
November of that year. Later on she would be on Command Performance
#247 with him. He gave her a very nice introduction.
This letter was printed on 3-7-45

joan edwards
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-08
note: Joan Edwards was on the Hit Parade with Frank from July 43 to
November of that year. Later on she would be on Command Performance
#247 with him. He gave her a very nice introduction.
This letter was printed on 3-7-45

joan edwards
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-08
note: Joan Edwards was on the Hit Parade with Frank from July 43 to
November of that year. Later on she would be on Command Performance
#247 with him. He gave her a very nice introduction.
This letter was printed on 3-7-45

Obviously, Frank thought better of it
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-09
Daily News
3-9-60

Obviously, Frank thought better of it
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-09
Daily News
3-9-60

Obviously, Frank thought better of it
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-09
Daily News
3-9-60

Fw: CAN-CAN EXCLUSIVE WORLD PREMIERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-10
MIAMI HERALD
3-9-60

Fw: CAN-CAN EXCLUSIVE WORLD PREMIERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-10
MIAMI HERALD
3-9-60

Fw: CAN-CAN EXCLUSIVE WORLD PREMIERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-10
MIAMI HERALD
3-9-60

A TERRIFIC REVIEW OF FRANK'S GREAT "SWING" ALBUM
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-11
Fort Lauderdale News
July 1, 1956

A TERRIFIC REVIEW OF FRANK'S GREAT "SWING" ALBUM
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-11
Fort Lauderdale News
July 1, 1956

A TERRIFIC REVIEW OF FRANK'S GREAT "SWING" ALBUM
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-11
Fort Lauderdale News
July 1, 1956

Re: MARCH 11 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-03-11
Ed: "This is bizarre:Long has been missing since 1947. No one seems to know what happened tohim."
From Mark Cantor’s “Suddenly: A Frank Sinatra Podcast,” June10, 2023:
A BRIEF BIOGRAPHY OF BOBBY LONG
Bobby Long (March 27th, 1932 - October 31st, 2005) (born Bobby Earl Logsdon,also known as Bob Logsdon) was born in St. Louis, Missouri to Hubert Earl andLola Mae Logsdon. He began tap dancing at the age of six, and by age ten wasperforming professionally on the vaudeville circuit. He toured the countrythroughout his teenage years, including gigs at the Majestic Theatre inPaterson, NJ and Steel Pier in Atlantic City, NJ, working alongside some of thebiggest names in the country.
In 1942, he was featured in a Soundie named Club Lollypop, dancingalongside a young girl named Marlene Cameron who he had also worked with duringhis stage performances. He may have also appeared in other short films of thisperiod. By 1946, he had moved to Santa Monica, CA. His big break came inthe form of a starring role singing and tap dancing to "I Believe"alongside Frank Sinatra and Jimmy Durante in the 1947 MGM musical, ItHappened in Brooklyn. He continued touring for several more months.
Then, for unknown reasons, he seems to have quit showbiz and public lifeentirely. At some stage, he may have moved to New York and then back toCalifornia again. In 1951, at the age of 19, he enlisted in the UnitedStates Navy, most likely after being drafted. He served in the Korean Waraboard the USS Philippine Sea as an aerographer's mate third class until1955.
He then led a quiet and private life for the remainder of the 20thcentury. He married once in 1960 and divorced in 1971. When That'sEntertainment, Part 2 was released in 1976, he was miscredited in the"I Believe" segment as "Billy Roy." (This is the name of adifferent child star from It Happened in Brooklyn.) Decades went byand despite ever-increasing interest in Sinatra, Old Hollywood and the MGMstory, the story of Bobby Long was apparently never investigated. Logsdon seemsto have done no interviews and did not speak publicly about his tap dancingcareer.
He lived around the Orange County area and worked in technical fields,including computer-assisted design, during at least the 1980s. He married againin the early 1980s and stayed in that relationship until his death on October31st, 2005.
In the late 2010s, interest grew in Bobby Long through comment sections onYouTube and other websites. Numerous people expressed awe at his prodigiousability, an interest in what might have happened to him, and surprise at hisseeming to disappear from public life. In 2022-23, this was investigated bythis podcast. It was determined where he ended up and that he seems to have leda quiet life by design, and so the case is now closed.
Re: MARCH 11 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-03-11
Ed: "This is bizarre:Long has been missing since 1947. No one seems to know what happened tohim."
From Mark Cantor’s “Suddenly: A Frank Sinatra Podcast,” June10, 2023:
A BRIEF BIOGRAPHY OF BOBBY LONG
Bobby Long (March 27th, 1932 - October 31st, 2005) (born Bobby Earl Logsdon,also known as Bob Logsdon) was born in St. Louis, Missouri to Hubert Earl andLola Mae Logsdon. He began tap dancing at the age of six, and by age ten wasperforming professionally on the vaudeville circuit. He toured the countrythroughout his teenage years, including gigs at the Majestic Theatre inPaterson, NJ and Steel Pier in Atlantic City, NJ, working alongside some of thebiggest names in the country.
In 1942, he was featured in a Soundie named Club Lollypop, dancingalongside a young girl named Marlene Cameron who he had also worked with duringhis stage performances. He may have also appeared in other short films of thisperiod. By 1946, he had moved to Santa Monica, CA. His big break came inthe form of a starring role singing and tap dancing to "I Believe"alongside Frank Sinatra and Jimmy Durante in the 1947 MGM musical, ItHappened in Brooklyn. He continued touring for several more months.
Then, for unknown reasons, he seems to have quit showbiz and public lifeentirely. At some stage, he may have moved to New York and then back toCalifornia again. In 1951, at the age of 19, he enlisted in the UnitedStates Navy, most likely after being drafted. He served in the Korean Waraboard the USS Philippine Sea as an aerographer's mate third class until1955.
He then led a quiet and private life for the remainder of the 20thcentury. He married once in 1960 and divorced in 1971. When That'sEntertainment, Part 2 was released in 1976, he was miscredited in the"I Believe" segment as "Billy Roy." (This is the name of adifferent child star from It Happened in Brooklyn.) Decades went byand despite ever-increasing interest in Sinatra, Old Hollywood and the MGMstory, the story of Bobby Long was apparently never investigated. Logsdon seemsto have done no interviews and did not speak publicly about his tap dancingcareer.
He lived around the Orange County area and worked in technical fields,including computer-assisted design, during at least the 1980s. He married againin the early 1980s and stayed in that relationship until his death on October31st, 2005.
In the late 2010s, interest grew in Bobby Long through comment sections onYouTube and other websites. Numerous people expressed awe at his prodigiousability, an interest in what might have happened to him, and surprise at hisseeming to disappear from public life. In 2022-23, this was investigated bythis podcast. It was determined where he ended up and that he seems to have leda quiet life by design, and so the case is now closed.
Re: MARCH 11 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-03-11
Ed: "This is bizarre:Long has been missing since 1947. No one seems to know what happened tohim."
From Mark Cantor’s “Suddenly: A Frank Sinatra Podcast,” June10, 2023:
A BRIEF BIOGRAPHY OF BOBBY LONG
Bobby Long (March 27th, 1932 - October 31st, 2005) (born Bobby Earl Logsdon,also known as Bob Logsdon) was born in St. Louis, Missouri to Hubert Earl andLola Mae Logsdon. He began tap dancing at the age of six, and by age ten wasperforming professionally on the vaudeville circuit. He toured the countrythroughout his teenage years, including gigs at the Majestic Theatre inPaterson, NJ and Steel Pier in Atlantic City, NJ, working alongside some of thebiggest names in the country.
In 1942, he was featured in a Soundie named Club Lollypop, dancingalongside a young girl named Marlene Cameron who he had also worked with duringhis stage performances. He may have also appeared in other short films of thisperiod. By 1946, he had moved to Santa Monica, CA. His big break came inthe form of a starring role singing and tap dancing to "I Believe"alongside Frank Sinatra and Jimmy Durante in the 1947 MGM musical, ItHappened in Brooklyn. He continued touring for several more months.
Then, for unknown reasons, he seems to have quit showbiz and public lifeentirely. At some stage, he may have moved to New York and then back toCalifornia again. In 1951, at the age of 19, he enlisted in the UnitedStates Navy, most likely after being drafted. He served in the Korean Waraboard the USS Philippine Sea as an aerographer's mate third class until1955.
He then led a quiet and private life for the remainder of the 20thcentury. He married once in 1960 and divorced in 1971. When That'sEntertainment, Part 2 was released in 1976, he was miscredited in the"I Believe" segment as "Billy Roy." (This is the name of adifferent child star from It Happened in Brooklyn.) Decades went byand despite ever-increasing interest in Sinatra, Old Hollywood and the MGMstory, the story of Bobby Long was apparently never investigated. Logsdon seemsto have done no interviews and did not speak publicly about his tap dancingcareer.
He lived around the Orange County area and worked in technical fields,including computer-assisted design, during at least the 1980s. He married againin the early 1980s and stayed in that relationship until his death on October31st, 2005.
In the late 2010s, interest grew in Bobby Long through comment sections onYouTube and other websites. Numerous people expressed awe at his prodigiousability, an interest in what might have happened to him, and surprise at hisseeming to disappear from public life. In 2022-23, this was investigated bythis podcast. It was determined where he ended up and that he seems to have leda quiet life by design, and so the case is now closed.
Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-12
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-12
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-12
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-12
We have the following from October:
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
>Hi Michel, thanks FJW
>
>----------
>From: sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> on behalf
>of michel macaire <michelmacaire@hotmail.com>
>Sent: 12 March 2024 04:00
>To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Subject: [sinatraphiles] Re: Chase Hotel:
>
>Hi Fred,
>
>According to Guiseppe Marcucci Frank was at the
>Chase Hotel in St Louis on October 06 1952.
>Guiseppe wrote : "Mr Sinatra act consisted of
>telling a few jokes, then singing a few songs, then a few jokes again"
>
>Best MM
>
>----------
>De : sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> de la part
>de Fred Wadsworth <frw2@hotmail.co.uk>
>Envoyé : mardi 12 mars 2024 15:47
>À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Objet : [sinatraphiles] Chase Hotel:
>
>Hi All, does anyone know the dates Frank was at
>the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-12
Hi Fred,
I have refund a paper clip review mentionning 4th to 10th October It is said "Frank Sinatra arrived Saturday (4) noon to begin an engagement at the Chase Club here, although date was to have started the previous night. Before Sinatra's arrival, the hotel received a call that the singer would be unable to appear because illness"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de michel macaire <michelmacaire@hotmail.com>
Envoyé : mardi 12 mars 2024 16:00
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-12
Hi Michel, thanks FJW
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of michel macaire <michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-12
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-12
We have the following from October:
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
>Hi Michel, thanks FJW
>
>----------
>From: sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> on behalf
>of michel macaire <michelmacaire@hotmail.com>
>Sent: 12 March 2024 04:00
>To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Subject: [sinatraphiles] Re: Chase Hotel:
>
>Hi Fred,
>
>According to Guiseppe Marcucci Frank was at the
>Chase Hotel in St Louis on October 06 1952.
>Guiseppe wrote : "Mr Sinatra act consisted of
>telling a few jokes, then singing a few songs, then a few jokes again"
>
>Best MM
>
>----------
>De : sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> de la part
>de Fred Wadsworth <frw2@hotmail.co.uk>
>Envoyé : mardi 12 mars 2024 15:47
>À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Objet : [sinatraphiles] Chase Hotel:
>
>Hi All, does anyone know the dates Frank was at
>the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-12
We have the following from October:
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
>Hi Michel, thanks FJW
>
>----------
>From: sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> on behalf
>of michel macaire <michelmacaire@hotmail.com>
>Sent: 12 March 2024 04:00
>To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Subject: [sinatraphiles] Re: Chase Hotel:
>
>Hi Fred,
>
>According to Guiseppe Marcucci Frank was at the
>Chase Hotel in St Louis on October 06 1952.
>Guiseppe wrote : "Mr Sinatra act consisted of
>telling a few jokes, then singing a few songs, then a few jokes again"
>
>Best MM
>
>----------
>De : sinatraphiles-bounce@freelists.org
><sinatraphiles-bounce@freelists.org> de la part
>de Fred Wadsworth <frw2@hotmail.co.uk>
>Envoyé : mardi 12 mars 2024 15:47
>À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
>Objet : [sinatraphiles] Chase Hotel:
>
>Hi All, does anyone know the dates Frank was at
>the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-12
Hi Fred,
I have refund a paper clip review mentionning 4th to 10th October It is said "Frank Sinatra arrived Saturday (4) noon to begin an engagement at the Chase Club here, although date was to have started the previous night. Before Sinatra's arrival, the hotel received a call that the singer would be unable to appear because illness"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de michel macaire <michelmacaire@hotmail.com>
Envoyé : mardi 12 mars 2024 16:00
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-12
Hi Michel, thanks FJW
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of michel macaire <michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-12
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-12
Hi Fred,
I have refund a paper clip review mentionning 4th to 10th October It is said "Frank Sinatra arrived Saturday (4) noon to begin an engagement at the Chase Club here, although date was to have started the previous night. Before Sinatra's arrival, the hotel received a call that the singer would be unable to appear because illness"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de michel macaire <michelmacaire@hotmail.com>
Envoyé : mardi 12 mars 2024 16:00
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-12
Hi Michel, thanks FJW
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of michel macaire <michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-12
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
Re: Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-14
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 13 March 2024 19:00
To: Ed O'Brien <dmarc-noreply@freelists.org>
Subject: Re: [sinatraphiles] Re: Chase Hotel:
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 13 March 2024 18:58
To: Ed O'Brien <dmarc-noreply@freelists.org>
Subject: Re: [sinatraphiles] Re: Chase Hotel:
Hi ED. Thank
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
Hi Michel, thanks FJW
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of michel macaire <michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
[https://s-install.avcdn.net/ipm/preview/icons/icon-envelope-tick-green-avg-v1.png]<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
Virus-free.www.avg.com<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
Re: Chase Hotel:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-14
Hi Fred, Scott and Michel,
The Chase Hotel agreed to pay Frank his going rate
of $10,000 for one week at their club. The engagement was set to run from 10-3
to 9, 1952. The hotel put ads in the St. Louis papers and ran radio spots. There
were 600 reservations for opening night. Unfortunately, Frank was a no show.
Shortly before showtime, the management received a phone call with the claim
that Mr. Sinatra was ill. In truth, he was and the illness was his marriage to Ava.
The next day, Saturday, the fourth of October, Frank arrived in St Louis at noon.
The Chase management was not happy. They had suffered a financial loss
with opening night and were forced to do a quick ad campaign to secure a
decent house for Saturday and Sunday nights. They also raised the cover
charge from $1.00 on weekdays to $1.50 and Saturday and Sunday jumped
from $1.50 to $2.00. Frank wanted to play a full week but Los Chavales De
Espana was scheduled to open on 10-10. Here is an ad that ran over that
weekend:
Los Chavales agreed to open on the eleventh and Frank did a week in
St. Louis. He sang over 20 songs per show. Here is the list for the second
show on 10-6:
You Belong To Me
I Am Loved
The One I Love Belongs To Somebody Else
Walking My Baby Back Home
I'll Never Smile Again
I've Got A Crush On You
Don't Cry Joe
Bim Bam Baby
Birth Of The Blues
Ol' Man Crosby
You're Breaking My Heart
That Old Black Magic
All Of Me
Laura
Autumn In New York
Night and Day
It Never Entered My Mind
Nancy
You'll Never Walk Alone
Try A Little Tenderness
Put Your Dreams Away
Birth Of The Blues ( reprise)
Ed
P.S. I think this would be worth a mention this coming October.
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
Hi Michel, thanks FJW
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> on behalf of michel macaire
<michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org
<sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis
on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of
telling a few jokes, then singing a few songs, then a few jokes
again"
Best MM
De : sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth
<frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org
<sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in
the Chase Hotel in 1952? fjw

Re: Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-14
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 13 March 2024 19:00
To: Ed O'Brien <dmarc-noreply@freelists.org>
Subject: Re: [sinatraphiles] Re: Chase Hotel:
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 13 March 2024 18:58
To: Ed O'Brien <dmarc-noreply@freelists.org>
Subject: Re: [sinatraphiles] Re: Chase Hotel:
Hi ED. Thank
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
Hi Michel, thanks FJW
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of michel macaire <michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
[https://s-install.avcdn.net/ipm/preview/icons/icon-envelope-tick-green-avg-v1.png]<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
Virus-free.www.avg.com<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
Re: Chase Hotel:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-14
Hi Fred, Scott and Michel,
The Chase Hotel agreed to pay Frank his going rate
of $10,000 for one week at their club. The engagement was set to run from 10-3
to 9, 1952. The hotel put ads in the St. Louis papers and ran radio spots. There
were 600 reservations for opening night. Unfortunately, Frank was a no show.
Shortly before showtime, the management received a phone call with the claim
that Mr. Sinatra was ill. In truth, he was and the illness was his marriage to Ava.
The next day, Saturday, the fourth of October, Frank arrived in St Louis at noon.
The Chase management was not happy. They had suffered a financial loss
with opening night and were forced to do a quick ad campaign to secure a
decent house for Saturday and Sunday nights. They also raised the cover
charge from $1.00 on weekdays to $1.50 and Saturday and Sunday jumped
from $1.50 to $2.00. Frank wanted to play a full week but Los Chavales De
Espana was scheduled to open on 10-10. Here is an ad that ran over that
weekend:
Los Chavales agreed to open on the eleventh and Frank did a week in
St. Louis. He sang over 20 songs per show. Here is the list for the second
show on 10-6:
You Belong To Me
I Am Loved
The One I Love Belongs To Somebody Else
Walking My Baby Back Home
I'll Never Smile Again
I've Got A Crush On You
Don't Cry Joe
Bim Bam Baby
Birth Of The Blues
Ol' Man Crosby
You're Breaking My Heart
That Old Black Magic
All Of Me
Laura
Autumn In New York
Night and Day
It Never Entered My Mind
Nancy
You'll Never Walk Alone
Try A Little Tenderness
Put Your Dreams Away
Birth Of The Blues ( reprise)
Ed
P.S. I think this would be worth a mention this coming October.
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
Hi Michel, thanks FJW
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> on behalf of michel macaire
<michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org
<sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis
on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of
telling a few jokes, then singing a few songs, then a few jokes
again"
Best MM
De : sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth
<frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org
<sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in
the Chase Hotel in 1952? fjw

Re: Chase Hotel:
Undated materialFrom: Fred Wadsworth <frw2@hotmail.co.uk> | Received: 2024-03-14
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 13 March 2024 19:00
To: Ed O'Brien <dmarc-noreply@freelists.org>
Subject: Re: [sinatraphiles] Re: Chase Hotel:
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 13 March 2024 18:58
To: Ed O'Brien <dmarc-noreply@freelists.org>
Subject: Re: [sinatraphiles] Re: Chase Hotel:
Hi ED. Thank
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
Hi Michel, thanks FJW
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of michel macaire <michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of telling a few jokes, then singing a few songs, then a few jokes again"
Best MM
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth <frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in the Chase Hotel in 1952? fjw
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Re: Chase Hotel:
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-14
Hi Fred, Scott and Michel,
The Chase Hotel agreed to pay Frank his going rate
of $10,000 for one week at their club. The engagement was set to run from 10-3
to 9, 1952. The hotel put ads in the St. Louis papers and ran radio spots. There
were 600 reservations for opening night. Unfortunately, Frank was a no show.
Shortly before showtime, the management received a phone call with the claim
that Mr. Sinatra was ill. In truth, he was and the illness was his marriage to Ava.
The next day, Saturday, the fourth of October, Frank arrived in St Louis at noon.
The Chase management was not happy. They had suffered a financial loss
with opening night and were forced to do a quick ad campaign to secure a
decent house for Saturday and Sunday nights. They also raised the cover
charge from $1.00 on weekdays to $1.50 and Saturday and Sunday jumped
from $1.50 to $2.00. Frank wanted to play a full week but Los Chavales De
Espana was scheduled to open on 10-10. Here is an ad that ran over that
weekend:
Los Chavales agreed to open on the eleventh and Frank did a week in
St. Louis. He sang over 20 songs per show. Here is the list for the second
show on 10-6:
You Belong To Me
I Am Loved
The One I Love Belongs To Somebody Else
Walking My Baby Back Home
I'll Never Smile Again
I've Got A Crush On You
Don't Cry Joe
Bim Bam Baby
Birth Of The Blues
Ol' Man Crosby
You're Breaking My Heart
That Old Black Magic
All Of Me
Laura
Autumn In New York
Night and Day
It Never Entered My Mind
Nancy
You'll Never Walk Alone
Try A Little Tenderness
Put Your Dreams Away
Birth Of The Blues ( reprise)
Ed
P.S. I think this would be worth a mention this coming October.
1952 Chase Park Plaza Hotel, St Louis, Missouri (4-10)
Scott
At 12:03 PM 3/12/2024, you wrote:
Hi Michel, thanks FJW
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> on behalf of michel macaire
<michelmacaire@hotmail.com>
Sent: 12 March 2024 04:00
To: sinatraphiles@freelists.org
<sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Chase Hotel:
Hi Fred,
According to Guiseppe Marcucci Frank was at the Chase Hotel in St Louis
on October 06 1952. Guiseppe wrote : "Mr Sinatra act consisted of
telling a few jokes, then singing a few songs, then a few jokes
again"
Best MM
De : sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> de la part de Fred Wadsworth
<frw2@hotmail.co.uk>
Envoyé : mardi 12 mars 2024 15:47
À : sinatraphiles@freelists.org
<sinatraphiles@freelists.org>
Objet : [sinatraphiles] Chase Hotel:
Hi All, does anyone know the dates Frank was at the Chase Club in
the Chase Hotel in 1952? fjw

Sinatra’s program for his may 1962 world tour concerts in Israel
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-03-15
Just recieved it
Have been in the Fredrick Mann concert hall in Tel Aviv many times.
It’s a new exhibit.
נשלח מה-iPhone שלי
Sinatra’s program for his may 1962 world tour concerts in Israel
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-03-15
Just recieved it
Have been in the Fredrick Mann concert hall in Tel Aviv many times.
It’s a new exhibit.
נשלח מה-iPhone שלי
Sinatra’s program for his may 1962 world tour concerts in Israel
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-03-15
Just recieved it
Have been in the Fredrick Mann concert hall in Tel Aviv many times.
It’s a new exhibit.
נשלח מה-iPhone שלי
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
Frank must have been thrilled with the 32 piece orchestra.
On Saturday, March 16, 2024 at 10:30:14 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
Thanks Ed,
We have this already in the March 19th listing but not that article soI'll add it in.
Scott
At 10:25 AM 3/16/2024, you wrote:
Hi Scott,
I remember you posting it. What I didn't know
was the a capella part. Thought it was worth sharing.
Here is one I just figured out. On the AFRS
version of the Danny Kaye show, 10-5-45, with Frank
and Judy Garland subbing, he sings "Suddenly It's
Spring." The song was not sung on the network
broadcast. I searched and found it is the one from
Vimms, 4-26-44.
Here is one you can add to the 3/19 date in
history:
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-16
Thanks Ed,
We have this already in the March 19th listing but not that article
so I'll add it in.
Scott
At 10:25 AM 3/16/2024, you wrote:
>Hi Scott,
> I remember you posting it. What I didn't know
>was the a capella part. Thought it was worth sharing.
> Here is one I just figured out. On the AFRS
>version of the Danny Kaye show, 10-5-45, with Frank
>and Judy Garland subbing, he sings "Suddenly It's
>Spring." The song was not sung on the network
>broadcast. I searched and found it is the one from
>Vimms, 4-26-44.
> Here is one you can add to the 3/19 date in
>history:
>
>Inline image
>
>
>
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
Hi Scott,
I remember you posting it. What I didn't know
was the a capella part. Thought it was worth sharing.
Here is one I just figured out. On the AFRS
version of the Danny Kaye show, 10-5-45, with Frank
and Judy Garland subbing, he sings "Suddenly It's
Spring." The song was not sung on the network
broadcast. I searched and found it is the one from
Vimms, 4-26-44.
Here is one you can add to the 3/19 date in
history:

Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-16
Hi Ed,
I read that too when I was researching Sinatra's appearances for the
Jewish Home For the Aged.
It was probably this one:
February 20, 1944 Earl Carroll Theatre, Los Angeles, CA
Fifteenth Annual Charity Ball of the Junior Auxiliary of the Home for the Aged
Sinatra, Ginny Simms, Edger Bergen, Spike Jones, Chico Marx and others
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-16
Thanks Ed,
We have this already in the March 19th listing but not that article
so I'll add it in.
Scott
At 10:25 AM 3/16/2024, you wrote:
>Hi Scott,
> I remember you posting it. What I didn't know
>was the a capella part. Thought it was worth sharing.
> Here is one I just figured out. On the AFRS
>version of the Danny Kaye show, 10-5-45, with Frank
>and Judy Garland subbing, he sings "Suddenly It's
>Spring." The song was not sung on the network
>broadcast. I searched and found it is the one from
>Vimms, 4-26-44.
> Here is one you can add to the 3/19 date in
>history:
>
>Inline image
>
>
>
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
Hi Scott,
I remember you posting it. What I didn't know
was the a capella part. Thought it was worth sharing.
Here is one I just figured out. On the AFRS
version of the Danny Kaye show, 10-5-45, with Frank
and Judy Garland subbing, he sings "Suddenly It's
Spring." The song was not sung on the network
broadcast. I searched and found it is the one from
Vimms, 4-26-44.
Here is one you can add to the 3/19 date in
history:

Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-16
Hi Ed,
I read that too when I was researching Sinatra's appearances for the
Jewish Home For the Aged.
It was probably this one:
February 20, 1944 Earl Carroll Theatre, Los Angeles, CA
Fifteenth Annual Charity Ball of the Junior Auxiliary of the Home for the Aged
Sinatra, Ginny Simms, Edger Bergen, Spike Jones, Chico Marx and others
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
Hi Scott,
I remember you posting it. What I didn't know
was the a capella part. Thought it was worth sharing.
Here is one I just figured out. On the AFRS
version of the Danny Kaye show, 10-5-45, with Frank
and Judy Garland subbing, he sings "Suddenly It's
Spring." The song was not sung on the network
broadcast. I searched and found it is the one from
Vimms, 4-26-44.
Here is one you can add to the 3/19 date in
history:

Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
Frank must have been thrilled with the 32 piece orchestra.
On Saturday, March 16, 2024 at 10:30:14 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
Thanks Ed,
We have this already in the March 19th listing but not that article soI'll add it in.
Scott
At 10:25 AM 3/16/2024, you wrote:
Hi Scott,
I remember you posting it. What I didn't know
was the a capella part. Thought it was worth sharing.
Here is one I just figured out. On the AFRS
version of the Danny Kaye show, 10-5-45, with Frank
and Judy Garland subbing, he sings "Suddenly It's
Spring." The song was not sung on the network
broadcast. I searched and found it is the one from
Vimms, 4-26-44.
Here is one you can add to the 3/19 date in
history:
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-16
Thanks Ed,
We have this already in the March 19th listing but not that article
so I'll add it in.
Scott
At 10:25 AM 3/16/2024, you wrote:
>Hi Scott,
> I remember you posting it. What I didn't know
>was the a capella part. Thought it was worth sharing.
> Here is one I just figured out. On the AFRS
>version of the Danny Kaye show, 10-5-45, with Frank
>and Judy Garland subbing, he sings "Suddenly It's
>Spring." The song was not sung on the network
>broadcast. I searched and found it is the one from
>Vimms, 4-26-44.
> Here is one you can add to the 3/19 date in
>history:
>
>Inline image
>
>
>
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-03-16
Hi Ed,
I read that too when I was researching Sinatra's appearances for the
Jewish Home For the Aged.
It was probably this one:
February 20, 1944 Earl Carroll Theatre, Los Angeles, CA
Fifteenth Annual Charity Ball of the Junior Auxiliary of the Home for the Aged
Sinatra, Ginny Simms, Edger Bergen, Spike Jones, Chico Marx and others
Re: THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
Frank must have been thrilled with the 32 piece orchestra.
On Saturday, March 16, 2024 at 10:30:14 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
Thanks Ed,
We have this already in the March 19th listing but not that article soI'll add it in.
Scott
At 10:25 AM 3/16/2024, you wrote:
Hi Scott,
I remember you posting it. What I didn't know
was the a capella part. Thought it was worth sharing.
Here is one I just figured out. On the AFRS
version of the Danny Kaye show, 10-5-45, with Frank
and Judy Garland subbing, he sings "Suddenly It's
Spring." The song was not sung on the network
broadcast. I searched and found it is the one from
Vimms, 4-26-44.
Here is one you can add to the 3/19 date in
history:
THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
3-15-44

THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
3-15-44

THE NIGHT LOUIE B. MAYER HEARD SINATRA IN PERSON
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-16
3-15-44

Frank holding shoes
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-18

Frank holding shoes
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-18

Frank holding shoes
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2024-03-18

HOW A NEW SINATRA ALBUM WAS ANNOUNCED TO THE WORLD IN 1969
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-19

HOW A NEW SINATRA ALBUM WAS ANNOUNCED TO THE WORLD IN 1969
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-19

HOW A NEW SINATRA ALBUM WAS ANNOUNCED TO THE WORLD IN 1969
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-19

Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-03-20
First time singing “Oh Babe, What Would You Say?” and getting lost in the middle of it!
Pedro
> No dia 20/03/2024, às 19:47, Ed O'Brien <dmarc-noreply@freelists.org> escreveu:
>
>
>
>
> ----------------------------------------
>
> 1975 Caesars Palace, Las Vegas, Nevada
> First Show
> Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano), Charles Shoemaker (vibes), Pat Rizzo (alto sax), Nino Tempo (tenor sax), Francisco Aquabella(bongos).
> Nat Brandwynne Orchestra Conducted By: Don Costa
> Opening Act: Sam Butera & The Witnesses featuring Sandy Williams.
>
>
> note: Frank' played two weeks at Caesars, closing on 4-2-75
> The title of the engagement was "A Man And His Music."
> A 61 piece orchestra backed Frank. His show opened with
> a jazz sextet supporting him, then a large string section backed
> him on some ballads, then a brass section and then all three
> sections came together. Frank liked to do one show a night
> during the week and two shows on weekends. But for
> the first time ever, he did two shows every night. Las Vegas
> Sun reported that Frank, Elvis and Dino were being paid
> $250,000 a week ( today that would be $1,477, 518.00 ).
> A new record was set when Caesars asked a cover of
> $40.00 for Frank's dinner show and #35.00 for the late
> show. In the mid 1950s, you could see Sinatra for less
> than $4.00. Even the veterans on the Vegas Strip were
> amazed at Sinatra's drawing power. Local papers felt
> the cover charge to see the big names was out of control.
> They questioned whether people would continue to pay
> such outlandish prices.
> Ed
>
>
>
Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-03-20
First time singing “Oh Babe, What Would You Say?” and getting lost in the middle of it!
Pedro
> No dia 20/03/2024, às 19:47, Ed O'Brien <dmarc-noreply@freelists.org> escreveu:
>
>
>
>
> ----------------------------------------
>
> 1975 Caesars Palace, Las Vegas, Nevada
> First Show
> Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano), Charles Shoemaker (vibes), Pat Rizzo (alto sax), Nino Tempo (tenor sax), Francisco Aquabella(bongos).
> Nat Brandwynne Orchestra Conducted By: Don Costa
> Opening Act: Sam Butera & The Witnesses featuring Sandy Williams.
>
>
> note: Frank' played two weeks at Caesars, closing on 4-2-75
> The title of the engagement was "A Man And His Music."
> A 61 piece orchestra backed Frank. His show opened with
> a jazz sextet supporting him, then a large string section backed
> him on some ballads, then a brass section and then all three
> sections came together. Frank liked to do one show a night
> during the week and two shows on weekends. But for
> the first time ever, he did two shows every night. Las Vegas
> Sun reported that Frank, Elvis and Dino were being paid
> $250,000 a week ( today that would be $1,477, 518.00 ).
> A new record was set when Caesars asked a cover of
> $40.00 for Frank's dinner show and #35.00 for the late
> show. In the mid 1950s, you could see Sinatra for less
> than $4.00. Even the veterans on the Vegas Strip were
> amazed at Sinatra's drawing power. Local papers felt
> the cover charge to see the big names was out of control.
> They questioned whether people would continue to pay
> such outlandish prices.
> Ed
>
>
>
Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-03-20
First time singing “Oh Babe, What Would You Say?” and getting lost in the middle of it!
Pedro
> No dia 20/03/2024, às 19:47, Ed O'Brien <dmarc-noreply@freelists.org> escreveu:
>
>
>
>
> ----------------------------------------
>
> 1975 Caesars Palace, Las Vegas, Nevada
> First Show
> Key Musicians: Gene Cherico (bass), Al Viola (guitar), Irv Cottler (drums), Charlie Turner (trumpet), Bill Miller (piano), Charles Shoemaker (vibes), Pat Rizzo (alto sax), Nino Tempo (tenor sax), Francisco Aquabella(bongos).
> Nat Brandwynne Orchestra Conducted By: Don Costa
> Opening Act: Sam Butera & The Witnesses featuring Sandy Williams.
>
>
> note: Frank' played two weeks at Caesars, closing on 4-2-75
> The title of the engagement was "A Man And His Music."
> A 61 piece orchestra backed Frank. His show opened with
> a jazz sextet supporting him, then a large string section backed
> him on some ballads, then a brass section and then all three
> sections came together. Frank liked to do one show a night
> during the week and two shows on weekends. But for
> the first time ever, he did two shows every night. Las Vegas
> Sun reported that Frank, Elvis and Dino were being paid
> $250,000 a week ( today that would be $1,477, 518.00 ).
> A new record was set when Caesars asked a cover of
> $40.00 for Frank's dinner show and #35.00 for the late
> show. In the mid 1950s, you could see Sinatra for less
> than $4.00. Even the veterans on the Vegas Strip were
> amazed at Sinatra's drawing power. Local papers felt
> the cover charge to see the big names was out of control.
> They questioned whether people would continue to pay
> such outlandish prices.
> Ed
>
>
>
Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-03-21
Ed I have it also in mono when I prefer it that way.
Sinatra was in great voice and Billy may and heinie beau.
Are always welcome.
I also
Like many of the songs in this album.
I don’t think sinatra could do in those years a bad album.
Shemmy
נשלח מה-iPhone שלי
> ב-21 במרץ 2024, בשעה 17:25, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> I disagree. Frank did what he had to do to satisfy
> the agreement reached with Capitol. Listen to "Swing Along With
> Me." The singer is trying to knock your socks off on every song.
> I think perfunctory is the word that best describes "CSWM." Billy
> May felt the same and he later regretted his part in the wide spectrum
> stereo. Billy felt it took too much away from Frank's vocals.
> Ed
>
> On Thursday, March 21, 2024 at 10:13:35 AM EDT, <smashiah@netvision.net.il> wrote:
>
>
> Hi Ed
>
> Also it is an underrated album
>
> I love it and I even don’t care about the ping pong effect.
>
> In a way I like it.
>
> It was beautifully recorded.
>
> Wish RADD had80% of this sound.
>
> shemmy
>
>
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
> Sent: Thursday, March 21, 2024 5:32 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
>
>
>
> Studio
>
> 1961 Capitol Studio A, Hollywood
>
> E35576 On The Sunny Side Of The Street
> (J. McHugh/D. Fields)
> Shapiro, Bernstein & Co., Inc. (ASCAP)
> Arranged by Heinie Beau
> Conducted by Billy May
> -5 (2:41) CD: CDP 7-94520-2 Come Swing With Me
> CD: C2-94777 The Capitol Years
> LP: SW1594 Come Swing With Me
>
>
> E35577 Day By Day
> (Stordahl/Weston/ Cahn)
> Arranged & Conducted by Billy May
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
>
>
> E35578 Sentimental Journey
> (Brown/Homer/ Green)
> Arranged by Heinie Beau
> Conducted by Billy May
> CD: C2 724383808922 The Complete Capitol Singles
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
> 45: 4615
>
>
> E35579 Don't Take Your Love From Me
> (Henry Nemo)
> Arranged by Heinie Beau
> Conducted by Billy May
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
>
> Musicians - Trumpets: John Best, Conrad Gozzo, Joe Graves, Maurice Harris, Emanuel Klein, Vito Mickey Mangano, James Salko, Clarence Shorty Sherock, Rubin Zeke Zarchy; Trombones: C.E. Carpenter, James Henderson, Richard Kenney, Lewis McCreary, Barrett O'Hara, James Priddy, Kenneth Trimble; Tuba: Phil Stephens; French Horns: James Craas, William Culley, Fred Fox, Gale Robinson; Piano: Bill Miller; Bass: Joe Comfort; Drums: Irv Cottler; Guitar: Tony Rizzi; Harp: Kathryn Julye
> Session Producer: Dave Cavanaugh
>
> <image001.jpg>
>
>
>
> Tampa Tribune
>
> 8-13-61
>
>
>
>
>
>
>
>
> <image001.jpg>
Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-03-21
Ed I have it also in mono when I prefer it that way.
Sinatra was in great voice and Billy may and heinie beau.
Are always welcome.
I also
Like many of the songs in this album.
I don’t think sinatra could do in those years a bad album.
Shemmy
נשלח מה-iPhone שלי
> ב-21 במרץ 2024, בשעה 17:25, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> I disagree. Frank did what he had to do to satisfy
> the agreement reached with Capitol. Listen to "Swing Along With
> Me." The singer is trying to knock your socks off on every song.
> I think perfunctory is the word that best describes "CSWM." Billy
> May felt the same and he later regretted his part in the wide spectrum
> stereo. Billy felt it took too much away from Frank's vocals.
> Ed
>
> On Thursday, March 21, 2024 at 10:13:35 AM EDT, <smashiah@netvision.net.il> wrote:
>
>
> Hi Ed
>
> Also it is an underrated album
>
> I love it and I even don’t care about the ping pong effect.
>
> In a way I like it.
>
> It was beautifully recorded.
>
> Wish RADD had80% of this sound.
>
> shemmy
>
>
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
> Sent: Thursday, March 21, 2024 5:32 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
>
>
>
> Studio
>
> 1961 Capitol Studio A, Hollywood
>
> E35576 On The Sunny Side Of The Street
> (J. McHugh/D. Fields)
> Shapiro, Bernstein & Co., Inc. (ASCAP)
> Arranged by Heinie Beau
> Conducted by Billy May
> -5 (2:41) CD: CDP 7-94520-2 Come Swing With Me
> CD: C2-94777 The Capitol Years
> LP: SW1594 Come Swing With Me
>
>
> E35577 Day By Day
> (Stordahl/Weston/ Cahn)
> Arranged & Conducted by Billy May
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
>
>
> E35578 Sentimental Journey
> (Brown/Homer/ Green)
> Arranged by Heinie Beau
> Conducted by Billy May
> CD: C2 724383808922 The Complete Capitol Singles
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
> 45: 4615
>
>
> E35579 Don't Take Your Love From Me
> (Henry Nemo)
> Arranged by Heinie Beau
> Conducted by Billy May
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
>
> Musicians - Trumpets: John Best, Conrad Gozzo, Joe Graves, Maurice Harris, Emanuel Klein, Vito Mickey Mangano, James Salko, Clarence Shorty Sherock, Rubin Zeke Zarchy; Trombones: C.E. Carpenter, James Henderson, Richard Kenney, Lewis McCreary, Barrett O'Hara, James Priddy, Kenneth Trimble; Tuba: Phil Stephens; French Horns: James Craas, William Culley, Fred Fox, Gale Robinson; Piano: Bill Miller; Bass: Joe Comfort; Drums: Irv Cottler; Guitar: Tony Rizzi; Harp: Kathryn Julye
> Session Producer: Dave Cavanaugh
>
> <image001.jpg>
>
>
>
> Tampa Tribune
>
> 8-13-61
>
>
>
>
>
>
>
>
> <image001.jpg>
Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2024-03-21
Ed I have it also in mono when I prefer it that way.
Sinatra was in great voice and Billy may and heinie beau.
Are always welcome.
I also
Like many of the songs in this album.
I don’t think sinatra could do in those years a bad album.
Shemmy
נשלח מה-iPhone שלי
> ב-21 במרץ 2024, בשעה 17:25, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
>
>
> Hi Shemmy,
> I disagree. Frank did what he had to do to satisfy
> the agreement reached with Capitol. Listen to "Swing Along With
> Me." The singer is trying to knock your socks off on every song.
> I think perfunctory is the word that best describes "CSWM." Billy
> May felt the same and he later regretted his part in the wide spectrum
> stereo. Billy felt it took too much away from Frank's vocals.
> Ed
>
> On Thursday, March 21, 2024 at 10:13:35 AM EDT, <smashiah@netvision.net.il> wrote:
>
>
> Hi Ed
>
> Also it is an underrated album
>
> I love it and I even don’t care about the ping pong effect.
>
> In a way I like it.
>
> It was beautifully recorded.
>
> Wish RADD had80% of this sound.
>
> shemmy
>
>
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Ed O'Brien ("eob101")
> Sent: Thursday, March 21, 2024 5:32 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: MARCH 20 - THIS DATE IN SINATRA HISTORY
>
>
>
>
>
>
>
>
>
>
>
>
>
> Studio
>
> 1961 Capitol Studio A, Hollywood
>
> E35576 On The Sunny Side Of The Street
> (J. McHugh/D. Fields)
> Shapiro, Bernstein & Co., Inc. (ASCAP)
> Arranged by Heinie Beau
> Conducted by Billy May
> -5 (2:41) CD: CDP 7-94520-2 Come Swing With Me
> CD: C2-94777 The Capitol Years
> LP: SW1594 Come Swing With Me
>
>
> E35577 Day By Day
> (Stordahl/Weston/ Cahn)
> Arranged & Conducted by Billy May
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
>
>
> E35578 Sentimental Journey
> (Brown/Homer/ Green)
> Arranged by Heinie Beau
> Conducted by Billy May
> CD: C2 724383808922 The Complete Capitol Singles
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
> 45: 4615
>
>
> E35579 Don't Take Your Love From Me
> (Henry Nemo)
> Arranged by Heinie Beau
> Conducted by Billy May
> CD: CDP 7-94520-2 Come Swing With Me
> LP: SW1594 Come Swing With Me
>
> Musicians - Trumpets: John Best, Conrad Gozzo, Joe Graves, Maurice Harris, Emanuel Klein, Vito Mickey Mangano, James Salko, Clarence Shorty Sherock, Rubin Zeke Zarchy; Trombones: C.E. Carpenter, James Henderson, Richard Kenney, Lewis McCreary, Barrett O'Hara, James Priddy, Kenneth Trimble; Tuba: Phil Stephens; French Horns: James Craas, William Culley, Fred Fox, Gale Robinson; Piano: Bill Miller; Bass: Joe Comfort; Drums: Irv Cottler; Guitar: Tony Rizzi; Harp: Kathryn Julye
> Session Producer: Dave Cavanaugh
>
> <image001.jpg>
>
>
>
> Tampa Tribune
>
> 8-13-61
>
>
>
>
>
>
>
>
> <image001.jpg>
TOUGH GUYS IN HOLLYWOOD MARCH 1946
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-28

MARCH 1956 "SINATRA IS THE ,MAN WITH THE GOLDEN COMEBACK"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-03-31

Barbara Rush
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-04-02
Frank Sinatra ; Ronald Reagan, et BARBARA RUSH.


FRANK AND B. RUSH
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-04-02



FROM STAR TO SUPPORTING PLAYER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-04-02
10-24-53

WINCHELL QUOTES SINATRA 1956 COLUMN
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-04-05

Fw: Frank Sinatra Is Back At No. 1 On Several Billboard Charts
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-04-06
https://www.forbes.com/sites/hughmcintyre/2024/04/04/frank-sinatra-is-back-at-no-1-on-several-billboard-charts/
Fw: April 8- THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-04-11
note: Bob Thomas did a number of articles on Sinatra. Frank was always
available for him.

Scorsese
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-04-19
Michel Macaire sent this to me:
Martin Scorsese in Talks to Direct Frank Sinatra Biopic (indiewire.com)
IT'S A LONG WAY FROM PASSIAC TO "COME SWING WITH ME"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-01

SELECTION OF THE MONTH FOR CAPITOL RECORD CLUB, JUNE 1961 MONO ISSUE ONLY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-01

Sinatra in Israel May 1962
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-12
Sinatra Takes His World Tour For Children To Israel
American singer and actor Frank Sinatra sits with children at a school during a visit to Nazareth, Israel, May 1962. Sinatra, who was on his 'World Tour for Children', used the visit to launch his 'Sinatra Centre for Children'. (Photo by Graphic House/Archive Photos/Getty Images)
Photo: Frank Sinatra visiting a kindergarten in Nazareth Illit, 1962. GPO
Sinatra in Nazareth in 1962
Sinatra planting a tree in Histadrut Forest of Jerusalem
Frank Sinatra plants a tree in the hills of Jerusalem in 1962. Photo courtesy of KKL-JNF Archive
Ben-Gurion with Frank Sinatra in Jerusalem in May 1962. Sinatra had just come from Nazareth, where he presided at the groundbreaking ceremonies for the Frank Sinatra International Youth Center for Arab and Jewish children. (© David Rubinger/Courtesy of the family of Frank Sinatra)







AN INTERESTING DISCOVERY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-20
note: As you can see the article is dated 12-22. The year is 1962.
The session described is the second night of the Sinatra-
Basie album. I know this because the Jack Benny show was aired
on 10-2-62. F.S. Jr made his TV debut that evening singing the
Matt Monro hit "My Kind Of Girl." His father would record the song
on 10-3-62. Frank laid down six songs that night. But he also re-
hearsed and possibly recorded "All Of Me." Was the Hefti chart not
quite right ? Was it recorded and then rejected by Sinatra ? We
don't know. The Reprise files have no history of it. I think it would
have been a great track on that album.
Ed

FRANK and ELLA
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-21
Kensingston News, West London
July 25, 1958

WINTER-SPRING 1944
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-22
May 16, 1944
May 18,1944
January 22, 1944
Philadelphia Inquirer
May 5, 1944
San Fernando Valley Times
March 2, 1944






Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-25
:
Thank you EdDo you know if there are more of the 3 songs from casino Knokke?I read a post in Facebook that a guy have the full concert.Interesting.ShemmySent from my iPhone
Hi Shemmy,
As I'm sure you have noticed, Bill Miller starts the intro to "September Song" as the tape cuts out. If someone has the show, they certainly are making sureit does not get circulated.Ed
Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: Margriet57 <dmarc-noreply@freelists.org> | Received: 2024-05-25
My show is missing September Song!
Op 25-05-2024 15:10 CEST schreef shemmy Mashiah <smashiah@netvision.net.il>:
Thank you Ed
Do you know if there are more of the 3 songs from casino Knokke?
I read a post in Facebook that a guy have the full concert.
Interesting.
Shemmy
נשלח מה-iPhone שלי
ב-24 במאי 2024, בשעה 8:12, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy,
George Siravo wrote the original arg. for Sinatra
on "String." Frank used both during his European tour in 53.
Blackpool, 7-26, has Siravo and the BBC Showband has
Riddle. The latter was vastly superior.
Ed
On Thursday, May 23, 2024 at 05:15:25 PM EDT, smashiah@netvision.net.il <smashiah@netvision.net.il> wrote:
Thank you very!!!! much Margriet.
What a performance.
He sounds so good.
And at this stage he is still an has been.
“World on a string” sounds a lot different than the Riddle capitol version.
Who is the arranger .
Ill never smile again is terrific so is black magic.
Thanks again
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Margriet57 ("margriet57")
Sent: Thursday, May 23, 2024 10:26 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: May 1953 Casino Knokke, Belgium,
Thank you Carl!
We transfer:
Sunday Show 10-21-2018 Jonathan Schwartz: Sinatra in Knokke.
https://we.tl/t-wxOyS7BFbi
Enjoy!
Margriet
Op 23-05-2024 17:10 CEST schreef cara <dmarc-noreply@freelists.org>:
Found this photo of Frank Sinatra with the André Coucke (André Koek) Orchestra (The Skyliners) at the Casino de Knokke, Belgium.
Carl
Andre Coucke Orchestra
<image001.jpg>

Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-25
:
Thank you EdDo you know if there are more of the 3 songs from casino Knokke?I read a post in Facebook that a guy have the full concert.Interesting.ShemmySent from my iPhone
Hi Shemmy,
As I'm sure you have noticed, Bill Miller starts the intro to "September Song" as the tape cuts out. If someone has the show, they certainly are making sureit does not get circulated.Ed
Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: Margriet57 <dmarc-noreply@freelists.org> | Received: 2024-05-25
My show is missing September Song!
Op 25-05-2024 15:10 CEST schreef shemmy Mashiah <smashiah@netvision.net.il>:
Thank you Ed
Do you know if there are more of the 3 songs from casino Knokke?
I read a post in Facebook that a guy have the full concert.
Interesting.
Shemmy
נשלח מה-iPhone שלי
ב-24 במאי 2024, בשעה 8:12, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy,
George Siravo wrote the original arg. for Sinatra
on "String." Frank used both during his European tour in 53.
Blackpool, 7-26, has Siravo and the BBC Showband has
Riddle. The latter was vastly superior.
Ed
On Thursday, May 23, 2024 at 05:15:25 PM EDT, smashiah@netvision.net.il <smashiah@netvision.net.il> wrote:
Thank you very!!!! much Margriet.
What a performance.
He sounds so good.
And at this stage he is still an has been.
“World on a string” sounds a lot different than the Riddle capitol version.
Who is the arranger .
Ill never smile again is terrific so is black magic.
Thanks again
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Margriet57 ("margriet57")
Sent: Thursday, May 23, 2024 10:26 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: May 1953 Casino Knokke, Belgium,
Thank you Carl!
We transfer:
Sunday Show 10-21-2018 Jonathan Schwartz: Sinatra in Knokke.
https://we.tl/t-wxOyS7BFbi
Enjoy!
Margriet
Op 23-05-2024 17:10 CEST schreef cara <dmarc-noreply@freelists.org>:
Found this photo of Frank Sinatra with the André Coucke (André Koek) Orchestra (The Skyliners) at the Casino de Knokke, Belgium.
Carl
Andre Coucke Orchestra
<image001.jpg>

Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-25
:
Thank you EdDo you know if there are more of the 3 songs from casino Knokke?I read a post in Facebook that a guy have the full concert.Interesting.ShemmySent from my iPhone
Hi Shemmy,
As I'm sure you have noticed, Bill Miller starts the intro to "September Song" as the tape cuts out. If someone has the show, they certainly are making sureit does not get circulated.Ed
Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: Margriet57 <dmarc-noreply@freelists.org> | Received: 2024-05-25
My show is missing September Song!
Op 25-05-2024 15:10 CEST schreef shemmy Mashiah <smashiah@netvision.net.il>:
Thank you Ed
Do you know if there are more of the 3 songs from casino Knokke?
I read a post in Facebook that a guy have the full concert.
Interesting.
Shemmy
נשלח מה-iPhone שלי
ב-24 במאי 2024, בשעה 8:12, Ed O'Brien <dmarc-noreply@freelists.org> כתב/ה:
Hi Shemmy,
George Siravo wrote the original arg. for Sinatra
on "String." Frank used both during his European tour in 53.
Blackpool, 7-26, has Siravo and the BBC Showband has
Riddle. The latter was vastly superior.
Ed
On Thursday, May 23, 2024 at 05:15:25 PM EDT, smashiah@netvision.net.il <smashiah@netvision.net.il> wrote:
Thank you very!!!! much Margriet.
What a performance.
He sounds so good.
And at this stage he is still an has been.
“World on a string” sounds a lot different than the Riddle capitol version.
Who is the arranger .
Ill never smile again is terrific so is black magic.
Thanks again
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Margriet57 ("margriet57")
Sent: Thursday, May 23, 2024 10:26 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: May 1953 Casino Knokke, Belgium,
Thank you Carl!
We transfer:
Sunday Show 10-21-2018 Jonathan Schwartz: Sinatra in Knokke.
https://we.tl/t-wxOyS7BFbi
Enjoy!
Margriet
Op 23-05-2024 17:10 CEST schreef cara <dmarc-noreply@freelists.org>:
Found this photo of Frank Sinatra with the André Coucke (André Koek) Orchestra (The Skyliners) at the Casino de Knokke, Belgium.
Carl
Andre Coucke Orchestra
<image001.jpg>

26th May 1953
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-26
Frank Sinatra en route to Copenhagen after his Pentecost week-end concerts at Knokke Casino. Ava has flown to London.
Carl
Frank Sinatra, 26 May 1953, Schiphol Airport Amsterdam, in transit on his European Tour

26th May 1953
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-26
Frank Sinatra en route to Copenhagen after his Pentecost week-end concerts at Knokke Casino. Ava has flown to London.
Carl
Frank Sinatra, 26 May 1953, Schiphol Airport Amsterdam, in transit on his European Tour

26th May 1953
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-26
Frank Sinatra en route to Copenhagen after his Pentecost week-end concerts at Knokke Casino. Ava has flown to London.
Carl
Frank Sinatra, 26 May 1953, Schiphol Airport Amsterdam, in transit on his European Tour

Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-05-26
This excerpt is on a CD that I bought on EBAY
Sent from Yahoo Mail on Android
On Sat, May 25, 2024 at 4:21 PM, Ed O'Brien<dmarc-noreply@freelists.org> wrote:
:
Thank you EdDo you know if there are more of the 3 songs from casino Knokke?I read a post in Facebook that a guy have the full concert.Interesting.ShemmySent from my iPhone
Hi Shemmy,
As I'm sure you have noticed, Bill Miller starts the intro to "September Song" as the tape cuts out. If someone has the show, they certainly are making sureit does not get circulated.Ed
Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-05-26
This excerpt is on a CD that I bought on EBAY
Sent from Yahoo Mail on Android
On Sat, May 25, 2024 at 4:21 PM, Ed O'Brien<dmarc-noreply@freelists.org> wrote:
:
Thank you EdDo you know if there are more of the 3 songs from casino Knokke?I read a post in Facebook that a guy have the full concert.Interesting.ShemmySent from my iPhone
Hi Shemmy,
As I'm sure you have noticed, Bill Miller starts the intro to "September Song" as the tape cuts out. If someone has the show, they certainly are making sureit does not get circulated.Ed
Re: May 1953 Casino Knokke, Belgium,
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-05-26
This excerpt is on a CD that I bought on EBAY
Sent from Yahoo Mail on Android
On Sat, May 25, 2024 at 4:21 PM, Ed O'Brien<dmarc-noreply@freelists.org> wrote:
:
Thank you EdDo you know if there are more of the 3 songs from casino Knokke?I read a post in Facebook that a guy have the full concert.Interesting.ShemmySent from my iPhone
Hi Shemmy,
As I'm sure you have noticed, Bill Miller starts the intro to "September Song" as the tape cuts out. If someone has the show, they certainly are making sureit does not get circulated.Ed
THIS PUBLIC FIGURE KEPT HIS ACTS OF KINDNESS PRIVATE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-28
Philadelphia Daily News
May 27, 1998

THIS PUBLIC FIGURE KEPT HIS ACTS OF KINDNESS PRIVATE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-28
Philadelphia Daily News
May 27, 1998

THIS PUBLIC FIGURE KEPT HIS ACTS OF KINDNESS PRIVATE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-28
Philadelphia Daily News
May 27, 1998

TSCHAIKOWSKY & FRANK
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-28
Mirror-News
May 27, 1957
note: I decided to post this article because Billy May described for me
a very similar evening in the early 1980s. According to Billy, Frank
was in awe of the the great composers. An evening of symphonic
music truly was heaven for Sinatra. And Billy was amazed at Frank's
encyclopedic knowledge of the masterworks, composed by men who
possessed true genius in creating such timeless compositions.
Ed


TSCHAIKOWSKY & FRANK
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-28
Mirror-News
May 27, 1957
note: I decided to post this article because Billy May described for me
a very similar evening in the early 1980s. According to Billy, Frank
was in awe of the the great composers. An evening of symphonic
music truly was heaven for Sinatra. And Billy was amazed at Frank's
encyclopedic knowledge of the masterworks, composed by men who
possessed true genius in creating such timeless compositions.
Ed


TSCHAIKOWSKY & FRANK
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-28
Mirror-News
May 27, 1957
note: I decided to post this article because Billy May described for me
a very similar evening in the early 1980s. According to Billy, Frank
was in awe of the the great composers. An evening of symphonic
music truly was heaven for Sinatra. And Billy was amazed at Frank's
encyclopedic knowledge of the masterworks, composed by men who
possessed true genius in creating such timeless compositions.
Ed


Finspång Sweden
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-30
Additional photos from the concert.
Carl
"A carnation for a little girl from Finspång"
Ingrid Larsson was only ten years old when Frank Sinatra came to Finspång. Despite the expensive entrance fee of four crowns and an additional two crowns if you were to have a seat, she was accompanied by her uncle Roland "Rolle" Carlsson, who was a trumpeter in Casaloma's orchestra, and his wife. Ingrid was very interested in jazz and dressed in a coat and hat she sat down on the second row of benches.
-It was a fantastic concert, says Ingrid.
Frank Sintra on stage and in the audience sits Ingrid Larsson, at the bottom right.
When the concert was over, Sinatra received a bouquet of red carnations. From it he took a flower which he "with an elegant gesture" threw directly to Ingrid. This particular event was highlighted in a report in the newspaper Filmjournalen where she was allowed to show off her carnation. The flower was dried and is still saved at home in Ingrid's photo album.


Finspång Sweden
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-30
Additional photos from the concert.
Carl
"A carnation for a little girl from Finspång"
Ingrid Larsson was only ten years old when Frank Sinatra came to Finspång. Despite the expensive entrance fee of four crowns and an additional two crowns if you were to have a seat, she was accompanied by her uncle Roland "Rolle" Carlsson, who was a trumpeter in Casaloma's orchestra, and his wife. Ingrid was very interested in jazz and dressed in a coat and hat she sat down on the second row of benches.
-It was a fantastic concert, says Ingrid.
Frank Sintra on stage and in the audience sits Ingrid Larsson, at the bottom right.
When the concert was over, Sinatra received a bouquet of red carnations. From it he took a flower which he "with an elegant gesture" threw directly to Ingrid. This particular event was highlighted in a report in the newspaper Filmjournalen where she was allowed to show off her carnation. The flower was dried and is still saved at home in Ingrid's photo album.


Finspång Sweden
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-30
Additional photos from the concert.
Carl
"A carnation for a little girl from Finspång"
Ingrid Larsson was only ten years old when Frank Sinatra came to Finspång. Despite the expensive entrance fee of four crowns and an additional two crowns if you were to have a seat, she was accompanied by her uncle Roland "Rolle" Carlsson, who was a trumpeter in Casaloma's orchestra, and his wife. Ingrid was very interested in jazz and dressed in a coat and hat she sat down on the second row of benches.
-It was a fantastic concert, says Ingrid.
Frank Sintra on stage and in the audience sits Ingrid Larsson, at the bottom right.
When the concert was over, Sinatra received a bouquet of red carnations. From it he took a flower which he "with an elegant gesture" threw directly to Ingrid. This particular event was highlighted in a report in the newspaper Filmjournalen where she was allowed to show off her carnation. The flower was dried and is still saved at home in Ingrid's photo album.


Finspång Sweden
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-05-30
Additional photos from the concert.
Carl
"A carnation for a little girl from Finspång"
Ingrid Larsson was only ten years old when Frank Sinatra came to Finspång. Despite the expensive entrance fee of four crowns and an additional two crowns if you were to have a seat, she was accompanied by her uncle Roland "Rolle" Carlsson, who was a trumpeter in Casaloma's orchestra, and his wife. Ingrid was very interested in jazz and dressed in a coat and hat she sat down on the second row of benches.
-It was a fantastic concert, says Ingrid.
Frank Sintra on stage and in the audience sits Ingrid Larsson, at the bottom right.
When the concert was over, Sinatra received a bouquet of red carnations. From it he took a flower which he "with an elegant gesture" threw directly to Ingrid. This particular event was highlighted in a report in the newspaper Filmjournalen where she was allowed to show off her carnation. The flower was dried and is still saved at home in Ingrid's photo album.


HE NEVER GOT THERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-30

HE NEVER GOT THERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-30

HE NEVER GOT THERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-30

Re: HE NEVER GOT THERE
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-05-30
Then I guess you’d have to hearken back to the last time he played Vancouver or Victoria, which before 1957, was with The Major Bowes Amateurs in November of 1935. Harry James & Sinatra or Tommy Dorsey & Sinatra never got to western Canada.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 30, 2024 1:00 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: HE NEVER GOT THERE
Hi Scott,
I don't believe the western regions recognize
those eastern provinces. It's a big country.
Ed
On Thursday, May 30, 2024 at 12:18:08 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-30
Hi Scott,
I don't believe the western regions recognize
those eastern provinces. It's a big country.
Ed
On Thursday, May 30, 2024 at 12:18:08 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-05-30
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-05-30
Then I guess you’d have to hearken back to the last time he played Vancouver or Victoria, which before 1957, was with The Major Bowes Amateurs in November of 1935. Harry James & Sinatra or Tommy Dorsey & Sinatra never got to western Canada.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 30, 2024 1:00 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: HE NEVER GOT THERE
Hi Scott,
I don't believe the western regions recognize
those eastern provinces. It's a big country.
Ed
On Thursday, May 30, 2024 at 12:18:08 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-30
Hi Scott,
I don't believe the western regions recognize
those eastern provinces. It's a big country.
Ed
On Thursday, May 30, 2024 at 12:18:08 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-05-30
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-05-30
Then I guess you’d have to hearken back to the last time he played Vancouver or Victoria, which before 1957, was with The Major Bowes Amateurs in November of 1935. Harry James & Sinatra or Tommy Dorsey & Sinatra never got to western Canada.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 30, 2024 1:00 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: HE NEVER GOT THERE
Hi Scott,
I don't believe the western regions recognize
those eastern provinces. It's a big country.
Ed
On Thursday, May 30, 2024 at 12:18:08 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-05-30
Hi Scott,
I don't believe the western regions recognize
those eastern provinces. It's a big country.
Ed
On Thursday, May 30, 2024 at 12:18:08 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: HE NEVER GOT THERE
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-05-30
The article is incorrect. Calgary would have been in 1957 but it was less than a decade since he’d been in Canada. Sinatra was at the Chez Paree in Montreal from February 6-15, 1953. Before that, he played the Auditorium in Ottawa on July 6th 1949 and the Mutual Arena in Toronto July 8th and 9th, 1949. Still less than a decade before the cancelled 1957 concert. After the two Vancouver concerts in 1957, Sinatra would not return to Canada until performing again in Toronto on May 10, 1975.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: May 29, 2024 10:48 PM
To: Sinatra Fan
Subject: [sinatraphiles] HE NEVER GOT THERE

Re: May 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-05-30
Once upon a time there was a song from this show on YouTube…
PJM
> No dia 30/05/2024, às 19:51, Ed O'Brien <dmarc-noreply@freelists.org> escreveu:
>
>
> CONCERT
>
>
> 1970 Coliseum, Memphis, Tennesee
> Benefit for St. Jude's Children's Research Center - The Shower Of Stars
> Other Performers: Danny Thomas, Jerry Lewis, Marlo Thomas, Dinah Shore
> Sinatra:
> I've Got The World On A String
> Fly Me To The Moon
> The Lady Is A Tramp
> My Way
> 7 more
>
> <1717094805799blob.jpg>
>
> Memphis Press
> 6-1-70
>
> <1717094464645blob.jpg>
>
>
> 5-31-70
>
>
> <1717095001261blob.jpg>
>
> Commercial Appeal
> 6-2-70
> <1717094464645blob.jpg>
> <1717094805799blob.jpg>
> <1717095001261blob.jpg>
Re: May 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-05-30
Once upon a time there was a song from this show on YouTube…
PJM
> No dia 30/05/2024, às 19:51, Ed O'Brien <dmarc-noreply@freelists.org> escreveu:
>
>
> CONCERT
>
>
> 1970 Coliseum, Memphis, Tennesee
> Benefit for St. Jude's Children's Research Center - The Shower Of Stars
> Other Performers: Danny Thomas, Jerry Lewis, Marlo Thomas, Dinah Shore
> Sinatra:
> I've Got The World On A String
> Fly Me To The Moon
> The Lady Is A Tramp
> My Way
> 7 more
>
> <1717094805799blob.jpg>
>
> Memphis Press
> 6-1-70
>
> <1717094464645blob.jpg>
>
>
> 5-31-70
>
>
> <1717095001261blob.jpg>
>
> Commercial Appeal
> 6-2-70
> <1717094464645blob.jpg>
> <1717094805799blob.jpg>
> <1717095001261blob.jpg>
Re: May 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2024-05-30
Once upon a time there was a song from this show on YouTube…
PJM
> No dia 30/05/2024, às 19:51, Ed O'Brien <dmarc-noreply@freelists.org> escreveu:
>
>
> CONCERT
>
>
> 1970 Coliseum, Memphis, Tennesee
> Benefit for St. Jude's Children's Research Center - The Shower Of Stars
> Other Performers: Danny Thomas, Jerry Lewis, Marlo Thomas, Dinah Shore
> Sinatra:
> I've Got The World On A String
> Fly Me To The Moon
> The Lady Is A Tramp
> My Way
> 7 more
>
> <1717094805799blob.jpg>
>
> Memphis Press
> 6-1-70
>
> <1717094464645blob.jpg>
>
>
> 5-31-70
>
>
> <1717095001261blob.jpg>
>
> Commercial Appeal
> 6-2-70
> <1717094464645blob.jpg>
> <1717094805799blob.jpg>
> <1717095001261blob.jpg>
Fw: My Way
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-06-04
Michel Macaire, Sent these two links to me.Ed
Frank Sinatra Cannes Premiere Doc 'My Way' Boarded by Mediawan Rights (variety.com)
Frank Sinatra's 'My Way': The Strange Saga of a Standard (people.com)
ERVIN DRAKE TRIBUTE TO A GREAT SINATRA RECORDING
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-06-07

THEY FILMED THE WHOLE TOUR
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-06-11
Honolulu Advertiser
June 20, 1962
note: I have been asked, many times, just how much of the 1962 World
Tour was taped. There have been many different claims, but in
this article Frank Sinatra states that all of it was filmed. Interesting.
Ed

17th June 1962
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-06-17
Other photos from June 17th 1962.
Not Monte Carlo.
Frank Sinatra seen here with Jack Bentley 17th June 1962





SANDS MARQUEE
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-06-20
September 1962

REHEARSAL AT CAESARS PALACE JUNE 1974
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-06-29
Star Phoenix
6-29-74




frank and otto in 1970
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-01
The Record
June 30, 1970




FRANK IN MONACO JUNE 1958
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-03
6-30-58

TOUR WITH BASIE IN JULY 1965
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-07

profile: frank sinatra, the last saloon singer
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-09
THE INDEPENDENT
JULY 7, 1970

GAY TALESE PIECE ON FRANK BEFORE HE HAD THAT COLD
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-11
NYT
7-10-65

JULY 13 THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-15
Daily News
July 14, 1945
note: I have a copy of the fifth annual George Gershwin
memorial tribute with Crosby, Shore and the Paul Whiteman
Orch. Had no idea Frank was the guide for the eighth outing.
Ed


Frank Sinatra and his girlfriend, Ava Gardner
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Email
Frank Sinatra and his girlfriend, Ava Gardner, arrive arm in arm for the premier of the actress' newest film, "Show Boat", in Hollywood July 17, 1951. (AP Photo)

Frank Sinatra and his girlfriend, Ava Gardner
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Email
Frank Sinatra and his girlfriend, Ava Gardner, arrive arm in arm for the premier of the actress' newest film, "Show Boat", in Hollywood July 17, 1951. (AP Photo)

Frank Sinatra and his girlfriend, Ava Gardner
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Email
Frank Sinatra and his girlfriend, Ava Gardner, arrive arm in arm for the premier of the actress' newest film, "Show Boat", in Hollywood July 17, 1951. (AP Photo)

Frank Sinatra and his girlfriend, Ava Gardner
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Email
Frank Sinatra and his girlfriend, Ava Gardner, arrive arm in arm for the premier of the actress' newest film, "Show Boat", in Hollywood July 17, 1951. (AP Photo)

Frank Sinatra with Italian Canadian bandleader Guy Lombardo
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Frank Sinatra with Italian Canadian bandleader Guy Lombardo at the Waldorf Astoria in New York City on July 18, 1946.

Frank Sinatra with Italian Canadian bandleader Guy Lombardo
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Frank Sinatra with Italian Canadian bandleader Guy Lombardo at the Waldorf Astoria in New York City on July 18, 1946.

Frank Sinatra with Italian Canadian bandleader Guy Lombardo
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-20
Frank Sinatra with Italian Canadian bandleader Guy Lombardo at the Waldorf Astoria in New York City on July 18, 1946.

CROONER CAME FROM A FAMILY OF FIGHTERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
Pittsburgh Post Gazette
12-11-43



CROONER CAME FROM A FAMILY OF FIGHTERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
Pittsburgh Post Gazette
12-11-43



CROONER CAME FROM A FAMILY OF FIGHTERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
Pittsburgh Post Gazette
12-11-43



CROONER CAME FROM A FAMILY OF FIGHTERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
Pittsburgh Post Gazette
12-11-43



FRANKIE DRIVES THEM CRAZY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
LIVERPOOL ECHO
JULY 9, 1943

FRANKIE DRIVES THEM CRAZY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
LIVERPOOL ECHO
JULY 9, 1943

FRANKIE DRIVES THEM CRAZY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-21
LIVERPOOL ECHO
JULY 9, 1943

Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-21
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
>
Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-21
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
>
Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-21
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
>
Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-21
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
>
FRANKIE ELECTS A REPUBLICAN GOVERNOR IN JERSEY AND HE IS THRILLED WITH HIS NEW ADAM HAT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-22
THE PLAIN DEALER
11-9-43
DETROIT FREE PRESS
JULY 9, 1943


FRANKIE ELECTS A REPUBLICAN GOVERNOR IN JERSEY AND HE IS THRILLED WITH HIS NEW ADAM HAT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-22
THE PLAIN DEALER
11-9-43
DETROIT FREE PRESS
JULY 9, 1943


FRANKIE ELECTS A REPUBLICAN GOVERNOR IN JERSEY AND HE IS THRILLED WITH HIS NEW ADAM HAT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-22
THE PLAIN DEALER
11-9-43
DETROIT FREE PRESS
JULY 9, 1943


FRANKIE ELECTS A REPUBLICAN GOVERNOR IN JERSEY AND HE IS THRILLED WITH HIS NEW ADAM HAT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-22
THE PLAIN DEALER
11-9-43
DETROIT FREE PRESS
JULY 9, 1943


Re: Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-23
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> > On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
> >
> >
> > I just realized two obscure songs I left off my previous list:
> > Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> > Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
> >
>
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-23
Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time,"that was part of the 90th birthday special for Tony Bennett. Show wasaired on 12-20-16. A striped down version that beautifully captured the essence of that song.Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-07-23
Bennett’s later trio performances of the song were much more intimate and
less operatic. I heard TB give many sensitive readings of the song in live
performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org>
wrote:
> Agreed Ed, that was a marvelous performance. Put Bennett's version to
> shame. But then I don't think much of Tony Bennett. He is the
> anti-Sinatra to me in terms of digging deep into a song and capturing the
> essence of it.
>
> For anyone that wants to see Dylan's performance -
> https://www.youtube.com/watch?v=RbcGK7kzhTw
>
> Al
>
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <
> dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay
> With Me". It is a wonderful version. It is stripped down compared to the
> Sinatra version but it gets to the core like Frank's did. I think it is
> the version Frank would have done at age 73 (Dylan's age when he recorded
> it) unlike Frank's version as a 50 year old - closer to the end, looking
> back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined -
> https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by
> Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it
> still does. A great Sinatra song.
>
>
Re: Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-23
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> > On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
> >
> >
> > I just realized two obscure songs I left off my previous list:
> > Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> > Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
> >
>
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-23
Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time,"that was part of the 90th birthday special for Tony Bennett. Show wasaired on 12-20-16. A striped down version that beautifully captured the essence of that song.Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-07-23
Bennett’s later trio performances of the song were much more intimate and
less operatic. I heard TB give many sensitive readings of the song in live
performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org>
wrote:
> Agreed Ed, that was a marvelous performance. Put Bennett's version to
> shame. But then I don't think much of Tony Bennett. He is the
> anti-Sinatra to me in terms of digging deep into a song and capturing the
> essence of it.
>
> For anyone that wants to see Dylan's performance -
> https://www.youtube.com/watch?v=RbcGK7kzhTw
>
> Al
>
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <
> dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay
> With Me". It is a wonderful version. It is stripped down compared to the
> Sinatra version but it gets to the core like Frank's did. I think it is
> the version Frank would have done at age 73 (Dylan's age when he recorded
> it) unlike Frank's version as a 50 year old - closer to the end, looking
> back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined -
> https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by
> Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it
> still does. A great Sinatra song.
>
>
Re: Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-23
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> > On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
> >
> >
> > I just realized two obscure songs I left off my previous list:
> > Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> > Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
> >
>
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-23
Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time,"that was part of the 90th birthday special for Tony Bennett. Show wasaired on 12-20-16. A striped down version that beautifully captured the essence of that song.Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-07-23
Bennett’s later trio performances of the song were much more intimate and
less operatic. I heard TB give many sensitive readings of the song in live
performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org>
wrote:
> Agreed Ed, that was a marvelous performance. Put Bennett's version to
> shame. But then I don't think much of Tony Bennett. He is the
> anti-Sinatra to me in terms of digging deep into a song and capturing the
> essence of it.
>
> For anyone that wants to see Dylan's performance -
> https://www.youtube.com/watch?v=RbcGK7kzhTw
>
> Al
>
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <
> dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay
> With Me". It is a wonderful version. It is stripped down compared to the
> Sinatra version but it gets to the core like Frank's did. I think it is
> the version Frank would have done at age 73 (Dylan's age when he recorded
> it) unlike Frank's version as a 50 year old - closer to the end, looking
> back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined -
> https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by
> Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it
> still does. A great Sinatra song.
>
>
Re: Stay With Me
Undated materialFrom: ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> | Received: 2024-07-23
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> > On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
> >
> >
> > I just realized two obscure songs I left off my previous list:
> > Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
> > Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
> >
>
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-23
Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time,"that was part of the 90th birthday special for Tony Bennett. Show wasaired on 12-20-16. A striped down version that beautifully captured the essence of that song.Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-07-23
Bennett’s later trio performances of the song were much more intimate and
less operatic. I heard TB give many sensitive readings of the song in live
performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org>
wrote:
> Agreed Ed, that was a marvelous performance. Put Bennett's version to
> shame. But then I don't think much of Tony Bennett. He is the
> anti-Sinatra to me in terms of digging deep into a song and capturing the
> essence of it.
>
> For anyone that wants to see Dylan's performance -
> https://www.youtube.com/watch?v=RbcGK7kzhTw
>
> Al
>
> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> Hi Al,
> Dylan also did a wonderful interpretation of "Once Upon A Time,"
> that was part of the 90th birthday special for Tony Bennett. Show was
> aired on 12-20-16. A striped down version that beautifully captured
> the essence of that song.
> Ed
>
> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <
> dmarc-noreply@freelists.org> wrote:
>
>
> https://www.youtube.com/watch?v=tt1BBubMHzM
>
> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay
> With Me". It is a wonderful version. It is stripped down compared to the
> Sinatra version but it gets to the core like Frank's did. I think it is
> the version Frank would have done at age 73 (Dylan's age when he recorded
> it) unlike Frank's version as a 50 year old - closer to the end, looking
> back, a bit more feeble, a bit wiser, more in need of help on the road.
>
> And a live version if you are inclined -
> https://www.youtube.com/watch?v=x5WsSJj0Q5E
>
> Al
>
>
>
> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>
>
> I just realized two obscure songs I left off my previous list:
> Stay With Me - a beautiful song, and a heartfelt emotional performance by
> Frank. This one makes me tear up every time I hear it.
> Forget Domani - this song blew me away the first time I heard it. And it
> still does. A great Sinatra song.
>
>
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
I think Oscar credited Nat Cole in interview footage included in the Hulu documentary.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 3:09 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Jim,
> I have videos of Oscar with Ella and a concert in Japan.
> Have an interview in which he insists that Nat Cole was the best
> piano player. I wanted to interview Peterson. Carol Sloane was
> a mutual friend. She asked him. He sent me a note explaining
> there was little for him to say. He was on the one song from
> "Finian's" in 54 and his trio opened for Frank during the 65 tour
> with Basie.
> Ed
>
> On Wednesday, July 24, 2024 at 01:04:47 PM EDT, James Johnson <dmarc-noreply@freelists.org> wrote:
>
>
> Ed:
> I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
> _____________
> Jim Johnson
> Rehoboth Beach, DE
>
>> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>
>>
>> Hi Al,
>> Al Porcino was also in the same camp regarding Tony Bennett.
>> But a certain singer from Hoboken was in awe of him. Back in the
>> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
>> was sailing off the east coast and suddenly got an urge to hear
>> Mr. Bennett. So, he called Jack Entratter and asked him to place
>> the phone on the stage near a speaker. Frank listened to the
>> show on his boat. Now there is a fan.
>> Many of the musicians who played with Frank, including
>> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
>> of Bennett. Vinnie and others tried to convince him to record "Maybe
>> This Time" and "When Joanna Loved Me." Frank felt Tony had the
>> definitive recordings. There are concerts where he told the audience,
>> after singing "Joanna . .," "If you want to really hear this sung right,
>> listen to Tony Bennett's recording."
>> I have a very large collection of Tony's work, but my favorite
>> male singer after Sinatra is Louis Armstrong. I think he is incredible.
>> There are many who cannot fathom my love of his singing. They
>> tell me he has a terrible voice that sounds simply awful on the great
>> American pop classics. I have cited many examples of his remark-
>> able abilities. My favorite album is "Louis Armstrong Meets Oscar
>> Peterson." A masterwork from start to finish. Many disagree.
>> Ed
>>
>>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>>
>>>
>>>
>>> Hi Al,
>>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>>> that was part of the 90th birthday special for Tony Bennett. Show was
>>> aired on 12-20-16. A striped down version that beautifully captured
>>> the essence of that song.
>>> Ed
>>>
>>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>>
>>>
>>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>>
>>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>>
>>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>>
>>> Al
>>>
>>>
>>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>>
>>>>
>>>> I just realized two obscure songs I left off my previous list:
>>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Vance, Somewhere I have him singing "Once Upon A Time" on the Tonight show with just a piano backing him. Ed
On Tuesday, July 23, 2024 at 09:30:52 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
Bennett’s later trio performances of the song were much more intimate and less operatic. I heard TB give many sensitive readings of the song in live performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Scott, I have an excellent collection of Fred Astaire including therecordings with Oscar.. The Gershwins, Irving Berlin, Cole Porter, J. Kern all thought Fred was the best singer. Mel Torme insisted Fred was the best. He did a terrific tribute album. Jonathan gave me a copy of the show he did with Tony Bennett introducing "Stepping Out." They just rave about Fred's ability to sell a song. When Fred was doing the Packard Hour, back in 1936-37, he decided to dance onhis radio show( I'm not kidding ). Fred devoted 12 hours to rehearsalevery week. Now that is extreme perfectionism. I was once part ofa three way phone call with Tony and Jonathan. Tony quoted Fred'sbelief that you always needed 20 minutes of material that wouldn'tbe done at the end of your show. Fred felt the audience would intuitively know and that gave you a huge edge. My favorite Bennett are the two albums with Bill Evans and the Canadian TV special, with Evans, is right up with the bestof Sinatra. Tony's work at Columbia in the 1960s is outstanding.My favorite LP is "When Lights Are Low" from that era. I also like the two Rodgers and Hart albums from the 1970s and hissolo work from 1988 and beyond. Have you ever heard Tony'sup tempo take on "My Way ?" Interesting. One last comment: I so wish Louis and Ella had donea TV special together.Ed
On Wednesday, July 24, 2024 at 01:45:53 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Jim, I have videos of Oscar with Ella and a concert in Japan.Have an interview in which he insists that Nat Cole was the bestpiano player. I wanted to interview Peterson. Carol Sloane was a mutual friend. She asked him. He sent me a note explainingthere was little for him to say. He was on the one song from "Finian's" in 54 and his trio opened for Frank during the 65 tourwith Basie.Ed
On Wednesday, July 24, 2024 at 01:04:47 PM EDT, James Johnson <dmarc-noreply@freelists.org> wrote:
Ed: I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-24
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
Ed:
I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Al,
> Al Porcino was also in the same camp regarding Tony Bennett.
> But a certain singer from Hoboken was in awe of him. Back in the
> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
> was sailing off the east coast and suddenly got an urge to hear
> Mr. Bennett. So, he called Jack Entratter and asked him to place
> the phone on the stage near a speaker. Frank listened to the
> show on his boat. Now there is a fan.
> Many of the musicians who played with Frank, including
> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
> of Bennett. Vinnie and others tried to convince him to record "Maybe
> This Time" and "When Joanna Loved Me." Frank felt Tony had the
> definitive recordings. There are concerts where he told the audience,
> after singing "Joanna . .," "If you want to really hear this sung right,
> listen to Tony Bennett's recording."
> I have a very large collection of Tony's work, but my favorite
> male singer after Sinatra is Louis Armstrong. I think he is incredible.
> There are many who cannot fathom my love of his singing. They
> tell me he has a terrible voice that sounds simply awful on the great
> American pop classics. I have cited many examples of his remark-
> able abilities. My favorite album is "Louis Armstrong Meets Oscar
> Peterson." A masterwork from start to finish. Many disagree.
> Ed
>
>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>>
>>
>> Hi Al,
>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>> that was part of the 90th birthday special for Tony Bennett. Show was
>> aired on 12-20-16. A striped down version that beautifully captured
>> the essence of that song.
>> Ed
>>
>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>
>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>
>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>
>> Al
>>
>>
>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>
>>>
>>> I just realized two obscure songs I left off my previous list:
>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-24
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
Ed:
I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Al,
> Al Porcino was also in the same camp regarding Tony Bennett.
> But a certain singer from Hoboken was in awe of him. Back in the
> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
> was sailing off the east coast and suddenly got an urge to hear
> Mr. Bennett. So, he called Jack Entratter and asked him to place
> the phone on the stage near a speaker. Frank listened to the
> show on his boat. Now there is a fan.
> Many of the musicians who played with Frank, including
> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
> of Bennett. Vinnie and others tried to convince him to record "Maybe
> This Time" and "When Joanna Loved Me." Frank felt Tony had the
> definitive recordings. There are concerts where he told the audience,
> after singing "Joanna . .," "If you want to really hear this sung right,
> listen to Tony Bennett's recording."
> I have a very large collection of Tony's work, but my favorite
> male singer after Sinatra is Louis Armstrong. I think he is incredible.
> There are many who cannot fathom my love of his singing. They
> tell me he has a terrible voice that sounds simply awful on the great
> American pop classics. I have cited many examples of his remark-
> able abilities. My favorite album is "Louis Armstrong Meets Oscar
> Peterson." A masterwork from start to finish. Many disagree.
> Ed
>
>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>>
>>
>> Hi Al,
>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>> that was part of the 90th birthday special for Tony Bennett. Show was
>> aired on 12-20-16. A striped down version that beautifully captured
>> the essence of that song.
>> Ed
>>
>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>
>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>
>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>
>> Al
>>
>>
>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>
>>>
>>> I just realized two obscure songs I left off my previous list:
>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
I think Oscar credited Nat Cole in interview footage included in the Hulu documentary.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 3:09 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Jim,
> I have videos of Oscar with Ella and a concert in Japan.
> Have an interview in which he insists that Nat Cole was the best
> piano player. I wanted to interview Peterson. Carol Sloane was
> a mutual friend. She asked him. He sent me a note explaining
> there was little for him to say. He was on the one song from
> "Finian's" in 54 and his trio opened for Frank during the 65 tour
> with Basie.
> Ed
>
> On Wednesday, July 24, 2024 at 01:04:47 PM EDT, James Johnson <dmarc-noreply@freelists.org> wrote:
>
>
> Ed:
> I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
> _____________
> Jim Johnson
> Rehoboth Beach, DE
>
>> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>
>>
>> Hi Al,
>> Al Porcino was also in the same camp regarding Tony Bennett.
>> But a certain singer from Hoboken was in awe of him. Back in the
>> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
>> was sailing off the east coast and suddenly got an urge to hear
>> Mr. Bennett. So, he called Jack Entratter and asked him to place
>> the phone on the stage near a speaker. Frank listened to the
>> show on his boat. Now there is a fan.
>> Many of the musicians who played with Frank, including
>> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
>> of Bennett. Vinnie and others tried to convince him to record "Maybe
>> This Time" and "When Joanna Loved Me." Frank felt Tony had the
>> definitive recordings. There are concerts where he told the audience,
>> after singing "Joanna . .," "If you want to really hear this sung right,
>> listen to Tony Bennett's recording."
>> I have a very large collection of Tony's work, but my favorite
>> male singer after Sinatra is Louis Armstrong. I think he is incredible.
>> There are many who cannot fathom my love of his singing. They
>> tell me he has a terrible voice that sounds simply awful on the great
>> American pop classics. I have cited many examples of his remark-
>> able abilities. My favorite album is "Louis Armstrong Meets Oscar
>> Peterson." A masterwork from start to finish. Many disagree.
>> Ed
>>
>>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>>
>>>
>>>
>>> Hi Al,
>>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>>> that was part of the 90th birthday special for Tony Bennett. Show was
>>> aired on 12-20-16. A striped down version that beautifully captured
>>> the essence of that song.
>>> Ed
>>>
>>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>>
>>>
>>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>>
>>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>>
>>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>>
>>> Al
>>>
>>>
>>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>>
>>>>
>>>> I just realized two obscure songs I left off my previous list:
>>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Vance, Somewhere I have him singing "Once Upon A Time" on the Tonight show with just a piano backing him. Ed
On Tuesday, July 23, 2024 at 09:30:52 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
Bennett’s later trio performances of the song were much more intimate and less operatic. I heard TB give many sensitive readings of the song in live performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Scott, I have an excellent collection of Fred Astaire including therecordings with Oscar.. The Gershwins, Irving Berlin, Cole Porter, J. Kern all thought Fred was the best singer. Mel Torme insisted Fred was the best. He did a terrific tribute album. Jonathan gave me a copy of the show he did with Tony Bennett introducing "Stepping Out." They just rave about Fred's ability to sell a song. When Fred was doing the Packard Hour, back in 1936-37, he decided to dance onhis radio show( I'm not kidding ). Fred devoted 12 hours to rehearsalevery week. Now that is extreme perfectionism. I was once part ofa three way phone call with Tony and Jonathan. Tony quoted Fred'sbelief that you always needed 20 minutes of material that wouldn'tbe done at the end of your show. Fred felt the audience would intuitively know and that gave you a huge edge. My favorite Bennett are the two albums with Bill Evans and the Canadian TV special, with Evans, is right up with the bestof Sinatra. Tony's work at Columbia in the 1960s is outstanding.My favorite LP is "When Lights Are Low" from that era. I also like the two Rodgers and Hart albums from the 1970s and hissolo work from 1988 and beyond. Have you ever heard Tony'sup tempo take on "My Way ?" Interesting. One last comment: I so wish Louis and Ella had donea TV special together.Ed
On Wednesday, July 24, 2024 at 01:45:53 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Jim, I have videos of Oscar with Ella and a concert in Japan.Have an interview in which he insists that Nat Cole was the bestpiano player. I wanted to interview Peterson. Carol Sloane was a mutual friend. She asked him. He sent me a note explainingthere was little for him to say. He was on the one song from "Finian's" in 54 and his trio opened for Frank during the 65 tourwith Basie.Ed
On Wednesday, July 24, 2024 at 01:04:47 PM EDT, James Johnson <dmarc-noreply@freelists.org> wrote:
Ed: I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-24
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
Ed:
I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Al,
> Al Porcino was also in the same camp regarding Tony Bennett.
> But a certain singer from Hoboken was in awe of him. Back in the
> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
> was sailing off the east coast and suddenly got an urge to hear
> Mr. Bennett. So, he called Jack Entratter and asked him to place
> the phone on the stage near a speaker. Frank listened to the
> show on his boat. Now there is a fan.
> Many of the musicians who played with Frank, including
> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
> of Bennett. Vinnie and others tried to convince him to record "Maybe
> This Time" and "When Joanna Loved Me." Frank felt Tony had the
> definitive recordings. There are concerts where he told the audience,
> after singing "Joanna . .," "If you want to really hear this sung right,
> listen to Tony Bennett's recording."
> I have a very large collection of Tony's work, but my favorite
> male singer after Sinatra is Louis Armstrong. I think he is incredible.
> There are many who cannot fathom my love of his singing. They
> tell me he has a terrible voice that sounds simply awful on the great
> American pop classics. I have cited many examples of his remark-
> able abilities. My favorite album is "Louis Armstrong Meets Oscar
> Peterson." A masterwork from start to finish. Many disagree.
> Ed
>
>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>>
>>
>> Hi Al,
>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>> that was part of the 90th birthday special for Tony Bennett. Show was
>> aired on 12-20-16. A striped down version that beautifully captured
>> the essence of that song.
>> Ed
>>
>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>
>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>
>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>
>> Al
>>
>>
>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>
>>>
>>> I just realized two obscure songs I left off my previous list:
>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
I think Oscar credited Nat Cole in interview footage included in the Hulu documentary.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 3:09 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Jim,
> I have videos of Oscar with Ella and a concert in Japan.
> Have an interview in which he insists that Nat Cole was the best
> piano player. I wanted to interview Peterson. Carol Sloane was
> a mutual friend. She asked him. He sent me a note explaining
> there was little for him to say. He was on the one song from
> "Finian's" in 54 and his trio opened for Frank during the 65 tour
> with Basie.
> Ed
>
> On Wednesday, July 24, 2024 at 01:04:47 PM EDT, James Johnson <dmarc-noreply@freelists.org> wrote:
>
>
> Ed:
> I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
> _____________
> Jim Johnson
> Rehoboth Beach, DE
>
>> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>
>>
>> Hi Al,
>> Al Porcino was also in the same camp regarding Tony Bennett.
>> But a certain singer from Hoboken was in awe of him. Back in the
>> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
>> was sailing off the east coast and suddenly got an urge to hear
>> Mr. Bennett. So, he called Jack Entratter and asked him to place
>> the phone on the stage near a speaker. Frank listened to the
>> show on his boat. Now there is a fan.
>> Many of the musicians who played with Frank, including
>> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
>> of Bennett. Vinnie and others tried to convince him to record "Maybe
>> This Time" and "When Joanna Loved Me." Frank felt Tony had the
>> definitive recordings. There are concerts where he told the audience,
>> after singing "Joanna . .," "If you want to really hear this sung right,
>> listen to Tony Bennett's recording."
>> I have a very large collection of Tony's work, but my favorite
>> male singer after Sinatra is Louis Armstrong. I think he is incredible.
>> There are many who cannot fathom my love of his singing. They
>> tell me he has a terrible voice that sounds simply awful on the great
>> American pop classics. I have cited many examples of his remark-
>> able abilities. My favorite album is "Louis Armstrong Meets Oscar
>> Peterson." A masterwork from start to finish. Many disagree.
>> Ed
>>
>>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>>
>>>
>>>
>>> Hi Al,
>>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>>> that was part of the 90th birthday special for Tony Bennett. Show was
>>> aired on 12-20-16. A striped down version that beautifully captured
>>> the essence of that song.
>>> Ed
>>>
>>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>>
>>>
>>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>>
>>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>>
>>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>>
>>> Al
>>>
>>>
>>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>>
>>>>
>>>> I just realized two obscure songs I left off my previous list:
>>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Vance, Somewhere I have him singing "Once Upon A Time" on the Tonight show with just a piano backing him. Ed
On Tuesday, July 23, 2024 at 09:30:52 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
Bennett’s later trio performances of the song were much more intimate and less operatic. I heard TB give many sensitive readings of the song in live performance.
-Vance
On Tue, 23 Jul 2024 at 14:20, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Scott, I have an excellent collection of Fred Astaire including therecordings with Oscar.. The Gershwins, Irving Berlin, Cole Porter, J. Kern all thought Fred was the best singer. Mel Torme insisted Fred was the best. He did a terrific tribute album. Jonathan gave me a copy of the show he did with Tony Bennett introducing "Stepping Out." They just rave about Fred's ability to sell a song. When Fred was doing the Packard Hour, back in 1936-37, he decided to dance onhis radio show( I'm not kidding ). Fred devoted 12 hours to rehearsalevery week. Now that is extreme perfectionism. I was once part ofa three way phone call with Tony and Jonathan. Tony quoted Fred'sbelief that you always needed 20 minutes of material that wouldn'tbe done at the end of your show. Fred felt the audience would intuitively know and that gave you a huge edge. My favorite Bennett are the two albums with Bill Evans and the Canadian TV special, with Evans, is right up with the bestof Sinatra. Tony's work at Columbia in the 1960s is outstanding.My favorite LP is "When Lights Are Low" from that era. I also like the two Rodgers and Hart albums from the 1970s and hissolo work from 1988 and beyond. Have you ever heard Tony'sup tempo take on "My Way ?" Interesting. One last comment: I so wish Louis and Ella had donea TV special together.Ed
On Wednesday, July 24, 2024 at 01:45:53 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Jim, I have videos of Oscar with Ella and a concert in Japan.Have an interview in which he insists that Nat Cole was the bestpiano player. I wanted to interview Peterson. Carol Sloane was a mutual friend. She asked him. He sent me a note explainingthere was little for him to say. He was on the one song from "Finian's" in 54 and his trio opened for Frank during the 65 tourwith Basie.Ed
On Wednesday, July 24, 2024 at 01:04:47 PM EDT, James Johnson <dmarc-noreply@freelists.org> wrote:
Ed: I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-24
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-07-24
Ed:
I have shared your appreciation for Tony Bennet and have enjoyed our notes back and forth about his concerts. And I couldn’t agree with you more about Pops. IMO, Louis Armstrong and Billie Holiday changed the way singers have sung for generations. And, speaking of Oscar Peterson, there is an excellent documentary about this genius on Hulu, “Oscar Peterson: Black + White,” released in 2020. I’ve watched it 3 times and still find awe-inspiring performances each time.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Jul 24, 2024, at 12:26 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> Hi Al,
> Al Porcino was also in the same camp regarding Tony Bennett.
> But a certain singer from Hoboken was in awe of him. Back in the
> summer of 1965, Tony was playing at the Sands in Vegas. Frank,
> was sailing off the east coast and suddenly got an urge to hear
> Mr. Bennett. So, he called Jack Entratter and asked him to place
> the phone on the stage near a speaker. Frank listened to the
> show on his boat. Now there is a fan.
> Many of the musicians who played with Frank, including
> Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
> of Bennett. Vinnie and others tried to convince him to record "Maybe
> This Time" and "When Joanna Loved Me." Frank felt Tony had the
> definitive recordings. There are concerts where he told the audience,
> after singing "Joanna . .," "If you want to really hear this sung right,
> listen to Tony Bennett's recording."
> I have a very large collection of Tony's work, but my favorite
> male singer after Sinatra is Louis Armstrong. I think he is incredible.
> There are many who cannot fathom my love of his singing. They
> tell me he has a terrible voice that sounds simply awful on the great
> American pop classics. I have cited many examples of his remark-
> able abilities. My favorite album is "Louis Armstrong Meets Oscar
> Peterson." A masterwork from start to finish. Many disagree.
> Ed
>
>
>> On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
>>
>> For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
>>
>> Al
>> On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>>
>>
>>
>> Hi Al,
>> Dylan also did a wonderful interpretation of "Once Upon A Time,"
>> that was part of the 90th birthday special for Tony Bennett. Show was
>> aired on 12-20-16. A striped down version that beautifully captured
>> the essence of that song.
>> Ed
>>
>> On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
>>
>>
>> https://www.youtube.com/watch?v=tt1BBubMHzM
>>
>> On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
>>
>> And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
>>
>> Al
>>
>>
>>> On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
>>>
>>>
>>> I just realized two obscure songs I left off my previous list:
>>> Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
>>> Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
Hi Al, Al Porcino was also in the same camp regarding Tony Bennett.But a certain singer from Hoboken was in awe of him. Back in the summer of 1965, Tony was playing at the Sands in Vegas. Frank,was sailing off the east coast and suddenly got an urge to hearMr. Bennett. So, he called Jack Entratter and asked him to placethe phone on the stage near a speaker. Frank listened to theshow on his boat. Now there is a fan. Many of the musicians who played with Frank, includingVinnie Falcone and Tony Mottola, shared with me Frank's opinionof Bennett. Vinnie and others tried to convince him to record "MaybeThis Time" and "When Joanna Loved Me." Frank felt Tony had thedefinitive recordings. There are concerts where he told the audience,after singing "Joanna . .," "If you want to really hear this sung right,listen to Tony Bennett's recording." I have a very large collection of Tony's work, but my favorite male singer after Sinatra is Louis Armstrong. I think he is incredible.There are many who cannot fathom my love of his singing. They tell me he has a terrible voice that sounds simply awful on the greatAmerican pop classics. I have cited many examples of his remark-able abilities. My favorite album is "Louis Armstrong Meets OscarPeterson." A masterwork from start to finish. Many disagree.Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it. For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote: Hi Al, Dylan also did a wonderful interpretation of "Once Upon A Time," that was part of the 90th birthday special for Tony Bennett. Show was aired on 12-20-16. A striped down version that beautifully captured the essence of that song. Ed On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote: https://www.youtube.com/watch?v=tt1BBubMHzM On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road. And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote: I just realized two obscure songs I left off my previous list: Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it. Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
SINATRA WITH DORSEY BAND JULY 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
The Sunday News
7-5-42
note: Frank left the band before "DuBarry Was A Lady." Dick Haymes
got the gig.
Ledger Star
7-24-42
Richmond Times Dispatch
7-11-42
Baltimore Sun
7-19-42
Pittsburgh Press
July 10, 1942
note: Imagine if he had listened to these sage fellows.
Tulare Advance Register
7-25-42
note: Song is from Frank's first solo session, 1-19-42.
Flip side was "The Lamplighter's Serenade."
Hartford Courant
July 20, 1942









[image referenced in source but could not be recovered]
SINATRA WITH DORSEY BAND JULY 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
The Sunday News
7-5-42
note: Frank left the band before "DuBarry Was A Lady." Dick Haymes
got the gig.
Ledger Star
7-24-42
Richmond Times Dispatch
7-11-42
Baltimore Sun
7-19-42
Pittsburgh Press
July 10, 1942
note: Imagine if he had listened to these sage fellows.
Tulare Advance Register
7-25-42
note: Song is from Frank's first solo session, 1-19-42.
Flip side was "The Lamplighter's Serenade."
Hartford Courant
July 20, 1942









[image referenced in source but could not be recovered]
SINATRA WITH DORSEY BAND JULY 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
The Sunday News
7-5-42
note: Frank left the band before "DuBarry Was A Lady." Dick Haymes
got the gig.
Ledger Star
7-24-42
Richmond Times Dispatch
7-11-42
Baltimore Sun
7-19-42
Pittsburgh Press
July 10, 1942
note: Imagine if he had listened to these sage fellows.
Tulare Advance Register
7-25-42
note: Song is from Frank's first solo session, 1-19-42.
Flip side was "The Lamplighter's Serenade."
Hartford Courant
July 20, 1942









[image referenced in source but could not be recovered]
SINATRA WITH DORSEY BAND JULY 1942
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-24
The Sunday News
7-5-42
note: Frank left the band before "DuBarry Was A Lady." Dick Haymes
got the gig.
Ledger Star
7-24-42
Richmond Times Dispatch
7-11-42
Baltimore Sun
7-19-42
Pittsburgh Press
July 10, 1942
note: Imagine if he had listened to these sage fellows.
Tulare Advance Register
7-25-42
note: Song is from Frank's first solo session, 1-19-42.
Flip side was "The Lamplighter's Serenade."
Hartford Courant
July 20, 1942









[image referenced in source but could not be recovered]
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-25
On Thursday, July 25, 2024 at 11:59:55 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ah yes, the Tony Bennett and Bill Evans albums. Also fantastic. A few more Tony mentions I enjoy:
Tony Bennett and Count Basie
Tony Sings For
Bennett/Brubeck. The White House Sessions 1962
The song “Blue Velvet”
The song “Yesterday I Heard the Rain”.
I could go on and on. Recently I did a cull on my vinyl collection deciding to let go of some things I hadn’t listened to in a long time. Couldn’t bring myself to give up on any of my Tony Bennett records.
Scott Bennett sang "Blue Velvet" on a Playboy After Dark, Mitch Miller backed him on oboe. First time I heard Tony sing "Yesterday I Heard The Rain," my thought was , "Frank, you've got to sing this song." Gene Lees was the lyricist. I wish Tony had done the album with Basie in the late 1960s. He was so much better a singer by then.Ed
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-25
Ah yes, the Tony Bennett and Bill Evans albums. Also fantastic. A few more Tony mentions I enjoy:
Tony Bennett and Count Basie
Tony Sings For Two
Bennett/Brubeck. The White House Sessions 1962
The song “Blue Velvet”
The song “Yesterday I Heard the Rain”.
I could go on and on. Recently I did a cull on my vinyl collection deciding to let go of some things I hadn’t listened to in a long time. Couldn’t bring myself to give up on any of my Tony Bennett records.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 3:59 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Scott,
I have an excellent collection of Fred Astaire including the
recordings with Oscar.. The Gershwins, Irving Berlin, Cole Porter, J.
Kern all thought Fred was the best singer. Mel Torme insisted Fred
was the best. He did a terrific tribute album. Jonathan gave me a copy
of the show he did with Tony Bennett introducing "Stepping Out."
They just rave about Fred's ability to sell a song. When Fred was
doing the Packard Hour, back in 1936-37, he decided to dance on
his radio show( I'm not kidding ). Fred devoted 12 hours to rehearsal
every week. Now that is extreme perfectionism. I was once part of
a three way phone call with Tony and Jonathan. Tony quoted Fred's
belief that you always needed 20 minutes of material that wouldn't
be done at the end of your show. Fred felt the audience would
intuitively know and that gave you a huge edge.
My favorite Bennett are the two albums with Bill Evans
and the Canadian TV special, with Evans, is right up with the best
of Sinatra. Tony's work at Columbia in the 1960s is outstanding.
My favorite LP is "When Lights Are Low" from that era. I also
like the two Rodgers and Hart albums from the 1970s and his
solo work from 1988 and beyond. Have you ever heard Tony's
up tempo take on "My Way ?" Interesting.
One last comment: I so wish Louis and Ella had done
a TV special together.
Ed
On Wednesday, July 24, 2024 at 01:45:53 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-25
On Thursday, July 25, 2024 at 11:59:55 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ah yes, the Tony Bennett and Bill Evans albums. Also fantastic. A few more Tony mentions I enjoy:
Tony Bennett and Count Basie
Tony Sings For
Bennett/Brubeck. The White House Sessions 1962
The song “Blue Velvet”
The song “Yesterday I Heard the Rain”.
I could go on and on. Recently I did a cull on my vinyl collection deciding to let go of some things I hadn’t listened to in a long time. Couldn’t bring myself to give up on any of my Tony Bennett records.
Scott Bennett sang "Blue Velvet" on a Playboy After Dark, Mitch Miller backed him on oboe. First time I heard Tony sing "Yesterday I Heard The Rain," my thought was , "Frank, you've got to sing this song." Gene Lees was the lyricist. I wish Tony had done the album with Basie in the late 1960s. He was so much better a singer by then.Ed
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-25
Ah yes, the Tony Bennett and Bill Evans albums. Also fantastic. A few more Tony mentions I enjoy:
Tony Bennett and Count Basie
Tony Sings For Two
Bennett/Brubeck. The White House Sessions 1962
The song “Blue Velvet”
The song “Yesterday I Heard the Rain”.
I could go on and on. Recently I did a cull on my vinyl collection deciding to let go of some things I hadn’t listened to in a long time. Couldn’t bring myself to give up on any of my Tony Bennett records.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 3:59 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Scott,
I have an excellent collection of Fred Astaire including the
recordings with Oscar.. The Gershwins, Irving Berlin, Cole Porter, J.
Kern all thought Fred was the best singer. Mel Torme insisted Fred
was the best. He did a terrific tribute album. Jonathan gave me a copy
of the show he did with Tony Bennett introducing "Stepping Out."
They just rave about Fred's ability to sell a song. When Fred was
doing the Packard Hour, back in 1936-37, he decided to dance on
his radio show( I'm not kidding ). Fred devoted 12 hours to rehearsal
every week. Now that is extreme perfectionism. I was once part of
a three way phone call with Tony and Jonathan. Tony quoted Fred's
belief that you always needed 20 minutes of material that wouldn't
be done at the end of your show. Fred felt the audience would
intuitively know and that gave you a huge edge.
My favorite Bennett are the two albums with Bill Evans
and the Canadian TV special, with Evans, is right up with the best
of Sinatra. Tony's work at Columbia in the 1960s is outstanding.
My favorite LP is "When Lights Are Low" from that era. I also
like the two Rodgers and Hart albums from the 1970s and his
solo work from 1988 and beyond. Have you ever heard Tony's
up tempo take on "My Way ?" Interesting.
One last comment: I so wish Louis and Ella had done
a TV special together.
Ed
On Wednesday, July 24, 2024 at 01:45:53 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
Re: Stay With Me
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-25
On Thursday, July 25, 2024 at 11:59:55 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ah yes, the Tony Bennett and Bill Evans albums. Also fantastic. A few more Tony mentions I enjoy:
Tony Bennett and Count Basie
Tony Sings For
Bennett/Brubeck. The White House Sessions 1962
The song “Blue Velvet”
The song “Yesterday I Heard the Rain”.
I could go on and on. Recently I did a cull on my vinyl collection deciding to let go of some things I hadn’t listened to in a long time. Couldn’t bring myself to give up on any of my Tony Bennett records.
Scott Bennett sang "Blue Velvet" on a Playboy After Dark, Mitch Miller backed him on oboe. First time I heard Tony sing "Yesterday I Heard The Rain," my thought was , "Frank, you've got to sing this song." Gene Lees was the lyricist. I wish Tony had done the album with Basie in the late 1960s. He was so much better a singer by then.Ed
Re: Stay With Me
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-07-25
Ah yes, the Tony Bennett and Bill Evans albums. Also fantastic. A few more Tony mentions I enjoy:
Tony Bennett and Count Basie
Tony Sings For Two
Bennett/Brubeck. The White House Sessions 1962
The song “Blue Velvet”
The song “Yesterday I Heard the Rain”.
I could go on and on. Recently I did a cull on my vinyl collection deciding to let go of some things I hadn’t listened to in a long time. Couldn’t bring myself to give up on any of my Tony Bennett records.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 3:59 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Scott,
I have an excellent collection of Fred Astaire including the
recordings with Oscar.. The Gershwins, Irving Berlin, Cole Porter, J.
Kern all thought Fred was the best singer. Mel Torme insisted Fred
was the best. He did a terrific tribute album. Jonathan gave me a copy
of the show he did with Tony Bennett introducing "Stepping Out."
They just rave about Fred's ability to sell a song. When Fred was
doing the Packard Hour, back in 1936-37, he decided to dance on
his radio show( I'm not kidding ). Fred devoted 12 hours to rehearsal
every week. Now that is extreme perfectionism. I was once part of
a three way phone call with Tony and Jonathan. Tony quoted Fred's
belief that you always needed 20 minutes of material that wouldn't
be done at the end of your show. Fred felt the audience would
intuitively know and that gave you a huge edge.
My favorite Bennett are the two albums with Bill Evans
and the Canadian TV special, with Evans, is right up with the best
of Sinatra. Tony's work at Columbia in the 1960s is outstanding.
My favorite LP is "When Lights Are Low" from that era. I also
like the two Rodgers and Hart albums from the 1970s and his
solo work from 1988 and beyond. Have you ever heard Tony's
up tempo take on "My Way ?" Interesting.
One last comment: I so wish Louis and Ella had done
a TV special together.
Ed
On Wednesday, July 24, 2024 at 01:45:53 PM EDT, Scott Henderson <scott@falseducks.com> wrote:
Ed,
I’m with you on Louis Armstrong. The Peterson Armstrong collaboration is phenomenal. My favourite is “I Was Doing All Right”. The Oscar Peterson and Fred Astaire collaboration is also excellent. If you don’t think much of Astaire as a singer, that album should change your mind. Ella and Louis also have done some great duets.
I’m a Tony Bennett fan. I saw him in the late-80s when his career was at a lull. $6 at Ontario Place in Toronto. Great show. His last few albums with Bill Charlap, Lady Gaga, and Diana Krall were excellent. During Covid there were a couple of videos of him singing at home. He still had it despite the ravages of Alzheimer’s.
One of my favourite Bennett tunes is Where Do I Begin, the Theme from Love Story. I wish Sinatra had tried a version.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: July 24, 2024 12:27 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Stay With Me
Hi Al,
Al Porcino was also in the same camp regarding Tony Bennett.
But a certain singer from Hoboken was in awe of him. Back in the
summer of 1965, Tony was playing at the Sands in Vegas. Frank,
was sailing off the east coast and suddenly got an urge to hear
Mr. Bennett. So, he called Jack Entratter and asked him to place
the phone on the stage near a speaker. Frank listened to the
show on his boat. Now there is a fan.
Many of the musicians who played with Frank, including
Vinnie Falcone and Tony Mottola, shared with me Frank's opinion
of Bennett. Vinnie and others tried to convince him to record "Maybe
This Time" and "When Joanna Loved Me." Frank felt Tony had the
definitive recordings. There are concerts where he told the audience,
after singing "Joanna . .," "If you want to really hear this sung right,
listen to Tony Bennett's recording."
I have a very large collection of Tony's work, but my favorite
male singer after Sinatra is Louis Armstrong. I think he is incredible.
There are many who cannot fathom my love of his singing. They
tell me he has a terrible voice that sounds simply awful on the great
American pop classics. I have cited many examples of his remark-
able abilities. My favorite album is "Louis Armstrong Meets Oscar
Peterson." A masterwork from start to finish. Many disagree.
Ed
On Tuesday, July 23, 2024 at 08:20:57 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
Agreed Ed, that was a marvelous performance. Put Bennett's version to shame. But then I don't think much of Tony Bennett. He is the anti-Sinatra to me in terms of digging deep into a song and capturing the essence of it.
For anyone that wants to see Dylan's performance - https://www.youtube.com/watch?v=RbcGK7kzhTw
Al
On 07/22/2024 11:46 PM EDT Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Al,
Dylan also did a wonderful interpretation of "Once Upon A Time,"
that was part of the 90th birthday special for Tony Bennett. Show was
aired on 12-20-16. A striped down version that beautifully captured
the essence of that song.
Ed
On Sunday, July 21, 2024 at 08:45:03 AM EDT, ALFRED MASCIOCCHI <dmarc-noreply@freelists.org> wrote:
https://www.youtube.com/watch?v=tt1BBubMHzM
On Bob Dylan's first album of (mostly) Sinatra songs in 2015 he did "Stay With Me". It is a wonderful version. It is stripped down compared to the Sinatra version but it gets to the core like Frank's did. I think it is the version Frank would have done at age 73 (Dylan's age when he recorded it) unlike Frank's version as a 50 year old - closer to the end, looking back, a bit more feeble, a bit wiser, more in need of help on the road.
And a live version if you are inclined - https://www.youtube.com/watch?v=x5WsSJj0Q5E
Al
On 07/11/2024 1:55 PM EDT Larry Crawford <argyle52@hotmail.com> wrote:
I just realized two obscure songs I left off my previous list:
Stay With Me - a beautiful song, and a heartfelt emotional performance by Frank. This one makes me tear up every time I hear it.
Forget Domani - this song blew me away the first time I heard it. And it still does. A great Sinatra song.
July 26th 1953 - Blackpool
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-26
CORGI BLACKPOOL BALLOON TRAM FRANK SINATRA CODE3
Frank Sinatra wearing the Mayoral chain while in Blackpool


July 26th 1953 - Blackpool
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-26
CORGI BLACKPOOL BALLOON TRAM FRANK SINATRA CODE3
Frank Sinatra wearing the Mayoral chain while in Blackpool


July 26th 1953 - Blackpool
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-07-26
CORGI BLACKPOOL BALLOON TRAM FRANK SINATRA CODE3
Frank Sinatra wearing the Mayoral chain while in Blackpool


Fw: 'Sinatra House' known for serenading beachgoers is sold
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-29
https://nypost.com/2024/07/27/us-news/jersey-shore-sinatra-house-sold-for-2-275-million/
Fw: 'Sinatra House' known for serenading beachgoers is sold
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-29
https://nypost.com/2024/07/27/us-news/jersey-shore-sinatra-house-sold-for-2-275-million/
Fw: 'Sinatra House' known for serenading beachgoers is sold
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-29
https://nypost.com/2024/07/27/us-news/jersey-shore-sinatra-house-sold-for-2-275-million/
Fw: 'Sinatra House' known for serenading beachgoers is sold
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-07-29
https://nypost.com/2024/07/27/us-news/jersey-shore-sinatra-house-sold-for-2-275-million/
THIS HAPPENED AT CAESARS IN JUNE OF 75
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-03
Daily Herald Tribune

THIS HAPPENED AT CAESARS IN JUNE OF 75
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-03
Daily Herald Tribune

THIS HAPPENED AT CAESARS IN JUNE OF 75
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-03
Daily Herald Tribune

VOICE OF BROADWAY DOROTHY KILGALLEN
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-11
REPUBLICAN-HERALD PAPER
AUGUST 9, 1943

VOICE OF BROADWAY DOROTHY KILGALLEN
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-11
REPUBLICAN-HERALD PAPER
AUGUST 9, 1943

VOICE OF BROADWAY DOROTHY KILGALLEN
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-11
REPUBLICAN-HERALD PAPER
AUGUST 9, 1943

VOICE OF BROADWAY DOROTHY KILGALLEN
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-11
REPUBLICAN-HERALD PAPER
AUGUST 9, 1943

"THE SINGING FOOL"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-19
San Francisco Examiner
8-18-43


ALBUM REVIEWS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-08-20
August 1982
August 1982



Frank Sinatra and Arthur Rubinstein
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-02
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;

Frank Sinatra and Arthur Rubinstein
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-02
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;

Frank Sinatra and Arthur Rubinstein
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-02
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;

Re: Frank Sinatra and Arthur Rubinstein
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-03
The same two gentlemen on November 5, 1975. Frank presented Rubinstein with the Scopus Award from the American Friends of the Hebrew University.
On Monday, September 2, 2024 at 11:05:29 PM CDT, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
On Monday, September 2, 2024 at 04:23:08 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
I think so. That was Frank in 46.
Ed
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;


Re: Frank Sinatra and Arthur Rubinstein
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-03
On Monday, September 2, 2024 at 04:23:08 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
I think so. That was Frank in 46.
Ed
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;

Re: Frank Sinatra and Arthur Rubinstein
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-03
The same two gentlemen on November 5, 1975. Frank presented Rubinstein with the Scopus Award from the American Friends of the Hebrew University.
On Monday, September 2, 2024 at 11:05:29 PM CDT, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
On Monday, September 2, 2024 at 04:23:08 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
I think so. That was Frank in 46.
Ed
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;


Re: Frank Sinatra and Arthur Rubinstein
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-03
On Monday, September 2, 2024 at 04:23:08 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
I think so. That was Frank in 46.
Ed
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;

Re: Frank Sinatra and Arthur Rubinstein
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-03
The same two gentlemen on November 5, 1975. Frank presented Rubinstein with the Scopus Award from the American Friends of the Hebrew University.
On Monday, September 2, 2024 at 11:05:29 PM CDT, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
On Monday, September 2, 2024 at 04:23:08 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
I think so. That was Frank in 46.
Ed
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;


Re: Frank Sinatra and Arthur Rubinstein
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-03
On Monday, September 2, 2024 at 04:23:08 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
The caption reads 1945.
Could it be from 1946, Labor Day Concert, Hollywood Bowl ?
Carl
I think so. That was Frank in 46.
Ed
Frank photographed with world renowned classical pianist, Arthur Rubinstein in 1945;

How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-09-06
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube<https://www.youtube.com/watch?v=bPOG9HGPblg>
[https://i.ytimg.com/vi/bPOG9HGPblg/maxresdefault.jpg]<https://www.youtube.com/watch?v=bPOG9HGPblg>
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)<https://www.youtube.com/watch?v=bPOG9HGPblg>
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-09-06
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube<https://www.youtube.com/watch?v=bPOG9HGPblg>
[https://i.ytimg.com/vi/bPOG9HGPblg/maxresdefault.jpg]<https://www.youtube.com/watch?v=bPOG9HGPblg>
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)<https://www.youtube.com/watch?v=bPOG9HGPblg>
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-09-06
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube<https://www.youtube.com/watch?v=bPOG9HGPblg>
[https://i.ytimg.com/vi/bPOG9HGPblg/maxresdefault.jpg]<https://www.youtube.com/watch?v=bPOG9HGPblg>
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)<https://www.youtube.com/watch?v=bPOG9HGPblg>
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-06
Hi Richard, Terry Woodson thought the 5-17 with Florence was the bestvocal, but Frank got mixed up a bit on the lyrics. I wouldn't be shockedto discover they lifted the 4/17 vocal and married it to Florence's arg., with perhaps a few orchestral modifications. They are claiming it isthe 5/17 chart.Ed
On Friday, September 6, 2024 at 02:00:27 PM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
| How Do You Keep the Music Playing side by side.mp31 file sent via WeTransfer, the simplest way to send your files around the worldwe.tl |
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) Hi Richard, Terry Woodson told me this was the best recording of thethree Sinatra did of this song. Thank you very much for sharing. Much appreciated.Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
| | How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...www.youtube.com |
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy JonesProducer: Charles PignoneAssociated Performer, Recording Arranger: Bob FlorenceAssociated Performer, Vocals: Frank SinatraStudio Personnel, Mixer: Larry WalshComposer Lyricist: Alan BergmanComposer Lyricist: Marilyn BergmanComposer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-09-06
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
How Do You Keep the Music Playing side by side.mp3<https://we.tl/t-Zw6tuRmdwW>
1 file sent via WeTransfer, the simplest way to send your files around the world
we.tl
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson told me this was the best recording of the
three Sinatra did of this song.
Thank you very much for sharing. Much appreciated.
Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube<https://www.youtube.com/watch?v=bPOG9HGPblg>
[https://i.ytimg.com/vi/bPOG9HGPblg/maxresdefault.jpg]<https://www.youtube.com/watch?v=bPOG9HGPblg>
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)<https://www.youtube.com/watch?v=bPOG9HGPblg>
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-06
Hi Richard, Terry Woodson told me this was the best recording of thethree Sinatra did of this song. Thank you very much for sharing. Much appreciated.Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
| | How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...www.youtube.com |
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy JonesProducer: Charles PignoneAssociated Performer, Recording Arranger: Bob FlorenceAssociated Performer, Vocals: Frank SinatraStudio Personnel, Mixer: Larry WalshComposer Lyricist: Alan BergmanComposer Lyricist: Marilyn BergmanComposer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-06
Hi Richard, Terry Woodson thought the 5-17 with Florence was the bestvocal, but Frank got mixed up a bit on the lyrics. I wouldn't be shockedto discover they lifted the 4/17 vocal and married it to Florence's arg., with perhaps a few orchestral modifications. They are claiming it isthe 5/17 chart.Ed
On Friday, September 6, 2024 at 02:00:27 PM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
| How Do You Keep the Music Playing side by side.mp31 file sent via WeTransfer, the simplest way to send your files around the worldwe.tl |
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) Hi Richard, Terry Woodson told me this was the best recording of thethree Sinatra did of this song. Thank you very much for sharing. Much appreciated.Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
| | How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...www.youtube.com |
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy JonesProducer: Charles PignoneAssociated Performer, Recording Arranger: Bob FlorenceAssociated Performer, Vocals: Frank SinatraStudio Personnel, Mixer: Larry WalshComposer Lyricist: Alan BergmanComposer Lyricist: Marilyn BergmanComposer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-09-06
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
How Do You Keep the Music Playing side by side.mp3<https://we.tl/t-Zw6tuRmdwW>
1 file sent via WeTransfer, the simplest way to send your files around the world
we.tl
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson told me this was the best recording of the
three Sinatra did of this song.
Thank you very much for sharing. Much appreciated.
Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube<https://www.youtube.com/watch?v=bPOG9HGPblg>
[https://i.ytimg.com/vi/bPOG9HGPblg/maxresdefault.jpg]<https://www.youtube.com/watch?v=bPOG9HGPblg>
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)<https://www.youtube.com/watch?v=bPOG9HGPblg>
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-06
Hi Richard, Terry Woodson told me this was the best recording of thethree Sinatra did of this song. Thank you very much for sharing. Much appreciated.Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
| | How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...www.youtube.com |
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy JonesProducer: Charles PignoneAssociated Performer, Recording Arranger: Bob FlorenceAssociated Performer, Vocals: Frank SinatraStudio Personnel, Mixer: Larry WalshComposer Lyricist: Alan BergmanComposer Lyricist: Marilyn BergmanComposer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-06
Hi Richard, Terry Woodson thought the 5-17 with Florence was the bestvocal, but Frank got mixed up a bit on the lyrics. I wouldn't be shockedto discover they lifted the 4/17 vocal and married it to Florence's arg., with perhaps a few orchestral modifications. They are claiming it isthe 5/17 chart.Ed
On Friday, September 6, 2024 at 02:00:27 PM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
| How Do You Keep the Music Playing side by side.mp31 file sent via WeTransfer, the simplest way to send your files around the worldwe.tl |
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) Hi Richard, Terry Woodson told me this was the best recording of thethree Sinatra did of this song. Thank you very much for sharing. Much appreciated.Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
| | How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...www.youtube.com |
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy JonesProducer: Charles PignoneAssociated Performer, Recording Arranger: Bob FlorenceAssociated Performer, Vocals: Frank SinatraStudio Personnel, Mixer: Larry WalshComposer Lyricist: Alan BergmanComposer Lyricist: Marilyn BergmanComposer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2024-09-06
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
How Do You Keep the Music Playing side by side.mp3<https://we.tl/t-Zw6tuRmdwW>
1 file sent via WeTransfer, the simplest way to send your files around the world
we.tl
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson told me this was the best recording of the
three Sinatra did of this song.
Thank you very much for sharing. Much appreciated.
Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube<https://www.youtube.com/watch?v=bPOG9HGPblg>
[https://i.ytimg.com/vi/bPOG9HGPblg/maxresdefault.jpg]<https://www.youtube.com/watch?v=bPOG9HGPblg>
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)<https://www.youtube.com/watch?v=bPOG9HGPblg>
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-06
Hi Richard, Terry Woodson told me this was the best recording of thethree Sinatra did of this song. Thank you very much for sharing. Much appreciated.Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1) How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
| | How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank SinatraHow Do You Keep The Music ...www.youtube.com |
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy JonesProducer: Charles PignoneAssociated Performer, Recording Arranger: Bob FlorenceAssociated Performer, Vocals: Frank SinatraStudio Personnel, Mixer: Larry WalshComposer Lyricist: Alan BergmanComposer Lyricist: Marilyn BergmanComposer Lyricist: Michel Legrand
Frank Sinatra and Sergio Mendes
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08
https://gshow.globo.com/programas/conversa-com-bial/noticia/no-conversa-sergio-mendes-relembra-amizade-com-frank-sinatra-amigo-ate-a-morte.ghtml

Frank Sinatra and Sergio Mendes
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08
https://gshow.globo.com/programas/conversa-com-bial/noticia/no-conversa-sergio-mendes-relembra-amizade-com-frank-sinatra-amigo-ate-a-morte.ghtml

Frank Sinatra and Sergio Mendes
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08
https://gshow.globo.com/programas/conversa-com-bial/noticia/no-conversa-sergio-mendes-relembra-amizade-com-frank-sinatra-amigo-ate-a-morte.ghtml

Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-08
I think this is the superior version. Can't believe that the producer picked the wrong version to release.
I have seen this kind of mistake many times. Let's be grateful it was discovered. The 5/17 date was filmed.
Frank started with a vocal overdub of the title track, then "Stormy Weather" a tone lower than the N.Y.C.
recording ( should have been included in new release) and then "How Do Keep The Music Playing."
Would love to see a commercial release of that video.
Ed
.
Release date is October 25
Looks like tracklist is as follows:
Original Album
1. L.A. Is My Lady
2. The Best Of Everything
3. How Do You Keep The Music Playing?
4. Teach Me Tonight
5. It’s All Right With Me
6. Mack The Knife
7. Until The Real Thing Comes Along
8. Stormy Weather
9. If I Should Lose You
10. A Hundred Years From Today
11. After You’ve Gone
Bonus Tracks (CD & Digital only)
12. How Do You Keep The Music Playing? (3/16/83-Joe Parnello arrangement)
13. How Do You Keep The Music Playing? (5/17/84-Bob Florence arrangement) +
14. Mack The Knife (10/30/86-vocal overdub)
15. Body And Soul (10/26/07-Torrie Zitto arrangement)
16. After You’ve Gone (session take) +
17. Body And Soul (session takes) +
+ previously unreleased
All tracks except #12, 14 & 17 are newly mixed by Larry Walsh
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 07 September 2024 14:13
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
I listened this time before replying to you.
The arrangement is much superior and Sinatra went
back to the bel canto singing. Long, extended passages.
Thank you, thank you.
Do you know the release date of the album ?
Ed
On Saturday, September 7, 2024 at 03:16:45 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed, Scott,
They've changed the upload
Actually different arrangement and vocal performance here
https://www.youtube.com/watch?v=tB8yd8l9pOs
How
Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Provided to YouTube by Universal Music Group How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra How Do You Keep The Music Playing? ℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc. Released
on: 2024-09-06 Producer: Quincy Jones Producer: Charles Pignone Associated ...
www.youtube.com
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Scott Henderson
<scott@falseducks.com>
Sent: 06 September 2024 20:31
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
I was disappointed or underwhelmed. I couldn’t tell the difference. I thought I’d be hearing something radically different.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org]
On Behalf Of Ed O'Brien ("eob101")
Sent: September 6, 2024 2:32 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson thought the 5-17 with Florence was the best
vocal, but Frank got mixed up a bit on the lyrics. I wouldn't be shocked
to discover they lifted the 4/17 vocal and married it to Florence's arg.,
with perhaps a few orchestral modifications. They are claiming it is
the 5/17 chart.
Ed
On Friday, September 6, 2024 at 02:00:27 PM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
How
Do You Keep the Music Playing side by side.mp3
1 file sent via WeTransfer, the simplest way to send your files around the world
we.tl
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson told me this was the best recording of the
three Sinatra did of this song.
Thank you very much for sharing. Much appreciated.
Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1)
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
How
Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement
- 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand

[image referenced in source but could not be recovered]
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-08
I think this is the superior version. Can't believe that the producer picked the wrong version to release.
I have seen this kind of mistake many times. Let's be grateful it was discovered. The 5/17 date was filmed.
Frank started with a vocal overdub of the title track, then "Stormy Weather" a tone lower than the N.Y.C.
recording ( should have been included in new release) and then "How Do Keep The Music Playing."
Would love to see a commercial release of that video.
Ed
.
Release date is October 25
Looks like tracklist is as follows:
Original Album
1. L.A. Is My Lady
2. The Best Of Everything
3. How Do You Keep The Music Playing?
4. Teach Me Tonight
5. It’s All Right With Me
6. Mack The Knife
7. Until The Real Thing Comes Along
8. Stormy Weather
9. If I Should Lose You
10. A Hundred Years From Today
11. After You’ve Gone
Bonus Tracks (CD & Digital only)
12. How Do You Keep The Music Playing? (3/16/83-Joe Parnello arrangement)
13. How Do You Keep The Music Playing? (5/17/84-Bob Florence arrangement) +
14. Mack The Knife (10/30/86-vocal overdub)
15. Body And Soul (10/26/07-Torrie Zitto arrangement)
16. After You’ve Gone (session take) +
17. Body And Soul (session takes) +
+ previously unreleased
All tracks except #12, 14 & 17 are newly mixed by Larry Walsh
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 07 September 2024 14:13
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
I listened this time before replying to you.
The arrangement is much superior and Sinatra went
back to the bel canto singing. Long, extended passages.
Thank you, thank you.
Do you know the release date of the album ?
Ed
On Saturday, September 7, 2024 at 03:16:45 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed, Scott,
They've changed the upload
Actually different arrangement and vocal performance here
https://www.youtube.com/watch?v=tB8yd8l9pOs
How
Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Provided to YouTube by Universal Music Group How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra How Do You Keep The Music Playing? ℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc. Released
on: 2024-09-06 Producer: Quincy Jones Producer: Charles Pignone Associated ...
www.youtube.com
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Scott Henderson
<scott@falseducks.com>
Sent: 06 September 2024 20:31
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
I was disappointed or underwhelmed. I couldn’t tell the difference. I thought I’d be hearing something radically different.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org]
On Behalf Of Ed O'Brien ("eob101")
Sent: September 6, 2024 2:32 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson thought the 5-17 with Florence was the best
vocal, but Frank got mixed up a bit on the lyrics. I wouldn't be shocked
to discover they lifted the 4/17 vocal and married it to Florence's arg.,
with perhaps a few orchestral modifications. They are claiming it is
the 5/17 chart.
Ed
On Friday, September 6, 2024 at 02:00:27 PM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
How
Do You Keep the Music Playing side by side.mp3
1 file sent via WeTransfer, the simplest way to send your files around the world
we.tl
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson told me this was the best recording of the
three Sinatra did of this song.
Thank you very much for sharing. Much appreciated.
Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1)
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
How
Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement
- 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand

[image referenced in source but could not be recovered]
Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-08
I think this is the superior version. Can't believe that the producer picked the wrong version to release.
I have seen this kind of mistake many times. Let's be grateful it was discovered. The 5/17 date was filmed.
Frank started with a vocal overdub of the title track, then "Stormy Weather" a tone lower than the N.Y.C.
recording ( should have been included in new release) and then "How Do Keep The Music Playing."
Would love to see a commercial release of that video.
Ed
.
Release date is October 25
Looks like tracklist is as follows:
Original Album
1. L.A. Is My Lady
2. The Best Of Everything
3. How Do You Keep The Music Playing?
4. Teach Me Tonight
5. It’s All Right With Me
6. Mack The Knife
7. Until The Real Thing Comes Along
8. Stormy Weather
9. If I Should Lose You
10. A Hundred Years From Today
11. After You’ve Gone
Bonus Tracks (CD & Digital only)
12. How Do You Keep The Music Playing? (3/16/83-Joe Parnello arrangement)
13. How Do You Keep The Music Playing? (5/17/84-Bob Florence arrangement) +
14. Mack The Knife (10/30/86-vocal overdub)
15. Body And Soul (10/26/07-Torrie Zitto arrangement)
16. After You’ve Gone (session take) +
17. Body And Soul (session takes) +
+ previously unreleased
All tracks except #12, 14 & 17 are newly mixed by Larry Walsh
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 07 September 2024 14:13
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
I listened this time before replying to you.
The arrangement is much superior and Sinatra went
back to the bel canto singing. Long, extended passages.
Thank you, thank you.
Do you know the release date of the album ?
Ed
On Saturday, September 7, 2024 at 03:16:45 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed, Scott,
They've changed the upload
Actually different arrangement and vocal performance here
https://www.youtube.com/watch?v=tB8yd8l9pOs
How
Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Provided to YouTube by Universal Music Group How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra How Do You Keep The Music Playing? ℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc. Released
on: 2024-09-06 Producer: Quincy Jones Producer: Charles Pignone Associated ...
www.youtube.com
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Scott Henderson
<scott@falseducks.com>
Sent: 06 September 2024 20:31
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
I was disappointed or underwhelmed. I couldn’t tell the difference. I thought I’d be hearing something radically different.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org]
On Behalf Of Ed O'Brien ("eob101")
Sent: September 6, 2024 2:32 PM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson thought the 5-17 with Florence was the best
vocal, but Frank got mixed up a bit on the lyrics. I wouldn't be shocked
to discover they lifted the 4/17 vocal and married it to Florence's arg.,
with perhaps a few orchestral modifications. They are claiming it is
the 5/17 chart.
Ed
On Friday, September 6, 2024 at 02:00:27 PM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Hi Ed,
Finally had a chance to properly listen. Side by side it seems to be the exact same vocal on both, and not much differently orchestrally.
Here it is with the new YouTube track on the left audio channel, and the original on the right
https://we.tl/t-Zw6tuRmdwW
How
Do You Keep the Music Playing side by side.mp3
1 file sent via WeTransfer, the simplest way to send your files around the world
we.tl
Seems the new track is from a 40th Anniversary L.A. Is My Lady CD, so maybe when that's released it will give more insight.
But if it hadn't been labelled as the alternate version, I'd have guessed it was just a new remix.
Richard
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Ed O'Brien <dmarc-noreply@freelists.org>
Sent: 06 September 2024 16:35
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Hi Richard,
Terry Woodson told me this was the best recording of the
three Sinatra did of this song.
Thank you very much for sharing. Much appreciated.
Ed
On Friday, September 6, 2024 at 04:15:36 AM EDT, Richard Cook <cook879@hotmail.co.uk> wrote:
Seems Frank Sinatra Enterprises have 'dropped' a new 'single' on the streamers.
(1)
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) - YouTube
How
Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84)
Provided to YouTube by Universal Music GroupHow Do You Keep The Music Playing? (Bob Florence Arrangement
- 5/17/84) · Frank SinatraHow Do You Keep The Music ...
www.youtube.com
Provided to YouTube by Universal Music Group
How Do You Keep The Music Playing? (Bob Florence Arrangement - 5/17/84) · Frank Sinatra
How Do You Keep The Music Playing?
℗ 2024 Frank Sinatra Enterprises LLC, under exclusive license to UMG Recordings, Inc.
Released on: 2024-09-06
Producer: Quincy Jones
Producer: Charles Pignone
Associated Performer, Recording Arranger: Bob Florence
Associated Performer, Vocals: Frank Sinatra
Studio Personnel, Mixer: Larry Walsh
Composer Lyricist: Alan Bergman
Composer Lyricist: Marilyn Bergman
Composer Lyricist: Michel Legrand

[image referenced in source but could not be recovered]
Sergio Mendes - RIP
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08


Sergio Mendes - RIP
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08


Sergio Mendes - RIP
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08


Sergio Mendes - RIP
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-08


Re: September 9 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-09
Daily News
9-10-53

Re: September 9 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-09
Daily News
9-10-53

Re: September 9 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-09
Daily News
9-10-53

Re: September 12 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-13
The legend has it that Frank Sinatra didn't want to do this album and just blew it off.Well, my ears don't hear that, personally I love this album. Good arrangements, great song selectections, and fine singing by FS.One of my favorites.
Hi Larry, Frank very much wanted to do the album. He was angry that Capitolpicked so many great songs for his final album with the label. Bill Miller tolda friend of mine that Sinatra wanted to do a number of these gems at Reprise.Who could blame him.Ed
Re: September 12 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-13
The legend has it that Frank Sinatra didn't want to do this album and just blew it off.Well, my ears don't hear that, personally I love this album. Good arrangements, great song selectections, and fine singing by FS.One of my favorites.
Hi Larry, Frank very much wanted to do the album. He was angry that Capitolpicked so many great songs for his final album with the label. Bill Miller tolda friend of mine that Sinatra wanted to do a number of these gems at Reprise.Who could blame him.Ed
Re: September 12 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-13
The legend has it that Frank Sinatra didn't want to do this album and just blew it off.Well, my ears don't hear that, personally I love this album. Good arrangements, great song selectections, and fine singing by FS.One of my favorites.
Hi Larry, Frank very much wanted to do the album. He was angry that Capitolpicked so many great songs for his final album with the label. Bill Miller tolda friend of mine that Sinatra wanted to do a number of these gems at Reprise.Who could blame him.Ed
Re: September 15 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-15
From Ed's comments on the Riviera gig:
Frank did not consider either to be as important as
the
two-week engagement at Bill Miller's Riviera in September of 1953. Frank
very
carefully chose a nine piece chamber set ( his description ) and
rehearsed with them for
two solid weeks before opening at the club..There was no conductor, just
the
singer and nine musicians: Bill Miller was the piano player, Alvin
Stoller was
on drums, Sonny Salad pulled off a hat trick by alternating on alto sax,
flute and clarinet,
throughout the two week engagement, a bass and guitar completed the
rhythm section
and a string quartet made up the rest of the musical ensemble.
I posted the first photo back in May and reasoned that it was from a Songs for Young Lovers session, as "My Funny Valentine" is on the sheet music. A fellow Sinatra maven alerted me that the personnel in these photos don't match up with the Young Lovers lineup: Eleanor Slatkin and Kathryn Julye were the only women on those sessions, and this woman doesn't look like either of them. Plus, this doesn't look like any KHJ studio.
Are these photos from the two-week rehearsals for the Riviera?


Re: September 15 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-15
From Ed's comments on the Riviera gig:
Frank did not consider either to be as important as
the
two-week engagement at Bill Miller's Riviera in September of 1953. Frank
very
carefully chose a nine piece chamber set ( his description ) and
rehearsed with them for
two solid weeks before opening at the club..There was no conductor, just
the
singer and nine musicians: Bill Miller was the piano player, Alvin
Stoller was
on drums, Sonny Salad pulled off a hat trick by alternating on alto sax,
flute and clarinet,
throughout the two week engagement, a bass and guitar completed the
rhythm section
and a string quartet made up the rest of the musical ensemble.
I posted the first photo back in May and reasoned that it was from a Songs for Young Lovers session, as "My Funny Valentine" is on the sheet music. A fellow Sinatra maven alerted me that the personnel in these photos don't match up with the Young Lovers lineup: Eleanor Slatkin and Kathryn Julye were the only women on those sessions, and this woman doesn't look like either of them. Plus, this doesn't look like any KHJ studio.
Are these photos from the two-week rehearsals for the Riviera?


Re: September 15 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-15
From Ed's comments on the Riviera gig:
Frank did not consider either to be as important as
the
two-week engagement at Bill Miller's Riviera in September of 1953. Frank
very
carefully chose a nine piece chamber set ( his description ) and
rehearsed with them for
two solid weeks before opening at the club..There was no conductor, just
the
singer and nine musicians: Bill Miller was the piano player, Alvin
Stoller was
on drums, Sonny Salad pulled off a hat trick by alternating on alto sax,
flute and clarinet,
throughout the two week engagement, a bass and guitar completed the
rhythm section
and a string quartet made up the rest of the musical ensemble.
I posted the first photo back in May and reasoned that it was from a Songs for Young Lovers session, as "My Funny Valentine" is on the sheet music. A fellow Sinatra maven alerted me that the personnel in these photos don't match up with the Young Lovers lineup: Eleanor Slatkin and Kathryn Julye were the only women on those sessions, and this woman doesn't look like either of them. Plus, this doesn't look like any KHJ studio.
Are these photos from the two-week rehearsals for the Riviera?


Kay Kyser, Frank Sinatra and Harry James, September 1945
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-16
Kay Kyser, Frank Sinatra and Harry James, September 1945, at the recordings for the Armed Forces Radio Services (source: Tune In magazine, January 1946)

Kay Kyser, Frank Sinatra and Harry James, September 1945
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-16
Kay Kyser, Frank Sinatra and Harry James, September 1945, at the recordings for the Armed Forces Radio Services (source: Tune In magazine, January 1946)

Kay Kyser, Frank Sinatra and Harry James, September 1945
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-16
Kay Kyser, Frank Sinatra and Harry James, September 1945, at the recordings for the Armed Forces Radio Services (source: Tune In magazine, January 1946)

Kay Kyser, Frank Sinatra and Harry James, September 1945
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-16
Kay Kyser, Frank Sinatra and Harry James, September 1945, at the recordings for the Armed Forces Radio Services (source: Tune In magazine, January 1946)

FURIOUS PACE KEEPS SINATRA DRIVING HARD
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
Los Angeles Mirror
10-19-56
note: The trip down under plus Manila and Tokyo
did not happen.
Ed


FURIOUS PACE KEEPS SINATRA DRIVING HARD
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
Los Angeles Mirror
10-19-56
note: The trip down under plus Manila and Tokyo
did not happen.
Ed


FURIOUS PACE KEEPS SINATRA DRIVING HARD
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
Los Angeles Mirror
10-19-56
note: The trip down under plus Manila and Tokyo
did not happen.
Ed


Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.




Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.




Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.




Re: VS: Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
Hi Carl,
Thank you. I put it up because it identified all were at the table.
In the past that hasn't happened with this photo. But your copy is far
better quality and covers the identities very nicely.
Bogie lived a very hard life. Similar to the Hemingway code.
Ed
On Thursday, September 19, 2024 at 03:40:15 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
Thank you, Ed
Here is the same photo in a better quality.
Carl
Some members of the Holmby Hills Rat Pack, a group of exceedingly well heeled Bohemians that include screen stars and millionaires from Hollywood's super-ritzy Holmby Hill section, are seen sitting at a table having cocktails at the Copa Room in Hollywood, Oct. 15, 1956.. Shown left to right are Humphrey Bogart; producer Sid Luft; Lauren Bacall; Judy Garland; Ellie Graham; agent Jack Entratter; restaurateur Mike Romanoff (partly hidden); Frank Sinatra; Mrs. Romanoff; actor David Niven; and Mrs. Niven.
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.





Re: VS: Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
Hi Carl,
Thank you. I put it up because it identified all were at the table.
In the past that hasn't happened with this photo. But your copy is far
better quality and covers the identities very nicely.
Bogie lived a very hard life. Similar to the Hemingway code.
Ed
On Thursday, September 19, 2024 at 03:40:15 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
Thank you, Ed
Here is the same photo in a better quality.
Carl
Some members of the Holmby Hills Rat Pack, a group of exceedingly well heeled Bohemians that include screen stars and millionaires from Hollywood's super-ritzy Holmby Hill section, are seen sitting at a table having cocktails at the Copa Room in Hollywood, Oct. 15, 1956.. Shown left to right are Humphrey Bogart; producer Sid Luft; Lauren Bacall; Judy Garland; Ellie Graham; agent Jack Entratter; restaurateur Mike Romanoff (partly hidden); Frank Sinatra; Mrs. Romanoff; actor David Niven; and Mrs. Niven.
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.





Re: VS: Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
Hi Carl,
Thank you. I put it up because it identified all were at the table.
In the past that hasn't happened with this photo. But your copy is far
better quality and covers the identities very nicely.
Bogie lived a very hard life. Similar to the Hemingway code.
Ed
On Thursday, September 19, 2024 at 03:40:15 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
Thank you, Ed
Here is the same photo in a better quality.
Carl
Some members of the Holmby Hills Rat Pack, a group of exceedingly well heeled Bohemians that include screen stars and millionaires from Hollywood's super-ritzy Holmby Hill section, are seen sitting at a table having cocktails at the Copa Room in Hollywood, Oct. 15, 1956.. Shown left to right are Humphrey Bogart; producer Sid Luft; Lauren Bacall; Judy Garland; Ellie Graham; agent Jack Entratter; restaurateur Mike Romanoff (partly hidden); Frank Sinatra; Mrs. Romanoff; actor David Niven; and Mrs. Niven.
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.





TWO CO;UMNS BY HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
6-10-56
10-20-56




TWO CO;UMNS BY HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
6-10-56
10-20-56




TWO CO;UMNS BY HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
6-10-56
10-20-56




TWO CO;UMNS BY HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-19
6-10-56
10-20-56




VS: Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-19
Thank you, Ed
Here is the same photo in a better quality.
Carl
Some members of the Holmby Hills Rat Pack, a group of exceedingly well heeled Bohemians that include screen stars and millionaires from Hollywood's super-ritzy Holmby Hill section, are seen sitting at a table having cocktails at the Copa Room in Hollywood, Oct. 15, 1956.. Shown left to right are Humphrey Bogart; producer Sid Luft; Lauren Bacall; Judy Garland; Ellie Graham; agent Jack Entratter; restaurateur Mike Romanoff (partly hidden); Frank Sinatra; Mrs. Romanoff; actor David Niven; and Mrs. Niven.
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.





VS: Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-19
Thank you, Ed
Here is the same photo in a better quality.
Carl
Some members of the Holmby Hills Rat Pack, a group of exceedingly well heeled Bohemians that include screen stars and millionaires from Hollywood's super-ritzy Holmby Hill section, are seen sitting at a table having cocktails at the Copa Room in Hollywood, Oct. 15, 1956.. Shown left to right are Humphrey Bogart; producer Sid Luft; Lauren Bacall; Judy Garland; Ellie Graham; agent Jack Entratter; restaurateur Mike Romanoff (partly hidden); Frank Sinatra; Mrs. Romanoff; actor David Niven; and Mrs. Niven.
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.





VS: Holmby Hills Rat Pack in the fall of 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-19
Thank you, Ed
Here is the same photo in a better quality.
Carl
Some members of the Holmby Hills Rat Pack, a group of exceedingly well heeled Bohemians that include screen stars and millionaires from Hollywood's super-ritzy Holmby Hill section, are seen sitting at a table having cocktails at the Copa Room in Hollywood, Oct. 15, 1956.. Shown left to right are Humphrey Bogart; producer Sid Luft; Lauren Bacall; Judy Garland; Ellie Graham; agent Jack Entratter; restaurateur Mike Romanoff (partly hidden); Frank Sinatra; Mrs. Romanoff; actor David Niven; and Mrs. Niven.
10-28-56
note: Interesting article but Bacon never touches the terrible truth: Bogie was
dying. He would pass away in January of 1957.





Fw HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
6-10-56



Fw HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
6-10-56



Fw HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
6-10-56



Fw HEDDA HOPPER 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
6-10-56



HEDDA HOPPER PART TWO 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
10-20-56

HEDDA HOPPER PART TWO 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
10-20-56

HEDDA HOPPER PART TWO 1956
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-20
10-20-56

Sophia Loren 90 years of age - CONGRATULATIONS
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-20
Princess Grace of Monaco, American singer Frank Sinatra and Italian actress Sophia Loren were among the guests at the Monagasque Red Cross Charity gala at Monte Carlo Sporting Club, Monaco, on Aug. 10, 1979.
Princess Grace with Frank Sinatra and Sophia Loren at the Rose Ball of 1979.
S



Sophia Loren 90 years of age - CONGRATULATIONS
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-20
Princess Grace of Monaco, American singer Frank Sinatra and Italian actress Sophia Loren were among the guests at the Monagasque Red Cross Charity gala at Monte Carlo Sporting Club, Monaco, on Aug. 10, 1979.
Princess Grace with Frank Sinatra and Sophia Loren at the Rose Ball of 1979.
S



Sophia Loren 90 years of age - CONGRATULATIONS
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-20
Princess Grace of Monaco, American singer Frank Sinatra and Italian actress Sophia Loren were among the guests at the Monagasque Red Cross Charity gala at Monte Carlo Sporting Club, Monaco, on Aug. 10, 1979.
Princess Grace with Frank Sinatra and Sophia Loren at the Rose Ball of 1979.
S



Sophia Loren 90 years of age - CONGRATULATIONS
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-20
Princess Grace of Monaco, American singer Frank Sinatra and Italian actress Sophia Loren were among the guests at the Monagasque Red Cross Charity gala at Monte Carlo Sporting Club, Monaco, on Aug. 10, 1979.
Princess Grace with Frank Sinatra and Sophia Loren at the Rose Ball of 1979.
S



Re: September 21 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-21
Two more photos with the Whippoorwills.


Re: September 21 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-21
Two more photos with the Whippoorwills.


Re: September 21 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-21
Two more photos with the Whippoorwills.


REVIEW OF TONY BENNETT'S "PERFECTLY FRANK"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
The Akron Journal
9-22-92

REVIEW OF TONY BENNETT'S "PERFECTLY FRANK"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
The Akron Journal
9-22-92

REVIEW OF TONY BENNETT'S "PERFECTLY FRANK"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
The Akron Journal
9-22-92

REVIEW OF TONY BENNETT'S "PERFECTLY FRANK"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
The Akron Journal
9-22-92

REVIEW OF TONY BENNETT'S "PERFECTLY FRANK"
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
The Akron Journal
9-22-92

Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1
<https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.
l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=431877225
06&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&re
coPos=1>
&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944b
d8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segnam
e=11021&recoId=335586038998&recoPos=1
Here's his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *"I'll
Never Smile Again"* & Dick Powell *"I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is
Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1
<https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.
l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=431877225
06&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&re
coPos=1>
&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944b
d8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segnam
e=11021&recoId=335586038998&recoPos=1
Here's his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *"I'll
Never Smile Again"* & Dick Powell *"I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is
Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1
<https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.
l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=431877225
06&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&re
coPos=1>
&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944b
d8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segnam
e=11021&recoId=335586038998&recoPos=1
Here's his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *"I'll
Never Smile Again"* & Dick Powell *"I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is
Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, If you recall that one offered some session material.Sinatra was talking to Riddle between takes. I sound as much like Sinatra as that faux attempt. And now we have A.I. BetteDavis nailed it: "It is going to be a bumpy ride."Ed
On Monday, September 23, 2024 at 10:57:10 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I remember the guy from a few years ago who was trying to maintain a recording called “I’m In Love With A Robot” was sung by Sinatra. It was laughable.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 10:37 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
I interviewed many of the people associated with Sinatra.
They were in awe of his voice back in the 1940s. Words used to
describe it included glorious, angelic, heavenly, stupendous and
simply wonderful. Trying to foist off on collectors these run of the
mill vocalists is utterly absurd. I'm sure you remember the attempt,
a few years back, when an amazing find occurred. Frank singing
two or three numbers. The singer was not remotely close to the
amazing gift Sinatra possessed. And the price they are asking
for such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
I remember the guy from a few years ago who was trying to maintain a recording called “I’m In Love With A Robot” was sung by Sinatra. It was laughable.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 10:37 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
I interviewed many of the people associated with Sinatra.
They were in awe of his voice back in the 1940s. Words used to
describe it included glorious, angelic, heavenly, stupendous and
simply wonderful. Trying to foist off on collectors these run of the
mill vocalists is utterly absurd. I'm sure you remember the attempt,
a few years back, when an amazing find occurred. Frank singing
two or three numbers. The singer was not remotely close to the
amazing gift Sinatra possessed. And the price they are asking
for such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1 <https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1> &mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, I interviewed many of the people associated with Sinatra. They were in awe of his voice back in the 1940s. Words used todescribe it included glorious, angelic, heavenly, stupendous andsimply wonderful. Trying to foist off on collectors these run of themill vocalists is utterly absurd. I'm sure you remember the attempt,a few years back, when an amazing find occurred. Frank singingtwo or three numbers. The singer was not remotely close to theamazing gift Sinatra possessed. And the price they are askingfor such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1 <https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1> &mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, There are a few ingredients missing here:1. Tommy Dorsey's orchestra2. Pied Pipers3. Fred Stulce's great chart4. Frank SinatraEd
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, If you recall that one offered some session material.Sinatra was talking to Riddle between takes. I sound as much like Sinatra as that faux attempt. And now we have A.I. BetteDavis nailed it: "It is going to be a bumpy ride."Ed
On Monday, September 23, 2024 at 10:57:10 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I remember the guy from a few years ago who was trying to maintain a recording called “I’m In Love With A Robot” was sung by Sinatra. It was laughable.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 10:37 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
I interviewed many of the people associated with Sinatra.
They were in awe of his voice back in the 1940s. Words used to
describe it included glorious, angelic, heavenly, stupendous and
simply wonderful. Trying to foist off on collectors these run of the
mill vocalists is utterly absurd. I'm sure you remember the attempt,
a few years back, when an amazing find occurred. Frank singing
two or three numbers. The singer was not remotely close to the
amazing gift Sinatra possessed. And the price they are asking
for such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
I remember the guy from a few years ago who was trying to maintain a recording called “I’m In Love With A Robot” was sung by Sinatra. It was laughable.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 10:37 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
I interviewed many of the people associated with Sinatra.
They were in awe of his voice back in the 1940s. Words used to
describe it included glorious, angelic, heavenly, stupendous and
simply wonderful. Trying to foist off on collectors these run of the
mill vocalists is utterly absurd. I'm sure you remember the attempt,
a few years back, when an amazing find occurred. Frank singing
two or three numbers. The singer was not remotely close to the
amazing gift Sinatra possessed. And the price they are asking
for such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1 <https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1> &mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, I interviewed many of the people associated with Sinatra. They were in awe of his voice back in the 1940s. Words used todescribe it included glorious, angelic, heavenly, stupendous andsimply wonderful. Trying to foist off on collectors these run of themill vocalists is utterly absurd. I'm sure you remember the attempt,a few years back, when an amazing find occurred. Frank singingtwo or three numbers. The singer was not remotely close to theamazing gift Sinatra possessed. And the price they are askingfor such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1 <https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1> &mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, There are a few ingredients missing here:1. Tommy Dorsey's orchestra2. Pied Pipers3. Fred Stulce's great chart4. Frank SinatraEd
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, If you recall that one offered some session material.Sinatra was talking to Riddle between takes. I sound as much like Sinatra as that faux attempt. And now we have A.I. BetteDavis nailed it: "It is going to be a bumpy ride."Ed
On Monday, September 23, 2024 at 10:57:10 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I remember the guy from a few years ago who was trying to maintain a recording called “I’m In Love With A Robot” was sung by Sinatra. It was laughable.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 10:37 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
I interviewed many of the people associated with Sinatra.
They were in awe of his voice back in the 1940s. Words used to
describe it included glorious, angelic, heavenly, stupendous and
simply wonderful. Trying to foist off on collectors these run of the
mill vocalists is utterly absurd. I'm sure you remember the attempt,
a few years back, when an amazing find occurred. Frank singing
two or three numbers. The singer was not remotely close to the
amazing gift Sinatra possessed. And the price they are asking
for such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
I remember the guy from a few years ago who was trying to maintain a recording called “I’m In Love With A Robot” was sung by Sinatra. It was laughable.
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 10:37 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
I interviewed many of the people associated with Sinatra.
They were in awe of his voice back in the 1940s. Words used to
describe it included glorious, angelic, heavenly, stupendous and
simply wonderful. Trying to foist off on collectors these run of the
mill vocalists is utterly absurd. I'm sure you remember the attempt,
a few years back, when an amazing find occurred. Frank singing
two or three numbers. The singer was not remotely close to the
amazing gift Sinatra possessed. And the price they are asking
for such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1 <https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1> &mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, I interviewed many of the people associated with Sinatra. They were in awe of his voice back in the 1940s. Words used todescribe it included glorious, angelic, heavenly, stupendous andsimply wonderful. Trying to foist off on collectors these run of themill vocalists is utterly absurd. I'm sure you remember the attempt,a few years back, when an amazing find occurred. Frank singingtwo or three numbers. The singer was not remotely close to theamazing gift Sinatra possessed. And the price they are askingfor such mediocrity. Outrageous. Grrrrrr . . . . . .
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-23
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1 <https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1> &mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-23
Hi Scott, There are a few ingredients missing here:1. Tommy Dorsey's orchestra2. Pied Pipers3. Fred Stulce's great chart4. Frank SinatraEd
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
The Sands 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-23
Audrey Hepburn, Mel Ferrer, Frank Sinatra and Prince Mike Romanoff at The Sands,1956.


The Sands 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-23
Audrey Hepburn, Mel Ferrer, Frank Sinatra and Prince Mike Romanoff at The Sands,1956.


The Sands 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-23
Audrey Hepburn, Mel Ferrer, Frank Sinatra and Prince Mike Romanoff at The Sands,1956.


The Sands 1956
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-23
Audrey Hepburn, Mel Ferrer, Frank Sinatra and Prince Mike Romanoff at The Sands,1956.


Jackie Kennedy Onassis and Frank Sinatra
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-24
Thank you, Ed.
Here are some photos.
Carl
Jackie parties with Sinatra and Jane Fonda in the late ‘70s. | Jackie ...






Jackie Kennedy Onassis and Frank Sinatra
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-24
Thank you, Ed.
Here are some photos.
Carl
Jackie parties with Sinatra and Jane Fonda in the late ‘70s. | Jackie ...






Jackie Kennedy Onassis and Frank Sinatra
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-24
Thank you, Ed.
Here are some photos.
Carl
Jackie parties with Sinatra and Jane Fonda in the late ‘70s. | Jackie ...






Re: Jackie Kennedy Onassis and Frank Sinatra
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-24
On Tuesday, September 24, 2024 at 04:36:43 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
Thank you, Ed.
Here are some photos.
Carl
Thank you, Carl. After becoming a widow for the second time, Jackie
moved back to N.Y.C., in the summer of 1975. She was hired by Viking as
an editor. And that explains the rapprochement with Frank. She wanted
to land the autobio of the man. The past was the past. Later Jackie went
to Doubleday and continued until her dying days to land the most sought
after celebrity. I have a long discussion regarding his feelings about telling
all. Succinctly put, he said "It's no one's business !"
Ed
Jackie parties with Sinatra and Jane Fonda in the late ‘70s. | Jackie ...






Re: Jackie Kennedy Onassis and Frank Sinatra
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-24
On Tuesday, September 24, 2024 at 04:36:43 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
Thank you, Ed.
Here are some photos.
Carl
Thank you, Carl. After becoming a widow for the second time, Jackie
moved back to N.Y.C., in the summer of 1975. She was hired by Viking as
an editor. And that explains the rapprochement with Frank. She wanted
to land the autobio of the man. The past was the past. Later Jackie went
to Doubleday and continued until her dying days to land the most sought
after celebrity. I have a long discussion regarding his feelings about telling
all. Succinctly put, he said "It's no one's business !"
Ed
Jackie parties with Sinatra and Jane Fonda in the late ‘70s. | Jackie ...






Re: Jackie Kennedy Onassis and Frank Sinatra
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-24
On Tuesday, September 24, 2024 at 04:36:43 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
Thank you, Ed.
Here are some photos.
Carl
Thank you, Carl. After becoming a widow for the second time, Jackie
moved back to N.Y.C., in the summer of 1975. She was hired by Viking as
an editor. And that explains the rapprochement with Frank. She wanted
to land the autobio of the man. The past was the past. Later Jackie went
to Doubleday and continued until her dying days to land the most sought
after celebrity. I have a long discussion regarding his feelings about telling
all. Succinctly put, he said "It's no one's business !"
Ed
Jackie parties with Sinatra and Jane Fonda in the late ‘70s. | Jackie ...






Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-09-24
The interview in Egypt Frank he gave with the Pyamids behind him, comes to
my mind; when asked what he thought about impersonators trying his singing,
he laughed out loud saying some of them were good when it came to the
voice, "some of those voices resemble mine, but the phrasing, and the
inflections are not there at all, my style is *most unusual* "
I agree, trying to sing along with Sinatra can be very tricky. Some years
ago a friend of mine who always liked "Just the way you are" (which he
recorded for the Trilogy project ) started singing along while I, played
the record; ten seconds after he turned to me with desolate face and said;
"I can't sing". I laughed cause I suspected he hadn't heard him much by
then. Sinatra's extraordinary phrasing can make it impossible for any
singer to follow him; the values he gave to the notes were absolutely
phenomenal, it even prompted John Lahr in his book "Sinatra, the man and
the Artist" to ask the opinion of a neurologist about such a gift.
Apparently has to do with the part of the brain that deals with language
fluency ... or as Gene Kelly put it when it came to Sinatra : "Who can
define what talent is .. "
When it comes to this recording, in my opinion not even the voice resembles
to Sinatra's baritone.
El lun, 23 sept 2024 a las 10:02, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Scott,
> If you recall that one offered some session material.
> Sinatra was talking to Riddle between takes. I sound as much
> like Sinatra as that faux attempt. And now we have A.I. Bette
> Davis nailed it: "It is going to be a bumpy ride."
> Ed
>
> On Monday, September 23, 2024 at 10:57:10 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
> I remember the guy from a few years ago who was trying to maintain a
> recording called “I’m In Love With A Robot” was sung by Sinatra. It was
> laughable.
>
>
>
>
>
> Scott
>
>
>
> *From:* sinatraphiles-bounce@freelists.org [mailto:
> sinatraphiles-bounce@freelists.org] *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* September 23, 2024 10:37 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
>
>
>
> Hi Scott,
>
> I interviewed many of the people associated with Sinatra.
>
> They were in awe of his voice back in the 1940s. Words used to
>
> describe it included glorious, angelic, heavenly, stupendous and
>
> simply wonderful. Trying to foist off on collectors these run of the
>
> mill vocalists is utterly absurd. I'm sure you remember the attempt,
>
> a few years back, when an amazing find occurred. Frank singing
>
> two or three numbers. The singer was not remotely close to the
>
> amazing gift Sinatra possessed. And the price they are asking
>
> for such mediocrity. Outrageous. Grrrrrr . . . . . .
>
>
>
> On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
>
>
>
> I’m not even sure why he contributes it to Sinatra. There’s nothing
> written on it that even suggests it’s Sinatra. You are right though, I
> could tell it wasn’t Dorsey and even the tempo and phrasing by the singer
> don’t match Sinatra. And why would you think it was worth $80,000?
>
>
>
>
>
> Scott
>
>
>
> *From:* sinatraphiles-bounce@freelists.org [mailto:
> sinatraphiles-bounce@freelists.org] *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* September 23, 2024 9:50 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
>
>
>
> Hi Scott,
>
> There are a few ingredients missing here:
>
> 1. Tommy Dorsey's orchestra
>
> 2. Pied Pipers
>
> 3. Fred Stulce's great chart
>
> 4. Frank Sinatra
>
> Ed
>
>
>
>
>
> On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
>
>
>
> A seller on Ebay has the following listed for $80,000
>
>
>
>
>
>
> https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
>
>
>
> Here’s his description:
>
>
>
> Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll
> Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
>
>
>
> The seller also put up a Youtube video of the audio that he alleges is
> Sinatra.
>
>
>
> https://www.youtube.com/watch?v=IMxhH0i6Yhw
>
>
>
> To my ears, it clearly is not Sinatra.
>
>
>
>
>
> Scott
>
>
>
>
>
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-09-24
The interview in Egypt Frank he gave with the Pyamids behind him, comes to
my mind; when asked what he thought about impersonators trying his singing,
he laughed out loud saying some of them were good when it came to the
voice, "some of those voices resemble mine, but the phrasing, and the
inflections are not there at all, my style is *most unusual* "
I agree, trying to sing along with Sinatra can be very tricky. Some years
ago a friend of mine who always liked "Just the way you are" (which he
recorded for the Trilogy project ) started singing along while I, played
the record; ten seconds after he turned to me with desolate face and said;
"I can't sing". I laughed cause I suspected he hadn't heard him much by
then. Sinatra's extraordinary phrasing can make it impossible for any
singer to follow him; the values he gave to the notes were absolutely
phenomenal, it even prompted John Lahr in his book "Sinatra, the man and
the Artist" to ask the opinion of a neurologist about such a gift.
Apparently has to do with the part of the brain that deals with language
fluency ... or as Gene Kelly put it when it came to Sinatra : "Who can
define what talent is .. "
When it comes to this recording, in my opinion not even the voice resembles
to Sinatra's baritone.
El lun, 23 sept 2024 a las 10:02, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Scott,
> If you recall that one offered some session material.
> Sinatra was talking to Riddle between takes. I sound as much
> like Sinatra as that faux attempt. And now we have A.I. Bette
> Davis nailed it: "It is going to be a bumpy ride."
> Ed
>
> On Monday, September 23, 2024 at 10:57:10 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
> I remember the guy from a few years ago who was trying to maintain a
> recording called “I’m In Love With A Robot” was sung by Sinatra. It was
> laughable.
>
>
>
>
>
> Scott
>
>
>
> *From:* sinatraphiles-bounce@freelists.org [mailto:
> sinatraphiles-bounce@freelists.org] *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* September 23, 2024 10:37 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
>
>
>
> Hi Scott,
>
> I interviewed many of the people associated with Sinatra.
>
> They were in awe of his voice back in the 1940s. Words used to
>
> describe it included glorious, angelic, heavenly, stupendous and
>
> simply wonderful. Trying to foist off on collectors these run of the
>
> mill vocalists is utterly absurd. I'm sure you remember the attempt,
>
> a few years back, when an amazing find occurred. Frank singing
>
> two or three numbers. The singer was not remotely close to the
>
> amazing gift Sinatra possessed. And the price they are asking
>
> for such mediocrity. Outrageous. Grrrrrr . . . . . .
>
>
>
> On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
>
>
>
> I’m not even sure why he contributes it to Sinatra. There’s nothing
> written on it that even suggests it’s Sinatra. You are right though, I
> could tell it wasn’t Dorsey and even the tempo and phrasing by the singer
> don’t match Sinatra. And why would you think it was worth $80,000?
>
>
>
>
>
> Scott
>
>
>
> *From:* sinatraphiles-bounce@freelists.org [mailto:
> sinatraphiles-bounce@freelists.org] *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* September 23, 2024 9:50 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
>
>
>
> Hi Scott,
>
> There are a few ingredients missing here:
>
> 1. Tommy Dorsey's orchestra
>
> 2. Pied Pipers
>
> 3. Fred Stulce's great chart
>
> 4. Frank Sinatra
>
> Ed
>
>
>
>
>
> On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
>
>
>
> A seller on Ebay has the following listed for $80,000
>
>
>
>
>
>
> https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
>
>
>
> Here’s his description:
>
>
>
> Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll
> Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
>
>
>
> The seller also put up a Youtube video of the audio that he alleges is
> Sinatra.
>
>
>
> https://www.youtube.com/watch?v=IMxhH0i6Yhw
>
>
>
> To my ears, it clearly is not Sinatra.
>
>
>
>
>
> Scott
>
>
>
>
>
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Tito Montoya <franklyjoy22@gmail.com> | Received: 2024-09-24
The interview in Egypt Frank he gave with the Pyamids behind him, comes to
my mind; when asked what he thought about impersonators trying his singing,
he laughed out loud saying some of them were good when it came to the
voice, "some of those voices resemble mine, but the phrasing, and the
inflections are not there at all, my style is *most unusual* "
I agree, trying to sing along with Sinatra can be very tricky. Some years
ago a friend of mine who always liked "Just the way you are" (which he
recorded for the Trilogy project ) started singing along while I, played
the record; ten seconds after he turned to me with desolate face and said;
"I can't sing". I laughed cause I suspected he hadn't heard him much by
then. Sinatra's extraordinary phrasing can make it impossible for any
singer to follow him; the values he gave to the notes were absolutely
phenomenal, it even prompted John Lahr in his book "Sinatra, the man and
the Artist" to ask the opinion of a neurologist about such a gift.
Apparently has to do with the part of the brain that deals with language
fluency ... or as Gene Kelly put it when it came to Sinatra : "Who can
define what talent is .. "
When it comes to this recording, in my opinion not even the voice resembles
to Sinatra's baritone.
El lun, 23 sept 2024 a las 10:02, Ed O'Brien (<dmarc-noreply@freelists.org>)
escribió:
> Hi Scott,
> If you recall that one offered some session material.
> Sinatra was talking to Riddle between takes. I sound as much
> like Sinatra as that faux attempt. And now we have A.I. Bette
> Davis nailed it: "It is going to be a bumpy ride."
> Ed
>
> On Monday, September 23, 2024 at 10:57:10 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
> I remember the guy from a few years ago who was trying to maintain a
> recording called “I’m In Love With A Robot” was sung by Sinatra. It was
> laughable.
>
>
>
>
>
> Scott
>
>
>
> *From:* sinatraphiles-bounce@freelists.org [mailto:
> sinatraphiles-bounce@freelists.org] *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* September 23, 2024 10:37 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
>
>
>
> Hi Scott,
>
> I interviewed many of the people associated with Sinatra.
>
> They were in awe of his voice back in the 1940s. Words used to
>
> describe it included glorious, angelic, heavenly, stupendous and
>
> simply wonderful. Trying to foist off on collectors these run of the
>
> mill vocalists is utterly absurd. I'm sure you remember the attempt,
>
> a few years back, when an amazing find occurred. Frank singing
>
> two or three numbers. The singer was not remotely close to the
>
> amazing gift Sinatra possessed. And the price they are asking
>
> for such mediocrity. Outrageous. Grrrrrr . . . . . .
>
>
>
> On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
>
>
>
> I’m not even sure why he contributes it to Sinatra. There’s nothing
> written on it that even suggests it’s Sinatra. You are right though, I
> could tell it wasn’t Dorsey and even the tempo and phrasing by the singer
> don’t match Sinatra. And why would you think it was worth $80,000?
>
>
>
>
>
> Scott
>
>
>
> *From:* sinatraphiles-bounce@freelists.org [mailto:
> sinatraphiles-bounce@freelists.org] *On Behalf Of *Ed O'Brien ("eob101")
> *Sent:* September 23, 2024 9:50 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
>
>
>
> Hi Scott,
>
> There are a few ingredients missing here:
>
> 1. Tommy Dorsey's orchestra
>
> 2. Pied Pipers
>
> 3. Fred Stulce's great chart
>
> 4. Frank Sinatra
>
> Ed
>
>
>
>
>
> On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <
> scott@falseducks.com> wrote:
>
>
>
>
>
> A seller on Ebay has the following listed for $80,000
>
>
>
>
>
>
> https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
>
>
>
> Here’s his description:
>
>
>
> Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll
> Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
>
>
>
> The seller also put up a Youtube video of the audio that he alleges is
> Sinatra.
>
>
>
> https://www.youtube.com/watch?v=IMxhH0i6Yhw
>
>
>
> To my ears, it clearly is not Sinatra.
>
>
>
>
>
> Scott
>
>
>
>
>
FRANK AND BUSTER 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Philadelphia Inquirer
2-14-52
note: I would argue that Frank was maligned as a singer and overrated as
a comedian in this article. But the main reason for posting is the segment
on the great Buster Keaton. The man was a comedic genius and should
have been turning down a slew of offers in February of 1952. Would love
to see the comedy stretch Sinatra did with him on the 2-12-52 CBS show.
Ed

FRANK AND BUSTER 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Philadelphia Inquirer
2-14-52
note: I would argue that Frank was maligned as a singer and overrated as
a comedian in this article. But the main reason for posting is the segment
on the great Buster Keaton. The man was a comedic genius and should
have been turning down a slew of offers in February of 1952. Would love
to see the comedy stretch Sinatra did with him on the 2-12-52 CBS show.
Ed

FRANK AND BUSTER 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Philadelphia Inquirer
2-14-52
note: I would argue that Frank was maligned as a singer and overrated as
a comedian in this article. But the main reason for posting is the segment
on the great Buster Keaton. The man was a comedic genius and should
have been turning down a slew of offers in February of 1952. Would love
to see the comedy stretch Sinatra did with him on the 2-12-52 CBS show.
Ed

Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-09-25
Also, where does the "Dick Powell" reference in the title come from? The record is signed from "Ray Powell"--who isn't anyone famous. I guess the seller is trying to make you think of some sort of mash-up of Ray Eberle and Dick Powell. For fun I was thinking of offering $1, but I don't want him to accept it and have me on the hook for the additional $25 media mail shipping charge.
By the way, you can ship up to 28 pounds by media mail for $25. Maybe the record is stamped on 12,700-gram vinyl?
Steve
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-09-25
Also, where does the "Dick Powell" reference in the title come from? The record is signed from "Ray Powell"--who isn't anyone famous. I guess the seller is trying to make you think of some sort of mash-up of Ray Eberle and Dick Powell. For fun I was thinking of offering $1, but I don't want him to accept it and have me on the hook for the additional $25 media mail shipping charge.
By the way, you can ship up to 28 pounds by media mail for $25. Maybe the record is stamped on 12,700-gram vinyl?
Steve
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
Re: Rare Sinatra Acetate? -- I don't think so
Undated materialFrom: Steve <dmarc-noreply@freelists.org> | Received: 2024-09-25
Also, where does the "Dick Powell" reference in the title come from? The record is signed from "Ray Powell"--who isn't anyone famous. I guess the seller is trying to make you think of some sort of mash-up of Ray Eberle and Dick Powell. For fun I was thinking of offering $1, but I don't want him to accept it and have me on the hook for the additional $25 media mail shipping charge.
By the way, you can ship up to 28 pounds by media mail for $25. Maybe the record is stamped on 12,700-gram vinyl?
Steve
On Monday, September 23, 2024 at 10:17:44 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
I’m not even sure why he contributes it to Sinatra. There’s nothing written on it that even suggests it’s Sinatra. You are right though, I could tell it wasn’t Dorsey and even the tempo and phrasing by the singer don’t match Sinatra. And why would you think it was worth $80,000?
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of Ed O'Brien ("eob101")
Sent: September 23, 2024 9:50 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Rare Sinatra Acetate? -- I don't think so
Hi Scott,
There are a few ingredients missing here:
1. Tommy Dorsey's orchestra
2. Pied Pipers
3. Fred Stulce's great chart
4. Frank Sinatra
Ed
On Monday, September 23, 2024 at 09:26:18 AM EDT, Scott Henderson <scott@falseducks.com> wrote:
A seller on Ebay has the following listed for $80,000
https://www.ebay.com/itm/335586038998?mkevt=1&mkpid=0&emsid=e11021.m164380.l178263&mkcid=7&ch=osgood&euid=e2eb2c77370944bd8d616651d7ed1724&bu=43187722506&ut=RU&osub=-1%7E1&crd=20240923055430&segname=11021&recoId=335586038998&recoPos=1
Here’s his description:
Rare Unreleased Acetate Vinyl Recording Featuring Frank Sinatra: *“I’ll Never Smile Again”* & Dick Powell *“I Only Have Eyes for You
The seller also put up a Youtube video of the audio that he alleges is Sinatra.
https://www.youtube.com/watch?v=IMxhH0i6Yhw
To my ears, it clearly is not Sinatra.
Scott
SINATRA AND KEN LANE FEBRUARY 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Evening Star
2-20-52
note: Ken Lane Singers and Ken Lane piano player were
part of the Columba era, starting in 1944. To claim
he was Frank's arranger and not mention Stordahl,
or Siravo, or Oliver is a bit of a stretch. Lane may
have contributed to the charts for "That Old Black
Magic" and "All Of Me," done for "Meet Danny Wilson."
He was the piano player at the Universal session in
June and July of 1951. But Neal Hefti told me that
"Old Black Magic," done for the film, was his first
effort for Sinatra. Article is a curious artifact from
Frank's last year at Columbia Records.
Ed

SINATRA AND KEN LANE FEBRUARY 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Evening Star
2-20-52
note: Ken Lane Singers and Ken Lane piano player were
part of the Columba era, starting in 1944. To claim
he was Frank's arranger and not mention Stordahl,
or Siravo, or Oliver is a bit of a stretch. Lane may
have contributed to the charts for "That Old Black
Magic" and "All Of Me," done for "Meet Danny Wilson."
He was the piano player at the Universal session in
June and July of 1951. But Neal Hefti told me that
"Old Black Magic," done for the film, was his first
effort for Sinatra. Article is a curious artifact from
Frank's last year at Columbia Records.
Ed

SINATRA AND KEN LANE FEBRUARY 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Evening Star
2-20-52
note: Ken Lane Singers and Ken Lane piano player were
part of the Columba era, starting in 1944. To claim
he was Frank's arranger and not mention Stordahl,
or Siravo, or Oliver is a bit of a stretch. Lane may
have contributed to the charts for "That Old Black
Magic" and "All Of Me," done for "Meet Danny Wilson."
He was the piano player at the Universal session in
June and July of 1951. But Neal Hefti told me that
"Old Black Magic," done for the film, was his first
effort for Sinatra. Article is a curious artifact from
Frank's last year at Columbia Records.
Ed

SINATRA AND KEN LANE FEBRUARY 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Evening Star
2-20-52
note: Ken Lane Singers and Ken Lane piano player were
part of the Columba era, starting in 1944. To claim
he was Frank's arranger and not mention Stordahl,
or Siravo, or Oliver is a bit of a stretch. Lane may
have contributed to the charts for "That Old Black
Magic" and "All Of Me," done for "Meet Danny Wilson."
He was the piano player at the Universal session in
June and July of 1951. But Neal Hefti told me that
"Old Black Magic," done for the film, was his first
effort for Sinatra. Article is a curious artifact from
Frank's last year at Columbia Records.
Ed

SINATRA AND KEN LANE FEBRUARY 1952
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-25
Evening Star
2-20-52
note: Ken Lane Singers and Ken Lane piano player were
part of the Columba era, starting in 1944. To claim
he was Frank's arranger and not mention Stordahl,
or Siravo, or Oliver is a bit of a stretch. Lane may
have contributed to the charts for "That Old Black
Magic" and "All Of Me," done for "Meet Danny Wilson."
He was the piano player at the Universal session in
June and July of 1951. But Neal Hefti told me that
"Old Black Magic," done for the film, was his first
effort for Sinatra. Article is a curious artifact from
Frank's last year at Columbia Records.
Ed

Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-26
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Carl,
I see both marines and navy personnel in
the audience. Frank started out playing up around
Nova Scotia. I also see naval uniforms in the orches-
tra. Fairly certain it was at the beginning of the
tour in late May of 45.
Ed
On Thursday, September 26, 2024 at 09:32:48 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-26
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Carl,
I see both marines and navy personnel in
the audience. Frank started out playing up around
Nova Scotia. I also see naval uniforms in the orches-
tra. Fairly certain it was at the beginning of the
tour in late May of 45.
Ed
On Thursday, September 26, 2024 at 09:32:48 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-26
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Carl,
I see both marines and navy personnel in
the audience. Frank started out playing up around
Nova Scotia. I also see naval uniforms in the orches-
tra. Fairly certain it was at the beginning of the
tour in late May of 45.
Ed
On Thursday, September 26, 2024 at 09:32:48 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-26
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Carl,
I see both marines and navy personnel in
the audience. Frank started out playing up around
Nova Scotia. I also see naval uniforms in the orches-
tra. Fairly certain it was at the beginning of the
tour in late May of 45.
Ed
On Thursday, September 26, 2024 at 09:32:48 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

SV: Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Scott,
Huge mistake on my part.
I cannot understand that I have overlooked this for 3 years.
Thanks for reminding me.
Carl
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

SV: Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Scott,
Huge mistake on my part.
I cannot understand that I have overlooked this for 3 years.
Thanks for reminding me.
Carl
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

SV: Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Scott,
Huge mistake on my part.
I cannot understand that I have overlooked this for 3 years.
Thanks for reminding me.
Carl
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

SV: Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Scott,
Huge mistake on my part.
I cannot understand that I have overlooked this for 3 years.
Thanks for reminding me.
Carl
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

SV: Re: Frank Sinatra and Phil Silvers somewhere??
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-09-26
Hi Scott,
Huge mistake on my part.
I cannot understand that I have overlooked this for 3 years.
Thanks for reminding me.
Carl
Hello Carl,
That image has been included in our Sinatra post for June 3 for the last few years.
1945 Fort McAndrew, Argentia, Newfoundland (June 3-6)
The caption for this image was “Performance by Frank Sinatra at Buckmaster’s Field, St. John’s in 1945
Chris Andrews, far right on stage, was the MC for the event. The Argentia CB Band played that night."
Source was from the book: “A Friendly Invasion II: A Personal Touch” by John N. Cardoulis
Scott
From: sinatraphiles-bounce@freelists.org [mailto:sinatraphiles-bounce@freelists.org] On Behalf Of cara ("cara")
Sent: September 26, 2024 9:33 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Frank Sinatra and Phil Silvers somewhere??
I came across this interesting photo.
Frank Sinatra and Phil Silvers.
Marine orchestra?
Gremlins?
Marines in the audience.
Could the two girls to the right be Fay McKenzie and Betty Yeaton?
If so, could it be from the USO tour in 1945?
Carl

Re: September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-30
Ursula, J.D., and Frank's back at the Villa Capri.

Re: September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-30
Ursula, J.D., and Frank's back at the Villa Capri.

Re: September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-30
Ursula, J.D., and Frank's back at the Villa Capri.

Re: September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: John Larrabee <dmarc-noreply@freelists.org> | Received: 2024-09-30
Ursula, J.D., and Frank's back at the Villa Capri.

question for the group
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-30
Hello everyone,
Someone emailed me asking about a post they saw
on Redit. This was what was sent to me:
Need help identifying my dad's Sinatra bootleg
I'm going through my dad's music collection and
there's a DIY cassette tape labeled "Sinatra Live
at Caraques". From online searches I'm guessing
he meant Cadaques, the town in Spain, but I can't
find any online record of Sinatra performing
there, let alone it being recorded. The tape
doesn't have a tracklist, and I don't currently
have a working tape player to listen to it on.
Does anyone know what this might be?
I responded that I didn't have a clue. Sinatra
did two concerts in Spain in 1992. One was in
Barcelona on June 3 and the other was Coliseum da
Coruña, A Coruña, Spain on June 5th. Nothing in
between and then he moved on to Portugal on June 7th.
Caraques is also the Spanish spelling of Caracas,
Venezuela. To my knowledge, Sinatra never performed in Venezuela.
Does anyone have any thoughts?
Scott
question for the group
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-30
Hello everyone,
Someone emailed me asking about a post they saw
on Redit. This was what was sent to me:
Need help identifying my dad's Sinatra bootleg
I'm going through my dad's music collection and
there's a DIY cassette tape labeled "Sinatra Live
at Caraques". From online searches I'm guessing
he meant Cadaques, the town in Spain, but I can't
find any online record of Sinatra performing
there, let alone it being recorded. The tape
doesn't have a tracklist, and I don't currently
have a working tape player to listen to it on.
Does anyone know what this might be?
I responded that I didn't have a clue. Sinatra
did two concerts in Spain in 1992. One was in
Barcelona on June 3 and the other was Coliseum da
Coruña, A Coruña, Spain on June 5th. Nothing in
between and then he moved on to Portugal on June 7th.
Caraques is also the Spanish spelling of Caracas,
Venezuela. To my knowledge, Sinatra never performed in Venezuela.
Does anyone have any thoughts?
Scott
question for the group
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-30
Hello everyone,
Someone emailed me asking about a post they saw
on Redit. This was what was sent to me:
Need help identifying my dad's Sinatra bootleg
I'm going through my dad's music collection and
there's a DIY cassette tape labeled "Sinatra Live
at Caraques". From online searches I'm guessing
he meant Cadaques, the town in Spain, but I can't
find any online record of Sinatra performing
there, let alone it being recorded. The tape
doesn't have a tracklist, and I don't currently
have a working tape player to listen to it on.
Does anyone know what this might be?
I responded that I didn't have a clue. Sinatra
did two concerts in Spain in 1992. One was in
Barcelona on June 3 and the other was Coliseum da
Coruña, A Coruña, Spain on June 5th. Nothing in
between and then he moved on to Portugal on June 7th.
Caraques is also the Spanish spelling of Caracas,
Venezuela. To my knowledge, Sinatra never performed in Venezuela.
Does anyone have any thoughts?
Scott
question for the group
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-30
Hello everyone,
Someone emailed me asking about a post they saw
on Redit. This was what was sent to me:
Need help identifying my dad's Sinatra bootleg
I'm going through my dad's music collection and
there's a DIY cassette tape labeled "Sinatra Live
at Caraques". From online searches I'm guessing
he meant Cadaques, the town in Spain, but I can't
find any online record of Sinatra performing
there, let alone it being recorded. The tape
doesn't have a tracklist, and I don't currently
have a working tape player to listen to it on.
Does anyone know what this might be?
I responded that I didn't have a clue. Sinatra
did two concerts in Spain in 1992. One was in
Barcelona on June 3 and the other was Coliseum da
Coruña, A Coruña, Spain on June 5th. Nothing in
between and then he moved on to Portugal on June 7th.
Caraques is also the Spanish spelling of Caracas,
Venezuela. To my knowledge, Sinatra never performed in Venezuela.
Does anyone have any thoughts?
Scott
question for the group
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-30
Hello everyone,
Someone emailed me asking about a post they saw
on Redit. This was what was sent to me:
Need help identifying my dad's Sinatra bootleg
I'm going through my dad's music collection and
there's a DIY cassette tape labeled "Sinatra Live
at Caraques". From online searches I'm guessing
he meant Cadaques, the town in Spain, but I can't
find any online record of Sinatra performing
there, let alone it being recorded. The tape
doesn't have a tracklist, and I don't currently
have a working tape player to listen to it on.
Does anyone know what this might be?
I responded that I didn't have a clue. Sinatra
did two concerts in Spain in 1992. One was in
Barcelona on June 3 and the other was Coliseum da
Coruña, A Coruña, Spain on June 5th. Nothing in
between and then he moved on to Portugal on June 7th.
Caraques is also the Spanish spelling of Caracas,
Venezuela. To my knowledge, Sinatra never performed in Venezuela.
Does anyone have any thoughts?
Scott
question for the group
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-09-30
Hello everyone,
Someone emailed me asking about a post they saw
on Redit. This was what was sent to me:
Need help identifying my dad's Sinatra bootleg
I'm going through my dad's music collection and
there's a DIY cassette tape labeled "Sinatra Live
at Caraques". From online searches I'm guessing
he meant Cadaques, the town in Spain, but I can't
find any online record of Sinatra performing
there, let alone it being recorded. The tape
doesn't have a tracklist, and I don't currently
have a working tape player to listen to it on.
Does anyone know what this might be?
I responded that I didn't have a clue. Sinatra
did two concerts in Spain in 1992. One was in
Barcelona on June 3 and the other was Coliseum da
Coruña, A Coruña, Spain on June 5th. Nothing in
between and then he moved on to Portugal on June 7th.
Caraques is also the Spanish spelling of Caracas,
Venezuela. To my knowledge, Sinatra never performed in Venezuela.
Does anyone have any thoughts?
Scott
REVIEW IOF "ALL OR NOTHING AT ALL" OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Tampa Bay Tribune
October 6, 1940
note: "All Or Nothing At All" was recorded on 8-31-39. Released in October
of 1940. According to Billboard, the disc sold 16,000 copies. The re-
release in the summer of 1943 sold over a million.
Ed

REVIEW IOF "ALL OR NOTHING AT ALL" OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Tampa Bay Tribune
October 6, 1940
note: "All Or Nothing At All" was recorded on 8-31-39. Released in October
of 1940. According to Billboard, the disc sold 16,000 copies. The re-
release in the summer of 1943 sold over a million.
Ed

REVIEW IOF "ALL OR NOTHING AT ALL" OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Tampa Bay Tribune
October 6, 1940
note: "All Or Nothing At All" was recorded on 8-31-39. Released in October
of 1940. According to Billboard, the disc sold 16,000 copies. The re-
release in the summer of 1943 sold over a million.
Ed

THE VOICE AND HIS MUSIC
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Boston Globe
10-5-88




THE VOICE AND HIS MUSIC
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Boston Globe
10-5-88




THE VOICE AND HIS MUSIC
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Boston Globe
10-5-88




THE VOICE AND HIS MUSIC
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04
Boston Globe
10-5-88




TOMMY DORSEY WITH CONNIE HAINES AND FRANK SINATRA IN OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04

TOMMY DORSEY WITH CONNIE HAINES AND FRANK SINATRA IN OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04

TOMMY DORSEY WITH CONNIE HAINES AND FRANK SINATRA IN OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04

TOMMY DORSEY WITH CONNIE HAINES AND FRANK SINATRA IN OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-04

SANDS 1953
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-07
Article was published on 10-29-53 (Thursday). States that Frank closed on Tuesday ( 27 ).
But he threw himself a party on the 28th and dressed as a clown. Look at the sadness
in his eyes. Found articles citing the preponderance of sad ballads in his Sands shows.
Had many women, in the audience, in tears.





DORSEY BAND OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
L.A. TIMES
St Louis Horse Show






DORSEY BAND OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
L.A. TIMES
St Louis Horse Show






DORSEY BAND OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
L.A. TIMES
St Louis Horse Show






DORSEY BAND OCTOBER 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
L.A. TIMES
St Louis Horse Show






October 1940
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-08
During this month in 1940 (October), Sinatra joined Tommy Dorsey & his band to begin a weekly radio show, ‘Fame and Fortune’, sponsored by Lewis Home Company and was broadcast on NBC for six months from 8:30 to 9 p.m.—that gave amateur songwriters a chance to compete for a $100 prize and the right to see their work published by NBC Music, a company in which Dorsey had an stake in. It was also a great learning curve for the young Sinatra, challenging Frank to learn and perform new and different material every outing.

October 1940
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-08
During this month in 1940 (October), Sinatra joined Tommy Dorsey & his band to begin a weekly radio show, ‘Fame and Fortune’, sponsored by Lewis Home Company and was broadcast on NBC for six months from 8:30 to 9 p.m.—that gave amateur songwriters a chance to compete for a $100 prize and the right to see their work published by NBC Music, a company in which Dorsey had an stake in. It was also a great learning curve for the young Sinatra, challenging Frank to learn and perform new and different material every outing.

October 1940
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-08
During this month in 1940 (October), Sinatra joined Tommy Dorsey & his band to begin a weekly radio show, ‘Fame and Fortune’, sponsored by Lewis Home Company and was broadcast on NBC for six months from 8:30 to 9 p.m.—that gave amateur songwriters a chance to compete for a $100 prize and the right to see their work published by NBC Music, a company in which Dorsey had an stake in. It was also a great learning curve for the young Sinatra, challenging Frank to learn and perform new and different material every outing.

Pittsburgh Civic Arena - Friday October 8th 1993
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-08

Pittsburgh Civic Arena - Friday October 8th 1993
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-08

Pittsburgh Civic Arena - Friday October 8th 1993
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-08

Re: Christmas gift?
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
On Tuesday, October 8, 2024 at 05:23:24 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
On this picture from Albacete December 1953 Ava is holding on to a 78 rpm record with her left hand.
I wonder if it was a new release that Frank gave her as a Christmas gift?
Carl
Hi Carl,
Frank was with Capitol in the fall of 1953. His most recent release
was "South of the Border/I Love You." Ava is holding a 12 inch record. And
it is not from Capitol.
Ed

Re: Christmas gift?
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
On Tuesday, October 8, 2024 at 05:23:24 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
On this picture from Albacete December 1953 Ava is holding on to a 78 rpm record with her left hand.
I wonder if it was a new release that Frank gave her as a Christmas gift?
Carl
Hi Carl,
Frank was with Capitol in the fall of 1953. His most recent release
was "South of the Border/I Love You." Ava is holding a 12 inch record. And
it is not from Capitol.
Ed

Re: Christmas gift?
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-08
On Tuesday, October 8, 2024 at 05:23:24 AM EDT, cara <dmarc-noreply@freelists.org> wrote:
On this picture from Albacete December 1953 Ava is holding on to a 78 rpm record with her left hand.
I wonder if it was a new release that Frank gave her as a Christmas gift?
Carl
Hi Carl,
Frank was with Capitol in the fall of 1953. His most recent release
was "South of the Border/I Love You." Ava is holding a 12 inch record. And
it is not from Capitol.
Ed

FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-09
note: Wow ! Who knew. I checked the major bios, Nancy's
books and found two obits on Noble. Nary a mention
of Frank's time with the band. I was looking for a review
of the Central Theater in Passaic, 10/42. Last year I
posted a review of Frank's December 42 engagement
at the theater. Reviewer listed songs Frank sang. I
thought there might be a review of the October show.
And I stumbled upon this article in The Record.
Ed

FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-09
note: Wow ! Who knew. I checked the major bios, Nancy's
books and found two obits on Noble. Nary a mention
of Frank's time with the band. I was looking for a review
of the Central Theater in Passaic, 10/42. Last year I
posted a review of Frank's December 42 engagement
at the theater. Reviewer listed songs Frank sang. I
thought there might be a review of the October show.
And I stumbled upon this article in The Record.
Ed

FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-09
note: Wow ! Who knew. I checked the major bios, Nancy's
books and found two obits on Noble. Nary a mention
of Frank's time with the band. I was looking for a review
of the Central Theater in Passaic, 10/42. Last year I
posted a review of Frank's December 42 engagement
at the theater. Reviewer listed songs Frank sang. I
thought there might be a review of the October show.
And I stumbled upon this article in The Record.
Ed

Re: FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-10-09
Fantastic Ed ..keep up the good work
Sent from Yahoo Mail on Android
On Wed, Oct 9, 2024 at 6:48 PM, James Johnson<dmarc-noreply@freelists.org> wrote: Simply amazing that there still are new discoveries about Sinatra’s career.
_____________
Jim Johnson
Rehoboth Beach, DE
On Oct 9, 2024, at 6:20 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
<1728511489312blob.jpg>
note: Wow ! Who knew. I checked the major bios, Nancy's books and found two obits on Noble. Nary a mention of Frank's time with the band. I was looking for a review of the Central Theater in Passaic, 10/42. Last year I posted a review of Frank's December 42 engagement at the theater. Reviewer listed songs Frank sang. I thought there might be a review of the October show. And I stumbled upon this article in The Record.Ed<1728511489312blob.jpg>
Re: FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-10-09
Simply amazing that there still are new discoveries about Sinatra’s career.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Oct 9, 2024, at 6:20 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> <1728511489312blob.jpg>
>
> note: Wow ! Who knew. I checked the major bios, Nancy's
> books and found two obits on Noble. Nary a mention
> of Frank's time with the band. I was looking for a review
> of the Central Theater in Passaic, 10/42. Last year I
> posted a review of Frank's December 42 engagement
> at the theater. Reviewer listed songs Frank sang. I
> thought there might be a review of the October show.
> And I stumbled upon this article in The Record.
> Ed
> <1728511489312blob.jpg>
Re: FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-10-09
Fantastic Ed ..keep up the good work
Sent from Yahoo Mail on Android
On Wed, Oct 9, 2024 at 6:48 PM, James Johnson<dmarc-noreply@freelists.org> wrote: Simply amazing that there still are new discoveries about Sinatra’s career.
_____________
Jim Johnson
Rehoboth Beach, DE
On Oct 9, 2024, at 6:20 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
<1728511489312blob.jpg>
note: Wow ! Who knew. I checked the major bios, Nancy's books and found two obits on Noble. Nary a mention of Frank's time with the band. I was looking for a review of the Central Theater in Passaic, 10/42. Last year I posted a review of Frank's December 42 engagement at the theater. Reviewer listed songs Frank sang. I thought there might be a review of the October show. And I stumbled upon this article in The Record.Ed<1728511489312blob.jpg>
Re: FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-10-09
Simply amazing that there still are new discoveries about Sinatra’s career.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Oct 9, 2024, at 6:20 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> <1728511489312blob.jpg>
>
> note: Wow ! Who knew. I checked the major bios, Nancy's
> books and found two obits on Noble. Nary a mention
> of Frank's time with the band. I was looking for a review
> of the Central Theater in Passaic, 10/42. Last year I
> posted a review of Frank's December 42 engagement
> at the theater. Reviewer listed songs Frank sang. I
> thought there might be a review of the October show.
> And I stumbled upon this article in The Record.
> Ed
> <1728511489312blob.jpg>
Re: FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2024-10-09
Fantastic Ed ..keep up the good work
Sent from Yahoo Mail on Android
On Wed, Oct 9, 2024 at 6:48 PM, James Johnson<dmarc-noreply@freelists.org> wrote: Simply amazing that there still are new discoveries about Sinatra’s career.
_____________
Jim Johnson
Rehoboth Beach, DE
On Oct 9, 2024, at 6:20 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
<1728511489312blob.jpg>
note: Wow ! Who knew. I checked the major bios, Nancy's books and found two obits on Noble. Nary a mention of Frank's time with the band. I was looking for a review of the Central Theater in Passaic, 10/42. Last year I posted a review of Frank's December 42 engagement at the theater. Reviewer listed songs Frank sang. I thought there might be a review of the October show. And I stumbled upon this article in The Record.Ed<1728511489312blob.jpg>
Re: FRANKIE WAS THE MALE VOCALIST WITH THE FREDDIE NOBLE BAND
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-10-09
Simply amazing that there still are new discoveries about Sinatra’s career.
_____________
Jim Johnson
Rehoboth Beach, DE
> On Oct 9, 2024, at 6:20 PM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
>
>
> <1728511489312blob.jpg>
>
> note: Wow ! Who knew. I checked the major bios, Nancy's
> books and found two obits on Noble. Nary a mention
> of Frank's time with the band. I was looking for a review
> of the Central Theater in Passaic, 10/42. Last year I
> posted a review of Frank's December 42 engagement
> at the theater. Reviewer listed songs Frank sang. I
> thought there might be a review of the October show.
> And I stumbled upon this article in The Record.
> Ed
> <1728511489312blob.jpg>
Re: October 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-09
Hi Carl,
Jo Stafford told me the bus trips through the Midwest were
grueling, but the propeller planes really frightened her. They were often
not air worthy. Dorsey was a dare devil and would throw caution to the
wind be it bus travel in a blizzard or a plane flight in a violent storm. She
very much preferred traveling in a train.
Ed
During this month in 1940 (October), Sinatra joined Tommy Dorsey & his band to begin a weekly radio show, ‘Fame and Fortune’, sponsored by Lewis Home Company and was broadcast on NBC for six months from 8:30 to 9 p.m.—that gave amateur songwriters a chance to compete for a $100 prize and the right to see their work published by NBC Music, a company in which Dorsey had an stake in. It was also a great learning curve for the young Sinatra, challenging Frank to learn and perform new and different material every outing.

Re: October 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-09
Hi Carl,
Jo Stafford told me the bus trips through the Midwest were
grueling, but the propeller planes really frightened her. They were often
not air worthy. Dorsey was a dare devil and would throw caution to the
wind be it bus travel in a blizzard or a plane flight in a violent storm. She
very much preferred traveling in a train.
Ed
During this month in 1940 (October), Sinatra joined Tommy Dorsey & his band to begin a weekly radio show, ‘Fame and Fortune’, sponsored by Lewis Home Company and was broadcast on NBC for six months from 8:30 to 9 p.m.—that gave amateur songwriters a chance to compete for a $100 prize and the right to see their work published by NBC Music, a company in which Dorsey had an stake in. It was also a great learning curve for the young Sinatra, challenging Frank to learn and perform new and different material every outing.

Re: October 1940
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-09
Hi Carl,
Jo Stafford told me the bus trips through the Midwest were
grueling, but the propeller planes really frightened her. They were often
not air worthy. Dorsey was a dare devil and would throw caution to the
wind be it bus travel in a blizzard or a plane flight in a violent storm. She
very much preferred traveling in a train.
Ed
During this month in 1940 (October), Sinatra joined Tommy Dorsey & his band to begin a weekly radio show, ‘Fame and Fortune’, sponsored by Lewis Home Company and was broadcast on NBC for six months from 8:30 to 9 p.m.—that gave amateur songwriters a chance to compete for a $100 prize and the right to see their work published by NBC Music, a company in which Dorsey had an stake in. It was also a great learning curve for the young Sinatra, challenging Frank to learn and perform new and different material every outing.

Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-10-10
Frank Sinatra was many things, certainly a genius, occasionally a neurotic, maybe even a demigod at times, but Frank was no Aquaman. I can well imagine Jo Stafford getting a belly laugh over the “breathing under water” story.
_____________
Jim Johnson
Rehoboth Beach, DE
On Oct 10, 2024, at 9:58 AM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
There was once a Sinatra Society that promulgated the notion
that Frank developed his remarkable breath control by breathing underwater.
They obviously misread or misunderstood what Frank was saying. I wrote to
the society and explained what happens if you take in air underwater. One
member steadfastly refused to accept my claim. "If Frank said he did it . . ."
Later on, I told Jo Stafford and it made her day. She could not stop laughing.
Jo told me that Frank's claim of snatching a breath was not possible. And she
had marvelous breath control. Jo told me that swimming underwater was the
key.
Frank's legato phrasing created a seamless sound in his recordings.
Interesting how he would move to a more staccato approach with the first Sinatra-
Basie album.
Ed
On Thursday, October 10, 2024 at 04:13:41 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
<1728530065865blob.jpg>
<1728530139253blob.jpg>
<1728530245520blob.jpg>
9-28-48
<1728530139253blob.jpg>
<1728530065865blob.jpg>
<1728530245520blob.jpg>
Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-10
Hi Vance,
There was once a Sinatra Society that promulgated the notion
that Frank developed his remarkable breath control by breathing underwater.
They obviously misread or misunderstood what Frank was saying. I wrote to
the society and explained what happens if you take in air underwater. One
member steadfastly refused to accept my claim. "If Frank said he did it . . ."
Later on, I told Jo Stafford and it made her day. She could not stop laughing.
Jo told me that Frank's claim of snatching a breath was not possible. And she
had marvelous breath control. Jo told me that swimming underwater was the
key.
Frank's legato phrasing created a seamless sound in his recordings.
Interesting how he would move to a more staccato approach with the first Sinatra-
Basie album.
Ed
On Thursday, October 10, 2024 at 04:13:41 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
9-28-48



Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-10-10
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
9-28-48



Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-10-10
Frank Sinatra was many things, certainly a genius, occasionally a neurotic, maybe even a demigod at times, but Frank was no Aquaman. I can well imagine Jo Stafford getting a belly laugh over the “breathing under water” story.
_____________
Jim Johnson
Rehoboth Beach, DE
On Oct 10, 2024, at 9:58 AM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
There was once a Sinatra Society that promulgated the notion
that Frank developed his remarkable breath control by breathing underwater.
They obviously misread or misunderstood what Frank was saying. I wrote to
the society and explained what happens if you take in air underwater. One
member steadfastly refused to accept my claim. "If Frank said he did it . . ."
Later on, I told Jo Stafford and it made her day. She could not stop laughing.
Jo told me that Frank's claim of snatching a breath was not possible. And she
had marvelous breath control. Jo told me that swimming underwater was the
key.
Frank's legato phrasing created a seamless sound in his recordings.
Interesting how he would move to a more staccato approach with the first Sinatra-
Basie album.
Ed
On Thursday, October 10, 2024 at 04:13:41 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
<1728530065865blob.jpg>
<1728530139253blob.jpg>
<1728530245520blob.jpg>
9-28-48
<1728530139253blob.jpg>
<1728530065865blob.jpg>
<1728530245520blob.jpg>
Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-10
Hi Vance,
There was once a Sinatra Society that promulgated the notion
that Frank developed his remarkable breath control by breathing underwater.
They obviously misread or misunderstood what Frank was saying. I wrote to
the society and explained what happens if you take in air underwater. One
member steadfastly refused to accept my claim. "If Frank said he did it . . ."
Later on, I told Jo Stafford and it made her day. She could not stop laughing.
Jo told me that Frank's claim of snatching a breath was not possible. And she
had marvelous breath control. Jo told me that swimming underwater was the
key.
Frank's legato phrasing created a seamless sound in his recordings.
Interesting how he would move to a more staccato approach with the first Sinatra-
Basie album.
Ed
On Thursday, October 10, 2024 at 04:13:41 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
9-28-48



Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-10-10
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
9-28-48



Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: James Johnson <dmarc-noreply@freelists.org> | Received: 2024-10-10
Frank Sinatra was many things, certainly a genius, occasionally a neurotic, maybe even a demigod at times, but Frank was no Aquaman. I can well imagine Jo Stafford getting a belly laugh over the “breathing under water” story.
_____________
Jim Johnson
Rehoboth Beach, DE
On Oct 10, 2024, at 9:58 AM, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
Hi Vance,
There was once a Sinatra Society that promulgated the notion
that Frank developed his remarkable breath control by breathing underwater.
They obviously misread or misunderstood what Frank was saying. I wrote to
the society and explained what happens if you take in air underwater. One
member steadfastly refused to accept my claim. "If Frank said he did it . . ."
Later on, I told Jo Stafford and it made her day. She could not stop laughing.
Jo told me that Frank's claim of snatching a breath was not possible. And she
had marvelous breath control. Jo told me that swimming underwater was the
key.
Frank's legato phrasing created a seamless sound in his recordings.
Interesting how he would move to a more staccato approach with the first Sinatra-
Basie album.
Ed
On Thursday, October 10, 2024 at 04:13:41 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
<1728530065865blob.jpg>
<1728530139253blob.jpg>
<1728530245520blob.jpg>
9-28-48
<1728530139253blob.jpg>
<1728530065865blob.jpg>
<1728530245520blob.jpg>
Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-10
Hi Vance,
There was once a Sinatra Society that promulgated the notion
that Frank developed his remarkable breath control by breathing underwater.
They obviously misread or misunderstood what Frank was saying. I wrote to
the society and explained what happens if you take in air underwater. One
member steadfastly refused to accept my claim. "If Frank said he did it . . ."
Later on, I told Jo Stafford and it made her day. She could not stop laughing.
Jo told me that Frank's claim of snatching a breath was not possible. And she
had marvelous breath control. Jo told me that swimming underwater was the
key.
Frank's legato phrasing created a seamless sound in his recordings.
Interesting how he would move to a more staccato approach with the first Sinatra-
Basie album.
Ed
On Thursday, October 10, 2024 at 04:13:41 AM EDT, Vance Adair <dr.vanceadair@gmail.com> wrote:
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
9-28-48



Re: SO YOU WANT TO BE A CROONER
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2024-10-10
And herein lies one of the oft (mis)quoted myths about Frank’s breath control. I cannot tell you the number of times I’ve read that Frank (inspired by Dorsey) learned to ‘sneak a breath’ in the middle of a phrase so that the line remained seamless.
This, of course, is impossible - even for a vocalist as gifted as young Frankie. There’s no doubt, however, that Frank learned a lot about legato phrasing from Dorsey.
-Vance
On Thu, 10 Oct 2024 at 04:20, Ed O'Brien <dmarc-noreply@freelists.org> wrote:
9-28-48



SO YOU WANT TO BE A CROONER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-10
9-28-48



SO YOU WANT TO BE A CROONER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-10
9-28-48



SO YOU WANT TO BE A CROONER
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-10
9-28-48



The Major Bowes Traveling Troupe, including Frank Sinatra, in 1935
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-19
Here is a better picture.
The Major Bowes Traveling Troupe, including Frank, in 1935.

The Major Bowes Traveling Troupe, including Frank Sinatra, in 1935
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-19
Here is a better picture.
The Major Bowes Traveling Troupe, including Frank, in 1935.

The Major Bowes Traveling Troupe, including Frank Sinatra, in 1935
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-19
Here is a better picture.
The Major Bowes Traveling Troupe, including Frank, in 1935.

Jive Circus on Tour
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-23

Jive Circus on Tour
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-23

Jive Circus on Tour
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-23

Jive Circus on Tour
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-23

'Youth Wants Roosevelt'
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-24
Sinatra And Young Voters
Members of the Young Voters for Roosevelt Committee discuss a forthcoming youth rally with guest speaker, American actor and singer Frank Sinatra (1915 - 1998), October 1944. The rally is to be held at Carnegie Hall, New York on 24th October, prior to the presidential election in November. Standing, left to right: Doris Senk, of Young Americans for Roosevelt, Lynn Cohne of the Young Democrats and Margo Hass of the US Students' Assembly. Seated, Left to right: Trudi Kingdon-Behrle of the National Political Action Committee, Ruth Silver of the Young Liberals, and Sinatra. (Photo by Pictorial Parade/Archive Photos/Getty Images)
'Youth Wants Roosevelt'
American musician and actor Frank Sinatra (1915 - 1998) (right) meets with a group of young, female supporters of Roosevelt's presidential campaign, New York, New York, 1944. Most of them wear tags that read 'Youth Wants Roosevelt.' (Photo by Irving Haberman/IH Images/Getty Images)
Frank Sinatra sings and speaks at a rally for President Franklin Delano Roosevelt sponsored by an independent voters' commission.



'Youth Wants Roosevelt'
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-24
Sinatra And Young Voters
Members of the Young Voters for Roosevelt Committee discuss a forthcoming youth rally with guest speaker, American actor and singer Frank Sinatra (1915 - 1998), October 1944. The rally is to be held at Carnegie Hall, New York on 24th October, prior to the presidential election in November. Standing, left to right: Doris Senk, of Young Americans for Roosevelt, Lynn Cohne of the Young Democrats and Margo Hass of the US Students' Assembly. Seated, Left to right: Trudi Kingdon-Behrle of the National Political Action Committee, Ruth Silver of the Young Liberals, and Sinatra. (Photo by Pictorial Parade/Archive Photos/Getty Images)
'Youth Wants Roosevelt'
American musician and actor Frank Sinatra (1915 - 1998) (right) meets with a group of young, female supporters of Roosevelt's presidential campaign, New York, New York, 1944. Most of them wear tags that read 'Youth Wants Roosevelt.' (Photo by Irving Haberman/IH Images/Getty Images)
Frank Sinatra sings and speaks at a rally for President Franklin Delano Roosevelt sponsored by an independent voters' commission.



'Youth Wants Roosevelt'
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-24
Sinatra And Young Voters
Members of the Young Voters for Roosevelt Committee discuss a forthcoming youth rally with guest speaker, American actor and singer Frank Sinatra (1915 - 1998), October 1944. The rally is to be held at Carnegie Hall, New York on 24th October, prior to the presidential election in November. Standing, left to right: Doris Senk, of Young Americans for Roosevelt, Lynn Cohne of the Young Democrats and Margo Hass of the US Students' Assembly. Seated, Left to right: Trudi Kingdon-Behrle of the National Political Action Committee, Ruth Silver of the Young Liberals, and Sinatra. (Photo by Pictorial Parade/Archive Photos/Getty Images)
'Youth Wants Roosevelt'
American musician and actor Frank Sinatra (1915 - 1998) (right) meets with a group of young, female supporters of Roosevelt's presidential campaign, New York, New York, 1944. Most of them wear tags that read 'Youth Wants Roosevelt.' (Photo by Irving Haberman/IH Images/Getty Images)
Frank Sinatra sings and speaks at a rally for President Franklin Delano Roosevelt sponsored by an independent voters' commission.



Re: Sock and Swoon Men Talk Things Over
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-24
Hi Carl,
Zivic had 233 professional fights. Imagine how many time he got
punched in the nose. He was a very good fighter who lost a number of
split decision bouts. He also had the misfortune of fighting in the era of
Sugar Ray Robinson.
Ed
On Tuesday, October 22, 2024 at 04:02:48 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
I had never heard of Fritzie Zivic.
I looked him up on Google, and one of the final descriptions of him was:
“If there is a dictionary entry for the term “pug nose”, a pic of ol’ Fritzie’s sniffer should appear right next to it”.
Carl

Re: Sock and Swoon Men Talk Things Over
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-24
Hi Carl,
Zivic had 233 professional fights. Imagine how many time he got
punched in the nose. He was a very good fighter who lost a number of
split decision bouts. He also had the misfortune of fighting in the era of
Sugar Ray Robinson.
Ed
On Tuesday, October 22, 2024 at 04:02:48 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
I had never heard of Fritzie Zivic.
I looked him up on Google, and one of the final descriptions of him was:
“If there is a dictionary entry for the term “pug nose”, a pic of ol’ Fritzie’s sniffer should appear right next to it”.
Carl

Re: Sock and Swoon Men Talk Things Over
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-24
Hi Carl,
Zivic had 233 professional fights. Imagine how many time he got
punched in the nose. He was a very good fighter who lost a number of
split decision bouts. He also had the misfortune of fighting in the era of
Sugar Ray Robinson.
Ed
On Tuesday, October 22, 2024 at 04:02:48 PM EDT, cara <dmarc-noreply@freelists.org> wrote:
I had never heard of Fritzie Zivic.
I looked him up on Google, and one of the final descriptions of him was:
“If there is a dictionary entry for the term “pug nose”, a pic of ol’ Fritzie’s sniffer should appear right next to it”.
Carl

ELLA PICKS HER FAVORITE SINGERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
May 11, 1963



ELLA PICKS HER FAVORITE SINGERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
May 11, 1963



ELLA PICKS HER FAVORITE SINGERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
May 11, 1963



ELLA PICKS HER FAVORITE SINGERS
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
May 11, 1963



JACK JONES TIMES OBIT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
Jack Jones, a Suave, Hit-Making and Enduring Crooner, Dies at 86
With his smooth voice, he drew crowds to cabarets and music halls for six decades. He also sang the themes for films and TV shows, including “The Love Boat.”
The singer Jack Jones on “The Jerry Lewis Show” in 1968. While his popularity peaked in the 1960s, Mr. Jones seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley.Credit...NBC
By Robert D. McFadden
Oct. 24, 2024Updated 6:54 p.m. ET
Jack Jones, a crooner who beguiled concert fans and stage, screen and television audiences for decades with romantic ballads and gentle jazz tunes that even in large venues often achieved the intimacy of his celebrated nightclub performances, died on Wednesday in Rancho Mirage, Calif. He was 86.
His wife, Eleonora Jones, said the cause of his death, in a hospital, was leukemia.
While his popularity peaked in the 1960s, Mr. Jones found a new audience in later years singing the theme to the hit television show “The Love Boat.” But even then he seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley and reminded America of its love affairs with the Gershwins, Cole Porter, Sammy Cahn and Jimmy Van Heusen.
He won two Grammy Awards and recorded numerous albums of American Songbook favorites that hit the upper reaches of Billboard’s charts on the strength of his smooth vocal interpretations. He performed at Carnegie Hall, the Kennedy Center, the White House and the London Palladium, and for more than 60 years drew crowds to cabarets and nightclubs around the world.
At the Oak Room of the Algonquin Hotel in Manhattan in 2010, marking his 52nd year in show business, Mr. Jones opened and closed a two-hour retrospective of his songs with Paul Williams’s “That’s What Friends Are For.” He sang to a packed house of longtime fans:
Friends are like warm clothes
In the night air.
Best when they’re old
And we miss them the most when they’re gone.
“Those lyrics evoked the vanishing breed of pop-jazz crooner, of which Mr. Jones and Tony Bennett remain the great survivors,” Stephen Holden wrote in The New York Times. “Mr. Jones, now 72, draws the same kind of well-dressed sophisticated audiences that used to attend the annual appearances at the defunct Michael’s Pub of his friend Mel Tormé, who died 11 years ago at 73.”
ImageMr. Jones with his fellow vocalist Tony Bennett in 1972.Credit...Central Press/Hulton Archive/Getty Images
Mr. Holden called the show “a kind of master class in traditional nightclub performance: suave but intimate, alternately preening and humble, seemingly casual but seamlessly professional,” adding, “most of the old songs responded to Mr. Jones’s thoughtful outlook, which tinges everything with the sense of a man taking a moral inventory of his life.”
Mr. Jones, the son of the Hollywood actress Irene Hervey and Allan Jones, the tenor singing star of the 1930s and ’40s who romped with the Marx Brothers in “A Night at the Opera” and “A Day at the Races,” started out in a Las Vegas father-and-son act when he was 19, in which he tried to copy his dad’s forceful style. It was a mistake.
“My voice was less mature than his,” Mr. Jones told The Times in 1964. “We had a well-received act with a lot of references to Mom and home. But then my folks were divorced, and that knocked the wind out of the whole thing. I went out on my own, and my salary dropped, but I felt better.”
He began recording and singing in clubs, but with a different approach: crooning the lyrics. It was a magical transformation of his singing style and stage presence to something more casual, and it made an intimate emotional connection with audiences. It became his trademark.
On the 1960s pop scene, Mr. Jones was an anomaly, ignoring rock ’n’ roll in favor of big-band arrangements, romantic ballads and the American Songbook.
He recorded dozens of albums n the Kapp label, including “Dear Heart,” “Shall We Dance,” “She Loves Me,” “Call Me Irresponsible,” “I’ve Got a Lot of Livin’ to Do” and “The Jack Jones Christmas Album.” He won Grammy Awards for best solo male vocal performance for “Lollipops and Roses” in 1962 and “Wives and Lovers” in 1964.
He sang the title songs of several films, including “Love With the Proper Stranger” (1963), “Where Love Has Gone” (1964) and “A Ticklish Affair” (1963). He sang at White House parties during the presidencies of Lyndon B. Johnson and Ronald Reagan and performed twice for Queen Elizabeth II and the royal family.
Mr. Jones reached No. 1 on the Billboard easy listening chart with “The Impossible Dream” (1966) and “Lady” (1967). He was a staple on television variety shows hosted by Dinah Shore, Ed Sullivan, Andy Williams, Carol Burnett, Jerry Lewis, Dean Martin, Judy Garland and Steve Allen. And millions more heard him when they tuned into “The Love Boat” on ABC from 1977 through 1985. (He was replaced by Dionne Warwick for the show’s last season.)
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Love Boat (Long Version) - Jack Jones
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Onstage, he appeared in regional productions of “The Pajama Game,” “Oklahoma!” and “She Loves Me” and starred in a 1995 Los Angeles production of “South Pacific.”
ImageMr. Jones and his father, the singer Allan Jones, played father and son in a 1980 episode of “The Love Boat,” the series for which Jack Jones sang the title song. Laraine Stephens played Jack’s wife, and Dorothy Lamour played Allan’s.Credit...ABC Photo Archives/Disney General Entertainment Content, via Getty Images
In 2001, Mr. Jones toured nationally as Don Quixote and Miguel Cervantes in Dale Wasserman’s musical “Man of La Mancha.” In Toledo, Ohio, as elsewhere, his audience was moved by his rendition of “The Impossible Dream,” the show’s big number.
“Never mind that his singing wasn’t as strong or flowing as one might have hoped,” Vanessa Winans said in a review for The Toledo Blade. “The audience had come to hear him sing it again, and he delivered.”
John Allan Jones was born in Los Angeles on Jan. 14, 1938, and spent his first few years living in a movie colony bungalow in Palm Springs, Calif., attended by hired help while his famous parents commuted to Hollywood to make movies. He had a half brother, Ted Jones, and an adopted half sister, Gail Jones, by a previous marriage of his father’s.
Jack, as he was always known, attended the Nellie Coffman School in Palm Springs and, for two years, the Principia School, a Christian Science boarding institution in St. Louis. He also had private drama and singing tutors at home, hired by his father. He was self-conscious about his privileged life when he enrolled at University High School in Los Angeles, class of 1956. His father sometimes drove him to school, but dropped him off a block or two away.
“I didn’t try to hide it, but I didn’t flaunt it either,” Mr. Jones said of his rarefied status in an interview for this obituary in 2020. University High had a diverse student body, he noted, but over the years its students had included Elizabeth Taylor, Judy Garland, Marilyn Monroe and Jeff Bridges.
“Nancy Sinatra and I were good friends,” he said. “Her father came to sing for us.”
ImageMr. Jones at the Oak Room of the Algonquin Hotel in 2010. A New York Times reviewer called his show “a kind of master class in traditional nightclub performance.”Credit...Matthew Murphy for The New York Times
Jack’s parents, who each had multiple marriages, were divorced in 1957.
Jack Jones, who lived in Indian Wells, Calif., was married six times, and all but his last marriage ended in divorce.
He was married to Katie Lee Nuckols (also known as the model Lee Larance), from 1960 to 1966; the actress Jill St. John, from 1967 to 1969; Gretchen Roberts, from 1970 to 1971; Kathryn Simmons, from 1977 to 1982; and Kim Ely, from 1982 to 2005. He married Eleonora Donata Peters in 2009.
In addition to his wife, he is survived by a daughter, Crystal Thomas, from his marriage to Ms. Nuckols; another daughter, Nicole Ramasco, from his marriage to Ms. Ely; two stepdaughters, Nicole Whitty and Colette Peters, from his marriage to Ms. Peters; and three grandchildren.
Mr. Jones continued to appear at casinos, performing arts centers and cabarets into his 80s.
“There’s a time when everybody has to stop,” he told The Times in 2020. “That moment is closer to me than it was a year ago. But if I never get on another airplane, I’ll be a happy man.”
JACK JONES TIMES OBIT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
Jack Jones, a Suave, Hit-Making and Enduring Crooner, Dies at 86
With his smooth voice, he drew crowds to cabarets and music halls for six decades. He also sang the themes for films and TV shows, including “The Love Boat.”
The singer Jack Jones on “The Jerry Lewis Show” in 1968. While his popularity peaked in the 1960s, Mr. Jones seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley.Credit...NBC
By Robert D. McFadden
Oct. 24, 2024Updated 6:54 p.m. ET
Jack Jones, a crooner who beguiled concert fans and stage, screen and television audiences for decades with romantic ballads and gentle jazz tunes that even in large venues often achieved the intimacy of his celebrated nightclub performances, died on Wednesday in Rancho Mirage, Calif. He was 86.
His wife, Eleonora Jones, said the cause of his death, in a hospital, was leukemia.
While his popularity peaked in the 1960s, Mr. Jones found a new audience in later years singing the theme to the hit television show “The Love Boat.” But even then he seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley and reminded America of its love affairs with the Gershwins, Cole Porter, Sammy Cahn and Jimmy Van Heusen.
He won two Grammy Awards and recorded numerous albums of American Songbook favorites that hit the upper reaches of Billboard’s charts on the strength of his smooth vocal interpretations. He performed at Carnegie Hall, the Kennedy Center, the White House and the London Palladium, and for more than 60 years drew crowds to cabarets and nightclubs around the world.
At the Oak Room of the Algonquin Hotel in Manhattan in 2010, marking his 52nd year in show business, Mr. Jones opened and closed a two-hour retrospective of his songs with Paul Williams’s “That’s What Friends Are For.” He sang to a packed house of longtime fans:
Friends are like warm clothes
In the night air.
Best when they’re old
And we miss them the most when they’re gone.
“Those lyrics evoked the vanishing breed of pop-jazz crooner, of which Mr. Jones and Tony Bennett remain the great survivors,” Stephen Holden wrote in The New York Times. “Mr. Jones, now 72, draws the same kind of well-dressed sophisticated audiences that used to attend the annual appearances at the defunct Michael’s Pub of his friend Mel Tormé, who died 11 years ago at 73.”
ImageMr. Jones with his fellow vocalist Tony Bennett in 1972.Credit...Central Press/Hulton Archive/Getty Images
Mr. Holden called the show “a kind of master class in traditional nightclub performance: suave but intimate, alternately preening and humble, seemingly casual but seamlessly professional,” adding, “most of the old songs responded to Mr. Jones’s thoughtful outlook, which tinges everything with the sense of a man taking a moral inventory of his life.”
Mr. Jones, the son of the Hollywood actress Irene Hervey and Allan Jones, the tenor singing star of the 1930s and ’40s who romped with the Marx Brothers in “A Night at the Opera” and “A Day at the Races,” started out in a Las Vegas father-and-son act when he was 19, in which he tried to copy his dad’s forceful style. It was a mistake.
“My voice was less mature than his,” Mr. Jones told The Times in 1964. “We had a well-received act with a lot of references to Mom and home. But then my folks were divorced, and that knocked the wind out of the whole thing. I went out on my own, and my salary dropped, but I felt better.”
He began recording and singing in clubs, but with a different approach: crooning the lyrics. It was a magical transformation of his singing style and stage presence to something more casual, and it made an intimate emotional connection with audiences. It became his trademark.
On the 1960s pop scene, Mr. Jones was an anomaly, ignoring rock ’n’ roll in favor of big-band arrangements, romantic ballads and the American Songbook.
He recorded dozens of albums n the Kapp label, including “Dear Heart,” “Shall We Dance,” “She Loves Me,” “Call Me Irresponsible,” “I’ve Got a Lot of Livin’ to Do” and “The Jack Jones Christmas Album.” He won Grammy Awards for best solo male vocal performance for “Lollipops and Roses” in 1962 and “Wives and Lovers” in 1964.
He sang the title songs of several films, including “Love With the Proper Stranger” (1963), “Where Love Has Gone” (1964) and “A Ticklish Affair” (1963). He sang at White House parties during the presidencies of Lyndon B. Johnson and Ronald Reagan and performed twice for Queen Elizabeth II and the royal family.
Mr. Jones reached No. 1 on the Billboard easy listening chart with “The Impossible Dream” (1966) and “Lady” (1967). He was a staple on television variety shows hosted by Dinah Shore, Ed Sullivan, Andy Williams, Carol Burnett, Jerry Lewis, Dean Martin, Judy Garland and Steve Allen. And millions more heard him when they tuned into “The Love Boat” on ABC from 1977 through 1985. (He was replaced by Dionne Warwick for the show’s last season.)
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Love Boat (Long Version) - Jack Jones
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Onstage, he appeared in regional productions of “The Pajama Game,” “Oklahoma!” and “She Loves Me” and starred in a 1995 Los Angeles production of “South Pacific.”
ImageMr. Jones and his father, the singer Allan Jones, played father and son in a 1980 episode of “The Love Boat,” the series for which Jack Jones sang the title song. Laraine Stephens played Jack’s wife, and Dorothy Lamour played Allan’s.Credit...ABC Photo Archives/Disney General Entertainment Content, via Getty Images
In 2001, Mr. Jones toured nationally as Don Quixote and Miguel Cervantes in Dale Wasserman’s musical “Man of La Mancha.” In Toledo, Ohio, as elsewhere, his audience was moved by his rendition of “The Impossible Dream,” the show’s big number.
“Never mind that his singing wasn’t as strong or flowing as one might have hoped,” Vanessa Winans said in a review for The Toledo Blade. “The audience had come to hear him sing it again, and he delivered.”
John Allan Jones was born in Los Angeles on Jan. 14, 1938, and spent his first few years living in a movie colony bungalow in Palm Springs, Calif., attended by hired help while his famous parents commuted to Hollywood to make movies. He had a half brother, Ted Jones, and an adopted half sister, Gail Jones, by a previous marriage of his father’s.
Jack, as he was always known, attended the Nellie Coffman School in Palm Springs and, for two years, the Principia School, a Christian Science boarding institution in St. Louis. He also had private drama and singing tutors at home, hired by his father. He was self-conscious about his privileged life when he enrolled at University High School in Los Angeles, class of 1956. His father sometimes drove him to school, but dropped him off a block or two away.
“I didn’t try to hide it, but I didn’t flaunt it either,” Mr. Jones said of his rarefied status in an interview for this obituary in 2020. University High had a diverse student body, he noted, but over the years its students had included Elizabeth Taylor, Judy Garland, Marilyn Monroe and Jeff Bridges.
“Nancy Sinatra and I were good friends,” he said. “Her father came to sing for us.”
ImageMr. Jones at the Oak Room of the Algonquin Hotel in 2010. A New York Times reviewer called his show “a kind of master class in traditional nightclub performance.”Credit...Matthew Murphy for The New York Times
Jack’s parents, who each had multiple marriages, were divorced in 1957.
Jack Jones, who lived in Indian Wells, Calif., was married six times, and all but his last marriage ended in divorce.
He was married to Katie Lee Nuckols (also known as the model Lee Larance), from 1960 to 1966; the actress Jill St. John, from 1967 to 1969; Gretchen Roberts, from 1970 to 1971; Kathryn Simmons, from 1977 to 1982; and Kim Ely, from 1982 to 2005. He married Eleonora Donata Peters in 2009.
In addition to his wife, he is survived by a daughter, Crystal Thomas, from his marriage to Ms. Nuckols; another daughter, Nicole Ramasco, from his marriage to Ms. Ely; two stepdaughters, Nicole Whitty and Colette Peters, from his marriage to Ms. Peters; and three grandchildren.
Mr. Jones continued to appear at casinos, performing arts centers and cabarets into his 80s.
“There’s a time when everybody has to stop,” he told The Times in 2020. “That moment is closer to me than it was a year ago. But if I never get on another airplane, I’ll be a happy man.”
JACK JONES TIMES OBIT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
Jack Jones, a Suave, Hit-Making and Enduring Crooner, Dies at 86
With his smooth voice, he drew crowds to cabarets and music halls for six decades. He also sang the themes for films and TV shows, including “The Love Boat.”
The singer Jack Jones on “The Jerry Lewis Show” in 1968. While his popularity peaked in the 1960s, Mr. Jones seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley.Credit...NBC
By Robert D. McFadden
Oct. 24, 2024Updated 6:54 p.m. ET
Jack Jones, a crooner who beguiled concert fans and stage, screen and television audiences for decades with romantic ballads and gentle jazz tunes that even in large venues often achieved the intimacy of his celebrated nightclub performances, died on Wednesday in Rancho Mirage, Calif. He was 86.
His wife, Eleonora Jones, said the cause of his death, in a hospital, was leukemia.
While his popularity peaked in the 1960s, Mr. Jones found a new audience in later years singing the theme to the hit television show “The Love Boat.” But even then he seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley and reminded America of its love affairs with the Gershwins, Cole Porter, Sammy Cahn and Jimmy Van Heusen.
He won two Grammy Awards and recorded numerous albums of American Songbook favorites that hit the upper reaches of Billboard’s charts on the strength of his smooth vocal interpretations. He performed at Carnegie Hall, the Kennedy Center, the White House and the London Palladium, and for more than 60 years drew crowds to cabarets and nightclubs around the world.
At the Oak Room of the Algonquin Hotel in Manhattan in 2010, marking his 52nd year in show business, Mr. Jones opened and closed a two-hour retrospective of his songs with Paul Williams’s “That’s What Friends Are For.” He sang to a packed house of longtime fans:
Friends are like warm clothes
In the night air.
Best when they’re old
And we miss them the most when they’re gone.
“Those lyrics evoked the vanishing breed of pop-jazz crooner, of which Mr. Jones and Tony Bennett remain the great survivors,” Stephen Holden wrote in The New York Times. “Mr. Jones, now 72, draws the same kind of well-dressed sophisticated audiences that used to attend the annual appearances at the defunct Michael’s Pub of his friend Mel Tormé, who died 11 years ago at 73.”
ImageMr. Jones with his fellow vocalist Tony Bennett in 1972.Credit...Central Press/Hulton Archive/Getty Images
Mr. Holden called the show “a kind of master class in traditional nightclub performance: suave but intimate, alternately preening and humble, seemingly casual but seamlessly professional,” adding, “most of the old songs responded to Mr. Jones’s thoughtful outlook, which tinges everything with the sense of a man taking a moral inventory of his life.”
Mr. Jones, the son of the Hollywood actress Irene Hervey and Allan Jones, the tenor singing star of the 1930s and ’40s who romped with the Marx Brothers in “A Night at the Opera” and “A Day at the Races,” started out in a Las Vegas father-and-son act when he was 19, in which he tried to copy his dad’s forceful style. It was a mistake.
“My voice was less mature than his,” Mr. Jones told The Times in 1964. “We had a well-received act with a lot of references to Mom and home. But then my folks were divorced, and that knocked the wind out of the whole thing. I went out on my own, and my salary dropped, but I felt better.”
He began recording and singing in clubs, but with a different approach: crooning the lyrics. It was a magical transformation of his singing style and stage presence to something more casual, and it made an intimate emotional connection with audiences. It became his trademark.
On the 1960s pop scene, Mr. Jones was an anomaly, ignoring rock ’n’ roll in favor of big-band arrangements, romantic ballads and the American Songbook.
He recorded dozens of albums n the Kapp label, including “Dear Heart,” “Shall We Dance,” “She Loves Me,” “Call Me Irresponsible,” “I’ve Got a Lot of Livin’ to Do” and “The Jack Jones Christmas Album.” He won Grammy Awards for best solo male vocal performance for “Lollipops and Roses” in 1962 and “Wives and Lovers” in 1964.
He sang the title songs of several films, including “Love With the Proper Stranger” (1963), “Where Love Has Gone” (1964) and “A Ticklish Affair” (1963). He sang at White House parties during the presidencies of Lyndon B. Johnson and Ronald Reagan and performed twice for Queen Elizabeth II and the royal family.
Mr. Jones reached No. 1 on the Billboard easy listening chart with “The Impossible Dream” (1966) and “Lady” (1967). He was a staple on television variety shows hosted by Dinah Shore, Ed Sullivan, Andy Williams, Carol Burnett, Jerry Lewis, Dean Martin, Judy Garland and Steve Allen. And millions more heard him when they tuned into “The Love Boat” on ABC from 1977 through 1985. (He was replaced by Dionne Warwick for the show’s last season.)
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Love Boat (Long Version) - Jack Jones
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Onstage, he appeared in regional productions of “The Pajama Game,” “Oklahoma!” and “She Loves Me” and starred in a 1995 Los Angeles production of “South Pacific.”
ImageMr. Jones and his father, the singer Allan Jones, played father and son in a 1980 episode of “The Love Boat,” the series for which Jack Jones sang the title song. Laraine Stephens played Jack’s wife, and Dorothy Lamour played Allan’s.Credit...ABC Photo Archives/Disney General Entertainment Content, via Getty Images
In 2001, Mr. Jones toured nationally as Don Quixote and Miguel Cervantes in Dale Wasserman’s musical “Man of La Mancha.” In Toledo, Ohio, as elsewhere, his audience was moved by his rendition of “The Impossible Dream,” the show’s big number.
“Never mind that his singing wasn’t as strong or flowing as one might have hoped,” Vanessa Winans said in a review for The Toledo Blade. “The audience had come to hear him sing it again, and he delivered.”
John Allan Jones was born in Los Angeles on Jan. 14, 1938, and spent his first few years living in a movie colony bungalow in Palm Springs, Calif., attended by hired help while his famous parents commuted to Hollywood to make movies. He had a half brother, Ted Jones, and an adopted half sister, Gail Jones, by a previous marriage of his father’s.
Jack, as he was always known, attended the Nellie Coffman School in Palm Springs and, for two years, the Principia School, a Christian Science boarding institution in St. Louis. He also had private drama and singing tutors at home, hired by his father. He was self-conscious about his privileged life when he enrolled at University High School in Los Angeles, class of 1956. His father sometimes drove him to school, but dropped him off a block or two away.
“I didn’t try to hide it, but I didn’t flaunt it either,” Mr. Jones said of his rarefied status in an interview for this obituary in 2020. University High had a diverse student body, he noted, but over the years its students had included Elizabeth Taylor, Judy Garland, Marilyn Monroe and Jeff Bridges.
“Nancy Sinatra and I were good friends,” he said. “Her father came to sing for us.”
ImageMr. Jones at the Oak Room of the Algonquin Hotel in 2010. A New York Times reviewer called his show “a kind of master class in traditional nightclub performance.”Credit...Matthew Murphy for The New York Times
Jack’s parents, who each had multiple marriages, were divorced in 1957.
Jack Jones, who lived in Indian Wells, Calif., was married six times, and all but his last marriage ended in divorce.
He was married to Katie Lee Nuckols (also known as the model Lee Larance), from 1960 to 1966; the actress Jill St. John, from 1967 to 1969; Gretchen Roberts, from 1970 to 1971; Kathryn Simmons, from 1977 to 1982; and Kim Ely, from 1982 to 2005. He married Eleonora Donata Peters in 2009.
In addition to his wife, he is survived by a daughter, Crystal Thomas, from his marriage to Ms. Nuckols; another daughter, Nicole Ramasco, from his marriage to Ms. Ely; two stepdaughters, Nicole Whitty and Colette Peters, from his marriage to Ms. Peters; and three grandchildren.
Mr. Jones continued to appear at casinos, performing arts centers and cabarets into his 80s.
“There’s a time when everybody has to stop,” he told The Times in 2020. “That moment is closer to me than it was a year ago. But if I never get on another airplane, I’ll be a happy man.”
JACK JONES TIMES OBIT
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-10-25
Jack Jones, a Suave, Hit-Making and Enduring Crooner, Dies at 86
With his smooth voice, he drew crowds to cabarets and music halls for six decades. He also sang the themes for films and TV shows, including “The Love Boat.”
The singer Jack Jones on “The Jerry Lewis Show” in 1968. While his popularity peaked in the 1960s, Mr. Jones seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley.Credit...NBC
By Robert D. McFadden
Oct. 24, 2024Updated 6:54 p.m. ET
Jack Jones, a crooner who beguiled concert fans and stage, screen and television audiences for decades with romantic ballads and gentle jazz tunes that even in large venues often achieved the intimacy of his celebrated nightclub performances, died on Wednesday in Rancho Mirage, Calif. He was 86.
His wife, Eleonora Jones, said the cause of his death, in a hospital, was leukemia.
While his popularity peaked in the 1960s, Mr. Jones found a new audience in later years singing the theme to the hit television show “The Love Boat.” But even then he seemed always to have stepped out of an earlier generation, one that dressed in tuxedos for the songs of Tin Pan Alley and reminded America of its love affairs with the Gershwins, Cole Porter, Sammy Cahn and Jimmy Van Heusen.
He won two Grammy Awards and recorded numerous albums of American Songbook favorites that hit the upper reaches of Billboard’s charts on the strength of his smooth vocal interpretations. He performed at Carnegie Hall, the Kennedy Center, the White House and the London Palladium, and for more than 60 years drew crowds to cabarets and nightclubs around the world.
At the Oak Room of the Algonquin Hotel in Manhattan in 2010, marking his 52nd year in show business, Mr. Jones opened and closed a two-hour retrospective of his songs with Paul Williams’s “That’s What Friends Are For.” He sang to a packed house of longtime fans:
Friends are like warm clothes
In the night air.
Best when they’re old
And we miss them the most when they’re gone.
“Those lyrics evoked the vanishing breed of pop-jazz crooner, of which Mr. Jones and Tony Bennett remain the great survivors,” Stephen Holden wrote in The New York Times. “Mr. Jones, now 72, draws the same kind of well-dressed sophisticated audiences that used to attend the annual appearances at the defunct Michael’s Pub of his friend Mel Tormé, who died 11 years ago at 73.”
ImageMr. Jones with his fellow vocalist Tony Bennett in 1972.Credit...Central Press/Hulton Archive/Getty Images
Mr. Holden called the show “a kind of master class in traditional nightclub performance: suave but intimate, alternately preening and humble, seemingly casual but seamlessly professional,” adding, “most of the old songs responded to Mr. Jones’s thoughtful outlook, which tinges everything with the sense of a man taking a moral inventory of his life.”
Mr. Jones, the son of the Hollywood actress Irene Hervey and Allan Jones, the tenor singing star of the 1930s and ’40s who romped with the Marx Brothers in “A Night at the Opera” and “A Day at the Races,” started out in a Las Vegas father-and-son act when he was 19, in which he tried to copy his dad’s forceful style. It was a mistake.
“My voice was less mature than his,” Mr. Jones told The Times in 1964. “We had a well-received act with a lot of references to Mom and home. But then my folks were divorced, and that knocked the wind out of the whole thing. I went out on my own, and my salary dropped, but I felt better.”
He began recording and singing in clubs, but with a different approach: crooning the lyrics. It was a magical transformation of his singing style and stage presence to something more casual, and it made an intimate emotional connection with audiences. It became his trademark.
On the 1960s pop scene, Mr. Jones was an anomaly, ignoring rock ’n’ roll in favor of big-band arrangements, romantic ballads and the American Songbook.
He recorded dozens of albums n the Kapp label, including “Dear Heart,” “Shall We Dance,” “She Loves Me,” “Call Me Irresponsible,” “I’ve Got a Lot of Livin’ to Do” and “The Jack Jones Christmas Album.” He won Grammy Awards for best solo male vocal performance for “Lollipops and Roses” in 1962 and “Wives and Lovers” in 1964.
He sang the title songs of several films, including “Love With the Proper Stranger” (1963), “Where Love Has Gone” (1964) and “A Ticklish Affair” (1963). He sang at White House parties during the presidencies of Lyndon B. Johnson and Ronald Reagan and performed twice for Queen Elizabeth II and the royal family.
Mr. Jones reached No. 1 on the Billboard easy listening chart with “The Impossible Dream” (1966) and “Lady” (1967). He was a staple on television variety shows hosted by Dinah Shore, Ed Sullivan, Andy Williams, Carol Burnett, Jerry Lewis, Dean Martin, Judy Garland and Steve Allen. And millions more heard him when they tuned into “The Love Boat” on ABC from 1977 through 1985. (He was replaced by Dionne Warwick for the show’s last season.)
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Love Boat (Long Version) - Jack Jones
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Onstage, he appeared in regional productions of “The Pajama Game,” “Oklahoma!” and “She Loves Me” and starred in a 1995 Los Angeles production of “South Pacific.”
ImageMr. Jones and his father, the singer Allan Jones, played father and son in a 1980 episode of “The Love Boat,” the series for which Jack Jones sang the title song. Laraine Stephens played Jack’s wife, and Dorothy Lamour played Allan’s.Credit...ABC Photo Archives/Disney General Entertainment Content, via Getty Images
In 2001, Mr. Jones toured nationally as Don Quixote and Miguel Cervantes in Dale Wasserman’s musical “Man of La Mancha.” In Toledo, Ohio, as elsewhere, his audience was moved by his rendition of “The Impossible Dream,” the show’s big number.
“Never mind that his singing wasn’t as strong or flowing as one might have hoped,” Vanessa Winans said in a review for The Toledo Blade. “The audience had come to hear him sing it again, and he delivered.”
John Allan Jones was born in Los Angeles on Jan. 14, 1938, and spent his first few years living in a movie colony bungalow in Palm Springs, Calif., attended by hired help while his famous parents commuted to Hollywood to make movies. He had a half brother, Ted Jones, and an adopted half sister, Gail Jones, by a previous marriage of his father’s.
Jack, as he was always known, attended the Nellie Coffman School in Palm Springs and, for two years, the Principia School, a Christian Science boarding institution in St. Louis. He also had private drama and singing tutors at home, hired by his father. He was self-conscious about his privileged life when he enrolled at University High School in Los Angeles, class of 1956. His father sometimes drove him to school, but dropped him off a block or two away.
“I didn’t try to hide it, but I didn’t flaunt it either,” Mr. Jones said of his rarefied status in an interview for this obituary in 2020. University High had a diverse student body, he noted, but over the years its students had included Elizabeth Taylor, Judy Garland, Marilyn Monroe and Jeff Bridges.
“Nancy Sinatra and I were good friends,” he said. “Her father came to sing for us.”
ImageMr. Jones at the Oak Room of the Algonquin Hotel in 2010. A New York Times reviewer called his show “a kind of master class in traditional nightclub performance.”Credit...Matthew Murphy for The New York Times
Jack’s parents, who each had multiple marriages, were divorced in 1957.
Jack Jones, who lived in Indian Wells, Calif., was married six times, and all but his last marriage ended in divorce.
He was married to Katie Lee Nuckols (also known as the model Lee Larance), from 1960 to 1966; the actress Jill St. John, from 1967 to 1969; Gretchen Roberts, from 1970 to 1971; Kathryn Simmons, from 1977 to 1982; and Kim Ely, from 1982 to 2005. He married Eleonora Donata Peters in 2009.
In addition to his wife, he is survived by a daughter, Crystal Thomas, from his marriage to Ms. Nuckols; another daughter, Nicole Ramasco, from his marriage to Ms. Ely; two stepdaughters, Nicole Whitty and Colette Peters, from his marriage to Ms. Peters; and three grandchildren.
Mr. Jones continued to appear at casinos, performing arts centers and cabarets into his 80s.
“There’s a time when everybody has to stop,” he told The Times in 2020. “That moment is closer to me than it was a year ago. But if I never get on another airplane, I’ll be a happy man.”
re today's posting
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-10-25
Sorry, I noticed too late I sent out tomorrow's post today. I will
send out the 25th shortly.
Scott
re today's posting
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-10-25
Sorry, I noticed too late I sent out tomorrow's post today. I will
send out the 25th shortly.
Scott
re today's posting
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-10-25
Sorry, I noticed too late I sent out tomorrow's post today. I will
send out the 25th shortly.
Scott
Frank Sinatra opens the Richfield Coliseum on Oct. 26, 1974.
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-26
https://eu.beaconjournal.com/story/news/2024/10/20/frank-sinatra-opened-richfield-coliseum-in-1974/75668565007/
Show caption
Singer Frank Sinatra holds a cigarette while headlining the Richfield Coliseum on Oct. 26, 1974.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO
For Subscribers
Local history: Richfield Coliseum opened 50 years ago with Frank Sinatra
Mark J. Price Akron Beacon Journal
Fifty years ago, a dozen spotlights swept the night sky over Richfield Township.
Thousands of automobiles backed up for miles on Interstate 271 and state Route 303 for the grand opening of the Coliseum on Oct. 26, 1974.
Cleveland businessman Nick Mileti, owner of the new arena, had fielded offers from several famous acts to be the headliner of the inaugural concert, but the No. 1 choice seemed obvious to him.
The Chairman of the Board. Ol’ Blue Eyes. The Voice. Frank Sinatra.
“Once we thought it through, it had to be Frank,” Mileti told the Beacon Journal in 1974. “Every singer after him is somebody else.”
Mileti, 43, owner of the Cleveland Indians, Cavaliers and Crusaders, developed the sports and entertainment complex on the former site of a 110-acre farm in Richfield. It cost about $25 million to construct — nearly $160 million today. Boston architect George E. Ross designed the mammoth structure while William Passalacqua Builders of Cleveland served as general contractor.
Mileti reportedly paid Sinatra $273,000 for the appearance, which would amount to nearly $1.7 million today.
“This is the guy I wanted,” Mileti said. “He’s so special.”
Tickets cost $10, $15, $20 and $25 via mail order and Ticketron. Fans snapped up all 21,082 seats within 10 days.
Two weeks before the concert, contractors still had to pour wet concrete on the arena floor, install water and sewer lines, paint corridor walls and complete parking areas.
They simply ran out of time. The Coliseum was 90% completed by Oct. 26.
The parking lot is full on opening night of the Richfield Coliseum Oct. 26, 1974. The dotted white line in the background is the headlights of vehicles still arriving. Show less
LEW HENDERSON, AKRON BEACON JOURNAL FILE PHOTO
Traffic jam at Coliseum
Accompanied by an entourage of 20, Sinatra arrived that Saturday afternoon in a fleet of limousines from the Keg and Quarter Motor Inn in Cleveland.
Concertgoers began to converge on the Coliseum for the 8:30 p.m. show. Men in tuxedos and women in evening gowns stepped out of fancy automobiles and lined up to enter the complex. Spotlights illuminated the sky like a Hollywood premiere.
Arriving guests received a gold-plated medallion on a chain to wear around their necks. Mileti had commissioned Los Angeles jeweler Francisco Tortolani to create the keepsake. One side of the coin featured a picture of the Coliseum while the other had Sinatra’s likeness and the engraved date.
FRANK SINATRA MEDALLION ON CHAIN OCTOBER 26, 1974 RICHFIELD, OH COLISEUM GRAND OPENING NIGHT COLISEUM OWNER NICK MILETI PRESENTED EVERY ATTENDEE WITH THIS AWESOME KEEPSAKE OF A MEMORABLE EVENING.
State troopers and Summit County deputies directed traffic toward the 6,000-vehicle lot at the Coliseum. Unfortunately, construction trailers, heavy equipment and piles of debris blocked hundreds of spaces.
Some motorists spent an hour driving the last mile and a half on I-271. The two-lane highway turned into four lanes as impatient drivers used the berms. About 25 minutes before the show, the Ohio Highway Patrol sealed off the exits.
“There are no parking places left at the Coliseum,” one trooper told angry motorists. “You’ll have to go home.”
Instead, hundreds of concertgoers abandoned their cars on the median and walked the last mile to the Coliseum. Well-dressed patrons trudged through a muddy field in the dark to reach the arena.
Concertgoers line up outside the Richfield Coliseum to see Frank Sinatra on Oct. 26, 1974.
LEW HENDERSON, AKRON BEACON JOURNAL FILE PHOTO
Frank Sinatra takes stage
Inside the Coliseum, Pat Henry warmed up the audience before Woody Herman and his orchestra took the center stage. The music swelled as tuxedo-clad Frank Sinatra stepped into the blue and red spotlights.
“She gets too hungry for dinner at 8,” he sang. “She likes the theater and never comes late. She never bothers with people she’d hate. That’s why the lady is a tramp.”
Other songs in the set included “I Get a Kick Out of You,” “I’ve Got You Under My Skin,” “My Kind of Town,” “Let Me Try Again,” “I’ve Got the World on a String” and “Old Man River.” He also performed two newer songs: Jim Croce’s “Bad, Bad Leroy Brown” and Stevie Wonder’s “You Are the Sunshine of My Life.”
Sinatra, 56, casually smoked a cigarette while singing. He thanked Mileti for inviting him to the inaugural event of “this marvelous building.”
“I would have cried if he hadn’t asked me,” Sinatra said.
He noted that his good friend and fellow crooner Dean Martin was a native of Ohio.
“Dean made his first record in Steubenville,” Sinatra said. “And if you don’t believe me, ask the police chief.”
Celebrities could be glimpsed in the crowd that night. Former heavyweight boxer Joe Louis, Caesar’s Palace executive Billy Weinberger, U.S. Secretary of Housing and Urban Development James Lynn and Cleveland TV matriarch Dorothy Fuldheim were among the thousands enjoying the show.
Wiping off a chair onstage, Sinatra cracked a joke about the unfinished arena.
“You’ve got a $6 million act here and a dusty stool,” he said.
About midway through his set, Sinatra poured a glass of red wine and raised a toast to the audience.
“Luck, sweet dreams, love and kisses, and all that kind of stuff,” he said. “Cheers.”
Spotlights shine down on the center stage as Frank Sinatra opens the Richfield Coliseum on Oct. 26, 1974.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO
‘I did it my way’
Concertgoers continued to arrive until at least 10 p.m. When the house lights came on at intermission, mud-flecked clothing could be seen in the crowd. Some men had smudges on their suits from brushing against unpainted plasterboard.
For the big finale, Sinatra performed “My Way.”
“And now, the end is near and so I face the final curtain,” Sinatra sang. “My friend, I’ll say it clear, I’ll state my case, of which I’m certain. I’ve lived a life that’s full, I traveled each and every highway. And more, much more than this, I did it my way.”
Sinatra basked in applause and bid the audience good night.
He thanked Mileti backstage, changed clothes in a private dressing room and left with his entourage for Cleveland Hopkins Airport, where he caught a private flight for Houston.
Mileti and his wife, Gretchen, welcomed 2,000 guests at an 11 p.m. party in the Coliseum Club on the loge level.
“It’s like a dream,” Mileti kept telling well-wishers.
The parking lot cleared and concertgoers returned to their vehicles on I-271.
What a night. The Coliseum officially was open.
For 20 years, the landmark served as a center for sports and entertainment in Northeast Ohio: Rock concerts, basketball games, hockey matches, soccer games, tennis matches, circuses, rodeos, ice shows, wrestling matches, tractor pulls, track meets, horse shows, antique shows and other events.
The arena added hundreds of parking spaces and eventually built a back entrance, easing traffic congestion at shows.
But the grand building became obsolete with the construction of Gund Arena in downtown Cleveland. The Coliseum shut down in 1994 and fell to the wrecking ball five years later.
Today, the Richfield Coliseum is a meadow in Cuyahoga Valley National Park.
Mark J. Price can be reached at mprice@thebeaconjournal.com
Frank Sinatra sings Oct. 26, 1974, on opening night of the Richfield Coliseum.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO








Frank Sinatra opens the Richfield Coliseum on Oct. 26, 1974.
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-26
https://eu.beaconjournal.com/story/news/2024/10/20/frank-sinatra-opened-richfield-coliseum-in-1974/75668565007/
Show caption
Singer Frank Sinatra holds a cigarette while headlining the Richfield Coliseum on Oct. 26, 1974.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO
For Subscribers
Local history: Richfield Coliseum opened 50 years ago with Frank Sinatra
Mark J. Price Akron Beacon Journal
Fifty years ago, a dozen spotlights swept the night sky over Richfield Township.
Thousands of automobiles backed up for miles on Interstate 271 and state Route 303 for the grand opening of the Coliseum on Oct. 26, 1974.
Cleveland businessman Nick Mileti, owner of the new arena, had fielded offers from several famous acts to be the headliner of the inaugural concert, but the No. 1 choice seemed obvious to him.
The Chairman of the Board. Ol’ Blue Eyes. The Voice. Frank Sinatra.
“Once we thought it through, it had to be Frank,” Mileti told the Beacon Journal in 1974. “Every singer after him is somebody else.”
Mileti, 43, owner of the Cleveland Indians, Cavaliers and Crusaders, developed the sports and entertainment complex on the former site of a 110-acre farm in Richfield. It cost about $25 million to construct — nearly $160 million today. Boston architect George E. Ross designed the mammoth structure while William Passalacqua Builders of Cleveland served as general contractor.
Mileti reportedly paid Sinatra $273,000 for the appearance, which would amount to nearly $1.7 million today.
“This is the guy I wanted,” Mileti said. “He’s so special.”
Tickets cost $10, $15, $20 and $25 via mail order and Ticketron. Fans snapped up all 21,082 seats within 10 days.
Two weeks before the concert, contractors still had to pour wet concrete on the arena floor, install water and sewer lines, paint corridor walls and complete parking areas.
They simply ran out of time. The Coliseum was 90% completed by Oct. 26.
The parking lot is full on opening night of the Richfield Coliseum Oct. 26, 1974. The dotted white line in the background is the headlights of vehicles still arriving. Show less
LEW HENDERSON, AKRON BEACON JOURNAL FILE PHOTO
Traffic jam at Coliseum
Accompanied by an entourage of 20, Sinatra arrived that Saturday afternoon in a fleet of limousines from the Keg and Quarter Motor Inn in Cleveland.
Concertgoers began to converge on the Coliseum for the 8:30 p.m. show. Men in tuxedos and women in evening gowns stepped out of fancy automobiles and lined up to enter the complex. Spotlights illuminated the sky like a Hollywood premiere.
Arriving guests received a gold-plated medallion on a chain to wear around their necks. Mileti had commissioned Los Angeles jeweler Francisco Tortolani to create the keepsake. One side of the coin featured a picture of the Coliseum while the other had Sinatra’s likeness and the engraved date.
FRANK SINATRA MEDALLION ON CHAIN OCTOBER 26, 1974 RICHFIELD, OH COLISEUM GRAND OPENING NIGHT COLISEUM OWNER NICK MILETI PRESENTED EVERY ATTENDEE WITH THIS AWESOME KEEPSAKE OF A MEMORABLE EVENING.
State troopers and Summit County deputies directed traffic toward the 6,000-vehicle lot at the Coliseum. Unfortunately, construction trailers, heavy equipment and piles of debris blocked hundreds of spaces.
Some motorists spent an hour driving the last mile and a half on I-271. The two-lane highway turned into four lanes as impatient drivers used the berms. About 25 minutes before the show, the Ohio Highway Patrol sealed off the exits.
“There are no parking places left at the Coliseum,” one trooper told angry motorists. “You’ll have to go home.”
Instead, hundreds of concertgoers abandoned their cars on the median and walked the last mile to the Coliseum. Well-dressed patrons trudged through a muddy field in the dark to reach the arena.
Concertgoers line up outside the Richfield Coliseum to see Frank Sinatra on Oct. 26, 1974.
LEW HENDERSON, AKRON BEACON JOURNAL FILE PHOTO
Frank Sinatra takes stage
Inside the Coliseum, Pat Henry warmed up the audience before Woody Herman and his orchestra took the center stage. The music swelled as tuxedo-clad Frank Sinatra stepped into the blue and red spotlights.
“She gets too hungry for dinner at 8,” he sang. “She likes the theater and never comes late. She never bothers with people she’d hate. That’s why the lady is a tramp.”
Other songs in the set included “I Get a Kick Out of You,” “I’ve Got You Under My Skin,” “My Kind of Town,” “Let Me Try Again,” “I’ve Got the World on a String” and “Old Man River.” He also performed two newer songs: Jim Croce’s “Bad, Bad Leroy Brown” and Stevie Wonder’s “You Are the Sunshine of My Life.”
Sinatra, 56, casually smoked a cigarette while singing. He thanked Mileti for inviting him to the inaugural event of “this marvelous building.”
“I would have cried if he hadn’t asked me,” Sinatra said.
He noted that his good friend and fellow crooner Dean Martin was a native of Ohio.
“Dean made his first record in Steubenville,” Sinatra said. “And if you don’t believe me, ask the police chief.”
Celebrities could be glimpsed in the crowd that night. Former heavyweight boxer Joe Louis, Caesar’s Palace executive Billy Weinberger, U.S. Secretary of Housing and Urban Development James Lynn and Cleveland TV matriarch Dorothy Fuldheim were among the thousands enjoying the show.
Wiping off a chair onstage, Sinatra cracked a joke about the unfinished arena.
“You’ve got a $6 million act here and a dusty stool,” he said.
About midway through his set, Sinatra poured a glass of red wine and raised a toast to the audience.
“Luck, sweet dreams, love and kisses, and all that kind of stuff,” he said. “Cheers.”
Spotlights shine down on the center stage as Frank Sinatra opens the Richfield Coliseum on Oct. 26, 1974.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO
‘I did it my way’
Concertgoers continued to arrive until at least 10 p.m. When the house lights came on at intermission, mud-flecked clothing could be seen in the crowd. Some men had smudges on their suits from brushing against unpainted plasterboard.
For the big finale, Sinatra performed “My Way.”
“And now, the end is near and so I face the final curtain,” Sinatra sang. “My friend, I’ll say it clear, I’ll state my case, of which I’m certain. I’ve lived a life that’s full, I traveled each and every highway. And more, much more than this, I did it my way.”
Sinatra basked in applause and bid the audience good night.
He thanked Mileti backstage, changed clothes in a private dressing room and left with his entourage for Cleveland Hopkins Airport, where he caught a private flight for Houston.
Mileti and his wife, Gretchen, welcomed 2,000 guests at an 11 p.m. party in the Coliseum Club on the loge level.
“It’s like a dream,” Mileti kept telling well-wishers.
The parking lot cleared and concertgoers returned to their vehicles on I-271.
What a night. The Coliseum officially was open.
For 20 years, the landmark served as a center for sports and entertainment in Northeast Ohio: Rock concerts, basketball games, hockey matches, soccer games, tennis matches, circuses, rodeos, ice shows, wrestling matches, tractor pulls, track meets, horse shows, antique shows and other events.
The arena added hundreds of parking spaces and eventually built a back entrance, easing traffic congestion at shows.
But the grand building became obsolete with the construction of Gund Arena in downtown Cleveland. The Coliseum shut down in 1994 and fell to the wrecking ball five years later.
Today, the Richfield Coliseum is a meadow in Cuyahoga Valley National Park.
Mark J. Price can be reached at mprice@thebeaconjournal.com
Frank Sinatra sings Oct. 26, 1974, on opening night of the Richfield Coliseum.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO








Frank Sinatra opens the Richfield Coliseum on Oct. 26, 1974.
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-10-26
https://eu.beaconjournal.com/story/news/2024/10/20/frank-sinatra-opened-richfield-coliseum-in-1974/75668565007/
Show caption
Singer Frank Sinatra holds a cigarette while headlining the Richfield Coliseum on Oct. 26, 1974.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO
For Subscribers
Local history: Richfield Coliseum opened 50 years ago with Frank Sinatra
Mark J. Price Akron Beacon Journal
Fifty years ago, a dozen spotlights swept the night sky over Richfield Township.
Thousands of automobiles backed up for miles on Interstate 271 and state Route 303 for the grand opening of the Coliseum on Oct. 26, 1974.
Cleveland businessman Nick Mileti, owner of the new arena, had fielded offers from several famous acts to be the headliner of the inaugural concert, but the No. 1 choice seemed obvious to him.
The Chairman of the Board. Ol’ Blue Eyes. The Voice. Frank Sinatra.
“Once we thought it through, it had to be Frank,” Mileti told the Beacon Journal in 1974. “Every singer after him is somebody else.”
Mileti, 43, owner of the Cleveland Indians, Cavaliers and Crusaders, developed the sports and entertainment complex on the former site of a 110-acre farm in Richfield. It cost about $25 million to construct — nearly $160 million today. Boston architect George E. Ross designed the mammoth structure while William Passalacqua Builders of Cleveland served as general contractor.
Mileti reportedly paid Sinatra $273,000 for the appearance, which would amount to nearly $1.7 million today.
“This is the guy I wanted,” Mileti said. “He’s so special.”
Tickets cost $10, $15, $20 and $25 via mail order and Ticketron. Fans snapped up all 21,082 seats within 10 days.
Two weeks before the concert, contractors still had to pour wet concrete on the arena floor, install water and sewer lines, paint corridor walls and complete parking areas.
They simply ran out of time. The Coliseum was 90% completed by Oct. 26.
The parking lot is full on opening night of the Richfield Coliseum Oct. 26, 1974. The dotted white line in the background is the headlights of vehicles still arriving. Show less
LEW HENDERSON, AKRON BEACON JOURNAL FILE PHOTO
Traffic jam at Coliseum
Accompanied by an entourage of 20, Sinatra arrived that Saturday afternoon in a fleet of limousines from the Keg and Quarter Motor Inn in Cleveland.
Concertgoers began to converge on the Coliseum for the 8:30 p.m. show. Men in tuxedos and women in evening gowns stepped out of fancy automobiles and lined up to enter the complex. Spotlights illuminated the sky like a Hollywood premiere.
Arriving guests received a gold-plated medallion on a chain to wear around their necks. Mileti had commissioned Los Angeles jeweler Francisco Tortolani to create the keepsake. One side of the coin featured a picture of the Coliseum while the other had Sinatra’s likeness and the engraved date.
FRANK SINATRA MEDALLION ON CHAIN OCTOBER 26, 1974 RICHFIELD, OH COLISEUM GRAND OPENING NIGHT COLISEUM OWNER NICK MILETI PRESENTED EVERY ATTENDEE WITH THIS AWESOME KEEPSAKE OF A MEMORABLE EVENING.
State troopers and Summit County deputies directed traffic toward the 6,000-vehicle lot at the Coliseum. Unfortunately, construction trailers, heavy equipment and piles of debris blocked hundreds of spaces.
Some motorists spent an hour driving the last mile and a half on I-271. The two-lane highway turned into four lanes as impatient drivers used the berms. About 25 minutes before the show, the Ohio Highway Patrol sealed off the exits.
“There are no parking places left at the Coliseum,” one trooper told angry motorists. “You’ll have to go home.”
Instead, hundreds of concertgoers abandoned their cars on the median and walked the last mile to the Coliseum. Well-dressed patrons trudged through a muddy field in the dark to reach the arena.
Concertgoers line up outside the Richfield Coliseum to see Frank Sinatra on Oct. 26, 1974.
LEW HENDERSON, AKRON BEACON JOURNAL FILE PHOTO
Frank Sinatra takes stage
Inside the Coliseum, Pat Henry warmed up the audience before Woody Herman and his orchestra took the center stage. The music swelled as tuxedo-clad Frank Sinatra stepped into the blue and red spotlights.
“She gets too hungry for dinner at 8,” he sang. “She likes the theater and never comes late. She never bothers with people she’d hate. That’s why the lady is a tramp.”
Other songs in the set included “I Get a Kick Out of You,” “I’ve Got You Under My Skin,” “My Kind of Town,” “Let Me Try Again,” “I’ve Got the World on a String” and “Old Man River.” He also performed two newer songs: Jim Croce’s “Bad, Bad Leroy Brown” and Stevie Wonder’s “You Are the Sunshine of My Life.”
Sinatra, 56, casually smoked a cigarette while singing. He thanked Mileti for inviting him to the inaugural event of “this marvelous building.”
“I would have cried if he hadn’t asked me,” Sinatra said.
He noted that his good friend and fellow crooner Dean Martin was a native of Ohio.
“Dean made his first record in Steubenville,” Sinatra said. “And if you don’t believe me, ask the police chief.”
Celebrities could be glimpsed in the crowd that night. Former heavyweight boxer Joe Louis, Caesar’s Palace executive Billy Weinberger, U.S. Secretary of Housing and Urban Development James Lynn and Cleveland TV matriarch Dorothy Fuldheim were among the thousands enjoying the show.
Wiping off a chair onstage, Sinatra cracked a joke about the unfinished arena.
“You’ve got a $6 million act here and a dusty stool,” he said.
About midway through his set, Sinatra poured a glass of red wine and raised a toast to the audience.
“Luck, sweet dreams, love and kisses, and all that kind of stuff,” he said. “Cheers.”
Spotlights shine down on the center stage as Frank Sinatra opens the Richfield Coliseum on Oct. 26, 1974.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO
‘I did it my way’
Concertgoers continued to arrive until at least 10 p.m. When the house lights came on at intermission, mud-flecked clothing could be seen in the crowd. Some men had smudges on their suits from brushing against unpainted plasterboard.
For the big finale, Sinatra performed “My Way.”
“And now, the end is near and so I face the final curtain,” Sinatra sang. “My friend, I’ll say it clear, I’ll state my case, of which I’m certain. I’ve lived a life that’s full, I traveled each and every highway. And more, much more than this, I did it my way.”
Sinatra basked in applause and bid the audience good night.
He thanked Mileti backstage, changed clothes in a private dressing room and left with his entourage for Cleveland Hopkins Airport, where he caught a private flight for Houston.
Mileti and his wife, Gretchen, welcomed 2,000 guests at an 11 p.m. party in the Coliseum Club on the loge level.
“It’s like a dream,” Mileti kept telling well-wishers.
The parking lot cleared and concertgoers returned to their vehicles on I-271.
What a night. The Coliseum officially was open.
For 20 years, the landmark served as a center for sports and entertainment in Northeast Ohio: Rock concerts, basketball games, hockey matches, soccer games, tennis matches, circuses, rodeos, ice shows, wrestling matches, tractor pulls, track meets, horse shows, antique shows and other events.
The arena added hundreds of parking spaces and eventually built a back entrance, easing traffic congestion at shows.
But the grand building became obsolete with the construction of Gund Arena in downtown Cleveland. The Coliseum shut down in 1994 and fell to the wrecking ball five years later.
Today, the Richfield Coliseum is a meadow in Cuyahoga Valley National Park.
Mark J. Price can be reached at mprice@thebeaconjournal.com
Frank Sinatra sings Oct. 26, 1974, on opening night of the Richfield Coliseum.
TOM MARVIN, AKRON BEACON JOURNAL FILE PHOTO








Fw: EXCERPT FROM HARRY JAMES INTERVIEW WITH LES TOMKINS 1970
Undated materialFrom: Ed O'Brien <dmarc-noreply@freelists.org> | Received: 2024-12-08
Speaking of singers . . . didn’t you first hear Sinatra by chance on the radio?
In a way, yes. We were working at the Paramount Theatre, New York City; I came home one evening and turned the radio on. They were doing what they called spot broadcasts from different little clubs around the town, and I heard this singer on one of them, who sounded excellent. I thought he was a great vocalist. Then I found out the name of the club: the next evening we went out there, and I talked to him about joining the band.
He had never been with a band before; he just worked as a Master of Ceremonies and a singer at this club. So he came down, we got together, and that was how Frank Sinatra signed a year’s contract with us. We were struggling—really struggling. He had been with us about seven months and he still had five months to go on his contract when he had a chance to go with Tommy Dorsey—at the time that was a very big band.
You see, a lot of people don’t realise that Glenn Miller, Tommy Dorsey, Jimmv Dorsey, Bennv Goodman. Artie Shaw—were all before me by about seven or eight years. And when they were very popular I was still trying to get started. So when Sinatra had the Dorsey offer, I said: “Well, go ahead.” Because we were hardly making enough money to even eat. After he went with the Dorsey band, it was only another eight months or so before we were fortunate enough to get our own hit record. Dick Haymes came in to replace Sinatra; then Dick was with us for about three years.
You’ve certainly had some very fine singers.
Oh yes—luckily, we have. Sinatra, Dick Haymes; Helen Forrest was with us when we made a lot of our early recordings; Kitty Kallen. I feel that when our vocalist is on I sorta take a back seat, go off the stage or something, because I like to give a person a chance to express themselves, and show their own talent.
During the period Sinatra was with you, did you visualise his potential?
Not at all. I didn’t see his potential, or anyone else’s. It was just a matter of playing day by day, doing what we wanted to do, and doing it to the best of our ability. Naturally, hoping that everything would be okay. I’ve been that way all my life—just involved in what I’m doing at the moment. That’s why I still enjoy playing so much—because I’m very sincere about it, I like what I play. If someone doesn’t like it, I’m sorry; if they do, I’m glad. But I’m not going to change it or do something that somebody says they think I should do—I just don’t believe in that.
Don the Beachcomber
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-12-21

Don the Beachcomber
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-12-21

Don the Beachcomber
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-12-21

whoops did it again
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-22
Hello everyone,
I noticed that yesterday's listings did not post. I accidentally
sent them to myself again. Will repost immediately.
Scott
whoops did it again
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-22
Hello everyone,
I noticed that yesterday's listings did not post. I accidentally
sent them to myself again. Will repost immediately.
Scott
whoops did it again
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2024-12-22
Hello everyone,
I noticed that yesterday's listings did not post. I accidentally
sent them to myself again. Will repost immediately.
Scott
December 31st 1950: One Finger Melody - Frank Sinatra (Radio)
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-12-31
Wishing you all a happy New Year.
Carl
https://www.youtube.com/watch?v=xXfoEdkSktQ
Here’s Frank ending 1950 with “One Finger Melody”. A song Sinatra sang earlier in the year (September 18th) for Columbia Records, which charted on the top hits on November 4th and remained there for sixteen weeks; reaching the #9 spot during its height. Radio Program: Meet Frank Sinatra Show (CBS) Air date: December 31st, 1950.

December 31st 1950: One Finger Melody - Frank Sinatra (Radio)
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-12-31
Wishing you all a happy New Year.
Carl
https://www.youtube.com/watch?v=xXfoEdkSktQ
Here’s Frank ending 1950 with “One Finger Melody”. A song Sinatra sang earlier in the year (September 18th) for Columbia Records, which charted on the top hits on November 4th and remained there for sixteen weeks; reaching the #9 spot during its height. Radio Program: Meet Frank Sinatra Show (CBS) Air date: December 31st, 1950.

December 31st 1950: One Finger Melody - Frank Sinatra (Radio)
Undated materialFrom: cara <dmarc-noreply@freelists.org> | Received: 2024-12-31
Wishing you all a happy New Year.
Carl
https://www.youtube.com/watch?v=xXfoEdkSktQ
Here’s Frank ending 1950 with “One Finger Melody”. A song Sinatra sang earlier in the year (September 18th) for Columbia Records, which charted on the top hits on November 4th and remained there for sixteen weeks; reaching the #9 spot during its height. Radio Program: Meet Frank Sinatra Show (CBS) Air date: December 31st, 1950.

A man blowing a raspberry at a bust of Sinatra
Undated materialFrom: cara via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
Slide 1. - A man blowing a raspberry at a bust of Sinatra.

A man blowing a raspberry at a bust of Sinatra
Undated materialFrom: cara via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
Slide 1. - A man blowing a raspberry at a bust of Sinatra.

A man blowing a raspberry at a bust of Sinatra
Undated materialFrom: cara via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
Slide 1. - A man blowing a raspberry at a bust of Sinatra.

Fw: [sinatraphiles] July 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
CONCERT:
Frank Sinatra charts written by Billy Byers
All The Way : June 20, 1965
Call Me Irresponsible : June 24, 1965
The Gal That Got Away
Get Me To The Church On Time
Hello Dolly
I Can’t Stop op Lovin’ You : Sinatra/Basie (Las Vegas)
I Wish sh You Love : Sinatra/Basie (Las Vegas)
In The Wee Small Hour : June 20, 1965
It’s Easy To Remember : June 23, 3, 1965
Lover Come Back To Me : June 21, 1965
The Best Is Yet To Come
The Lady Is A tramp
My Kind Of Town : Sinatra/Basie (Las Vegas)
Street Of Dreams : June 24, 1965
Too Marvelous For Words : June 23, 1965
Where Or When : June 20, 1965
You Make Me Feel So Young
A Foggy Day April 1970
Byers also wrote the charts for "The Best Is Yet To Come" and "Wives and Lovers."
Fw: [sinatraphiles] July 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
CONCERT:
Frank Sinatra charts written by Billy Byers
All The Way : June 20, 1965
Call Me Irresponsible : June 24, 1965
The Gal That Got Away
Get Me To The Church On Time
Hello Dolly
I Can’t Stop op Lovin’ You : Sinatra/Basie (Las Vegas)
I Wish sh You Love : Sinatra/Basie (Las Vegas)
In The Wee Small Hour : June 20, 1965
It’s Easy To Remember : June 23, 3, 1965
Lover Come Back To Me : June 21, 1965
The Best Is Yet To Come
The Lady Is A tramp
My Kind Of Town : Sinatra/Basie (Las Vegas)
Street Of Dreams : June 24, 1965
Too Marvelous For Words : June 23, 1965
Where Or When : June 20, 1965
You Make Me Feel So Young
A Foggy Day April 1970
Byers also wrote the charts for "The Best Is Yet To Come" and "Wives and Lovers."
Fw: [sinatraphiles] July 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
CONCERT:
Frank Sinatra charts written by Billy Byers
All The Way : June 20, 1965
Call Me Irresponsible : June 24, 1965
The Gal That Got Away
Get Me To The Church On Time
Hello Dolly
I Can’t Stop op Lovin’ You : Sinatra/Basie (Las Vegas)
I Wish sh You Love : Sinatra/Basie (Las Vegas)
In The Wee Small Hour : June 20, 1965
It’s Easy To Remember : June 23, 3, 1965
Lover Come Back To Me : June 21, 1965
The Best Is Yet To Come
The Lady Is A tramp
My Kind Of Town : Sinatra/Basie (Las Vegas)
Street Of Dreams : June 24, 1965
Too Marvelous For Words : June 23, 1965
Where Or When : June 20, 1965
You Make Me Feel So Young
A Foggy Day April 1970
Byers also wrote the charts for "The Best Is Yet To Come" and "Wives and Lovers."
Fw: [sinatraphiles] July 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
CONCERT:
Frank Sinatra charts written by Billy Byers
All The Way : June 20, 1965
Call Me Irresponsible : June 24, 1965
The Gal That Got Away
Get Me To The Church On Time
Hello Dolly
I Can’t Stop op Lovin’ You : Sinatra/Basie (Las Vegas)
I Wish sh You Love : Sinatra/Basie (Las Vegas)
In The Wee Small Hour : June 20, 1965
It’s Easy To Remember : June 23, 3, 1965
Lover Come Back To Me : June 21, 1965
The Best Is Yet To Come
The Lady Is A tramp
My Kind Of Town : Sinatra/Basie (Las Vegas)
Street Of Dreams : June 24, 1965
Too Marvelous For Words : June 23, 1965
Where Or When : June 20, 1965
You Make Me Feel So Young
A Foggy Day April 1970
Byers also wrote the charts for "The Best Is Yet To Come" and "Wives and Lovers."
Fw: [sinatraphiles] July 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
CONCERT:
Frank Sinatra charts written by Billy Byers
All The Way : June 20, 1965
Call Me Irresponsible : June 24, 1965
The Gal That Got Away
Get Me To The Church On Time
Hello Dolly
I Can’t Stop op Lovin’ You : Sinatra/Basie (Las Vegas)
I Wish sh You Love : Sinatra/Basie (Las Vegas)
In The Wee Small Hour : June 20, 1965
It’s Easy To Remember : June 23, 3, 1965
Lover Come Back To Me : June 21, 1965
The Best Is Yet To Come
The Lady Is A tramp
My Kind Of Town : Sinatra/Basie (Las Vegas)
Street Of Dreams : June 24, 1965
Too Marvelous For Words : June 23, 1965
Where Or When : June 20, 1965
You Make Me Feel So Young
A Foggy Day April 1970
Byers also wrote the charts for "The Best Is Yet To Come" and "Wives and Lovers."
Fw: [sinatraphiles] July 4 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-06
CONCERT:
Frank Sinatra charts written by Billy Byers
All The Way : June 20, 1965
Call Me Irresponsible : June 24, 1965
The Gal That Got Away
Get Me To The Church On Time
Hello Dolly
I Can’t Stop op Lovin’ You : Sinatra/Basie (Las Vegas)
I Wish sh You Love : Sinatra/Basie (Las Vegas)
In The Wee Small Hour : June 20, 1965
It’s Easy To Remember : June 23, 3, 1965
Lover Come Back To Me : June 21, 1965
The Best Is Yet To Come
The Lady Is A tramp
My Kind Of Town : Sinatra/Basie (Las Vegas)
Street Of Dreams : June 24, 1965
Too Marvelous For Words : June 23, 1965
Where Or When : June 20, 1965
You Make Me Feel So Young
A Foggy Day April 1970
Byers also wrote the charts for "The Best Is Yet To Come" and "Wives and Lovers."
FS Dundee 1953
Undated materialFrom: cara via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-09
One more Dundee 1953 photo.
Carl
Emne: FS Dundee 1953
https://www.thecourier.co.uk/fp/past-times/4552180/frank-sinatra-dundee-phoenix/
Sinatra enjoyed watching his friend Ben Hogan win The Open during his time in Tayside. Image: DC Thomson.

FS Dundee 1953
Undated materialFrom: cara via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-09
One more Dundee 1953 photo.
Carl
Emne: FS Dundee 1953
https://www.thecourier.co.uk/fp/past-times/4552180/frank-sinatra-dundee-phoenix/
Sinatra enjoyed watching his friend Ben Hogan win The Open during his time in Tayside. Image: DC Thomson.

FS Dundee 1953
Undated materialFrom: cara via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-09
One more Dundee 1953 photo.
Carl
Emne: FS Dundee 1953
https://www.thecourier.co.uk/fp/past-times/4552180/frank-sinatra-dundee-phoenix/
Sinatra enjoyed watching his friend Ben Hogan win The Open during his time in Tayside. Image: DC Thomson.

re: [sinatraphiles] July 9 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: scott@falseducks.com | Received: 2025-07-09
Today's post went out incomplete.
I am fixing it and will resent shortly.
Scott
WHO DID IT ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-10
Daily News
7-5-65

WHO DID IT ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-10
Daily News
7-5-65

WHO DID IT ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-10
Daily News
7-5-65

JULY 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-11
7-5-65
7-10-65
Chicago Sun Times
7-8-65







JULY 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-11
7-5-65
7-10-65
Chicago Sun Times
7-8-65







JULY 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-11
7-5-65
7-10-65
Chicago Sun Times
7-8-65







A BIT OF THIS AND THAT FROM THE 1960S
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-12
Daily News
7-6-65
7-11-60
Edmonton Journal
6-23-66



A BIT OF THIS AND THAT FROM THE 1960S
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-12
Daily News
7-6-65
7-11-60
Edmonton Journal
6-23-66



A BIT OF THIS AND THAT FROM THE 1960S
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-12
Daily News
7-6-65
7-11-60
Edmonton Journal
6-23-66



Oh ! those bobby soxers
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-12
Daily News
7-11-43
Ben Gross had a column in the Daily News. Irene did not not like what he
wrote about Frankie.
Philadelphia Inquirer
7-11-43
Union City Times Gazette
6-19-44



Oh ! those bobby soxers
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-12
Daily News
7-11-43
Ben Gross had a column in the Daily News. Irene did not not like what he
wrote about Frankie.
Philadelphia Inquirer
7-11-43
Union City Times Gazette
6-19-44



EIGHTY-SIX YEARS AGO TODAY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-13
FRANK SINATRA FIRST COMMERCIAL RECORDINGS
"From The Bottom Of My Heart"
"Melancholy Mood"
New York City
Columbia Recording Studio
w. Harry James and His Band
Neither song charted
The Capital Times
September 10, 1939



EIGHTY-SIX YEARS AGO TODAY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-13
FRANK SINATRA FIRST COMMERCIAL RECORDINGS
"From The Bottom Of My Heart"
"Melancholy Mood"
New York City
Columbia Recording Studio
w. Harry James and His Band
Neither song charted
The Capital Times
September 10, 1939



EIGHTY-SIX YEARS AGO TODAY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-13
FRANK SINATRA FIRST COMMERCIAL RECORDINGS
"From The Bottom Of My Heart"
"Melancholy Mood"
New York City
Columbia Recording Studio
w. Harry James and His Band
Neither song charted
The Capital Times
September 10, 1939



IN HIS OWN WORDS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-14

IN HIS OWN WORDS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-14

IN HIS OWN WORDS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-14

NYT: Alan Bergman Dies at 99
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-18
Alan Bergman, Half of a Prolific Lyric-Writing Team, Dies at 99 - The New York Times
NYT: Alan Bergman Dies at 99
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-18
Alan Bergman, Half of a Prolific Lyric-Writing Team, Dies at 99 - The New York Times
Re: NYT: Alan Bergman Dies at 99
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-18
What do you think his best song was? For me, How Do You Keep The Music Playing.
Sent from the all new AOL app for iOS
On Friday, July 18, 2025, 12:03 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Alan Bergman, Half of a Prolific Lyric-Writing Team, Dies at 99 - The New York Times
Fwd: [sinatraphiles] GOODBUY
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2025-07-20
Hi Fred
We will miss you all.
You have send your massage
To the previous group.
All the best to you my friend.
Shemmy
נשלח מה-iPhone שלי
התחלת ההודעה המועברת:
> מאת: Fred Wadsworth <dmarc-noreply@freelists.org>
> תאריך: 20 ביולי 2025 בשעה 12:45:36 GMT+3
> אל: sinatraphiles freelists <sinatraphiles@freelists.org>, Scott Henderson <scott@falseducks.com>, michel macaire <michelmacaire@hotmail.com>, Jason Maguire <jason_swing@hotmail.co.uk>
> נושא: [sinatraphiles] GOODBUY
> כתובת לתשובה: sinatraphiles@freelists.org
>
>
> HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
Fwd: [sinatraphiles] GOODBUY
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2025-07-20
Hi Fred
We will miss you all.
You have send your massage
To the previous group.
All the best to you my friend.
Shemmy
נשלח מה-iPhone שלי
התחלת ההודעה המועברת:
> מאת: Fred Wadsworth <dmarc-noreply@freelists.org>
> תאריך: 20 ביולי 2025 בשעה 12:45:36 GMT+3
> אל: sinatraphiles freelists <sinatraphiles@freelists.org>, Scott Henderson <scott@falseducks.com>, michel macaire <michelmacaire@hotmail.com>, Jason Maguire <jason_swing@hotmail.co.uk>
> נושא: [sinatraphiles] GOODBUY
> כתובת לתשובה: sinatraphiles@freelists.org
>
>
> HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
Fwd: [sinatraphiles] GOODBUY
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2025-07-20
Hi Fred
We will miss you all.
You have send your massage
To the previous group.
All the best to you my friend.
Shemmy
נשלח מה-iPhone שלי
התחלת ההודעה המועברת:
> מאת: Fred Wadsworth <dmarc-noreply@freelists.org>
> תאריך: 20 ביולי 2025 בשעה 12:45:36 GMT+3
> אל: sinatraphiles freelists <sinatraphiles@freelists.org>, Scott Henderson <scott@falseducks.com>, michel macaire <michelmacaire@hotmail.com>, Jason Maguire <jason_swing@hotmail.co.uk>
> נושא: [sinatraphiles] GOODBUY
> כתובת לתשובה: sinatraphiles@freelists.org
>
>
> HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
GOODBUY
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-07-20
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
GOODBUY
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-07-20
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
GOODBUY
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-07-20
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
Re: GOODBUY
Undated materialFrom: Vance Adair <dmarc-noreply@freelists.org> | Received: 2025-07-20
Hi Fred - I am sure that you have collected some wonderful items over the
years.
I hope that you are OK.
-Vance
On Sun, Jul 20, 2025 at 10:45 AM Fred Wadsworth <dmarc-noreply@freelists.org>
wrote:
> HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE
> MUSIC AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE
> COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
>
Re: GOODBUY
Undated materialFrom: smashiah <dmarc-noreply@freelists.org> | Received: 2025-07-21
Dear Fred
You will be missed by all of us.
Your contribution was much appreciated.
shemmy
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> On Behalf Of Fred Wadsworth
Sent: Sunday, July 20, 2025 12:45 PM
To: sinatraphiles freelists <sinatraphiles@freelists.org>; Scott Henderson
<scott@falseducks.com>; michel macaire <michelmacaire@hotmail.com>; Jason
Maguire <jason_swing@hotmail.co.uk>
Subject: [sinatraphiles] GOODBUY
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC
AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE
COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
Re: GOODBUY
Undated materialFrom: smashiah <dmarc-noreply@freelists.org> | Received: 2025-07-21
Hi Fred
You will be missed by all of us
shemmy
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> On Behalf Of Fred Wadsworth
Sent: Sunday, July 20, 2025 12:45 PM
To: sinatraphiles freelists <sinatraphiles@freelists.org>; Scott Henderson
<scott@falseducks.com>; michel macaire <michelmacaire@hotmail.com>; Jason
Maguire <jason_swing@hotmail.co.uk>
Subject: [sinatraphiles] GOODBUY
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC
AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE
COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
Re: sinatraphiles Digest V6 #88
Undated materialFrom: Luke Mitchell <dmarc-noreply@freelists.org> | Received: 2025-07-22
Dear Fred,
Thank you for all the time you spent helping me start my Sinatra collection many years ago. It is much appreciated. I hope everything is OK and you can still enjoy the music.
Best Wishes, Luke (Nottingham)
P.S I aware I don't contribute much to this group but I find it hard to use on my phone. It's rare I turn the laptop on like today. I really enjoy receiving the e-mail with the daily Sinatra activity. Thank you to everyone who puts it together.
________________________________
From: FreeLists List Manager <ecartis@freelists.org>
Sent: 22 July 2025 02:05
To: sinatraphiles digest users <ecartis@freelists.org>
Subject: sinatraphiles Digest V6 #88
sinatraphiles Digest Mon, 21 Jul 2025 Volume: 06 Issue: 088
In This Issue:
[sinatraphiles] Re: GOODBUY
[sinatraphiles] Re: GOODBUY
From: smashiah@netvision.net.il
Subject: [sinatraphiles] Re: GOODBUY
Date: Mon, 21 Jul 2025 09:11:18 +0300
Dear Fred
You will be missed by all of us.
Your contribution was much appreciated.
shemmy
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> On Behalf Of Fred Wadsworth
Sent: Sunday, July 20, 2025 12:45 PM
To: sinatraphiles freelists <sinatraphiles@freelists.org>; Scott Henderson
<scott@falseducks.com>; michel macaire <michelmacaire@hotmail.com>; Jason
Maguire <jason_swing@hotmail.co.uk>
Subject: [sinatraphiles] GOODBUY
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC
AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE
COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
From: smashiah@netvision.net.il
Subject: [sinatraphiles] Re: GOODBUY
Date: Mon, 21 Jul 2025 09:11:19 +0300
Hi Fred
You will be missed by all of us
shemmy
From: sinatraphiles-bounce@freelists.org
<sinatraphiles-bounce@freelists.org> On Behalf Of Fred Wadsworth
Sent: Sunday, July 20, 2025 12:45 PM
To: sinatraphiles freelists <sinatraphiles@freelists.org>; Scott Henderson
<scott@falseducks.com>; michel macaire <michelmacaire@hotmail.com>; Jason
Maguire <jason_swing@hotmail.co.uk>
Subject: [sinatraphiles] GOODBUY
HI FRIENDS & SINATRAPHILES, AFTER OVER 60 YEARS OF COLLECTING ALL THE MUSIC
AND NEWS BY FRANK AND ALL THE GOOD SINGERS I'M NOW GIVING IT ALL THE
COLLECTING UP SO GOODBUY TO YOU ALL THE BEST FJW
End of sinatraphiles Digest V6 #88
**********************************
DEMOCRATIC NATIONAL CONVENTION IN LOS ANGELES JULY 1960
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-23

DEMOCRATIC NATIONAL CONVENTION IN LOS ANGELES JULY 1960
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-23

DEMOCRATIC NATIONAL CONVENTION IN LOS ANGELES JULY 1960
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-23

Fw: Bergmans 10 minute song for Sinatra
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-23
Listen to this starting at time mark 36:45.
https://youtu.be/5vfwFwnwzKY?si=LC4Cu_NT4aajJ5cD
Fw: Bergmans 10 minute song for Sinatra
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-23
Listen to this starting at time mark 36:45.
https://youtu.be/5vfwFwnwzKY?si=LC4Cu_NT4aajJ5cD
Fw: Bergmans 10 minute song for Sinatra
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-23
Listen to this starting at time mark 36:45.
https://youtu.be/5vfwFwnwzKY?si=LC4Cu_NT4aajJ5cD
Re: Fw: Bergmans 10 minute song for Sinatra
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-07-23
Hi Ed,
Yes - a great story and a really lovely late interview with Bergman. Is he,
though, referring to 'The Same Hello The Same Goodbye'? I think Streisand
is the only artist to have recorded this.
-Vance
On Wed, Jul 23, 2025 at 4:27 AM 'Ed O'Brien' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
>
>
>
>
>
>
> Listen to this starting at time mark 36:45.
>
> https://youtu.be/5vfwFwnwzKY?si=LC4Cu_NT4aajJ5cD
>
>
>
> --
>
Re: Fw: Bergmans 10 minute song for Sinatra
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-07-23
Hi Ed,
Yes - a great story and a really lovely late interview with Bergman. Is he,
though, referring to 'The Same Hello The Same Goodbye'? I think Streisand
is the only artist to have recorded this.
-Vance
On Wed, Jul 23, 2025 at 4:27 AM 'Ed O'Brien' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
>
>
>
>
>
>
> Listen to this starting at time mark 36:45.
>
> https://youtu.be/5vfwFwnwzKY?si=LC4Cu_NT4aajJ5cD
>
>
>
> --
>
Re: Fw: Bergmans 10 minute song for Sinatra
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-07-23
Hi Ed,
Yes - a great story and a really lovely late interview with Bergman. Is he,
though, referring to 'The Same Hello The Same Goodbye'? I think Streisand
is the only artist to have recorded this.
-Vance
On Wed, Jul 23, 2025 at 4:27 AM 'Ed O'Brien' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
>
>
>
>
>
>
> Listen to this starting at time mark 36:45.
>
> https://youtu.be/5vfwFwnwzKY?si=LC4Cu_NT4aajJ5cD
>
>
>
> --
>
Re: NYT: Alan Bergman Dies at 99
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-07-23
Along with Marilyn, Alan has bequeathed to us a rich legacy. The Bergmans
excelled at writing songs for grown ups, and they also had an unrivalled
gift for writing lines with unforgettable imagery. Both were masterful
storytellers and chroniclers of the vicissitudes of love from a mature and
often a uniquely psychological perspective. In a Bergman song, love is
something that is not just felt but also has to be thought about and made
sense of.
There are so many songs in contention for being their ‘best.’ At a push,
and I could choose one of many others tomorrow, I’ll nominate ‘Where Do You
Start?’
Farewell Alan - and thank you.
-Vance
On Tue, 22 Jul 2025 at 15:17, 'John K. George' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
> What do you think his best song was? For me, How Do You Keep The Music
> Playing.
>
>
> Sent from the all new AOL app for iOS
> <https://aolapp.onelink.me/eG2g?pid=NativePlacement&c=US_Acquisition_YMktg_320_EmailSignature_AttributionDL&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002473&af_sub5=SentFromNewAOLApp__Interstitial_&af_ios_store_cpp=ce85ce34-ad0f-4811-a92b-a172743b064e&af_android_url=https%3A%2F%2Fplay.google.com%2Fstore%2Fapps%2Fdetails%3Fid%3Dcom.aol.mobile.aolapp%26listing%3Demail_signature_attribution>
>
> On Friday, July 18, 2025, 12:03 PM, 'Ed O'Brien' via Sinatraphiles <
> sinatraphiles@googlegroups.com> wrote:
>
>
>
> Alan Bergman, Half of a Prolific Lyric-Writing Team, Dies at 99 - The New
> York Times
> <https://www.nytimes.com/2025/07/18/arts/music/alan-bergman-dead.html>
>
> --
>
Re: NYT: Alan Bergman Dies at 99
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-07-23
Along with Marilyn, Alan has bequeathed to us a rich legacy. The Bergmans
excelled at writing songs for grown ups, and they also had an unrivalled
gift for writing lines with unforgettable imagery. Both were masterful
storytellers and chroniclers of the vicissitudes of love from a mature and
often a uniquely psychological perspective. In a Bergman song, love is
something that is not just felt but also has to be thought about and made
sense of.
There are so many songs in contention for being their ‘best.’ At a push,
and I could choose one of many others tomorrow, I’ll nominate ‘Where Do You
Start?’
Farewell Alan - and thank you.
-Vance
On Tue, 22 Jul 2025 at 15:17, 'John K. George' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
> What do you think his best song was? For me, How Do You Keep The Music
> Playing.
>
>
> Sent from the all new AOL app for iOS
> <https://aolapp.onelink.me/eG2g?pid=NativePlacement&c=US_Acquisition_YMktg_320_EmailSignature_AttributionDL&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002473&af_sub5=SentFromNewAOLApp__Interstitial_&af_ios_store_cpp=ce85ce34-ad0f-4811-a92b-a172743b064e&af_android_url=https%3A%2F%2Fplay.google.com%2Fstore%2Fapps%2Fdetails%3Fid%3Dcom.aol.mobile.aolapp%26listing%3Demail_signature_attribution>
>
> On Friday, July 18, 2025, 12:03 PM, 'Ed O'Brien' via Sinatraphiles <
> sinatraphiles@googlegroups.com> wrote:
>
>
>
> Alan Bergman, Half of a Prolific Lyric-Writing Team, Dies at 99 - The New
> York Times
> <https://www.nytimes.com/2025/07/18/arts/music/alan-bergman-dead.html>
>
> --
>
CLEO LAINE
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-26
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
CLEO LAINE
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-26
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
CLEO LAINE
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-26
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
CLEO LAINE
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-26
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
CLEO LAINE
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-26
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
CLEO LAINE
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-26
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
Re: CLEO LAINE
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-26
She also recorded an album with Mel Torme.
J George
Sent from the all new AOL app for iOS
On Saturday, July 26, 2025, 5:05 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Singer Cleo Laine, regarded as Britain’s greatest jazz voice, dies at 97
By ROBERT BARR The Associated Press,Updated July 25, 2025, 1:06 p.m.
LONDON — Cleo Laine, whose husky contralto was one of the most distinctive voices in jazz and who was regarded by many as Britain’s greatest contribution to the quintessentially American music, has died. She was 97.
The Stables, a charity and venue Ms. Laine founded with her late jazz musician husband John Dankworth, said Friday it was “greatly saddened” by the news that “one of its founders and Life President, Dame Cleo Laine has passed away.”
Monica Ferguson, artistic director of The Stables, said Ms. Laine “will be greatly missed, but her unique talent will always be remembered.”
Ms. Laine’s career spanned the Atlantic and crossed genres: She sang the songs of Kurt Weill, Arnold Schoenberg, and Robert Schumann; she acted on stage and on film, and even played God in a production of Benjamin Britten’s “Noye’s Fludde.”
Ms. Laine’s life and art were intimately bound up with band leader Dankworth, who gave her a job and her stage name in 1951, and married her seven years later. Both were still performing after their 80th birthdays. Dankworth died in 2010 at 82.
In 1997, Ms. Laine became the first British jazz artist to be made a dame, the female equivalent of a knight.
“It is British jazz that should have received the accolade for its service to me,” she said when the honor was announced. “It has given me a wonderful life, a successful career and an opportunity to travel the globe doing what I love to do.”
Ms. Laine was born Clementina Dinah Campbell in 1927. Her father, Alexander Campbell, was a Jamaican who loved opera and earned money during the Depression as a street singer. Despite hard times, her British mother, Minnie, made sure that her daughter had piano, voice and dance lessons.
She began performing at local events at age 3, and at age 12 she got a role as a movie extra in “The Thief of Bagdad.” Leaving school at 14, Ms. Laine went to work as a hairdresser and faced repeated rejection in her efforts to get a job as a singer.
A decade later, in 1951, she tried out for the Johnny Dankworth Seven, and succeeded. “Clementina Campbell” was judged too long for a marquee, so she became Cleo Laine.
“John said that when he heard me, I didn’t sound like anyone else who was singing at the time,” Ms. Laine once said. “I guess the reason I didn’t get the other jobs is that they were looking for a singer who did sound like somebody else.”
Ms. Laine had a remarkable range, from tenor to contralto, and a sound often described as “smoky.”
Dankworth, in an interview with the Irish Independent, recalled Ms. Laine’s audition.
“They were all sitting there with stony faces, so I asked the Scottish trumpet player Jimmy Deuchar, who was looking very glum and was the hardest nut of all, whether he thought she had something. ‘Something?’ he said, ‘She’s got everything!’”
Offered 6 pounds a week, Ms. Laine demanded — and got — 7 pounds.
“They used to call me ‘Scruff’, although I don’t think I was scruffy. It was just that having come from the sticks, I didn’t know how to put things together as well as the other singers of the day,” she told the Irish Independent. “And anyway, I didn’t have the money, because they weren’t paying me enough.”
Recognition came swiftly. Ms. Laine was runner-up in Melody Maker’s “girl singer” category in 1952, and topped the list in 1956 and 1957.
She married Dankworth — and quit his band — in 1958, a year after her divorce from her first husband, George Langridge. As Dankworth’s band prospered, Ms. Laine began to feel underused.
“I thought, no, I’m not going to just sit on the band and be a singer of songs every now and again when he fancied it. So it was then that I decided I wasn’t going to stay with the band and I was going to go off and try to do something solo-wise,” she said in a BBC documentary.
“When I said I was leaving, he said, ‘Will you marry me?’ That was a good ploy, wasn’t it, huh?”
They were married on March 18, 1958. A son, Alec, was born in 1960, and daughter Jacqueline followed in 1963.
Despite her happy marriage, Ms. Laine forged a career independent of Dankworth.
“Whenever anybody starts putting a label on me, I say, ‘Oh, no you don’t,’ and I go and do something different,” Laine told The Associated Press in 1985 when she was appearing on stage in New York in “The Mystery of Edwin Drood.”
Her stage career began in 1958 when she was invited to join the cast of a West Indian play, “Flesh to a Tiger,” at the Royal Court Theatre, and was surprised to find herself in the lead role. She won a Moscow Arts Theatre Award for her performance.
“Valmouth” followed in 1959, “The Seven Deadly Sins” in 1961, “The Trojan Women” in 1966 and “Hedda Gabler” in 1970.
The role of Julie in Jerome Kern’s “Show Boat” in 1971 provided Ms. Laine with a show-stopping song, “Bill.”
Ms. Laine began winning a following in the United States in 1972 with a concert at the Alice Tully Hall in New York. It wasn’t well attended, but The New York Times gave her a glowing review.
The following year, she and Dankworth drew a sold-out audience at Carnegie Hall, launching a series of popular appearances. “Cleo at Carnegie” won a Grammy award in 1986, the same year she was a Tony nominee for “The Mystery of Edwin Drood.”
A reviewer for Variety in 2002 found her voice going strong: “a dark, creamy voice, remarkable range and control from bottomless contralto to a sweet clear soprano. Her perfect pitch and phrasing is always framed with musical imagination and good taste.”
Perhaps Ms. Laine’s most difficult performance of all was on Feb. 6, 2010, at a concert celebrating the 40th anniversary of the concert venue she and Dankworth had founded at their home, during which Ms. Laine and both of her children performed.
“I’m terribly sorry that Sir John can’t be here today,” Ms. Laine told the crowd at the end of the show. “But earlier on my husband died in hospital.”
Ms. Laine said in an interview with the Boston Globe in 2003 that the secret of her longevity was that “I was never a complete belter.”
“There was always a protective side in me, and an inner voice always said, ‘Don’t do that — it’s not good for you and your voice.’”
Ms. Laine is survived by her son and daughter.
Re: Carl M
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-27
I agree with you.
Sent from the all new AOL app for iOS
On Sunday, July 27, 2025, 5:35 PM, Scott Henderson <scott@falseducks.com> wrote:
I have been asked to remove Carl M from the group after his
passing. I found that to be very emotional. Even though I never met
Carl in person, he contributed greatly to the Sinatraphiles
group. Carl was extremely involved in fleshing out the 1945 USO tour
with all the European stops. That type of dedication will be sadly missed.
Scot
Re: SAD, SAD NEWS
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2025-07-27
I remember his posts on the group.
RIP
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com>
Sent: Sunday, July 27, 2025 11:51:30 AM
To: sinatraphiles@googlegroups.com <sinatraphiles@googlegroups.com>
Subject: SAD, SAD NEWS
I am sorry to be the bearer of bad tidings, but Carl Rasmussen passed away
on 7-24-25. His wife, Lone, contacted me. Carl was a great contributor to our
list and a very good friend. A wonderful man who lived a full life.
Ed
Re: SAD, SAD NEWS
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-07-27
Ed,
'
That is very sad news indeed. Carl has supplied great information
and insight to this group. He will be missed.
Scott
>I am sorry to be the bearer of bad tidings, but Carl Rasmussen passed away
>on 7-24-25. His wife, Lone, contacted me. Carl was a great contributor to our
>list and a very good friend. A wonderful man who lived a full life.
>Ed
>
>--
>
Re: SAD, SAD NEWS
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-27
So sorry to hear. JH
Sent from the all new AOL app for iOS
On Sunday, July 27, 2025, 11:51 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
I am sorry to be the bearer of bad tidings, but Carl Rasmussen passed awayon 7-24-25. His wife, Lone, contacted me. Carl was a great contributor to ourlist and a very good friend. A wonderful man who lived a full life. Ed
Re: SAD, SAD NEWS
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-07-27
So sorry to hear. JH
Sent from the all new AOL app for iOS
On Sunday, July 27, 2025, 11:51 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
I am sorry to be the bearer of bad tidings, but Carl Rasmussen passed awayon 7-24-25. His wife, Lone, contacted me. Carl was a great contributor to ourlist and a very good friend. A wonderful man who lived a full life. Ed
SAD, SAD NEWS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-27
I am sorry to be the bearer of bad tidings, but Carl Rasmussen passed awayon 7-24-25. His wife, Lone, contacted me. Carl was a great contributor to ourlist and a very good friend. A wonderful man who lived a full life. Ed
re: Carl M
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-07-27
I have been asked to remove Carl M from the group after his
passing. I found that to be very emotional. Even though I never met
Carl in person, he contributed greatly to the Sinatraphiles
group. Carl was extremely involved in fleshing out the 1945 USO tour
with all the European stops. That type of dedication will be sadly missed.
Scot
REVIEWS OF TWO CAPITOL ALBUMS RELEASED IN 1963: TELL HER YOU LOVE HER & SINATRA SINGS RODGERS & HART
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-07-28
note: Back in 1963, Capitol insisted on releasing pseudo-stereo albums
of Sinatra's marvelous recordings, done for their label. Everyone wanted
to own the stereo version, even if it was not recorded that way. Capitol's
god-awful duophonic releases are not to be believed. Simply unlistenable.
Fortunately for Sinatra buyers, Cap. did offer mono as well.
Ed


Fw: Chairman of the Boardwalk: My Chance Teenage Encounter with Frank Sinatra | New Jersey Monthly
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-02
https://njmonthly.com/articles/jersey-living/jersey-celebrities/chairman-of-the-boardwalk-my-chance-teenage-encounter-with-frank-sinatra/
Chairman of the Boardwalk: My Chance Teenage Encounter with Frank SinatraWhile my parents played the slots in 1980s Atlantic City, I crossed paths with their idol.
📬 Get our editors' essential reads sent weekly to your inbox with The Gist newsletter.
Illustration: Steve Wacksman
My parents would occasionally wax nostalgic about catching Frank Sinatra perform at the 500 Club during Atlantic City’s glory days. My mother beamed when reminiscing about the Chairman of the Board performing on Missouri Avenue in 1959. “If you only saw Frank Sinatra up close,” my mother would say. I’d roll my prepubescent eyes, since, at the time, my world was all about the Rolling Stones and the Who.
When my parents hit the slots at Resorts Casino during the late 1970s and early ’80s, they would often leave me to my own devices on the Boardwalk. During Memorial Day weekend of 1981, I checked out a commotion outside Resorts and was transfixed as I witnessed my parents’ hero getting the ultimate tribute while they were feeding one-armed bandits.
I happened upon New Jersey’s favorite son, the lionized Sinatra, sinking his hands into cement. The charismatic singer/actor smiled while flanked by his coterie of approving pals. At one point, Ol’ Blue Eyes stared straight at me, a 15-year-old kid sporting a T-shirt that read, “And on the seventh day God created Van Halen,” since I was the only youngster enjoying the festivities.
Wow, this is kinda cool, I thought. The Kinks classic “Celluloid Heroes,” a clever song about legendary celebrities immortalized in cement on Hollywood Boulevard, played in my head. Hollywood Boulevard was impossibly distant to a Jersey kid who had yet to visit California, but Resorts added some glamour to a fading Atlantic City that lacked the electricity of the halcyon days of the 500 Club.
I never attended another handprint ceremony, but I checked out the plaques at Resorts during the 1980s—everyone from Steve Martin to Stevie Wonder. Prints continued to be collected until 1988, when Merv Griffin bought the property. A hiatus continued throughout Griffin’s run, which ended in 1997. After the talk-show host sold Resorts, the prints came back. Martin Short was the final inductee in 2010.
The concrete autographs resided in the recesses of my mind throughout the ’90s and aughts. I didn’t think about the prints again until I noticed they were no longer in front of Resorts in 2013 due to the construction of Margaritaville. They were placed in the casino’s basement for the next dozen years.
I once asked Don Rickles where his prints were, and the insult comic laughed. “Who knows?” Rickles said. “I don’t go out to the Boardwalk when I go to Atlantic City. I’m afraid I’ll get rolled.”
Now, the prints are back where the public can enjoy them: outside the casino’s Superstar Theater. Some prints didn’t survive the extraction, but many live on, including Sinatra’s. Whenever I see that tribute, I flash back to the look of disbelief on my parents’ faces when I told them what I’d witnessed while they were tossing my college fund into the slot machines.
Ed Condran is a veteran journalist who contributes to AARP and has a cross-generational travel vlog, “The Kids and Travel are Alright,” with his two sons.

Fw: Chairman of the Boardwalk: My Chance Teenage Encounter with Frank Sinatra | New Jersey Monthly
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-02
https://njmonthly.com/articles/jersey-living/jersey-celebrities/chairman-of-the-boardwalk-my-chance-teenage-encounter-with-frank-sinatra/
Chairman of the Boardwalk: My Chance Teenage Encounter with Frank SinatraWhile my parents played the slots in 1980s Atlantic City, I crossed paths with their idol.
📬 Get our editors' essential reads sent weekly to your inbox with The Gist newsletter.
Illustration: Steve Wacksman
My parents would occasionally wax nostalgic about catching Frank Sinatra perform at the 500 Club during Atlantic City’s glory days. My mother beamed when reminiscing about the Chairman of the Board performing on Missouri Avenue in 1959. “If you only saw Frank Sinatra up close,” my mother would say. I’d roll my prepubescent eyes, since, at the time, my world was all about the Rolling Stones and the Who.
When my parents hit the slots at Resorts Casino during the late 1970s and early ’80s, they would often leave me to my own devices on the Boardwalk. During Memorial Day weekend of 1981, I checked out a commotion outside Resorts and was transfixed as I witnessed my parents’ hero getting the ultimate tribute while they were feeding one-armed bandits.
I happened upon New Jersey’s favorite son, the lionized Sinatra, sinking his hands into cement. The charismatic singer/actor smiled while flanked by his coterie of approving pals. At one point, Ol’ Blue Eyes stared straight at me, a 15-year-old kid sporting a T-shirt that read, “And on the seventh day God created Van Halen,” since I was the only youngster enjoying the festivities.
Wow, this is kinda cool, I thought. The Kinks classic “Celluloid Heroes,” a clever song about legendary celebrities immortalized in cement on Hollywood Boulevard, played in my head. Hollywood Boulevard was impossibly distant to a Jersey kid who had yet to visit California, but Resorts added some glamour to a fading Atlantic City that lacked the electricity of the halcyon days of the 500 Club.
I never attended another handprint ceremony, but I checked out the plaques at Resorts during the 1980s—everyone from Steve Martin to Stevie Wonder. Prints continued to be collected until 1988, when Merv Griffin bought the property. A hiatus continued throughout Griffin’s run, which ended in 1997. After the talk-show host sold Resorts, the prints came back. Martin Short was the final inductee in 2010.
The concrete autographs resided in the recesses of my mind throughout the ’90s and aughts. I didn’t think about the prints again until I noticed they were no longer in front of Resorts in 2013 due to the construction of Margaritaville. They were placed in the casino’s basement for the next dozen years.
I once asked Don Rickles where his prints were, and the insult comic laughed. “Who knows?” Rickles said. “I don’t go out to the Boardwalk when I go to Atlantic City. I’m afraid I’ll get rolled.”
Now, the prints are back where the public can enjoy them: outside the casino’s Superstar Theater. Some prints didn’t survive the extraction, but many live on, including Sinatra’s. Whenever I see that tribute, I flash back to the look of disbelief on my parents’ faces when I told them what I’d witnessed while they were tossing my college fund into the slot machines.
Ed Condran is a veteran journalist who contributes to AARP and has a cross-generational travel vlog, “The Kids and Travel are Alright,” with his two sons.

Fw: Chairman of the Boardwalk: My Chance Teenage Encounter with Frank Sinatra | New Jersey Monthly
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-02
https://njmonthly.com/articles/jersey-living/jersey-celebrities/chairman-of-the-boardwalk-my-chance-teenage-encounter-with-frank-sinatra/
Chairman of the Boardwalk: My Chance Teenage Encounter with Frank SinatraWhile my parents played the slots in 1980s Atlantic City, I crossed paths with their idol.
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Illustration: Steve Wacksman
My parents would occasionally wax nostalgic about catching Frank Sinatra perform at the 500 Club during Atlantic City’s glory days. My mother beamed when reminiscing about the Chairman of the Board performing on Missouri Avenue in 1959. “If you only saw Frank Sinatra up close,” my mother would say. I’d roll my prepubescent eyes, since, at the time, my world was all about the Rolling Stones and the Who.
When my parents hit the slots at Resorts Casino during the late 1970s and early ’80s, they would often leave me to my own devices on the Boardwalk. During Memorial Day weekend of 1981, I checked out a commotion outside Resorts and was transfixed as I witnessed my parents’ hero getting the ultimate tribute while they were feeding one-armed bandits.
I happened upon New Jersey’s favorite son, the lionized Sinatra, sinking his hands into cement. The charismatic singer/actor smiled while flanked by his coterie of approving pals. At one point, Ol’ Blue Eyes stared straight at me, a 15-year-old kid sporting a T-shirt that read, “And on the seventh day God created Van Halen,” since I was the only youngster enjoying the festivities.
Wow, this is kinda cool, I thought. The Kinks classic “Celluloid Heroes,” a clever song about legendary celebrities immortalized in cement on Hollywood Boulevard, played in my head. Hollywood Boulevard was impossibly distant to a Jersey kid who had yet to visit California, but Resorts added some glamour to a fading Atlantic City that lacked the electricity of the halcyon days of the 500 Club.
I never attended another handprint ceremony, but I checked out the plaques at Resorts during the 1980s—everyone from Steve Martin to Stevie Wonder. Prints continued to be collected until 1988, when Merv Griffin bought the property. A hiatus continued throughout Griffin’s run, which ended in 1997. After the talk-show host sold Resorts, the prints came back. Martin Short was the final inductee in 2010.
The concrete autographs resided in the recesses of my mind throughout the ’90s and aughts. I didn’t think about the prints again until I noticed they were no longer in front of Resorts in 2013 due to the construction of Margaritaville. They were placed in the casino’s basement for the next dozen years.
I once asked Don Rickles where his prints were, and the insult comic laughed. “Who knows?” Rickles said. “I don’t go out to the Boardwalk when I go to Atlantic City. I’m afraid I’ll get rolled.”
Now, the prints are back where the public can enjoy them: outside the casino’s Superstar Theater. Some prints didn’t survive the extraction, but many live on, including Sinatra’s. Whenever I see that tribute, I flash back to the look of disbelief on my parents’ faces when I told them what I’d witnessed while they were tossing my college fund into the slot machines.
Ed Condran is a veteran journalist who contributes to AARP and has a cross-generational travel vlog, “The Kids and Travel are Alright,” with his two sons.

Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
Best of the Best These six record stores are a vinyl lover’s delight
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
Best of the Best
These six record stores are a vinyl lover’s delight
\\\\
If you’re new to the vinyl revival, you may have questions: Why’s that original pressing so expensive? Does mono sound better than stereo? Am I going to be silently judged for my picks? The good news is the Boston area is home to top-notch record stores, where the selection is diverse and staff are happy to put that record you’ve been coveting in your hands, whether you’re a newbie or a seasoned audiophile. These six spots on Boston Globe’s Best of the Best list are the cream of the crop. (If you’re in the mood to search for more gems, check out the best bookstores and thrift shops.)
Big Dig Records
This relative newcomer to the vinyl scene is aptly named: Big Dig is loaded with underground music — including an impressive amount of local punk — alongside the standard rock and jazz. Its owners seem happiest rummaging through long-forgotten collections for gems (they gladly make house calls). Looking for cassettes or CDs? The stock at Big Dig is growing faster than a Boston tunnel project’s budget.Address:2325 Massachusetts Avenue, CambridgePhone:617-864-2583Find online:bigdigrecords.com
Cheapo Records
Mona Miri for the Boston GlobeWith music, sometimes only a classic will do. That’s Cheapo, a Central Square mainstay since 1954. The rarities behind the counter are the stuff of any collector’s dreams (including plenty of original pressings) and the stock of new and used records is continuously being refreshed. Sellers can trust their pre-loved vinyl to the capable hands of curators paying fair prices for the good stuff. Just like it’s always been.Address:538 Massachusetts Avenue, CambridgePhone:617-354-4455Find online:cheaporecords.com
Good Taste Records
Good Taste isn’t the biggest record store — nor does it need to be. From rare grooves to the latest drops, the selection here focuses on quality over quantity. Offerings range from hip-hop to metal to nostalgia, and include a growing collection of used records. Always-friendly husband-and-wife owners Coty and Lindsey Smith are a draw themselves: Since opening shop in the North End in 2022, they have created a welcoming atmosphere for audiophiles and newbies alike.Address:4 Thacher Street, North EndPhone:617-209-9953Find online:goodtasterecords.com
Music Research Library
Zachary WarfThis Beacon Hill spot is on Joy Street — and for vinyl collectors, there may be no happier place. Music Research Library has become a destination for its deep — and deeply varied — collection of clean, used vinyl. There are plenty of classics, but it’s the rare and obscure selections, including many international artists, that have disc diggers coming back for more. With a staff that’s eager to help, the experience is well worth the hike up the hill.Address:24 Joy Street, Beacon HillPhone:617-390-0575Find online:instagram.com/yungvinyl
Stereo Jack’s
Mona Miri for The Boston GlobeStereo Jack’s was a Cambridge stalwart before packing up — with longtime employee Chris Anzalone newly at the helm — for Somerville’s Ball Square in 2022. Now the reins have been passed to manager Wayne Rogers, who will own and operate the beloved store for years to come (we hope). With one wall dedicated to new offerings from pop stars such as Sabrina Carpenter and another to rare used editions, the store embodies the quirky diversity of the vinyl renaissance.Address:736 Broadway, SomervillePhone:617-764-0284Find online:stereojacks.com
Village Vinyl & Hi Fi
This Coolidge Corner spot is the place to find that record you never knew you needed until you got there. Congolese jazz? A Disney animated movie soundtrack? A throwback compilation of Soul Train hits? Check. Check. Check. The store is intimate and the staff are helpful — the type of people who care about music and sound quality. Speaking of which, there’s plenty of vintage stereo equipment for sale, too.Address:307 Harvard Street, BrooklinePhone:617-396-8958Find online:villagevinylhifi.com
FRANK AND NIGHTCLUBS IN 1959
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
WINSTON SALEM JOURNAL
7-5-59


FRANK AND NIGHTCLUBS IN 1959
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
WINSTON SALEM JOURNAL
7-5-59


FRANK AND NIGHTCLUBS IN 1959
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-03
WINSTON SALEM JOURNAL
7-5-59


UMe To Release New Frank Sinatra Double Vinyl Set 'The Giants Of Jazz' - Frank Sinatra
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-08
https://www.sinatra.com/ume-to-release-new-frank-sinatra-double-vinyl-set-the-giants-of-jazz/
UMe To Release New Frank Sinatra Double Vinyl Set ‘The Giants Of Jazz’
FEATURES THE CHAIRMAN OF THE BOARD’S HISTORIC COLLABORATIONS WITH COUNT BASIE AND DUKE ELLINGTON BOTH NEWLY REMASTERED
INCLUDES RARE PHOTOS & ORIGINAL ARTWORK
PRE-ORDER HERE
(Los Angeles, CA) August 08, 2025: UMe in conjunction with Frank Sinatra Enterprises announces a new exclusive double-vinyl collection from Frank Sinatra, featuring his historic collaborations with Count Basie and Duke Ellington, entitled The Giants Of Jazz, out September 26, 2025.
This special release includes a pair of timeless albums—It Might As Well Be Swing with Count Basie and His Orchestra and Francis A. & Edward K. with Duke Ellington—newly remastered from the archival recordings. The package includes a new gatefold jacket design that incorporates rare photographs as well as the original artwork.
It is now available for pre-order HERE via the Official Store.
Comprising seminal performances from Sinatra, Basie, and Ellington, the title The Giants Of Jazz couldn’t be more apropos.
It Might As Well Be Swing initially arrived in August 1964. It saw Sinatraaccompanied by Basie in tandem with his orchestra on ten tracks for the second time following 1962’s Sinatra-Basie, and it was Sinatra’s first studio album arranged by Quincy Jones. It housed some of his most celebrated material, ranging from “The Best Is Yet To Come” to the definitive recording of “Fly Me To The Moon (In Other Words).” The latter has eclipsed 766 million Spotify streams, which speak to its enduring influence and impact for the last 61 years. During 1964, the LP peaked at #13 on the Billboard 200.Retrospectively, Jazz Music Archives rated it “5-out-of-5 stars” and raved, “Absolutely wonderful album by Frank Sinatra as the title states It Might As Well Be Swing and that precisely is what it is with lashing of it from the arrangements of Quincy Jones and as usual the outstanding interpretations of each tune sung by Frank Sinatra.” Of Jones’ contribution, The Guardian applauded, “He arranged Sinatra’s voice in such a way that it made him sound like an instrument in the band and not just another singer taking the lead.”
Famously, the original cover of It Might As Well Be Swing also bears the phrase “A Meeting Of Giants.”
Then, there’s Francis A. & Edward K, first released inJanuary 1968, united Sinatra with Ellington and his big band. Among a bevy of highlights, it features an iconic rendition of “All I Need Is The Girl” and “Indian Summer” that includes a wonderful solo by saxophonist Johnny Hodges. Jazz legends Cootie Williams, Cat Anderson, Paul Gonsalves, Russell Procope, and others are also part of the Ellington orchestra. Long time Sinatra arranger, Billy May, did the arrangements for the album.
Check out the tracklisting for The Giants Of Jazz below.
The release continues a series of sought-after reissues of Sinatra’s most-celebrated music. First up, a special 4-inchTiny Vinyl Edition of “Jingle Bells/Silent Night” hits shelves well in advance of the holidays on September 12. Pre-order HERE.
Experience The Giants Of Jazz this fall.
It Might As Well Be Swing Tracklisting:
A1. Fly Me To The Moon (In Other Words)
A2. I Wish You Love
A3. I Believe In You
A4. More (Theme From Mondo Cane)
A5. I Can’t Stop Loving You
B1. Hello, Dolly! (From Hello, Dolly!)
B2. I Wanna Be Around
B3. The Best Is Yet To Come
B4. The Good Life
B5. Wives And Lovers
Francis A. & Edward K. Tracklisting:
A1. Follow Me
A2. Sunny
A3. All I Need Is The Girl
A4. Indian Summer
B1. I Like The Sunrise
B2. Yellow Days
B3. Poor Butterfly
B4. Come Back To Me

Frank and Elvis
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-17
10-30-57
Frank , Elvis and Fred attending Gala at Caesars Palace, on 8-8-70
8-6-70
8-6-70
note: Sinatra bash took place on 8-8-70
In a 1980 radio interview, Frank claimed Elvis was the only rock 'n' roll artist
to become a friend. It was a long time coming. Sinatra hated 'rock' in the
1950s. During an interview, in 1958, Frank felt that Elvis, if he really wanted to
prove himself a worthy entertainer, needed to do an album of Rodgers & Hart
songs with a full orchestra. Mr. Sinatra just didn't get Mr. Presley -- not at all.
The "Welcome Home Elvis" special, taped in late March of 1960, definitely im-
proved the relationship. A decade later things had changed dramatically. Frank
was urging Elvis to move to Vegas and get quality songsmiths to write signature
songs for him. Shortly before Elvis died, Frank made a desperate attempt to save
him.
In August 1977, Frank Sinatra made a phone call to Elvis Presley, reportedly to urge him to quit using drugs. Sinatra expressed concern about Elvis's health and well-being, stating, "He's too young to die". Elvis passed away on August 16, 1977, just before his scheduled flight from Memphis.
Sinatra's call took place shortly before Elvis's death, and he is quoted as saying, "When I called the hospital in Memphis, the girl on the switchboard asked, 'Who's calling?' and when I replied, 'Frank Sinatra' I fully expected her to say, 'Oh, yeah, and I'm the Queen of England' or some such dumb line. But she must have recognized my voice because, a few seconds later, Elvis came on the line". Sinatra then reportedly told Elvis to take care of himself and stop "fooling around".
Ed






Frank and Elvis
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-17
10-30-57
Frank , Elvis and Fred attending Gala at Caesars Palace, on 8-8-70
8-6-70
8-6-70
note: Sinatra bash took place on 8-8-70
In a 1980 radio interview, Frank claimed Elvis was the only rock 'n' roll artist
to become a friend. It was a long time coming. Sinatra hated 'rock' in the
1950s. During an interview, in 1958, Frank felt that Elvis, if he really wanted to
prove himself a worthy entertainer, needed to do an album of Rodgers & Hart
songs with a full orchestra. Mr. Sinatra just didn't get Mr. Presley -- not at all.
The "Welcome Home Elvis" special, taped in late March of 1960, definitely im-
proved the relationship. A decade later things had changed dramatically. Frank
was urging Elvis to move to Vegas and get quality songsmiths to write signature
songs for him. Shortly before Elvis died, Frank made a desperate attempt to save
him.
In August 1977, Frank Sinatra made a phone call to Elvis Presley, reportedly to urge him to quit using drugs. Sinatra expressed concern about Elvis's health and well-being, stating, "He's too young to die". Elvis passed away on August 16, 1977, just before his scheduled flight from Memphis.
Sinatra's call took place shortly before Elvis's death, and he is quoted as saying, "When I called the hospital in Memphis, the girl on the switchboard asked, 'Who's calling?' and when I replied, 'Frank Sinatra' I fully expected her to say, 'Oh, yeah, and I'm the Queen of England' or some such dumb line. But she must have recognized my voice because, a few seconds later, Elvis came on the line". Sinatra then reportedly told Elvis to take care of himself and stop "fooling around".
Ed






Frank and Elvis
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-17
10-30-57
Frank , Elvis and Fred attending Gala at Caesars Palace, on 8-8-70
8-6-70
8-6-70
note: Sinatra bash took place on 8-8-70
In a 1980 radio interview, Frank claimed Elvis was the only rock 'n' roll artist
to become a friend. It was a long time coming. Sinatra hated 'rock' in the
1950s. During an interview, in 1958, Frank felt that Elvis, if he really wanted to
prove himself a worthy entertainer, needed to do an album of Rodgers & Hart
songs with a full orchestra. Mr. Sinatra just didn't get Mr. Presley -- not at all.
The "Welcome Home Elvis" special, taped in late March of 1960, definitely im-
proved the relationship. A decade later things had changed dramatically. Frank
was urging Elvis to move to Vegas and get quality songsmiths to write signature
songs for him. Shortly before Elvis died, Frank made a desperate attempt to save
him.
In August 1977, Frank Sinatra made a phone call to Elvis Presley, reportedly to urge him to quit using drugs. Sinatra expressed concern about Elvis's health and well-being, stating, "He's too young to die". Elvis passed away on August 16, 1977, just before his scheduled flight from Memphis.
Sinatra's call took place shortly before Elvis's death, and he is quoted as saying, "When I called the hospital in Memphis, the girl on the switchboard asked, 'Who's calling?' and when I replied, 'Frank Sinatra' I fully expected her to say, 'Oh, yeah, and I'm the Queen of England' or some such dumb line. But she must have recognized my voice because, a few seconds later, Elvis came on the line". Sinatra then reportedly told Elvis to take care of himself and stop "fooling around".
Ed






Re: Frank and Elvis
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-08-17
In the three 1970 shots, there are Sinatra & Elvis with:
1 - Astaire
2 - Nancy
3 - isn't that Elvis's father, Vernon Presley, hovering over Elvis's left
side?
w
Re: Frank and Elvis
Undated materialFrom: Iván Fructuoso <ivestis75@gmail.com> | Received: 2025-08-17
Aren’t these photos from Nancy’s opening night at the international in
1969? After Elvis triumphant return to Vegas in July 1969 and his month
long stint, he, his wife and dad and entourage, went to Nancy show.
Streisand had opened the hotel showroom, then came Elvis (he refused to be
the first in order to avoid sound issues and other opening problems, that
actually happened), and then Nancy.
And, yes, he’s Vernon Presley
Love your books, your knowledge and your persona Mr . Friedwald
Best,
Ivan
El El dom, 17 ago 2025 a las 21:39, Will Friedwald <wfriedwald@gmail.com>
escribió:
> In the three 1970 shots, there are Sinatra & Elvis with:
> 1 - Astaire
> 2 - Nancy
> 3 - isn't that Elvis's father, Vernon Presley, hovering over Elvis's left
> side?
>
> w
>
> --
>
SINATRA IN LATIN AMERICA AUGUST 1981
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-18
“The Voice” triumphed,but left losses
Frank Sinatra said goodbye to theArgentine public on Monday and was again applauded by about 20,000people who witnessed his performance at the Luna Park stadium.
There was a warm ovation lasting threeminutes, during which the famous North American singer responded tothe applause and cheers by alluding to those who had clung to thehope that "The Voice" would break with his old andunbending habit of not agreeing to sing one more song.
Despite the applause, the screams, thearms up, the handkerchiefs waving high, Sinatra left without pleasinghis admirers.
He left the stage with one hand up andthe other holding bouquets of flowers thrown to him from the stands.It was the last of Sinatra’s six performances in Buenos Aires.
Monday’s show was televised live inthe interior of the country, as well as about ten other LatinAmerican countries, as reported by Chango Producciones, the companypromoting the Sinatra show here.
The tickets for the Sinatra show at theSheraton Hotel cost $600. The price includes dinner, while at LunaPark the price of the seats ranged from $15 to $100. The productionof the show ran between $3-4 Million, according to sources affiliatedwith the organization.
Against all odds, some 20,000enthusiastic fans filled the stadium on Sunday, but the promotersadmitted that they lost money with the cycle of appearances.
Until last week, when Sinatra arrived,it was reported in various media that the crowd would not fill theLuna Park stadium.
But six hours before the first show,there were already long lines to buy tickets.
Although the exact amount of money thatwas paid to the singer for coming to Argentina is not known, it isestimated to be between $2-3 million, an amount that in the UnitesStates would be considered a world record for a popular singer.
Ortega hired Sinatra six months agowhen the dollar was quoted at 1900 pesos. The current exchange rateexceeds 7500 pesos. The price of admission, originally $1000 for theshows he performed at the hotel, was reduced to $600.
At Luna Park, tickets were alsodiscounted. The stadium, with a capacity of 22,000, typically holdsboxing matches.
In addition, the singer disappointedthe public and Jockey Club officials by not attending the PalermoRacetrack for a race that bore his name. His wife, Barbara Marx,represented him and presented the prize to the winner.
The newspaper “La Razon” of BuenosAires, said on Monday that in Sunday’s show, Sinatra demonstratedthat he is “contemporary, enduring, and still moves like 30 yearsago” The evening newspaper added that withhis performance, the famous singer '’shook’' Luna Park.
note: Lynnie translated this from the original review in a Spanish newspaper.
Trini Lopez Documentary
Undated materialFrom: scott@falseducks.com | Received: 2025-08-18
I just watched a Trini Lopez documentary from 2022 that was very
fascinating. Trini died in 2020 due to complications of Covid but he
contributed greatly to this documentary before he died. Lots of stories
about Sinatra and how he influenced Trini's career. Well worth a watch
and it's available on Youtube:
My Name is Lopez:
https://www.youtube.com/watch?v=Y8TOHtaNcPQ
Scott
Previously Unreleased Frank Sinatra Recordings Confirmed for October 3 from SING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-20
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PREVIOUSLY UNRELEASED FRANK SINATRA PERFORMANCES OF RARE RADIO BROADCASTS FROM SING COMING OCTOBER 3
Multi-Release Physical And Digital Packages Confirmed for 2025 And 2026
First Up is At The Hollywood Bowl 1943-1948 on October 3rd Followed by Christmas on The Air with 5xLP- vinyl exclusive Box Set Long Ago, Far Away, scheduled for Fall/Holiday releases of 2025.
SING Spared No Expense on Extensive Audio Restoration Campaign from Original Broadcast Sources to Give Fans the Best Fidelity Possible
FOR IMMEDIATE RELEASE
LOS ANGELES, CA. & SEATTLE, WA. (WEDNESDAY AUGUST 20, 2025) – SING, a blockchain tech company and rightsholder, selling music from major artists and catalogs as vinyl/digital hybrid releases to super-fans, announced today that a treasure trove of previously unreleased live radio performances by “The Voice” - Frank Sinatra - are scheduled for release in 2025 and 2026 on digital, compact disc and vinyl formats.
The first title, At The Hollywood Bowl 1943-1948 is scheduled for release October 3 on Vinyl and CD. The album is available for pre-order through SING MARKET or directly on LP here and CD here. SING spared no expense on extensive audio restoration campaign for these projects from original broadcast sources to give fans the best fidelity possible. Take a listen here.
SING plans to release two other additional titles in the coming months, including Christmas on the Air and the 5xLP deluxe box set, Long Ago, Far Away, consisting of live recordings and radio broadcasts recorded between 1943 and 1951. Full details on these releases will be announced shortly.
“Frank Sinatra was one of America’s first multi-media superstars,” said Charles ‘Chuck’ Granata: a world-renowned Sinatra historian, author and producer. “As prolific as he was in the recording studio, his work on radio was even more extensive – and equally important in the overarching scheme of his sixty-plus year career. What makes it essential is that on the radio – and during early concert performances of the 1940s – Frank Sinatra sang tunes that he never otherwise recorded. Many are top-tier songs by Cole Porter, Johnny Mercer, Irving Berlin, Jerome Kern, the Gershwins, Cahn and Styne and others. He also relied on contemporary pop tunes of the day that also went unrecorded. Thus, the radio years offer us a plethora of great songs by Sinatra that we’d otherwise never hear if not for these recorded broadcasts and stage performances.”
Granata, who produced Nancy Sinatra’s weekly Nancy for Frank radio program on SiriusXM from 2007 to 2021 and currently hosts Sinatra Standard Time on KSDS-FM in San Diego contributed the extensive, detailed liner notes that accompany the releases. “These recordings have circulated for decades, with inferior sonic quality,” Granata adds. “I’m amazed that SING has been able to locate and compile their collections from some very high quality sources. These are historically essential recordings, and deserve to be preserved and shared with anyone who values the ‘Golden Age’ of traditional American pop music. They really help round out and offer a fuller view of Sinatra’s contributions to American pop music, culture and style.”
Track Listing as follows for At The Hollywood Bowl 1943-1948:
Compact Disc
Academy of Motion Picture Arts & Sciences Academy Night - August 4, 1945
1. Long Ago and Far Away *
2. I Should Care *
3. What Makes the Sunset
4. If I Loved You
5. Ol’ Man River
The Musicians Association of Los Angeles
Music for the Wounded Benefit Concert - August 8, 1948
6. Jack Haley Introduction & Time After Time
7. The Girl That I Marry
8. Soliloquy
Frank Sinatra in Concert - August 14, 1943
9. Ol’ Man River
10. Night and Day
11. You’ll Never Know
12. Embraceable You
13. She’s Funny That Way
14. All or Nothing at All
15. The Song is You
16. Frank Sinatra Closing Remarks
BONUS TRACKS
NBC Your Hit Parade - August 14, 1943
17. Sunday, Monday or Always
18. In the Blue of Evening
Vinyl
SIDE 1
Academy of Motion Picture Arts & Sciences Academy Night - August 4, 1945
1. Long Ago and Far Away
2. I Should Care
3. What Makes the Sunset
4. If I Loved You
5. Ol’ Man River
Frank Sinatra in Concert - August 14, 1943
6. The Song is You (Jerome Kern-Oscar Hammerstein II)
SIDE 2
Music for the Wounded Benefit Concert - August 8, 1948 (AFRS)
1. Jack Haley Introduction & Time After Time (Sammy Cahn-Jule Styne)
2. The Girl That I Marry (Irving Berlin)
3. Soliloquy (Richard Rodgers-Oscar Hammerstein II)
Frank Sinatra in Concert - August 14, 1943
4. All or Nothing at All (Arthur Altman-Jack Lawrence)
5. She’s Funny That Way (Richard Whiting-Neil Moret)
All performances previously unreleased except *
In 1943, the world-renowned Los Angeles Philharmonic welcomed the first pop singer in its history – teen idol Frank Sinatra – to appear at the Hollywood Bowl. This auspicious moment was a turning point for the orchestra, singer and venue, and began a rich series of collaborations between the crooner and the Bowl: one that would last into the final phases of his storied career in the 1990s. For the first time, these historic performances – documenting Sinatra’s three major Hollywood Bowl appearances in the 1940s – have been remastered from the primary recording sources to put you front-and-center for a rare, fascinating glimpse into his earliest success as a legitimate concert artist. Meticulously restored and remastered – and enhanced with detailed, historic liner notes by renowned Sinatra authority Charles “Chuck” Granata - this important collection represents a defining moment in 20th century American popular music.
ABOUT SING
SING is a blockchain IP tech company and rightsholder, selling music from major artists and catalogs as vinyl/digital hybrid releases to mass-market super-fans. SING is leading the return to music ownership.
For More Information, Please Contact Joshua Mills, It’s Alive! Media, josh@itsalivemedia.com, 323-464-6314, www.itsalivemedia.com
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Josh Mills
It's Alive! Media & Management
11333 Moorpark St. Suite 451, Studio City, CA 91602
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josh@itsalivemedia.com
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http://www.instagram.com/iamprmgt
https://www.linkedin.com/in/josh-mills-963751
http://www.itsalivemedia.com
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Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! on San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
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Previously Unreleased Frank Sinatra Recordings Confirmed for October 3 from SING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-20
|
|
|
Click to Download 300dpi
|
|
|
PREVIOUSLY UNRELEASED FRANK SINATRA PERFORMANCES OF RARE RADIO BROADCASTS FROM SING COMING OCTOBER 3
Multi-Release Physical And Digital Packages Confirmed for 2025 And 2026
First Up is At The Hollywood Bowl 1943-1948 on October 3rd Followed by Christmas on The Air with 5xLP- vinyl exclusive Box Set Long Ago, Far Away, scheduled for Fall/Holiday releases of 2025.
SING Spared No Expense on Extensive Audio Restoration Campaign from Original Broadcast Sources to Give Fans the Best Fidelity Possible
FOR IMMEDIATE RELEASE
LOS ANGELES, CA. & SEATTLE, WA. (WEDNESDAY AUGUST 20, 2025) – SING, a blockchain tech company and rightsholder, selling music from major artists and catalogs as vinyl/digital hybrid releases to super-fans, announced today that a treasure trove of previously unreleased live radio performances by “The Voice” - Frank Sinatra - are scheduled for release in 2025 and 2026 on digital, compact disc and vinyl formats.
The first title, At The Hollywood Bowl 1943-1948 is scheduled for release October 3 on Vinyl and CD. The album is available for pre-order through SING MARKET or directly on LP here and CD here. SING spared no expense on extensive audio restoration campaign for these projects from original broadcast sources to give fans the best fidelity possible. Take a listen here.
SING plans to release two other additional titles in the coming months, including Christmas on the Air and the 5xLP deluxe box set, Long Ago, Far Away, consisting of live recordings and radio broadcasts recorded between 1943 and 1951. Full details on these releases will be announced shortly.
“Frank Sinatra was one of America’s first multi-media superstars,” said Charles ‘Chuck’ Granata: a world-renowned Sinatra historian, author and producer. “As prolific as he was in the recording studio, his work on radio was even more extensive – and equally important in the overarching scheme of his sixty-plus year career. What makes it essential is that on the radio – and during early concert performances of the 1940s – Frank Sinatra sang tunes that he never otherwise recorded. Many are top-tier songs by Cole Porter, Johnny Mercer, Irving Berlin, Jerome Kern, the Gershwins, Cahn and Styne and others. He also relied on contemporary pop tunes of the day that also went unrecorded. Thus, the radio years offer us a plethora of great songs by Sinatra that we’d otherwise never hear if not for these recorded broadcasts and stage performances.”
Granata, who produced Nancy Sinatra’s weekly Nancy for Frank radio program on SiriusXM from 2007 to 2021 and currently hosts Sinatra Standard Time on KSDS-FM in San Diego contributed the extensive, detailed liner notes that accompany the releases. “These recordings have circulated for decades, with inferior sonic quality,” Granata adds. “I’m amazed that SING has been able to locate and compile their collections from some very high quality sources. These are historically essential recordings, and deserve to be preserved and shared with anyone who values the ‘Golden Age’ of traditional American pop music. They really help round out and offer a fuller view of Sinatra’s contributions to American pop music, culture and style.”
Track Listing as follows for At The Hollywood Bowl 1943-1948:
Compact Disc
Academy of Motion Picture Arts & Sciences Academy Night - August 4, 1945
1. Long Ago and Far Away *
2. I Should Care *
3. What Makes the Sunset
4. If I Loved You
5. Ol’ Man River
The Musicians Association of Los Angeles
Music for the Wounded Benefit Concert - August 8, 1948
6. Jack Haley Introduction & Time After Time
7. The Girl That I Marry
8. Soliloquy
Frank Sinatra in Concert - August 14, 1943
9. Ol’ Man River
10. Night and Day
11. You’ll Never Know
12. Embraceable You
13. She’s Funny That Way
14. All or Nothing at All
15. The Song is You
16. Frank Sinatra Closing Remarks
BONUS TRACKS
NBC Your Hit Parade - August 14, 1943
17. Sunday, Monday or Always
18. In the Blue of Evening
Vinyl
SIDE 1
Academy of Motion Picture Arts & Sciences Academy Night - August 4, 1945
1. Long Ago and Far Away
2. I Should Care
3. What Makes the Sunset
4. If I Loved You
5. Ol’ Man River
Frank Sinatra in Concert - August 14, 1943
6. The Song is You (Jerome Kern-Oscar Hammerstein II)
SIDE 2
Music for the Wounded Benefit Concert - August 8, 1948 (AFRS)
1. Jack Haley Introduction & Time After Time (Sammy Cahn-Jule Styne)
2. The Girl That I Marry (Irving Berlin)
3. Soliloquy (Richard Rodgers-Oscar Hammerstein II)
Frank Sinatra in Concert - August 14, 1943
4. All or Nothing at All (Arthur Altman-Jack Lawrence)
5. She’s Funny That Way (Richard Whiting-Neil Moret)
All performances previously unreleased except *
In 1943, the world-renowned Los Angeles Philharmonic welcomed the first pop singer in its history – teen idol Frank Sinatra – to appear at the Hollywood Bowl. This auspicious moment was a turning point for the orchestra, singer and venue, and began a rich series of collaborations between the crooner and the Bowl: one that would last into the final phases of his storied career in the 1990s. For the first time, these historic performances – documenting Sinatra’s three major Hollywood Bowl appearances in the 1940s – have been remastered from the primary recording sources to put you front-and-center for a rare, fascinating glimpse into his earliest success as a legitimate concert artist. Meticulously restored and remastered – and enhanced with detailed, historic liner notes by renowned Sinatra authority Charles “Chuck” Granata - this important collection represents a defining moment in 20th century American popular music.
ABOUT SING
SING is a blockchain IP tech company and rightsholder, selling music from major artists and catalogs as vinyl/digital hybrid releases to mass-market super-fans. SING is leading the return to music ownership.
For More Information, Please Contact Joshua Mills, It’s Alive! Media, josh@itsalivemedia.com, 323-464-6314, www.itsalivemedia.com
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Josh Mills
It's Alive! Media & Management
11333 Moorpark St. Suite 451, Studio City, CA 91602
323-464-6314 (O)
323-819-0913 (M)
josh@itsalivemedia.com
http://www.facebook.com/itsalivemedia
http://www.twitter.com/itsalivemedia
http://www.instagram.com/iamprmgt
https://www.linkedin.com/in/josh-mills-963751
http://www.itsalivemedia.com
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Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing! on San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
| | Virus-free.www.avast.com |
AUG 20 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-21
XNY2104 Summer Me, Winter Me
(Marilyn Bergman/Alan Bergman/Michel Legrand)
WB Music Corp. (ASCAP)
Arranged & Conducted by Don Costa
(4:04) CD: 46013-2 The Complete Reprise Studio Recordings Disc 18
CD: 2300-2 Trilogy
LP: 3FS2300 Trilogy
note: There is an alternate floating around from this session. Arguably a better vocal than the release version. Problem is: Frank left out a word.Ed
AUG 20 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-21
XNY2104 Summer Me, Winter Me
(Marilyn Bergman/Alan Bergman/Michel Legrand)
WB Music Corp. (ASCAP)
Arranged & Conducted by Don Costa
(4:04) CD: 46013-2 The Complete Reprise Studio Recordings Disc 18
CD: 2300-2 Trilogy
LP: 3FS2300 Trilogy
note: There is an alternate floating around from this session. Arguably a better vocal than the release version. Problem is: Frank left out a word.Ed
AUG 20 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-21
XNY2104 Summer Me, Winter Me
(Marilyn Bergman/Alan Bergman/Michel Legrand)
WB Music Corp. (ASCAP)
Arranged & Conducted by Don Costa
(4:04) CD: 46013-2 The Complete Reprise Studio Recordings Disc 18
CD: 2300-2 Trilogy
LP: 3FS2300 Trilogy
note: There is an alternate floating around from this session. Arguably a better vocal than the release version. Problem is: Frank left out a word.Ed
SINATRA PROVIDED THE SOUND TRACK TO THE 20TH CENTURY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-22
The Day
12-10-95



Fw: TASTING TABLE: The One Soda Frank Sinatra Would Request By Name For His Dressing Room
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-24
The One Soda Frank Sinatra Would Request By Name For His Dressing Room
This legendary entertainer had very specific beverage demands in his dressing room rider, including several bottles of one particular fizzy drink.
Read in Tasting Table: https://apple.news/AOinI9LM2TPqD3E09RZNamQ
Shared from Apple News
Fw: TASTING TABLE: The One Soda Frank Sinatra Would Request By Name For His Dressing Room
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-24
The One Soda Frank Sinatra Would Request By Name For His Dressing Room
This legendary entertainer had very specific beverage demands in his dressing room rider, including several bottles of one particular fizzy drink.
Read in Tasting Table: https://apple.news/AOinI9LM2TPqD3E09RZNamQ
Shared from Apple News
Fw: TASTING TABLE: The One Soda Frank Sinatra Would Request By Name For His Dressing Room
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-24
The One Soda Frank Sinatra Would Request By Name For His Dressing Room
This legendary entertainer had very specific beverage demands in his dressing room rider, including several bottles of one particular fizzy drink.
Read in Tasting Table: https://apple.news/AOinI9LM2TPqD3E09RZNamQ
Shared from Apple News
WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-30
12-16-45
10-5-53
12-15-54
12-23-54
7-13-61
1-8-69
2-1-69
2-12-69
6-8-70
8-31-70










WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-30
12-16-45
10-5-53
12-15-54
12-23-54
7-13-61
1-8-69
2-1-69
2-12-69
6-8-70
8-31-70










WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-08-30
12-16-45
10-5-53
12-15-54
12-23-54
7-13-61
1-8-69
2-1-69
2-12-69
6-8-70
8-31-70










Re: Jerry Lewis MDA Labor Day Telethon
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2025-09-01
Me too
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: 'Dave Garrett' via Sinatraphiles <sinatraphiles@googlegroups.com>
Sent: Monday, September 1, 2025 4:02:47 AM
To: Sinatraphile Google Groups <sinatraphiles@googlegroups.com>
Subject: Re: Jerry Lewis MDA Labor Day Telethon
When I was growing up, it was always on in our household every Labor Day. It was definitely "must-see TV". There are a few relatively complete shows out there on YouTube - one channel is live-streaming the 1983 show right now:
https://www.youtube.com/@thetelethonchannel
MDA Telethon has their own YouTube channel, but it's mainly just individual videos of entertainers. They almost certainly have an archive of complete shows, and it's unfortunate they don't publish them on YouTube or elsewhere.
There's a wonderful 2014 documentary that covers the behind-the-scenes preparations for one of the telethons. I always recommend it to anyone that has even a slight interest in Jerry Lewis or the MDA telethons:
TELETHON<https://www.youtube.com/watch?v=tYrjtEvmLA0>
<https://www.youtube.com/watch?v=tYrjtEvmLA0>
TELETHON
Dave
On Sunday, August 31, 2025 at 06:54:27 PM CDT, 'James Johnson' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Am I the only one who misses this annual event? No matter how schmaltzy it got, I couldn’t turn away.
_____________
Jim Johnson
Rehoboth Beach, DE
[image not recovered — source caption: “https://s.yimg.com/nq/storm/assets/enhancrV2/23/logos/youtube.png”]
Re: Jerry Lewis MDA Labor Day Telethon
Undated materialFrom: 'Dave Garrett' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-01
When I was growing up, it was always on in our household every Labor Day. It was definitely "must-see TV". There are a few relatively complete shows out there on YouTube - one channel is live-streaming the 1983 show right now:
https://www.youtube.com/@thetelethonchannel
MDA Telethon has their own YouTube channel, but it's mainly just individual videos of entertainers. They almost certainly have an archive of complete shows, and it's unfortunate they don't publish them on YouTube or elsewhere.
There's a wonderful 2014 documentary that covers the behind-the-scenes preparations for one of the telethons. I always recommend it to anyone that has even a slight interest in Jerry Lewis or the MDA telethons:
TELETHON
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TELETHON
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--Dave
On Sunday, August 31, 2025 at 06:54:27 PM CDT, 'James Johnson' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Am I the only one who misses this annual event? No matter how schmaltzy it got, I couldn’t turn away.
_____________
Jim Johnson
Rehoboth Beach, DE
Re: Jerry Lewis MDA Labor Day Telethon
Undated materialFrom: 'Dave Garrett' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-01
When I was growing up, it was always on in our household every Labor Day. It was definitely "must-see TV". There are a few relatively complete shows out there on YouTube - one channel is live-streaming the 1983 show right now:
https://www.youtube.com/@thetelethonchannel
MDA Telethon has their own YouTube channel, but it's mainly just individual videos of entertainers. They almost certainly have an archive of complete shows, and it's unfortunate they don't publish them on YouTube or elsewhere.
There's a wonderful 2014 documentary that covers the behind-the-scenes preparations for one of the telethons. I always recommend it to anyone that has even a slight interest in Jerry Lewis or the MDA telethons:
TELETHON
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TELETHON
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--Dave
On Sunday, August 31, 2025 at 06:54:27 PM CDT, 'James Johnson' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Am I the only one who misses this annual event? No matter how schmaltzy it got, I couldn’t turn away.
_____________
Jim Johnson
Rehoboth Beach, DE
Re: Jerry Lewis MDA Labor Day Telethon
Undated materialFrom: 'Dave Garrett' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-01
When I was growing up, it was always on in our household every Labor Day. It was definitely "must-see TV". There are a few relatively complete shows out there on YouTube - one channel is live-streaming the 1983 show right now:
https://www.youtube.com/@thetelethonchannel
MDA Telethon has their own YouTube channel, but it's mainly just individual videos of entertainers. They almost certainly have an archive of complete shows, and it's unfortunate they don't publish them on YouTube or elsewhere.
There's a wonderful 2014 documentary that covers the behind-the-scenes preparations for one of the telethons. I always recommend it to anyone that has even a slight interest in Jerry Lewis or the MDA telethons:
TELETHON
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TELETHON
|
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--Dave
On Sunday, August 31, 2025 at 06:54:27 PM CDT, 'James Johnson' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Am I the only one who misses this annual event? No matter how schmaltzy it got, I couldn’t turn away.
_____________
Jim Johnson
Rehoboth Beach, DE
NELSON RIDDLE DISCUSSES HIS CAPITOL YEARS WITH SINATRA AND OTHERS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-03
April 4, 1960
Home's bio on Sinatra 1962
8-17-61





NELSON RIDDLE DISCUSSES HIS CAPITOL YEARS WITH SINATRA AND OTHERS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-03
April 4, 1960
Home's bio on Sinatra 1962
8-17-61





NELSON RIDDLE DISCUSSES HIS CAPITOL YEARS WITH SINATRA AND OTHERS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-03
April 4, 1960
Home's bio on Sinatra 1962
8-17-61





Fw: A YOUNG FRANK WITH THE ROYAL CANADIANS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-04
Scott Sayers sent this photo my way.
I believe that is Guy Lombardo on Frank's
left and members of his orchestra are also
in the picture. Looks like the early 1940s
. Pretty interesting old photo…..

Fw: A YOUNG FRANK WITH THE ROYAL CANADIANS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-04
Scott Sayers sent this photo my way.
I believe that is Guy Lombardo on Frank's
left and members of his orchestra are also
in the picture. Looks like the early 1940s
. Pretty interesting old photo…..

Fw: A YOUNG FRANK WITH THE ROYAL CANADIANS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-04
Scott Sayers sent this photo my way.
I believe that is Guy Lombardo on Frank's
left and members of his orchestra are also
in the picture. Looks like the early 1940s
. Pretty interesting old photo…..

Fw: Sings For Only The Lonely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-10
Michel Macaire sent this to me.
Have not been able to find any
additional information.
There is no indication it is an official release.


Fw: Sings For Only The Lonely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-10
Michel Macaire sent this to me.
Have not been able to find any
additional information.
There is no indication it is an official release.


Fw: Sings For Only The Lonely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-10
Michel Macaire sent this to me.
Have not been able to find any
additional information.
There is no indication it is an official release.


September 13 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-14
The fine character actor John Ireland is directly behind Cole Porter.
Mary Livingston, wife of Jack Benny, is sitting next to him and Gracie
Allen is next to her. Although blocked, I would assume George Burns
is next to Gracie. W. Somerset Maughan is sitting across from K. Novak.

September 13 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-14
The fine character actor John Ireland is directly behind Cole Porter.
Mary Livingston, wife of Jack Benny, is sitting next to him and Gracie
Allen is next to her. Although blocked, I would assume George Burns
is next to Gracie. W. Somerset Maughan is sitting across from K. Novak.

September 13 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-14
The fine character actor John Ireland is directly behind Cole Porter.
Mary Livingston, wife of Jack Benny, is sitting next to him and Gracie
Allen is next to her. Although blocked, I would assume George Burns
is next to Gracie. W. Somerset Maughan is sitting across from K. Novak.

September 13 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-14
The fine character actor John Ireland is directly behind Cole Porter.
Mary Livingston, wife of Jack Benny, is sitting next to him and Gracie
Allen is next to her. Although blocked, I would assume George Burns
is next to Gracie. W. Somerset Maughan is sitting across from K. Novak.

The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
The First 40 Years
Undated materialFrom: Pedro Matos <pedrojotamatos@gmail.com> | Received: 2025-09-14
Hi Philers,
A couple of years ago during one of my visits to NYC, I was able to get a guided tour of Paley’s Center - I mentioned to the main curator about my interest in Sinatra, and he was able to provide to me a private screening of the Egypt show, complete with the 20/20 ABC report - and with a little clip of Orson Welles speaking at Caesars, during the “First 40 Years” taping on 12/12/79.
I’ve been trying to find the whole thing since then - my question to you guys is, what else was cut from the final airing? And is the full show something that’s circulating in collectors’ circles? (Pardon the alliteration)
Thanks in advance?
PJM
Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-15
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
[Spotify]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF>
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FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
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Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-15
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
[Spotify]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF>
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[Youtube]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg_bKODF5BmRNmFk84hcCuhhBv3GKLAUn3dj4TQxrusTrOoiQ5>
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[Bluesky]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg_7KODPuMSsHA9IrHw-iZMPmY9XQiqMlIiG33vUUCVw2QnWo->
FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
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Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-15
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
[Spotify]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF>
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[Youtube]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg_bKODF5BmRNmFk84hcCuhhBv3GKLAUn3dj4TQxrusTrOoiQ5>
[Threads]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg_rKODAzMbGKt2RcxmOba_BNSxZA6Yb7fbGBll1gqmZWui52m>
[Bluesky]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg_7KODPuMSsHA9IrHw-iZMPmY9XQiqMlIiG33vUUCVw2QnWo->
FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgibOODL1ikjApWIUHCt_2T2jItZJAdfMihabYxz8xRiMjer4U>
[Blue Note Store 'Shop Now' Banner]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIggbOODLMmqSzCc9IaRN0kJSZsokLbLKv5eWbOUWgN56aEW163>
[Blue Note Store 'Shop Now' Banner]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIggrOODEgeIvAOW5vWvmw-9bogXgBiEunlncfthnLtY1Dt8oec>
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Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-15
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AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
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View online
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
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FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
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FRANK SINATRA
IN THE WEE SMALL HOURS
TONE POET VINYL EDITION OUT NOV. 14!
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|
|
PRE-ORDER >
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|
|
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
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PRE-ORDER >
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You have received this email because you provided your email address to a UMG artist or label mailing list
This email was sent to kolstads@gmail.com by 2220 Colorado Ave, Santa Monica, CA 90404
Unsubscribe | View Privacy Policy
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Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-15
|
|
|
|
|
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
|
|
View online
|
|
|
|
|
|
|
| |
|
FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
|
|
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
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FRANK SINATRA
IN THE WEE SMALL HOURS
TONE POET VINYL EDITION OUT NOV. 14!
|
|
|
| |
|
|
PRE-ORDER >
|
|
|
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
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PRE-ORDER >
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You have received this email because you provided your email address to a UMG artist or label mailing list
This email was sent to kolstads@gmail.com by 2220 Colorado Ave, Santa Monica, CA 90404
Unsubscribe | View Privacy Policy
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Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-15
|
|
|
|
|
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
|
|
View online
|
|
|
|
|
|
|
| |
|
FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
|
|
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
|
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FRANK SINATRA
IN THE WEE SMALL HOURS
TONE POET VINYL EDITION OUT NOV. 14!
|
|
|
| |
|
|
PRE-ORDER >
|
|
|
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
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PRE-ORDER >
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Fw: CHRISTMAS CD+LP
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-17
Subject: CD+LP
Street date: November 14, 2025
Formats: CD & LP
Frank Sinatra - Christmas On The Air (Sing Records)
As America's first teen idol 'The Voice' - Frank Sinatra - was omnipresent on radio and TV throughout the 1940s and early '50s. Although he enjoyed spectacular success as a recording and live performance artist, it was radio that introduced Sinatra to the masses, allowing people in the most remote areas to enjoy the finest songs from Broadway and Hollywood in the comfort of their homes. Among the singer's most treasured performances were his Christmas offerings, which included fun, lively seasonal tunes and time-honored sacred classics. This album - carefully restored and remastered from the original broadcast master recordings - presents the best of Sinatra's Christmas performances from this era, in true high-fidelity sound. So authentic you can close your eyes, imagine your family around the old standup radio, and almost smell the fragrance of the tree - and dad's pipe - as you listen!
1. KNX-CBS Station Identification ; Program Introduction White Christmas
2. Jingle Bells
3. Let It snow! Let It Snow! Let It Snow!
4. Baby It's Cold Outside
5. I've Got My Love to Keep Me Warm
6. Have Yourself a Merry Little Christmas
7. FS Introduction ; Going Home
8. Christmas Shopping Sketch ; Medley
9. Button Up Your Overcoat
10. Medley - O Come All Ye Faithful ; Silent Night
11. Parade of Wooden Soldiers
12. All I Want for Christmas is My Two Front Teeth
13. FS "Message to Santa" ; Santa Claus is Coming to Town (Parody)
14. Put Your Dreams Away ; Songs By Sinatra Show Closing
Fw: CHRISTMAS CD+LP
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-17
Subject: CD+LP
Street date: November 14, 2025
Formats: CD & LP
Frank Sinatra - Christmas On The Air (Sing Records)
As America's first teen idol 'The Voice' - Frank Sinatra - was omnipresent on radio and TV throughout the 1940s and early '50s. Although he enjoyed spectacular success as a recording and live performance artist, it was radio that introduced Sinatra to the masses, allowing people in the most remote areas to enjoy the finest songs from Broadway and Hollywood in the comfort of their homes. Among the singer's most treasured performances were his Christmas offerings, which included fun, lively seasonal tunes and time-honored sacred classics. This album - carefully restored and remastered from the original broadcast master recordings - presents the best of Sinatra's Christmas performances from this era, in true high-fidelity sound. So authentic you can close your eyes, imagine your family around the old standup radio, and almost smell the fragrance of the tree - and dad's pipe - as you listen!
1. KNX-CBS Station Identification ; Program Introduction White Christmas
2. Jingle Bells
3. Let It snow! Let It Snow! Let It Snow!
4. Baby It's Cold Outside
5. I've Got My Love to Keep Me Warm
6. Have Yourself a Merry Little Christmas
7. FS Introduction ; Going Home
8. Christmas Shopping Sketch ; Medley
9. Button Up Your Overcoat
10. Medley - O Come All Ye Faithful ; Silent Night
11. Parade of Wooden Soldiers
12. All I Want for Christmas is My Two Front Teeth
13. FS "Message to Santa" ; Santa Claus is Coming to Town (Parody)
14. Put Your Dreams Away ; Songs By Sinatra Show Closing
Fw: CHRISTMAS CD+LP
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-17
Subject: CD+LP
Street date: November 14, 2025
Formats: CD & LP
Frank Sinatra - Christmas On The Air (Sing Records)
As America's first teen idol 'The Voice' - Frank Sinatra - was omnipresent on radio and TV throughout the 1940s and early '50s. Although he enjoyed spectacular success as a recording and live performance artist, it was radio that introduced Sinatra to the masses, allowing people in the most remote areas to enjoy the finest songs from Broadway and Hollywood in the comfort of their homes. Among the singer's most treasured performances were his Christmas offerings, which included fun, lively seasonal tunes and time-honored sacred classics. This album - carefully restored and remastered from the original broadcast master recordings - presents the best of Sinatra's Christmas performances from this era, in true high-fidelity sound. So authentic you can close your eyes, imagine your family around the old standup radio, and almost smell the fragrance of the tree - and dad's pipe - as you listen!
1. KNX-CBS Station Identification ; Program Introduction White Christmas
2. Jingle Bells
3. Let It snow! Let It Snow! Let It Snow!
4. Baby It's Cold Outside
5. I've Got My Love to Keep Me Warm
6. Have Yourself a Merry Little Christmas
7. FS Introduction ; Going Home
8. Christmas Shopping Sketch ; Medley
9. Button Up Your Overcoat
10. Medley - O Come All Ye Faithful ; Silent Night
11. Parade of Wooden Soldiers
12. All I Want for Christmas is My Two Front Teeth
13. FS "Message to Santa" ; Santa Claus is Coming to Town (Parody)
14. Put Your Dreams Away ; Songs By Sinatra Show Closing
Fw: CHRISTMAS CD+LP
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-17
Subject: CD+LP
Street date: November 14, 2025
Formats: CD & LP
Frank Sinatra - Christmas On The Air (Sing Records)
As America's first teen idol 'The Voice' - Frank Sinatra - was omnipresent on radio and TV throughout the 1940s and early '50s. Although he enjoyed spectacular success as a recording and live performance artist, it was radio that introduced Sinatra to the masses, allowing people in the most remote areas to enjoy the finest songs from Broadway and Hollywood in the comfort of their homes. Among the singer's most treasured performances were his Christmas offerings, which included fun, lively seasonal tunes and time-honored sacred classics. This album - carefully restored and remastered from the original broadcast master recordings - presents the best of Sinatra's Christmas performances from this era, in true high-fidelity sound. So authentic you can close your eyes, imagine your family around the old standup radio, and almost smell the fragrance of the tree - and dad's pipe - as you listen!
1. KNX-CBS Station Identification ; Program Introduction White Christmas
2. Jingle Bells
3. Let It snow! Let It Snow! Let It Snow!
4. Baby It's Cold Outside
5. I've Got My Love to Keep Me Warm
6. Have Yourself a Merry Little Christmas
7. FS Introduction ; Going Home
8. Christmas Shopping Sketch ; Medley
9. Button Up Your Overcoat
10. Medley - O Come All Ye Faithful ; Silent Night
11. Parade of Wooden Soldiers
12. All I Want for Christmas is My Two Front Teeth
13. FS "Message to Santa" ; Santa Claus is Coming to Town (Parody)
14. Put Your Dreams Away ; Songs By Sinatra Show Closing
Fw: CHRISTMAS CD+LP
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-17
Subject: CD+LP
Street date: November 14, 2025
Formats: CD & LP
Frank Sinatra - Christmas On The Air (Sing Records)
As America's first teen idol 'The Voice' - Frank Sinatra - was omnipresent on radio and TV throughout the 1940s and early '50s. Although he enjoyed spectacular success as a recording and live performance artist, it was radio that introduced Sinatra to the masses, allowing people in the most remote areas to enjoy the finest songs from Broadway and Hollywood in the comfort of their homes. Among the singer's most treasured performances were his Christmas offerings, which included fun, lively seasonal tunes and time-honored sacred classics. This album - carefully restored and remastered from the original broadcast master recordings - presents the best of Sinatra's Christmas performances from this era, in true high-fidelity sound. So authentic you can close your eyes, imagine your family around the old standup radio, and almost smell the fragrance of the tree - and dad's pipe - as you listen!
1. KNX-CBS Station Identification ; Program Introduction White Christmas
2. Jingle Bells
3. Let It snow! Let It Snow! Let It Snow!
4. Baby It's Cold Outside
5. I've Got My Love to Keep Me Warm
6. Have Yourself a Merry Little Christmas
7. FS Introduction ; Going Home
8. Christmas Shopping Sketch ; Medley
9. Button Up Your Overcoat
10. Medley - O Come All Ye Faithful ; Silent Night
11. Parade of Wooden Soldiers
12. All I Want for Christmas is My Two Front Teeth
13. FS "Message to Santa" ; Santa Claus is Coming to Town (Parody)
14. Put Your Dreams Away ; Songs By Sinatra Show Closing
Fw: CHRISTMAS CD+LP
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-17
Subject: CD+LP
Street date: November 14, 2025
Formats: CD & LP
Frank Sinatra - Christmas On The Air (Sing Records)
As America's first teen idol 'The Voice' - Frank Sinatra - was omnipresent on radio and TV throughout the 1940s and early '50s. Although he enjoyed spectacular success as a recording and live performance artist, it was radio that introduced Sinatra to the masses, allowing people in the most remote areas to enjoy the finest songs from Broadway and Hollywood in the comfort of their homes. Among the singer's most treasured performances were his Christmas offerings, which included fun, lively seasonal tunes and time-honored sacred classics. This album - carefully restored and remastered from the original broadcast master recordings - presents the best of Sinatra's Christmas performances from this era, in true high-fidelity sound. So authentic you can close your eyes, imagine your family around the old standup radio, and almost smell the fragrance of the tree - and dad's pipe - as you listen!
1. KNX-CBS Station Identification ; Program Introduction White Christmas
2. Jingle Bells
3. Let It snow! Let It Snow! Let It Snow!
4. Baby It's Cold Outside
5. I've Got My Love to Keep Me Warm
6. Have Yourself a Merry Little Christmas
7. FS Introduction ; Going Home
8. Christmas Shopping Sketch ; Medley
9. Button Up Your Overcoat
10. Medley - O Come All Ye Faithful ; Silent Night
11. Parade of Wooden Soldiers
12. All I Want for Christmas is My Two Front Teeth
13. FS "Message to Santa" ; Santa Claus is Coming to Town (Parody)
14. Put Your Dreams Away ; Songs By Sinatra Show Closing
The Song Is You: SING Premieres Previously Unreleased Live Sinatra on "At The Hollywood Bowl"
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-23
https://theseconddisc.com/2025/09/23/frank-sinatra-live-hollywood-bowl/
The Song Is You: SING Premieres Previously Unreleased Live Sinatra on "At The Hollywood Bowl"
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-23
https://theseconddisc.com/2025/09/23/frank-sinatra-live-hollywood-bowl/
The Song Is You: SING Premieres Previously Unreleased Live Sinatra on "At The Hollywood Bowl"
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-23
https://theseconddisc.com/2025/09/23/frank-sinatra-live-hollywood-bowl/
The Song Is You: SING Premieres Previously Unreleased Live Sinatra on "At The Hollywood Bowl"
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-23
https://theseconddisc.com/2025/09/23/frank-sinatra-live-hollywood-bowl/
FRANK SINGS FOR AN AIRLINE SUMMER 1955
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-25

FRANK SINGS FOR AN AIRLINE SUMMER 1955
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-25

FRANK SINGS FOR AN AIRLINE SUMMER 1955
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-25

FRANK SINGS FOR AN AIRLINE SUMMER 1955
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-25

SEPTEMBER 26 THIS DATE IN SINATRA HISORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-26
Let's talk Hollywood
NBC
Time 7:00 p.m. - 7:30 p.m.
Sponsor:Lucky Strike
Master of Ceremonies: George Murphy
Panelists: : Edith Gwynn; Eddie Bracken
Guests : Frank Sinatra; Jack Benny
Announcer: Hy Averback
Commercials: Basel Ruysdael
Director: Hilliard Marks
Writers: Saul Stein and Martin Wark
note: Questions were submitted to the four panelists by listeners via U.S. Mail.
If they stumped the panel ( most did ), they could choose between an RCA
21 inch TV ( $1,000 value ) or an RCA Phonograph and $100 in records.
Frank imitated a trained seal during one segment of the show. There was
no rehearsal prior to the show.
Ed





SEPTEMBER 26 THIS DATE IN SINATRA HISORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-26
Let's talk Hollywood
NBC
Time 7:00 p.m. - 7:30 p.m.
Sponsor:Lucky Strike
Master of Ceremonies: George Murphy
Panelists: : Edith Gwynn; Eddie Bracken
Guests : Frank Sinatra; Jack Benny
Announcer: Hy Averback
Commercials: Basel Ruysdael
Director: Hilliard Marks
Writers: Saul Stein and Martin Wark
note: Questions were submitted to the four panelists by listeners via U.S. Mail.
If they stumped the panel ( most did ), they could choose between an RCA
21 inch TV ( $1,000 value ) or an RCA Phonograph and $100 in records.
Frank imitated a trained seal during one segment of the show. There was
no rehearsal prior to the show.
Ed





SEPTEMBER 26 THIS DATE IN SINATRA HISORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-26
Let's talk Hollywood
NBC
Time 7:00 p.m. - 7:30 p.m.
Sponsor:Lucky Strike
Master of Ceremonies: George Murphy
Panelists: : Edith Gwynn; Eddie Bracken
Guests : Frank Sinatra; Jack Benny
Announcer: Hy Averback
Commercials: Basel Ruysdael
Director: Hilliard Marks
Writers: Saul Stein and Martin Wark
note: Questions were submitted to the four panelists by listeners via U.S. Mail.
If they stumped the panel ( most did ), they could choose between an RCA
21 inch TV ( $1,000 value ) or an RCA Phonograph and $100 in records.
Frank imitated a trained seal during one segment of the show. There was
no rehearsal prior to the show.
Ed





SEPTEMBER 26 THIS DATE IN SINATRA HISORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-26
Let's talk Hollywood
NBC
Time 7:00 p.m. - 7:30 p.m.
Sponsor:Lucky Strike
Master of Ceremonies: George Murphy
Panelists: : Edith Gwynn; Eddie Bracken
Guests : Frank Sinatra; Jack Benny
Announcer: Hy Averback
Commercials: Basel Ruysdael
Director: Hilliard Marks
Writers: Saul Stein and Martin Wark
note: Questions were submitted to the four panelists by listeners via U.S. Mail.
If they stumped the panel ( most did ), they could choose between an RCA
21 inch TV ( $1,000 value ) or an RCA Phonograph and $100 in records.
Frank imitated a trained seal during one segment of the show. There was
no rehearsal prior to the show.
Ed





Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious?
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Robert Waldman <robwaldman34@gmail.com> | Received: 2025-09-29
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
yes, that was my bad joke - I guess I was 19 when the '81 special aired ... although only four in Fall 1965 - and I know Rob caught that reference to Alan J. Lerner in the Cole Porter Library Ceremony Recording.
w
On Mon, Sep 29, 2025 at 8:51 PM Robert Waldman <robwaldman34@gmail.com> wrote:
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious?
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
yes, that was my bad joke - I guess I was 19 when the '81 special aired ... although only four in Fall 1965 - and I know Rob caught that reference to Alan J. Lerner in the Cole Porter Library Ceremony Recording.
w
On Mon, Sep 29, 2025 at 8:51 PM Robert Waldman <robwaldman34@gmail.com> wrote:
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
yes, that was my bad joke - I guess I was 19 when the '81 special aired ... although only four in Fall 1965 - and I know Rob caught that reference to Alan J. Lerner in the Cole Porter Library Ceremony Recording.
w
On Mon, Sep 29, 2025 at 8:51 PM Robert Waldman <robwaldman34@gmail.com> wrote:
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious?
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious?
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-29
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious?
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



The Man and His Music outtakes
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2025-09-29
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



The Man and His Music outtakes
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2025-09-29
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



The Man and His Music outtakes
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2025-09-29
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



The Man and His Music outtakes
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2025-09-29
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40




Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40




Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40




Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40




Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40




Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40




Re: HARRY JAMES 1939
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-09-30
I searched for any mention of Elizabeth Miller other than this Chicago Tribune from
9-17-39. The post announcing the band's one nighter, in Mark Twain's home town
of Hannibal, Missouri, on 11-4-39, has no mention of a femme vocalist. And Miller
is even more obscure than Margie Carroll.
I also found the radio dates for the band, from the Panther Room, of the Sherman
Hotel, in October 1939. And the date of the radio broadcast, in England, of Roseland
taping 7-19-39.
Ed
onday, September 29, 2025 at 12:06:43 AM EDT, Ed O'Brien <eob101@aol.com> wrote:
10-6-39
Broadcast in England
4-24-40
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: The Man and His Music outtakes
Undated materialFrom: Robert Waldman <robwaldman34@gmail.com> | Received: 2025-09-30
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World
Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-30
yes, that was my bad joke - I guess I was 19 when the '81 special aired ... although only four in Fall 1965 - and I know Rob caught that reference to Alan J. Lerner in the Cole Porter Library Ceremony Recording.
w
On Mon, Sep 29, 2025 at 8:51 PM Robert Waldman <robwaldman34@gmail.com> wrote:
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room
to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Robert Waldman <robwaldman34@gmail.com> | Received: 2025-09-30
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World
Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-30
yes, that was my bad joke - I guess I was 19 when the '81 special aired ... although only four in Fall 1965 - and I know Rob caught that reference to Alan J. Lerner in the Cole Porter Library Ceremony Recording.
w
On Mon, Sep 29, 2025 at 8:51 PM Robert Waldman <robwaldman34@gmail.com> wrote:
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room
to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Robert Waldman <robwaldman34@gmail.com> | Received: 2025-09-30
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room to watch the World
Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Re: The Man and His Music outtakes
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-09-30
yes, that was my bad joke - I guess I was 19 when the '81 special aired ... although only four in Fall 1965 - and I know Rob caught that reference to Alan J. Lerner in the Cole Porter Library Ceremony Recording.
w
On Mon, Sep 29, 2025 at 8:51 PM Robert Waldman <robwaldman34@gmail.com> wrote:
That audio cassette pictured is not for the ‘65 Man & His Music; it’s from the ‘81 Man & His Music. So there may be outtakes. I knew the director of the ‘81 special, Clark Jones. He told me that between takes, FS went to his dressing room
to watch the World Series. Clark said Frank yelled so much, cheering on his Dodgers that he ruined his voice.
Rob
Sent from my iPad
On Sep 29, 2025, at 5:55 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
That's news to me - I remember watching that special when it was first broadcast (at the time, my nanny was pushing me in my perambulator)....
Rob? Contentious
‘
w
On Mon, Sep 29, 2025 at 5:07 PM Richard Cook <cook879@hotmail.co.uk> wrote:
Are there outtakes in circulation for The Man and His Music special?
This eBay listing suggests there's some
https://www.ebay.com/itm/236349985552



Fw: Margie Carroll.
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-01
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth. Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band. Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her. no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed
Fw: Margie Carroll.
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-01
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth. Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band. Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her. no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed
Fw: Margie Carroll.
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-01
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth. Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band. Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her. no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed
Fw: Margie Carroll.
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-01
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth. Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band. Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her. no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed
Re: Fw: Margie Carroll.
Undated materialFrom: scott@falseducks.com | Received: 2025-10-01
Hi Ed,
I wrote a blog about Margie Carroll and followed her activity up to 1947 when she was crowned Miss Regina Hassock of 1947:
http://falseducks.com/theblahg/?p=6084
I did a follow-up blog after I received a CD with some of her recordings:
http://falseducks.com/theblahg/?p=6118
She toured a lot with Bob Strong and His Orchestra and the second blog featured some recordings she did with Bob Strong. These were from the Lang-Worth Recordings the band did on August 13th, 1945. Here's a look at the Bob Strong CD that features those recordings:
Scott
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth.
Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band.
Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her.
no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed

Re: Fw: Margie Carroll.
Undated materialFrom: scott@falseducks.com | Received: 2025-10-01
Hi Ed,
I wrote a blog about Margie Carroll and followed her activity up to 1947 when she was crowned Miss Regina Hassock of 1947:
http://falseducks.com/theblahg/?p=6084
I did a follow-up blog after I received a CD with some of her recordings:
http://falseducks.com/theblahg/?p=6118
She toured a lot with Bob Strong and His Orchestra and the second blog featured some recordings she did with Bob Strong. These were from the Lang-Worth Recordings the band did on August 13th, 1945. Here's a look at the Bob Strong CD that features those recordings:
Scott
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth.
Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band.
Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her.
no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed

Re: Fw: Margie Carroll.
Undated materialFrom: scott@falseducks.com | Received: 2025-10-01
Hi Ed,
I wrote a blog about Margie Carroll and followed her activity up to 1947 when she was crowned Miss Regina Hassock of 1947:
http://falseducks.com/theblahg/?p=6084
I did a follow-up blog after I received a CD with some of her recordings:
http://falseducks.com/theblahg/?p=6118
She toured a lot with Bob Strong and His Orchestra and the second blog featured some recordings she did with Bob Strong. These were from the Lang-Worth Recordings the band did on August 13th, 1945. Here's a look at the Bob Strong CD that features those recordings:
Scott
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth.
Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band.
Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her.
no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed

Re: Fw: Margie Carroll.
Undated materialFrom: scott@falseducks.com | Received: 2025-10-01
Hi Ed,
I wrote a blog about Margie Carroll and followed her activity up to 1947 when she was crowned Miss Regina Hassock of 1947:
http://falseducks.com/theblahg/?p=6084
I did a follow-up blog after I received a CD with some of her recordings:
http://falseducks.com/theblahg/?p=6118
She toured a lot with Bob Strong and His Orchestra and the second blog featured some recordings she did with Bob Strong. These were from the Lang-Worth Recordings the band did on August 13th, 1945. Here's a look at the Bob Strong CD that features those recordings:
Scott
.
Will Friedwald responded to my Harry James post. He had some comments about Elizabeth Miller and we went back and forth.
Here is what Will shared with me: regarding the mystery of Margie, after her brief time with the James band.
Margie Carroll, did you ever research her? Her grandson contacted Jim Kaplan & I exactly ten years ago. I may do a post on her.
no recordings, as far anyone knows.
I'll dig it out, but Margie wasn't really a full on professional, she only sang with HJ very briefly before getting married & leaving the biz, had kids and grandkids -lived until almost 2015, but suffered from dementia for a long time before that. Her grandchildren were desperate to find any kind of audio recording or her, an aircheck or private acetate or something, but as you know, nothing has turned up. Margie had the looks of a girl singer and the right kind of showbiz name (ha!) but apparently not the chops or the tenacity ..
w
Will plans on doing a follow up on her and will share his findings with us..
Ed
[image referenced in source but could not be recovered]
re: [sinatraphiles] September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-10-01
My apologies. I missed sending out yesterday's post. It's usually part of my morning routine. Work stuff and then Mother stuff and then forgot completely. I will send it out shortly and then will send out today's post.
Scott
re: [sinatraphiles] September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-10-01
My apologies. I missed sending out yesterday's post. It's usually part of my morning routine. Work stuff and then Mother stuff and then forgot completely. I will send it out shortly and then will send out today's post.
Scott
re: [sinatraphiles] September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: scott@falseducks.com | Received: 2025-10-01
My apologies. I missed sending out yesterday's post. It's usually part
of my morning routine. Work stuff and then Mother stuff and then forgot
completely. I will send it out shortly and then will send out today's
post.
Scott
re: [sinatraphiles] September 30 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2025-10-01
My apologies. I missed sending out yesterday's post. It's usually part of my morning routine. Work stuff and then Mother stuff and then forgot completely. I will send it out shortly and then will send out today's post.
Scott
"THERE ARE SUCH THINGS"
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-08
Sinatra recorded "There Are Such Things," with the Tommy Dorsey Orchestra, 7-1-42.
An RCA 78 single was issued in early October, and by mid-November the song was
a smash hit, and would be number one in Billboard for six consecutive weeks. There
would be engagements at the Central Theatre in Passaic, N.J., in October and
December, and he would share the bill at the State Theater, in Hartford, with the Ellington band, also in December. Sinatramania would be very much in evidence throughout.The
legendary 10 week run at the Paramount only added to the frenzy, and "There Are Such Things" would remain on the charts for six months and sell more than a million copies,. In late January of 43, RCA would issue a second single of the song with a Dorsey instru- mental on the B-side.
Ed
The Cleveland Press
10-16-42
The Daily News
10-17-42
The Daily News
10-11-42
Knoxville Journal
10-4-42
The Tampa Tribune
10-25-42
The Virginian Pilot
10-11-42





"THERE ARE SUCH THINGS"
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-08
Sinatra recorded "There Are Such Things," with the Tommy Dorsey Orchestra, 7-1-42.
An RCA 78 single was issued in early October, and by mid-November the song was
a smash hit, and would be number one in Billboard for six consecutive weeks. There
would be engagements at the Central Theatre in Passaic, N.J., in October and
December, and he would share the bill at the State Theater, in Hartford, with the Ellington band, also in December. Sinatramania would be very much in evidence throughout.The
legendary 10 week run at the Paramount only added to the frenzy, and "There Are Such Things" would remain on the charts for six months and sell more than a million copies,. In late January of 43, RCA would issue a second single of the song with a Dorsey instru- mental on the B-side.
Ed
The Cleveland Press
10-16-42
The Daily News
10-17-42
The Daily News
10-11-42
Knoxville Journal
10-4-42
The Tampa Tribune
10-25-42
The Virginian Pilot
10-11-42





"THERE ARE SUCH THINGS"
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-08
Sinatra recorded "There Are Such Things," with the Tommy Dorsey Orchestra, 7-1-42.
An RCA 78 single was issued in early October, and by mid-November the song was
a smash hit, and would be number one in Billboard for six consecutive weeks. There
would be engagements at the Central Theatre in Passaic, N.J., in October and
December, and he would share the bill at the State Theater, in Hartford, with the Ellington band, also in December. Sinatramania would be very much in evidence throughout.The
legendary 10 week run at the Paramount only added to the frenzy, and "There Are Such Things" would remain on the charts for six months and sell more than a million copies,. In late January of 43, RCA would issue a second single of the song with a Dorsey instru- mental on the B-side.
Ed
The Cleveland Press
10-16-42
The Daily News
10-17-42
The Daily News
10-11-42
Knoxville Journal
10-4-42
The Tampa Tribune
10-25-42
The Virginian Pilot
10-11-42





"THERE ARE SUCH THINGS"
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-08
Sinatra recorded "There Are Such Things," with the Tommy Dorsey Orchestra, 7-1-42.
An RCA 78 single was issued in early October, and by mid-November the song was
a smash hit, and would be number one in Billboard for six consecutive weeks. There
would be engagements at the Central Theatre in Passaic, N.J., in October and
December, and he would share the bill at the State Theater, in Hartford, with the Ellington band, also in December. Sinatramania would be very much in evidence throughout.The
legendary 10 week run at the Paramount only added to the frenzy, and "There Are Such Things" would remain on the charts for six months and sell more than a million copies,. In late January of 43, RCA would issue a second single of the song with a Dorsey instru- mental on the B-side.
Ed
The Cleveland Press
10-16-42
The Daily News
10-17-42
The Daily News
10-11-42
Knoxville Journal
10-4-42
The Tampa Tribune
10-25-42
The Virginian Pilot
10-11-42
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
re: October 8 This Date In History
Undated materialFrom: scott@falseducks.com | Received: 2025-10-08
Hello everyone,
Can someone let me know if the images came through on all 5 posts today.
I was getting an error on my end but when I received them I could see
the images.
Weird.
Scott
Fw: FS and russian actress Victoria Fyodorova
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-10
Michel sent this my way
Prenier Theater
May 23, 1977
The closing night of Frank Sinatra and Dean Martin’s sold-out run at the Westchester Premier Theater, Frank was introduced to Russian actress Victoria Fyodorova. She told him, with a smile, that she regularly sent his records to her mother back in Moscow.
Frank grinned and said, “Well, sweetheart, if my voice can make it past the Iron Curtain, maybe I should’ve tried diplomacy instead of singing.”
Dean, standing nearby, chimed in, “Yeah, but then who’d keep the martini business alive?”
The room erupted in laughter — two weeks of packed shows ending just the way they began: with Sinatra’s charm, Martin’s timing, and a toast to international good humor.

Fw: FS and russian actress Victoria Fyodorova
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-10
Michel sent this my way
Prenier Theater
May 23, 1977
The closing night of Frank Sinatra and Dean Martin’s sold-out run at the Westchester Premier Theater, Frank was introduced to Russian actress Victoria Fyodorova. She told him, with a smile, that she regularly sent his records to her mother back in Moscow.
Frank grinned and said, “Well, sweetheart, if my voice can make it past the Iron Curtain, maybe I should’ve tried diplomacy instead of singing.”
Dean, standing nearby, chimed in, “Yeah, but then who’d keep the martini business alive?”
The room erupted in laughter — two weeks of packed shows ending just the way they began: with Sinatra’s charm, Martin’s timing, and a toast to international good humor.

Fw: FS and russian actress Victoria Fyodorova
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-10
Michel sent this my way
Prenier Theater
May 23, 1977
The closing night of Frank Sinatra and Dean Martin’s sold-out run at the Westchester Premier Theater, Frank was introduced to Russian actress Victoria Fyodorova. She told him, with a smile, that she regularly sent his records to her mother back in Moscow.
Frank grinned and said, “Well, sweetheart, if my voice can make it past the Iron Curtain, maybe I should’ve tried diplomacy instead of singing.”
Dean, standing nearby, chimed in, “Yeah, but then who’d keep the martini business alive?”
The room erupted in laughter — two weeks of packed shows ending just the way they began: with Sinatra’s charm, Martin’s timing, and a toast to international good humor.

Fw: FS and russian actress Victoria Fyodorova
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-10
Michel sent this my way
Prenier Theater
May 23, 1977
The closing night of Frank Sinatra and Dean Martin’s sold-out run at the Westchester Premier Theater, Frank was introduced to Russian actress Victoria Fyodorova. She told him, with a smile, that she regularly sent his records to her mother back in Moscow.
Frank grinned and said, “Well, sweetheart, if my voice can make it past the Iron Curtain, maybe I should’ve tried diplomacy instead of singing.”
Dean, standing nearby, chimed in, “Yeah, but then who’d keep the martini business alive?”
The room erupted in laughter — two weeks of packed shows ending just the way they began: with Sinatra’s charm, Martin’s timing, and a toast to international good humor.
[image referenced in source but could not be recovered]
October 11 Sinatra day in history
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-10-12
Sorry everyone,
I posted yesterday's Day In History but only sent it to myself. I
have reposted it.
scott
October 11 Sinatra day in history
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-10-12
Sorry everyone,
I posted yesterday's Day In History but only sent it to myself. I
have reposted it.
scott
October 11 Sinatra day in history
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2025-10-12
Sorry everyone,
I posted yesterday's Day In History but only sent it to myself. I
have reposted it.
scott
JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )


JUDY, FRANK, DEAN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-14
Hi Scott,
The Mike Connolly column you posted was referring to the first weekend,
not opening night. I found a number of articles stating it was the weekend. Judy opened
on Wednesday. So the weekend would have been the 4th and 5th. I would bet on
Saturday night. Frank had a swollen jaw due to a tooth extraction.
Mike Connolly column
10-11-58
Judy was unable to complete the two weeks. Due to illness, Dean and Sammy
did the second weekend for her.
10-6-58 (Monday )
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Sinatra, Martin & Kovacs?
Undated materialFrom: scott@falseducks.com | Received: 2025-10-14
Here's an interesting one. Had to happen the first week of October 1958, because Judy Garland opened on October 1, 1958 at the Sands, Las Vegas:

Sinatra, Martin & Kovacs?
Undated materialFrom: scott@falseducks.com | Received: 2025-10-14
Here's an interesting one. Had to happen the first week of October 1958, because Judy Garland opened on October 1, 1958 at the Sands, Las Vegas:

Sinatra, Martin & Kovacs?
Undated materialFrom: scott@falseducks.com | Received: 2025-10-14
Here's an interesting one. Had to happen the first week of October 1958, because Judy Garland opened on October 1, 1958 at the Sands, Las Vegas:

Sinatra, Martin & Kovacs?
Undated materialFrom: scott@falseducks.com | Received: 2025-10-14
Here's an interesting one. Had to happen the first week of October 1958, because Judy Garland opened on October 1, 1958 at the Sands, Las Vegas:
[image referenced in source but could not be recovered]
re: Images
Undated materialFrom: scott@falseducks.com | Received: 2025-10-17
Can someone let me know if images came through on all 3 posts today.
Thanks,
scott
re: Images
Undated materialFrom: scott@falseducks.com | Received: 2025-10-17
Can someone let me know if images came through on all 3 posts today.
Thanks,
scott
Re: hollywood palace
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-18
1940 Hollywood
PBS055110 Do You Know Why?
(from Paramount Picture Love Thy Neighbor)
(J. Burke/J. Van Heusen)
Famous Music Co. (ASCAP)
Arranged by Deane Kincaide
-1 (3:10) CD: 07863 66353-2 "The Song Is You" 5CD set Vol 2
CD: RCA 9679-2-R
LP: SD 1000
78: 26798
Saxes: Fred Stulce, Johnny Mince, Paul Mason, Heinie Beau, Don Lodice; Trumpets: Ziggy Elman, Ray Linn, Chuck Peterson; Piano: Joe Bushkin; Trombones: Les Jenkins, George Arus, Lowell Martin; Guitar: Clark Yocum; Bass: Sid Weiss; Drums: Buddy Rich
Houston Chronicle
11-17-40
1965 The Hollywood Palace (ABC)
Taped: September 26, 1965
Host: Frank Sinatra
Guests: The Count Basie Orchestra, Jackie Leonard
1. I've Got The World On A String
2. Fly Me To The Moon
3. Please Be Kind
4. Too Marvelous For Words
5. Everybody's Got The Right To Be Wrong
6. The Gal That Got Away
Notes: 60 min.
Birmingham Post
10-16-65
Boston Globe
10-18-65
note: Sinatra was in New York, late September, early October. A very good
chance the 20 minute segment with Basie was taped then.
The Macon News
10-16-65









Re: hollywood palace
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-18
1940 Hollywood
PBS055110 Do You Know Why?
(from Paramount Picture Love Thy Neighbor)
(J. Burke/J. Van Heusen)
Famous Music Co. (ASCAP)
Arranged by Deane Kincaide
-1 (3:10) CD: 07863 66353-2 "The Song Is You" 5CD set Vol 2
CD: RCA 9679-2-R
LP: SD 1000
78: 26798
Saxes: Fred Stulce, Johnny Mince, Paul Mason, Heinie Beau, Don Lodice; Trumpets: Ziggy Elman, Ray Linn, Chuck Peterson; Piano: Joe Bushkin; Trombones: Les Jenkins, George Arus, Lowell Martin; Guitar: Clark Yocum; Bass: Sid Weiss; Drums: Buddy Rich
Houston Chronicle
11-17-40
1965 The Hollywood Palace (ABC)
Taped: September 26, 1965
Host: Frank Sinatra
Guests: The Count Basie Orchestra, Jackie Leonard
1. I've Got The World On A String
2. Fly Me To The Moon
3. Please Be Kind
4. Too Marvelous For Words
5. Everybody's Got The Right To Be Wrong
6. The Gal That Got Away
Notes: 60 min.
Birmingham Post
10-16-65
Boston Globe
10-18-65
note: Sinatra was in New York, late September, early October. A very good
chance the 20 minute segment with Basie was taped then.
The Macon News
10-16-65
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: Sinatra Estate Carve-up
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2025-10-22
Probably not...
Given it's only talking about name, image and likeness rights, I guess it'll just be more restaurants and the like - they mention a Vegas 'Rat Pack' venue. I imagine maybe more merchandise things as well.
Both of which they've already been trying - there is already a Sinatra restaurant they launched in Nashville a few years back, and they just did some clothing with the Sinatra name on with Sportiqe and the New York Yankees. And there was that advert featuring AI Sinatra and Sammy Davis earlier this year.
So I imagine more of that kind of thing and no impact on actual music releases.
Richard
________________________________
From: sinatraphiles@googlegroups.com <sinatraphiles@googlegroups.com> on behalf of Vance Adair <dr.vanceadair@gmail.com>
Sent: 22 October 2025 10:24
To: sinatraphiles@googlegroups.com <Sinatraphiles@googlegroups.com>
Subject: Sinatra Estate Carve-up
https://www.musicbusinessworldwide.com/frank-sinatra-name-image-and-likeness-rights-acquired-by-irving-azoffs-iconic-artists-group-report/
Should we be optimistic?
-Vance
Sinatra Estate Carve-up
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-10-22
https://www.musicbusinessworldwide.com/frank-sinatra-name-image-and-likeness-rights-acquired-by-irving-azoffs-iconic-artists-group-report/
Should we be optimistic?
-Vance
Resorts 10/79
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-23
1979 Resorts International, Atlantic City, New Jersey (21-27)
Hi Scott,
Frank was there for three nights. He also was the host for a
tribute to great Olympic champions on 10/24. But he didn't sing. I
have reviews of opening night and the Olympic tribute. Will post.
Ed

Resorts 10/79
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-10-23
1979 Resorts International, Atlantic City, New Jersey (21-27)
Hi Scott,
Frank was there for three nights. He also was the host for a
tribute to great Olympic champions on 10/24. But he didn't sing. I
have reviews of opening night and the Olympic tribute. Will post.
Ed
[image referenced in source but could not be recovered]
New electronic duet with Pentatonix
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2025-10-25
I've Got My Love To Keep Me Warm<https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY>
I see an article says<https://www.broadwayworld.com/bwwmusic/article/Listen-Pentatonix-Release-New-Studio-Album-Christmas-in-the-City-20251024> "the group has collaborated with Sinatra on a never-before-heard recording of this staple", but from my quick side by side listen, for the Sinatra side it is the exact vocal from "Ring-a-Ding Ding".
Richard
Re: Fw: Please respond to this test
Undated materialFrom: "Ted Pastuszak Jr." <dmarc-noreply@freelists.org> | Received: 2025-10-28
I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org>
wrote:
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il>
> wrote:
>
>
> I am getting it
>
> shemmy
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Stephanie Pennington
> *Sent:* Friday, March 7, 2025 4:10 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Fw: Please respond to this test
>
>
>
> I have read it
>
>
>
> Thank you,
>
>
>
> Stephanie Pennington
>
> recordcollector728@gmail.com
> ------------------------------
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of David Barrios <
> dbarrios15@hotmail.com>
> *Sent:* Thursday, March 6, 2025 8:08:30 PM
> *To:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Cc:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Subject:* [sinatraphiles] Re: Fw: Please respond to this test
>
>
>
> I’ve seen it
>
> Sent from my iPhone
>
>
>
> On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> I can see it as well. Thank you!
>
>
>
> On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> I've also seen it.
>
>
>
> On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org>
> wrote:
>
> Hi,
>
> I’ve seen this email.
>
>
>
> Thanks
>
>
>
> Enviado a partir do Outlook para iOS <https://aka.ms/o0ukef>
> ------------------------------
>
> *De:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <
> scott@falseducks.com>
> *Enviado:* quinta-feira, março 6, 2025 18:48
> *Para:* sinatraphiles freelists <sinatraphiles@freelists.org>
> *Assunto:* [sinatraphiles] Please respond to this test
>
>
>
> Hello everyone,
>
>
>
> Apparently the transition to Google Groups may not be going as smoothly as
> I hoped. Ed said he's not seeing posts from others and something he posted
> last night didn't show up.
>
>
>
> Can everyone just reply to this post and let me know you're seeing this.
> Remember your reply should go to sinatraphiles@freelists.org.
>
>
>
>
>
> Thanks,
>
>
>
>
>
> Scott
>
>
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-10-28
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS
De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-10-30
Thank you but I'm not getting any posts the last few days
On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org> wrote:
I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS
De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: scott <dmarc-noreply@freelists.org> | Received: 2025-10-30
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
> Enviado: quinta-feira, março 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-10-31
ppaulson1@yahoo.com
Thank you
On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <dmarc-noreply@freelists.org> wrote:
What is your email address so I can check it on Google Groups. Your email address isn't popping up here
Scott
Thank you but I'm not getting any posts the last few days On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org> wrote: I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS
De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
Thanks,
Scott
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Bill Jones <dmarc-noreply@freelists.org> | Received: 2025-10-31
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Larry Crawford <dmarc-noreply@freelists.org> | Received: 2025-10-31
Received
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Bill Jones <dmarc-noreply@freelists.org>
Sent: Friday, October 31, 2025 6:59:11 AM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: sinatraphiles Digest V6 #94
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Larry Crawford <dmarc-noreply@freelists.org> | Received: 2025-10-31
Received
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Bill Jones <dmarc-noreply@freelists.org>
Sent: Friday, October 31, 2025 6:59:11 AM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: sinatraphiles Digest V6 #94
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Happy Halloween
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-01
Sent from the all new AOL app for iOS


Happy Halloween
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-01
Sent from the all new AOL app for iOS


Happy Halloween
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-01
Sent from the all new AOL app for iOS


Happy Halloween
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-01
Sent from the all new AOL app for iOS
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Please send me updates
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-01
I've haven't received any posts in several days
Thank you
Peter
Please send me updates
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-01
I've haven't received any posts in several days
Thank you
Peter
Please send me updates
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-01
I've haven't received any posts in several days
Thank you
Peter
Please send me updates
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-01
I've haven't received any posts in several days
Thank you
Peter
Please send me updates
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-01
I've haven't received any posts in several days
Thank you
Peter
OCTOBER 31 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-02
HCO2123 I Got A Gal I Love (In North And South
Dakota )
(J. Styne/S. Cahn)
(from Ladies Man)
Famous Music Crop. (ASCAP) 1947
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 5
78: 37231




OCTOBER 31 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-02
HCO2123 I Got A Gal I Love (In North And South
Dakota )
(J. Styne/S. Cahn)
(from Ladies Man)
Famous Music Crop. (ASCAP) 1947
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 5
78: 37231




OCTOBER 31 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-02
HCO2123 I Got A Gal I Love (In North And South Dakota )
(J. Styne/S. Cahn)
(from Ladies Man)
Famous Music Crop. (ASCAP) 1947
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 5
78: 37231




OCTOBER 31 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-02
HCO2123 I Got A Gal I Love (In North And South
Dakota )
(J. Styne/S. Cahn)
(from Ladies Man)
Famous Music Crop. (ASCAP) 1947
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 5
78: 37231




OCTOBER 31 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-02
HCO2123 I Got A Gal I Love (In North And South
Dakota )
(J. Styne/S. Cahn)
(from Ladies Man)
Famous Music Crop. (ASCAP) 1947
Arranged & Conducted by Axel Stordahl
-1 (2:42) CD: Columbia Years 43-52 Vol. 5
78: 37231




Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


Fw: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03
Marlon and Frank doing the cheesecake scene.


NOVEMBER 3 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03

NOVEMBER 3 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03

NOVEMBER 3 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03

NOVEMBER 3 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03

NOVEMBER 3 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03

NOVEMBER 3 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-03

Re: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-04





Re: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-04





Re: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-04





Re: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-04





Re: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-04





Re: November 3 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-04





Re: New electronic duet with Pentatonix
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-10
Thanks for sending this Richard. I fought the urge to listen for a couple of weeks but finally gave in.
It's pleasant enough which I know is damning with faint praise. I can see it being played a lot on those stations that play Christmas tunes the last two months of the year.
But it shows, again, the difference between Frank and everyone else. This type of a cappella/chorus group singing is inevitably about the voices more than the song. Frank, of course, is the exact opposite, always about the song, never his voice.
Having said that, Pentatonic does a good job and they don't get overly in the way. Me, I'll stick with Ring-a-Ding Ding.
Al
On 10/25/2025 2:46 PM EDT Richard Cook <cook879@hotmail.co.uk> wrote:
I've Got My Love To Keep Me Warm<https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY>
I see an article says<https://www.broadwayworld.com/bwwmusic/article/Listen-Pentatonix-Release-New-Studio-Album-Christmas-in-the-City-20251024> "the group has collaborated with Sinatra on a never-before-heard recording of this staple", but from my quick side by side listen, for the Sinatra side it is the exact vocal from "Ring-a-Ding Ding".
Richard
Re: New electronic duet with Pentatonix
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-10
Thanks for sending this Richard. I fought the urge to listen for a couple of weeks but finally gave in.
It's pleasant enough which I know is damning with faint praise. I can see it being played a lot on those stations that play Christmas tunes the last two months of the year.
But it shows, again, the difference between Frank and everyone else. This type of a cappella/chorus group singing is inevitably about the voices more than the song. Frank, of course, is the exact opposite, always about the song, never his voice.
Having said that, Pentatonic does a good job and they don't get overly in the way. Me, I'll stick with Ring-a-Ding Ding.
Al
On 10/25/2025 2:46 PM EDT Richard Cook <cook879@hotmail.co.uk> wrote:
I've Got My Love To Keep Me Warm<https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY>
I see an article says<https://www.broadwayworld.com/bwwmusic/article/Listen-Pentatonix-Release-New-Studio-Album-Christmas-in-the-City-20251024> "the group has collaborated with Sinatra on a never-before-heard recording of this staple", but from my quick side by side listen, for the Sinatra side it is the exact vocal from "Ring-a-Ding Ding".
Richard
Re: New electronic duet with Pentatonix
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-10
Thanks for sending this Richard. I fought the urge to listen for a couple of weeks but finally gave in.
It's pleasant enough which I know is damning with faint praise. I can see it being played a lot on those stations that play Christmas tunes the last two months of the year.
But it shows, again, the difference between Frank and everyone else. This type of a cappella/chorus group singing is inevitably about the voices more than the song. Frank, of course, is the exact opposite, always about the song, never his voice.
Having said that, Pentatonic does a good job and they don't get overly in the way. Me, I'll stick with Ring-a-Ding Ding.
Al
> On 10/25/2025 2:46 PM EDT Richard Cook <cook879@hotmail.co.uk> wrote:
>
>
> I've Got My Love To Keep Me Warm https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
>
> I see an article says https://www.broadwayworld.com/bwwmusic/article/Listen-Pentatonix-Release-New-Studio-Album-Christmas-in-the-City-20251024 "the group has collaborated with Sinatra on a never-before-heard recording of this staple", but from my quick side by side listen, for the Sinatra side it is the exact vocal from "Ring-a-Ding Ding".
>
> Richard
>
>
>
>
>
> --
>
Re: New electronic duet with Pentatonix
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-10
Thanks for sending this Richard. I fought the urge to listen for a couple of weeks but finally gave in.
It's pleasant enough which I know is damning with faint praise. I can see it being played a lot on those stations that play Christmas tunes the last two months of the year.
But it shows, again, the difference between Frank and everyone else. This type of a cappella/chorus group singing is inevitably about the voices more than the song. Frank, of course, is the exact opposite, always about the song, never his voice.
Having said that, Pentatonic does a good job and they don't get overly in the way. Me, I'll stick with Ring-a-Ding Ding.
Al
On 10/25/2025 2:46 PM EDT Richard Cook <cook879@hotmail.co.uk> wrote:
I've Got My Love To Keep Me Warm<https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY>
I see an article says<https://www.broadwayworld.com/bwwmusic/article/Listen-Pentatonix-Release-New-Studio-Album-Christmas-in-the-City-20251024> "the group has collaborated with Sinatra on a never-before-heard recording of this staple", but from my quick side by side listen, for the Sinatra side it is the exact vocal from "Ring-a-Ding Ding".
Richard
Re: New electronic duet with Pentatonix
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-10
Thanks for sending this Richard. I fought the urge to listen for a couple of weeks but finally gave in.
It's pleasant enough which I know is damning with faint praise. I can see it being played a lot on those stations that play Christmas tunes the last two months of the year.
But it shows, again, the difference between Frank and everyone else. This type of a cappella/chorus group singing is inevitably about the voices more than the song. Frank, of course, is the exact opposite, always about the song, never his voice.
Having said that, Pentatonic does a good job and they don't get overly in the way. Me, I'll stick with Ring-a-Ding Ding.
Al
On 10/25/2025 2:46 PM EDT Richard Cook <cook879@hotmail.co.uk> wrote:
I've Got My Love To Keep Me Warm<https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY>
I see an article says<https://www.broadwayworld.com/bwwmusic/article/Listen-Pentatonix-Release-New-Studio-Album-Christmas-in-the-City-20251024> "the group has collaborated with Sinatra on a never-before-heard recording of this staple", but from my quick side by side listen, for the Sinatra side it is the exact vocal from "Ring-a-Ding Ding".
Richard
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-10
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-10
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-10
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS
De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-10
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Peter Paulson <dmarc-noreply@freelists.org> | Received: 2025-11-10
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I’ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I’ve seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: scott <dmarc-noreply@freelists.org> | Received: 2025-11-11
I continue to receive requests from Peter Paulson to be added back to the group. If someone is in touch with him, please let him know that I have sent a request to him to rejoin the Google Group and to reach out to me if he hasn't received it.
Scott
On 2025-11-10 14:59, Peter Paulson wrote:
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: scott <dmarc-noreply@freelists.org> | Received: 2025-11-11
I continue to receive requests from Peter Paulson to be added back to the group. If someone is in touch with him, please let him know that I have sent a request to him to rejoin the Google Group and to reach out to me if he hasn't received it.
Scott
On 2025-11-10 14:59, Peter Paulson wrote:
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: scott <dmarc-noreply@freelists.org> | Received: 2025-11-11
I continue to receive requests from Peter Paulson to be added back to
the group. If someone is in touch with him, please let him know that I
have sent a request to him to rejoin the Google Group and to reach out
to me if he hasn't received it.
Scott
On 2025-11-10 14:59, Peter Paulson wrote:
> Please add me back to the group; thank you
>
> On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of David Barrios <dbarrios15@hotmail.com>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
>> On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <scott@falseducks.com>
> Enviado: quinta-feira, março 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
Re: Fw: Please respond to this test
Undated materialFrom: scott <dmarc-noreply@freelists.org> | Received: 2025-11-11
I continue to receive requests from Peter Paulson to be added back to the group. If someone is in touch with him, please let him know that I have sent a request to him to rejoin the Google Group and to reach out to me if he hasn't received it.
Scott
On 2025-11-10 14:59, Peter Paulson wrote:
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: scott <dmarc-noreply@freelists.org> | Received: 2025-11-11
I continue to receive requests from Peter Paulson to be added back to the group. If someone is in touch with him, please let him know that I have sent a request to him to rejoin the Google Group and to reach out to me if he hasn't received it.
Scott
On 2025-11-10 14:59, Peter Paulson wrote:
Please add me back to the group; thank you
On Thursday, March 6, 2025 at 08:50:25 PM PST, <smashiah@netvision.net.il> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Sorry for the long delay, I think I'm receiving all the posts.
Thank you
El vie, 31 oct 2025 a las 11:48, Peter Paulson (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>
Thank you
On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
What is your email address so I can check it on Google Groups. Your email address isn't popping up here
Scott
Thank you but I'm not getting any posts the last few days
On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts the
past few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Sorry for the long delay, I think I'm receiving all the posts.
Thank you
El vie, 31 oct 2025 a las 11:48, Peter Paulson (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>
Thank you
On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
What is your email address so I can check it on Google Groups. Your email address isn't popping up here
Scott
Thank you but I'm not getting any posts the last few days
On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts the
past few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Sorry for the long delay, I think I'm receiving all the posts.
Thank you
El vie, 31 oct 2025 a las 11:48, Peter Paulson (<dmarc-noreply@freelists.org>)
escribió:
> ppaulson1@yahoo.com
>
> Thank you
>
> On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <
> dmarc-noreply@freelists.org> wrote:
>
>
> What is your email address so I can check it on Google Groups. Your email
> address isn't popping up here
>
>
>
> Scott
>
>
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <
> dmarc-noreply@freelists.org> wrote:
>
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org>
> wrote:
>
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il>
> wrote:
>
>
>
> I am getting it
>
> shemmy
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Stephanie Pennington
> *Sent:* Friday, March 7, 2025 4:10 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Fw: Please respond to this test
>
>
> I have read it
>
>
> Thank you,
>
>
> Stephanie Pennington
>
> recordcollector728@gmail.com
> ------------------------------
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of David Barrios <
> dbarrios15@hotmail.com>
> *Sent:* Thursday, March 6, 2025 8:08:30 PM
> *To:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Cc:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Subject:* [sinatraphiles] Re: Fw: Please respond to this test
>
>
> I've seen it
>
> Sent from my iPhone
>
>
>
> On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org>
> wrote:
>
> I can see it as well. Thank you!
>
>
>
> On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org>
> wrote:
>
> I've also seen it.
>
>
> On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org>
> wrote:
>
> Hi,
>
> I've seen this email.
>
>
> Thanks
>
>
> Enviado a partir do Outlook para iOS <https://aka.ms/o0ukef>
> ------------------------------
>
> *De:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <
> scott@falseducks.com>
> *Enviado:* quinta-feira, março 6, 2025 18:48
> *Para:* sinatraphiles freelists <sinatraphiles@freelists.org>
> *Assunto:* [sinatraphiles] Please respond to this test
>
>
>
> Hello everyone,
>
>
> Apparently the transition to Google Groups may not be going as smoothly as
> I hoped. Ed said he's not seeing posts from others and something he posted
> last night didn't show up.
>
>
> Can everyone just reply to this post and let me know you're seeing this.
> Remember your reply should go to sinatraphiles@freelists.org.
>
>
>
> Thanks,
>
>
>
> Scott
>
>
>
Re: Fw: Please respond to this test
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Sorry for the long delay, I think I'm receiving all the posts.
Thank you
El vie, 31 oct 2025 a las 11:48, Peter Paulson (<dmarc-noreply@freelists.org>)
escribió:
> ppaulson1@yahoo.com
>
> Thank you
>
> On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <
> dmarc-noreply@freelists.org> wrote:
>
>
> What is your email address so I can check it on Google Groups. Your email
> address isn't popping up here
>
>
>
> Scott
>
>
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <
> dmarc-noreply@freelists.org> wrote:
>
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org>
> wrote:
>
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il>
> wrote:
>
>
>
> I am getting it
>
> shemmy
>
>
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> *On Behalf Of *Stephanie Pennington
> *Sent:* Friday, March 7, 2025 4:10 AM
> *To:* sinatraphiles@freelists.org
> *Subject:* [sinatraphiles] Re: Fw: Please respond to this test
>
>
> I have read it
>
>
> Thank you,
>
>
> Stephanie Pennington
>
> recordcollector728@gmail.com
> ------------------------------
>
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of David Barrios <
> dbarrios15@hotmail.com>
> *Sent:* Thursday, March 6, 2025 8:08:30 PM
> *To:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Cc:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Subject:* [sinatraphiles] Re: Fw: Please respond to this test
>
>
> I've seen it
>
> Sent from my iPhone
>
>
>
> On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org>
> wrote:
>
> I can see it as well. Thank you!
>
>
>
> On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org>
> wrote:
>
> I've also seen it.
>
>
> On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org>
> wrote:
>
> Hi,
>
> I've seen this email.
>
>
> Thanks
>
>
> Enviado a partir do Outlook para iOS <https://aka.ms/o0ukef>
> ------------------------------
>
> *De:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <
> scott@falseducks.com>
> *Enviado:* quinta-feira, março 6, 2025 18:48
> *Para:* sinatraphiles freelists <sinatraphiles@freelists.org>
> *Assunto:* [sinatraphiles] Please respond to this test
>
>
>
> Hello everyone,
>
>
> Apparently the transition to Google Groups may not be going as smoothly as
> I hoped. Ed said he's not seeing posts from others and something he posted
> last night didn't show up.
>
>
> Can everyone just reply to this post and let me know you're seeing this.
> Remember your reply should go to sinatraphiles@freelists.org.
>
>
>
> Thanks,
>
>
>
> Scott
>
>
>
Re: Fw: Please respond to this test
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Sorry for the long delay, I think I'm receiving all the posts.
Thank you
El vie, 31 oct 2025 a las 11:48, Peter Paulson (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>
Thank you
On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
What is your email address so I can check it on Google Groups. Your email address isn't popping up here
Scott
Thank you but I'm not getting any posts the last few days
On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts the
past few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: Fw: Please respond to this test
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Sorry for the long delay, I think I'm receiving all the posts.
Thank you
El vie, 31 oct 2025 a las 11:48, Peter Paulson (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>
Thank you
On Thursday, October 30, 2025 at 10:40:03 AM PDT, scott <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
What is your email address so I can check it on Google Groups. Your email address isn't popping up here
Scott
Thank you but I'm not getting any posts the last few days
On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I"m seeing this email.
On Tue, Oct 28, 2025 at 2:28 PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts the
past few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I have read it
Thank you,
Stephanie Pennington
recordcollector728@gmail.com<https://recordcollector728@gmail.com>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
I've seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50 PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44 PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
I've also seen it.
On Thu, Mar 6, 2025, 5:02 PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I've seen this email.
Thanks
Enviado a partir do Outlook para iOS<https://aka.ms/o0ukef>
________________________________
De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado: quinta-feira, março 6, 2025 18:48
Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto: [sinatraphiles] Please respond to this test
Hello everyone,
Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
Thanks,
Scott
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Receivied too.
El vie, 31 oct 2025 a las 6:50, Larry Crawford (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Received
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of Bill Jones <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>
Sent: Friday, October 31, 2025 6:59:11 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: sinatraphiles Digest V6 #94
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org<mailto:ecartis@freelists.org>> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com<mailto:recordcollector728@gmail.com>
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com<mailto:scott@falseducks.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com<mailto:recordcollector728@gmail.com> [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Receivied too.
El vie, 31 oct 2025 a las 6:50, Larry Crawford (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Received
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of Bill Jones <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>
Sent: Friday, October 31, 2025 6:59:11 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: sinatraphiles Digest V6 #94
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org<mailto:ecartis@freelists.org>> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com<mailto:recordcollector728@gmail.com>
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com<mailto:scott@falseducks.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com<mailto:recordcollector728@gmail.com> [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Receivied too.
El vie, 31 oct 2025 a las 6:50, Larry Crawford (<dmarc-noreply@freelists.org>)
escribió:
> Received
>
> Get Outlook for Android <https://aka.ms/AAb9ysg>
> ------------------------------
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of Bill Jones <
> dmarc-noreply@freelists.org>
> *Sent:* Friday, October 31, 2025 6:59:11 AM
> *To:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Subject:* [sinatraphiles] Re: sinatraphiles Digest V6 #94
>
> Received
>
> On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org>
> wrote:
>
> sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
>
> In This Issue:
> [sinatraphiles] Re: Fw: Please respond to this test
> [sinatraphiles] Re: Fw: Please respond to this test
>
> ----------------------------------------------------------------------
>
> Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
> From: Peter Paulson <ppaulson1@yahoo.com>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <
> dmarc-noreply@freelists.org> wrote:
> PIease reset my membership as I've not received any posts thepast few days
> - thank you Peter
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <
> smashiah@netvision.net.il> wrote:
>
>
> I am getting it
>
> shemmy
>
> ��
>
> From: sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> ��
>
> I have read it
>
> ��
>
> Thank you,
>
> ��
>
> Stephanie Pennington
>
> recordcollector728@gmail.com
>
> From: sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of David Barrios <
> dbarrios15@hotmail.com>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> ��
>
> I���ve seen it
>
> Sent from my iPhone
>
>
>
>
>
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> ���
>
> I can see it as well. Thank you!
>
>
>
>
>
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org>
> wrote:
>
>
>
> ���
>
> I've also seen it.
>
> ��
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org>
> wrote:
>
>
> Hi,
>
> I���ve seen this email.
>
> ��
>
> Thanks
>
> ��
>
> Enviado a partir do Outlook para iOS
>
> De:��sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <
> scott@falseducks.com>
> Enviado:��quinta-feira, mar��o 6, 2025 18:48
> Para:��sinatraphiles freelists <sinatraphiles@freelists.org>
> Assunto:��[sinatraphiles] Please respond to this test
>
> ��
>
> Hello everyone,��
>
> ��
>
> Apparently the transition to Google Groups may not be going as smoothly as
> I hoped.�� Ed said he's not seeing posts from others and something he
> posted last night didn't show up.
>
> ��
>
> Can everyone just reply to this post and let me know you're seeing this.��
> Remember your reply should go to sinatraphiles@freelists.org.
>
> ��
>
> ��
>
> Thanks,
>
> ��
>
> ��
>
> Scott
>
>
>
>
>
>
> ------------------------------
>
> Date: Thu, 30 Oct 2025 13:39:38 -0400
> From: scott@falseducks.com
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> What is your email address so I can check it on Google Groups. Your
> email address isn't popping up here
> Scott
>
> > Thank you but I'm not getting any posts the last few days
> >
> > On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <
> dmarc-noreply@freelists.org> wrote:
> >
> > I"m seeing this email.
> >
> > On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <
> dmarc-noreply@freelists.org> wrote:
> >
> > PIease reset my membership as I've not received any posts the
> > past few days - thank you Peter
> >
> > On Thursday, March 6, 2025 at 11:50:25 PM EST, <
> smashiah@netvision.net.il> wrote:
> >
> > I am getting it
> >
> > shemmy
> >
> > From: sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> On Behalf Of Stephanie Pennington
> > Sent: Friday, March 7, 2025 4:10 AM
> > To: sinatraphiles@freelists.org
> > Subject: [sinatraphiles] Re: Fw: Please respond to this test
> >
> > I have read it
> >
> > Thank you,
> >
> > Stephanie Pennington
> >
> > recordcollector728@gmail.com [1]
> >
> > -------------------------
> >
> > From: sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of David Barrios <
> dbarrios15@hotmail.com>
> > Sent: Thursday, March 6, 2025 8:08:30 PM
> > To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> > Cc: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> > Subject: [sinatraphiles] Re: Fw: Please respond to this test
> >
> > I've seen it
> >
> > Sent from my iPhone
> >
> > On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org>
> wrote:
> >
> > I can see it as well. Thank you!
> >
> > On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org>
> wrote:
> >
> > I've also seen it.
> >
> > On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <
> dmarc-noreply@freelists.org> wrote:
> >
> > Hi,
> >
> > I've seen this email.
> >
> > Thanks
> >
> > Enviado a partir do Outlook para iOS [2]
> >
> > -------------------------
> >
> > De: sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> em nome de scott@falseducks.com <
> scott@falseducks.com>
> > Enviado: quinta-feira, mar��o 6, 2025 18:48
> > Para: sinatraphiles freelists <sinatraphiles@freelists.org>
> > Assunto: [sinatraphiles] Please respond to this test
> >
> > Hello everyone,
> >
> > Apparently the transition to Google Groups may not be going as smoothly
> as I hoped. Ed said he's not seeing posts from others and something he
> posted last night didn't show up.
> >
> > Can everyone just reply to this post and let me know you're seeing
> this. Remember your reply should go to sinatraphiles@freelists.org.
> >
> > Thanks,
> >
> > Scott
>
>
>
> Links:
> ------
> [1] https://recordcollector728@gmail.com
> [2] https://aka.ms/o0ukef
>
>
> ------------------------------
>
> End of sinatraphiles Digest V6 #94
> **********************************
>
>
>
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Receivied too.
El vie, 31 oct 2025 a las 6:50, Larry Crawford (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Received
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of Bill Jones <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>
Sent: Friday, October 31, 2025 6:59:11 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: sinatraphiles Digest V6 #94
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org<mailto:ecartis@freelists.org>> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com<mailto:recordcollector728@gmail.com>
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com<mailto:scott@falseducks.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com<mailto:recordcollector728@gmail.com> [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Re: sinatraphiles Digest V6 #94
Undated materialFrom: Tito Montoya <dmarc-noreply@freelists.org> | Received: 2025-11-13
Receivied too.
El vie, 31 oct 2025 a las 6:50, Larry Crawford (<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>) escribió:
Received
Get Outlook for Android<https://aka.ms/AAb9ysg>
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of Bill Jones <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>
Sent: Friday, October 31, 2025 6:59:11 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: sinatraphiles Digest V6 #94
Received
On Oct 30, 2025 9:05 PM, FreeLists List Manager <ecartis@freelists.org<mailto:ecartis@freelists.org>> wrote:
sinatraphiles Digest Thu, 30 Oct 2025 Volume: 06 Issue: 094
In This Issue:
[sinatraphiles] Re: Fw: Please respond to this test
[sinatraphiles] Re: Fw: Please respond to this test
Date: Thu, 30 Oct 2025 16:42:07 +0000 (UTC)
From: Peter Paulson <ppaulson1@yahoo.com<mailto:ppaulson1@yahoo.com>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
PIease reset my membership as I've not received any posts thepast few days - thank you Peter
On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
I am getting it
shemmy
��
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
Sent: Friday, March 7, 2025 4:10 AM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I have read it
��
Thank you,
��
Stephanie Pennington
recordcollector728@gmail.com<mailto:recordcollector728@gmail.com>
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
Sent: Thursday, March 6, 2025 8:08:30 PM
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
��
I���ve seen it
Sent from my iPhone
On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I can see it as well. Thank you!
On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
���
I've also seen it.
��
On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hi,
I���ve seen this email.
��
Thanks
��
Enviado a partir do Outlook para iOS
De:��sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
Enviado:��quinta-feira, mar��o 6, 2025 18:48
Para:��sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Assunto:��[sinatraphiles] Please respond to this test
��
Hello everyone,��
��
Apparently the transition to Google Groups may not be going as smoothly as I hoped.�� Ed said he's not seeing posts from others and something he posted last night didn't show up.
��
Can everyone just reply to this post and let me know you're seeing this.�� Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
��
��
Thanks,
��
��
Scott
Date: Thu, 30 Oct 2025 13:39:38 -0400
From: scott@falseducks.com<mailto:scott@falseducks.com>
Subject: [sinatraphiles] Re: Fw: Please respond to this test
What is your email address so I can check it on Google Groups. Your
email address isn't popping up here
Scott
> Thank you but I'm not getting any posts the last few days
>
> On Tuesday, October 28, 2025 at 11:38:48 AM PDT, Ted Pastuszak Jr. <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I"m seeing this email.
>
> On Tue, Oct 28, 2025 at 2:28���PM Peter Paulson <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> PIease reset my membership as I've not received any posts the
> past few days - thank you Peter
>
> On Thursday, March 6, 2025 at 11:50:25 PM EST, <smashiah@netvision.net.il<mailto:smashiah@netvision.net.il>> wrote:
>
> I am getting it
>
> shemmy
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> On Behalf Of Stephanie Pennington
> Sent: Friday, March 7, 2025 4:10 AM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I have read it
>
> Thank you,
>
> Stephanie Pennington
>
> recordcollector728@gmail.com<mailto:recordcollector728@gmail.com> [1]
>
> -------------------------
>
> From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of David Barrios <dbarrios15@hotmail.com<mailto:dbarrios15@hotmail.com>>
> Sent: Thursday, March 6, 2025 8:08:30 PM
> To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Cc: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Subject: [sinatraphiles] Re: Fw: Please respond to this test
>
> I've seen it
>
> Sent from my iPhone
>
> On Mar 6, 2025, at 6:50���PM, Scott Sibley <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I can see it as well. Thank you!
>
> On Mar 6, 2025, at 4:44���PM, Dave Vallee <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> I've also seen it.
>
> On Thu, Mar 6, 2025, 5:02���PM Joaquim Sousa <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
>
> Hi,
>
> I've seen this email.
>
> Thanks
>
> Enviado a partir do Outlook para iOS [2]
>
> -------------------------
>
> De: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> em nome de scott@falseducks.com<mailto:scott@falseducks.com> <scott@falseducks.com<mailto:scott@falseducks.com>>
> Enviado: quinta-feira, mar��o 6, 2025 18:48
> Para: sinatraphiles freelists <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
> Assunto: [sinatraphiles] Please respond to this test
>
> Hello everyone,
>
> Apparently the transition to Google Groups may not be going as smoothly as I hoped. Ed said he's not seeing posts from others and something he posted last night didn't show up.
>
> Can everyone just reply to this post and let me know you're seeing this. Remember your reply should go to sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>.
>
> Thanks,
>
> Scott
Links:
[1] https://recordcollector728@gmail.com
[2] https://aka.ms/o0ukef
End of sinatraphiles Digest V6 #94
**********************************
Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Fw: Frank and Keely
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-15
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM
[image referenced in source but could not be recovered]
Re: Fw: Frank and Keely
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-11-15
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-11-15
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-11-15
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-11-15
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-11-15
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: Vance Adair <dr.vanceadair@gmail.com> | Received: 2025-11-15
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM
[image referenced in source but could not be recovered]
Re: Fw: Frank and Keely
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-17
Great photo, I’ve never seen before
Sent
from the all new AOL app for iOS
On Saturday, November 15, 2025, 6:37 AM, Vance Adair <dr.vanceadair@gmail.com> wrote:
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com>
wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-17
Great photo, I’ve never seen before
Sent
from the all new AOL app for iOS
On Saturday, November 15, 2025, 6:37 AM, Vance Adair <dr.vanceadair@gmail.com> wrote:
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com>
wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-17
Great photo, I’ve never seen before
Sent from the all new AOL app for iOS
On Saturday, November 15, 2025, 6:37 AM, Vance Adair <dr.vanceadair@gmail.com> wrote:
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-17
Great photo, I’ve never seen before
Sent
from the all new AOL app for iOS
On Saturday, November 15, 2025, 6:37 AM, Vance Adair <dr.vanceadair@gmail.com> wrote:
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com>
wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-17
Great photo, I’ve never seen before
Sent
from the all new AOL app for iOS
On Saturday, November 15, 2025, 6:37 AM, Vance Adair <dr.vanceadair@gmail.com> wrote:
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com>
wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM

Re: Fw: Frank and Keely
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-17
Great photo, I’ve never seen before
Sent from the all new AOL app for iOS
On Saturday, November 15, 2025, 6:37 AM, Vance Adair <dr.vanceadair@gmail.com> wrote:
What a fantastic photo.
-Vance
On Sat, 15 Nov 2025 at 04:21, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Michel Macaire sebt this photo to me.
I would say the photo was taken in 1958
I've got that nice photo of Frank and Keely that I didn't know. Best MM
[image referenced in source but could not be recovered]
Re: Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-18
I received this yesterday. To my admittedly untrained ears, it sounds magnificent. If I turn around, I think Frank is in back of me, singing live.
Al
On 09/15/2025 12:30 PM EDT 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
[Blue Note Logo (linked to website)]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg97KODPvefO90BPtjDsTd19M_yGkFM7gD1LjbdYZ1sdGNXruK>
FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
[Spotify]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF>
[Apple Music]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-bKODJWwfdMicANOS0-R6yyTsHmJXfG874hpt5nx-gPhmqJL>
[Twitter]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-rKODChBEUmyaKpYT_ZR1KohKCIFCH67_DGKNSsb8zf89fKq>
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FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
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Re: Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-18
I received this yesterday. To my admittedly untrained ears, it sounds magnificent. If I turn around, I think Frank is in back of me, singing live.
Al
On 09/15/2025 12:30 PM EDT 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
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FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
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Re: Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-18
I received this yesterday. To my admittedly untrained ears, it sounds magnificent. If I turn around, I think Frank is in back of me, singing live.
Al
On 09/15/2025 12:30 PM EDT 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
[Spotify]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF>
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FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
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Re: Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-18
I received this yesterday. To my admittedly untrained ears, it sounds magnificent. If I turn around, I think Frank is in back of me, singing live.
Al
On 09/15/2025 12:30 PM EDT 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
View online<https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ>
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FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
FOLLOW US & ENJOY
THE FINEST IN JAZZ SINCE 1939
[Spotify]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF>
[Apple Music]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-bKODJWwfdMicANOS0-R6yyTsHmJXfG874hpt5nx-gPhmqJL>
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FRANK SINATRA
IN THE WEE SMALL HOURS<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghLOODA_P5S-HDrR7S-5RwpNbdWQHOOXrTp3ieJMiyWjqOQCZ>
TONE POET VINYL EDITION OUT NOV. 14!
[Frank Sinatra 'In The Wee Small Hours']<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghbOODJj22sflR3erPGBGxKG2QZOToGxFSR_H_I0DqjMIc-2E>
PRE-ORDER ><https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIghrOODADRIo7zTvG4uzYyHy_q95k1jkJSFWb-6OeWXWuBLbtp>
Frank Sinatra’s seminal 1955 Capitol Records album In The Wee Small Hours<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgh7OODB4qdATlYZmK8XhDLho_k1IgsPPafgMvtpSX-osomscd> will be reissued in the Tone Poet Audiophile Vinyl Series on Nov. 14 marking it’s 70th anniversary! A melancholy masterpiece of lost love & heartbreak, it was a pivotal album in the legendary vocalist’s career embodying his artistic growth into a more mature singing style with stunning renditions of Great American Songbook standards given sublime arrangements by Nelson Riddle, creating one of the first-ever concept albums.
Produced for release by Joe Harley, the new Tone Poet Vinyl Edition was mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI & comes packaged in a deluxe gatefold tip-on jacket featuring session photos by William Claxton & Ken Veeder, as well as an essay by Rita Kirwan.
[Frank Sinatra Album]<https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIgiLOODD_GI69UiNdxmfOQkm8zTeb3gQw_O9o79GDTlhUewSS9>
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Re: Fw: Frank Sinatra “In The Wee Small Hours” | Tone Poet Vinyl Edition Out 11/14
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-18
I received this yesterday. To my admittedly untrained ears, it sounds magnificent. If I turn around, I think Frank is in back of me, singing live.
Al
> On 09/15/2025 12:30 PM EDT 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
>
>
>
>
>
>
>
>
> AAA 180g gatefold vinyl reissue of legend’s seminal 1955 album
> View online https://us.umusic-online.com/cr/AQi-kw4QqPcwGMDZ6zJPwmmMQNy_Nom-bbJF89AkORkHBEHsTx1dZzAtKIeloQ
>
> [Blue Note Logo (linked to website)] https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg97KODPvefO90BPtjDsTd19M_yGkFM7gD1LjbdYZ1sdGNXruK
>
> FOLLOW US & ENJOY THE FINEST IN JAZZ SINCE 1939
> FOLLOW US & ENJOY
> THE FINEST IN JAZZ SINCE 1939
>
> [Spotify] https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-LKODIkoSPh0-kb-1bbNxuyaafTiXhKBJnlUvU0ZYPodqtpF
>
> [Apple Music] https://us.umusic-online.com/c/AQi-kw4QqPcwGMDZ6zIg-bKODJWwfdMicANOS0-R6yyTsHmJXfG874hpt5nx-gPhmqJL
>
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>
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>
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>
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Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-18
yes, that's precisely correct, the only copies I have were sent to me by her via WHATSAPP - so there's no way to get the files with the actual location info ... but thanks, this is still helpful!
w
On Tue, Nov 18, 2025 at 1:53 PM Stephen Kramer <kramer.sa@verizon.net> wrote:
Will,
I found the same data as Michael when I did a reverse photo search. How did you receive the photos? Were they in an email as an attachment? Looks like they were taken with the WhatsApp tool. The only thing I can add is to look at the original photos. If
they were taken with an iPhone camera, they might include geographical information, such as the GPS data. That information (if it exists) might have been stripped off when you copied the pictures to send them to us. I can find the longitude and latitude
of all the pictures I take with my iphone camera that show where the photo was taken simply by looking at their properties when downloaded to my PC. I'm not sure how to do it on a Mac.
Steve
On 11/18/2025 12:50 PM, Will Friedwald wrote:
you guys are the only ones I can think of who might be able to help.
this is a woman I met on the internet - she is half Brazilian / half Thai - she tells me she lives in Miami. She also tells me she was at a gala event in Miami a few weeks ago. She sent a bunch of photos, but I found it curious that the writing on one
is in Portuguese...
I don't know if you guys can do a reverse image search, I am wondering if this might have actually transpired in Brazil - of course, it could have been an event for Brazilians in Miami... but I am curious if she is on the level or not. (very likely she's
a scammer of some kind...)
anyhow, you guys are the best "raw researchers" I know ... if you can think of anything, I would be grateful! (my friend is the one in the poofy dress with big polka dots ... black on white.)
w
w
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa





Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-18
yes, that's precisely correct, the only copies I have were sent to me by her via WHATSAPP - so there's no way to get the files with the actual location info ... but thanks, this is still helpful!
w
On Tue, Nov 18, 2025 at 1:53 PM Stephen Kramer <kramer.sa@verizon.net> wrote:
Will,
I found the same data as Michael when I did a reverse photo search. How did you receive the photos? Were they in an email as an attachment? Looks like they were taken with the WhatsApp tool. The only thing I can add is to look at the original photos. If
they were taken with an iPhone camera, they might include geographical information, such as the GPS data. That information (if it exists) might have been stripped off when you copied the pictures to send them to us. I can find the longitude and latitude
of all the pictures I take with my iphone camera that show where the photo was taken simply by looking at their properties when downloaded to my PC. I'm not sure how to do it on a Mac.
Steve
On 11/18/2025 12:50 PM, Will Friedwald wrote:
you guys are the only ones I can think of who might be able to help.
this is a woman I met on the internet - she is half Brazilian / half Thai - she tells me she lives in Miami. She also tells me she was at a gala event in Miami a few weeks ago. She sent a bunch of photos, but I found it curious that the writing on one
is in Portuguese...
I don't know if you guys can do a reverse image search, I am wondering if this might have actually transpired in Brazil - of course, it could have been an event for Brazilians in Miami... but I am curious if she is on the level or not. (very likely she's
a scammer of some kind...)
anyhow, you guys are the best "raw researchers" I know ... if you can think of anything, I would be grateful! (my friend is the one in the poofy dress with big polka dots ... black on white.)
w
w
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa





Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-18
yes, that's precisely correct, the only copies I have were sent to me by her via WHATSAPP - so there's no way to get the files with the actual location info ... but thanks, this is still helpful!
w
On Tue, Nov 18, 2025 at 1:53 PM Stephen Kramer <kramer.sa@verizon.net> wrote:
Will,
I found the same data as Michael when I did a reverse photo search. How did you receive the photos? Were they in an email as an attachment? Looks like they were taken with the WhatsApp tool. The only thing I can add is to look at the original photos. If
they were taken with an iPhone camera, they might include geographical information, such as the GPS data. That information (if it exists) might have been stripped off when you copied the pictures to send them to us. I can find the longitude and latitude
of all the pictures I take with my iphone camera that show where the photo was taken simply by looking at their properties when downloaded to my PC. I'm not sure how to do it on a Mac.
Steve
On 11/18/2025 12:50 PM, Will Friedwald wrote:
you guys are the only ones I can think of who might be able to help.
this is a woman I met on the internet - she is half Brazilian / half Thai - she tells me she lives in Miami. She also tells me she was at a gala event in Miami a few weeks ago. She sent a bunch of photos, but I found it curious that the writing on one
is in Portuguese...
I don't know if you guys can do a reverse image search, I am wondering if this might have actually transpired in Brazil - of course, it could have been an event for Brazilians in Miami... but I am curious if she is on the level or not. (very likely she's
a scammer of some kind...)
anyhow, you guys are the best "raw researchers" I know ... if you can think of anything, I would be grateful! (my friend is the one in the poofy dress with big polka dots ... black on white.)
w
w
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa





Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-18
yes, that's precisely correct, the only copies I have were sent to me by her via WHATSAPP - so there's no way to get the files with the actual location info ... but thanks, this is still helpful!
w
On Tue, Nov 18, 2025 at 1:53 PM Stephen Kramer <kramer.sa@verizon.net> wrote:
Will,
I found the same data as Michael when I did a reverse photo search. How did you receive the photos? Were they in an email as an attachment? Looks like they were taken with the WhatsApp tool. The only thing I can add is to look at the original photos. If
they were taken with an iPhone camera, they might include geographical information, such as the GPS data. That information (if it exists) might have been stripped off when you copied the pictures to send them to us. I can find the longitude and latitude
of all the pictures I take with my iphone camera that show where the photo was taken simply by looking at their properties when downloaded to my PC. I'm not sure how to do it on a Mac.
Steve
On 11/18/2025 12:50 PM, Will Friedwald wrote:
you guys are the only ones I can think of who might be able to help.
this is a woman I met on the internet - she is half Brazilian / half Thai - she tells me she lives in Miami. She also tells me she was at a gala event in Miami a few weeks ago. She sent a bunch of photos, but I found it curious that the writing on one
is in Portuguese...
I don't know if you guys can do a reverse image search, I am wondering if this might have actually transpired in Brazil - of course, it could have been an event for Brazilians in Miami... but I am curious if she is on the level or not. (very likely she's
a scammer of some kind...)
anyhow, you guys are the best "raw researchers" I know ... if you can think of anything, I would be grateful! (my friend is the one in the poofy dress with big polka dots ... black on white.)
w
w
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa





Interview With George Schlatter About Frank's 80th
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-19
https://www.flaggingdown.com/p/producer-george-schlatter-remembers?utm_source=post-email-title&publication_id=24981&post_id=178804191&utm_campaign=email-post-title&isFreemail=false&r=pa6e7&triedRedirect=true&utm_medium=email
This actually comes from a blog whose focus is Bob Dylan but the interview is mainly about Sinatra.
Hopefully that link will work as there are some nice pictures; if not I have pasted the interview in below.
Al
******************
Producer George Schlatter Remembers Bob Dylan Performing for Frank Sinatra
“You cannot describe anybody today that could walk in the room and create that kind of electricity.”
RAY PADGETT https://substack.com/@raypadgett
NOV 19, 2025
Flagging Down the Double E’s is an email newsletter exploring Bob Dylan performances throughout history. Some installments are free, some are for paid subscribers only. Sign up here:
Springsteen, Sinatra, Dylan (w/ Tom Selleck in background). via BruceBase http://brucebase.wikidot.com/gig:1995-11-19-shrine-auditorium-los-angeles-ca
George Schlatter is a veteran of television production. He created Laugh-In in the ’60s, founded ABC’s American Comedy Awards in the ’80s, and produced decades of shows and specials for stars like Judy Garland, Richard Pryor, Cher, Muhammad Ali, and more.
One such special was done to celebrate the 80th birthday of Schlatter’s friend Frank Sinatra. It was taped 30 years ago today. Titled Sinatra: 80 Years My Way, it featured musicians like Ray Charles, Bruce Springsteen, Tony Bennett, Little Richard, and, of course, Bob Dylan. Most stars did Sinatra songs, but Dylan performed his own “Restless Farewell,” reportedly at Frank’s request.
I called up Schlatter a while back to talk about this special. Schlatter is now 95 years old and didn’t have a ton of Dylan-specific memories, but he had no shortage of stories from working with Sinatra for so many years. This conversation has been edited and condensed.
Schlatter and Sinatra backstage at the 80th birthday celebration. Photo via New York Post https://nypost.com/2023/07/06/comedy-legend-george-schlatter-on-pal-judy-garland-dangerous-and-fun/.
Before we get into that particular special, when was your first time working with Frank?
The first time I worked with him was terrifying. He walked into MCA [talent agency]. He was there to sign the contract. At that point, Sinatra never paid commission. They made so much money by representing Sinatra that he didn’t have to pay commission.
As he walked down the hall, all of the agents in the building followed him. He was so big, I expected him to be about eight feet tall, and he wasn’t; he was a small man. I was the only guy in the building in a gray gabardine suit. The rest of them were all black. He looked at me and he said, “I have ties older than this guy.”
You had done other television specials with him before this one in 1995 right?
Probably with him as a guest star, but the eightieth birthday was the big one. Everybody in the world wanted to be there.
Frank showed up an hour early. You can imagine what kind of tension that created. His wife Barbara called and said, “George, he just left the house.” I said, “Barbara, it’s five o’clock.” She said, “Yeah, he was nervous.”
You want to see something that’ll throw you off? Having all these people there getting in makeup and dressed, and have Sinatra, who the evening is all built around, walk in early. Everybody was off balance. He just walked in and said, “How late are you going to be, Crazy?” He called me Crazy. I said, “Well, Frank, we’re going to do this at seven thirty.” He said, “Let’s go now.”
Geez, can you imagine what that would be, with a whole cast and a crew and six cameras and an auditorium full of people and singers and musicians and orchestra?
So what did you do?
Well, fortunately I’d worked with him enough that, in the preparation of a Sinatra taping, you anticipated everything. He was totally unpredictable, in a predictable way. You knew he was going to do something. So what you did was you anticipated everything. You had to have plan A, B, C, and D and hope for the best.
He had a twinkle in his eye. He knew that he cast this umbrella of suspense and anticipation, and he enjoyed that. He was relaxed, but the world around him was tense.
Whether it was Steve and Eydie or Tony Bennett or Bono or any of those people, they had such reverence for Sinatra that it created an atmosphere of excitement and adventure. You cannot describe anybody today that could walk in the room and create that kind of electricity. You never knew what was going to happen with him.
Dylan backstage w/ Steve & Eydie + Stig Caldeborn. via The Bob Dylan Fan Club https://www.facebook.com/groups/49613667977/?multi_permalinks=10156869252267978&hoisted_section_header_type=recently_seen.
Where did the idea for the 80th birthday special come from?
I called him up and said, “Mr. Sinatra, it’s going to be your eightieth birthday and I would like to do a celebration.” And he said, “Why?”
Now, the secret with Sinatra was, make him laugh. I learned early on that if I could make him laugh, I could get away with anything. But you had to be careful. If he didn’t laugh, then you were in trouble.
He said, “Why?” And I for some reason said, “Because nobody thought you’d live this long.” He said, “Well, I fooled ‘em.”
So we went on and put together this special. Everybody we called said they would be there.
How did you decide which artists to ask?
You ask people that meant something to him, because he meant something to everybody. Like Steve and Eydie were part of his life, and Tony Bennett and Ray Charles and a lot of those people. And they all wanted to do it. It started out a one-hour show and it wound up like three hours. I sent it to the network and I said, “Here, you cut it.” They said, “We can’t cut it.” I said, “Good.”
Ray Charles showed up and did “Old Man River.” He said, “This song has been done by so many white people, I thought one time you ought to hear what it sounds like sung by a Black person.” For a Black man to be singing “Old Man River” to Sinatra, the anticipation of that was electric.
Rickles being there added some electricity to it as well, because everybody wondered what would Rickles say.
via Rolling Stone
What did Rickles say?
He did what he always did. Rickles loved him and respected him, but said outrageous things to him. That’s one of the reasons Frank liked Rickles so much. Everybody else kind of backed off. They had such respect, admiration, and affection for Sinatra that they were careful. Rickles was not careful.
What about Bob Dylan? How did he get involved?
I think Dylan called and told us he wanted to do the show.
Dylan sang his own song. A song called “Restless Farewell,” not a Sinatra song, which was unusual that night.
Everybody wanted to do something that would get his attention. The shots of Frank listening to those lyrics are part of what made the show an adventure.
Can you take me through how the day went, other than Frank showing up two hours early?
As with everything involving Sinatra, you had to anticipate surprise. You had to anticipate it would not go normally. I think Stevie Wonder showed up with like a thirty-voice choir, which we had not anticipated. I said, “Stevie, I wish you could see what this looked like. We don’t have room for a thirty-voice choir.”
One time we did a thing for Sammy Davis, and everybody in the world wanted to do the show. They all arrived with entourages—twenty people, thirty people, drivers, bodyguards, whatever. Frank showed up with a suit. [laughs]
Did you see the show?
I just watched it on YouTube. I was only eight when it aired, so I missed it the first time.
When you watched the show, did you feel the electricity? Did you feel the hope and anticipation and danger that it generated?
I think Gregory Peck probably had the aura of superstar-to-superstar that generated a lot of excitement. We forget how big some of those people were, you know?
One thing I was surprised by watching it is the mix. You have these titans like Tony Bennett, Ray Charles, but you also have the current pop stars. Paula Abdul, Hootie and the Blowfish.
The secret was to put some people in there who you did not expect. Because you would expect Steve & Eydie and Ray Charles and Stevie Wonder, but you did not expect Hootie and the Blowfish.
One other performance I love is Bruce Springsteen’s.
When we announced we were going to do the show, a lot of those people called us and wanted to be on. And those audience shots are in themselves a bit awesome, because there were as many stars in the audience as we had on stage. We could have put that thing in the Coliseum.
Frank sat there and enjoyed it. He laughed when he was supposed to laugh. The only thing that was worrying us was if he was going to leave early. Because he had a minimal attention span. You had to find ways to hold his attention.
Do you remember any other stories related to Bob Dylan being there?
Bob Dylan brought a song we’d never heard of. Everybody was, “What’s Bob Dylan gonna do?” Because he was not a balladeer like Sinatra. He didn’t sing familiar songs, and he showed up with a song that nobody knew, but it was magic.
Again, do we have anybody today that has the aura of anticipation and suspense and danger and anxiety that some of those people did? Ray Charles and Bob Dylan and those people were not doing guest shots, you know? So when they arrived, it gave the feeling of an event.
As you say, Dylan is not someone who shows up to this sort of thing that often. I think it speaks to how he revered Frank that he did it.
That’s it. They all had such respect for Sinatra and affection. They were all kind of afraid of him a little bit. He wasn’t dangerous, but there was always the possibility he would screw us up. We were kind of ready for it.
After the show, everybody went over to Sinatra’s house. That caused a traffic jam in Beverly Hills not to be believed.
Yeah, I saw a nice photo of him with Barbara and Bob Dylan at his house.
via Barbara Sinatra’s book ‘Lady Blue Eyes: My Life with Frank’
I think the party went on until dawn. Frank never wanted to go to bed. So if you were going to Frank’s house, you knew you were going to be up late. I’d say, “Frank, I’m working tomorrow, I’ve got to leave now.” He’d said, “That does it, Crazy. I’ve gotta get younger friends.”
That also was the anticipation of a hangover because he never went to bed. He slept late, but he never went to bed. He loved Jack Daniels. I saw him drink, and I was aware of the fact he was drinking a lot, but I never saw him even partially drunk. So I don’t think he really swallowed as much as we thought he did. When you were with him, youdid. That was the thing. He absolutely was obsessed with getting you loaded.
When he was in Vegas, the whole town lit up. One of the great events was when Sinatra, Sammy, and Dean played in Vegas. You couldn’t get near the hotel. Dean, who’d been a dealer and had huge hands, could do anything with cards. Between shows, they’d go out and play blackjack. Dean would deal cards you couldn’t believe. He said, “Twenty seven, that’s a winner!”
The owners of the hotel said, “You can’t do that. We’re giving away a lot of money.” I said, “Do you know how many people are in this town because he’s doing that?” Frank would say, “Deal it again.” “Thirty five, there’s a winner!” They drove the entire town crazy.
I had such fun with him. I’m sitting here looking at the office, and the office has all kinds of pictures of Sinatra. Every one of them brings back great, warm, wonderful, funny memories.
Why did he call you Crazy?
I just did funny things to him. I’d call him up on the phone and tell him, “Hey Frank, hold on a minute.” And I would get in my car and drive over to the house. While he was on the phone waiting for me, I’d walk in the front door. He thought that was funny.
He was such a star and such a monument as far as a singer is concerned. Then as far as the person is concerned, nobody ever sent a request to Sinatra for a donation that didn’t get a check. So we tried to keep all of those requests away from him, because anybody that asked for money, he would send him a check. He contributed more money to more charities than any other personality that I knew. He just could never say no.
Did you remember if you had any interaction with Bob Dylan yourself at that event?
No. Bob Dylan was not a great communicator. Just that he was there and wanted to sing a song I never heard of, but to have him there. He showed up because of Frank. Frank appreciated the fact that it was a rare appearance.
Frank liked Bob Dylan. Frank liked performers that were respectful, but also unusual. He related to them.
I look back at my relationship with Sinatra as a treasured, treasured collection of experiences. Because every time I was with him, professionally or socially, it was an adventure.
Thanks George! Buy his book ‘Still Laughing: A Life in Comedy’ at Unnamed Press https://www.unnamedpress.com/all-books/p/still-laughing or any bookseller. Here are some other performances on the program (I love the Little Richard one):
PS. Nothing to do with Dylan, but how can I not include the photo of Barbara Bush giving Schlatter bunny years while Sinatra tries to intervene:
via George Schlatter https://www.georgeschlatter.com/photo-gallery/comedy-variety-shows/
Interview With George Schlatter About Frank's 80th
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-19
https://www.flaggingdown.com/p/producer-george-schlatter-remembers?utm_source=post-email-title&publication_id=24981&post_id=178804191&utm_campaign=email-post-title&isFreemail=false&r=pa6e7&triedRedirect=true&utm_medium=email
This actually comes from a blog whose focus is Bob Dylan but the interview is mainly about Sinatra.
Hopefully that link will work as there are some nice pictures; if not I have pasted the interview in below.
Al
******************
Producer George Schlatter Remembers Bob Dylan Performing for Frank Sinatra
“You cannot describe anybody today that could walk in the room and create that kind of electricity.”
RAY PADGETT<https://substack.com/@raypadgett>
NOV 19, 2025
Flagging Down the Double E’s is an email newsletter exploring Bob Dylan performances throughout history. Some installments are free, some are for paid subscribers only. Sign up here:
Springsteen, Sinatra, Dylan (w/ Tom Selleck in background). via BruceBase<http://brucebase.wikidot.com/gig:1995-11-19-shrine-auditorium-los-angeles-ca>
George Schlatter is a veteran of television production. He created Laugh-In in the ’60s, founded ABC’s American Comedy Awards in the ’80s, and produced decades of shows and specials for stars like Judy Garland, Richard Pryor, Cher, Muhammad Ali, and more.
One such special was done to celebrate the 80th birthday of Schlatter’s friend Frank Sinatra. It was taped 30 years ago today. Titled Sinatra: 80 Years My Way, it featured musicians like Ray Charles, Bruce Springsteen, Tony Bennett, Little Richard, and, of course, Bob Dylan. Most stars did Sinatra songs, but Dylan performed his own “Restless Farewell,” reportedly at Frank’s request.
I called up Schlatter a while back to talk about this special. Schlatter is now 95 years old and didn’t have a ton of Dylan-specific memories, but he had no shortage of stories from working with Sinatra for so many years. This conversation has been edited and condensed.
Schlatter and Sinatra backstage at the 80th birthday celebration. Photo via New York Post<https://nypost.com/2023/07/06/comedy-legend-george-schlatter-on-pal-judy-garland-dangerous-and-fun/>.
Before we get into that particular special, when was your first time working with Frank?
The first time I worked with him was terrifying. He walked into MCA [talent agency]. He was there to sign the contract. At that point, Sinatra never paid commission. They made so much money by representing Sinatra that he didn’t have to pay commission.
As he walked down the hall, all of the agents in the building followed him. He was so big, I expected him to be about eight feet tall, and he wasn’t; he was a small man. I was the only guy in the building in a gray gabardine suit. The rest of them were all black. He looked at me and he said, “I have ties older than this guy.”
You had done other television specials with him before this one in 1995 right?
Probably with him as a guest star, but the eightieth birthday was the big one. Everybody in the world wanted to be there.
Frank showed up an hour early. You can imagine what kind of tension that created. His wife Barbara called and said, “George, he just left the house.” I said, “Barbara, it’s five o’clock.” She said, “Yeah, he was nervous.”
You want to see something that’ll throw you off? Having all these people there getting in makeup and dressed, and have Sinatra, who the evening is all built around, walk in early. Everybody was off balance. He just walked in and said, “How late are you going to be, Crazy?” He called me Crazy. I said, “Well, Frank, we’re going to do this at seven thirty.” He said, “Let’s go now.”
Geez, can you imagine what that would be, with a whole cast and a crew and six cameras and an auditorium full of people and singers and musicians and orchestra?
So what did you do?
Well, fortunately I’d worked with him enough that, in the preparation of a Sinatra taping, you anticipated everything. He was totally unpredictable, in a predictable way. You knew he was going to do something. So what you did was you anticipated everything. You had to have plan A, B, C, and D and hope for the best.
He had a twinkle in his eye. He knew that he cast this umbrella of suspense and anticipation, and he enjoyed that. He was relaxed, but the world around him was tense.
Whether it was Steve and Eydie or Tony Bennett or Bono or any of those people, they had such reverence for Sinatra that it created an atmosphere of excitement and adventure. You cannot describe anybody today that could walk in the room and create that kind of electricity. You never knew what was going to happen with him.
Dylan backstage w/ Steve & Eydie + Stig Caldeborn. via The Bob Dylan Fan Club<https://www.facebook.com/groups/49613667977/?multi_permalinks=10156869252267978&hoisted_section_header_type=recently_seen>.
Where did the idea for the 80th birthday special come from?
I called him up and said, “Mr. Sinatra, it’s going to be your eightieth birthday and I would like to do a celebration.” And he said, “Why?”
Now, the secret with Sinatra was, make him laugh. I learned early on that if I could make him laugh, I could get away with anything. But you had to be careful. If he didn’t laugh, then you were in trouble.
He said, “Why?” And I for some reason said, “Because nobody thought you’d live this long.” He said, “Well, I fooled ‘em.”
So we went on and put together this special. Everybody we called said they would be there.
How did you decide which artists to ask?
You ask people that meant something to him, because he meant something to everybody. Like Steve and Eydie were part of his life, and Tony Bennett and Ray Charles and a lot of those people. And they all wanted to do it. It started out a one-hour show and it wound up like three hours. I sent it to the network and I said, “Here, you cut it.” They said, “We can’t cut it.” I said, “Good.”
Ray Charles showed up and did “Old Man River.” He said, “This song has been done by so many white people, I thought one time you ought to hear what it sounds like sung by a Black person.” For a Black man to be singing “Old Man River” to Sinatra, the anticipation of that was electric.
Rickles being there added some electricity to it as well, because everybody wondered what would Rickles say.
via Rolling Stone
What did Rickles say?
He did what he always did. Rickles loved him and respected him, but said outrageous things to him. That’s one of the reasons Frank liked Rickles so much. Everybody else kind of backed off. They had such respect, admiration, and affection for Sinatra that they were careful. Rickles was not careful.
What about Bob Dylan? How did he get involved?
I think Dylan called and told us he wanted to do the show.
Dylan sang his own song. A song called “Restless Farewell,” not a Sinatra song, which was unusual that night.
Everybody wanted to do something that would get his attention. The shots of Frank listening to those lyrics are part of what made the show an adventure.
Can you take me through how the day went, other than Frank showing up two hours early?
As with everything involving Sinatra, you had to anticipate surprise. You had to anticipate it would not go normally. I think Stevie Wonder showed up with like a thirty-voice choir, which we had not anticipated. I said, “Stevie, I wish you could see what this looked like. We don’t have room for a thirty-voice choir.”
One time we did a thing for Sammy Davis, and everybody in the world wanted to do the show. They all arrived with entourages—twenty people, thirty people, drivers, bodyguards, whatever. Frank showed up with a suit. [laughs]
Did you see the show?
I just watched it on YouTube. I was only eight when it aired, so I missed it the first time.
When you watched the show, did you feel the electricity? Did you feel the hope and anticipation and danger that it generated?
I think Gregory Peck probably had the aura of superstar-to-superstar that generated a lot of excitement. We forget how big some of those people were, you know?
One thing I was surprised by watching it is the mix. You have these titans like Tony Bennett, Ray Charles, but you also have the current pop stars. Paula Abdul, Hootie and the Blowfish.
The secret was to put some people in there who you did not expect. Because you would expect Steve & Eydie and Ray Charles and Stevie Wonder, but you did not expect Hootie and the Blowfish.
One other performance I love is Bruce Springsteen’s.
When we announced we were going to do the show, a lot of those people called us and wanted to be on. And those audience shots are in themselves a bit awesome, because there were as many stars in the audience as we had on stage. We could have put that thing in the Coliseum.
Frank sat there and enjoyed it. He laughed when he was supposed to laugh. The only thing that was worrying us was if he was going to leave early. Because he had a minimal attention span. You had to find ways to hold his attention.
Do you remember any other stories related to Bob Dylan being there?
Bob Dylan brought a song we’d never heard of. Everybody was, “What’s Bob Dylan gonna do?” Because he was not a balladeer like Sinatra. He didn’t sing familiar songs, and he showed up with a song that nobody knew, but it was magic.
Again, do we have anybody today that has the aura of anticipation and suspense and danger and anxiety that some of those people did? Ray Charles and Bob Dylan and those people were not doing guest shots, you know? So when they arrived, it gave the feeling of an event.
As you say, Dylan is not someone who shows up to this sort of thing that often. I think it speaks to how he revered Frank that he did it.
That’s it. They all had such respect for Sinatra and affection. They were all kind of afraid of him a little bit. He wasn’t dangerous, but there was always the possibility he would screw us up. We were kind of ready for it.
After the show, everybody went over to Sinatra’s house. That caused a traffic jam in Beverly Hills not to be believed.
Yeah, I saw a nice photo of him with Barbara and Bob Dylan at his house.
via Barbara Sinatra’s book ‘Lady Blue Eyes: My Life with Frank’
I think the party went on until dawn. Frank never wanted to go to bed. So if you were going to Frank’s house, you knew you were going to be up late. I’d say, “Frank, I’m working tomorrow, I’ve got to leave now.” He’d said, “That does it, Crazy. I’ve gotta get younger friends.”
That also was the anticipation of a hangover because he never went to bed. He slept late, but he never went to bed. He loved Jack Daniels. I saw him drink, and I was aware of the fact he was drinking a lot, but I never saw him even partially drunk. So I don’t think he really swallowed as much as we thought he did. When you were with him, youdid. That was the thing. He absolutely was obsessed with getting you loaded.
When he was in Vegas, the whole town lit up. One of the great events was when Sinatra, Sammy, and Dean played in Vegas. You couldn’t get near the hotel. Dean, who’d been a dealer and had huge hands, could do anything with cards. Between shows, they’d go out and play blackjack. Dean would deal cards you couldn’t believe. He said, “Twenty seven, that’s a winner!”
The owners of the hotel said, “You can’t do that. We’re giving away a lot of money.” I said, “Do you know how many people are in this town because he’s doing that?” Frank would say, “Deal it again.” “Thirty five, there’s a winner!” They drove the entire town crazy.
I had such fun with him. I’m sitting here looking at the office, and the office has all kinds of pictures of Sinatra. Every one of them brings back great, warm, wonderful, funny memories.
Why did he call you Crazy?
I just did funny things to him. I’d call him up on the phone and tell him, “Hey Frank, hold on a minute.” And I would get in my car and drive over to the house. While he was on the phone waiting for me, I’d walk in the front door. He thought that was funny.
He was such a star and such a monument as far as a singer is concerned. Then as far as the person is concerned, nobody ever sent a request to Sinatra for a donation that didn’t get a check. So we tried to keep all of those requests away from him, because anybody that asked for money, he would send him a check. He contributed more money to more charities than any other personality that I knew. He just could never say no.
Did you remember if you had any interaction with Bob Dylan yourself at that event?
No. Bob Dylan was not a great communicator. Just that he was there and wanted to sing a song I never heard of, but to have him there. He showed up because of Frank. Frank appreciated the fact that it was a rare appearance.
Frank liked Bob Dylan. Frank liked performers that were respectful, but also unusual. He related to them.
I look back at my relationship with Sinatra as a treasured, treasured collection of experiences. Because every time I was with him, professionally or socially, it was an adventure.
________________________________
Thanks George! Buy his book ‘Still Laughing: A Life in Comedy’ at Unnamed Press<https://www.unnamedpress.com/all-books/p/still-laughing> or any bookseller. Here are some other performances on the program (I love the Little Richard one):
________________________________
PS. Nothing to do with Dylan, but how can I not include the photo of Barbara Bush giving Schlatter bunny years while Sinatra tries to intervene:
via George Schlatter<https://www.georgeschlatter.com/photo-gallery/comedy-variety-shows/>
________________________________
Interview With George Schlatter About Frank's 80th
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-19
https://www.flaggingdown.com/p/producer-george-schlatter-remembers?utm_source=post-email-title&publication_id=24981&post_id=178804191&utm_campaign=email-post-title&isFreemail=false&r=pa6e7&triedRedirect=true&utm_medium=email
This actually comes from a blog whose focus is Bob Dylan but the interview is mainly about Sinatra.
Hopefully that link will work as there are some nice pictures; if not I have pasted the interview in below.
Al
******************
Producer George Schlatter Remembers Bob Dylan Performing for Frank Sinatra
“You cannot describe anybody today that could walk in the room and create that kind of electricity.”
RAY PADGETT<https://substack.com/@raypadgett>
NOV 19, 2025
Flagging Down the Double E’s is an email newsletter exploring Bob Dylan performances throughout history. Some installments are free, some are for paid subscribers only. Sign up here:
Springsteen, Sinatra, Dylan (w/ Tom Selleck in background). via BruceBase<http://brucebase.wikidot.com/gig:1995-11-19-shrine-auditorium-los-angeles-ca>
George Schlatter is a veteran of television production. He created Laugh-In in the ’60s, founded ABC’s American Comedy Awards in the ’80s, and produced decades of shows and specials for stars like Judy Garland, Richard Pryor, Cher, Muhammad Ali, and more.
One such special was done to celebrate the 80th birthday of Schlatter’s friend Frank Sinatra. It was taped 30 years ago today. Titled Sinatra: 80 Years My Way, it featured musicians like Ray Charles, Bruce Springsteen, Tony Bennett, Little Richard, and, of course, Bob Dylan. Most stars did Sinatra songs, but Dylan performed his own “Restless Farewell,” reportedly at Frank’s request.
I called up Schlatter a while back to talk about this special. Schlatter is now 95 years old and didn’t have a ton of Dylan-specific memories, but he had no shortage of stories from working with Sinatra for so many years. This conversation has been edited and condensed.
Schlatter and Sinatra backstage at the 80th birthday celebration. Photo via New York Post<https://nypost.com/2023/07/06/comedy-legend-george-schlatter-on-pal-judy-garland-dangerous-and-fun/>.
Before we get into that particular special, when was your first time working with Frank?
The first time I worked with him was terrifying. He walked into MCA [talent agency]. He was there to sign the contract. At that point, Sinatra never paid commission. They made so much money by representing Sinatra that he didn’t have to pay commission.
As he walked down the hall, all of the agents in the building followed him. He was so big, I expected him to be about eight feet tall, and he wasn’t; he was a small man. I was the only guy in the building in a gray gabardine suit. The rest of them were all black. He looked at me and he said, “I have ties older than this guy.”
You had done other television specials with him before this one in 1995 right?
Probably with him as a guest star, but the eightieth birthday was the big one. Everybody in the world wanted to be there.
Frank showed up an hour early. You can imagine what kind of tension that created. His wife Barbara called and said, “George, he just left the house.” I said, “Barbara, it’s five o’clock.” She said, “Yeah, he was nervous.”
You want to see something that’ll throw you off? Having all these people there getting in makeup and dressed, and have Sinatra, who the evening is all built around, walk in early. Everybody was off balance. He just walked in and said, “How late are you going to be, Crazy?” He called me Crazy. I said, “Well, Frank, we’re going to do this at seven thirty.” He said, “Let’s go now.”
Geez, can you imagine what that would be, with a whole cast and a crew and six cameras and an auditorium full of people and singers and musicians and orchestra?
So what did you do?
Well, fortunately I’d worked with him enough that, in the preparation of a Sinatra taping, you anticipated everything. He was totally unpredictable, in a predictable way. You knew he was going to do something. So what you did was you anticipated everything. You had to have plan A, B, C, and D and hope for the best.
He had a twinkle in his eye. He knew that he cast this umbrella of suspense and anticipation, and he enjoyed that. He was relaxed, but the world around him was tense.
Whether it was Steve and Eydie or Tony Bennett or Bono or any of those people, they had such reverence for Sinatra that it created an atmosphere of excitement and adventure. You cannot describe anybody today that could walk in the room and create that kind of electricity. You never knew what was going to happen with him.
Dylan backstage w/ Steve & Eydie + Stig Caldeborn. via The Bob Dylan Fan Club<https://www.facebook.com/groups/49613667977/?multi_permalinks=10156869252267978&hoisted_section_header_type=recently_seen>.
Where did the idea for the 80th birthday special come from?
I called him up and said, “Mr. Sinatra, it’s going to be your eightieth birthday and I would like to do a celebration.” And he said, “Why?”
Now, the secret with Sinatra was, make him laugh. I learned early on that if I could make him laugh, I could get away with anything. But you had to be careful. If he didn’t laugh, then you were in trouble.
He said, “Why?” And I for some reason said, “Because nobody thought you’d live this long.” He said, “Well, I fooled ‘em.”
So we went on and put together this special. Everybody we called said they would be there.
How did you decide which artists to ask?
You ask people that meant something to him, because he meant something to everybody. Like Steve and Eydie were part of his life, and Tony Bennett and Ray Charles and a lot of those people. And they all wanted to do it. It started out a one-hour show and it wound up like three hours. I sent it to the network and I said, “Here, you cut it.” They said, “We can’t cut it.” I said, “Good.”
Ray Charles showed up and did “Old Man River.” He said, “This song has been done by so many white people, I thought one time you ought to hear what it sounds like sung by a Black person.” For a Black man to be singing “Old Man River” to Sinatra, the anticipation of that was electric.
Rickles being there added some electricity to it as well, because everybody wondered what would Rickles say.
via Rolling Stone
What did Rickles say?
He did what he always did. Rickles loved him and respected him, but said outrageous things to him. That’s one of the reasons Frank liked Rickles so much. Everybody else kind of backed off. They had such respect, admiration, and affection for Sinatra that they were careful. Rickles was not careful.
What about Bob Dylan? How did he get involved?
I think Dylan called and told us he wanted to do the show.
Dylan sang his own song. A song called “Restless Farewell,” not a Sinatra song, which was unusual that night.
Everybody wanted to do something that would get his attention. The shots of Frank listening to those lyrics are part of what made the show an adventure.
Can you take me through how the day went, other than Frank showing up two hours early?
As with everything involving Sinatra, you had to anticipate surprise. You had to anticipate it would not go normally. I think Stevie Wonder showed up with like a thirty-voice choir, which we had not anticipated. I said, “Stevie, I wish you could see what this looked like. We don’t have room for a thirty-voice choir.”
One time we did a thing for Sammy Davis, and everybody in the world wanted to do the show. They all arrived with entourages—twenty people, thirty people, drivers, bodyguards, whatever. Frank showed up with a suit. [laughs]
Did you see the show?
I just watched it on YouTube. I was only eight when it aired, so I missed it the first time.
When you watched the show, did you feel the electricity? Did you feel the hope and anticipation and danger that it generated?
I think Gregory Peck probably had the aura of superstar-to-superstar that generated a lot of excitement. We forget how big some of those people were, you know?
One thing I was surprised by watching it is the mix. You have these titans like Tony Bennett, Ray Charles, but you also have the current pop stars. Paula Abdul, Hootie and the Blowfish.
The secret was to put some people in there who you did not expect. Because you would expect Steve & Eydie and Ray Charles and Stevie Wonder, but you did not expect Hootie and the Blowfish.
One other performance I love is Bruce Springsteen’s.
When we announced we were going to do the show, a lot of those people called us and wanted to be on. And those audience shots are in themselves a bit awesome, because there were as many stars in the audience as we had on stage. We could have put that thing in the Coliseum.
Frank sat there and enjoyed it. He laughed when he was supposed to laugh. The only thing that was worrying us was if he was going to leave early. Because he had a minimal attention span. You had to find ways to hold his attention.
Do you remember any other stories related to Bob Dylan being there?
Bob Dylan brought a song we’d never heard of. Everybody was, “What’s Bob Dylan gonna do?” Because he was not a balladeer like Sinatra. He didn’t sing familiar songs, and he showed up with a song that nobody knew, but it was magic.
Again, do we have anybody today that has the aura of anticipation and suspense and danger and anxiety that some of those people did? Ray Charles and Bob Dylan and those people were not doing guest shots, you know? So when they arrived, it gave the feeling of an event.
As you say, Dylan is not someone who shows up to this sort of thing that often. I think it speaks to how he revered Frank that he did it.
That’s it. They all had such respect for Sinatra and affection. They were all kind of afraid of him a little bit. He wasn’t dangerous, but there was always the possibility he would screw us up. We were kind of ready for it.
After the show, everybody went over to Sinatra’s house. That caused a traffic jam in Beverly Hills not to be believed.
Yeah, I saw a nice photo of him with Barbara and Bob Dylan at his house.
via Barbara Sinatra’s book ‘Lady Blue Eyes: My Life with Frank’
I think the party went on until dawn. Frank never wanted to go to bed. So if you were going to Frank’s house, you knew you were going to be up late. I’d say, “Frank, I’m working tomorrow, I’ve got to leave now.” He’d said, “That does it, Crazy. I’ve gotta get younger friends.”
That also was the anticipation of a hangover because he never went to bed. He slept late, but he never went to bed. He loved Jack Daniels. I saw him drink, and I was aware of the fact he was drinking a lot, but I never saw him even partially drunk. So I don’t think he really swallowed as much as we thought he did. When you were with him, youdid. That was the thing. He absolutely was obsessed with getting you loaded.
When he was in Vegas, the whole town lit up. One of the great events was when Sinatra, Sammy, and Dean played in Vegas. You couldn’t get near the hotel. Dean, who’d been a dealer and had huge hands, could do anything with cards. Between shows, they’d go out and play blackjack. Dean would deal cards you couldn’t believe. He said, “Twenty seven, that’s a winner!”
The owners of the hotel said, “You can’t do that. We’re giving away a lot of money.” I said, “Do you know how many people are in this town because he’s doing that?” Frank would say, “Deal it again.” “Thirty five, there’s a winner!” They drove the entire town crazy.
I had such fun with him. I’m sitting here looking at the office, and the office has all kinds of pictures of Sinatra. Every one of them brings back great, warm, wonderful, funny memories.
Why did he call you Crazy?
I just did funny things to him. I’d call him up on the phone and tell him, “Hey Frank, hold on a minute.” And I would get in my car and drive over to the house. While he was on the phone waiting for me, I’d walk in the front door. He thought that was funny.
He was such a star and such a monument as far as a singer is concerned. Then as far as the person is concerned, nobody ever sent a request to Sinatra for a donation that didn’t get a check. So we tried to keep all of those requests away from him, because anybody that asked for money, he would send him a check. He contributed more money to more charities than any other personality that I knew. He just could never say no.
Did you remember if you had any interaction with Bob Dylan yourself at that event?
No. Bob Dylan was not a great communicator. Just that he was there and wanted to sing a song I never heard of, but to have him there. He showed up because of Frank. Frank appreciated the fact that it was a rare appearance.
Frank liked Bob Dylan. Frank liked performers that were respectful, but also unusual. He related to them.
I look back at my relationship with Sinatra as a treasured, treasured collection of experiences. Because every time I was with him, professionally or socially, it was an adventure.
________________________________
Thanks George! Buy his book ‘Still Laughing: A Life in Comedy’ at Unnamed Press<https://www.unnamedpress.com/all-books/p/still-laughing> or any bookseller. Here are some other performances on the program (I love the Little Richard one):
________________________________
PS. Nothing to do with Dylan, but how can I not include the photo of Barbara Bush giving Schlatter bunny years while Sinatra tries to intervene:
via George Schlatter<https://www.georgeschlatter.com/photo-gallery/comedy-variety-shows/>
________________________________
Interview With George Schlatter About Frank's 80th
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-19
https://www.flaggingdown.com/p/producer-george-schlatter-remembers?utm_source=post-email-title&publication_id=24981&post_id=178804191&utm_campaign=email-post-title&isFreemail=false&r=pa6e7&triedRedirect=true&utm_medium=email
This actually comes from a blog whose focus is Bob Dylan but the interview is mainly about Sinatra.
Hopefully that link will work as there are some nice pictures; if not I have pasted the interview in below.
Al
******************
Producer George Schlatter Remembers Bob Dylan Performing for Frank Sinatra
“You cannot describe anybody today that could walk in the room and create that kind of electricity.”
RAY PADGETT https://substack.com/@raypadgett
NOV 19, 2025
Flagging Down the Double E’s is an email newsletter exploring Bob Dylan performances throughout history. Some installments are free, some are for paid subscribers only. Sign up here:
Springsteen, Sinatra, Dylan (w/ Tom Selleck in background). via BruceBase http://brucebase.wikidot.com/gig:1995-11-19-shrine-auditorium-los-angeles-ca
George Schlatter is a veteran of television production. He created Laugh-In in the ’60s, founded ABC’s American Comedy Awards in the ’80s, and produced decades of shows and specials for stars like Judy Garland, Richard Pryor, Cher, Muhammad Ali, and more.
One such special was done to celebrate the 80th birthday of Schlatter’s friend Frank Sinatra. It was taped 30 years ago today. Titled Sinatra: 80 Years My Way, it featured musicians like Ray Charles, Bruce Springsteen, Tony Bennett, Little Richard, and, of course, Bob Dylan. Most stars did Sinatra songs, but Dylan performed his own “Restless Farewell,” reportedly at Frank’s request.
I called up Schlatter a while back to talk about this special. Schlatter is now 95 years old and didn’t have a ton of Dylan-specific memories, but he had no shortage of stories from working with Sinatra for so many years. This conversation has been edited and condensed.
Schlatter and Sinatra backstage at the 80th birthday celebration. Photo via New York Post https://nypost.com/2023/07/06/comedy-legend-george-schlatter-on-pal-judy-garland-dangerous-and-fun/.
Before we get into that particular special, when was your first time working with Frank?
The first time I worked with him was terrifying. He walked into MCA [talent agency]. He was there to sign the contract. At that point, Sinatra never paid commission. They made so much money by representing Sinatra that he didn’t have to pay commission.
As he walked down the hall, all of the agents in the building followed him. He was so big, I expected him to be about eight feet tall, and he wasn’t; he was a small man. I was the only guy in the building in a gray gabardine suit. The rest of them were all black. He looked at me and he said, “I have ties older than this guy.”
You had done other television specials with him before this one in 1995 right?
Probably with him as a guest star, but the eightieth birthday was the big one. Everybody in the world wanted to be there.
Frank showed up an hour early. You can imagine what kind of tension that created. His wife Barbara called and said, “George, he just left the house.” I said, “Barbara, it’s five o’clock.” She said, “Yeah, he was nervous.”
You want to see something that’ll throw you off? Having all these people there getting in makeup and dressed, and have Sinatra, who the evening is all built around, walk in early. Everybody was off balance. He just walked in and said, “How late are you going to be, Crazy?” He called me Crazy. I said, “Well, Frank, we’re going to do this at seven thirty.” He said, “Let’s go now.”
Geez, can you imagine what that would be, with a whole cast and a crew and six cameras and an auditorium full of people and singers and musicians and orchestra?
So what did you do?
Well, fortunately I’d worked with him enough that, in the preparation of a Sinatra taping, you anticipated everything. He was totally unpredictable, in a predictable way. You knew he was going to do something. So what you did was you anticipated everything. You had to have plan A, B, C, and D and hope for the best.
He had a twinkle in his eye. He knew that he cast this umbrella of suspense and anticipation, and he enjoyed that. He was relaxed, but the world around him was tense.
Whether it was Steve and Eydie or Tony Bennett or Bono or any of those people, they had such reverence for Sinatra that it created an atmosphere of excitement and adventure. You cannot describe anybody today that could walk in the room and create that kind of electricity. You never knew what was going to happen with him.
Dylan backstage w/ Steve & Eydie + Stig Caldeborn. via The Bob Dylan Fan Club https://www.facebook.com/groups/49613667977/?multi_permalinks=10156869252267978&hoisted_section_header_type=recently_seen.
Where did the idea for the 80th birthday special come from?
I called him up and said, “Mr. Sinatra, it’s going to be your eightieth birthday and I would like to do a celebration.” And he said, “Why?”
Now, the secret with Sinatra was, make him laugh. I learned early on that if I could make him laugh, I could get away with anything. But you had to be careful. If he didn’t laugh, then you were in trouble.
He said, “Why?” And I for some reason said, “Because nobody thought you’d live this long.” He said, “Well, I fooled ‘em.”
So we went on and put together this special. Everybody we called said they would be there.
How did you decide which artists to ask?
You ask people that meant something to him, because he meant something to everybody. Like Steve and Eydie were part of his life, and Tony Bennett and Ray Charles and a lot of those people. And they all wanted to do it. It started out a one-hour show and it wound up like three hours. I sent it to the network and I said, “Here, you cut it.” They said, “We can’t cut it.” I said, “Good.”
Ray Charles showed up and did “Old Man River.” He said, “This song has been done by so many white people, I thought one time you ought to hear what it sounds like sung by a Black person.” For a Black man to be singing “Old Man River” to Sinatra, the anticipation of that was electric.
Rickles being there added some electricity to it as well, because everybody wondered what would Rickles say.
via Rolling Stone
What did Rickles say?
He did what he always did. Rickles loved him and respected him, but said outrageous things to him. That’s one of the reasons Frank liked Rickles so much. Everybody else kind of backed off. They had such respect, admiration, and affection for Sinatra that they were careful. Rickles was not careful.
What about Bob Dylan? How did he get involved?
I think Dylan called and told us he wanted to do the show.
Dylan sang his own song. A song called “Restless Farewell,” not a Sinatra song, which was unusual that night.
Everybody wanted to do something that would get his attention. The shots of Frank listening to those lyrics are part of what made the show an adventure.
Can you take me through how the day went, other than Frank showing up two hours early?
As with everything involving Sinatra, you had to anticipate surprise. You had to anticipate it would not go normally. I think Stevie Wonder showed up with like a thirty-voice choir, which we had not anticipated. I said, “Stevie, I wish you could see what this looked like. We don’t have room for a thirty-voice choir.”
One time we did a thing for Sammy Davis, and everybody in the world wanted to do the show. They all arrived with entourages—twenty people, thirty people, drivers, bodyguards, whatever. Frank showed up with a suit. [laughs]
Did you see the show?
I just watched it on YouTube. I was only eight when it aired, so I missed it the first time.
When you watched the show, did you feel the electricity? Did you feel the hope and anticipation and danger that it generated?
I think Gregory Peck probably had the aura of superstar-to-superstar that generated a lot of excitement. We forget how big some of those people were, you know?
One thing I was surprised by watching it is the mix. You have these titans like Tony Bennett, Ray Charles, but you also have the current pop stars. Paula Abdul, Hootie and the Blowfish.
The secret was to put some people in there who you did not expect. Because you would expect Steve & Eydie and Ray Charles and Stevie Wonder, but you did not expect Hootie and the Blowfish.
One other performance I love is Bruce Springsteen’s.
When we announced we were going to do the show, a lot of those people called us and wanted to be on. And those audience shots are in themselves a bit awesome, because there were as many stars in the audience as we had on stage. We could have put that thing in the Coliseum.
Frank sat there and enjoyed it. He laughed when he was supposed to laugh. The only thing that was worrying us was if he was going to leave early. Because he had a minimal attention span. You had to find ways to hold his attention.
Do you remember any other stories related to Bob Dylan being there?
Bob Dylan brought a song we’d never heard of. Everybody was, “What’s Bob Dylan gonna do?” Because he was not a balladeer like Sinatra. He didn’t sing familiar songs, and he showed up with a song that nobody knew, but it was magic.
Again, do we have anybody today that has the aura of anticipation and suspense and danger and anxiety that some of those people did? Ray Charles and Bob Dylan and those people were not doing guest shots, you know? So when they arrived, it gave the feeling of an event.
As you say, Dylan is not someone who shows up to this sort of thing that often. I think it speaks to how he revered Frank that he did it.
That’s it. They all had such respect for Sinatra and affection. They were all kind of afraid of him a little bit. He wasn’t dangerous, but there was always the possibility he would screw us up. We were kind of ready for it.
After the show, everybody went over to Sinatra’s house. That caused a traffic jam in Beverly Hills not to be believed.
Yeah, I saw a nice photo of him with Barbara and Bob Dylan at his house.
via Barbara Sinatra’s book ‘Lady Blue Eyes: My Life with Frank’
I think the party went on until dawn. Frank never wanted to go to bed. So if you were going to Frank’s house, you knew you were going to be up late. I’d say, “Frank, I’m working tomorrow, I’ve got to leave now.” He’d said, “That does it, Crazy. I’ve gotta get younger friends.”
That also was the anticipation of a hangover because he never went to bed. He slept late, but he never went to bed. He loved Jack Daniels. I saw him drink, and I was aware of the fact he was drinking a lot, but I never saw him even partially drunk. So I don’t think he really swallowed as much as we thought he did. When you were with him, youdid. That was the thing. He absolutely was obsessed with getting you loaded.
When he was in Vegas, the whole town lit up. One of the great events was when Sinatra, Sammy, and Dean played in Vegas. You couldn’t get near the hotel. Dean, who’d been a dealer and had huge hands, could do anything with cards. Between shows, they’d go out and play blackjack. Dean would deal cards you couldn’t believe. He said, “Twenty seven, that’s a winner!”
The owners of the hotel said, “You can’t do that. We’re giving away a lot of money.” I said, “Do you know how many people are in this town because he’s doing that?” Frank would say, “Deal it again.” “Thirty five, there’s a winner!” They drove the entire town crazy.
I had such fun with him. I’m sitting here looking at the office, and the office has all kinds of pictures of Sinatra. Every one of them brings back great, warm, wonderful, funny memories.
Why did he call you Crazy?
I just did funny things to him. I’d call him up on the phone and tell him, “Hey Frank, hold on a minute.” And I would get in my car and drive over to the house. While he was on the phone waiting for me, I’d walk in the front door. He thought that was funny.
He was such a star and such a monument as far as a singer is concerned. Then as far as the person is concerned, nobody ever sent a request to Sinatra for a donation that didn’t get a check. So we tried to keep all of those requests away from him, because anybody that asked for money, he would send him a check. He contributed more money to more charities than any other personality that I knew. He just could never say no.
Did you remember if you had any interaction with Bob Dylan yourself at that event?
No. Bob Dylan was not a great communicator. Just that he was there and wanted to sing a song I never heard of, but to have him there. He showed up because of Frank. Frank appreciated the fact that it was a rare appearance.
Frank liked Bob Dylan. Frank liked performers that were respectful, but also unusual. He related to them.
I look back at my relationship with Sinatra as a treasured, treasured collection of experiences. Because every time I was with him, professionally or socially, it was an adventure.
Thanks George! Buy his book ‘Still Laughing: A Life in Comedy’ at Unnamed Press https://www.unnamedpress.com/all-books/p/still-laughing or any bookseller. Here are some other performances on the program (I love the Little Richard one):
PS. Nothing to do with Dylan, but how can I not include the photo of Barbara Bush giving Schlatter bunny years while Sinatra tries to intervene:
via George Schlatter https://www.georgeschlatter.com/photo-gallery/comedy-variety-shows/
Interview With George Schlatter About Frank's 80th
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-19
https://www.flaggingdown.com/p/producer-george-schlatter-remembers?utm_source=post-email-title&publication_id=24981&post_id=178804191&utm_campaign=email-post-title&isFreemail=false&r=pa6e7&triedRedirect=true&utm_medium=email
This actually comes from a blog whose focus is Bob Dylan but the interview is mainly about Sinatra.
Hopefully that link will work as there are some nice pictures; if not I have pasted the interview in below.
Al
******************
Producer George Schlatter Remembers Bob Dylan Performing for Frank Sinatra
“You cannot describe anybody today that could walk in the room and create that kind of electricity.”
RAY PADGETT<https://substack.com/@raypadgett>
NOV 19, 2025
Flagging Down the Double E’s is an email newsletter exploring Bob Dylan performances throughout history. Some installments are free, some are for paid subscribers only. Sign up here:
Springsteen, Sinatra, Dylan (w/ Tom Selleck in background). via BruceBase<http://brucebase.wikidot.com/gig:1995-11-19-shrine-auditorium-los-angeles-ca>
George Schlatter is a veteran of television production. He created Laugh-In in the ’60s, founded ABC’s American Comedy Awards in the ’80s, and produced decades of shows and specials for stars like Judy Garland, Richard Pryor, Cher, Muhammad Ali, and more.
One such special was done to celebrate the 80th birthday of Schlatter’s friend Frank Sinatra. It was taped 30 years ago today. Titled Sinatra: 80 Years My Way, it featured musicians like Ray Charles, Bruce Springsteen, Tony Bennett, Little Richard, and, of course, Bob Dylan. Most stars did Sinatra songs, but Dylan performed his own “Restless Farewell,” reportedly at Frank’s request.
I called up Schlatter a while back to talk about this special. Schlatter is now 95 years old and didn’t have a ton of Dylan-specific memories, but he had no shortage of stories from working with Sinatra for so many years. This conversation has been edited and condensed.
Schlatter and Sinatra backstage at the 80th birthday celebration. Photo via New York Post<https://nypost.com/2023/07/06/comedy-legend-george-schlatter-on-pal-judy-garland-dangerous-and-fun/>.
Before we get into that particular special, when was your first time working with Frank?
The first time I worked with him was terrifying. He walked into MCA [talent agency]. He was there to sign the contract. At that point, Sinatra never paid commission. They made so much money by representing Sinatra that he didn’t have to pay commission.
As he walked down the hall, all of the agents in the building followed him. He was so big, I expected him to be about eight feet tall, and he wasn’t; he was a small man. I was the only guy in the building in a gray gabardine suit. The rest of them were all black. He looked at me and he said, “I have ties older than this guy.”
You had done other television specials with him before this one in 1995 right?
Probably with him as a guest star, but the eightieth birthday was the big one. Everybody in the world wanted to be there.
Frank showed up an hour early. You can imagine what kind of tension that created. His wife Barbara called and said, “George, he just left the house.” I said, “Barbara, it’s five o’clock.” She said, “Yeah, he was nervous.”
You want to see something that’ll throw you off? Having all these people there getting in makeup and dressed, and have Sinatra, who the evening is all built around, walk in early. Everybody was off balance. He just walked in and said, “How late are you going to be, Crazy?” He called me Crazy. I said, “Well, Frank, we’re going to do this at seven thirty.” He said, “Let’s go now.”
Geez, can you imagine what that would be, with a whole cast and a crew and six cameras and an auditorium full of people and singers and musicians and orchestra?
So what did you do?
Well, fortunately I’d worked with him enough that, in the preparation of a Sinatra taping, you anticipated everything. He was totally unpredictable, in a predictable way. You knew he was going to do something. So what you did was you anticipated everything. You had to have plan A, B, C, and D and hope for the best.
He had a twinkle in his eye. He knew that he cast this umbrella of suspense and anticipation, and he enjoyed that. He was relaxed, but the world around him was tense.
Whether it was Steve and Eydie or Tony Bennett or Bono or any of those people, they had such reverence for Sinatra that it created an atmosphere of excitement and adventure. You cannot describe anybody today that could walk in the room and create that kind of electricity. You never knew what was going to happen with him.
Dylan backstage w/ Steve & Eydie + Stig Caldeborn. via The Bob Dylan Fan Club<https://www.facebook.com/groups/49613667977/?multi_permalinks=10156869252267978&hoisted_section_header_type=recently_seen>.
Where did the idea for the 80th birthday special come from?
I called him up and said, “Mr. Sinatra, it’s going to be your eightieth birthday and I would like to do a celebration.” And he said, “Why?”
Now, the secret with Sinatra was, make him laugh. I learned early on that if I could make him laugh, I could get away with anything. But you had to be careful. If he didn’t laugh, then you were in trouble.
He said, “Why?” And I for some reason said, “Because nobody thought you’d live this long.” He said, “Well, I fooled ‘em.”
So we went on and put together this special. Everybody we called said they would be there.
How did you decide which artists to ask?
You ask people that meant something to him, because he meant something to everybody. Like Steve and Eydie were part of his life, and Tony Bennett and Ray Charles and a lot of those people. And they all wanted to do it. It started out a one-hour show and it wound up like three hours. I sent it to the network and I said, “Here, you cut it.” They said, “We can’t cut it.” I said, “Good.”
Ray Charles showed up and did “Old Man River.” He said, “This song has been done by so many white people, I thought one time you ought to hear what it sounds like sung by a Black person.” For a Black man to be singing “Old Man River” to Sinatra, the anticipation of that was electric.
Rickles being there added some electricity to it as well, because everybody wondered what would Rickles say.
via Rolling Stone
What did Rickles say?
He did what he always did. Rickles loved him and respected him, but said outrageous things to him. That’s one of the reasons Frank liked Rickles so much. Everybody else kind of backed off. They had such respect, admiration, and affection for Sinatra that they were careful. Rickles was not careful.
What about Bob Dylan? How did he get involved?
I think Dylan called and told us he wanted to do the show.
Dylan sang his own song. A song called “Restless Farewell,” not a Sinatra song, which was unusual that night.
Everybody wanted to do something that would get his attention. The shots of Frank listening to those lyrics are part of what made the show an adventure.
Can you take me through how the day went, other than Frank showing up two hours early?
As with everything involving Sinatra, you had to anticipate surprise. You had to anticipate it would not go normally. I think Stevie Wonder showed up with like a thirty-voice choir, which we had not anticipated. I said, “Stevie, I wish you could see what this looked like. We don’t have room for a thirty-voice choir.”
One time we did a thing for Sammy Davis, and everybody in the world wanted to do the show. They all arrived with entourages—twenty people, thirty people, drivers, bodyguards, whatever. Frank showed up with a suit. [laughs]
Did you see the show?
I just watched it on YouTube. I was only eight when it aired, so I missed it the first time.
When you watched the show, did you feel the electricity? Did you feel the hope and anticipation and danger that it generated?
I think Gregory Peck probably had the aura of superstar-to-superstar that generated a lot of excitement. We forget how big some of those people were, you know?
One thing I was surprised by watching it is the mix. You have these titans like Tony Bennett, Ray Charles, but you also have the current pop stars. Paula Abdul, Hootie and the Blowfish.
The secret was to put some people in there who you did not expect. Because you would expect Steve & Eydie and Ray Charles and Stevie Wonder, but you did not expect Hootie and the Blowfish.
One other performance I love is Bruce Springsteen’s.
When we announced we were going to do the show, a lot of those people called us and wanted to be on. And those audience shots are in themselves a bit awesome, because there were as many stars in the audience as we had on stage. We could have put that thing in the Coliseum.
Frank sat there and enjoyed it. He laughed when he was supposed to laugh. The only thing that was worrying us was if he was going to leave early. Because he had a minimal attention span. You had to find ways to hold his attention.
Do you remember any other stories related to Bob Dylan being there?
Bob Dylan brought a song we’d never heard of. Everybody was, “What’s Bob Dylan gonna do?” Because he was not a balladeer like Sinatra. He didn’t sing familiar songs, and he showed up with a song that nobody knew, but it was magic.
Again, do we have anybody today that has the aura of anticipation and suspense and danger and anxiety that some of those people did? Ray Charles and Bob Dylan and those people were not doing guest shots, you know? So when they arrived, it gave the feeling of an event.
As you say, Dylan is not someone who shows up to this sort of thing that often. I think it speaks to how he revered Frank that he did it.
That’s it. They all had such respect for Sinatra and affection. They were all kind of afraid of him a little bit. He wasn’t dangerous, but there was always the possibility he would screw us up. We were kind of ready for it.
After the show, everybody went over to Sinatra’s house. That caused a traffic jam in Beverly Hills not to be believed.
Yeah, I saw a nice photo of him with Barbara and Bob Dylan at his house.
via Barbara Sinatra’s book ‘Lady Blue Eyes: My Life with Frank’
I think the party went on until dawn. Frank never wanted to go to bed. So if you were going to Frank’s house, you knew you were going to be up late. I’d say, “Frank, I’m working tomorrow, I’ve got to leave now.” He’d said, “That does it, Crazy. I’ve gotta get younger friends.”
That also was the anticipation of a hangover because he never went to bed. He slept late, but he never went to bed. He loved Jack Daniels. I saw him drink, and I was aware of the fact he was drinking a lot, but I never saw him even partially drunk. So I don’t think he really swallowed as much as we thought he did. When you were with him, youdid. That was the thing. He absolutely was obsessed with getting you loaded.
When he was in Vegas, the whole town lit up. One of the great events was when Sinatra, Sammy, and Dean played in Vegas. You couldn’t get near the hotel. Dean, who’d been a dealer and had huge hands, could do anything with cards. Between shows, they’d go out and play blackjack. Dean would deal cards you couldn’t believe. He said, “Twenty seven, that’s a winner!”
The owners of the hotel said, “You can’t do that. We’re giving away a lot of money.” I said, “Do you know how many people are in this town because he’s doing that?” Frank would say, “Deal it again.” “Thirty five, there’s a winner!” They drove the entire town crazy.
I had such fun with him. I’m sitting here looking at the office, and the office has all kinds of pictures of Sinatra. Every one of them brings back great, warm, wonderful, funny memories.
Why did he call you Crazy?
I just did funny things to him. I’d call him up on the phone and tell him, “Hey Frank, hold on a minute.” And I would get in my car and drive over to the house. While he was on the phone waiting for me, I’d walk in the front door. He thought that was funny.
He was such a star and such a monument as far as a singer is concerned. Then as far as the person is concerned, nobody ever sent a request to Sinatra for a donation that didn’t get a check. So we tried to keep all of those requests away from him, because anybody that asked for money, he would send him a check. He contributed more money to more charities than any other personality that I knew. He just could never say no.
Did you remember if you had any interaction with Bob Dylan yourself at that event?
No. Bob Dylan was not a great communicator. Just that he was there and wanted to sing a song I never heard of, but to have him there. He showed up because of Frank. Frank appreciated the fact that it was a rare appearance.
Frank liked Bob Dylan. Frank liked performers that were respectful, but also unusual. He related to them.
I look back at my relationship with Sinatra as a treasured, treasured collection of experiences. Because every time I was with him, professionally or socially, it was an adventure.
________________________________
Thanks George! Buy his book ‘Still Laughing: A Life in Comedy’ at Unnamed Press<https://www.unnamedpress.com/all-books/p/still-laughing> or any bookseller. Here are some other performances on the program (I love the Little Richard one):
________________________________
PS. Nothing to do with Dylan, but how can I not include the photo of Barbara Bush giving Schlatter bunny years while Sinatra tries to intervene:
via George Schlatter<https://www.georgeschlatter.com/photo-gallery/comedy-variety-shows/>
________________________________
Re: non-musical research (top secret)
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-19
Good luck!
On Nov 18, 2025, at 8:37 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday. I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the owner thru tax and/or property records
<image001.png>
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
<image002.png>
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
:
<image003.png>
Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net<mailto:kramer.sa@verizon.net>>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version of that application:
Thanks again for the work! I owe you!
<image004.jpg>
<image001.png>
<image002.png>
<image003.png>
<image004.jpg>
Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday.
I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that
looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the
owner thru tax and/or property records
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
: Will
Friedwald <wfriedwald@gmail.com>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version
of that application:
Thanks again for the work! I owe you!




Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Boy I don't know! I guess I'm still suspicious, even though they're actually is a house on that address. Here's hoping she actually shows up to meet me tomorrow!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Wed, Nov 19, 2025, 8:43 AM Michael Kraus <mkrauster@gmail.com> wrote:
Wow, does she own that home? Worth a nice chunk of change!
On Nov 18, 2025, at 10:09 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
last thing - this home turns up on a Google maps search ... not sure why
https://tinyurl.com/27up9ejf
https://www.google.com/maps/@27.2706569,-82.5537302,3a,75y,79.44h,90t/data=!3m7!1e1!3m5!1ss2dQJyEw6VA3rY1W8rSC6Q!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fcb_client%3Dmaps_sv.tactile%26w%3D900%26h%3D600%26pitch%3D0%26panoid%3Ds2dQJyEw6VA3rY1W8rSC6Q%26yaw%3D79.437325!7i16384!8i8192?entry=ttu&g_ep=EgoyMDI1MTExNi4wIKXMDSoASAFQAw%3D%3D
and it also appears when I try to send her flowers ... I am still hoping this Alice is for real, even though there's reason to doubt the other (Miami) Alice.
thanks!
w

Re: non-musical research (top secret)
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-19
Good luck!
On Nov 18, 2025, at 8:37 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday. I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the owner thru tax and/or property records
<image001.png>
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
<image002.png>
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
:
<image003.png>
Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net<mailto:kramer.sa@verizon.net>>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version of that application:
Thanks again for the work! I owe you!
<image004.jpg>
<image001.png>
<image002.png>
<image003.png>
<image004.jpg>
Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday.
I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that
looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the
owner thru tax and/or property records
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
: Will
Friedwald <wfriedwald@gmail.com>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version
of that application:
Thanks again for the work! I owe you!




Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Boy I don't know! I guess I'm still suspicious, even though they're actually is a house on that address. Here's hoping she actually shows up to meet me tomorrow!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Wed, Nov 19, 2025, 8:43 AM Michael Kraus <mkrauster@gmail.com> wrote:
Wow, does she own that home? Worth a nice chunk of change!
On Nov 18, 2025, at 10:09 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
last thing - this home turns up on a Google maps search ... not sure why
https://tinyurl.com/27up9ejf
https://www.google.com/maps/@27.2706569,-82.5537302,3a,75y,79.44h,90t/data=!3m7!1e1!3m5!1ss2dQJyEw6VA3rY1W8rSC6Q!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fcb_client%3Dmaps_sv.tactile%26w%3D900%26h%3D600%26pitch%3D0%26panoid%3Ds2dQJyEw6VA3rY1W8rSC6Q%26yaw%3D79.437325!7i16384!8i8192?entry=ttu&g_ep=EgoyMDI1MTExNi4wIKXMDSoASAFQAw%3D%3D
and it also appears when I try to send her flowers ... I am still hoping this Alice is for real, even though there's reason to doubt the other (Miami) Alice.
thanks!
w

Re: non-musical research (top secret)
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-19
Good luck!
On Nov 18, 2025, at 8:37 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday. I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the owner thru tax and/or property records
<image001.png>
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
<image002.png>
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
:
<image003.png>
Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net<mailto:kramer.sa@verizon.net>>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version of that application:
Thanks again for the work! I owe you!
<image004.jpg>
<image001.png>
<image002.png>
<image003.png>
<image004.jpg>
Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday.
I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that
looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the
owner thru tax and/or property records
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
: Will
Friedwald <wfriedwald@gmail.com>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version
of that application:
Thanks again for the work! I owe you!




Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Boy I don't know! I guess I'm still suspicious, even though they're actually is a house on that address. Here's hoping she actually shows up to meet me tomorrow!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Wed, Nov 19, 2025, 8:43 AM Michael Kraus <mkrauster@gmail.com> wrote:
Wow, does she own that home? Worth a nice chunk of change!
On Nov 18, 2025, at 10:09 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
last thing - this home turns up on a Google maps search ... not sure why
https://tinyurl.com/27up9ejf
https://www.google.com/maps/@27.2706569,-82.5537302,3a,75y,79.44h,90t/data=!3m7!1e1!3m5!1ss2dQJyEw6VA3rY1W8rSC6Q!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fcb_client%3Dmaps_sv.tactile%26w%3D900%26h%3D600%26pitch%3D0%26panoid%3Ds2dQJyEw6VA3rY1W8rSC6Q%26yaw%3D79.437325!7i16384!8i8192?entry=ttu&g_ep=EgoyMDI1MTExNi4wIKXMDSoASAFQAw%3D%3D
and it also appears when I try to send her flowers ... I am still hoping this Alice is for real, even though there's reason to doubt the other (Miami) Alice.
thanks!
w

Re: non-musical research (top secret)
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-19
Good luck!
On Nov 18, 2025, at 8:37 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday. I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the owner thru tax and/or property records
<image001.png>
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
<image002.png>
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
:
<image003.png>
Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net<mailto:kramer.sa@verizon.net>>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version of that application:
Thanks again for the work! I owe you!
<image004.jpg>
<image001.png>
<image002.png>
<image003.png>
<image004.jpg>
Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Hey hey thank you for the research I was unclear, this is a separate woman, who also happens to have the name alice. But yes she does live in Sarasota she tells me. This woman I am actually supposed to meet in clearwater, near tampa, near Sarasota on thursday.
I am hoping she is for real!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Tue, Nov 18, 2025, 8:01 PM Michael Kraus <mkrauster@gmail.com> wrote:
OK, this driver’s license says her name ‘Alice Sanders’ not ‘Maria Alice’. The drivers license ‘looks’ real, but in this day and age, that means nothing. Below is a sample that
looks real, but it comes from a website that allows you to make your own for $18.
A look thru Zillow and google maps does not indicate that there is actually a dwelling at that address 5221. If there was a legit home there, we would be able to look up the
owner thru tax and/or property records
Also Sarasota is a good 225 miles across the state from Miami.
On Beenverified, I see 3 Alice Sanders in Florida, ages 69-85.
Regarding “Maria Alice” I found one in FL, but there is no info about her outside of an address in Virginia Gardens, FLA. (attached).
Contentious
: Will
Friedwald <wfriedwald@gmail.com>
Date: Tuesday, November 18, 2025 at 1:51 PM
To: Michael Kraus <mkrauster@gmail.com>
Cc: "Stephen A. Kramer" <kramer.sa@verizon.net>
Subject: Re: non-musical research (top secret)
the name she gave me was Maria Alice - she actually showed me an ID card, but then took it down, saying she didn't want to leave it online - regrettably I didn't download it quickly.
Thanks for all this info! I can only imagine if this were a real event in Miami at the current moment, it must have been covered somewhere. Not sure what to think!
----
Okay, one more - this woman I hope is NOT scamming me - I am actually supposed to meet her in Florida in two days ... I don't think this driver's license is a phoney, but if you already have the paid version
of that application:
Thanks again for the work! I owe you!




Re: non-musical research (top secret)
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-19
Boy I don't know! I guess I'm still suspicious, even though they're actually is a house on that address. Here's hoping she actually shows up to meet me tomorrow!
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Wed, Nov 19, 2025, 8:43 AM Michael Kraus <mkrauster@gmail.com> wrote:
Wow, does she own that home? Worth a nice chunk of change!
On Nov 18, 2025, at 10:09 PM, Will Friedwald <wfriedwald@gmail.com> wrote:
last thing - this home turns up on a Google maps search ... not sure why
https://tinyurl.com/27up9ejf
https://www.google.com/maps/@27.2706569,-82.5537302,3a,75y,79.44h,90t/data=!3m7!1e1!3m5!1ss2dQJyEw6VA3rY1W8rSC6Q!2e0!6shttps:%2F%2Fstreetviewpixels-pa.googleapis.com%2Fv1%2Fthumbnail%3Fcb_client%3Dmaps_sv.tactile%26w%3D900%26h%3D600%26pitch%3D0%26panoid%3Ds2dQJyEw6VA3rY1W8rSC6Q%26yaw%3D79.437325!7i16384!8i8192?entry=ttu&g_ep=EgoyMDI1MTExNi4wIKXMDSoASAFQAw%3D%3D
and it also appears when I try to send her flowers ... I am still hoping this Alice is for real, even though there's reason to doubt the other (Miami) Alice.
thanks!
w

Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Stephen Kramer <kramer.sa@verizon.net> | Received: 2025-11-21
Will,
I think your thinking is correct. Forewarned is forearmed!
Be safe.
Steve
On 11/21/2025 3:53 AM, Will Friedwald wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-21
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
Yeah, I will explain. But as you can see, the important thing at the moment is that they are obviously forgeries. Yes yes
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Fri, Nov 21, 2025, 7:53 AM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Stephen Kramer <kramer.sa@verizon.net> | Received: 2025-11-21
Will,
I think your thinking is correct. Forewarned is forearmed!
Be safe.
Steve
On 11/21/2025 3:53 AM, Will Friedwald wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-21
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
Yeah, I will explain. But as you can see, the important thing at the moment is that they are obviously forgeries. Yes yes
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Fri, Nov 21, 2025, 7:53 AM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Stephen Kramer <kramer.sa@verizon.net> | Received: 2025-11-21
Will,
I think your thinking is correct. Forewarned is forearmed!
Be safe.
Steve
On 11/21/2025 3:53 AM, Will Friedwald wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-21
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
Yeah, I will explain. But as you can see, the important thing at the moment is that they are obviously forgeries. Yes yes
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Fri, Nov 21, 2025, 7:53 AM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Stephen Kramer <kramer.sa@verizon.net> | Received: 2025-11-21
Will,
I think your thinking is correct. Forewarned is forearmed!
Be safe.
Steve
On 11/21/2025 3:53 AM, Will Friedwald wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-21
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Re: Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
Yeah, I will explain. But as you can see, the important thing at the moment is that they are obviously forgeries. Yes yes
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
On Fri, Nov 21, 2025, 7:53 AM Michael Kraus <mkrauster@gmail.com<mailto:mkrauster@gmail.com>> wrote:
Sorry, Will!
I get that there is a scam going on, but I don’t understand these screens exactly? I assume an attempt to scam money from you, but how? Contentious
On Nov 21, 2025, at 3:53 AM, Will Friedwald <wfriedwald@gmail.com<mailto:wfriedwald@gmail.com>> wrote:
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show Sing! Sing! Sing!<http://jazz88.us/programs/Sing!_Sing!_Sing!/> on San Diego KSDS<http://jazz88.us/> on Saturday mornings. He also is the author of ten books including the award-winning A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books : The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017), Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
<1000047457.jpg>
<1000047455.jpg>
Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Well, you were right I think, she is a scammer I think
Undated materialFrom: Will Friedwald <wfriedwald@gmail.com> | Received: 2025-11-21
This is the one who allegedly lived in sarasota, I think these two screens speak for themselves.
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association Lifetime Achievement Award for excellence in Jazz Journalism. He writes about music and popular culture for
The Wall Street Journal, The New York Sun, The New York Stage Review, Vanity Fair, Playboy magazine and other publications. He is also the host of the radio show
Sing! Sing! Sing! on
San Diego KSDS on Saturday mornings. He also is the author of ten books including the award-winning
A Biographical Guide To The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies, and Jazz Singing. He has written over 600 liner notes for compact discs, received eleven
Grammy nominations, and appears frequently on television and other documentaries. He is also a consultant and curator for Apple Music. Current books :
The Great Jazz And Pop Vocal Albums (Pantheon Books / Random House, November 2017),
Sinatra: The Song Is You! - New Revised Edition (Chicago Review Press, May 2018) and Straighten Up and Fly Right: The Life and Music of Nat King Cole (Oxford University Press, July 2020). He studied elocution with Prof. Henry Higgins
and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
“To have no talent is not enough.” - Mazeppa
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Mood Ellington
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-22
Yesterday afternoon I am listening to a jazz program on a local college radio station (WWUH, University Of Hartford in Connecticut) and a song comes on with a voice that sounds familiar. The song was "I'm Beginning To See The Light" from a just released album called Mood Ellington. The artist is Paul Marinaro, a member of our little group here.
That song was followed by two more from the album,"Love You Madly" and "I Ain't Got Nothin' But The Blues". All three songs are excellent.
Back about ten years ago I bought Paul's album Without A Song when he mentioned it on here (or, I guess, a predecessor of this list) and it is also excellent.
I was about to order it immediately but decided to instead put it on our little family Christmas gift list. I'll have to wait a bit but I can be guaranteed of opening something on Christmas morning that I will want.
Here are some links:
http://www.paulmarinaro.com/index.htm
https://www.discogs.com/artist/4988032-Paul-Marinaro
https://www.deepdiscount.com/mood-ellington/805558293726?atw=805558293726
Congrats Paul!
Al
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Sinatra and Pentatonix
Undated materialFrom: Michael Kraus <mkrauster@gmail.com> | Received: 2025-11-22
https://www.youtube.com/watch?v=gbc1VxjKzFw&list=OLAK5uy_kCnLqJhhp_tAv9DZp4Rroi1xm7o6NjBOY
Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM

Fw: Rare photo ?
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-23
Another terrific photo from Michel.
----- Forwarded Message -----
From: michel macaire <michelmacaire@hotmail.com>
To: Ed O'Brien <eob101@aol.com>
Sent: Thursday, November 20, 2025 at 12:00:08 PM EST
Subject: Rare photo ?
Hi Ed
I don't think to have ever seen that photo (possibly in recording studio) with some bobby soxers behind MM
[image referenced in source but could not be recovered]
Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52




Fw: FRENCH CASINO 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
1952 French Casino, New York City (11-26 TO 12-8 1952)
Frank closed on the 9th. Mentioned in a number of columns.
Daily News
12-7-52
The Bayonne Times
11-29-52
The Tribune
12-4-52
note: Earlier that year, Ava had demanded Frank travel with her
as she filmed in exotic spots around the world. Frank re-
fused, fearing it would be fatal to his career. They finally
reached a compromise with Frank agreeing to follow her
to Africa for the location work on "Mogambo"
12-10-52
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
HAPPY THANKSGIVING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Lynnie and I wish all of you a wonderful holiday;Ed
HAPPY THANKSGIVING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Lynnie and I wish all of you a wonderful holiday;
Ed
HAPPY THANKSGIVING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Lynnie and I wish all of you a wonderful holiday;
Ed
HAPPY THANKSGIVING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Lynnie and I wish all of you a wonderful holiday;Ed
HAPPY THANKSGIVING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Lynnie and I wish all of you a wonderful holiday;
Ed
HAPPY THANKSGIVING
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Lynnie and I wish all of you a wonderful holiday;Ed
Re: HAPPY THANKSGIVING
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Happy Thanksgiving 🦃 Everyone!!!
Sent
from the all new AOL app for iOS
On Thursday, November 27, 2025, 10:12 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Lynnie and I wish all of you a wonderful holiday;
Ed


Re: HAPPY THANKSGIVING
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Happy Thanksgiving 🦃 Everyone!!!
Sent
from the all new AOL app for iOS
On Thursday, November 27, 2025, 10:12 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Lynnie and I wish all of you a wonderful holiday;
Ed


Re: HAPPY THANKSGIVING
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Happy Thanksgiving 🦃 Everyone!!!
Sent from the all new AOL app for iOS
On Thursday, November 27, 2025, 10:12 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Lynnie and I wish all of you a wonderful holiday;
Ed


Re: HAPPY THANKSGIVING
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Happy Thanksgiving 🦃 Everyone!!!
Sent
from the all new AOL app for iOS
On Thursday, November 27, 2025, 10:12 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Lynnie and I wish all of you a wonderful holiday;
Ed


Re: HAPPY THANKSGIVING
Undated materialFrom: "'John K. George' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Happy Thanksgiving 🦃 Everyone!!!
Sent
from the all new AOL app for iOS
On Thursday, November 27, 2025, 10:12 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Lynnie and I wish all of you a wonderful holiday;
Ed


Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out what was possibly the biggest showbiz mob seen in local cafe opening in a long time. The ringside looked like • "Who's Who" of showbiz names plus
the usual Broadway mob. Sinatra's personal troubles didn't dampen the wild-eyed enthusiasm of the back -of -the-room customers. The squeals, shrieks and yells made it sound like Sinatra opening at the Paramount when he was on top. Girls were huddled around
the stage and one girl managed to get on and plant a kiss on his neck --and it wasn't a plant either .As a singer and performer Sinatra seldom did a better job. Coning out in ribbon tie. he started it off with timely chatter about his hassle with customs officials,
Africa and similar topical subjects, handling them with ease and a keen sense of comedy timing for maximum of friendly laughs. But if he did a fine talking job, it was his singing that really rocked them. Using a well•balance series of items, veering from
pops to productions like the "Soliloquy" with a couple of novelties thrown in for extra bounce, Sinatra sang his heart out. His voice was superb as he sold the opener. When You're Smiling" and then into "You Belong to Me." After those two he had them eating
out of his hand_ When he followed with his latest Columbia recording. "Birth of the Blues" and the flip, "Why Try to Change Me Now” even those customers who sat on their hands, applauded and applauded like crazy. Sinatra was on for more than 40 minutes singing
with heart and grace. When he finished he was the old master again. If the crowd had its way he could have stayed on another hour and not worn out his welcome. The fact that he gave an impression of boyish humbleness, instead of his former irritating aggressiveness,
also helped out. Bill Miller, Sinatra's accompanist, did fine backing job. Vincent Travers, house leader, gave the Sinatra arrangements a superb interpretation. Incidentally there were no strings, outside of bass, in the Travers band. It was all brass. Incidentally
Sinatra's lighting was handled by Monte Proser. It put the singer in the best possible colors. The rest of the show has been reviewed previously. It's still the same long, dull piled on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out what was possibly the biggest showbiz mob seen in local cafe opening in a long time. The ringside looked like • "Who's Who" of showbiz names plus
the usual Broadway mob. Sinatra's personal troubles didn't dampen the wild-eyed enthusiasm of the back -of -the-room customers. The squeals, shrieks and yells made it sound like Sinatra opening at the Paramount when he was on top. Girls were huddled around
the stage and one girl managed to get on and plant a kiss on his neck --and it wasn't a plant either .As a singer and performer Sinatra seldom did a better job. Coning out in ribbon tie. he started it off with timely chatter about his hassle with customs officials,
Africa and similar topical subjects, handling them with ease and a keen sense of comedy timing for maximum of friendly laughs. But if he did a fine talking job, it was his singing that really rocked them. Using a well•balance series of items, veering from
pops to productions like the "Soliloquy" with a couple of novelties thrown in for extra bounce, Sinatra sang his heart out. His voice was superb as he sold the opener. When You're Smiling" and then into "You Belong to Me." After those two he had them eating
out of his hand_ When he followed with his latest Columbia recording. "Birth of the Blues" and the flip, "Why Try to Change Me Now” even those customers who sat on their hands, applauded and applauded like crazy. Sinatra was on for more than 40 minutes singing
with heart and grace. When he finished he was the old master again. If the crowd had its way he could have stayed on another hour and not worn out his welcome. The fact that he gave an impression of boyish humbleness, instead of his former irritating aggressiveness,
also helped out. Bill Miller, Sinatra's accompanist, did fine backing job. Vincent Travers, house leader, gave the Sinatra arrangements a superb interpretation. Incidentally there were no strings, outside of bass, in the Travers band. It was all brass. Incidentally
Sinatra's lighting was handled by Monte Proser. It put the singer in the best possible colors. The rest of the show has been reviewed previously. It's still the same long, dull piled on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New
Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out
what was possibly the biggest showbiz mob seen in local cafe opening
in a long time. The ringside looked like • "Who's Who" of
showbiz names plus the usual Broadway mob. Sinatra's personal
troubles didn't dampen the wild-eyed enthusiasm of the back -of
-the-room customers. The squeals, shrieks and yells made it sound
like Sinatra opening at the Paramount when he was on top. Girls were
huddled around the stage and one girl managed to get on and plant a
kiss on his neck --and it wasn't a plant either .As a singer and
performer Sinatra seldom did a better job. Coning out in ribbon tie.
he started it off with timely chatter about his hassle with customs
officials, Africa and similar topical subjects, handling them with
ease and a keen sense of comedy timing for maximum of friendly
laughs. But if he did a fine talking job, it was his singing that
really rocked them. Using a well•balance series of items, veering
from pops to productions like the "Soliloquy" with a couple
of novelties thrown in for extra bounce, Sinatra sang his heart out.
His voice was superb as he sold the opener. When You're Smiling"
and then into "You Belong to Me." After those two he had
them eating out of his hand_ When he followed with his latest
Columbia recording. "Birth of the Blues" and the flip, "Why
Try to Change Me Now” even those customers who sat on their hands,
applauded and applauded like crazy. Sinatra was on for more than 40
minutes singing with heart and grace. When he finished he was the
old master again. If the crowd had its way he could have stayed on
another hour and not worn out his welcome. The fact that he gave an
impression of boyish humbleness, instead of his former irritating
aggressiveness, also helped out. Bill Miller, Sinatra's accompanist,
did fine backing job. Vincent Travers, house leader, gave the Sinatra
arrangements a superb interpretation. Incidentally there were no
strings, outside of bass, in the Travers band. It was all brass.
Incidentally Sinatra's lighting was handled by Monte Proser. It put
the singer in the best possible colors. The rest of the show has been
reviewed previously. It's still the same long, dull piled
on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New
Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out
what was possibly the biggest showbiz mob seen in local cafe opening
in a long time. The ringside looked like • "Who's Who" of
showbiz names plus the usual Broadway mob. Sinatra's personal
troubles didn't dampen the wild-eyed enthusiasm of the back -of
-the-room customers. The squeals, shrieks and yells made it sound
like Sinatra opening at the Paramount when he was on top. Girls were
huddled around the stage and one girl managed to get on and plant a
kiss on his neck --and it wasn't a plant either .As a singer and
performer Sinatra seldom did a better job. Coning out in ribbon tie.
he started it off with timely chatter about his hassle with customs
officials, Africa and similar topical subjects, handling them with
ease and a keen sense of comedy timing for maximum of friendly
laughs. But if he did a fine talking job, it was his singing that
really rocked them. Using a well•balance series of items, veering
from pops to productions like the "Soliloquy" with a couple
of novelties thrown in for extra bounce, Sinatra sang his heart out.
His voice was superb as he sold the opener. When You're Smiling"
and then into "You Belong to Me." After those two he had
them eating out of his hand_ When he followed with his latest
Columbia recording. "Birth of the Blues" and the flip, "Why
Try to Change Me Now” even those customers who sat on their hands,
applauded and applauded like crazy. Sinatra was on for more than 40
minutes singing with heart and grace. When he finished he was the
old master again. If the crowd had its way he could have stayed on
another hour and not worn out his welcome. The fact that he gave an
impression of boyish humbleness, instead of his former irritating
aggressiveness, also helped out. Bill Miller, Sinatra's accompanist,
did fine backing job. Vincent Travers, house leader, gave the Sinatra
arrangements a superb interpretation. Incidentally there were no
strings, outside of bass, in the Travers band. It was all brass.
Incidentally Sinatra's lighting was handled by Monte Proser. It put
the singer in the best possible colors. The rest of the show has been
reviewed previously. It's still the same long, dull piled
on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New
Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out
what was possibly the biggest showbiz mob seen in local cafe opening
in a long time. The ringside looked like • "Who's Who" of
showbiz names plus the usual Broadway mob. Sinatra's personal
troubles didn't dampen the wild-eyed enthusiasm of the back -of
-the-room customers. The squeals, shrieks and yells made it sound
like Sinatra opening at the Paramount when he was on top. Girls were
huddled around the stage and one girl managed to get on and plant a
kiss on his neck --and it wasn't a plant either .As a singer and
performer Sinatra seldom did a better job. Coning out in ribbon tie.
he started it off with timely chatter about his hassle with customs
officials, Africa and similar topical subjects, handling them with
ease and a keen sense of comedy timing for maximum of friendly
laughs. But if he did a fine talking job, it was his singing that
really rocked them. Using a well•balance series of items, veering
from pops to productions like the "Soliloquy" with a couple
of novelties thrown in for extra bounce, Sinatra sang his heart out.
His voice was superb as he sold the opener. When You're Smiling"
and then into "You Belong to Me." After those two he had
them eating out of his hand_ When he followed with his latest
Columbia recording. "Birth of the Blues" and the flip, "Why
Try to Change Me Now” even those customers who sat on their hands,
applauded and applauded like crazy. Sinatra was on for more than 40
minutes singing with heart and grace. When he finished he was the
old master again. If the crowd had its way he could have stayed on
another hour and not worn out his welcome. The fact that he gave an
impression of boyish humbleness, instead of his former irritating
aggressiveness, also helped out. Bill Miller, Sinatra's accompanist,
did fine backing job. Vincent Travers, house leader, gave the Sinatra
arrangements a superb interpretation. Incidentally there were no
strings, outside of bass, in the Travers band. It was all brass.
Incidentally Sinatra's lighting was handled by Monte Proser. It put
the singer in the best possible colors. The rest of the show has been
reviewed previously. It's still the same long, dull piled
on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out what was possibly the biggest showbiz mob seen in local cafe opening in a long time. The ringside looked like • "Who's Who" of showbiz names plus
the usual Broadway mob. Sinatra's personal troubles didn't dampen the wild-eyed enthusiasm of the back -of -the-room customers. The squeals, shrieks and yells made it sound like Sinatra opening at the Paramount when he was on top. Girls were huddled around
the stage and one girl managed to get on and plant a kiss on his neck --and it wasn't a plant either .As a singer and performer Sinatra seldom did a better job. Coning out in ribbon tie. he started it off with timely chatter about his hassle with customs officials,
Africa and similar topical subjects, handling them with ease and a keen sense of comedy timing for maximum of friendly laughs. But if he did a fine talking job, it was his singing that really rocked them. Using a well•balance series of items, veering from
pops to productions like the "Soliloquy" with a couple of novelties thrown in for extra bounce, Sinatra sang his heart out. His voice was superb as he sold the opener. When You're Smiling" and then into "You Belong to Me." After those two he had them eating
out of his hand_ When he followed with his latest Columbia recording. "Birth of the Blues" and the flip, "Why Try to Change Me Now” even those customers who sat on their hands, applauded and applauded like crazy. Sinatra was on for more than 40 minutes singing
with heart and grace. When he finished he was the old master again. If the crowd had its way he could have stayed on another hour and not worn out his welcome. The fact that he gave an impression of boyish humbleness, instead of his former irritating aggressiveness,
also helped out. Bill Miller, Sinatra's accompanist, did fine backing job. Vincent Travers, house leader, gave the Sinatra arrangements a superb interpretation. Incidentally there were no strings, outside of bass, in the Travers band. It was all brass. Incidentally
Sinatra's lighting was handled by Monte Proser. It put the singer in the best possible colors. The rest of the show has been reviewed previously. It's still the same long, dull piled on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out what was possibly the biggest showbiz mob seen in local cafe opening in a long time. The ringside looked like • "Who's Who" of showbiz names plus
the usual Broadway mob. Sinatra's personal troubles didn't dampen the wild-eyed enthusiasm of the back -of -the-room customers. The squeals, shrieks and yells made it sound like Sinatra opening at the Paramount when he was on top. Girls were huddled around
the stage and one girl managed to get on and plant a kiss on his neck --and it wasn't a plant either .As a singer and performer Sinatra seldom did a better job. Coning out in ribbon tie. he started it off with timely chatter about his hassle with customs officials,
Africa and similar topical subjects, handling them with ease and a keen sense of comedy timing for maximum of friendly laughs. But if he did a fine talking job, it was his singing that really rocked them. Using a well•balance series of items, veering from
pops to productions like the "Soliloquy" with a couple of novelties thrown in for extra bounce, Sinatra sang his heart out. His voice was superb as he sold the opener. When You're Smiling" and then into "You Belong to Me." After those two he had them eating
out of his hand_ When he followed with his latest Columbia recording. "Birth of the Blues" and the flip, "Why Try to Change Me Now” even those customers who sat on their hands, applauded and applauded like crazy. Sinatra was on for more than 40 minutes singing
with heart and grace. When he finished he was the old master again. If the crowd had its way he could have stayed on another hour and not worn out his welcome. The fact that he gave an impression of boyish humbleness, instead of his former irritating aggressiveness,
also helped out. Bill Miller, Sinatra's accompanist, did fine backing job. Vincent Travers, house leader, gave the Sinatra arrangements a superb interpretation. Incidentally there were no strings, outside of bass, in the Travers band. It was all brass. Incidentally
Sinatra's lighting was handled by Monte Proser. It put the singer in the best possible colors. The rest of the show has been reviewed previously. It's still the same long, dull piled on production that started off when the room opened last July.
Billboard
12-6-52

Re: french casino
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-11-27
Variety
12-10-52
full page ad
NIGHT CLUB
'Voice' Rocks 'Em as of Yore, in NY; Bow With New Tie, New
Personality
Bill Smith
Frank Sinatra's preem at New York's French Casino brought out
what was possibly the biggest showbiz mob seen in local cafe opening
in a long time. The ringside looked like • "Who's Who" of
showbiz names plus the usual Broadway mob. Sinatra's personal
troubles didn't dampen the wild-eyed enthusiasm of the back -of
-the-room customers. The squeals, shrieks and yells made it sound
like Sinatra opening at the Paramount when he was on top. Girls were
huddled around the stage and one girl managed to get on and plant a
kiss on his neck --and it wasn't a plant either .As a singer and
performer Sinatra seldom did a better job. Coning out in ribbon tie.
he started it off with timely chatter about his hassle with customs
officials, Africa and similar topical subjects, handling them with
ease and a keen sense of comedy timing for maximum of friendly
laughs. But if he did a fine talking job, it was his singing that
really rocked them. Using a well•balance series of items, veering
from pops to productions like the "Soliloquy" with a couple
of novelties thrown in for extra bounce, Sinatra sang his heart out.
His voice was superb as he sold the opener. When You're Smiling"
and then into "You Belong to Me." After those two he had
them eating out of his hand_ When he followed with his latest
Columbia recording. "Birth of the Blues" and the flip, "Why
Try to Change Me Now” even those customers who sat on their hands,
applauded and applauded like crazy. Sinatra was on for more than 40
minutes singing with heart and grace. When he finished he was the
old master again. If the crowd had its way he could have stayed on
another hour and not worn out his welcome. The fact that he gave an
impression of boyish humbleness, instead of his former irritating
aggressiveness, also helped out. Bill Miller, Sinatra's accompanist,
did fine backing job. Vincent Travers, house leader, gave the Sinatra
arrangements a superb interpretation. Incidentally there were no
strings, outside of bass, in the Travers band. It was all brass.
Incidentally Sinatra's lighting was handled by Monte Proser. It put
the singer in the best possible colors. The rest of the show has been
reviewed previously. It's still the same long, dull piled
on production that started off when the room opened last July.
Billboard
12-6-52
[image referenced in source but could not be recovered]
New Christmas & Hollywood Bowl releases
Undated materialFrom: Paul Dalessandro <pauldalessandro4@gmail.com> | Received: 2025-12-11
Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
Paul D'Alessandro
Huntington Beach, CA
[image not recovered — source caption: “image0.jpegimage1.jpeg”]
New Christmas & Hollywood Bowl releases
Undated materialFrom: Paul Dalessandro <pauldalessandro4@gmail.com> | Received: 2025-12-11
Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
Paul D'Alessandro
Huntington Beach, CA
[image not recovered — source caption: “image0.jpegimage1.jpeg”]
New Christmas & Hollywood Bowl releases
Undated materialFrom: Paul Dalessandro <pauldalessandro4@gmail.com> | Received: 2025-12-11
Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
Paul D'Alessandro
Huntington Beach, CA
[image not recovered — source caption: “image0.jpegimage1.jpeg”]
New Christmas & Hollywood Bowl releases
Undated materialFrom: Paul Dalessandro <pauldalessandro4@gmail.com> | Received: 2025-12-11
Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
Paul D'Alessandro
Huntington Beach, CA
[image not recovered — source caption: “image0.jpegimage1.jpeg”]
FDR TRIBUTE SONG
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-13
THE JOURNAL TIMES
4-25-45
note: Frank was set to sing the song on his 4-25 Max Factor show. For whatever
reason he passed and failed to sing the song on his final three M. Factor
shows.
Ed

FDR TRIBUTE SONG
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-13
THE JOURNAL TIMES
4-25-45
note: Frank was set to sing the song on his 4-25 Max Factor show. For whatever
reason he passed and failed to sing the song on his final three M. Factor
shows.
Ed

FDR TRIBUTE SONG
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-13
THE JOURNAL TIMES
4-25-45
note: Frank was set to sing the song on his 4-25 Max Factor show. For whatever
reason he passed and failed to sing the song on his final three M. Factor
shows.
Ed

FDR TRIBUTE SONG
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-13
THE JOURNAL TIMES
4-25-45
note: Frank was set to sing the song on his 4-25 Max Factor show. For whatever
reason he passed and failed to sing the song on his final three M. Factor
shows.
Ed

FDR TRIBUTE SONG
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-13
THE JOURNAL TIMES
4-25-45
note: Frank was set to sing the song on his 4-25 Max Factor show. For whatever
reason he passed and failed to sing the song on his final three M. Factor
shows.
Ed

FDR TRIBUTE SONG
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-13
THE JOURNAL TIMES
4-25-45
note: Frank was set to sing the song on his 4-25 Max Factor show. For whatever
reason he passed and failed to sing the song on his final three M. Factor
shows.
Ed
[image referenced in source but could not be recovered]
Sinatra & Ellington
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2025-12-13
I enjoyed the recent posts on the Sinatra/Ellington album, " Francis A & Edward K ", it's a favorite of mine, and one of my most played Sinatra albums. Oddly enough, at the time, I didn't much care for this album, I had started my Sinatra music journey in the Winter of 1967, when I was a high school student, when on a trip to town one cold Saturday morning with my mother, I went into a local drug store, and started flipping thru the record rack. I bought a mono copy of " That's Life " that morning for I believe $ 3.98, and it was the best money I ever spent in my life. After playing this album, I was hooked. I loved the sound. I had heard of Frank Sinatra, but was not familiar with his music. I loved this record, and played it so much I eventually wore it out. my next Sinatra purchase came later that Spring when I bought a copy of " Strangers In the Night ", and again I was hooked. I loved the sound that Jimmy Bowen & Ernie Freeman gave Frank Sinatra. Whatever opinion Sinatraphiles members may have of that period of Sinatra's music, it was my start into a lifelong love of Frank Sinatra's music.
When this record album came out I immediately bought it, since at the time I was a huge Sinatra fan. I was still in high school then, and when my contemporaries were all listening to the Beatles, I was listening to Frank Sinatra. But on first lisren, I didn't care for the Sinatra/Ellington record, I thought it sounded ' old fashioned '. ( Remember, I was a highschool student at the time).
But now, I love this album, and play it often. I think it's very well done. I have read reviews of it, where music reviewers have written that they think the Ellinton band is sloopy on this one, that they hadn't learned & practiced the arrangements, but my ears don't hear it. I think this album is done at a very high level on both the Ellington orchestra, Billy May, and Frank Sinatra.
I have grown in my appreciation of this album. And to me, that's the interesting quality of Frank Sinatra's music, you can grow with it, you learn from it. It can expand your horizons.
Sinatra & Ellington
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2025-12-13
I enjoyed the recent posts on the Sinatra/Ellington album, " Francis A & Edward K ", it's a favorite of mine, and one of my most played Sinatra albums. Oddly enough, at the time, I didn't much care for this album, I had started my Sinatra music journey in the Winter of 1967, when I was a high school student, when on a trip to town one cold Saturday morning with my mother, I went into a local drug store, and started flipping thru the record rack. I bought a mono copy of " That's Life " that morning for I believe $ 3.98, and it was the best money I ever spent in my life. After playing this album, I was hooked. I loved the sound. I had heard of Frank Sinatra, but was not familiar with his music. I loved this record, and played it so much I eventually wore it out. my next Sinatra purchase came later that Spring when I bought a copy of " Strangers In the Night ", and again I was hooked. I loved the sound that Jimmy Bowen & Ernie Freeman gave Frank Sinatra. Whatever opinion Sinatraphiles members may have of that period of Sinatra's music, it was my start into a lifelong love of Frank Sinatra's music.
When this record album came out I immediately bought it, since at the time I was a huge Sinatra fan. I was still in high school then, and when my contemporaries were all listening to the Beatles, I was listening to Frank Sinatra. But on first lisren, I didn't care for the Sinatra/Ellington record, I thought it sounded ' old fashioned '. ( Remember, I was a highschool student at the time).
But now, I love this album, and play it often. I think it's very well done. I have read reviews of it, where music reviewers have written that they think the Ellinton band is sloopy on this one, that they hadn't learned & practiced the arrangements, but my ears don't hear it. I think this album is done at a very high level on both the Ellington orchestra, Billy May, and Frank Sinatra.
I have grown in my appreciation of this album. And to me, that's the interesting quality of Frank Sinatra's music, you can grow with it, you learn from it. It can expand your horizons.
Long Ago, Far Away (was Re: New Christmas & Hollywood Bowl releases)
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-18
Looks like SING has added another release, this one five LPs including all of the Hollywood Bowl disc and part of the Christmas On The Air disc.
https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/
And going to the SING site it appears the Christmas disc is sold out. And the five LP set comes to about $280 with shipping and fees (ouch!)
Al
> On 12/11/2025 1:05 PM EST Paul Dalessandro <pauldalessandro4@gmail.com> wrote:
>
>
> [image0.jpeg] [image1.jpeg]
>
> Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
>
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
>
>
> --
>
Long Ago, Far Away (was Re: New Christmas & Hollywood Bowl releases)
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-18
Looks like SING has added another release, this one five LPs including all of the Hollywood Bowl disc and part of the Christmas On The Air disc.
https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/
And going to the SING site it appears the Christmas disc is sold out. And the five LP set comes to about $280 with shipping and fees (ouch!)
Al
> On 12/11/2025 1:05 PM EST Paul Dalessandro <pauldalessandro4@gmail.com> wrote:
>
>
> [image0.jpeg] [image1.jpeg]
>
> Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
>
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
>
>
> --
>
Long Ago, Far Away (was Re: New Christmas & Hollywood Bowl releases)
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-18
Looks like SING has added another release, this one five LPs including all of the Hollywood Bowl disc and part of the Christmas On The Air disc.
https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/
And going to the SING site it appears the Christmas disc is sold out. And the five LP set comes to about $280 with shipping and fees (ouch!)
Al
> On 12/11/2025 1:05 PM EST Paul Dalessandro <pauldalessandro4@gmail.com> wrote:
>
>
> [image0.jpeg] [image1.jpeg]
>
> Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch.
>
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
>
>
> --
>
Re: Long Ago, Far Away (was Re: New Christmas & Hollywood Bowl releases)
Undated materialFrom: David Barrios <dbarrios15@hotmail.com> | Received: 2025-12-18
You can find a code online to bring the price down to $150. I have the box.
It’s pretty great, not gonna lie.
On Thu, Dec 18, 2025 at 4:48 PM 'ALFRED MASCIOCCHI' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
> Looks like SING has added another release, this one five LPs including all
> of the Hollywood Bowl disc and part of the Christmas On The Air disc.
>
>
> https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/
> <https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/>
>
> And going to the SING site it appears the Christmas disc is sold out. And
> the five LP set comes to about $280 with shipping and fees (ouch!)
>
> Al
>
> On 12/11/2025 1:05 PM EST Paul Dalessandro <pauldalessandro4@gmail.com>
> wrote:
>
>
> [image: image0.jpeg] [image: image1.jpeg]
>
> Listening to these today. I’m really enjoying the Christmas disc. Sound
> quality is really nice, and the arrangements and performances are top
> notch.
>
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
>
>
> --
>
Re: Long Ago, Far Away (was Re: New Christmas & Hollywood Bowl releases)
Undated materialFrom: Kenny Lucas <kennylucas589@gmail.com> | Received: 2025-12-19
I bought the Christmas disc & the Hollywood bowl disc. They are a
delight. I am saving up for the LP box set. I hope they put it out on CD
by next year.
On Thu, Dec 18, 2025, 8:44 PM 'Dave Garrett' via Sinatraphiles <
sinatraphiles@googlegroups.com> wrote:
> Having read a lot of very positive comments on this set, I've been dying
> to hear it, but unfortunately I haven't had a vinyl rig set up in a long
> time. Those who are in the same boat may want to keep an eye on SING's
> website, as they recently hinted on social media that a CD version might be
> forthcoming. I say "might be" because the way their post was worded didn't
> explicitly confirm that one was in the works.
>
> Dave
>
> On Thursday, December 18, 2025 at 04:04:38 PM CST, David Barrios <
> dbarrios15@hotmail.com> wrote:
>
>
> You can find a code online to bring the price down to $150. I have the
> box. It’s pretty great, not gonna lie.
>
> On Thu, Dec 18, 2025 at 4:48 PM 'ALFRED MASCIOCCHI' via Sinatraphiles <
> sinatraphiles@googlegroups.com> wrote:
>
> Looks like SING has added another release, this one five LPs including all
> of the Hollywood Bowl disc and part of the Christmas On The Air disc.
>
>
> https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/
>
> And going to the SING site it appears the Christmas disc is sold out. And
> the five LP set comes to about $280 with shipping and fees (ouch!)
>
> Al
>
> On 12/11/2025 1:05 PM EST Paul Dalessandro <pauldalessandro4@gmail.com>
> wrote:
>
>
> [image: image0.jpeg] [image: image1.jpeg]
>
> Listening to these today. I’m really enjoying the Christmas disc. Sound
> quality is really nice, and the arrangements and performances are top
> notch.
>
>
> --
> Paul D'Alessandro
> Huntington Beach, CA
>
>
>
> --
>
Re: Long Ago, Far Away (was Re: New Christmas & Hollywood Bowl releases)
Undated materialFrom: 'Dave Garrett' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2025-12-19
Having read a lot of very positive comments on this set, I've been dying to hear it, but unfortunately I haven't had a vinyl rig set up in a long time. Those who are in the same boat may want to keep an eye on SING's website, as they recently hinted on social media that a CD version might be forthcoming. I say "might be" because the way their post was worded didn't explicitly confirm that one was in the works.
Dave
On Thursday, December 18, 2025 at 04:04:38 PM CST, David Barrios <dbarrios15@hotmail.com> wrote:
You can find a code online to bring the price down to $150. I have the box. It’s pretty great, not gonna lie.
On Thu, Dec 18, 2025 at 4:48 PM 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
Looks like SING has added another release, this one five LPs including all of the Hollywood Bowl disc and part of the Christmas On The Air disc. https://theseconddisc.com/2025/12/18/holiday-gift-guide-review-frank-sinatra-long-ago-far-away-1943-1951/ And going to the SING site it appears the Christmas disc is sold out. And the five LP set comes to about $280 with shipping and fees (ouch!)
Al
On 12/11/2025 1:05 PM EST Paul Dalessandro <pauldalessandro4@gmail.com> wrote:
Listening to these today. I’m really enjoying the Christmas disc. Sound quality is really nice, and the arrangements and performances are top notch. -- Paul D'Alessandro Huntington Beach, CA
Re: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-29
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 27 December 2025 23:24
To: kennylucas589@gmal.com <kennylucas589@gmal.com>
Subject: SINATRA CONCERTS:
Hi Kenny, can i have a list of the 21 concerts you got and i can send you a list of some i my have to trade is the sound good? BEST FRED
Re: SINATRA CONCERTS:
Undated materialFrom: Pedro Matos <dmarc-noreply@freelists.org> | Received: 2025-12-29
Hi Kenny, don't forget about me as well please ;)
PJM
Fred Wadsworth <dmarc-noreply@freelists.org> escreveu (segunda, 29/12/2025
à(s) 15:47):
>
> ------------------------------
> *From:* Fred Wadsworth <frw2@hotmail.co.uk>
> *Sent:* 27 December 2025 23:24
> *To:* kennylucas589@gmal.com <kennylucas589@gmal.com>
> *Subject:* SINATRA CONCERTS:
>
> Hi Kenny, can i have a list of the 21 concerts you got and i can send you
> a list of some i my have to trade is the sound good? BEST FRED
>
Re: SINATRA CONCERTS:
Undated materialFrom: shemmy Mashiah <dmarc-noreply@freelists.org> | Received: 2025-12-29
Fred
Good to hear from you!!!!
I thought you retired from the group.
Glad you are well.
Shemmy
נשלח מה-iPhone שלי
> ב-29 בדצמ׳ 2025, בשעה 17:47, Fred Wadsworth <dmarc-noreply@freelists.org> כתב/ה:
>
>
>
> From: Fred Wadsworth <frw2@hotmail.co.uk>
> Sent: 27 December 2025 23:24
> To: kennylucas589@gmal.com <kennylucas589@gmal.com>
> Subject: SINATRA CONCERTS:
>
> Hi Kenny, can i have a list of the 21 concerts you got and i can send you a list of some i my have to trade is the sound good? BEST FRED
Re: SINATRA CONCERTS:
Undated materialFrom: shemmy Mashiah <dmarc-noreply@freelists.org> | Received: 2025-12-29
Fred
Good to hear from you!!!!
I thought you retired from the group.
Glad you are well.
Shemmy
נשלח מה-iPhone שלי
> ב-29 בדצמ׳ 2025, בשעה 17:47, Fred Wadsworth <dmarc-noreply@freelists.org> כתב/ה:
>
>
>
> From: Fred Wadsworth <frw2@hotmail.co.uk>
> Sent: 27 December 2025 23:24
> To: kennylucas589@gmal.com <kennylucas589@gmal.com>
> Subject: SINATRA CONCERTS:
>
> Hi Kenny, can i have a list of the 21 concerts you got and i can send you a list of some i my have to trade is the sound good? BEST FRED
Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: michel macaire <dmarc-noreply@freelists.org> | Received: 2025-12-30
Merci Kenny
Interesting There are 9 I don't have...Best regards Michel
________________________________
De : sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> de la part de JIm Donohue <dmarc-noreply@freelists.org>
Envoyé : mardi 30 décembre 2025 17:14
À : sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Objet : [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thanks, Kenny! A few I have, a few I don't. Nice haul! Thanks for sharing!
On Tue, Dec 30, 2025 at 11:07 AM kenny lucas <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
Hello Fred: here is a list of the concerts.
1. Circle Star Theater, San Carlos, CA April 9, 1986
2. Greek Theater LA Aug 20, 1987
3. Bally's Casino Reno, NV July 6, 1988
4. Greek Theater LA Aug 21, 1987
5. Bally's Casino Nov 3, 1987
6.Rat Pack Concert Oakland Coliseum March 13, 1988
7. Bally's Casino Reno, NV April 28, 1988
8. Bally's Casino Reno, NV April 29, 1988
9.Bally's Casino Reno, NV April 28, & 29, 1988 (this CD also has 2 partial shows May 25, 1990 & July 14, 1989)
10.Bally's Casino Reno NV July 7, 1988
11.Bally's Casino Reno, NV Oct 26, 1988
12.Circle Star Theater, San Carlos, CA Nov 12, 1988
13.Same-Nov 13, 1988
14.Bally's Casino Reno, NV June 15, 1989
15. Same- June 16, 1989
16. Bally's July 13, 1989
17. Bally's May 24, 1990
18.Bally's May 25, 1990
19.Circle Star Theater, San Carlos, CA April 27, 1991
20. Concord Pavillion, Concord, CA Aug 19, 1990
21. Circle Star Theater April 26, 1991
I haven't listened to all the concerts Yet. I have listened to about 3 or 4 the sound is excellent & there is talking I assume from the people who made the recordings. But, it really doesn't interfere.
On Tuesday, December 30, 2025 at 10:22:16 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
just as a email please best fred
________________________________
From: sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org> <sinatraphiles-bounce@freelists.org<mailto:sinatraphiles-bounce@freelists.org>> on behalf of kenny lucas <dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>>
Sent: 30 December 2025 03:00
To: sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org> <sinatraphiles@freelists.org<mailto:sinatraphiles@freelists.org>>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer<https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
<dmarc-noreply@freelists.org<mailto:dmarc-noreply@freelists.org>> wrote:
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
Hi Kenny, just as a email THANKS FRED
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 03:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer<https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
<dmarc-noreply@freelists.org> wrote:
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
Hi Kenny, just as a email THANKS FRED
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 03:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer<https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
<dmarc-noreply@freelists.org> wrote:
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
just as a email please best fred
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 03:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer<https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
<dmarc-noreply@freelists.org> wrote:
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
________________________________
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 30 December 2025 03:22
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
just as a email please best FRED
________________________________
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2025-12-30
Hello Fred: here is a list of the concerts.1. Circle Star Theater, San Carlos, CA April 9, 19862. Greek Theater LA Aug 20, 19873. Bally's Casino Reno, NV July 6, 19884. Greek Theater LA Aug 21, 19875. Bally's Casino Nov 3, 19876.Rat Pack Concert Oakland Coliseum March 13, 19887. Bally's Casino Reno, NV April 28, 19888. Bally's Casino Reno, NV April 29, 19889.Bally's Casino Reno, NV April 28, & 29, 1988 (this CD also has 2 partial shows May 25, 1990 & July 14, 1989)10.Bally's Casino Reno NV July 7, 198811.Bally's Casino Reno, NV Oct 26, 198812.Circle Star Theater, San Carlos, CA Nov 12, 198813.Same-Nov 13, 198814.Bally's Casino Reno, NV June 15, 1989 15. Same- June 16, 198916. Bally's July 13, 198917. Bally's May 24, 199018.Bally's May 25, 199019.Circle Star Theater, San Carlos, CA April 27, 199120. Concord Pavillion, Concord, CA Aug 19, 199021. Circle Star Theater April 26, 1991I haven't listened to all the concerts Yet. I have listened to about 3 or 4 the sound is excellent & there is talking I assume from the people who made the recordings. But, it really doesn't interfere. On Tuesday, December 30, 2025 at 10:22:16 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org> wrote:
#yiv8832689763 P {margin-top:0;margin-bottom:0;}just as a email please best fredFrom: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 03:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS: Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth<dmarc-noreply@freelists.org> wrote:<!--#yiv8832689763 #yiv8832689763x_yiv1465287730 p {margin-top:0;margin-bottom:0;}-->
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: JIm Donohue <dmarc-noreply@freelists.org> | Received: 2025-12-30
Thanks, Kenny! A few I have, a few I don't. Nice haul! Thanks for sharing!
On Tue, Dec 30, 2025 at 11:07 AM kenny lucas <dmarc-noreply@freelists.org>
wrote:
> Hello Fred: here is a list of the concerts.
> 1. Circle Star Theater, San Carlos, CA April 9, 1986
> 2. Greek Theater LA Aug 20, 1987
> 3. Bally's Casino Reno, NV July 6, 1988
> 4. Greek Theater LA Aug 21, 1987
> 5. Bally's Casino Nov 3, 1987
> 6.Rat Pack Concert Oakland Coliseum March 13, 1988
> 7. Bally's Casino Reno, NV April 28, 1988
> 8. Bally's Casino Reno, NV April 29, 1988
> 9.Bally's Casino Reno, NV April 28, & 29, 1988 (this CD also has 2 partial
> shows May 25, 1990 & July 14, 1989)
> 10.Bally's Casino Reno NV July 7, 1988
> 11.Bally's Casino Reno, NV Oct 26, 1988
> 12.Circle Star Theater, San Carlos, CA Nov 12, 1988
> 13.Same-Nov 13, 1988
> 14.Bally's Casino Reno, NV June 15, 1989
> 15. Same- June 16, 1989
> 16. Bally's July 13, 1989
> 17. Bally's May 24, 1990
> 18.Bally's May 25, 1990
> 19.Circle Star Theater, San Carlos, CA April 27, 1991
> 20. Concord Pavillion, Concord, CA Aug 19, 1990
> 21. Circle Star Theater April 26, 1991
> I haven't listened to all the concerts Yet. I have listened to about 3 or
> 4 the sound is excellent & there is talking I assume from the people who
> made the recordings. But, it really doesn't interfere.
> On Tuesday, December 30, 2025 at 10:22:16 AM EST, Fred Wadsworth <
> dmarc-noreply@freelists.org> wrote:
>
>
> just as a email please best fred
> ------------------------------
> *From:* sinatraphiles-bounce@freelists.org <
> sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <
> dmarc-noreply@freelists.org>
> *Sent:* 30 December 2025 03:00
> *To:* sinatraphiles@freelists.org <sinatraphiles@freelists.org>
> *Subject:* [sinatraphiles] Re: Fw: SINATRA CONCERTS:
>
> Hello Fred: would be happy to list them for you. Should I just complete
> it as a E-mail or list it on SINATRphiles
>
> Yahoo Mail: Search, Organize, Conquer
> <https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
>
> On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
> <dmarc-noreply@freelists.org> wrote:
>
> ------------------------------
>
>
> Hi Kenny, can you list the 21 concerts please. BEST FRED
>
>
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2025-12-30
Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth<dmarc-noreply@freelists.org> wrote:
#yiv1465287730 P {margin-top:0;margin-bottom:0;}
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: JIm Donohue <dmarc-noreply@freelists.org> | Received: 2025-12-30
Honestly, I think a few of us have expressed interest. If you could post it
here, that would be awesome.
On Tue, Dec 30, 2025 at 10:01 AM kenny lucas <dmarc-noreply@freelists.org>
wrote:
> Hello Fred: would be happy to list them for you. Should I just complete
> it as a E-mail or list it on SINATRphiles
>
> Yahoo Mail: Search, Organize, Conquer
> <https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
>
> On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
> <dmarc-noreply@freelists.org> wrote:
>
> ------------------------------
>
>
> Hi Kenny, can you list the 21 concerts please. BEST FRED
>
>
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2025-12-30
Hi Kenny, just as a email THANKS FRED
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 03:00
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Hello Fred: would be happy to list them for you. Should I just complete it as a E-mail or list it on SINATRphiles
Yahoo Mail: Search, Organize, Conquer<https://mail.onelink.me/107872968?pid=nativeplacement&c=US_Acquisition_YMktg_315_SearchOrgConquer_EmailSignature&af_sub1=Acquisition&af_sub2=US_YMktg&af_sub3=&af_sub4=100002039&af_sub5=C01_Email_Static_&af_ios_store_cpp=0c38e4b0-a27e-40f9-a211-f4e2de32ab91&af_android_url=https://play.google.com/store/apps/details?id=com.yahoo.mobile.client.android.mail&listing=search_organize_conquer>
On Tue, Dec 30, 2025 at 9:33 AM, Fred Wadsworth
<dmarc-noreply@freelists.org> wrote:
________________________________
Hi Kenny, can you list the 21 concerts please. BEST FRED
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-01
Hi Kenny, HAPPY NEW YEAR. I HAVE OVER 1450 SINATRA TAPES THAT I AM PUTTING ON TO CD WOULD YOU LIKE A LIST AND OVER 200 CONCERT CDS AND OVER 250 DVDS WOULD YOU LIKE ME TO SEND YOU A LIST AND MAYBE WE CAN TRADE? BEST FRED
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 04:07
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Hello Fred: here is a list of the concerts.
1. Circle Star Theater, San Carlos, CA April 9, 1986
2. Greek Theater LA Aug 20, 1987
3. Bally's Casino Reno, NV July 6, 1988
4. Greek Theater LA Aug 21, 1987
5. Bally's Casino Nov 3, 1987
6.Rat Pack Concert Oakland Coliseum March 13, 1988
7. Bally's Casino Reno, NV April 28, 1988
8. Bally's Casino Reno, NV April 29, 1988
9.Bally's Casino Reno, NV April 28, & 29, 1988 (this CD also has 2 partial shows May 25, 1990 & July 14, 1989)
10.Bally's Casino Reno NV July 7, 1988
11.Bally's Casino Reno, NV Oct 26, 1988
12.Circle Star Theater, San Carlos, CA Nov 12, 1988
13.Same-Nov 13, 1988
14.Bally's Casino Reno, NV June 15, 1989
15. Same- June 16, 1989
16. Bally's July 13, 1989
17. Bally's May 24, 1990
18.Bally's May 25, 1990
19.Circle Star Theater, San Carlos, CA April 27, 1991
20. Concord Pavillion, Concord, CA Aug 19, 1990
21. Circle Star Theater April 26, 1991
I haven't listened to all the concerts Yet. I have listened to about 3 or 4 the sound is excellent & there is talking I assume from the people who made the recordings. But, it really doesn't interfere.
On Tuesday, December 30, 2025 at 10:22:16 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org> wrote:
Re: Fw: SINATRA CONCERTS:
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2026-01-01
Yes
Yahoo Mail: Search, Organize, Conquer
On Thu, Jan 1, 2026 at 7:24 AM, Fred Wadsworth<dmarc-noreply@freelists.org> wrote: #yiv0421121327 P {margin-top:0;margin-bottom:0;}Hi Kenny, HAPPY NEW YEAR. I HAVE OVER 1450 SINATRA TAPES THAT I AM PUTTING ON TO CD WOULD YOU LIKE A LIST AND OVER 200 CONCERT CDS AND OVER 250 DVDS WOULD YOU LIKE ME TO SEND YOU A LIST AND MAYBE WE CAN TRADE? BEST FRED
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of kenny lucas <dmarc-noreply@freelists.org>
Sent: 30 December 2025 04:07
To: sinatraphiles@freelists.org <sinatraphiles@freelists.org>
Subject: [sinatraphiles] Re: Fw: SINATRA CONCERTS: Hello Fred: here is a list of the concerts.1. Circle Star Theater, San Carlos, CA April 9, 19862. Greek Theater LA Aug 20, 19873. Bally's Casino Reno, NV July 6, 19884. Greek Theater LA Aug 21, 19875. Bally's Casino Nov 3, 19876.Rat Pack Concert Oakland Coliseum March 13, 19887. Bally's Casino Reno, NV April 28, 19888. Bally's Casino Reno, NV April 29, 19889.Bally's Casino Reno, NV April 28, & 29, 1988 (this CD also has 2 partial shows May 25, 1990 & July 14, 1989)10.Bally's Casino Reno NV July 7, 198811.Bally's Casino Reno, NV Oct 26, 198812.Circle Star Theater, San Carlos, CA Nov 12, 198813.Same-Nov 13, 198814.Bally's Casino Reno, NV June 15, 1989 15. Same- June 16, 198916. Bally's July 13, 198917. Bally's May 24, 199018.Bally's May 25, 199019.Circle Star Theater, San Carlos, CA April 27, 199120. Concord Pavillion, Concord, CA Aug 19, 199021. Circle Star Theater April 26, 1991I haven't listened to all the concerts Yet. I have listened to about 3 or 4 the sound is excellent & there is talking I assume from the people who made the recordings. But, it really doesn't interfere.On Tuesday, December 30, 2025 at 10:22:16 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org> wrote:
Fw: Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Fred Wadsworth <dmarc-noreply@freelists.org>
Sent: 03 January 2026 01:21
To: Sinatraphiles Freelists <sinatraphiles@freelists.org>; Scott Henderson <scott@falseducks.com>
Subject: [sinatraphiles] Fw: Re: Re: Fw: SINATRA CONCERTS:
________________________________
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Fred Wadsworth <dmarc-noreply@freelists.org>
Sent: 03 January 2026 01:21
To: Sinatraphiles Freelists <sinatraphiles@freelists.org>; Scott Henderson <scott@falseducks.com>
Subject: [sinatraphiles] Fw: Re: Re: Fw: SINATRA CONCERTS:
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Fred Wadsworth <dmarc-noreply@freelists.org>
Sent: 03 January 2026 01:21
To: Sinatraphiles Freelists <sinatraphiles@freelists.org>; Scott Henderson <scott@falseducks.com>
Subject: [sinatraphiles] Fw: Re: Re: Fw: SINATRA CONCERTS:
________________________________
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
From: sinatraphiles-bounce@freelists.org <sinatraphiles-bounce@freelists.org> on behalf of Fred Wadsworth <dmarc-noreply@freelists.org>
Sent: 03 January 2026 01:21
To: Sinatraphiles Freelists <sinatraphiles@freelists.org>; Scott Henderson <scott@falseducks.com>
Subject: [sinatraphiles] Fw: Re: Re: Fw: SINATRA CONCERTS:
________________________________
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
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Subject: Undeliverable: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
From: postmaster@outlook.com <postmaster@outlook.com>
Sent: 03 January 2026 00:52
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Subject: Undeliverable: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Fw: Re: Re: Fw: SINATRA CONCERTS:
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
________________________________
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Subject: Undeliverable: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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From: Fred Wadsworth <frw2@hotmail.co.uk>
To: "kennylucas589@gmal.com" <kennylucas589@gmal.com>
Subject: Re: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
Thread-Topic: [sinatraphiles] Re: Fw: SINATRA CONCERTS:
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Date: Fri, 2 Jan 2026 12:50:00 +0000
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email i cant send to KENNY LUCAS
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
Hi Scott, my emails to KENNY LUCAS HE IS NOT GETTING PLEASE HELP ME BEST FRED
email i cant send to KENNY LUCAS
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
Hi Scott, my emails to KENNY LUCAS HE IS NOT GETTING PLEASE HELP ME BEST FRED
email i cant send to KENNY LUCAS
Undated materialFrom: Fred Wadsworth <dmarc-noreply@freelists.org> | Received: 2026-01-03
Hi Scott, my emails to KENNY LUCAS HE IS NOT GETTING PLEASE HELP ME BEST FRED
Re: SINATRA CONCERTS:
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2026-01-06
Hello Fred .. I am trying to make sense of your e-mails
On Monday, December 29, 2025 at 01:07:14 PM EST, shemmy Mashiah <dmarc-noreply@freelists.org> wrote:
FredGood to hear from you!!!!I thought you retired from the group.Glad you are well.Shemmy
נשלח מה-iPhone שלי
ב-29 בדצמ׳ 2025, בשעה 17:47, Fred Wadsworth <dmarc-noreply@freelists.org> כתב/ה:
From: Fred Wadsworth <frw2@hotmail.co.uk>
Sent: 27 December 2025 23:24
To: kennylucas589@gmal.com <kennylucas589@gmal.com>
Subject: SINATRA CONCERTS: Hi Kenny, can i have a list of the 21 concerts you got and i can send you a list of some i my have to trade is the sound good? BEST FRED
Re: email i cant send to KENNY LUCAS
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2026-01-06
I received this e-mail
On Saturday, January 3, 2026 at 10:03:39 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org> wrote:
#yiv4647178533 P {margin-top:0;margin-bottom:0;}Hi Scott, my emails to KENNY LUCAS HE IS NOT GETTING PLEASE HELP ME BEST FRED
Re: email i cant send to KENNY LUCAS
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2026-01-06
I received this e-mail
On Saturday, January 3, 2026 at 10:03:39 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org> wrote:
#yiv4647178533 P {margin-top:0;margin-bottom:0;}Hi Scott, my emails to KENNY LUCAS HE IS NOT GETTING PLEASE HELP ME BEST FRED
Re: email i cant send to KENNY LUCAS
Undated materialFrom: kenny lucas <dmarc-noreply@freelists.org> | Received: 2026-01-06
I received this e-mail
On Saturday, January 3, 2026 at 10:03:39 AM EST, Fred Wadsworth <dmarc-noreply@freelists.org> wrote:
#yiv4647178533 P {margin-top:0;margin-bottom:0;}Hi Scott, my emails to KENNY LUCAS HE IS NOT GETTING PLEASE HELP ME BEST FRED
FRANK DOUBLE ROLE AS GODFATHER II
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-14
Happened at end of 1956/57 Sands engagement. Hank Henry was a good
friend.
[image referenced in source but could not be recovered]
FRANK DOUBLE ROLE AS GODFATHER II
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-14
Happened at end of 1956/57 Sands engagement. Hank Henry was a good
friend.

FRANK DOUBLE ROLE AS GODFATHER II
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-14
Happened at end of 1956/57 Sands engagement. Hank Henry was a good
friend.

Sinatra Audio/ Video Trading
Undated materialFrom: Scott Sibley <dmarc-noreply@freelists.org> | Received: 2026-01-19
Hey yall!
I love collecting Sinatra audio and video recordings and wanted to reach
out and see if anyone would be interested in swapping some recordings!
Check out my list at the email below.
http://etreedb.org/socool135
P.S. Ive been an audio/ video engineer for 20 years. I have acess to some
professional equipment and have and have been trying to capture as many
Sinatra vhs and cassette tapes as possible in lossless quality!
Sinatra Audio/ Video Trading
Undated materialFrom: Scott Sibley <dmarc-noreply@freelists.org> | Received: 2026-01-19
Hey yall!
I love collecting Sinatra audio and video recordings and wanted to reach
out and see if anyone would be interested in swapping some recordings!
Check out my list at the email below.
http://etreedb.org/socool135
P.S. Ive been an audio/ video engineer for 20 years. I have acess to some
professional equipment and have and have been trying to capture as many
Sinatra vhs and cassette tapes as possible in lossless quality!
Sinatra Audio/ Video Trading
Undated materialFrom: Scott Sibley <dmarc-noreply@freelists.org> | Received: 2026-01-19
Hey yall!
I love collecting Sinatra audio and video recordings and wanted to reach
out and see if anyone would be interested in swapping some recordings!
Check out my list at the email below.
http://etreedb.org/socool135
P.S. Ive been an audio/ video engineer for 20 years. I have acess to some
professional equipment and have and have been trying to capture as many
Sinatra vhs and cassette tapes as possible in lossless quality!
Sinatra The Musical West End
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2026-01-20
Looks like Sinatra The Musical is back this Summer in the West End, after the run in Birmingham a few years back.
Running at the Aldwych Theatre, starting previews June 3rd, opening night June 24th, set to close April 10, 2027.
Sinatra The Musical is coming to the West End! 🇬🇧
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-21
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| Start spreading the news! 🗞️✨ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ |
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Sinatra The Musical to Make Its West End Premiere in Summer 2026
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SIGN UP FOR PRIORITY TICKETS
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Sinatra The Musical—a new musical based on the life and career of the legendary artist and cultural icon—is opening in London in June 2026, featuring over 20 timeless hits including “That’s Life,” “One For My Baby,” “The Best Is Yet To Come” & “Come Fly With Me.”
It is New Year’s Eve, 1942, and a skinny 27-year-old Italian American singer is about to step onto the stage of New York’s Paramount Theatre and give a performance that will change music history. As Frank Sinatra’s career suddenly skyrockets, he struggles with balancing the love of his wife, Nancy, against the demands and temptations of being the most popular singer in America. But when he begins a torrid affair with movie goddess Ava Gardner, his records stop selling and the press turns against him, sending his career into a tailspin. Driven by his devotion to his family, Sinatra employs his peerless artistry and dogged determination to stage the greatest comeback in showbiz history.
“My dad used to always say, ‘If I can’t feel it, I can’t sing it.’ As a result, he wasn’t just singing songs, he was recording an emotional diary of his life. And it’s these classic songs that form the heart of ‘Sinatra The Musical.’ Set against the backdrop of my father’s meteoric rise, the show reveals a more intimate portrait of the man than any interview or headline ever could. And just like my dad, it’s full of music and passion and humor. I am so proud to share his story—our story—at long last.” –Tina Sinatra
Sinatra The Musical is written by the two-time Tony award-winning writer Joe DiPietro (Memphis the Musical, What’s New Pussycat?), directed and choreographed by three-time Tony Award-winning Kathleen Marshall (Top Hat, Anything Goes), and the set is designed by Olivier Award-winning Peter McKintosh (Crazy for You, Orlando). The orchestra of 17 musicians will be supervised by Gareth Valentine (My Fair Lady, 42nd Street). They are joined by Jon Morrell (Costume Designer), Jonathan Deans (Sound Designer), Akhila Krishnan (Video Designer), Larry Blank & John Clayton (Orchestrators), Ian Eisendrath (Arranger), David Chase (Dance Arrangements), David Grindrod, CDG for Grindrod Burton Casting (Casting Director), Jim Carnahan (US Casting Director), Jason Thinger (US Casting (Carnahan)), and Carol Lee Meadows (Associate Choreographer).
Performances begin Wednesday, 3 June 2026 at the Aldwych Theatre, London. You’ll want to be a part of it.
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SIGN UP FOR PRIORITY TICKETS
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Listen to Frank Sinatra!
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Go ahead and dive into hours of Frank Sinatra’s legendary music, curated just for you on whichever streaming service you prefer.
One thing’s for sure: You’re in for a treat.
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LISTEN ON APPLE MUSIC
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LISTEN ON SPOTIFY
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You have received this email because you provided your email address to a UMG artist or label mailing list
This email was sent to hgranfield@gmail.com by 2220 Colorado Ave, Santa Monica, CA 90404
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UNSUBSCRIBE | VIEW PRIVACY POLICY
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Sinatra The Musical is coming to the West End! 🇬🇧
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-21
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| Start spreading the news! 🗞️✨ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ |
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VIEW IN BROWSER
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Sinatra The Musical to Make Its West End Premiere in Summer 2026
|
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| |
|
| |
|
|
SIGN UP FOR PRIORITY TICKETS
|
|
|
Sinatra The Musical—a new musical based on the life and career of the legendary artist and cultural icon—is opening in London in June 2026, featuring over 20 timeless hits including “That’s Life,” “One For My Baby,” “The Best Is Yet To Come” & “Come Fly With Me.”
It is New Year’s Eve, 1942, and a skinny 27-year-old Italian American singer is about to step onto the stage of New York’s Paramount Theatre and give a performance that will change music history. As Frank Sinatra’s career suddenly skyrockets, he struggles with balancing the love of his wife, Nancy, against the demands and temptations of being the most popular singer in America. But when he begins a torrid affair with movie goddess Ava Gardner, his records stop selling and the press turns against him, sending his career into a tailspin. Driven by his devotion to his family, Sinatra employs his peerless artistry and dogged determination to stage the greatest comeback in showbiz history.
“My dad used to always say, ‘If I can’t feel it, I can’t sing it.’ As a result, he wasn’t just singing songs, he was recording an emotional diary of his life. And it’s these classic songs that form the heart of ‘Sinatra The Musical.’ Set against the backdrop of my father’s meteoric rise, the show reveals a more intimate portrait of the man than any interview or headline ever could. And just like my dad, it’s full of music and passion and humor. I am so proud to share his story—our story—at long last.” –Tina Sinatra
Sinatra The Musical is written by the two-time Tony award-winning writer Joe DiPietro (Memphis the Musical, What’s New Pussycat?), directed and choreographed by three-time Tony Award-winning Kathleen Marshall (Top Hat, Anything Goes), and the set is designed by Olivier Award-winning Peter McKintosh (Crazy for You, Orlando). The orchestra of 17 musicians will be supervised by Gareth Valentine (My Fair Lady, 42nd Street). They are joined by Jon Morrell (Costume Designer), Jonathan Deans (Sound Designer), Akhila Krishnan (Video Designer), Larry Blank & John Clayton (Orchestrators), Ian Eisendrath (Arranger), David Chase (Dance Arrangements), David Grindrod, CDG for Grindrod Burton Casting (Casting Director), Jim Carnahan (US Casting Director), Jason Thinger (US Casting (Carnahan)), and Carol Lee Meadows (Associate Choreographer).
Performances begin Wednesday, 3 June 2026 at the Aldwych Theatre, London. You’ll want to be a part of it.
|
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SIGN UP FOR PRIORITY TICKETS
|
|
| |
|
|
|
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| |
|
Listen to Frank Sinatra!
|
|
Go ahead and dive into hours of Frank Sinatra’s legendary music, curated just for you on whichever streaming service you prefer.
One thing’s for sure: You’re in for a treat.
|
|
|
| |
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LISTEN ON APPLE MUSIC
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LISTEN ON SPOTIFY
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You have received this email because you provided your email address to a UMG artist or label mailing list
This email was sent to hgranfield@gmail.com by 2220 Colorado Ave, Santa Monica, CA 90404
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UNSUBSCRIBE | VIEW PRIVACY POLICY
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Sinatra The Musical is coming to the West End! 🇬🇧
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-21
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| Start spreading the news! 🗞️✨ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ |
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VIEW IN BROWSER
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Sinatra The Musical to Make Its West End Premiere in Summer 2026
|
|
| |
|
| |
|
|
SIGN UP FOR PRIORITY TICKETS
|
|
|
Sinatra The Musical—a new musical based on the life and career of the legendary artist and cultural icon—is opening in London in June 2026, featuring over 20 timeless hits including “That’s Life,” “One For My Baby,” “The Best Is Yet To Come” & “Come Fly With Me.”
It is New Year’s Eve, 1942, and a skinny 27-year-old Italian American singer is about to step onto the stage of New York’s Paramount Theatre and give a performance that will change music history. As Frank Sinatra’s career suddenly skyrockets, he struggles with balancing the love of his wife, Nancy, against the demands and temptations of being the most popular singer in America. But when he begins a torrid affair with movie goddess Ava Gardner, his records stop selling and the press turns against him, sending his career into a tailspin. Driven by his devotion to his family, Sinatra employs his peerless artistry and dogged determination to stage the greatest comeback in showbiz history.
“My dad used to always say, ‘If I can’t feel it, I can’t sing it.’ As a result, he wasn’t just singing songs, he was recording an emotional diary of his life. And it’s these classic songs that form the heart of ‘Sinatra The Musical.’ Set against the backdrop of my father’s meteoric rise, the show reveals a more intimate portrait of the man than any interview or headline ever could. And just like my dad, it’s full of music and passion and humor. I am so proud to share his story—our story—at long last.” –Tina Sinatra
Sinatra The Musical is written by the two-time Tony award-winning writer Joe DiPietro (Memphis the Musical, What’s New Pussycat?), directed and choreographed by three-time Tony Award-winning Kathleen Marshall (Top Hat, Anything Goes), and the set is designed by Olivier Award-winning Peter McKintosh (Crazy for You, Orlando). The orchestra of 17 musicians will be supervised by Gareth Valentine (My Fair Lady, 42nd Street). They are joined by Jon Morrell (Costume Designer), Jonathan Deans (Sound Designer), Akhila Krishnan (Video Designer), Larry Blank & John Clayton (Orchestrators), Ian Eisendrath (Arranger), David Chase (Dance Arrangements), David Grindrod, CDG for Grindrod Burton Casting (Casting Director), Jim Carnahan (US Casting Director), Jason Thinger (US Casting (Carnahan)), and Carol Lee Meadows (Associate Choreographer).
Performances begin Wednesday, 3 June 2026 at the Aldwych Theatre, London. You’ll want to be a part of it.
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Frank & Nelson
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-27
A friend sent me this article about Sinatra & Riddle -
https://www.newsbreak.com/share/4454707191580-nelson-riddle-made-frank-sinatra-an-icon-but-at-the-height-of-his-power-an-angry-and-jealous-sinatra-erased-him-from-the-story?_f=app_share&pd=051DWPG7&lang=en_US&send_time=1769100007&trans_data=%7B%22platform%22%3A0%2C%22cv%22%3A%2226.2.1.11%22%2C%22languages%22%3A%22en%22%7D&s=i3
You can tell the slant from the title - "Nelson Riddle made Frank Sinatra an icon, but at the height of his power, an angry and jealous Sinatra erased him from the story." - but I don' think the article reads as harshly as the title. Given Frank's personality it has a ring of truth but I can't say I ever felt that this was the case.
Wondering what people think?
Al
Frank & Nelson
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-27
A friend sent me this article about Sinatra & Riddle -
https://www.newsbreak.com/share/4454707191580-nelson-riddle-made-frank-sinatra-an-icon-but-at-the-height-of-his-power-an-angry-and-jealous-sinatra-erased-him-from-the-story?_f=app_share&pd=051DWPG7&lang=en_US&send_time=1769100007&trans_data=%7B%22platform%22%3A0%2C%22cv%22%3A%2226.2.1.11%22%2C%22languages%22%3A%22en%22%7D&s=i3
You can tell the slant from the title - "Nelson Riddle made Frank Sinatra an icon, but at the height of his power, an angry and jealous Sinatra erased him from the story." - but I don' think the article reads as harshly as the title. Given Frank's personality it has a ring of truth but I can't say I ever felt that this was the case.
Wondering what people think?
Al
Frank & Nelson
Undated materialFrom: 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-27
A friend sent me this article about Sinatra & Riddle -
https://www.newsbreak.com/share/4454707191580-nelson-riddle-made-frank-sinatra-an-icon-but-at-the-height-of-his-power-an-angry-and-jealous-sinatra-erased-him-from-the-story?_f=app_share&pd=051DWPG7&lang=en_US&send_time=1769100007&trans_data=%7B%22platform%22%3A0%2C%22cv%22%3A%2226.2.1.11%22%2C%22languages%22%3A%22en%22%7D&s=i3
You can tell the slant from the title - "Nelson Riddle made Frank Sinatra an icon, but at the height of his power, an angry and jealous Sinatra erased him from the story." - but I don' think the article reads as harshly as the title. Given Frank's personality it has a ring of truth but I can't say I ever felt that this was the case.
Wondering what people think?
Al
Re: Frank & Nelson
Undated materialFrom: Kenny Lucas <kennylucas589@gmail.com> | Received: 2026-01-27
In concert Sinatra always praised Nelson.
On Tue, Jan 27, 2026, 8:38 AM Robert Waldman <robwaldman34@gmail.com> wrote:
> The article lost me as soon as it referred to Riddle as “a man almost no
> one remembers.” What BS.
>
> Sent from my iPad
>
> On Jan 27, 2026, at 7:53 AM, 'ALFRED MASCIOCCHI' via Sinatraphiles <
> sinatraphiles@googlegroups.com> wrote:
>
>
> A friend sent me this article about Sinatra & Riddle -
>
>
> https://www.newsbreak.com/share/4454707191580-nelson-riddle-made-frank-sinatra-an-icon-but-at-the-height-of-his-power-an-angry-and-jealous-sinatra-erased-him-from-the-story?_f=app_share&pd=051DWPG7&lang=en_US&send_time=1769100007&trans_data=%7B%22platform%22%3A0%2C%22cv%22%3A%2226.2.1.11%22%2C%22languages%22%3A%22en%22%7D&s=i3
>
> You can tell the slant from the title - "Nelson Riddle made Frank Sinatra
> an icon, but at the height of his power, an angry and jealous Sinatra
> erased him from the story." - but I don' think the article reads as harshly
> as the title. Given Frank's personality it has a ring of truth but I can't
> say I ever felt that this was the case.
>
> Wondering what people think?
>
> Al
>
> --
>
Re: Frank & Nelson
Undated materialFrom: Robert Waldman <robwaldman34@gmail.com> | Received: 2026-01-27
The article lost me as soon as it referred to Riddle as “a man almost no one remembers.” What BS.
Sent from my iPad
On Jan 27, 2026, at 7:53 AM, 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
A friend sent me this article about Sinatra & Riddle -
https://www.newsbreak.com/share/4454707191580-nelson-riddle-made-frank-sinatra-an-icon-but-at-the-height-of-his-power-an-angry-and-jealous-sinatra-erased-him-from-the-story?_f=app_share&pd=051DWPG7&lang=en_US&send_time=1769100007&trans_data=%7B%22platform%22%3A0%2C%22cv%22%3A%2226.2.1.11%22%2C%22languages%22%3A%22en%22%7D&s=i3
You can tell the slant from the title - "Nelson Riddle made Frank Sinatra an icon, but at the height of his power, an angry and jealous Sinatra erased him from the story." - but I don' think the article reads as harshly as the title. Given Frank's personality it has a ring of truth but I can't say I ever felt that this was the case.
Wondering what people think?
Al
Re: Frank & Nelson
Undated materialFrom: Robert Waldman <robwaldman34@gmail.com> | Received: 2026-01-27
The article lost me as soon as it referred to Riddle as “a man almost no one remembers.” What BS.
Sent from my iPad
On Jan 27, 2026, at 7:53 AM, 'ALFRED MASCIOCCHI' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
A friend sent me this article about Sinatra & Riddle -
https://www.newsbreak.com/share/4454707191580-nelson-riddle-made-frank-sinatra-an-icon-but-at-the-height-of-his-power-an-angry-and-jealous-sinatra-erased-him-from-the-story?_f=app_share&pd=051DWPG7&lang=en_US&send_time=1769100007&trans_data=%7B%22platform%22%3A0%2C%22cv%22%3A%2226.2.1.11%22%2C%22languages%22%3A%22en%22%7D&s=i3
You can tell the slant from the title - "Nelson Riddle made Frank Sinatra an icon, but at the height of his power, an angry and jealous Sinatra erased him from the story." - but I don' think the article reads as harshly as the title. Given Frank's personality it has a ring of truth but I can't say I ever felt that this was the case.
Wondering what people think?
Al
Re: [sinatraphiles] January 25 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Kenny Lucas <kennylucas589@gmail.com> | Received: 2026-01-27
Eydie Gorme performed on the bill with Sinatra at the Click Club 1951.
On Tue, Jan 27, 2026, 4:39 PM Scott Henderson <scott@falseducks.com> wrote:
> Apparently I posted the original 25th posts to the Freelists group and not
> the Google Group. I blame auto correct.
>
>
> Scott
>
> At 10:21 AM 1/27/2026, you wrote:
>
> I'm not sure what happened to the posts from January 25th. I know I
> posted them but they apparently didn't go through. Thanks to Ed, for
> letting me know. I posted them again today. Hopefully they go through to
> the group.
>
>
>
> scott
>
> --
>
re: [sinatraphiles] January 25 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: scott@falseducks.com | Received: 2026-01-27
I'm not sure what happened to the posts from January 25th. I know I
posted them but they apparently didn't go through. Thanks to Ed, for
letting me know. I posted them again today. Hopefully they go through
to the group.
scott
re: [sinatraphiles] January 25 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-01-27
Apparently I posted the original 25th posts to the Freelists group
and not the Google Group. I blame auto correct.
Scott
At 10:21 AM 1/27/2026, you wrote:
>I'm not sure what happened to the posts from January 25th. I know I
>posted them but they apparently didn't go through. Thanks to Ed,
>for letting me know. I posted them again today. Hopefully they go
>through to the group.
>
>
>
>scott
>
>--
>
re: [sinatraphiles] January 25 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-01-27
Apparently I posted the original 25th posts to the Freelists group
and not the Google Group. I blame auto correct.
Scott
At 10:21 AM 1/27/2026, you wrote:
>I'm not sure what happened to the posts from January 25th. I know I
>posted them but they apparently didn't go through. Thanks to Ed,
>for letting me know. I posted them again today. Hopefully they go
>through to the group.
>
>
>
>scott
>
>--
>
re: [sinatraphiles] January 25 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-01-27
Apparently I posted the original 25th posts to the Freelists group
and not the Google Group. I blame auto correct.
Scott
At 10:21 AM 1/27/2026, you wrote:
>I'm not sure what happened to the posts from January 25th. I know I
>posted them but they apparently didn't go through. Thanks to Ed,
>for letting me know. I posted them again today. Hopefully they go
>through to the group.
>
>
>
>scott
>
>--
>
SINATRA IN AUSTRALIA JANUARY 1955
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-30
1-24-55
1-27-55

















SINATRA IN AUSTRALIA JANUARY 1955
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-01-30
1-24-55
1-27-55
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BING and FRANK
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-03
San Francisco Examiner
4-1-45
note: I don't image Paramount was willing to loan Bing out in 1945.
He was the #1 B.O. draw. MGM would have been just as reluctant
to surrender the star of "Anchors Aweigh."
Ed

BING and FRANK
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-03
San Francisco Examiner
4-1-45
note: I don't image Paramount was willing to loan Bing out in 1945.
He was the #1 B.O. draw. MGM would have been just as reluctant
to surrender the star of "Anchors Aweigh."
Ed

BING and FRANK
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-03
San Francisco Examiner
4-1-45
note: I don't image Paramount was willing to loan Bing out in 1945.
He was the #1 B.O. draw. MGM would have been just as reluctant
to surrender the star of "Anchors Aweigh."
Ed

BING and FRANK
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-03
San Francisco Examiner
4-1-45
note: I don't image Paramount was willing to loan Bing out in 1945.
He was the #1 B.O. draw. MGM would have been just as reluctant
to surrender the star of "Anchors Aweigh."
Ed
[image referenced in source but could not be recovered]
THROUGH THE YEARS WITH FRANK
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-03
1-1-43
7-14-46
10-13-46
1-27-47
4-15-47
Billy Rose was a major force in the entertainment world for many years.
He was an impresario, theatrical showman, lyricist and columnist. Frank
recorded a number of his songs.
1-25-48
1-12-55
note: Hitchcock directed the film "The Wrong Man" in 1957, with Henry Fonda
playing Manny.
1-27-55
1-30-57
note: Frank never played the Copa again
10-20-75










THROUGH THE YEARS WITH FRANK
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-03
1-1-43
7-14-46
10-13-46
1-27-47
4-15-47
Billy Rose was a major force in the entertainment world for many years.
He was an impresario, theatrical showman, lyricist and columnist. Frank
recorded a number of his songs.
1-25-48
1-12-55
note: Hitchcock directed the film "The Wrong Man" in 1957, with Henry Fonda
playing Manny.
1-27-55
1-30-57
note: Frank never played the Copa again
10-20-75
[image referenced in source but could not be recovered]
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Re: [sinatraphiles] February 6 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Kenny Lucas <kennylucas589@gmail.com> | Received: 2026-02-08
I don't know if anyone else follows the Ric Ross you tube channel. They
have released so many rare Sinatra item's that no one else has. Just
released rare " Meet Danny Wilson " promos. Great channel, great Sinatra
item's.
On Fri, Feb 6, 2026, 2:18 PM <scott@falseducks.com> wrote:
>
>
>
> *Studio *
>
> *1952 Hollywood *RHCO10110
> *My Girl *(C. Freed)
> Ludlow Music, Inc. (BMI) 1952
> Arranged & Conducted by Axel Stordahl
> -1 (2:24) CD: Columbia Years 43-52 Vol. 12
> 78: 39726
>
>
> RHCO10114
> *Feet Of Clay *(J. Whitney/A. Kramer/H. Zaret)
> Bourne, Inc. (ASCAP) 1952
> Arranged & Conducted by Axel Stordahl
> -1 (2:56) CD: Columbia Years 43-52 Vol. 12
> 78: 39687
>
>
>
>
> *NOTE: Sinatra Scholar Ed O'Brien remarks that he'd take "Mama Will Bark"
> anytime over this "little beauty." *RHCO10115
> *Don't Ever Be Afraid To Go Home *(B. Hillard/C. Sigman)
> Remick Music Corp. (ASCAP) 1952
> Arranged & Conducted by Axel Stordahl
> -1 (2:28) CD: Columbia Years 43-52 Vol. 12
> 78: 39687
>
> Violins: J. Augustine, D. Lube, N. Pisani, I. Prager, M. Russell, M.
> Sosson; Violas: S. Harris, D. Sterkin; Cello: E. Slatkin; Harp: A.
> Stockton; Saxes: E. Callen, E. Gershman, L. Hartman, B. Russin, F. Stulce;
> Trumpet: R. Zarchy; Trombones: G. Arus, J. Piddy; Piano: W. Miller; Guitar:
> A. Reuss; Bass: J. Ryan; Drums: R. Hagan
>
>
>
>
>
>
> *Radio *
> *1941 Fame And Fortune - Tommy Dorsey Orchestra *Network: NBC - Blue
> Network
> Location: New York City
> Show #19
> Sponsor: Nature's Remedy
> Time: 8:30PM - 9:00PM (EST) Thursdays
> Orchestra Conducted By: Tommy Dorsey
> Arrangements By: Axel Stordahl (Sinatra)
> Announcer: Fred Beutel
> Musicians: Ziggy Elman, Bob Alexy, Lee Castle, Jimmy Blake (trumpet);
> George Arus, Les Jenkins, Dave Jacobs (trombone); Johnny Mince (clarinet,
> alto sax); Fred Stulce, Heinie Beau (alto sax); Don Lodice, Paul Mason
> (tenor sax); Joe Bushkin (piano); Clark Youcum (guitar); Sid Weiss (bass);
> Buddy Rich (drums).
> Vocals: Frank Sinatra, Connie Haines, Pied Pipers
> 1. opening theme: Anything - TD & Orchestra
> 2. Ida, Sweet As Apple Cider - Frank Sinatra
> 3. May I Never Love Again - Connie Haines
> 4. commercial
> 5. I Love It So - Jo Stafford & Pied Pipers
> 6. Oh, Look At Me Now - Frank Sinatra, Connie Haines & Pied Pipers
> 7. commercial
> 8. Old Black Joe - Tommy Dorsey & orchestra
> 9. Believe Me If All Those Endearing Young Charms - Tommy Dorsey
> 10. commercial
> 11. If You Would Only Change Your Mind - Jo Stafford
> 12. closing theme: Anything - TD & Orchestra
> Notes: Confirmed airing on WJZ
>
>
>
>
> *("Ida, Sweet As Apple Cider" appears on CD: Buddha 74321 69173 2 'Learn
> To Croon') *
> *1946 Songs By Sinatra *Network: CBS
> Location: Hollywood
> Show #22
> Sponsor: Old Gold Cigarettes
> Time: 9:00PM - 9:30PM (EST) Wednesday
> Orchestra Conducted By: Axel Stordahl
> Arrangements By: Axel Stordahl
> Announcer: Marvin Miller
> Writer: Glenn Wheaton
> Directed By: Mann Holiner
> Performers: The Pied Pipers
> Guest: Bob Hope
> CBS Broadcast:
> 1. opening theme: Night And Day
> 2. Don't Forget Tonight Tomorrow - Frank Sinatra & Pied Pipers
> 3. That Old Black Magic - Frank Sinatra
> 4. commercial 1
> 5. Doctor, Lawyer And Indian Chief - Pied Pipers
> 6. comedy - Bob Hope & Frank Sinatra
> 7. These Foolish Things (parody) - Frank Sinatra & Bob Hope
> 8. commercial 2
> 9. Tin Pan Alley "Race Track" Medley: Symphony /
> I Can't Begin To Tell You / Let It Snow, Let It Snow,
> Let It Snow / I'm Always Chasing Rainbow / It's Been
> A Long Long Time / Bell Bottom Trousers - Frank Sinatra
> 10. Day By Day - Frank Sinatra
> 11. closing theme: Put Your Dreams "screams" Away - w/Bob Hope
>
>
>
>
>
> *Notes: Confirmed airing on WABC. Ed O'Brien reports that there is a
> rehearsal tape of this radio show in circulation. It is great fun, he says.
> Bob Hope did not attend the rehearsal but Frank had a good time with the
> cast. *
> *1950 Light Up Time *Taped: January 16, 1950
> Sponsor: Lucky Strike Cigarettes
> Network: NBC
> Show #111
> Broadcast: 4:00-4:15 PM PST (Repeat: 8:00-8:15 PM PST)
> Starring: Frank Sinatra & Dorothy Kirsten
> Jeff Alexander And The Orchestra
> 1. opening
> 2. A Foggy Day - Frank Sinatra
> 3. commercial
> 4. More Than You Know - Dorothy Kirsten
> 5. Without A Song - Frank Sinatra
> 6. commercial
> 7. The Way You Look Tonight - Frank Sinatra & Dorothy Kirsten
> 8. closing
>
>
>
>
>
> *Television *
>
>
>
>
>
> *NONE FILM 1952 "Meet Danny Wilson" *Portland Oregan Premiere February
> 6, 1952) (Regular release: April 1st, 1952)
> Starring: Frank Sinatra, Shelley Winters, Alex Nicol, Raymond Burr
> Produced by: Leonard Goldstein
> Directed by: Joseph Pevney
>
>
>
>
> *Danny Wilson (Sinatra) and partner Mike (Nicol) make a meager living
> singing in dives and hustling pool. One night they meet entertainer Joy
> Carroll (Winters), who gets them a job at racketeer Nick Driscoll's (Burr)
> posh nightclub. But Nick wants a high price: half of Danny's future income.
> Danny's career skyrockets, but his position at the top of the heap, and his
> one-sided romance with Joy, prove extremely unstable.*
>
Re: [sinatraphiles] February 6 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: Kenny Lucas <kennylucas589@gmail.com> | Received: 2026-02-08
I don't know if anyone else follows the Ric Ross you tube channel. They
have released so many rare Sinatra item's that no one else has. Just
released rare " Meet Danny Wilson " promos. Great channel, great Sinatra
item's.
On Fri, Feb 6, 2026, 2:18 PM <scott@falseducks.com> wrote:
>
>
>
> *Studio *
>
> *1952 Hollywood *RHCO10110
> *My Girl *(C. Freed)
> Ludlow Music, Inc. (BMI) 1952
> Arranged & Conducted by Axel Stordahl
> -1 (2:24) CD: Columbia Years 43-52 Vol. 12
> 78: 39726
>
>
> RHCO10114
> *Feet Of Clay *(J. Whitney/A. Kramer/H. Zaret)
> Bourne, Inc. (ASCAP) 1952
> Arranged & Conducted by Axel Stordahl
> -1 (2:56) CD: Columbia Years 43-52 Vol. 12
> 78: 39687
>
>
>
>
> *NOTE: Sinatra Scholar Ed O'Brien remarks that he'd take "Mama Will Bark"
> anytime over this "little beauty." *RHCO10115
> *Don't Ever Be Afraid To Go Home *(B. Hillard/C. Sigman)
> Remick Music Corp. (ASCAP) 1952
> Arranged & Conducted by Axel Stordahl
> -1 (2:28) CD: Columbia Years 43-52 Vol. 12
> 78: 39687
>
> Violins: J. Augustine, D. Lube, N. Pisani, I. Prager, M. Russell, M.
> Sosson; Violas: S. Harris, D. Sterkin; Cello: E. Slatkin; Harp: A.
> Stockton; Saxes: E. Callen, E. Gershman, L. Hartman, B. Russin, F. Stulce;
> Trumpet: R. Zarchy; Trombones: G. Arus, J. Piddy; Piano: W. Miller; Guitar:
> A. Reuss; Bass: J. Ryan; Drums: R. Hagan
>
>
>
>
>
>
> *Radio *
> *1941 Fame And Fortune - Tommy Dorsey Orchestra *Network: NBC - Blue
> Network
> Location: New York City
> Show #19
> Sponsor: Nature's Remedy
> Time: 8:30PM - 9:00PM (EST) Thursdays
> Orchestra Conducted By: Tommy Dorsey
> Arrangements By: Axel Stordahl (Sinatra)
> Announcer: Fred Beutel
> Musicians: Ziggy Elman, Bob Alexy, Lee Castle, Jimmy Blake (trumpet);
> George Arus, Les Jenkins, Dave Jacobs (trombone); Johnny Mince (clarinet,
> alto sax); Fred Stulce, Heinie Beau (alto sax); Don Lodice, Paul Mason
> (tenor sax); Joe Bushkin (piano); Clark Youcum (guitar); Sid Weiss (bass);
> Buddy Rich (drums).
> Vocals: Frank Sinatra, Connie Haines, Pied Pipers
> 1. opening theme: Anything - TD & Orchestra
> 2. Ida, Sweet As Apple Cider - Frank Sinatra
> 3. May I Never Love Again - Connie Haines
> 4. commercial
> 5. I Love It So - Jo Stafford & Pied Pipers
> 6. Oh, Look At Me Now - Frank Sinatra, Connie Haines & Pied Pipers
> 7. commercial
> 8. Old Black Joe - Tommy Dorsey & orchestra
> 9. Believe Me If All Those Endearing Young Charms - Tommy Dorsey
> 10. commercial
> 11. If You Would Only Change Your Mind - Jo Stafford
> 12. closing theme: Anything - TD & Orchestra
> Notes: Confirmed airing on WJZ
>
>
>
>
> *("Ida, Sweet As Apple Cider" appears on CD: Buddha 74321 69173 2 'Learn
> To Croon') *
> *1946 Songs By Sinatra *Network: CBS
> Location: Hollywood
> Show #22
> Sponsor: Old Gold Cigarettes
> Time: 9:00PM - 9:30PM (EST) Wednesday
> Orchestra Conducted By: Axel Stordahl
> Arrangements By: Axel Stordahl
> Announcer: Marvin Miller
> Writer: Glenn Wheaton
> Directed By: Mann Holiner
> Performers: The Pied Pipers
> Guest: Bob Hope
> CBS Broadcast:
> 1. opening theme: Night And Day
> 2. Don't Forget Tonight Tomorrow - Frank Sinatra & Pied Pipers
> 3. That Old Black Magic - Frank Sinatra
> 4. commercial 1
> 5. Doctor, Lawyer And Indian Chief - Pied Pipers
> 6. comedy - Bob Hope & Frank Sinatra
> 7. These Foolish Things (parody) - Frank Sinatra & Bob Hope
> 8. commercial 2
> 9. Tin Pan Alley "Race Track" Medley: Symphony /
> I Can't Begin To Tell You / Let It Snow, Let It Snow,
> Let It Snow / I'm Always Chasing Rainbow / It's Been
> A Long Long Time / Bell Bottom Trousers - Frank Sinatra
> 10. Day By Day - Frank Sinatra
> 11. closing theme: Put Your Dreams "screams" Away - w/Bob Hope
>
>
>
>
>
> *Notes: Confirmed airing on WABC. Ed O'Brien reports that there is a
> rehearsal tape of this radio show in circulation. It is great fun, he says.
> Bob Hope did not attend the rehearsal but Frank had a good time with the
> cast. *
> *1950 Light Up Time *Taped: January 16, 1950
> Sponsor: Lucky Strike Cigarettes
> Network: NBC
> Show #111
> Broadcast: 4:00-4:15 PM PST (Repeat: 8:00-8:15 PM PST)
> Starring: Frank Sinatra & Dorothy Kirsten
> Jeff Alexander And The Orchestra
> 1. opening
> 2. A Foggy Day - Frank Sinatra
> 3. commercial
> 4. More Than You Know - Dorothy Kirsten
> 5. Without A Song - Frank Sinatra
> 6. commercial
> 7. The Way You Look Tonight - Frank Sinatra & Dorothy Kirsten
> 8. closing
>
>
>
>
>
> *Television *
>
>
>
>
>
> *NONE FILM 1952 "Meet Danny Wilson" *Portland Oregan Premiere February
> 6, 1952) (Regular release: April 1st, 1952)
> Starring: Frank Sinatra, Shelley Winters, Alex Nicol, Raymond Burr
> Produced by: Leonard Goldstein
> Directed by: Joseph Pevney
>
>
>
>
> *Danny Wilson (Sinatra) and partner Mike (Nicol) make a meager living
> singing in dives and hustling pool. One night they meet entertainer Joy
> Carroll (Winters), who gets them a job at racketeer Nick Driscoll's (Burr)
> posh nightclub. But Nick wants a high price: half of Danny's future income.
> Danny's career skyrockets, but his position at the top of the heap, and his
> one-sided romance with Joy, prove extremely unstable.*
>
SINATRA SAYS GOODBYE TO T.D.
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Daily News
February 1978






SINATRA SAYS GOODBYE TO T.D.
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Daily News
February 1978
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WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63


WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63


WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63


WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63


WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63


WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63


WHAT MIGHT HAVE BEEN
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
Miami News
4-15-55 ( day "Wee Small Hours" was issued )
1-9-63
[image referenced in source but could not be recovered]
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frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45







frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45







frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45







frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45







frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45







frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45







frank's war on intolerance and the price he paid
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-10
10-24-45
10-24-45
12-15-45
12-11-45
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OOPS !
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-13
I apologize for the post regarding George Evans.My computer is a little screwy today. I sent the post to the intended recipient, but, for some reason,it went to the list. Ed
OOPS !
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-13
I apologize for the post regarding George Evans.My computer is a little screwy today. I sent the post to the intended recipient, but, for some reason,it went to the list. Ed
Voice later years
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2026-02-16
One of the things I most enjoy about being a serious Sinatra listener is the changes in his voice thru the years. The vocal sound he made and the quality of his voice through the Columbia,Capitol, and Reprise years. I like to notice the changes in his voice.
Sinatra comes under much criticism for his voice in his later years, but I also enjoy his voice later in his career.
His voice was deeper and more mellow,
you could hear the smoke and alcohol,
and the wisdom of the years .
I loved the sound he had in 1973 on his comeback album, and in the early 1980's,
I believe he was singing wonderfully,
with passion.
Get Outlook for Android<https://aka.ms/AAb9ysg>
Voice later years
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2026-02-16
One of the things I most enjoy about being a serious Sinatra listener is the changes in his voice thru the years. The vocal sound he made and the quality of his voice through the Columbia,Capitol, and Reprise years. I like to notice the changes in his voice.
Sinatra comes under much criticism for his voice in his later years, but I also enjoy his voice later in his career.
His voice was deeper and more mellow,
you could hear the smoke and alcohol,
and the wisdom of the years .
I loved the sound he had in 1973 on his comeback album, and in the early 1980's,
I believe he was singing wonderfully,
with passion.
Get Outlook for Android<https://aka.ms/AAb9ysg>
Voice later years
Undated materialFrom: Larry Crawford <argyle52@hotmail.com> | Received: 2026-02-16
One of the things I most enjoy about being a serious Sinatra listener is the changes in his voice thru the years. The vocal sound he made and the quality of his voice through the Columbia,Capitol, and Reprise years. I like to notice the changes in his voice.
Sinatra comes under much criticism for his voice in his later years, but I also enjoy his voice later in his career.
His voice was deeper and more mellow,
you could hear the smoke and alcohol,
and the wisdom of the years .
I loved the sound he had in 1973 on his comeback album, and in the early 1980's,
I believe he was singing wonderfully,
with passion.
Get Outlook for Android<https://aka.ms/AAb9ysg>
Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.

Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.

Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.

Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.

Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.

Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.

Frank Sinatra’s L.A. Mansion for sale
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-02-26
According to my friend, who sent me this email, this is the
first time it's been on the market in 53 years. Asking price is $7.5 million.
[image referenced in source but could not be recovered]
Re: March 7 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'GUY STEELE' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-09
Hi Ed,
I’m curious what the objectionable lyrics were on “From The Bottom To The Top.”
Guy
> On Mar 9, 2026, at 1:33 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
>
>
>
>
> Studio
>
> 1955 KHJ Studios. Hollywood
>
> 13594 If I Had Three Wishes
> (C. Baum/L. Spence)
> Arranged & Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> LP: W1164 Look To Your Heart
> 45: 3102
>
> <1773030618842blob.jpg>
>
>
> <1773034063555blob.jpg>
>
> <1773034146305blob.jpg>
>
> <1773033985237blob.jpg>
>
>
> <1773030351261blob.jpg>
>
> <1773030748645blob.jpg>
> <1773032196225blob.jpg>
>
>
> "<1773030118044blob.jpg>
>
> <1773030184926blob.jpg>
>
>
> <1773032642323blob.jpg>
>
>
> 13595 How Could You Do A Thing Like That To Me?
> (T. Gleen/A. Roberts)
> Arranged & Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> CD: CDP 7-94520-2 Come Swing From Me
> LP: W1429 Swingin' Easy
> 45: 3130
>
> <1773030954394blob.jpg>
>
> <1773029832095blob.jpg>
>
> <1773034312197blob.jpg>
>
> <1773029699112blob.jpg>
>
> <1773031440383blob.jpg>
>
>
>
> 13596 Two Hearts, Two Kisses (Make One Love)
> w/The Nuggets
> (H. Stone/O. Williams)
> Arranged by Dave Cavanaugh
> Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> LP: T2602 Forever Frank
> 45: 3084
>
> <1773030049276blob.jpg>
> <1773030453022blob.jpg>
> Sinatra absolutely hated rock and roll in 1955.
>
>
> 13597 From The Bottom To The Top
> w/The Nuggets
> (Gee Wilson )
> Arranged by Dave Cavanaugh
> Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> LP: T2602 Forever Frank
> 45: 3084
> <1773032445306blob.jpg>
>
> <1773031298256blob.jpg>
>
> <1773031631898blob.jpg>
> <1773032841228blob.jpg>
>
> <1773033883940blob.jpg>
>
>
>
>
>
> --
>
Re: March 7 - THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'GUY STEELE' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-09
Hi Ed,
I’m curious what the objectionable lyrics were on “From The Bottom To The Top.”
Guy
> On Mar 9, 2026, at 1:33 AM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
>
>
>
>
> Studio
>
> 1955 KHJ Studios. Hollywood
>
> 13594 If I Had Three Wishes
> (C. Baum/L. Spence)
> Arranged & Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> LP: W1164 Look To Your Heart
> 45: 3102
>
> <1773030618842blob.jpg>
>
>
> <1773034063555blob.jpg>
>
> <1773034146305blob.jpg>
>
> <1773033985237blob.jpg>
>
>
> <1773030351261blob.jpg>
>
> <1773030748645blob.jpg>
> <1773032196225blob.jpg>
>
>
> "<1773030118044blob.jpg>
>
> <1773030184926blob.jpg>
>
>
> <1773032642323blob.jpg>
>
>
> 13595 How Could You Do A Thing Like That To Me?
> (T. Gleen/A. Roberts)
> Arranged & Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> CD: CDP 7-94520-2 Come Swing From Me
> LP: W1429 Swingin' Easy
> 45: 3130
>
> <1773030954394blob.jpg>
>
> <1773029832095blob.jpg>
>
> <1773034312197blob.jpg>
>
> <1773029699112blob.jpg>
>
> <1773031440383blob.jpg>
>
>
>
> 13596 Two Hearts, Two Kisses (Make One Love)
> w/The Nuggets
> (H. Stone/O. Williams)
> Arranged by Dave Cavanaugh
> Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> LP: T2602 Forever Frank
> 45: 3084
>
> <1773030049276blob.jpg>
> <1773030453022blob.jpg>
> Sinatra absolutely hated rock and roll in 1955.
>
>
> 13597 From The Bottom To The Top
> w/The Nuggets
> (Gee Wilson )
> Arranged by Dave Cavanaugh
> Conducted by Nelson Riddle
> CD: C2 724383808922 The Complete Capitol Singles
> LP: T2602 Forever Frank
> 45: 3084
> <1773032445306blob.jpg>
>
> <1773031298256blob.jpg>
>
> <1773031631898blob.jpg>
> <1773032841228blob.jpg>
>
> <1773033883940blob.jpg>
>
>
>
>
>
> --
>
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBSFriday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy OrchestraCast: Suzanne Ellers - Candy CandidoAnnouncer: Howard Petrie
Guest: Frank SinatraFrank sings "Time After Time"Does a skit with Moore and Durante on the origin of the Mason-Dixon Line, culminating in a memorial version of "Anything You CanDo ( I Can Do Better* ) "* commercial release "Frank Sinatra Voice On The Air 1935-1955"
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBS
Friday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy Orchestra
Cast: Suzanne Ellers - Candy Candido
Announcer: Howard Petrie
Guest: Frank Sinatra
Frank sings "Time After Time"
Does a skit with Moore and Durante on the
origin of the Mason-Dixon Line, culminating
in a memorial version of "Anything You Can
Do ( I Can Do Better* ) "
* commercial release "Frank Sinatra Voice On The Air 1935-1955"
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBS
Friday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy Orchestra
Cast: Suzanne Ellers - Candy Candido
Announcer: Howard Petrie
Guest: Frank Sinatra
Frank sings "Time After Time"
Does a skit with Moore and Durante on the
origin of the Mason-Dixon Line, culminating
in a memorial version of "Anything You Can
Do ( I Can Do Better* ) "
* commercial release "Frank Sinatra Voice On The Air 1935-1955"
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBSFriday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy OrchestraCast: Suzanne Ellers - Candy CandidoAnnouncer: Howard Petrie
Guest: Frank SinatraFrank sings "Time After Time"Does a skit with Moore and Durante on the origin of the Mason-Dixon Line, culminating in a memorial version of "Anything You CanDo ( I Can Do Better* ) "* commercial release "Frank Sinatra Voice On The Air 1935-1955"
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBS
Friday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy Orchestra
Cast: Suzanne Ellers - Candy Candido
Announcer: Howard Petrie
Guest: Frank Sinatra
Frank sings "Time After Time"
Does a skit with Moore and Durante on the
origin of the Mason-Dixon Line, culminating
in a memorial version of "Anything You Can
Do ( I Can Do Better* ) "
* commercial release "Frank Sinatra Voice On The Air 1935-1955"
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBSFriday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy OrchestraCast: Suzanne Ellers - Candy CandidoAnnouncer: Howard Petrie
Guest: Frank SinatraFrank sings "Time After Time"Does a skit with Moore and Durante on the origin of the Mason-Dixon Line, culminating in a memorial version of "Anything You CanDo ( I Can Do Better* ) "* commercial release "Frank Sinatra Voice On The Air 1935-1955"
MARCH 21 THIS DATE IN SINATRA HISTORY
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-03-22
REXALL PRESENTS: DURANTE-MOORE SHOW
Network: CBSFriday evening
Time: 9:30 PM - 10:00 PM
Roy Bargy OrchestraCast: Suzanne Ellers - Candy CandidoAnnouncer: Howard Petrie
Guest: Frank SinatraFrank sings "Time After Time"Does a skit with Moore and Durante on the origin of the Mason-Dixon Line, culminating in a memorial version of "Anything You CanDo ( I Can Do Better* ) "* commercial release "Frank Sinatra Voice On The Air 1935-1955"
PROJECTS NEVER REALIZED
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-10
7-27-46
8-2-48
2-5-50
4-13-53
7-4-59
note: Frank had planned to do a live two album at set the Sands with Louis Armstrong and then the Christmas. His problems with Capitol that year killed both projects
Ed





PROJECTS NEVER REALIZED
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-10
7-27-46
8-2-48
2-5-50
4-13-53
7-4-59
note: Frank had planned to do a live two album at set the Sands with Louis Armstrong and then the Christmas. His problems with Capitol that year killed both projects
Ed





PROJECTS NEVER REALIZED
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-10
7-27-46
8-2-48
2-5-50
4-13-53
7-4-59
note: Frank had planned to do a live two album at set the Sands with Louis Armstrong and then the Christmas. His problems with Capitol that year killed both projects
Ed





PROJECTS NEVER REALIZED
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-10
7-27-46
8-2-48
2-5-50
4-13-53
7-4-59
note: Frank had planned to do a live two album at set the Sands with Louis Armstrong and then the Christmas. His problems with Capitol that year killed both projects
Ed
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965

[image referenced in source but could not be recovered]
Fw: REVIEW: SEPTEMBER OF MY YEARS STEREO REVIEW NOVEMBER 1965
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-23
1965 Hollywood
H3352 It Was A Very Good Year
(Ervin Drake)
The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-7 (4:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
45: 0429
H3353 The Man In The Looking Glass
(Bart Howard)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-2 (3:26) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3354 This Is All I Ask
(Gordon Jenkins)
Ann-Rachel Music Corp./EMI Robbins Catalog Inc. (ASCAP)
Arranged & Conducted by Gordon Jenkins
-5 (3:03) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 9-26340-2The Reprise Collection
CD: 1014-2 September Of My Years
LP: 1014 September Of My Years
H3355 It Gets Lonely Early
(Jimmy Van Heusen/Sammy Cahn)
WB Music Corp./The Songwriters Guild (ASCAP)
Arranged & Conducted by Gordon Jenkins
-12 (3:19) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
H3302 How Old Am I?
(Gordon Jenkins)
WB Music Corp. (ASCAP)
Arranged & Conducted by Gordon Jenkins
(3:34) CD: 46013-2 The Complete Reprise Studio Recordings Disc 9
CD: 1014-2 September Of My Years
LP: FS1014 September Of My Years
HI-FI STEREO REVIEW
NOVEMBER 1965
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
SINATRA SOUVENIR SONG FOLIO PUBLISHED IN AUSTRALIA DECEMBER 1946
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27

SINATRA SOUVENIR SONG FOLIO PUBLISHED IN AUSTRALIA DECEMBER 1946
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
[image referenced in source but could not be recovered]
SOME BUMPS IN THE ROAD FOR A COUPLE OF VERY CLOSE FRIENDSHIPS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
Session in question took place 3./10-11/46. Seven songs were laid down.
2-5-50
Recently read some private musings regarding Evans' tendency to exaggerate
Frank's accomplishments. Did not sit well with Sinatra and it strained the long time friendship.


SOME BUMPS IN THE ROAD FOR A COUPLE OF VERY CLOSE FRIENDSHIPS
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
Session in question took place 3./10-11/46. Seven songs were laid down.
2-5-50
Recently read some private musings regarding Evans' tendency to exaggerate
Frank's accomplishments. Did not sit well with Sinatra and it strained the long time friendship.
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed


frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed


frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed


frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed


frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed


frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed


frank vs bing
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-04-27
2-2-44
9-13-59
note: Sinatra would remain one of the truly
great mega stars in the 1960s. Bing
would go into semi-retirement.
Ed
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
problems with my mail
Undated materialFrom: smashiah@netvision.net.il | Received: 2026-05-06
Hi Scott
I had some problems starting monday with the group mails to my above
address.
I had to change my password yesterday.
Pls open this address
smashiah@netvision.net.il <mailto:smashiah@netvision.net.il>
to mails from the group.
Regards
shemmy
שמי משיח
ש.משיח - יועצים לאקוסטיקה בע"מ
היוזמה 3, בניין כרמלים, טירת כרמל 3903203
נייד: 052-3336063
טל: 04-8580044
פקס: 04-8580546
אתר: <http://s-mashiah.co.il> http://s-mashiah.co.il
Sinatra in cinema Tamar
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-08
A clean picture
נשלח מה-iPhone שלי

Sinatra in cinema Tamar
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-08
A clean picture
נשלח מה-iPhone שלי

Sinatra in cinema Tamar
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-08
A clean picture
נשלח מה-iPhone שלי
[image referenced in source but could not be recovered]
Re: Something from 9th September 1981 Carnegie Concert?
Undated materialFrom: Scott Henderson <dmarc-noreply@freelists.org> | Received: 2026-05-10
Hi Terence,
This Freelist group closed down about a year
ago. It was migrated over to Google Groups. I
can send you an invitation to that group. As for
your question, I don't have the September 9, 1981 concert.
Scott
At 03:25 AM 5/10/2026, you wrote:
>Would someone be willing to share Frank's
>*introduction* to the song "Something" on his
>9th September Carnegie Hall concert?
>
>I'm trying to track down the source of the
>infamous quote that "Something" was his "favorite Lennon-McCartney song."
>
>As far as I can see, he always credited it to
>George Harrison in concerts. Nevertheless, three
>newspapers report that he introduced it as "my
>personal tribute to Mr Lennon and Mr McCartney" at that concert.
>
>I have clippings from:
>
>* New York Times. 10 Sep 1981
>*Â Daily Express. 14 September 1981
>* Anchorage Daily Times 15 Sep 1981
>
>But I'd really like to hear his introduction myself.
>
>I have a copy of the concert from the 10th where
>he describes it as "A beautiful song by George Harrison."
>
>Thanks for any help you can provide.
>
>T
Something from 9th September 1981 Carnegie Concert?
Undated materialFrom: Terence Eden <dmarc-noreply@freelists.org> | Received: 2026-05-10
Would someone be willing to share Frank's *introduction* to the song
"Something" on his 9th September Carnegie Hall concert?
I'm trying to track down the source of the infamous quote that "Something"
was his "favorite Lennon-McCartney song."
As far as I can see, he always credited it to George Harrison in concerts.
Nevertheless, three newspapers report that he introduced it as "my personal
tribute to Mr Lennon and Mr McCartney" at that concert.
I have clippings from:
* New York Times. 10 Sep 1981
* Daily Express. 14 September 1981
* Anchorage Daily Times 15 Sep 1981
But I'd really like to hear his introduction myself.
I have a copy of the concert from the 10th where he describes it as "A
beautiful song by George Harrison."
Thanks for any help you can provide.
T
Something from 9th September 1981 Carnegie Concert?
Undated materialFrom: Terence Eden <dmarc-noreply@freelists.org> | Received: 2026-05-10
Would someone be willing to share Frank's *introduction* to the song
"Something" on his 9th September Carnegie Hall concert?
I'm trying to track down the source of the infamous quote that "Something"
was his "favorite Lennon-McCartney song."
As far as I can see, he always credited it to George Harrison in concerts.
Nevertheless, three newspapers report that he introduced it as "my personal
tribute to Mr Lennon and Mr McCartney" at that concert.
I have clippings from:
* New York Times. 10 Sep 1981
* Daily Express. 14 September 1981
* Anchorage Daily Times 15 Sep 1981
But I'd really like to hear his introduction myself.
I have a copy of the concert from the 10th where he describes it as "A
beautiful song by George Harrison."
Thanks for any help you can provide.
T
Something from 9th September 1981 Carnegie Concert?
Undated materialFrom: Terence Eden <dmarc-noreply@freelists.org> | Received: 2026-05-10
Would someone be willing to share Frank's *introduction* to the song
"Something" on his 9th September Carnegie Hall concert?
I'm trying to track down the source of the infamous quote that "Something"
was his "favorite Lennon-McCartney song."
As far as I can see, he always credited it to George Harrison in concerts.
Nevertheless, three newspapers report that he introduced it as "my personal
tribute to Mr Lennon and Mr McCartney" at that concert.
I have clippings from:
* New York Times. 10 Sep 1981
* Daily Express. 14 September 1981
* Anchorage Daily Times 15 Sep 1981
But I'd really like to hear his introduction myself.
I have a copy of the concert from the 10th where he describes it as "A
beautiful song by George Harrison."
Thanks for any help you can provide.
T
Something from 9th September 1981 Carnegie Concert?
Undated materialFrom: "terence.eden" <terence.eden@shkspr.mobi> | Received: 2026-05-11
Would someone be willing to share Frank's *introduction* to the song
"Something" on his 9th September Carnegie Hall concert?
I'm trying to track down the source of the infamous quote that "Something"
was his "favorite Lennon-McCartney song."
As far as I can see, he always credited it to George Harrison in concerts.
Nevertheless, three newspapers report that he introduced it as "my personal
tribute to Mr Lennon and Mr McCartney" at that concert.
I have read reports from:
* New York Times. 10 Sep 1981
* Daily Express. 14 September 1981
* Anchorage Daily Times 15 Sep 1981
But I'd really like to hear his introduction myself.
I have a copy of the concert from the 10th where he describes it as "A
beautiful song by George Harrison."
Thanks for any help you can provide. Let me know if you'd like to see the
newspaper clippings.
Terence
Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18

Fw: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
[image referenced in source but could not be recovered]
Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover


Fw: PHOTOS FROM SWING ALONG WITH ME SESSION
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-18
Alternate cover
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2026-05-19
Ed
For some reason I’ve been denied permission to remain a member of the group. Could you help me return as a member. Tyvm.
John Harrington
Sent
from the all new AOL app for iOS
On Monday, May 18, 2026, 3:12 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:

Re: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2026-05-19
Ed
For some reason I’ve been denied permission to remain a member of the group. Could you help me return as a member. Tyvm.
John Harrington
Sent
from the all new AOL app for iOS
On Monday, May 18, 2026, 3:12 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:

Re: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2026-05-19
Ed
For some reason I’ve been denied permission to remain a member of the group. Could you help me return as a member. Tyvm.
John Harrington
Sent from the all new AOL app for iOS
On Monday, May 18, 2026, 3:12 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:

Re: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2026-05-19
Ed
For some reason I’ve been denied permission to remain a member of the group. Could you help me return as a member. Tyvm.
John Harrington
Sent
from the all new AOL app for iOS
On Monday, May 18, 2026, 3:12 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:

Re: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2026-05-19
Ed
For some reason I’ve been denied permission to remain a member of the group. Could you help me return as a member. Tyvm.
John Harrington
Sent
from the all new AOL app for iOS
On Monday, May 18, 2026, 3:12 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:

Re: COME SWING WITH ME ALTERNATE COVER
Undated materialFrom: "'jharrin769@aol.com' via Sinatraphiles" <sinatraphiles@googlegroups.com> | Received: 2026-05-19
Ed
For some reason I’ve been denied permission to remain a member of the group. Could you help me return as a member. Tyvm.
John Harrington
Sent from the all new AOL app for iOS
On Monday, May 18, 2026, 3:12 PM, 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> wrote:
[image referenced in source but could not be recovered]
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Blame it on my youth
Undated materialFrom: shemmy Mashiah <smashiah@netvision.net.il> | Received: 2026-05-21
“ Blame it on my youth” is a great sinatra intimate ballad and one of my favorites .
Am listening now to Chris Connor’s version from”This is Chris”
Very similiar and superb version.
I love Chris Connor’s.
Any comments?
Shemmy
נשלח מה-iPhone שלי
Frank through the years
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-23
10-22-39
12-26-43
Posted this info before, but this column offers more details
2-9-44
This is nonsense. Song was a moderate hit.
10-12-44
5-27-50
2-5-52
5-15-61
Date of dinner was changed to 5-27-61. Jerry Lewis did 30 minutes of his
Vegas act. Venue was switched to N.Y.C. According to Daily News, Frank
was at the dinner.
10-15-65
3-18-84









Frank through the years
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-23
10-22-39
12-26-43
Posted this info before, but this column offers more details
2-9-44
This is nonsense. Song was a moderate hit.
10-12-44
5-27-50
2-5-52
5-15-61
Date of dinner was changed to 5-27-61. Jerry Lewis did 30 minutes of his
Vegas act. Venue was switched to N.Y.C. According to Daily News, Frank
was at the dinner.
10-15-65
3-18-84









Frank through the years
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-23
10-22-39
12-26-43
Posted this info before, but this column offers more details
2-9-44
This is nonsense. Song was a moderate hit.
10-12-44
5-27-50
2-5-52
5-15-61
Date of dinner was changed to 5-27-61. Jerry Lewis did 30 minutes of his
Vegas act. Venue was switched to N.Y.C. According to Daily News, Frank
was at the dinner.
10-15-65
3-18-84









Frank through the years
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-23
10-22-39
12-26-43
Posted this info before, but this column offers more details
2-9-44
This is nonsense. Song was a moderate hit.
10-12-44
5-27-50
2-5-52
5-15-61
Date of dinner was changed to 5-27-61. Jerry Lewis did 30 minutes of his
Vegas act. Venue was switched to N.Y.C. According to Daily News, Frank
was at the dinner.
10-15-65
3-18-84









Frank through the years
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-23
10-22-39
12-26-43
Posted this info before, but this column offers more details
2-9-44
This is nonsense. Song was a moderate hit.
10-12-44
5-27-50
2-5-52
5-15-61
Date of dinner was changed to 5-27-61. Jerry Lewis did 30 minutes of his
Vegas act. Venue was switched to N.Y.C. According to Daily News, Frank
was at the dinner.
10-15-65
3-18-84









Frank through the years
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-05-23
10-22-39
12-26-43
Posted this info before, but this column offers more details
2-9-44
This is nonsense. Song was a moderate hit.
10-12-44
5-27-50
2-5-52
5-15-61
Date of dinner was changed to 5-27-61. Jerry Lewis did 30 minutes of his
Vegas act. Venue was switched to N.Y.C. According to Daily News, Frank
was at the dinner.
10-15-65
3-18-84
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
test
Undated materialFrom: "smashiah@netvision.net.il" <smashiah@netvision.net.il> | Received: 2026-05-25
שמי משיח
ש.משיח - יועצים לאקוסטיקה בע"מ
היוזמה 3, בניין כרמלים, טירת כרמל 3903203
נייד: 052-3336063
טל: 04-8580044
פקס: 04-8580546
אתר: http://s-mashiah.co.il
test
Undated materialFrom: "smashiah@netvision.net.il" <smashiah@netvision.net.il> | Received: 2026-05-25
שמי משיח
ש.משיח - יועצים לאקוסטיקה בע"מ
היוזמה 3, בניין כרמלים, טירת כרמל 3903203
נייד: 052-3336063
טל: 04-8580044
פקס: 04-8580546
אתר: http://s-mashiah.co.il
test
Undated materialFrom: "smashiah@netvision.net.il" <smashiah@netvision.net.il> | Received: 2026-05-25
שמי משיח
ש.משיח - יועצים לאקוסטיקה בע"מ
היוזמה 3, בניין כרמלים, טירת כרמל 3903203
נייד: 052-3336063
טל: 04-8580044
פקס: 04-8580546
אתר: http://s-mashiah.co.il
test
Undated materialFrom: smashiah@netvision.net.il | Received: 2026-05-25
שמי משיח
ש.משיח - יועצים לאקוסטיקה בע"מ
היוזמה 3, בניין כרמלים, טירת כרמל 3903203
נייד: 052-3336063
טל: 04-8580044
פקס: 04-8580546
אתר: <http://s-mashiah.co.il> http://s-mashiah.co.il
test
Undated materialFrom: "smashiah@netvision.net.il" <smashiah@netvision.net.il> | Received: 2026-05-25
שמי משיח
ש.משיח - יועצים לאקוסטיקה בע"מ
היוזמה 3, בניין כרמלים, טירת כרמל 3903203
נייד: 052-3336063
טל: 04-8580044
פקס: 04-8580546
אתר: http://s-mashiah.co.il
Re: interesting photo of 1939 Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-06-01
I found this:
Above left: Pick-A-Rib restaurant – 119 West 52nd St. in Manhattan. This was Harry Goodman’s restaurant, a gathering place for musicians, named for a recording Benny made on December 29, 1938.)
Came across this photo. Obviously from 1939 but not sure of the location. Any thoughts?
One comment to the photo said
Taken at Harry Goodman's PICK A RIB 1939
Scott
[image referenced in source but could not be recovered]

Re: interesting photo of 1939 Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-06-01
I found this:
Above left: Pick-A-Rib restaurant – 119 West 52nd St. in Manhattan. This was Harry Goodman’s restaurant, a gathering place for musicians, named for a recording Benny made on December 29, 1938.)
Came across this photo. Obviously from 1939 but not sure of the location. Any thoughts?
One comment to the photo said
Taken at Harry Goodman's PICK A RIB 1939
Scott
[image referenced in source but could not be recovered]

interesting photo of 1939 Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-06-01
Came across this photo. Obviously from 1939 but not sure of the location. Any thoughts?
One comment to the photo said
Taken at Harry Goodman's PICK A RIB 1939
Scott

interesting photo of 1939 Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-06-01
Came across this photo. Obviously from 1939 but not sure of the location. Any thoughts?
One comment to the photo said
Taken at Harry Goodman's PICK A RIB 1939
Scott

interesting photo of 1939 Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-06-01
Came across this photo. Obviously from 1939 but not sure of the location. Any thoughts?
One comment to the photo said
Taken at Harry Goodman's PICK A RIB 1939
Scott

interesting photo of 1939 Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-06-01
Came across this photo. Obviously from 1939 but not sure of the location. Any thoughts?
One comment to the photo said
Taken at Harry Goodman's PICK A RIB 1939
Scott

Sinatra the Musical London
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2026-06-04
Three years ago I sent along my notes about the first preview of Sinatra the Musical in Birmingham.
Yesterday, I caught the first preview of the new West End production. Despite the sense from the marketing that this is a brand new show, it is essentially the same production I wrote about in detail back then (I think I maybe sent the full breakdown of plot and songs).
Obviously the plot is the same, the script seemed largely the same, the sets all looked the same, the music and orchestrations the same, the crew largely the same, and a lot of the cast, including the two leading ladies, are the same. That being said, looking at my notes they have re-worked the first 15 minutes or so of the show, and dropped some scenes.
What has changed:
A New Frank
Joel Harper-Jackson takes on the Frank character, and I think he does a great job with it. (and I say character, as I think he is wisely avoiding doing too much of a 'Frank Sinatra impersonation')
A New Dolly
Jenna Russell takes on Dolly Sinatra. An interesting choice, and coincidentally it was announced while I was watching Jenna give a fantastic performance in "The Unlikely Pilgrimage of Harold Fry", for which she received a Olivier nomination. She has comparatively very little to do in the Dolly role besides some witty remarks, and Dolly actually sings less now than in Birmingham.
Song changes
"Oh Look At Me Now" is basically dropped (they used it in a scene transition, but not Frank singing it - Frank now sings "All of Me" a lot more instead of this song).
"Love and Marriage" is dropped.
"The Hucklebuck" is added - Frank interrupts a Mitch Miller recording session of the song and says something about "what are you making these poor people sing?"
"My Way" is added (I suppose a better way to start the second half than Frankie Laine's "Mule Train", but not really adding anything story-wise - he sings a bit of "My Way", and then the show goes on - I guess they just realised they needed to slot it in somewhere!)
Scene changes
Comparing to my notes (of course, some of the changes to songs/scenes may have occurred during the Birmingham run):
The opening has been re-framed, now starting with the Tommy Dorsey band and Frank announcing he's quitting after a song ("All of Me"). Then goes onto a revised Benny Goodman-Paramount scene.
The scene at the Sinatra family home now starts with Lee Mortimer interviewing them ("Love and Marriage" scene is gone). They have dropped the extended "That's All" flashback sequences (in the Birmingham preview, they flashed back to 1935, then Harry James, then Dorsey - the Dorsey flashback is basically the new start of the show).
They cut the Sammy Davis Jr role, dance and mention - instead Lee Mortimer's attacks on Frank's racial tolerance speech is just generic, and not about a specific incident involving Sammy.
Second act now starts with Frank singing a little of "My Way".
Cut a scene of a soldier thanking Frank for "From Here to Eternity".
Merchandise
Lots of merchandise on offer.
In terms of music, they did a new digital release which is just a playlist of songs used in the show.
Physically, they are just selling Ultimate Sinatra on CD and Vinyl at the show - I only got a glance at the front cover of the CD, but it looks to be the normal 1 CD edition with a sticker on the front saying "Sinatra the Musical".
Sinatra the Musical London
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2026-06-04
Three years ago I sent along my notes about the first preview of Sinatra the Musical in Birmingham.
Yesterday, I caught the first preview of the new West End production. Despite the sense from the marketing that this is a brand new show, it is essentially the same production I wrote about in detail back then (I think I maybe sent the full breakdown of plot and songs).
Obviously the plot is the same, the script seemed largely the same, the sets all looked the same, the music and orchestrations the same, the crew largely the same, and a lot of the cast, including the two leading ladies, are the same. That being said, looking at my notes they have re-worked the first 15 minutes or so of the show, and dropped some scenes.
What has changed:
A New Frank
Joel Harper-Jackson takes on the Frank character, and I think he does a great job with it. (and I say character, as I think he is wisely avoiding doing too much of a 'Frank Sinatra impersonation')
A New Dolly
Jenna Russell takes on Dolly Sinatra. An interesting choice, and coincidentally it was announced while I was watching Jenna give a fantastic performance in "The Unlikely Pilgrimage of Harold Fry", for which she received a Olivier nomination. She has comparatively very little to do in the Dolly role besides some witty remarks, and Dolly actually sings less now than in Birmingham.
Song changes
"Oh Look At Me Now" is basically dropped (they used it in a scene transition, but not Frank singing it - Frank now sings "All of Me" a lot more instead of this song).
"Love and Marriage" is dropped.
"The Hucklebuck" is added - Frank interrupts a Mitch Miller recording session of the song and says something about "what are you making these poor people sing?"
"My Way" is added (I suppose a better way to start the second half than Frankie Laine's "Mule Train", but not really adding anything story-wise - he sings a bit of "My Way", and then the show goes on - I guess they just realised they needed to slot it in somewhere!)
Scene changes
Comparing to my notes (of course, some of the changes to songs/scenes may have occurred during the Birmingham run):
The opening has been re-framed, now starting with the Tommy Dorsey band and Frank announcing he's quitting after a song ("All of Me"). Then goes onto a revised Benny Goodman-Paramount scene.
The scene at the Sinatra family home now starts with Lee Mortimer interviewing them ("Love and Marriage" scene is gone). They have dropped the extended "That's All" flashback sequences (in the Birmingham preview, they flashed back to 1935, then Harry James, then Dorsey - the Dorsey flashback is basically the new start of the show).
They cut the Sammy Davis Jr role, dance and mention - instead Lee Mortimer's attacks on Frank's racial tolerance speech is just generic, and not about a specific incident involving Sammy.
Second act now starts with Frank singing a little of "My Way".
Cut a scene of a soldier thanking Frank for "From Here to Eternity".
Merchandise
Lots of merchandise on offer.
In terms of music, they did a new digital release which is just a playlist of songs used in the show.
Physically, they are just selling Ultimate Sinatra on CD and Vinyl at the show - I only got a glance at the front cover of the CD, but it looks to be the normal 1 CD edition with a sticker on the front saying "Sinatra the Musical".
Sinatra the Musical London
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2026-06-04
Three years ago I sent along my notes about the first preview of Sinatra the Musical in Birmingham.
Yesterday, I caught the first preview of the new West End production. Despite the sense from the marketing that this is a brand new show, it is essentially the same production I wrote about in detail back then (I think I maybe sent the full breakdown of plot and songs).
Obviously the plot is the same, the script seemed largely the same, the sets all looked the same, the music and orchestrations the same, the crew largely the same, and a lot of the cast, including the two leading ladies, are the same. That being said, looking at my notes they have re-worked the first 15 minutes or so of the show, and dropped some scenes.
What has changed:
A New Frank
Joel Harper-Jackson takes on the Frank character, and I think he does a great job with it. (and I say character, as I think he is wisely avoiding doing too much of a 'Frank Sinatra impersonation')
A New Dolly
Jenna Russell takes on Dolly Sinatra. An interesting choice, and coincidentally it was announced while I was watching Jenna give a fantastic performance in "The Unlikely Pilgrimage of Harold Fry", for which she received a Olivier nomination. She has comparatively very little to do in the Dolly role besides some witty remarks, and Dolly actually sings less now than in Birmingham.
Song changes
"Oh Look At Me Now" is basically dropped (they used it in a scene transition, but not Frank singing it - Frank now sings "All of Me" a lot more instead of this song).
"Love and Marriage" is dropped.
"The Hucklebuck" is added - Frank interrupts a Mitch Miller recording session of the song and says something about "what are you making these poor people sing?"
"My Way" is added (I suppose a better way to start the second half than Frankie Laine's "Mule Train", but not really adding anything story-wise - he sings a bit of "My Way", and then the show goes on - I guess they just realised they needed to slot it in somewhere!)
Scene changes
Comparing to my notes (of course, some of the changes to songs/scenes may have occurred during the Birmingham run):
The opening has been re-framed, now starting with the Tommy Dorsey band and Frank announcing he's quitting after a song ("All of Me"). Then goes onto a revised Benny Goodman-Paramount scene.
The scene at the Sinatra family home now starts with Lee Mortimer interviewing them ("Love and Marriage" scene is gone). They have dropped the extended "That's All" flashback sequences (in the Birmingham preview, they flashed back to 1935, then Harry James, then Dorsey - the Dorsey flashback is basically the new start of the show).
They cut the Sammy Davis Jr role, dance and mention - instead Lee Mortimer's attacks on Frank's racial tolerance speech is just generic, and not about a specific incident involving Sammy.
Second act now starts with Frank singing a little of "My Way".
Cut a scene of a soldier thanking Frank for "From Here to Eternity".
Merchandise
Lots of merchandise on offer.
In terms of music, they did a new digital release which is just a playlist of songs used in the show.
Physically, they are just selling Ultimate Sinatra on CD and Vinyl at the show - I only got a glance at the front cover of the CD, but it looks to be the normal 1 CD edition with a sticker on the front saying "Sinatra the Musical".
Sinatra the Musical London
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2026-06-04
Three years ago I sent along my notes about the first preview of Sinatra the Musical in Birmingham.
Yesterday, I caught the first preview of the new West End production. Despite the sense from the marketing that this is a brand new show, it is essentially the same production I wrote about in detail back then (I think I maybe sent the full breakdown of plot and songs).
Obviously the plot is the same, the script seemed largely the same, the sets all looked the same, the music and orchestrations the same, the crew largely the same, and a lot of the cast, including the two leading ladies, are the same. That being said, looking at my notes they have re-worked the first 15 minutes or so of the show, and dropped some scenes.
What has changed:
A New Frank
Joel Harper-Jackson takes on the Frank character, and I think he does a great job with it. (and I say character, as I think he is wisely avoiding doing too much of a 'Frank Sinatra impersonation')
A New Dolly
Jenna Russell takes on Dolly Sinatra. An interesting choice, and coincidentally it was announced while I was watching Jenna give a fantastic performance in "The Unlikely Pilgrimage of Harold Fry", for which she received a Olivier nomination. She has comparatively very little to do in the Dolly role besides some witty remarks, and Dolly actually sings less now than in Birmingham.
Song changes
"Oh Look At Me Now" is basically dropped (they used it in a scene transition, but not Frank singing it - Frank now sings "All of Me" a lot more instead of this song).
"Love and Marriage" is dropped.
"The Hucklebuck" is added - Frank interrupts a Mitch Miller recording session of the song and says something about "what are you making these poor people sing?"
"My Way" is added (I suppose a better way to start the second half than Frankie Laine's "Mule Train", but not really adding anything story-wise - he sings a bit of "My Way", and then the show goes on - I guess they just realised they needed to slot it in somewhere!)
Scene changes
Comparing to my notes (of course, some of the changes to songs/scenes may have occurred during the Birmingham run):
The opening has been re-framed, now starting with the Tommy Dorsey band and Frank announcing he's quitting after a song ("All of Me"). Then goes onto a revised Benny Goodman-Paramount scene.
The scene at the Sinatra family home now starts with Lee Mortimer interviewing them ("Love and Marriage" scene is gone). They have dropped the extended "That's All" flashback sequences (in the Birmingham preview, they flashed back to 1935, then Harry James, then Dorsey - the Dorsey flashback is basically the new start of the show).
They cut the Sammy Davis Jr role, dance and mention - instead Lee Mortimer's attacks on Frank's racial tolerance speech is just generic, and not about a specific incident involving Sammy.
Second act now starts with Frank singing a little of "My Way".
Cut a scene of a soldier thanking Frank for "From Here to Eternity".
Merchandise
Lots of merchandise on offer.
In terms of music, they did a new digital release which is just a playlist of songs used in the show.
Physically, they are just selling Ultimate Sinatra on CD and Vinyl at the show - I only got a glance at the front cover of the CD, but it looks to be the normal 1 CD edition with a sticker on the front saying "Sinatra the Musical".
Sinatra the Musical London
Undated materialFrom: Richard Cook <cook879@hotmail.co.uk> | Received: 2026-06-04
Three years ago I sent along my notes about the first preview of Sinatra the Musical in Birmingham.
Yesterday, I caught the first preview of the new West End production. Despite the sense from the marketing that this is a brand new show, it is essentially the same production I wrote about in detail back then (I think I maybe sent the full breakdown of plot and songs).
Obviously the plot is the same, the script seemed largely the same, the sets all looked the same, the music and orchestrations the same, the crew largely the same, and a lot of the cast, including the two leading ladies, are the same. That being said, looking at my notes they have re-worked the first 15 minutes or so of the show, and dropped some scenes.
What has changed:
A New Frank
Joel Harper-Jackson takes on the Frank character, and I think he does a great job with it. (and I say character, as I think he is wisely avoiding doing too much of a 'Frank Sinatra impersonation')
A New Dolly
Jenna Russell takes on Dolly Sinatra. An interesting choice, and coincidentally it was announced while I was watching Jenna give a fantastic performance in "The Unlikely Pilgrimage of Harold Fry", for which she received a Olivier nomination. She has comparatively very little to do in the Dolly role besides some witty remarks, and Dolly actually sings less now than in Birmingham.
Song changes
"Oh Look At Me Now" is basically dropped (they used it in a scene transition, but not Frank singing it - Frank now sings "All of Me" a lot more instead of this song).
"Love and Marriage" is dropped.
"The Hucklebuck" is added - Frank interrupts a Mitch Miller recording session of the song and says something about "what are you making these poor people sing?"
"My Way" is added (I suppose a better way to start the second half than Frankie Laine's "Mule Train", but not really adding anything story-wise - he sings a bit of "My Way", and then the show goes on - I guess they just realised they needed to slot it in somewhere!)
Scene changes
Comparing to my notes (of course, some of the changes to songs/scenes may have occurred during the Birmingham run):
The opening has been re-framed, now starting with the Tommy Dorsey band and Frank announcing he's quitting after a song ("All of Me"). Then goes onto a revised Benny Goodman-Paramount scene.
The scene at the Sinatra family home now starts with Lee Mortimer interviewing them ("Love and Marriage" scene is gone). They have dropped the extended "That's All" flashback sequences (in the Birmingham preview, they flashed back to 1935, then Harry James, then Dorsey - the Dorsey flashback is basically the new start of the show).
They cut the Sammy Davis Jr role, dance and mention - instead Lee Mortimer's attacks on Frank's racial tolerance speech is just generic, and not about a specific incident involving Sammy.
Second act now starts with Frank singing a little of "My Way".
Cut a scene of a soldier thanking Frank for "From Here to Eternity".
Merchandise
Lots of merchandise on offer.
In terms of music, they did a new digital release which is just a playlist of songs used in the show.
Physically, they are just selling Ultimate Sinatra on CD and Vinyl at the show - I only got a glance at the front cover of the CD, but it looks to be the normal 1 CD edition with a sticker on the front saying "Sinatra the Musical".
SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-06
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll Never Smile Again/ I've Got A Crush On You /Someone To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-06
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll
Never Smile Again/ I've Got A Crush On You /Someone
To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-06
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll Never Smile Again/ I've Got A Crush On You /Someone To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-06
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll
Never Smile Again/ I've Got A Crush On You /Someone
To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-06
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll
Never Smile Again/ I've Got A Crush On You /Someone
To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










FRANK AND AVA 1952 SPRING 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-07
5-11-52
5-13-52
Hawaii
5-3-52
5-7-52
5-26-52










Re: SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-09
I forgot ro include "Night and Day" in the song list.
Gives us 16 tunes for his three week run.
Ed
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll Never Smile Again/ I've Got A Crush On You /Someone To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









Re: SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-09
I forgot ro include "Night and Day" in the song list.
Gives us 16 tunes for his three week run.
Ed
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll
Never Smile Again/ I've Got A Crush On You /Someone
To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









Re: SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-09
I forgot ro include "Night and Day" in the song list.
Gives us 16 tunes for his three week run.
Ed
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll Never Smile Again/ I've Got A Crush On You /Someone To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









Re: SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-09
I forgot ro include "Night and Day" in the song list.
Gives us 16 tunes for his three week run.
Ed
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll Never Smile Again/ I've Got A Crush On You /Someone To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









Re: SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-09
I forgot ro include "Night and Day" in the song list.
Gives us 16 tunes for his three week run.
Ed
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll
Never Smile Again/ I've Got A Crush On You /Someone
To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









Re: SINATRA AT THE COCONUT GROVE MAY/JUNE 1952
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-09
I forgot ro include "Night and Day" in the song list.
Gives us 16 tunes for his three week run.
Ed
1952 Coconut Grove, Ambassador Hotel, Los Angeles, California (May 15-June 4)
Time: 9:45 P.M.
Eddie Bergman band, Allen Reuss (Guitar)
:
I've Got The World On A String (arr. George Siravo)
When You're Smilin g(Siravo)
Lover (Siravo)
That Old Black Magic*
Birth Of The Blues
All Of Me
Wild Goose / Mule Train parody
Medley:I'll
Never Smile Again/ I've Got A Crush On You /Someone
To Watch Over Me
You Made Me Lovw You ( parody tribute to Judy Garland )
I'll Never Smile Again
September Song
I'll Walk Alone
Come Rain Or Come Shine
You'll Never Walk Alone
* Neal Hefti told me his first arrangement for Frank was "That Old
Black Magic" done for "Danny Wilson," in June 1951. I'll bet Frank
used it at The Gtove
5-15-52
5-19-52
5-18-52
5-28-52
5-20-52
5-27-52
5-19-52
.









NICE PHOTO
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-11

NICE PHOTO
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-11

Belosinved Chicago comedian Tom Dreesen, best known for opening for Frank Sinatra, has died, family says - ABC7 Chicago
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-18
https://abc7chicago.com/post/beloved-chicago-comedian-tom-dreesen-dies/19317281/
Belosinved Chicago comedian Tom Dreesen, best known for opening for Frank Sinatra, has died, family says - ABC7 Chicago
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-18
https://abc7chicago.com/post/beloved-chicago-comedian-tom-dreesen-dies/19317281/
Belosinved Chicago comedian Tom Dreesen, best known for opening for Frank Sinatra, has died, family says - ABC7 Chicago
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-18
https://abc7chicago.com/post/beloved-chicago-comedian-tom-dreesen-dies/19317281/
Belosinved Chicago comedian Tom Dreesen, best known for opening for Frank Sinatra, has died, family says - ABC7 Chicago
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-18
https://abc7chicago.com/post/beloved-chicago-comedian-tom-dreesen-dies/19317281/
Belosinved Chicago comedian Tom Dreesen, best known for opening for Frank Sinatra, has died, family says - ABC7 Chicago
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-18
https://abc7chicago.com/post/beloved-chicago-comedian-tom-dreesen-dies/19317281/
FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
6-5-43
6-5-43
6-8-43
6-11-43
6-12-43
6-13-43
6-13-43
6-22-43
6-24-43
6-27-43
6-29-43
6-30-43














FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
6-5-43
6-5-43
6-8-43
6-11-43
6-12-43
6-13-43
6-13-43
6-22-43
6-24-43
6-27-43
6-29-43
6-30-43














FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
6-5-43
6-5-43
6-8-43
6-11-43
6-12-43
6-13-43
6-13-43
6-22-43
6-24-43
6-27-43
6-29-43
6-30-43














FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
6-5-43
6-5-43
6-8-43
6-11-43
6-12-43
6-13-43
6-13-43
6-22-43
6-24-43
6-27-43
6-29-43
6-30-43














Re: FRANK SINATRA JUNE 1943
Undated materialFrom: scott@falseducks.com | Received: 2026-06-19
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions. However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943, consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.The event was part of a benefit concert for the USO.Sinatra was a popular figure during the 1940s, attracting large crowds.The concert featured other artists alongside Sinatra.This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO. Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions. However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2026-06-19
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the
two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh
hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the
top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted
support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham
and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie
Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the
Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943, consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.
The event was part of a benefit concert for the USO.
Sinatra was a popular figure during the 1940s, attracting large crowds.
The concert featured other artists alongside Sinatra.
This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO. Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the
two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh
hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the
top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted
support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham
and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie
Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the
Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943, consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.The event was part of a benefit concert for the USO.Sinatra was a popular figure during the 1940s, attracting large crowds.The concert featured other artists alongside Sinatra.This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO. Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions. However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: scott@falseducks.com | Received: 2026-06-19
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions. However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2026-06-19
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the
two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh
hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the
top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted
support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham
and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie
Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the
Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943, consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.
The event was part of a benefit concert for the USO.
Sinatra was a popular figure during the 1940s, attracting large crowds.
The concert featured other artists alongside Sinatra.
This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO. Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the
two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh
hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the
top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted
support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham
and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie
Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the
Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: "scott@falseducks.com" <scott@falseducks.com> | Received: 2026-06-19
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the
two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh
hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the
top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted
support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham
and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie
Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the
Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-19
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943, consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.
The event was part of a benefit concert for the USO.
Sinatra was a popular figure during the 1940s, attracting large crowds.
The concert featured other artists alongside Sinatra.
This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO. Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this one:
I confirmed that this event happened on June 30, 1943 and it appears that Sinatra sang the National Anthem and may have performed other songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their operations to the Atlantic seaboard today and the Eastern clubs of the American League swing out where the West begins. But that is not the big news at the moment. This is the day when the
two major leagues contribute all of their receipts to the National War Fund, the all-embracing agency which handles every form of relief except the Red Cross. It should be a banner occasion. If Judge Landis had not dawdled and hesitated until the eleventh
hour before setting the plans in motion, it is reasonable to assume that the two circuits would have been well on their way to topping their half-million-dollar contributoin of a year ago. As it is now they will need all the help they can get to go over the
top. Here in town the fans have the choice of at- tending-at no advance in prices-either the Giant-Cardinal double-header at the Polo Grounds or the novel twilight twin bill at Ebbets Field between the Brooks and the Reds. Each de- serves the whole-hearted
support of the baseball public because it never would do to have the sport falter in its obligations at a time like this. If the club owners had had their way it would not have been week-day dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first of them and July 28, another Wednesday, for the second. When the Judge makes a ruling there is no higher court of appeal. His word is final. Carnival Flourishes Messrs. Horace Stoneham
and Branch Rickey have done the best they could, considering the fact that they were given little notice, to dress up their presentations with the proper carnival flourishes. The Deacon of the Dodgers, among other things, will have the joint spectacle of Dixie
Walker singing and Al Schacht performing. The impression in this corner is that Horace is ahead of Branch in the entertainment depart- ment. His singer is Frank Sinatra, who warbles a much sweeter note than the “peepul's cherce," and he more than matches the
Clown Prince of Baseball with Miss Madeleine Carroll, who is a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll were no shows:




Re: FRANK SINATRA JUNE 1943
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-06-20
Ed,
I'm inclined to agree that Sinatra and Carroll were now shows.
Here's another article that mentions they weren't there:
Scott
At 12:16 PM 6/19/2026, you wrote:
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943,
consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.
The event was part of a benefit concert for the USO.
Sinatra was a popular figure during the 1940s, attracting large
crowds.
The concert featured other artists alongside Sinatra.
This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO.
Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this
one:
I confirmed that this event happened on June 30, 1943 and it appears that
Sinatra sang the National Anthem and may have performed other
songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their
operations to the Atlantic seaboard today and the Eastern clubs of the
American League swing out where the West begins. But that is not the big
news at the moment. This is the day when the two major leagues contribute
all of their receipts to the National War Fund, the all-embracing agency
which handles every form of relief except the Red Cross. It should be a
banner occasion. If Judge Landis had not dawdled and hesitated until the
eleventh hour before setting the plans in motion, it is reasonable to
assume that the two circuits would have been well on their way to topping
their half-million-dollar contributoin of a year ago. As it is now they
will need all the help they can get to go over the top. Here in town the
fans have the choice of at- tending-at no advance in prices-either the
Giant-Cardinal double-header at the Polo Grounds or the novel twilight
twin bill at Ebbets Field between the Brooks and the Reds. Each de-
serves the whole-hearted support of the baseball public because it never
would do to have the sport falter in its obligations at a time like this.
If the club owners had had their way it would not have been week-day
dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first
of them and July 28, another Wednesday, for the second. When the Judge
makes a ruling there is no higher court of appeal. His word is final.
Carnival Flourishes Messrs. Horace Stoneham and Branch Rickey have done
the best they could, considering the fact that they were given little
notice, to dress up their presentations with the proper carnival
flourishes. The Deacon of the Dodgers, among other things, will have the
joint spectacle of Dixie Walker singing and Al Schacht performing. The
impression in this corner is that Horace is ahead of Branch in the
entertainment depart- ment. His singer is Frank Sinatra, who warbles a
much sweeter note than the “peepul's cherce," and he more than
matches the Clown Prince of Baseball with Miss Madeleine Carroll, who is
a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll
were no shows:

[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Re: FRANK SINATRA JUNE 1943
Undated materialFrom: Scott Henderson <scott@falseducks.com> | Received: 2026-06-20
Ed,
I'm inclined to agree that Sinatra and Carroll were now shows.
Here's another article that mentions they weren't there:
Scott
At 12:16 PM 6/19/2026, you wrote:
Hi Scott,
Here is AI confirming Frank's appearance:
To determine if Frank Sinatra sang at the Polo Grounds on June 30, 1943,
consider the following points:
Frank Sinatra performed at the Polo Grounds on that date.
The event was part of a benefit concert for the USO.
Sinatra was a popular figure during the 1940s, attracting large
crowds.
The concert featured other artists alongside Sinatra.
This performance contributed to his rising fame during World War II
But I believe the information is wrong.
Checked the NYT on 6-30 and 7-1-43
My favorite columnist back in the 50s was Arthur Daley.
First sportswriter to win the coveted Pulitzer.
He had colimns in both papers. In the 6/30, he mentioned
that the Dodgers had Dixie Walker singing the anthem that
day at Ebbets Field, so the Giants had a huge advantage
with Sinatra at the Polo Grounds. Times also mentions
M. Carroll and Frank in another column. There is no mention
of either in Daley's 7/1 which describes the festivities prior to
the first game of the doubleheader There is also a photo and
I do not see Sinatra. Also, AI states the day is for the USO.
Actually,
it was for the War Fund effort.
Question: Did both my June 43 and Blue of Evening post in
Sinatraphiles? One appears to have been rejected. Can't tell
which one.
Ed
Hi Ed,
Thanks for sending over the 1943 articles. I was intrigued by this
one:
I confirmed that this event happened on June 30, 1943 and it appears that
Sinatra sang the National Anthem and may have performed other
songs:
From the New York Times:
THE Western clubs of the National League switch the scene of their
operations to the Atlantic seaboard today and the Eastern clubs of the
American League swing out where the West begins. But that is not the big
news at the moment. This is the day when the two major leagues contribute
all of their receipts to the National War Fund, the all-embracing agency
which handles every form of relief except the Red Cross. It should be a
banner occasion. If Judge Landis had not dawdled and hesitated until the
eleventh hour before setting the plans in motion, it is reasonable to
assume that the two circuits would have been well on their way to topping
their half-million-dollar contributoin of a year ago. As it is now they
will need all the help they can get to go over the top. Here in town the
fans have the choice of at- tending-at no advance in prices-either the
Giant-Cardinal double-header at the Polo Grounds or the novel twilight
twin bill at Ebbets Field between the Brooks and the Reds. Each de-
serves the whole-hearted support of the baseball public because it never
would do to have the sport falter in its obligations at a time like this.
If the club owners had had their way it would not have been week-day
dates at all for the charity shows, but sure-fire Sunday sessions.
However, the Judge, for some mysterious reason, chose today for the first
of them and July 28, another Wednesday, for the second. When the Judge
makes a ruling there is no higher court of appeal. His word is final.
Carnival Flourishes Messrs. Horace Stoneham and Branch Rickey have done
the best they could, considering the fact that they were given little
notice, to dress up their presentations with the proper carnival
flourishes. The Deacon of the Dodgers, among other things, will have the
joint spectacle of Dixie Walker singing and Al Schacht performing. The
impression in this corner is that Horace is ahead of Branch in the
entertainment depart- ment. His singer is Frank Sinatra, who warbles a
much sweeter note than the “peepul's cherce," and he more than
matches the Clown Prince of Baseball with Miss Madeleine Carroll, who is
a great deal more restful to the eyes than is Mr. Schacht.
Yet, there was another article that said Sinatra and Madeleine Carroll
were no shows:

[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
[image referenced in source but could not be recovered]
Tom Dreesen, comic who kept Sinatra’s crowds laughing, dies at 86 ByRichard SandomirNew York Times
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-26
Tom Dreesen, comic who kept Sinatra’s crowds laughing, dies at 86
By Richard Sandomir New York Times,Updated June 23, 2026, 11:59 a.m.Mr. Dreesen, shown in 2011, performed dozens of times on "The Tonight Show" and with David Letterman.Chris Carlson/AP Photo/Chris Carlson
Tom Dreesen, a comic whose nearly 60-year career began as the white half of a rare interracial stand-up duo with Tim Reid and who later became a reliably funny staple of late-night television and Frank Sinatra’s longtime opening act, died June 17 at his home in Sherman Oaks, Calif. He was 86.
His daughters, Amy Barbuscia and Jennifer Garber, announced the death but did not provide a cause. He had been successfully treated for appendiceal cancer in 2019.
Mr. Dreesen was a smooth, clean performer whose self-effacing routines revolved around subjects like family (he was one of eight children who grew up in poverty), religion (he was Roman Catholic), sports (he was a Chicago Cubs and Bears fan), and Irish and Italian culture (he was a mixture of both).
“He was a total craftsman and professional, which is undervalued in comedy,” Robert Wuhl, a comedian and actor, said in an interview.
David Letterman, a close friend, said that Mr. Dreesen’s comedy grew out of his upbringing in Harvey, Ill., a struggling, low-income suburb of Chicago.
Watch Mor
“He once talked about how poor he was, and how five siblings slept in one bed,” Letterman said in a phone interview. “Four of the five wet the bed and the fifth became a great swimmer. If you put a microscope on the joke, it’s unpleasant -- a puddle of urine in the bed -- but it’s sweet. That was Tom.”
Mr. Dreesen appeared dozens of times on Letterman’s shows and on “The Tonight Show,” with Johnny Carson and then Jay Leno. In 1975, after being bumped three times before his first “Tonight Show” appearance, he delivered a routine that ended with Carson giving him his signature “OK” hand gesture of approval that comedians dreamed of getting.
Keep scrolling down
He did so well that night, Mr. Dreesen said, that the next day, CBS signed him to a development deal; sent him a check for $10,000; and guaranteed him $1,850 a month for a year, which eased his family’s financial burden. No programming came of the CBS deal but he soon became one of the busiest comedians in the country, working in clubs, arenas, and on television.
In 1983, while he was opening for Smokey Robinson, Mr. Dreesen met Sinatra’s lawyer, Mickey Rudin, and impressed him with his glibness. Soon after, Mr. Dreesen got an offer to open for Sinatra in Atlantic City.
“I thought, ‘Wow, this is great. I’ll work with him for a week, and I’ll get a picture taken with him, which I can hang inside every tavern in Harvey and that’ll be that,’” he recalled in “Still Standing … My Journey From Streets and Saloons to the Stage, and Sinatra” (2020), written with Darren Grubb and Johnny Russo.
That week turned into 13 years with Sinatra, performing in 45 to 50 cities annually. “This was truly the life I wanted,” he wrote, reflecting on idolizing Sinatra since he was a boy. “From my vantage point, every night, there was no TV series, no radio show, no movie deal that compared to what I was experiencing.”
After Sinatra’s death in 1998, Mr. Dreesen was a pallbearer and the emcee at his funeral.
Sinatra is one of many subjects that Mr. Dreesen discusses in a podcast -- “Who’s Tom Dreesen?” -- that he started earlier this year with Joe Goal, a friend and actor. “He wanted to get his life out there,” Goal said in an interview.
Mr. Dreesen was also renowned for his philanthropic work, often as the host of fund-raising events for charities, including those supported by pro-am golf tournaments; he was an ardent golfer.
In 1997, Jim Murray, the Pulitzer Prize-winning sports columnist of The Los Angeles Times, wrote that Mr. Dreesen was as “necessary to the well-being of the game’s essential pro-ams as the ropes, the marshals, the scorekeepers, the army of other volunteers.”
In 1982, he began organizing A Day for Darlene, an annual event in the Chicago area that raised money for multiple sclerosis research. It was named for Mr. Dreesen’s sister Darlene Bethman, who had been diagnosed with the disease and died in 1989.
Thomas Eugene Dreesen was born on Sept. 11, 1939, in Harvey. His father, Walter, played trumpet in a band before taking factory jobs, and his mother, Glenore (Algoe) Dreesen, was a bartender. Life was difficult for the family of 10, as Tom’s father sank into alcoholism.
“I often joked that Daddy would rather hear that he had six months to live than to hear we were out of Schlitz,” Mr. Dreesen wrote in his memoir.
In the book, he recalled a nagging feeling that he looked less like his siblings than two of his male cousins. When he was a teenager, he confronted their father, who admitted that he was his biological father.
“I was grateful my uncle had shared the truth, painful as it was,” Mr. Dreesen wrote.
Growing up, Tom shined shoes in a tavern, sold newspapers, and caddied. After dropping out of high school, he served in the Navy for four years, worked in construction, and sold life insurance.
In 1968, while volunteering with the US Junior Chamber of Commerce, a civic group, he met Reid. Together they worked on a drug prevention program, making students laugh while encouraging them to think about their life choices. An eighth grader thought they were funny enough to be a comedy team, so Mr. Dreesen and Reid decided to give it a try as Tim and Tom.
Billing themselves as the nation’s only Black and white comedy team, they performed on the chitlin’ circuit of Black-owned venues, Playboy Clubs, prisons, and schools for about five years until Reid left to be a solo comic and actor. In 1978, he was cast as the hip disc jockey Venus Flytrap on the CBS sitcom “WKRP in Cincinnati.”
Mr. Dreesen and Tim Reid, at a Seminole Hard Rock Hotel and Casino event in Tampa in 2009.Shea Walsh/AP Images for Seminole Hard Rock Hotel & Casino Tampa
Mr. Dreesen moved to Los Angeles, where he gradually built his stand-up reputation at the Comedy Store, a club that also nurtured the rise of Letterman, Leno, Robin Williams, and Elayne Boosler.
But they were performing for nothing.
“Tom and George Miller” -- another comedian -- “started doing the math on how much money the Comedy Store was generating for itself and how much money was not being paid to the comics,” Letterman said. “They decided, ‘Wait a minute, the reason people are coming to the Comedy Store is the comics, not the watered-down drinks.’”
Mr. Dreesen led a two-month strike of about 100 comics against the comedy club in 1979. It ended with an agreement that included the club paying the comics $25 for each 20-minute set performed at its locations in West Hollywood and Westwood, according to The Los Angeles Times.
“Tom was the spearhead,” Letterman said, adding, “Now, by God, if you work at the Comedy Store, you’re not working for free, you can make a living working there.”
In addition to his daughters, Mr. Dreesen leaves four grandchildren, three great-grandchildren; his sisters Margie Brooke, Judi Austell, and Alice Dreesen; and his brothers Glenn, Wally, and Dennis Dreesen. His marriage to Maryellen Sebock ended in divorce. His son, Tom, died in 2022.
Mr. Dreesen’s final TV appearance came earlier this month on “Comics Unleashed with Byron Allen,” which replaced Stephen Colbert’s canceled CBS late-night show.
Mr. Dreesen had previously said his time with Sinatra was special, for many reasons.
“If he loved you, he worshipped the ground you walked on,” he told The Desert Sun newspaper in 2014. ”In a lot of ways, he was like a father to me. I didn’t have a father that really cared that much where I was and what I did. But Frank would give me advice and counsel, and then he was a buddy in a lot of ways. I thought the world of him."
Material from the Associated Press was used in this obituary.
This article originally appeared in The New York Times.
Tom Dreesen, comic who kept Sinatra’s crowds laughing, dies at 86 ByRichard SandomirNew York Times
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-26
Tom Dreesen, comic who kept Sinatra’s crowds laughing, dies at 86
By Richard Sandomir New York Times,Updated June 23, 2026, 11:59 a.m.Mr. Dreesen, shown in 2011, performed dozens of times on "The Tonight Show" and with David Letterman.Chris Carlson/AP Photo/Chris Carlson
Tom Dreesen, a comic whose nearly 60-year career began as the white half of a rare interracial stand-up duo with Tim Reid and who later became a reliably funny staple of late-night television and Frank Sinatra’s longtime opening act, died June 17 at his home in Sherman Oaks, Calif. He was 86.
His daughters, Amy Barbuscia and Jennifer Garber, announced the death but did not provide a cause. He had been successfully treated for appendiceal cancer in 2019.
Mr. Dreesen was a smooth, clean performer whose self-effacing routines revolved around subjects like family (he was one of eight children who grew up in poverty), religion (he was Roman Catholic), sports (he was a Chicago Cubs and Bears fan), and Irish and Italian culture (he was a mixture of both).
“He was a total craftsman and professional, which is undervalued in comedy,” Robert Wuhl, a comedian and actor, said in an interview.
David Letterman, a close friend, said that Mr. Dreesen’s comedy grew out of his upbringing in Harvey, Ill., a struggling, low-income suburb of Chicago.
Watch Mor
“He once talked about how poor he was, and how five siblings slept in one bed,” Letterman said in a phone interview. “Four of the five wet the bed and the fifth became a great swimmer. If you put a microscope on the joke, it’s unpleasant -- a puddle of urine in the bed -- but it’s sweet. That was Tom.”
Mr. Dreesen appeared dozens of times on Letterman’s shows and on “The Tonight Show,” with Johnny Carson and then Jay Leno. In 1975, after being bumped three times before his first “Tonight Show” appearance, he delivered a routine that ended with Carson giving him his signature “OK” hand gesture of approval that comedians dreamed of getting.
Keep scrolling down
He did so well that night, Mr. Dreesen said, that the next day, CBS signed him to a development deal; sent him a check for $10,000; and guaranteed him $1,850 a month for a year, which eased his family’s financial burden. No programming came of the CBS deal but he soon became one of the busiest comedians in the country, working in clubs, arenas, and on television.
In 1983, while he was opening for Smokey Robinson, Mr. Dreesen met Sinatra’s lawyer, Mickey Rudin, and impressed him with his glibness. Soon after, Mr. Dreesen got an offer to open for Sinatra in Atlantic City.
“I thought, ‘Wow, this is great. I’ll work with him for a week, and I’ll get a picture taken with him, which I can hang inside every tavern in Harvey and that’ll be that,’” he recalled in “Still Standing … My Journey From Streets and Saloons to the Stage, and Sinatra” (2020), written with Darren Grubb and Johnny Russo.
That week turned into 13 years with Sinatra, performing in 45 to 50 cities annually. “This was truly the life I wanted,” he wrote, reflecting on idolizing Sinatra since he was a boy. “From my vantage point, every night, there was no TV series, no radio show, no movie deal that compared to what I was experiencing.”
After Sinatra’s death in 1998, Mr. Dreesen was a pallbearer and the emcee at his funeral.
Sinatra is one of many subjects that Mr. Dreesen discusses in a podcast -- “Who’s Tom Dreesen?” -- that he started earlier this year with Joe Goal, a friend and actor. “He wanted to get his life out there,” Goal said in an interview.
Mr. Dreesen was also renowned for his philanthropic work, often as the host of fund-raising events for charities, including those supported by pro-am golf tournaments; he was an ardent golfer.
In 1997, Jim Murray, the Pulitzer Prize-winning sports columnist of The Los Angeles Times, wrote that Mr. Dreesen was as “necessary to the well-being of the game’s essential pro-ams as the ropes, the marshals, the scorekeepers, the army of other volunteers.”
In 1982, he began organizing A Day for Darlene, an annual event in the Chicago area that raised money for multiple sclerosis research. It was named for Mr. Dreesen’s sister Darlene Bethman, who had been diagnosed with the disease and died in 1989.
Thomas Eugene Dreesen was born on Sept. 11, 1939, in Harvey. His father, Walter, played trumpet in a band before taking factory jobs, and his mother, Glenore (Algoe) Dreesen, was a bartender. Life was difficult for the family of 10, as Tom’s father sank into alcoholism.
“I often joked that Daddy would rather hear that he had six months to live than to hear we were out of Schlitz,” Mr. Dreesen wrote in his memoir.
In the book, he recalled a nagging feeling that he looked less like his siblings than two of his male cousins. When he was a teenager, he confronted their father, who admitted that he was his biological father.
“I was grateful my uncle had shared the truth, painful as it was,” Mr. Dreesen wrote.
Growing up, Tom shined shoes in a tavern, sold newspapers, and caddied. After dropping out of high school, he served in the Navy for four years, worked in construction, and sold life insurance.
In 1968, while volunteering with the US Junior Chamber of Commerce, a civic group, he met Reid. Together they worked on a drug prevention program, making students laugh while encouraging them to think about their life choices. An eighth grader thought they were funny enough to be a comedy team, so Mr. Dreesen and Reid decided to give it a try as Tim and Tom.
Billing themselves as the nation’s only Black and white comedy team, they performed on the chitlin’ circuit of Black-owned venues, Playboy Clubs, prisons, and schools for about five years until Reid left to be a solo comic and actor. In 1978, he was cast as the hip disc jockey Venus Flytrap on the CBS sitcom “WKRP in Cincinnati.”
Mr. Dreesen and Tim Reid, at a Seminole Hard Rock Hotel and Casino event in Tampa in 2009.Shea Walsh/AP Images for Seminole Hard Rock Hotel & Casino Tampa
Mr. Dreesen moved to Los Angeles, where he gradually built his stand-up reputation at the Comedy Store, a club that also nurtured the rise of Letterman, Leno, Robin Williams, and Elayne Boosler.
But they were performing for nothing.
“Tom and George Miller” -- another comedian -- “started doing the math on how much money the Comedy Store was generating for itself and how much money was not being paid to the comics,” Letterman said. “They decided, ‘Wait a minute, the reason people are coming to the Comedy Store is the comics, not the watered-down drinks.’”
Mr. Dreesen led a two-month strike of about 100 comics against the comedy club in 1979. It ended with an agreement that included the club paying the comics $25 for each 20-minute set performed at its locations in West Hollywood and Westwood, according to The Los Angeles Times.
“Tom was the spearhead,” Letterman said, adding, “Now, by God, if you work at the Comedy Store, you’re not working for free, you can make a living working there.”
In addition to his daughters, Mr. Dreesen leaves four grandchildren, three great-grandchildren; his sisters Margie Brooke, Judi Austell, and Alice Dreesen; and his brothers Glenn, Wally, and Dennis Dreesen. His marriage to Maryellen Sebock ended in divorce. His son, Tom, died in 2022.
Mr. Dreesen’s final TV appearance came earlier this month on “Comics Unleashed with Byron Allen,” which replaced Stephen Colbert’s canceled CBS late-night show.
Mr. Dreesen had previously said his time with Sinatra was special, for many reasons.
“If he loved you, he worshipped the ground you walked on,” he told The Desert Sun newspaper in 2014. ”In a lot of ways, he was like a father to me. I didn’t have a father that really cared that much where I was and what I did. But Frank would give me advice and counsel, and then he was a buddy in a lot of ways. I thought the world of him."
Material from the Associated Press was used in this obituary.
This article originally appeared in The New York Times.
Tom Dreesen, comic who kept Sinatra’s crowds laughing, dies at 86 ByRichard SandomirNew York Times
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-06-26
Tom Dreesen, comic who kept Sinatra’s crowds laughing, dies at 86
By Richard Sandomir New York Times,Updated June 23, 2026, 11:59 a.m.Mr. Dreesen, shown in 2011, performed dozens of times on "The Tonight Show" and with David Letterman.Chris Carlson/AP Photo/Chris Carlson
Tom Dreesen, a comic whose nearly 60-year career began as the white half of a rare interracial stand-up duo with Tim Reid and who later became a reliably funny staple of late-night television and Frank Sinatra’s longtime opening act, died June 17 at his home in Sherman Oaks, Calif. He was 86.
His daughters, Amy Barbuscia and Jennifer Garber, announced the death but did not provide a cause. He had been successfully treated for appendiceal cancer in 2019.
Mr. Dreesen was a smooth, clean performer whose self-effacing routines revolved around subjects like family (he was one of eight children who grew up in poverty), religion (he was Roman Catholic), sports (he was a Chicago Cubs and Bears fan), and Irish and Italian culture (he was a mixture of both).
“He was a total craftsman and professional, which is undervalued in comedy,” Robert Wuhl, a comedian and actor, said in an interview.
David Letterman, a close friend, said that Mr. Dreesen’s comedy grew out of his upbringing in Harvey, Ill., a struggling, low-income suburb of Chicago.
Watch Mor
“He once talked about how poor he was, and how five siblings slept in one bed,” Letterman said in a phone interview. “Four of the five wet the bed and the fifth became a great swimmer. If you put a microscope on the joke, it’s unpleasant -- a puddle of urine in the bed -- but it’s sweet. That was Tom.”
Mr. Dreesen appeared dozens of times on Letterman’s shows and on “The Tonight Show,” with Johnny Carson and then Jay Leno. In 1975, after being bumped three times before his first “Tonight Show” appearance, he delivered a routine that ended with Carson giving him his signature “OK” hand gesture of approval that comedians dreamed of getting.
Keep scrolling down
He did so well that night, Mr. Dreesen said, that the next day, CBS signed him to a development deal; sent him a check for $10,000; and guaranteed him $1,850 a month for a year, which eased his family’s financial burden. No programming came of the CBS deal but he soon became one of the busiest comedians in the country, working in clubs, arenas, and on television.
In 1983, while he was opening for Smokey Robinson, Mr. Dreesen met Sinatra’s lawyer, Mickey Rudin, and impressed him with his glibness. Soon after, Mr. Dreesen got an offer to open for Sinatra in Atlantic City.
“I thought, ‘Wow, this is great. I’ll work with him for a week, and I’ll get a picture taken with him, which I can hang inside every tavern in Harvey and that’ll be that,’” he recalled in “Still Standing … My Journey From Streets and Saloons to the Stage, and Sinatra” (2020), written with Darren Grubb and Johnny Russo.
That week turned into 13 years with Sinatra, performing in 45 to 50 cities annually. “This was truly the life I wanted,” he wrote, reflecting on idolizing Sinatra since he was a boy. “From my vantage point, every night, there was no TV series, no radio show, no movie deal that compared to what I was experiencing.”
After Sinatra’s death in 1998, Mr. Dreesen was a pallbearer and the emcee at his funeral.
Sinatra is one of many subjects that Mr. Dreesen discusses in a podcast -- “Who’s Tom Dreesen?” -- that he started earlier this year with Joe Goal, a friend and actor. “He wanted to get his life out there,” Goal said in an interview.
Mr. Dreesen was also renowned for his philanthropic work, often as the host of fund-raising events for charities, including those supported by pro-am golf tournaments; he was an ardent golfer.
In 1997, Jim Murray, the Pulitzer Prize-winning sports columnist of The Los Angeles Times, wrote that Mr. Dreesen was as “necessary to the well-being of the game’s essential pro-ams as the ropes, the marshals, the scorekeepers, the army of other volunteers.”
In 1982, he began organizing A Day for Darlene, an annual event in the Chicago area that raised money for multiple sclerosis research. It was named for Mr. Dreesen’s sister Darlene Bethman, who had been diagnosed with the disease and died in 1989.
Thomas Eugene Dreesen was born on Sept. 11, 1939, in Harvey. His father, Walter, played trumpet in a band before taking factory jobs, and his mother, Glenore (Algoe) Dreesen, was a bartender. Life was difficult for the family of 10, as Tom’s father sank into alcoholism.
“I often joked that Daddy would rather hear that he had six months to live than to hear we were out of Schlitz,” Mr. Dreesen wrote in his memoir.
In the book, he recalled a nagging feeling that he looked less like his siblings than two of his male cousins. When he was a teenager, he confronted their father, who admitted that he was his biological father.
“I was grateful my uncle had shared the truth, painful as it was,” Mr. Dreesen wrote.
Growing up, Tom shined shoes in a tavern, sold newspapers, and caddied. After dropping out of high school, he served in the Navy for four years, worked in construction, and sold life insurance.
In 1968, while volunteering with the US Junior Chamber of Commerce, a civic group, he met Reid. Together they worked on a drug prevention program, making students laugh while encouraging them to think about their life choices. An eighth grader thought they were funny enough to be a comedy team, so Mr. Dreesen and Reid decided to give it a try as Tim and Tom.
Billing themselves as the nation’s only Black and white comedy team, they performed on the chitlin’ circuit of Black-owned venues, Playboy Clubs, prisons, and schools for about five years until Reid left to be a solo comic and actor. In 1978, he was cast as the hip disc jockey Venus Flytrap on the CBS sitcom “WKRP in Cincinnati.”
Mr. Dreesen and Tim Reid, at a Seminole Hard Rock Hotel and Casino event in Tampa in 2009.Shea Walsh/AP Images for Seminole Hard Rock Hotel & Casino Tampa
Mr. Dreesen moved to Los Angeles, where he gradually built his stand-up reputation at the Comedy Store, a club that also nurtured the rise of Letterman, Leno, Robin Williams, and Elayne Boosler.
But they were performing for nothing.
“Tom and George Miller” -- another comedian -- “started doing the math on how much money the Comedy Store was generating for itself and how much money was not being paid to the comics,” Letterman said. “They decided, ‘Wait a minute, the reason people are coming to the Comedy Store is the comics, not the watered-down drinks.’”
Mr. Dreesen led a two-month strike of about 100 comics against the comedy club in 1979. It ended with an agreement that included the club paying the comics $25 for each 20-minute set performed at its locations in West Hollywood and Westwood, according to The Los Angeles Times.
“Tom was the spearhead,” Letterman said, adding, “Now, by God, if you work at the Comedy Store, you’re not working for free, you can make a living working there.”
In addition to his daughters, Mr. Dreesen leaves four grandchildren, three great-grandchildren; his sisters Margie Brooke, Judi Austell, and Alice Dreesen; and his brothers Glenn, Wally, and Dennis Dreesen. His marriage to Maryellen Sebock ended in divorce. His son, Tom, died in 2022.
Mr. Dreesen’s final TV appearance came earlier this month on “Comics Unleashed with Byron Allen,” which replaced Stephen Colbert’s canceled CBS late-night show.
Mr. Dreesen had previously said his time with Sinatra was special, for many reasons.
“If he loved you, he worshipped the ground you walked on,” he told The Desert Sun newspaper in 2014. ”In a lot of ways, he was like a father to me. I didn’t have a father that really cared that much where I was and what I did. But Frank would give me advice and counsel, and then he was a buddy in a lot of ways. I thought the world of him."
Material from the Associated Press was used in this obituary.
This article originally appeared in The New York Times.
Fwd: The Jackie Mason / Raoul Felder Talk Show on SINATRA
Undated materialFrom: scott@falseducks.com | Received: 2026-06-28
Original Message --------
SUBJECT:
Fwd: The Jackie Mason / Raoul Felder Talk Show on SINATRA
DATE:
2026-06-28 11:46
FROM:
Will Friedwald <wfriedwald@gmail.com>
TO:
Scott Henderson <scott@falseducks.com>, "Ed O'Brien" <eob101@aol.com>
_Can you guys post this to the list? Possibly one of the Sinatraphiles
might have recorded it?_
Not long after Sinatra's death, Jackie Mason & Raoul Felder co-hosted a
talk / panel show for PBS. I remember that the four of us (Bill Boggs,
Mark Simone, Jonathan Schwartz, and myself) were on it. We were talking
about Sinatra (of course)! And I remember Jackie had some very
interesting, highly prescient things to say.
According to what I can find, Mason & Felder hosted a show called
CROSSING THE LINE in 1997, but the Sinatra show was (as I remember it)
after FS's death in 1998.
So I sent this to all the participants (who are all alive!) but none of
them had a copy or even a concrete memory of the show. I also wrote to
Jackie's daughter, Sheba, and she doesn't have it either. (It would help
to get Mr. Felder's contact info. He'd probably charge me $500 an hour
just to answer the phone!)
Does anyone else remember this?
And more importantly, does anybody happen to have a copy of this? I
would love to see it. (I don't think I ever watched it at all.)
Hoping that somebody can help! (and, if anybody is in town at the end of
July, don't miss Sheba Mason starring in a new biographical musical
about her Father. Write to me for details!)
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association
Lifetime Achievement Award for excellence in Jazz Journalism. He writes
about music and popular culture for _The Wall Street Journal, The New
York Sun, The New York Stage Review, Vanity Fair, Playboy_ magazine and
other publications. He is also the host of the radio show Sing! Sing!
Sing! [1] on San Diego KSDS [2] on Saturday mornings. He also is the
author of ten books including the award-winning _A Biographical Guide To
The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust
Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies,
and Jazz Singing._ He has written over 600 liner notes for compact
discs, received eleven Grammy nominations, and appears frequently on
television and other documentaries. He is also a consultant and curator
for Apple Music. Current books : _The Great Jazz And Pop Vocal Albums_
(Pantheon Books / Random House, November 2017), _Sinatra: The Song Is
You!_ - New Revised Edition (Chicago Review Press, May 2018) and
_Straighten Up and Fly Right: The Life and Music of __Nat King Cole _
(Oxford University Press, July 2020). He studied elocution with Prof.
Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
_"Will Friedwald knows more about the American Songbook than anyone I
can think of." _
(John McWhorter, THE NEW YORK TIMES February 19, 2026)
_"Will Friedwald is perhaps today's finest writer and historian of jazz
and pop vocalists." _
(Charles Isherwood, THE WALL STREET JOURNAL, February 8, 2026)
_"To have no talent is not enough."_ - Mazeppa
Links:
[1] http://jazz88.us/programs/Sing!_Sing!_Sing!/
[2] http://jazz88.us/
Fwd: The Jackie Mason / Raoul Felder Talk Show on SINATRA
Undated materialFrom: scott@falseducks.com | Received: 2026-06-28
Original Message --------
SUBJECT:
Fwd: The Jackie Mason / Raoul Felder Talk Show on SINATRA
DATE:
2026-06-28 11:46
FROM:
Will Friedwald <wfriedwald@gmail.com>
TO:
Scott Henderson <scott@falseducks.com>, "Ed O'Brien" <eob101@aol.com>
_Can you guys post this to the list? Possibly one of the Sinatraphiles
might have recorded it?_
Not long after Sinatra's death, Jackie Mason & Raoul Felder co-hosted a
talk / panel show for PBS. I remember that the four of us (Bill Boggs,
Mark Simone, Jonathan Schwartz, and myself) were on it. We were talking
about Sinatra (of course)! And I remember Jackie had some very
interesting, highly prescient things to say.
According to what I can find, Mason & Felder hosted a show called
CROSSING THE LINE in 1997, but the Sinatra show was (as I remember it)
after FS's death in 1998.
So I sent this to all the participants (who are all alive!) but none of
them had a copy or even a concrete memory of the show. I also wrote to
Jackie's daughter, Sheba, and she doesn't have it either. (It would help
to get Mr. Felder's contact info. He'd probably charge me $500 an hour
just to answer the phone!)
Does anyone else remember this?
And more importantly, does anybody happen to have a copy of this? I
would love to see it. (I don't think I ever watched it at all.)
Hoping that somebody can help! (and, if anybody is in town at the end of
July, don't miss Sheba Mason starring in a new biographical musical
about her Father. Write to me for details!)
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association
Lifetime Achievement Award for excellence in Jazz Journalism. He writes
about music and popular culture for _The Wall Street Journal, The New
York Sun, The New York Stage Review, Vanity Fair, Playboy_ magazine and
other publications. He is also the host of the radio show Sing! Sing!
Sing! [1] on San Diego KSDS [2] on Saturday mornings. He also is the
author of ten books including the award-winning _A Biographical Guide To
The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust
Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies,
and Jazz Singing._ He has written over 600 liner notes for compact
discs, received eleven Grammy nominations, and appears frequently on
television and other documentaries. He is also a consultant and curator
for Apple Music. Current books : _The Great Jazz And Pop Vocal Albums_
(Pantheon Books / Random House, November 2017), _Sinatra: The Song Is
You!_ - New Revised Edition (Chicago Review Press, May 2018) and
_Straighten Up and Fly Right: The Life and Music of __Nat King Cole _
(Oxford University Press, July 2020). He studied elocution with Prof.
Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
_"Will Friedwald knows more about the American Songbook than anyone I
can think of." _
(John McWhorter, THE NEW YORK TIMES February 19, 2026)
_"Will Friedwald is perhaps today's finest writer and historian of jazz
and pop vocalists." _
(Charles Isherwood, THE WALL STREET JOURNAL, February 8, 2026)
_"To have no talent is not enough."_ - Mazeppa
Links:
[1] http://jazz88.us/programs/Sing!_Sing!_Sing!/
[2] http://jazz88.us/
Fwd: The Jackie Mason / Raoul Felder Talk Show on SINATRA
Undated materialFrom: scott@falseducks.com | Received: 2026-06-28
Original Message --------
SUBJECT:
Fwd: The Jackie Mason / Raoul Felder Talk Show on SINATRA
DATE:
2026-06-28 11:46
FROM:
Will Friedwald <wfriedwald@gmail.com>
TO:
Scott Henderson <scott@falseducks.com>, "Ed O'Brien" <eob101@aol.com>
_Can you guys post this to the list? Possibly one of the Sinatraphiles
might have recorded it?_
Not long after Sinatra's death, Jackie Mason & Raoul Felder co-hosted a
talk / panel show for PBS. I remember that the four of us (Bill Boggs,
Mark Simone, Jonathan Schwartz, and myself) were on it. We were talking
about Sinatra (of course)! And I remember Jackie had some very
interesting, highly prescient things to say.
According to what I can find, Mason & Felder hosted a show called
CROSSING THE LINE in 1997, but the Sinatra show was (as I remember it)
after FS's death in 1998.
So I sent this to all the participants (who are all alive!) but none of
them had a copy or even a concrete memory of the show. I also wrote to
Jackie's daughter, Sheba, and she doesn't have it either. (It would help
to get Mr. Felder's contact info. He'd probably charge me $500 an hour
just to answer the phone!)
Does anyone else remember this?
And more importantly, does anybody happen to have a copy of this? I
would love to see it. (I don't think I ever watched it at all.)
Hoping that somebody can help! (and, if anybody is in town at the end of
July, don't miss Sheba Mason starring in a new biographical musical
about her Father. Write to me for details!)
Straighten Up & Fly Right!
W
Will Friedwald is the 2024 winner of the Jazz Journalists Association
Lifetime Achievement Award for excellence in Jazz Journalism. He writes
about music and popular culture for _The Wall Street Journal, The New
York Sun, The New York Stage Review, Vanity Fair, Playboy_ magazine and
other publications. He is also the host of the radio show Sing! Sing!
Sing! [1] on San Diego KSDS [2] on Saturday mornings. He also is the
author of ten books including the award-winning _A Biographical Guide To
The Great Jazz And Pop Singers, Sinatra: The Song Is You, Stardust
Melodies, Tony Bennett: The Good Life, Looney Tunes & Merrie Melodies,
and Jazz Singing._ He has written over 600 liner notes for compact
discs, received eleven Grammy nominations, and appears frequently on
television and other documentaries. He is also a consultant and curator
for Apple Music. Current books : _The Great Jazz And Pop Vocal Albums_
(Pantheon Books / Random House, November 2017), _Sinatra: The Song Is
You!_ - New Revised Edition (Chicago Review Press, May 2018) and
_Straighten Up and Fly Right: The Life and Music of __Nat King Cole _
(Oxford University Press, July 2020). He studied elocution with Prof.
Henry Higgins and musicology with Prof. Harold Hill.
Word up. Peace Out. Go forth and sin no more! (John 8:11)
_"Will Friedwald knows more about the American Songbook than anyone I
can think of." _
(John McWhorter, THE NEW YORK TIMES February 19, 2026)
_"Will Friedwald is perhaps today's finest writer and historian of jazz
and pop vocalists." _
(Charles Isherwood, THE WALL STREET JOURNAL, February 8, 2026)
_"To have no talent is not enough."_ - Mazeppa
Links:
[1] http://jazz88.us/programs/Sing!_Sing!_Sing!/
[2] http://jazz88.us/
Interesting 1943 article on Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-07-02
[image referenced in source but could not be recovered]
Interesting 1943 article on Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-07-02
[image referenced in source but could not be recovered]
Interesting 1943 article on Sinatra
Undated materialFrom: scott@falseducks.com | Received: 2026-07-02
[image referenced in source but could not be recovered]
“Over the Land”
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2026-07-04
Happy 4th to those who may celebrate!
Question: has anyone ever heard Frank Sinatra’s, Jr.’s patriotic musical
composition, “Over the Land”?
If so, where?
And is it available anywhere (other than the Library of Congress)?
Thanks,
Gil Gigliotti
“Over the Land”
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2026-07-04
Happy 4th to those who may celebrate!
Question: has anyone ever heard Frank Sinatra’s, Jr.’s patriotic musical
composition, “Over the Land”?
If so, where?
And is it available anywhere (other than the Library of Congress)?
Thanks,
Gil Gigliotti
“Over the Land”
Undated materialFrom: Gilbert Gigliotti <gilbertgigliotti@gmail.com> | Received: 2026-07-04
Happy 4th to those who may celebrate!
Question: has anyone ever heard Frank Sinatra’s, Jr.’s patriotic musical
composition, “Over the Land”?
If so, where?
And is it available anywhere (other than the Library of Congress)?
Thanks,
Gil Gigliotti
FRANK WASHING HIS CAR AT HOME IN HASBROUCK HEIGHTS SUMMER 1943
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-11

FRANKIE STRIKES OIL AND REGRETS IT
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-13
4-21-50

FRANK WITH THE DORSEY BAND
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-22
Hollywood Palladium 1940



REMEMBERING FRANK FROM "ETERNITY"
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-23
7-22-86


SINATRA AND HIS MUSIC
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-23
7-22-98

SINATRA'S 20 BEST SELLING SINGLES
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-23
7-22-24

PLAS JOHNSON OBIT. WORKED WITH FRANK FROM 1955 TO 1988 NUMEROUS SESSIONS, CONCERTS, TV
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-24
Plas Johnson, saxophonist behind ‘The Pink Panther,’ dies at 94
By Matt Schudel New York Times,Updated July 23, 2026, 4:41 p.m.
Plas Johnson, a Hollywood studio musician whose loping tenor saxophone in the opening credits of the 1963 film “The Pink Panther” brought a playful bounce to one of the most recognizable movie themes of all time, died July 15 at his home in Los Angeles. He was 94.
His children Eric Johnson and Stephanie Oliver confirmed the death, and said their father had performed at his retirement community as recently as a month earlier.
Plas Johnson had an ample list of credits as varied as 1950s rock ‘n’ roll hits, TV theme songs, and recording dates with superstars. But the work that stood out was the theme of “The Pink Panther,” written by Henry Mancini for the slapstick detective comedy directed by Blake Edwards and starring Peter Sellers as the pompous and bumbling French police inspector Jacques Clouseau.
Thirty seconds into the animated credit sequence, featuring a monocled pink panther, Mr. Johnson’s saxophone plays a 16-bar theme that is, all at once, slinky, seductive, and mysterious, with a mischievous touch of humor. Later in the piece, he kicks into a swinging solo -- improvised in the studio -- before the playful opening theme returns.
Mancini and Mr. Johnson had worked together on Mancini’s gritty theme for “Peter Gunn,” a noirish TV detective drama that premiered in 1958. The full album, “The Music From ‘Peter Gunn,’” won the first-ever Grammy Award for album of the year.
As he was composing the music for “The Pink Panther,” Mancini wrote the piece with Mr. Johnson in mind. “I nearly always precast my players and write for them and around them, and Plas had the sound and the style I wanted,” he recalled in his 1989 book “Did They Mention the Music?” written with jazz journalist Gene Lees.
The recording session took place at 8 a.m. on a cold winter’s day. “We only did two takes, I think,” Mr. Johnson told The Modesto Bee in 2007. “When we finished, everyone applauded, even the string players. And that’s saying something.”
He added, “They never applaud for anything.”
Released as a single, the “Pink Panther” theme became a Top 10 hit in the adult contemporary category and won three Grammys, including for best instrumental arrangement. Years later, Mr. Johnson began to play the tune in his nightclub appearances.
“I sometimes get people coming up and telling me that I sound just like the original version,” he told The Long Beach Press-Telegram in 2005, “and their eyes get real big when I tell them that was me on the original.”
Plas John Johnson Jr. was born in Donaldsonville, La., west of New Orleans, on July 21, 1931. His first name, which rhymes with “jazz,” derives from the French word “plaisant,” meaning pleasant or agreeable. Plas was the middle of three children in a musical family.
“My mother, Grace, played piano and sang,” he told The Bee. “My dad, Plas Sr., played alto sax. They hustled work everywhere we lived. We would travel up and down the bayou on weekends. They would play wherever they could, in bars and restaurants, dances.”
Plas was 12 when his father bought him a soprano saxophone and gave him rudimentary lessons. He soon progressed to the larger alto, tenor, and baritone saxophones, later adding the clarinet and flute. He and his older brother, Ray, a pianist, and their younger sister, Gwen, a singer, often performed together.
As a teenager, he performed in New Orleans, where he played blues, Dixieland, and jazz, and excelled at the intricate, fast-paced bebop style pioneered by Charlie Parker in the 1940s. In 1951, he joined the touring band of Charles Brown, a popular R&B singer, before being drafted into the Army, for which he played in a military band in California.
He settled in Los Angeles in the mid-1950s and became one of the first Black musicians to establish a foothold in the busy West Coast film- and recording-studio scene.
On any given day he was called on to play rhythm-and-blues, support the silky strings of an orchestra, or knock out a hard-hitting solo for a rock tune. He became a mainstay of the Wrecking Crew, an ad hoc group of musicians known for their ability to adapt to any style of music.
Mr. Johnson was part of studio ensembles that recorded theme songs of such TV shows as “The Monkees,” “Mannix,” and “The Odd Couple.” He backed singers as diverse as Barbra Streisand, Frank Sinatra, Frank Zappa, Dr. John, Elton John, Ella Fitzgerald, and Marvin Gaye.
A versatile reed player, he supplied the piccolo solo on the 1958 hit by Bobby Day, “Rockin’ Robin”; appeared on “Pet Sounds,” the Beach Boys’ classic album from 1966; and added a flute solo to Nicolette Larson’s Top 10 hit in 1979, “Lotta Love.” At night, he played with small groups in jazz clubs and released more than a dozen albums under his own name.
He also spent 15 years in the band of TV talk-show host Merv Griffin and was a member of jazz bands led by Frank Capp and Gene Harris. In 2006, he recorded a new version of the theme for a film remake starring Steve Martin as Clouseau.
Mr. Johnson was featured in the 2008 documentary “The Wrecking Crew,” about the acclaimed but largely anonymous Los Angeles studio musicians. In later years, he focused on jazz, applying “his warm and furry tone to a set of variations combining fast-fingered ornamentation with driving swing phrases,” critic Don Heckman wrote in a review of one of his performances for the Los Angeles Times.
Mr. Johnson’s first marriage, to Elizabeth (Blinkenberg) Johnson, ended in divorce. In addition to his son Eric and daughter Stephanie, he leaves Philip Nunn, another child with his wife of 60 years, Carol Johnson, who also survives him; three children from his first marriage, Cheryl Johnson, David Johnson, and Denise Hurley; eight grandchildren; and 12 great-grandchildren.
In his years in the studios, Mr. Johnson became known for his ability to punch up a tune with a sparkling solo that might last for only a few seconds. It was the product, he told the San Francisco Chronicle in 2007, of “years on the road in clubs, learning about 5,000 tunes, playing behind singers and stripteasers, and for dancers. People got up and danced, or rocked in their chairs. That was your applause.”
This article originally appeared in The New York Times
a couple of photos
Undated materialFrom: 'Ed O'Brien' via Sinatraphiles <sinatraphiles@googlegroups.com> | Received: 2026-07-25
Frank Sinatra Danny Kaye Jean Arthur
There are Legends and then there are . . .


Re: September 1943 Cosmopolitan magazine
Undated materialFrom: scott@falseducks.com | Received: 2026-07-27
Whoops, missed the bottom half.
Here's a nice article about Frank Sinatra from the September 1943 Cosmopolitan magazine




September 1943 Cosmopolitan magazine
Undated materialFrom: scott@falseducks.com | Received: 2026-07-27
Here's a nice article about Frank Sinatra from the September 1943 Cosmopolitan magazine



another missed opportunity
Undated materialFrom: scott@falseducks.com | Received: 2026-07-27
I came across this article from the fall of 1957. It was advertising the "Crescendo" show on the Dupont network. The October 13th episode would have had Bing, Frank Sinatra, and Rosemary Clooney in a musical version of Junior Miss. I check newspaper listings for the 13th but couldn't find anything.
Scott

July 27 Frank and Mia
Undated materialFrom: michel macaire <michelmacaire@hotmail.com> | Received: 2026-07-28
Newly weds Frank and Mia were the guests of honor at a party tonight at the 21 Club in NYC. The gathering was hosted by publisher Bennett Cerf and Leland Howard
